Podcasts about Pinafore

In this episode we'll explore Franco-American theatre, particularly community theatre here in Lewiston.  We'll hear from three Francos in community theatre today: John Blanchette, Paul Caron, and Roger Philippon.  In The Archivist's Corner Anna will share theatre programs, a desk from a local Franco-American author,  and a local French-language translation of  Gilbert & Sullivan's comic opera H.M.S. Pinafore. Merci, et très bonne écoute! Read More About It Dumas, E. (1975). Mirbah: Un roman.  National Development Center for French. (Original work published 1912) Though the title character is a Franco-American actress from New England, she  is very different from Eva Tanguay (mentioned below).  The story is as much a survivance narrative as it is a theatre story. Erdman, A.  (2012). Queen of vaudeville : The story of Eva Tanguay. Cornell University Press. Eva Tanguay was an outrageous real-life vaudeville star, the Madonna or Lady Gaga of her day–and a New England Franco-American. Saucier, R. P. (1961, September 14). Le théâtre Franco-américain de Lewiston.  Le Messager, 7.  This is the article I reference at the beginning. Salvas-Coulombe Theatre Collection (McArthur Library, Biddeford)   https://mcarthur.pastperfectonline.com/archive/C4BD3DEB-F9AE-487B-BD3A-758900883829

Guest Nolan Lawson Panelist Richard Littauer | Eric Berry | Justin Dorfman Show Notes In this episode of Sustain, Richard, Justin, and Eric revisit an unreleased interview with Nolan Lawson from 2020. They discuss Nolan's experience as a former maintainer of PouchDB, the emotional labor of being an open source maintainer, and the challenges that led him to step away from such high-profile projects. Nolan also shares his thoughts on the impact of reputation-driven development, open source community dynamics, and his journey towards a healthier relationship with open source. The conversation delves into the candid realities of burnout and the personal sacrifices often made by unpaid open source contributors. Nolan highlights his transition to more sustainable open source practices and his new interests including his work on a Mastodon client called Pinafore. Download now to hear more! [00:01:43] Nolan explains his background with PouchDB and shares his fascination with databases and browser technologies. [00:02:58] Richard shares his personal connection to PouchDB, mentioning how he discovered Nolan through his work on the project. [00:03:26] Nolan talks about his blog post form 2017 titled, “What it feels like to be an open source maintainer,” which reflected on the emotional toll and burnout he experienced for maintaining PouchDB. [00:05:33] Justin reflects on the impact of Nolan's blog post, describing it as a “shot heard around the world” in the open source community. [00:06:48] Eric asks why Nolan and other maintainers stay involved in open source despite the challenges. Nolan explains that reputational benefits and personal interest in the technology were initial motivators for staying involved. [00:10:27] Eric asks Nolan how he realized it was time to step away from maintaining PouchDB. Nolan shares that personal life changes helped him reassess his involvement in open source and reflects on advice he received from other maintainers. [00:14:36] Richard emphasizes the personal and emotional investment many maintainers have in their projects and Nolan acknowledges the privilege of being able to work on open source, but also the challenges it poses for maintainers who feel they cannot leave. [00:21:13] Nolan shares stepping away from PouchDB has improved his mental health and personal relationships and he maintains smaller open source projects. [00:24:00] Nolan explains the importance of being personally invested in a project and realizing when it's time to move on and Justin reflects on his own experience of stepping away from maintaining a project after years of involvement. [00:26:00] Eric asks if funding could have made a difference for Nolan's involvement in open source, and Nolan shares that he avoided funding, preferring to keep his work as a “labor of love.” [00:26:52] What is Nolan currently doing? He talks about maintaining a Mastodon client and focusing on personal projects that bring him joy. [00:30:00] Richard discusses the importance of balancing open source work with personal life and the need for a sustainable approach to maintaining projects. [00:30:46] Eric highlights the vulnerability and self-awareness Nolan has shown in discussing his open source journey, thanking him for sharing his experiences. [00:33:13] Find out where you can follow Nolan on the internet. Spotlight [00:33:41] Justin's spotlight is Metabase. [00:34:16] Eric's spotlight is Parametric. [00:35:08] Richard's spotlight is IPFS. [00:35:22] Nolan's spotlight is fake-indexeddb. Links SustainOSS (https://sustainoss.org/) podcast@sustainoss.org (mailto:podcast@sustainoss.org) richard@sustainoss.org (mailto:richard@sustainoss.org) SustainOSS Discourse (https://discourse.sustainoss.org/) SustainOSS Mastodon (https://mastodon.social/tags/sustainoss) Open Collective-SustainOSS (Contribute) (https://opencollective.com/sustainoss) Richard Littauer Socials (https://www.burntfen.com/2023-05-30/socials) Justin Dorfman X (https://twitter.com/jdorfman?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) Eric Berry X (https://x.com/coderberry?lang=en) Nolan Lawson Blog (https://nolanlawson.com/) Nolan Lawson Mastodon (https://toot.cafe/@nolan) “What it feels like to be an open source maintainer” (Blog post by Nolan) (https://nolanlawson.com/2017/03/05/what-it-feels-like-to-be-an-open-source-maintainer/) PouchDB (https://pouchdb.com/) Pinafore (https://pinafore.social/) Salesforce (https://www.salesforce.com/) Working in Public: The Making and Maintenance of Open Source Software by Nadia Eghbal (https://press.stripe.com/working-in-public) Metabase (https://www.metabase.com/) Parametric (https://github.com/ismasan/parametric) IPFS (https://www.ipfs.com/) fake-indexeddb (GitHub) (https://github.com/dumbmatter/fakeIndexedDB) Credits Produced by Richard Littauer (https://www.burntfen.com/) Edited by Paul M. Bahr at Peachtree Sound (https://www.peachtreesound.com/) Show notes by DeAnn Bahr Peachtree Sound (https://www.peachtreesound.com/) Special Guest: Nolan Lawson.

Gilbert and Sullivan were a prolific Victorian-era duo known for their comic operas, also referred to as operettas. The partnership comprised of dramatist W. S. Gilbert and composer Arthur Sullivan, and together they created 14 operettas... H.M.S. Pinafore, The Pirates of Penzance, and The Mikado to name just 3 of the most popular shows. The Railroad Hour produced radio adaptations of musicals of all types with Gordon MacRae taking the lead vocal role and other very talented people, some Metropolitan Opera stars, filling in the other roles. I have a playlist of "Railroad Hour" programs on this website.

In 1878, noted British comic opera legends W.S. Gilbert and Arthur Sullivan used their pens to create the timeless operetta “HMS Pinafore,” a work with numerous songs that have stood the test of time and are still beloved by … British people, Aaron Sorkin fans, Anglophiles and Victorian era time travelers stuck in our modern era. Sir Joseph's song in Pinafore gives us a great jumping off point for our thesis this week, as he sings about his ascension from from “office boy at an attorney's firm” to “Ruler of the Queen's Navy,” an odd career arch given that he has never been to sea before nor ever been on a ship of any kind, though he finds himself cast upon the most difficult ship of them all to navigate - the LeaderShip. (Yeah, we know, roundabout way to get to the metaphor … the writing staff is going through it this week, so … show grace, people). This week, our boys Sid and Keith will touch on a seldom-approached topic of leadership - the costs therein. Examining intentions, working within opportunities given, understanding reality versus unreality … well, let us just say that with this week's episode, you'll certainly be in a better place to govern your Leadership than the aforementioned late 1800s era fictional First Lord of the Admiralty. So, tune in and turn up this week's episode of The Overlap Podcast - you don't want to miss this voyage.  

SynopsisThese days, “musical piracy” can mean anything from illegal downloads to bootleg compact discs pressed in China.But back in 1878, the smash success of the Gilbert and Sullivan operetta HMS Pinafore resulted in a flurry of unauthorized “pirate” productions in the United States. The two resourceful Englishmen decided the best way to put a stop to it was to premiere their next collaboration in New York, thereby establishing its copyright under American law.And so, on today's date in 1879, it was Arthur Sullivan who conducted the pit orchestra of the Fifth Avenue Theater in Manhattan for the first full performance of their latest creation, titled, perhaps not coincidentally, The Pirates of Penzance.The New York Times review was glowing in its praise but did point out that the new work was strikingly similar to Pinafore.“There is genuine musical merit in several of the numbers,” it said. “… A chorus of policemen was the most musically humorous number of the evening and provoked more amusement than anything else. ... In response to repeated calls, the author and composer appeared before the curtain and bowed their acknowledgments.”Music Played in Today's ProgramGilbert and Sullivan - The Pirates of Penzance; D'Oyly Carte Opera; Royal Philharmonic; Isidore Godfrey, cond. London 425 196

Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers.In 1890, after this long and profitable creative partnership, Gilbert quarrelled with Sullivan and Carte concerning expenses at the Savoy Theatre; the dispute is referred to as the "carpet quarrel". Gilbert won the ensuing lawsuit, but the argument caused hurt feelings among the partnership. Although Gilbert and Sullivan were persuaded to collaborate on two last operas, they were not as successful as the previous ones. In later years, Gilbert wrote several plays, and a few operas with other collaborators. He retired, with his wife Lucy, and their ward, Nancy McIntosh, to a country estate, Grim's Dyke. He was knighted in 1907. Gilbert died of a heart attack while attempting to rescue a young woman to whom he was giving a swimming lesson in the lake at his home.Gilbert's plays inspired other dramatists, including Oscar Wilde and George Bernard Shaw, and his comic operas with Sullivan inspired the later development of American musical theatre, especially influencing Broadway librettists and lyricists. According to The Cambridge History of English and American Literature, Gilbert's "lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since".-bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today on the podcast, we're talking all things fleece — patterns, techniques, and everything in between. And then we each share a little something in our Sew Inspo segment.Sew What's New? Discussion Segment: Fleece Sew InspoRelated Links:Kaolin Boho Blouse, Caledonia Dreamin': caledoniadreamin.com/kaolin1 Mimosa Culotttes, Named Clothing: namedclothing.com/products/mimosa-culottes Lilja Dress, Pinafore, and Dress, Named Clothing: namedclothing.com/products/lilja-dress-pinafore-and-blouseKielo Wrap Dress and Jumpsuit, Named Clothing: namedclothing.com/products/kielo-wrap-dress Keystone Cardigan, Sew News: sewdaily.com/product/keystone-hooded-cardigan-sewing-pattern-download/ Palmer Pullover, Sew News: sewdaily.com/product/palmer-pullover-digital-pattern-download/Chat GPT's most popular sewing patterns for fleece: Simplicity 1281 Misses' & Plus Size Fleece Jacket:McCall's M6614 Misses' Fleece Poncho, Jackets, and HatsButterick B5824 Women's/Women's Petite Jacket and CoatKwik Sew K3981 Jackets Sewing PatternVogue V9366 Misses' JacketAmari Pullover, Seamwork: seamwork.com/catalog/amari Ellis Joggers, Sew Over It: sewoverit.com/product/ellis-joggers-pdf-sewing-pattern/ Jalie Patterns: jalie.com/All Around Crew, Matchy Matchy Sewing Club: matchymatchysewingclub.com/products/all-around-crew-pdf-sewing-pattern The Green Pepper, Inc.: thegreenpepper.com/ Nikko Turtleneck and Dress, True Bias: truebias.com/products/nikko-top-dress-1 Jenny, Seamwork: seamwork.com/catalog/jenny Hosted on Acast. See acast.com/privacy for more information.

For An Englishman Downunder , Fiona Watson interviews Ballarat based Tenor Jason Wasley, a principle performer for the Enduring Classics concert 'A touch of Spring. Held at Ballarat Anglican Catherdal, 2:30pm on Saturday 9 September. Australian tenor Jason Wasley received a scholarship in 1991 to attend the Victorian College of the Arts Opera Studio in Melbourne.  In 1993, Jason won the Herald-Sun Aria, which enabled him to further his studies in Europe.  The following year he represented Australia in the finals of the Placido Domingo World Operalia Competition in Vienna.  Jason then worked as an apprentice soloist with the Victorian State Opera, undertaking the roles of Sciarrone and The Gaoler in Tosca, Juan in Don Quichotte, Tarquinius in The Rape of Lucretia and Robin Oakapple in Ruddigore. After study at Bertrand Russell Institute of Languages in Italy, Jason moved to London where he was accepted into the National Opera Studio. There, he studied and performed in the roles of Figaro in The Barber of Seville, Silvio in Pagliacci, the title role in Billy Budd, Prince Tarquinius in The Rape of Lucretia, Sid in Albert Herring, Count Almaviva in The Marriage of Figaro, the title role in Eugene Onegin, Schaunard in La bohème and Belcore in L'Elisir d'Amore.  He worked for the Glyndebourne Festival and Touring opera companies performing in the chorus and covering the roles of the Second Prisoner in Fidelio, Patrocle in Iphigénie en Aulide, Morales in Carmen, the title roles in Eugene Onegin, Le Nozze di Figaro and Don Giovanni.  Jason has also worked with the Welsh National Opera's education programme, which included performing Don Giovanni and Escamillio from Carmen. He sang the Boatswain in H.M.S. Pinafore for D'Oyly Carte Opera, Figaro in The Barber of Seville for British Youth Opera, Peter in Hansel and Gretel for Clonter Opera and Belcore in L'elisir d'amore for Pegasus Opera Company.  He also sang Kullervo in the British premiere of Aulis Sallinen's Kullervo.  For Melbourne Opera, he has performed Papageno in The Magic Flute and Marullo in Rigoletto. For OzOpera, he sang Marcello in La bohème and Dancairo in Carmen. For Promac Productions he performed the roles of Pooh-Bah in The Mikado, The Pirate King in The Pirates of Penzance and Captain Corcoran in H.M.S. Pinafore.  In 2006, he moved from baritone to tenor and sang the tenor solos in Verdi's Requiem for the Melbourne Chorale, the roles of Don José in Carmen and Cavaradossi in Tosca for Melbourne Opera, the title role in Stravinsky's Oedipus Rex for Victorian Opera and Pinkerton in Madama Butterfly for OzOpera's national tour. Most recently, Jason Wasley has sung Alfredo in Opera Australia's touring production of La traviata, the tenor solos in Beethoven's Symphony No. 9 with Sydney Philharmonia, Florestan in Fidelio, Max in Der Freicschütz and the title role in Rienzi for Melbourne Opera, Verdi's Requiem with Sydney University Chamber Choir and Rodrigo in Otello for State Opera of South Australia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kevin-harper1/message

Jenni Bank was born in Johannesburg, South Africa, grew up in Binghamton, New York, & studied at Peabody Conservatory. She has worked with Seattle Opera, Opera Theatre of Saint Louis, Chicago Lyric Opera, New York City Opera, Anchorage Opera, Opera Delaware, Des Moines Metro Opera, Florentine Opera, Wolf Trap Opera, Tri-Cities Opera, Knoxville Opera, Hawaii Opera Theatre, Bard Summer Music Festival, Ash Lawn Opera, Amarillo Opera, Baltimore Concert Opera, Annapolis Opera, Mid-America Productions at Carnegie Hall, Alabama Symphony Orchestra, Royal Stockholm Philharmonic, Bergen Filharmoniske Orkester, Seoul Philharmonic, Los Angeles Philharmonic, & the BBC Symphony Orchestra. Performances include Marcellina (Marriage of Figaro), Samira (Ghosts of Versailles), Mrs. De Rocher (Dead Man Walking), The Mother (The Consul), 3rd Lady (Magic Flute), Ruth (Pirates of Penzance), Buttercup (H.M.S. Pinafore), Mrs. Twist (Brokeback Mountain), Emilia (Otello), Mrs. Lovett (Sweeney Todd), Mary (Flying Dutchman), Old Lady (Candide), Mrs. Peachum (Threepenny Opera), Golde (Fiddler on the Roof), Azucena (Il Trovatore), Witch (Hänsel und Gretel), Quickly (Falstaff), Dryad (Ariadne auf Naxos), Frugola (Il Tabarro), Principessa (Suor Angelica), Zita (Gianni Schicchi), Martha (Faust), Giulietta (Hoffmann), Marquise (Daughter of the Regiment), Petra (A Little Night Music), Fairy Queen (Iolanthe), Katisha (The Mikado), Filipyevna (Eugene Onegin), Verdi Requiem, Mozart Requiem, Haydn's Lord Nelson Mass, & Beethoven's 9th Symphony. She is the leading interpreter of the Duchess in Unsuk Chin's Alice in Wonderland, created the role of Firdaus Noman in Shalimar The Clown & is featured on the Cast Recording, won the Sullivan Foundation Award, is a Metropolitan Opera Competition semi-finalist, & is the Artistic Advisor for Tri-Cities Opera. Jenni is also the Analysis Operations Team Lead at the fast-growing tech startup DoWhatWorks and lives in Upstate New York with her husband and two adorable dogs (@theharleyandeo on instagram). Find Jenni at www.JenniBank.com & @jenni_bank My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Jenni Bank.

词汇提示1.operetta 轻歌剧2.verse 诗歌3.puns 双关4.wit 机智5.businesslike 高效的6.composer 作曲家7.satire 讽刺诗8.triumph 胜利9.scripts 脚本10.rehearsed 排练11.orchestra 管弦乐队12.separately 分别地13.humming 哼鸣原文Gilbert and SullivanGilbert and Sullivan are the authors of many lively and humorous operetta.These works are the most popular of their kind, and are regularly performed today.But the two authors are known almost as well for their arguments and disagreements.The famous partners were very different people with very different interests.William S Gilbert wrote the words that Sullivan set to music.Gilbert had a special talent for humorous verse.He loved puns and had a very quick wit.Personally, though, he was very businesslike.He had wanted to enter the military and always had the look of a soldier about him.He was fond of giving orders and disliked criticism of anything he did.Arthur S Sullivan, on the other hand, was a sensitive, emotional person whose main interest was music.Sullivan came from a poor family, but his musical talents and good looks had helped him to succeed.Sullivan wanted to write serious, classical music, but as a poor man, he needed a source of income.Sullivan also needed someone to direct him on his own.He had trouble deciding what to do.Gilbert and Sullivan never became really good friends, and at the end of their lives, they had little contact with each other.But the writer and musician needed each other.Gilbert needed a composer who could enliven his writings for the stage.Sullivan needed someone to write a text for his music.Sullivan, who tended to be lazy, needed someone to push him.A theatrical manager named Richard D'Oyly Carte arranged their first collaboration.Gilbert visited Sullivan and read him his satire on the legal system “Trial By Jury”.Sullivan loved the piece and quickly wrote the music.“Trial By Jury” was produced in 1875 and became the first triumph for the partners.D'Oyly Carte decided to form an acting company, which would stage future works by Gilbert and Sullivan.A string of successes follows: "The Sorcerer"in 1877; "H. M. S. Pinafore" in May 1878; "The Pirates of Penzance" in December 1878; "Patience" in 1881;"lolanthe" in 1882; "The Mikado" in 1885;"The Yeomen of the Guard" in 1888;and "The Gondoliers" in 1889.In spite of these successes, the two partners were not happy.Sullivan did not like the way Gilbert dominated their relationship.Sullivan had to write music for Gilbert's scripts.Why couldn't Gilbert write words for Sullivan's music?Gilbert, on the other hand, thought that Sullivan got the most of the credit for the success of their operates, and that he was overlooked.Gilbert was a driving force in the relationship.He was always writing new scripts and taking them to Sullivan.It was Gilbert who rehearsed the actors and supervised the productions.Sullivan had little to do with the actual performance.He usually did conduct the orchestra on opening night.The amazing thing is how these two different people produced such wonderful work.Each separately had difficulty writing something that the public wanted.Together, they were unbeatable.Gilbert's sharp and often cutting remarks were made acceptable by Sullivan's beautiful music.Gilbert satire might have made people angry, but Sullivan's music calmed them down.Even when the English people were the targets of Gilbert's criticisms, the audience went out of the theater humming these criticisms to Sullivan's music.翻译吉尔伯特和沙利文吉尔伯特和苏利文创作了许多生动幽默的轻歌剧。这些作品是同类作品中最受欢迎的，至今仍经常上演。但这两位作者的争论和分歧几乎同样为人所知。这些著名的合伙人是不同的人，有着不同的兴趣。威廉·S·吉尔伯特(William S Gilbert)写了沙利文谱成音乐的歌词。吉尔伯特有写幽默诗的特殊才能。他喜欢双关语，而且非常机智。不过，就个人而言，他非常务实。他曾想从军，而且总是一副士兵的样子。他喜欢发号施令，不喜欢批评他所做的任何事情。另一方面，亚瑟·S·苏利文是一个敏感、情绪化的人，他的主要兴趣是音乐。沙利文来自一个贫穷的家庭，但他的音乐天赋和英俊的外表帮助他取得了成功。沙利文想创作严肃的古典音乐，但作为一个穷人，他需要一个收入来源。沙利文也需要有人亲自指导他。他难以决定该做什么。吉尔伯特和沙利文从未成为真正的好朋友，在他们生命的最后阶段，他们彼此几乎没有联系。但是作家和音乐家彼此需要。吉尔伯特需要一个能使他的作品在舞台上生动起来的作曲家。沙利文需要有人为他的音乐写一段文字。沙利文很懒，需要有人来督促他。一位名叫理查德·德奥利·卡特的戏剧经理安排了他们的第一次合作。吉尔伯特拜访了沙利文，给他读了他对法律制度的讽刺作品《陪审团审判》。沙利文很喜欢这首曲子，很快就完成了配乐。《陪审团审判》制作于1875年，成为合伙人的第一个胜利。多伊利·卡特决定成立一家表演公司，为吉尔伯特和沙利文日后的作品演出。一系列的成功接踵而至:1877年的《魔法师》;1878年5月的《H. M. S. Pinafore》;1878年12月的《彭赞斯海盗》;1881年的《耐心》;1882年的《洛兰瑟》;1885年的《天皇》;1888年的《近卫自耕农》以及1889年的《船夫》。尽管取得了这些成功，但这两个合伙人并不快乐。沙利文不喜欢吉尔伯特主导他们的关系。沙利文必须为吉尔伯特的剧本作曲。为什么吉尔伯特不能为沙利文的音乐写歌词?另一方面，吉尔伯特认为苏利文获得了他们行动成功的大部分功劳，而他被忽视了。吉尔伯特是这段关系的推动力。他总是写新剧本，然后拿给沙利文看。是吉尔伯特为演员排练并监督制作。苏利文几乎没有参与演出。他通常会在首演之夜指挥管弦乐队。令人惊讶的是，这两个不同的人是如何创作出如此美妙的作品的。他们各自都很难写出公众想要的东西。他们在一起是不可战胜的。吉尔伯特尖锐而又尖刻的评论被沙利文优美的音乐所接受。吉尔伯特的讽刺可能会让人们愤怒，但沙利文的音乐让他们平静下来。即使英国人民是吉尔伯特批评的对象，观众走出剧院时也会哼着这些批评的歌，配上沙利文的音乐。

News: A coven member is participating in the Knit for Food Knit-a-thon on 3/26 (supporting Meals on Wheels, Feed America, World Central Kitchen, and No Kid Hungry)  You can sponsor our friend at https://givebutter.com/knitforfood23/clarakeegan and we will be having our next Patreon Crafty Hangout on that day in support! One of Emily's friends is directing an all-ages play about knitting at the Lifeline Theater in the Chicago area!  It's called Extra Yarn and it will be playing from 2/18 - 3/19 on Saturdays and Sundays https://lifelinetheatre.com/performances/2022-2023/extra-yarn/ Emily will be vending at the Lexington Comic Con 3/23 - 3/26 http://www.lexingtoncomiccon.com/ Emily will be vending at the Craftin' Outlaws market in Columbus, OH on 4/2 https://midwestcraftcon.com/marketplace/ Emily will be vending at the Goblin Market in Atlanta, GA on 4/22 https://timetravel.events/product/the-goblin-market-2023/   FO: Lauren made a pair of notions bags with leftover opossum print fabric from her Pinafore dresses     WIPS: Emily  - Musselburg Hat by Ysolda https://ysolda.com/products/musselburgh in Fiber Stash Dyeworks, Tweedy Toes base, Moss colorway https://www.fiberstashvt.com/tweedy-toes-sock-yarn - Northeasterly Blanket in Lantern Light Fellowship of the Rings Advent calendar mini skeins https://www.lanternlightyarn.com/ - Garter Stitch shawl design in Teal Torch Knits Mini Skein Set https://tealtorchknits.com/ - MKAL Clue 2 only modification in Earl Grey Fiber Co fingering weight, Figgy Pop and Mum's the Word colorways (back burnered)   Lauren - Heirloom Temperature Blanket by Suraya Hossain in Valkyrie Fibers Rainbow Temperature Gradient https://www.ravelry.com/patterns/library/heirloom-temperature-blanket - Vanilla hat in Hanalei Hand Dyed Yarn, fingering weight Kalalau colorway www.hanaleihanddyed.com  (back burnered) - Poncho design in La Hermandad natural colored Romney 2 ply fingering from Prado de Lana https://www.pradodelana.com/ and some deep stash, and some handspun tweed     Acquisitions:   Lauren - wool wash and people wash bar soaps from https://longwinterfarm.com/   Emily got many treasures on her recent trip to NY! - from Kinokuniya bookstore: a Kiki's Delivery Service Bakery paper model set, small foldable scissors, washi tape cutter, Fruits Basket manga - art print card from Honeybunch Lettering https://honeybunchlettering.com/ - from Brooklyn General, two skeins of La Bien Aimee in the Floromorganite and The Flying Knitter colorways - from Books Are Magic, Missing Witches: Recovering True Histories of Feminist Magic by Amy Torok and Risa Dickens - Big Bud Press tote bag https://bigbudpress.com/collections/all       Occult Corner: Part two of Lauren's deep dive that she is calling ‘Jack Parsons: Rocket Scientist, Occultist, Messy Bitch' He was a mad scientist that loved blowing things into space and loved Alestair Crowley's particular flavor of occultism.  In this second installment we cover Parson's troubles both personal and professional, spoiler alert: adding L Ron Hubbard into the mix didn't help anything and the Red Scare/Cold War was not kind to a progressive polyamorist in a drug-fueled sex-magic commune with access to classified military intelligence.   Self Promotion:   Emily's Fairy Pocket collection is available!  There are enamel pins, art prints, and project bags.  New stickers are in stock and look for the Zodiac pins to hit the shop in April   Lauren will be having a shop update on 3/26 with fresh Star Wars yarns!

The Executive Director of New York Gilbert & Sullivan Players and the veteran principal bass in the comic operas H.M.S. Pinafore, The Pirates of Penzance and The Mikado. David produced the all-new critically-acclaimed production of The Mikado, and co-produced I've Got a Little Twist, NYGASP's original cabaret. His other roles for NYGASP include fundraising, marketing, board development and strategic planning. David is a past president of North American Performing Arts Managers and Agents, recently completing six years of service as an officer of the board. He is the recipient of the 2018 Western Arts Alliance Mentoring Award and an Association of Performing Arts Professionals Leadership Fellow. 

Dr. Keith Colclough returns to the podcast for the third time! Dr. Colclough is an Assistant Professor of Voice and the Director of Opera.    We sit down to discuss what a healthy singing voice is, types of singing styles, and the upcoming comedic performance of H.M.S. Pinafore Details!   H.M.S. Pinafore Details    Thursday, February 23 & Saturday, February 25, 2023   Ticket link: https://arts.pepperdine.edu/events/2022-2023-season/pepperdine-opera-hms-pinafore.htm More info about the Center for the Arts can be found: https://arts.pepperdine.edu/ Music by Nolan Harvel  

This week's A Legacy Of Laughs features The Brooklyn Pinafore, the November 25, 1945, episode of The Fred Allen Show. More from The Fred Allen Show https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12022/LOL214.mp3 Download LOL214

As sustainably-minded garment makers, our goal is to make items that will have a long life and see lots of use. But what about when our bodies change? Everyone experiences fluctuations in shape and size, so in this solo episode I explore how we can future proof our garment projects to accommodate that fact. Support the podcast over on Patreon! Outerwear patterns Coats and jackets: The Richmond Coat by Tessuti (up to 48” bust) Flow Jacket and Coat by Atelier Scammit (up to 56” bust) Traveller Coat by Bella Loves Patterns (up to 44” bust, available in 2 heights) Nova Coat and Jacket by Papercut Patterns (up to 46.5” bust) Nova Curve Coat and Jacket by Papercut Patterns (up to 60.6” bust) Cardigan patterns: My current favourite: Jamie Cardigan by Ready to Sew (up to 42” bust) Patterns for cardigans worn open: Blackwood Cardigan by Helen's Closet (up to 62” bust) Kinder Cardigan by MIY Workshop/Wendy Ward (up to 48” bust) Fjord Cardi by Papercut Patterns (up to 46.5” bust) Image source: Papercut Patterns Shawl pins and closures: Metal shawl pins and closures from Textile Garden Other shawl pins from Textile Garden Image source: Textile Garden Wrap style cardigan patterns: Coppelia Cardi by Papercut Patterns (up to 46.5” bust) Pearl Cardigan by Tilly and the Buttons (up to 60” bust) Top, dress and jumpsuit patterns Boxy Woven tops/dresses: Block Tee by Paper Theory Patterns (up to 56” bust) Georgia Tee and Dress by Elizabeth Suzann Studio (up to 58” bust) Image source: Elizabeth Suzann Studio Oversized style patterns: Olya Shirt and Dress by Paper Theory Patterns (up to 56” bust) Ellsworth Shirt by Merchant and Mills (up to 55” bust) Mara Oversized Sweater by kdornbier designs (up to 46” bust) Trapeze shaped patterns: The Trapeze Dress by Merchant and Mills (up to 42” bust) Minttu Swing Top by Named Clothing (up to 46” bust) Rumi Tank by Christine Haynes (up to 56” bust) Top and dress patterns with gathering or pleating at the neckline or into a yoke or panel: Roscoe Blouse and Dress by True Bias (up to 44.5” bust) Roscoe Blouse and Dress by True Bias (up to 57.5” bust) Petite Choses Blouse and Dress by Atelier Scammit (up to 45” bust) Vali Dress and Top by Pattern Fantastique (up to 51.5” bust) The Florence Top and Dress by Merchant and Mills (up to 55” bust) Lisa Dress by Tessuti (up to 42” bust) Hinterland Dress by Sew Liberated (up to 58.5” bust) Image source: Sew Liberated Wrap dress and jumpsuit patterns: The Zadie Jumpsuit by Paper Theory Patterns (up to 56” bust) Hali Wrap Dress and Jumpsuit by Named Clothing (up to 53” bust) Kielo Wrap Dress and Jumpsuit by Named Clothing (up to 53” bust) The Etta Dress by Merchant and Mills (up to 55” bust) Wildwood Wrap Dress by Sew House Seven (up to 49” bust) Wildwood Wrap Dress Curvy by Sew House Seven (up to 58” bust) St Germain Wrap Dress by Liesl + Co. (up to 46” bust) ‘Faux-fit and flare' dress patterns: ZW Gather Dress by Birgitta Helmersson (up to 61” bust) Lyra Dress by Tilly and the Buttons (up to 61” bust) Elasticated waist dress and jumpsuit patterns: Lotta Dress by Tilly and the Buttons (up to 51” bust) Asha Dress by Style Arc (up to 68” bust) Nova Jumpsuit by True Bias (up to 44.5” bust) Nova Jumpsuit by True Bias (up to 57.5” bust) Trillium Dress and Tunic by Made by Rae (up to 59” bust) Lennox Boilersuit by Homer + Howells (up to 49” bust) Sofia Dress and Top by Victory Patterns (up to 44” bust) Sofia Dress and Top by Victory Patterns (up to 58” bust) Image source: True Bias Skirt, trouser, pinafore and dungarees patterns Elasticated waist skirt patterns: Mave Skirt by True Bias (up to 46.5” hip) Mave Skirt by True Bias (up to 59.5” hip) Sofia Pencil Skirt by Threads by Caroline (up to 50” hip) Image source: Threads by Caroline My favourite elastic waist trouser patterns: Luna Pants by Made By Rae (up to 59” hip) Arden Pants by Helen's Closet (up to 58” hip) Partly-elasticated trousers and shorts patterns: Emerson Pants and Shorts by True Bias (up to 46.5” hip) Emerson Pants and Shorts by True Bias (up to 61.5” hip) Dani Shorts and Pants by True Bias (up to 46.5” hip) Dani Shorts and Pants by True Bias (up to 61.5” hip) Rose Pants by Made by Rae (up to 62” hip) Aina Trousers and Culottes by Named Clothing (up to 56” hip) Image source: Named Clothing Buttonhole elastic: Image source: William Gee Amazing Check Your Thread listener Hinerangi @duckgoesoink experimented with hacking the Megan Nielsen Dawn Jeans pattern to include buttonhole elastic in the back of the waistband (shared through Stories). Trouser patterns with adjustable straps: Mitchell Trousers by Closet Core Patterns (up to 61” hip) Square Pants by Stoxx Patterns (up to 63” hip) Pinafore and dungarees patterns: Greta Dungarees by Made My Wardrobe (up to 53” hip) Yanta Overalls by Helen's Closet (up to 58” hip) Heyday Dungarees by Waves and Wild (up to 63” hip) Ivy Pinafore by Jennifer Lauren Handmade (up to 63” hip) Image source: Jennifer Lauren Handmade Bias cut patterns: Sadie Slip Dress by Tessuti (up to bust 42”) Evie Bias Skirt by Tessuti (up to 48” hip)

A new, eagerly-awaited installment in the much-loved series of outtakes and bloopers.Bald eagle-eared listeners may have noticed that the co-hosts of Save Me From My Shelf hail from different co(u)ntries, and that this is occasinally the so(u)rce of some acrimony. This bonus program(me) compiles those numero(u)s clips from the cutting room floor in which our transatlantic contretemps came to a head, and we really nailed o(u)r colo(u)rs to the mast. Who wins? Choose your fighter: Grover Cleveland or Michael Caine. Cover art © Catherine Wu.Episode themes: Scott Joplin, 'Maple Leaf Rag' (1899), performed by the US Marine Band (1906) and Gilbert and Sullivan, excerpts from 'H.M.S. Pinafore' (1878), performed by the Imperial Military Band (1907). Hosted on Acast. See acast.com/privacy for more information.

Original Air Date: January 19, 1945Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Brace Beemer (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Original Air Date: January 19, 1945Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Brace Beemer (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

The Fred Allen Show, originally broadcast November 25, 1945. The Allen's Alley question is, "What is your reaction to the President's health plan?" Fred and guest Leo Durocher perform an operetta titled, "The Brooklyn Pinafore." Also Part 5 of a 5 part Yours Truly Johnny Dollar story, The Amy Bradshaw Matter, originally broadcast November 25, 1955. The conclusion of the story. A pretty rough wind-up. Visit my web page - http://www.classicradio.streamWe receive no revenue from YouTube. If you enjoy our shows, listen via the links on our web page or if you're so inclined, Buy me a coffee! https://www.buymeacoffee.com/wyattcoxelAHeard on almost 100 radio stations from coast to coast. Classic Radio Theater features great radio programs that warmed the hearts of millions for the better part of the 20th century. Host Wyatt Cox brings the best of radio classics back to life with both the passion of a long-time (as in more than half a century) fan and the heart of a forty-year newsman. But more than just “playing the hits”, Wyatt supplements the first hour of each day's show with historical information on the day and date in history including audio that takes you back to World War II, Korea, and Vietnam. FDR, Eisenhower, JFK, Reagan, Carter, Nixon, LBJ. It's a true slice of life from not just radio's past, but America's past.Wyatt produces 21 hours a week of freshly minted Classic Radio Theater presentations each week, and each day's broadcast is timely and entertaining!

H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.Purchase the music (without talk) at:Gilbert and Sullivan: HMS Pinafore (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com 

The CT Gilbert and Sullivan Society is the subject of this week's program with Dr. John Dreslin, Assistant Music Director. We talk about the upcoming event to be held at Valley Regional High School, Deep River CT and listen to some of the music from H. M. S. Pinafore that will be performed October 15th and 16th. For more information you can call 860 554-1256 or go to www.CTGandS.org

Michael-John Hurney trained with the legendary Hayes Gordon and commenced his theatrical career with the rock musical Hair. An Australian tour of Oklahoma soon followed. He then appeared as Peter in Jesus Christ Superstar and played Simon several years later in a new production in Hong Kong. Other theatre credits include The Baker's Wife, The Pirates of Penzance, La Cage Aux Folles, Guys and Dolls, H.M.S. Pinafore, The Danny La Rue Show, The Rocky Horror Show, Bad Boy Johnny & The Prophets of Doom, And It's Got a Lovely Backyard, Rasputin and Lend me a Tenor. For a number of years Michael-John produced and starred in the highly successful, MeatBalls – Fat out of Hell. Michael-John has appeared on classic TV variety shows such as The Don Lane Show, Michael Parkinson, Midday with Ray Martin, The Bert Newton Show, and The Footy Show. He sang as part of a showcase for the Sydney 2000 Olympics bid at The Sydney Opera House. He is a featured voice on many TV & Radio commercials including soundtrack albums Moulin Rouge, Paris -The Rock Opera, La Cage Aux Folles, Oklahoma and his own Meatballs-Fat out of Hell ‘live' C.D. He has worked in the corporate arena as both lead performer and a creative force behind the highly successful impostors ‘The Three Waiters'. Michael-John performed the solo corporate show Luciano Pavlova – ‘The World's Biggest Comic Opera Star' all around the Globe. In Jakarta - Indonesia Michael-John performed the role of Jean Valjean for Les Miserables in Concert with the 70 piece Twilite Symphony Orchestra under the musical direction of Indonesia's leading conductor Addie MS and a 60-member choir. In 2004 Michael-John played Pontius Pilate in a London production of Jesus Christ Superstar, completing a trifecta with his casting in the musical. His very last corporate performance before returning to Australia was for David (Becks) & Victoria (Posh Spice) Beckham at their home (aka Beckingham Palace) in North London. In 2008, Michael-John joined the Andrew Lloyd Webber's world tour of Cats. His performance as Gus the Theatre Cat / Growltiger would earn Michael-John a highly prized nomination for the prestigious Green Room Theatre Awards as ‘Best Male Artist in a Featured Role'. The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Lexman is interviewing Sarma Melngailis about her upcoming YA novel Feretories. They talk about the story, the characters, and the Italian setting.

Gilbert und Sullivan - dieses Duo steht für nicht weniger als die englische komische Oper des 19. Jahrhunderts. Insbesondere ihre "H.M.S. Pinafore" steht Pate für die Entwicklung des modernen Musicals. Noch heute wird es aufgeführt - und begeistert das Publikum.

Talking Prisoner Cell Block H EP 40 Interview with Colette Mann Inmate Doreen AndersonWelcome to EP 40 of Talking Prisoner. Hosts Ken Mulholland and Matt Batten sat down with Colette Mann who played inmate Doreen Anderson. Colette has also been in many Australian TV shows and films, including The Champion, Between Wars, Cop Shop, Kitty and the Bagman, Always Afternoon, Outback Bound, The Flying Doctors, Stark, Snowy River: The McGregor Saga, The Client, JAG, Party of Five, The Dish, MDA, Blue Heelers, H.M.S. Pinafore and Fisk. Her theatre credits include Priscilla Queen of the Desert. She is also very well known for another big role as a series regular in Neighbours as Sheila Canning. We spoke to Colette about her life growing up and how she first got into acting and what it was like to work on shows like the Don Lane show and Good Morning Australia with Bert Newton and her time on Talkback radio. Colette was also in a three woman troupe called the mini Busettes with her Prisoner co stars Betty Bobbitt and Jane Clifton and spoke to us about how that troupe formed and what it was like working with Jane and Betty. We spoke in great length about her time in the movie Kitty and the bagman which Colette appeared in alongside Val Lehman. Colette told us about her first time on Neighbours in 1995 when she replaced Prisoner co star Caroline Gilmer who played Cheryl Starke who fell ill at the time. Colette also played Sheila Canning for over ten years on Neighbours and told us how she got the part and what it was like to work on Neighbours and why she left Neighbours (Talking Prisoner Exclusive). Colette also told us how she got the role of Doreen Anderson on Prisoner and what the audition was like. We discussed why she chose to leave the show and why she decided to come back for a guest appearance in 1984. Colette was able to share some beautiful memories of working alongside Sheila Florance and what it was like to shoot the escape scenes with Carol Burns who played Frankie Doyle dressed as nuns. Colette was also able to tell us why the Cameo of her, Fiona Spence and Val Lehman was not used on Wentworth. Please like and subscribe to our YouTube channel.  #colettemann #prisoner #cellblockh #wentworth #neighbours

In this episode, we discuss the current Indiana University Opera production, H.M.S. with music composed by Arthur Sullivan and libretto by W.S. Gilbert. This time, Elizabeth got the chance to speak with doctoral student Benjamin Czarnota who is singing the role of Sir Joseph Porter in this production, along with musicology master's student Maggie Eronimous. Put on your top hats and let's explore the Victorian world of Gilbert and Sullivan.

HMS PINAFORE; OR, THE LASS WHO LOVED A SAILOR COMPOSER: Arthur Sullivan LYRICIST: W.S. Gilbert BOOK: W.S. Gilbert DIRECTOR: W.S. Gilbert CHOREOGRAPHER: John D'Auban PRINCIPLE CAST: Blanche Roosevelt (Josephine), J.H. Ryley (Sir Joseph), Hugh Talbert (Ralph Rackstraw) OPENING DATE: December 1st, 1879 CLOSING DATE: December 27th, 1879 PERFORMANCES: 28 SYNOPSIS: Josephine, the daughter of a British Naval Captain, has become the object of two men's desires: Ralph, a lowly Sailor, and Sir Joseph, the First Lord of Admiralty. Trapped between society's expectations and her own heart's desires, Josephine must make a decision on whom to marry. Rupert and Richard Holmes detail the unparalleled significance on musical theatre history by Gilbert and Sullivan's second major collaboration, H.M.S. Pinafore, which established the popularity of witty patter songs and laid a framework for love stories told through operetta. The simplicity of the narrative and clarity of the stock characters has made the show a success which has delighted audiences through the ages. Upon its American premiere, H.M.S. Pinafore was an immediate success, launching a new standard for musical entertainment which would redefine what musical theatre could accomplish. Gilbert and Sullivan's joint and individual oeuvres are detailed through an analysis of their longstanding global popularity. Richard Holmes- A fixture of the New York Gilbert and Sullivan Players for forty years, he recently performed H.M.S. Pinafore's Captain Corcoran for the 215th time, and has earned kudos in 31 principal roles in all 13 Savoy operas across the United States and England. He made his stage debut in the Metropolitan Opera Childrens' Chorus and his extraordinary half-century career at the Met was recently highlighted in the acclaimed film The Opera House. He has additionally played 160 major roles at such venues as Glimmerglass Opera, Chicago Opera Theater, Virginia Opera, countless others, and soloed at major festivals across Europe and Russia. Rupert Holmes- the first person in Broadway history to solely win Tony® awards as author, composer and lyricist of a musical—The Mystery of Edwin Drood—which also won the Tony® for Best Musical. Add identical Drama Desk awards plus their additional category of Best Orchestration. He received the Best Book Drama Desk award for Curtains and Tony® noms for Book and Add'l Lyrics. For Say Goodnight, Gracie he received a Tony® Best Play nom and won LORT's National Broadway Theatre award. Twice a recipient of MWA's “Edgar” Award, his novels are Where the Truth Lies, Swing and The McMaster's Guide to Homicide. TV: Creator-writer of AMC's Remember WENN. SOURCES HMS Pinafore by WS Gilbert and Arthur Sullivan, published by Dover Publications (2002) HMS Pinafore, The D'Oyle Carte Company & Isidore Godfrey, Decca Records (1959) Ayre, Leslie. The Gilbert & Sullivan Companion. London: Papermac, 1985. Gilbert and Sullivan: HMS Pinafore starring Frankie Howerd and Peter Marshall, directed by Rodney Greenberg. Acord Media (1982)   The Topsy Turvy World of Gilbert and Sullivan by Keith Dockray and Alan Sutton, published by Fonthell Media (2020) Learn more about your ad choices. Visit megaphone.fm/adchoices

By Lucifer's beard! In deze aflevering hebben we het over misschien wel de meest legendarische Sideshow Bob aflevering ooit: Cape Feare. We maken kennis met HomerThompson, leren dat er olifanten zijn in Terror Lake en dat Homer onlangs een nieuwe kettingzaag en hockeymasker heeft gekocht. Bovendien geven we mee hoeveel harken Sideshow Bob tegen zijn neus krijgt én zingt Julian een stukje H.M.S. Pinafore.  What's not to like!

We sail the ocean blue / And our saucy ship's a beauty / We are sober men and true / And attentive to our duty… This week, our duty takes us not to the H.M.S. Pinafore but on Martin Scorsese's impressionistic river ride into the dark underside of America. That's right, we're talking 1991's CAPE FEAR! Along for the ride is multi-hyphenate film journalist Hanna Flint (@HannaFlint), who helps us unpack its strange production history, its relationship to the noirish original, and how Marty warped an Amblin blockbuster towards his particular sensibilities. Oh, and most importantly, Max Cady's wardrobe. It's a weird time for the Spielberg/Kennedy/Marshall production house, there's no doubt, but this outlier certainly sends us to heaven before sending us to hell! You can follow Hanna on Twitter @HannaFlint as well as listen to her Fade To Black and First Film Club podcasts whenever you get your podcasts! Follow the podcast on Twitter (@RamblinAmblin) and be sure to subscribe so you don't miss an episode! Get in touch with us either via Twitter or email rambinaboutamblin@gmail.com. Please also feel free to give us a 5-star review and tell us if ET or The Land Before Time makes you cry. Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

In a special, Christmas episode, the panel reads selections from W. S. Gilbert's libretto to H.M.S. Pinafore, and discusses how they are representative of Gilbert's penchant for comic 'topsy-turvy' plots which include keen-eyed social commentary.

Drew Forsythe first appeared on stage in Sydney over 40 years ago. He grew up in far north Queensland and his prolific career on film, stage, and television has seen him become one of our favourite actors; equally adept in dramatic, comic and musical roles.A graduate of NIDA, he spent several years performing with the Old Tote Theatre company and the exciting new Nimrod theatre company, in a variety of roles that included The Seagull, Much Ado About Nothing, Richard 3, Twelfth Night, The Club, Comedy of Errors, Gone with Hardy, Romeo & Juliet, Henry 4, The Life of Galileo, The Three Sisters, The Bacchoi, Are you now or have you ever been? and Servant of Two Masters.Among his legendary performances, the title roles of the heroic Tonino and the foolish Zanetto in the Nick Enright/Terence Clarke musical, The Venetian Twins, are always recalled in awe. The show was written for Forsythe. He originated these dual roles for Nimrod Theatre Company in the first Sydney Theatre Company season in 1979, and subsequently in two revivals.Other stage musical appearances include Big River, Strictly Ballroom, The Republic of Myopia, A Funny Thing Happened on the Way to the Forum, and the Gilbert and Sullivan comic operas H.M.S. Pinafore and The Mikado. Drama credits include Mrs. Warren's Profession and Under Milkwood for the Sydney Theatre Company.He can lay claim to the unique position of being in the company of productions as they have opened new theatre venues. These include the Drama Theatre at the Sydney Opera House, Nimrod, Belvoir, and the Sydney Theatre (the Roz Packer).For the film Caddie, Forsythe received the 1976 Australian Film Institute Award for Best Actor in a Supporting Role. His television appearances include The Miraculous Mellops, The Dingo Principle, and Three Men and a Baby Grand, satirical sketch television comedy programs for which he was a writer/performer with Phillip Scott and Jonathan Biggins. The 'Three Men' team started in revue at the Tilbury Hotel, and much of the thematic material from these revues has been revisited and developed in the Sydney Theatre Company's 'Wharf Revue' series.He is presently performing in the Sydney season of the Wharf Revue, now playing at The Seymour Centre. The show is the perfect tonic to the tumultuous year in politics, and delivers the laugh we all need. Drew is erudite, engaging and possessed of a brilliant career in Australian theatre. At long last we can add Drew Forsythe to the absorbing alumni on STAGES.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Riding high on the tide of their smash success, H.M.S. Pinafore, W.S. Gilbert and Arthur Sullivan enjoyed celebrity on both sides of the Atlantic.  While engaged in defending the integrity of their work against inferior pirated versions, they hastily completed and premiered a show about a group of inferior pirates.  Pirates of Penzance is almost certainly Gilbert and Sullivan's most enduringly popular collaboration, giving us memorable tunes and characters such as the steadfast Mabel, the swashbuckling Pirate King, and the Very Model of a Modern Major General.  By turns hilarious, incisive, and thrilling, this masterful operetta is a joy to experience. Furthermore, in keeping with the spirit of a Gilbert and Sullivan presentation, we have a one-act “opener,” Cox and Box.  This show, though comic and tuneful, pre-dates the famous partnership, and pairs Sullivan's compositions with a libretto by F.C. Burnand.  It's a charming farce, with a most unusual lullabye! Hosted by Pat and Rosie

Fredrik snackar med Martin Gunnarsson. Som uppvärmning pratar vi lite om bakgrunden till M vs M - Martins och Magnus just nu ofrekventa podd om allt som är viktigt. Sedan om var och hur man ska göra och publicera sina mindre projekt - ett av många mentala hinder som Fredrik sätter upp för sig när det gäller smågrejer. Hobbyprojekt leder oss naturligt in på Playway - appen tidigare känd som Lekplatskartan som Martin utvecklat och släppt. Det blir mycket kul om kartdata i allmänhet och data från Open streetmap i synnerhet. Avsnittet sponsras till vår stora glädje av GleSYS - eminenta VPS:er i egna miljövänliga datorhallar på svensk mark. Nytt sedan sist är att GleSYS nu också erbjuder S3-kompatibel datalagring. Oavsett om du behöver en Linux- eller Windows-VPS, en Kuberneteslösning, eller en Gitlabserver kan du komma igång på några minuter via GleSYS smidiga kontrollpanel. Sedan berättar Martin om charmen med webbramverket Svelte. Vi kommer in på att man kanske inte alltid måste veta exakt hur alla detaljer fungerar, det är ju mycket viktigare att faktiskt få något gjort, speciellt när det kommer till hobbyprojekt. Kanske är det helt okej att inte börja varje webbsak man skriver från document.getElementByID? Vi kommer fram till att vi båda föredrar ramverk som är bra på en sak och som inte försöker bli för generella och lösa alla världens problem på sitt eget sätt. Sist men inte minst berättar Martin om jobbet att försöka bygga Playway för Android. Eller att försöka komma på hur man ens gör anrop över nätet. Men det finns problem hos Apple också. Problem som gör att Skara-bor en period kraftigt missgynnades när de letade lekplatser. Och så besparar Martin Fredrik en stunds förvirrat sökande efter hur man får fram en vald position ur en kartvy på IOS och Macos. Ett stort tack till Cloudnet som sponsrar vår VPS! Har du kommentarer, frågor eller tips? Vi är @kodsnack, @tobiashieta, @oferlund, och @bjoreman på Twitter, har en sida på Facebook och epostas på info@kodsnack.se om du vill skriva längre. Vi läser allt som skickas. Gillar du Kodsnack får du hemskt gärna recensera oss i iTunes! Du kan också stödja podden genom att ge oss en kaffe (eller två!) på Ko-fi, eller handla något i vår butik. Länkar Martin Gunnarsson M vs M - Martin och Magnus podd om allt som är viktigt Magnus Zencastr Clubhouse De två bilderna på Martin och Magnus Netlify var det - inte Weebly Digital ocean apps Svelte Vercel Next.js Strapi Contentful Headless CMS Graphql Podcast chapters Mastodoninstansen som snackar podcasting 2.0 ID3-metadata SYLT SRT-formatet Playway - tidigare Lekplatskartan Openstreetmap Vinnova Kaj - marknadsför Playway Mongodb Postgres Postgis geofabrik.de Couchdb GleSYS GleSYS S3-kompatibla datalagring GleSYS datacenter Terraform VMWare KVM Gitlab Wordpress Plesk Kubernetes Rancher glesys.se create-react-app Babel Webpack Doktor Jekyll och mr Hyde Nolan Lawson - bygger mastodonklienten Pinafore och en emojiväljare Sveltekit - backendgrejer för Svelte Den vita C-boken - The C programming language Javascript: the good parts J2ME Hooks i React Jonathan Böcker pratade Flutter i avsnitt 420 Dagger för Android Dependency injection Fetch-API:et Alamofire Volley för Android Codable-API:et i Swift Elvisoperatorn Activities i Android Intents i Android Att få en punkt från en Apple-karta Titlar Det har legat i farans riktning Den har vi inte spelat in på länge Podda i en liten skrubb Kan vi inte bara snacka Det var ju ingen som lyssnade Goda vänner fast vi inte jobbar ihop Vem som har haft rätt flest gånger Mycket gentlemannamässigt 9-7 till mig Amazon integer storage En onaturlig position att stå i Tjonga upp En app som krokar in i ens Github Rätt ut på internet De tar slut där renderingen börjar De mynnar ut i ett API Tjonga ut något Synkroniserad sylt Asylt/await När det svåra är löst Nu är det bara en massa jobb kvar Passerat 16000 lekplatser Platsen är en lekplats Mycket cosinus Svält och sylt I linje med hur min hjärna fungerar En mörk och skuggig låda Alla kanske inte ska börja från noll En bieffekt av det jag vill göra Tutstormar Den där URL:en var inte tillräckligt korrekt Allting är jätteoptional Samma sak fast lite mer pladdrigt Min nuvarande huvudvärk Man håller hjärnan mjuk Mycket mer krattat i manegen Ibland ser man inte hela bilden

Will she make it to 4Play royalty status by winning her fourth game? Listen to Sara Callori go for the glory this week! Here are today's clues: 1. Applewhite Group, Barrier, California Landmark, Crash. 2. String, Golf Fringe, Pinafore, Raised Section of Ornamental Stonework Below a Window Ledge. 3. Loom, 1889 World's Fair Entrance, Tokyo Skytree, Wyoming Landmark. 4. Lizard, Clue Locale, Lollygag, Stones' Voodoo.

How do you get from The Opera to The Musical?  Any answer to that question would have to include the powerhouse Victorian English duo of Gilbert and Sullivan and their ground-breaking form of “light opera.”  Hilarious, cheerful, and energetic, they innovated both in opera and satirical comedy.  Not only were they beloved by theater-goers of the late nineteenth century, they remain popular to this day, influencing the creators of drama, film, and musical theater. This episode of Opera For Everyone focuses on two of Gilbert and Sullivan's earliest successes, Trial by Jury and H.M.S. Pinafore.  Join us for a close look at these two delightful shows. Hosted by Pat and Rosie.

Near the end of today's episode, Chris references The Pirates of Penzance, but we're pretty sure he meant H.M.S. Pinafore. What an asshole! Your hosts for today's episode were Christopher Winter, Jonathan Gibson, and ADAM CATSCRATCH. Check out Adam's band Ghost Bomber and podcast Sandwich Club. (Technically, Sandwich Club belongs to all of us. Want to record some episodes of Sandwich Club? There's literally no one stopping you.) Today's closing theme music is "TrueGarfieldLove" by Adam Catscratch. Like it? Why not check out his bandcamp? Or you can submit your own Being Jim Davis theme music here. Are there fine Being Jim Davis-themed wares available for sale in the Pitch Drop Store? We'll never tell... Today's strip Become a Patron! Or visit these other fine internet URLs: BJD Homepage | BJD Twitter | BJD Facebook Page | Pitchdrop Network Homepage

Nick Lowe And His Sound - [What's So Funny 'Bout] Peace Love and Understanding (1974) Nick Lowe And His Sound was Nick Lowe backed by Elvis Costello & The Attractions. Art Reynold Singers - Jesus Is Just Alright (1966) This is the first version of the song that went to #35 for The Doobie Brothers.  As the first gospel group to record for Capitol Records, they soon became pioneers in the development of “gospel rock”. Many considered their music too secular for the time. Their first album Tellin’ It Like It Is went on to become one of the biggest selling albums for a new gospel group. “Jesus Is Just Alright” was also covered by The Byrds. Arthur Prysock - Here's To Good Friends (1978) POACA will recall this as being the foundation for the Lowenbrau commercials. But Arthur Prysock's first single came out 20 years before this.  Burton Cummings - You Ain't Seen Nothing Yet (1976)  Buzz and Joey - The Willing Conscript (1965) Written by Gary Paxton. Joey Putzer changed his last name to Edmonds and formed a duo with comic Thom Curley. They appeared on Johnny Carson's "Tonight" show and many others. Edmonds later formed a talent agency in Chicago. Chicago Climax Blues Band - Seventh Son (1971)  Emmanuel Lewis - City Connection (Japanese Version ) (1981) Emmanuel Lewis was the little scamp that starred in Webster, opposite Alex Karras. Karras played for the Detroit Lions of the NFL. He (Karras, not Lewis) made four Pro Bowls and was a three-time first-team All-Pro player, but he also missed the 1963 season while serving a suspension for gambling. Many believe that suspension is what kept Karras (again, not the diminutive Lewis) from Canton while he was alive, though Green Bay Packers running back Paul Hornung, who also was suspended for gambling, was inducted into the Hall of Fame in 1986. Emmanuel Lewis was not.  After his playing career, Karras spent time as a professional wrestler and later became a popular actor. In his biggest role, he played Mongo in the 1974 film "Blazing Saddles". He played in the playoffs once, losing to Dallas 5-0. Emmanuel Lewis, as of this entry, has not been nominated for the NFL HOF. For more information on Alex Karras, also known in wrestling circles as "Dick The Bruiser", consult your local library. Or just click this.  Ella Fitzgerald - "Sanford and Son" Theme (Street Beater) (1972)  Vik Venus, Alias: Your Main Moon Man - Everybody's On Strike (1969) This was the B-side of "Moonlight", a space-based cut-in novelty record (ala Dickie Goodman). "Vic Venus" was a pseudonym for Jack Spector, a famous DJ known for his stint at WCMA, the New York City radio station that attached itself to the arrival of The Beatles in America. In fact, WCMA was the first station in the US to play "I Want To Hold Your Hand". Spector hosted the first American performance of the Beatles at Shea Stadium in 1964. "Moonlight" made it into the Billboard Top 40, barely. The record used cut-ins of Buddah Records songs exclusively.  James Brown ‎– Fight Against Drug Abuse (1971) Jeannie Piersol - Gladys (1968) Produced by Darby Slick. Watch this video!  Darby was Grace Slick's brother-in-law. His song "Somebody to Love" is still heard around the world.  Julie Ege -  Love (1971) Lou Christie - Love In A Limousine (1997) Pluto - Dat (1976) Went to #6 in the UK. Daughters of Eve - Social Tragedy (1968) This all-female band out of Chicago opened for groups such as The Buckinghams ("Kind of a Drag" ) and was featured as a backing band during local TV programming with Janis Ian to support the release of her song "Society's Child". They released 4 singles. This was their last, a more psychedelic affair than the others. Then they broke up because of...men.  Lou Christie - The One and Only Original Sunshine Kid (1975) Written by the same fellow that wrote: "I Think I Love You". On Elektra Records!? The music business was funny back then.  These next two tracks are from "The Spectrum of Music Level 6" released in 1974 to a world of restless children being forced to sing songs they did not like did not KNOW, and would forget as soon as class was over. BUT SOME OF US REMEMBERED. Here is a video of the unboxing.  Fender Bender (1974) The Cowboy (1974)  This collection (should you want me to make MP3s) contains "Sakura", "Johnny Has Gone For a Soldier", and a tight little medley from "The H.M.S. Pinafore".  Tartan Horde - Bay City Rollers We Love You (1975) More Contractual Obligation chicanery.  The Beach Boys - My Solution (1970) "My Solution" was written by Brian Wilson and recorded on October 31, 1970, shortly before the sessions for the group's album Surf's Up.  In a 1976 interview, Brian said: "We have a song called 'My Solution' which is a very odd song that has chromatic – strange chords, not regular triad chords. The notes are bunched up. It tells the story about how a guy found an old damsel outside his castle and decided to make her part of an experiment. ... It's about a guy who found his solution. It's a very odd, Boris Karloff eerie type of thing, so it's one of our more far-out, left-field things that we've done."  4 years before this, he composed "God Only Knows". I know I mentioned that a lot, but goddamn, drugs will wreck you. STAY AWAY FROM DRUGS! The Groop - A Famous Myth (1969) Midnight Cowboy is one of my favorite soundtracks. I really love this song, especially. The Groop was a harmony-based psychedelic pop and soul vocal quartet, active at the end of the 1960s and releasing one self-titled album. Not to be confused with the other Groop, based in Australia around that time. I know you were going to. Don't.  The Hello People - Jelly Jam (1969) Gotta collect all the records by The Hello People.  Vos Voisins- Ya just de t'ça (1971) Good Montreal prog.  Wallace Collection - My Way Of Loving You (1970) XTC - You're The Wish You Are I Had (Live) (1984) The best group of the '80s and '90s. Lyrics alone, they would be Top 3.  Gino Vannelli - People Gotta Move (1974) Sometimes I sneak in top 40 songs because I love them. 

Jerry Shannon, Artistic Director, with Pensacola Opera shares the exciting new of H.M.S. Pinafore from virtual access to the preventative measures in person, this is an opera experience you won’t want to miss!! He also gives updates of the funds received from Impact100, and what they’re doing to impact the community!

These days, “musical piracy” can mean anything from illegal downloads to bootleg compact discs pressed in China. But back in 1878, the smash success of the Gilbert and Sullivan operetta “HMS Pinafore” resulted in a flurry of unauthorized “pirate” productions in the United States. The two resourceful Englishmen decided the best way to put a stop to it was to premiere their next collaboration in New York, thereby establishing its copyright under American law. And so, on today’s date in 1879, it was Arthur Sullivan himself who conducted the pit orchestra of the Fifth Avenue Theater in Manhattan for the first full performance of their latest creation, entitled, perhaps not coincidentally, “The Pirates of Penzance.” The New York Times review was glowing in its praise, but did point out that the new work was strikingly similar to “Pinafore,” but opined, “There is genuine musical merit in several of the numbers,” and, “A chorus of policemen was the most musically humorous number of the evening, and provoked more amusement than anything else... In response to repeated calls, the author and composer appeared before the curtain and bowed their acknowledgments.”

These days, “musical piracy” can mean anything from illegal downloads to bootleg compact discs pressed in China. But back in 1878, the smash success of the Gilbert and Sullivan operetta “HMS Pinafore” resulted in a flurry of unauthorized “pirate” productions in the United States. The two resourceful Englishmen decided the best way to put a stop to it was to premiere their next collaboration in New York, thereby establishing its copyright under American law. And so, on today’s date in 1879, it was Arthur Sullivan himself who conducted the pit orchestra of the Fifth Avenue Theater in Manhattan for the first full performance of their latest creation, entitled, perhaps not coincidentally, “The Pirates of Penzance.” The New York Times review was glowing in its praise, but did point out that the new work was strikingly similar to “Pinafore,” but opined, “There is genuine musical merit in several of the numbers,” and, “A chorus of policemen was the most musically humorous number of the evening, and provoked more amusement than anything else... In response to repeated calls, the author and composer appeared before the curtain and bowed their acknowledgments.”

It is Day 124 of Post Circuit-Breaker, Phase 2. The Wife found out that Isaac knows some Chinese songs and insisted he sing some Xinyao (新谣) with her. Gotta thank the movie That Girl in Pinafore (我的朋友, 我的同学, 我爱过的一切) for introducing my kids to the music of our youth. Tuesday, 20th October 2020. After 56 daily episodes in season 1, and 17 daily episodes in season 2, this new season of the show takes place in Phase 2, after the end of Singapore's COVID-19 lockdown and the end of the first Phase of reopening. a production of https://mrbrown.com

Not only is Kate one of my dearest friends, but this little lady is an absolutely brilliant teacher, a total witch, and on a path that I think you'll enjoy hearing about in this uncertain time. Kate Bass, originally from Anchorage Alaska, now based in Los Angeles, performs extensively in America and abroad in many varying musical genres. She made her solo debut with the New York Philharmonic in Geffen Hall at Lincoln Center under the baton of Case Scaglione; she also appeared in the Emmy-nominated production of Carousel, televised on PBS’s “Live at Lincoln Center.” In recent years, she has sung numerous times at Carnegie Hall (Der Vampyr, The Messiah, Verdi’s Requiem, Elijah), as well as Alice Tully Hall at Lincoln Center (La Farsa Amarosa). Kate made her New York City Center principal debut as Josephine in H.M.S. Pinafore, a role she has taken to Wolf Trap Opera and the Colorado Symphony, and continues to tour nationally and internationally with the New York Gilbert and Sullivan Players. She recently appeared as Princess Ida in Princess Ida at the New York Skirball Center for the Performing Arts, and Off-Broadway at the Saint George Theatre in the world premiere of Trains the musical, as well as the Musical Guest for 24 Hour Plays at the Atlantic Theater Company.Equally at home in jazz music, Kate has performed in cabaret at the Metropolitan Room and (le) poisson rouge in New York, and at the Hotel Café in Los Angeles. She has recorded as a soloist for numerous film scores with music by Arturo Cardelús, David Stone Hamilton, and others; her voice was recently featured in the film “Pecado Original,” winning awards at both the Austin Film Festival and the Milan International Film Festival. Kate was also the soprano soloist for Iranian singer and setar player Hafez Nazeri’s Grammy-nominated SONY Worldwide release of “Untold” with the Rumi Symphony. Kate Bass is a composer and singer-songwriter; her debut album, “Maya,” was released in August 2012, and her first single aired on British radio in early September 2013. She released her new EP, “More”, in February 2016 and her May 2017 crowd-funded album, “Songs of the Open Road,” debuted Off-Broadway at the Triad Theater in New York City. She has performed her music live to sold out crowds across America, and has been hailed by the press as “easy to love,” “infectious,” and “one of the best vocalists on the scene today.” Kate maintains a full private voice studio based out of Pasadena, California; as well as coaching many young up-and-coming singer-songwriters and musical theater performers, she has taught as a Teaching Artist in Residence for the Metropolitan Opera Guild in New York City. She teaches master classes and workshops on voice, songwriting, and musical theater all over the world, from Classical Singer Conventions throughout the country to programs in Lebanon and Africa. She currently teaches on vocal faculty at Pepperdine University in Malibu, California. www.katebassmusic.com@katebassmusicLike this episode? Share it! And please do leave us a 5 star review wherever you listen. It'll help it get in more ears, and that's what we want. Yes we do. Thank you so much for listening... and stay Savage. X See acast.com/privacy for privacy and opt-out information.

New York City-based composer ED WINDELS is a graduate of the Mannes College of Music, earning both Bachelors and Masters degrees in composition in just three years. He enjoys writing new concert music for all genres and mediums, with a particular fondness for art song. Concurrently his admiration for and experience with the musical theater has resulted in an additional career as an orchestrator and arranger.Ed has been the recipient of a fellowship at the Aspen Summer Music Festival and Meet The Composer grants. Recent commissions include a song cycle for Bargemusic’s Here And Now series, a piano solo piece for his alma mater, Peal Off for Chicago’s Gaudete Brass Quintet, a duo for violas for Michael Hall, and a bass oboe sonata for British reed virtuoso Mikey Sluman.Recently completed projects include a setting for tenor and large orchestra of John Hollander’s Summer Day, and an edition of Richard Strauss’s renownedly large-scale opera Elektra for 32 instruments. A version of Gilbert and Sullivan’s H.M.S. Pinafore, re-arranged and re-orchestrated in a 1920’s jazz idiom, premiered in February 2018 by its commissioner, Edmonton Opera in Alberta, Canada.Connect with Ed!https://www.ed-windels.com/https://www.instagram.com/ed.windels/ https://twitter.com/EdWindels,https://www.youtube.com/channel/UCagEIDikcusnO_SO_YR0lsAhttps://soundcloud.com/ed-windelsContact us here!https://linktr.ee/rachelsandlermusicFor podcast inquiries: aspiringartistpodcast@gmail.comFor music & lessons inquiries: rachelsandlermusic@gmail.com

Gilbert und Sullivan - dieses Duo steht für nicht weniger als die englische komische Oper des 19. Jahrhunderts. Insbesondere ihre "H.M.S. Pinafore" steht Pate für die Entwicklung des modernen Musicals.

A quick cut from my wonderful conversation with King’s Singer bass Jonathan Howard about “University.” Taking Care - An Emergency Fund for the Washington Theatre Community MUSIC: “He is an Englishman” performed by the D'Oyly Carte Opera Company from H.M.S. Pinafore (1949), music by Arthur Sullivan, lyrics by W.S. Gilbert Merch • Patreon • Twitter • Facebook • Email

In this series of podcasts, Seattle Opera Dramaturg Jonathan Dean gives listeners a taste of nine different types of traditional opera. Operetta is a delightful kind of entertainment resembling opera, but different; whereas in opera the music tells the story, in operetta the music decorates a story which is usually little more than a joke—a story that nobody could possibly take seriously. Operetta developed, in the late nineteenth century, just as opera began taking itself perhaps too seriously. Operettas from traditions in Paris (Orphée aux enfers), London (The Pirates of Penzance), Vienna (Die Fledermaus) and New York City (Rose-Marie) typify the genre. And although many operettas remained popular for decades, the golden era of creating operetta turned to silver, then iron and finally steel as the twentieth century turned its energy toward making movies and wars. Musical examples on this podcast drawn from the 1997 EMI recording of Orphée aux enfers conducted by Mark Minkowski and starring Ewa Podles and Natalie Dessay, EMI recordings conducted by Sir Malcolm Sargent of The Pirates of Penzance, 1961, H.M.S. Pinafore, 1958, and Iolanthe, 1959; the EMI Classics recording of Die Lustige Witwe, conducted by Franz Welser-Möst; the 1960 Decca recording of Die Fledermaus, conducted by Herbert von Karajan; excerpts from Rose Marie from a Pearl Historical recording of Oscar Hammerstein—the Legacy; and from the 1955 film of Oklahoma starring Gordon MacRae.

Ändrade inspelningsupplägg! Discords eget internetväder gjorde oss trötta till slut Varför vi endast sänder via Shoutcast numera Jocke sätter upp egen IRC-server. Snart klart Jocke sätter upp Mastodonserver Fredrik levererar underbart avsnitt av Kodsnack om ITS Fredriks delade tangentbord levererat. Nästan. Fattas bara lite tangenttoppar …Jocke tappar tron på sitt jobbtangentbord Nya glasögon för J. Helt plötsligt kan han se igen … Terminalglasögon, Specsavers, kostnaden för synundersökningar, och internetglasögon Dags att testa Haiku igen 6 underground - ett filmtips, kanske Bidra till att rädda kulturarvet! Fredriks i-landsolycka Julplaner! Länkar Shoutcast Mattermost Rocketchat Kodsnackavsnittet med Nolan Lawson som driver toot.cafe Pinafore - Nolans Mastodonklient - helt i webbläsaren! Toot! mastodon.fidonet.io Petra Wikström och Kollijox fidonet.io ITS Kodsnacksavsnittet om ITS Haiku 6 underground Hjälp Riksarkivet bevara kulturarvet Två nördar - en podcast. Fredrik Björeman och Joacim Melin diskuterar allt som gör livet värt att leva. Fullständig avsnittsinformation finns här: https://www.bjoremanmelin.se/podcast/avsnitt-190-man-blir-trott-pa-discord.html.

Tickets are on sale now for our fundraiser for the Sharon Day Care and the Sharon Playhouse. “St Patrick’s Day in September” will happen September 28th from 2 – 4pm at the Bok Gallery / Sharon Playhouse. WildCat Creek Band will... Read More ›

Imagine if Beyonce had a secret recording of her singing Lin-Manuel Miranda’s musical Hamilton, from before they were both famous. It would be epic! Music professor Brooks Kuykendall (University of Mary Washington) has worked with a graduate student to uncover the epic musical crossover of the 19th century--a John Philip Sousa arrangement of Gilbert and Sullivan’s H.M.S. Pinafore. And: Stephen Vitiello (Virginia Commonwealth University) works with some unusual musicians: insects! Along with his collaborator, University of St. Louis biologist Kasey Fowler-Finn, Vitiello makes sound art out of the calls of insects, bringing these tiny songs to big galleries. And: Greg Howard (University of Virginia) remembers his friend Paul Koors, a physician and gifted songwriter, by encouraging others to play the songs that Koors left behind. Later in the show: In 2013, Caroline Shaw’s composition “Partita for 8 Voices” made her the youngest recipient ever of the Pulitzer Prize for Music. Today, Shaw’s compositions range from traditional quartets and solo piano pieces to a cappella and hip-hop collaborations.

Fredrik talks to Nolan Lawson - web performance expert, Mastodon instance maintainer, creator of a highly accessible Mastodon web client, and more. We discuss, among other things, the joys of distributed social media, where unlike centralized places like Twitter nobody can stop innovation when it comes to clients and interfaces and ways of use. Nolan talks about how and why he built Pinafore - his Mastodon client. We touch on the different experiences people have and want out of social media, digital wellness, and how caring about performance cam be an act of empathy. Thank you Cloudnet for sponsoring our VPS! Comments, questions or tips? We are @kodsnack, @tobiashieta, @oferlund and @bjoreman on Twitter, have a page on Facebook and can be emailed at info@kodsnack.se if you want to write longer. We read everything we receive. If you enjoy Kodsnack we would love a review in iTunes! You can also support the podcast by buying us a coffee (or two!) through Ko-fi. Links Nolan Lawson Salesforce Pouchdb Mastodon Open source maintainer guilt Toot.cafe - the Mastodon server Nolan runs Ruby Brent Simmons Glitch Darius Kazemi Hometown - Darius' fork Eugen Rochko - creator and maintainer of Mastodon Mastodon terminology and ways of working Ruby on rails React Webpack How to write a carousel Van Halen’s M&M rider clause Built-in modules Curl Pinafore Progressive web apps Service workers Cross-origin resource sharing - CORS Gilbert and Sullivan - and their Pinafore Tweetdeck Blurhash - and on Github OCR - optical character recognition Tesseract.js WASM - Webassembly Emscripten Wellness settings in Pinafore Emoji mart - the emoji picker library Svelte Vue Babel JSX Rollup Accurately measuring layout on the web requestAnimationFrame High-performance input handling on the web Browsers, input events, and frame throttling Pointer events Local storage Indexeddb Intersection observer Resize observer Titles I was really excited Falling in and out of it Tweets are toots The goal of a lot of web standards I really mistrust a library I believe in the open web Eugene had already thought about this Mixed degrees of success My preference is single column She’s on weird Mastodon It’s all kind of cacophonous, but it’s beautiful at the same time Every component has a bit of Svelte in it It’s really based on empathy

Fredrik talks to Nolan Lawson - web performance expert, Mastodon instance maintainer, creator of a highly accessible Mastodon web client, and more. We discuss, among other things, the joys of distributed social media, where unlike centralized places like Twitter nobody can stop innovation when it comes to clients and interfaces and ways of use. Nolan talks about how and why he built Pinafore - his Mastodon client. We touch on the different experiences people have and want out of social media, digital wellness, and how caring about performance cam be an act of empathy. Thank you Cloudnet for sponsoring our VPS! Comments, questions or tips? We are @kodsnack, @tobiashieta, @iskrig and @bjoreman on Twitter, have a page on Facebook and can be emailed at info@kodsnack.se if you want to write longer. We read everything we receive. If you enjoy Kodsnack we would love a review in iTunes! You can also support the podcast by buying us a coffee (or two!) through Ko-fi. Links Nolan Lawson Salesforce Pouchdb Mastodon Open source maintainer guilt Toot.cafe - the Mastodon server Nolan runs Ruby Brent Simmons Glitch Darius Kazemi Hometown - Darius’ fork Eugen Rochko - creator and maintainer of Mastodon Mastodon terminology and ways of working Ruby on rails React Webpack How to write a carousel Van Halen’s M&M rider clause Built-in modules Curl Pinafore Progressive web apps Service workers Cross-origin resource sharing - CORS Gilbert and Sullivan - and their Pinafore Tweetdeck Blurhash - and on Github OCR - optical character recognition Tesseract.js WASM - Webassembly Emscripten Wellness settings in Pinafore Emoji mart - the emoji picker library Svelte Vue Babel JSX Rollup Accurately measuring layout on the web requestAnimationFrame High-performance input handling on the web Browsers, input events, and frame throttling Pointer events Local storage Indexeddb Intersection observer Resize observer Titles I was really excited Falling in and out of it Tweets are toots The goal of a lot of web standards I really mistrust a library I believe in the open web Eugene had already thought about this Mixed degrees of success My preference is single column She’s on weird Mastodon It’s all kind of cacophonous, but it’s beautiful at the same time Every component has a bit of Svelte in it It’s really based on empathy

50 procent av panelen är osedvanligt trött i detta avsnitt. Samma 50 procent beklagar eventuell olägenhet vid lyssning. Jockes hatkärlek till Cisco - Ciscos värld är ett helt eget universum Jocke ska bygga databaskluster - varning för nördigt innehåll Ett år sedan jocke skrev sista texten på Macpro. T ankar och funderingar Fedora 31 - intryck Jocke har blivit med Trådfri. Immersed - Fredrik tittar på sin dator i VR Netnewswire 5 är här, borde man skaffa Feedbinkonto? Peaky Blinders säsong fem! Teaser: I ett kommande Kodsnack blir det mer Mastodon Googles bildsökningsfunktion har blivit sämre. Igen Fredrik programmerar sitt minitangentbord och använder det på jobbet TRAPPEN! Länkar ASA 5520 Mysql Mariadb Databaskluster med Mysql Galera Gnome Cinnamon Weyland X11 Trådfri Immersed Netnewswire 5 Feedbin Freshrss Brent Simmons blogg OPML Peaky blinders Cillian Murphy Westworld Nolan Lawson - driver Mastodoninstans och skriver intressanta saker Pinafore Flickr Fredriks tangentbord och dess just då aktuella layout Das keyboard - Fredrik har en helsvart variant med blanka tangenter TRAPPEN! Två nördar - en podcast. Fredrik Björeman och Joacim Melin diskuterar allt som gör livet värt att leva. Fullständig avsnittsinformation finns här: https://www.bjoremanmelin.se/podcast/avsnitt-177-mycket-cisco-idag.html.

Nicholas Wuehrmann, Actor, Singer & Director, speaking with VIA's Peter Wynne about "H.M.S. Pinafore" by Gilbert & Sullivan, which he directs and appears in at Delaware Valley Opera in Narrowsburg, NY, August 17 & 18; 24 & 25, 2019--Saturdays at 8:00 pm & Sundays at 2:00 pm. The production takes place at the Tusten Theatre, 210 Bridge Street in Narrowsburg. www.delawarevalleyopera.com

Conductor Joshua Horsch & Stage Director Nicholas Wuehrmann speaking with WVIA's Peter Wynne about Gilbert & Sullivan's "H.M.S. Pinafore" to be presented by Tri-Cities Opera on Sunday, April 28, 2019, at 3:00 p.m. at the Forum Theatre, 236 Washington Street in Binghamton. www.tricitiesopera.com/

Does fairy magic really exist? It seems like a strange question to ask modern audiences, but historically, many cultures from around the world believed in the magical properties of certain herbs—such as that of the foxglove. Foxglove is said to have the power to summon fairies, and according to modern medicine, may have the power to mend hearts. _______Website: www.fabledcollective.comInstagram: www.instagram.com/fabledcollectiveTwitter: www.twitter.com/fabledcollectivFacebook: www.facebook.com/groups/651415618588079/Support the show (https://www.patreon.com/FabledCollective)

By Davy Crockett Both a podcast and a full article (listen to the podcast episode which also includes a bonus 100-mile treadmill story) Man vs Horse race held in 1929 at the Philadelphia Arena For more than two centuries, people have debated if humans on foot could beat horses. Those on the side of humans argued that over a long enough distance, human beings could outrun horses. It has been contended that humans are capable of covering vast distances after the horse becomes winded and unable to continue. To try to prove this point, ultradistance races billed as “Man vs. Horse” were competed as early as 1879. But it was a 157-mile "man vs. horse" race held in Utah, in 1957-58. that captured the attention of America and beyond. 19th Century  In 1818 at Feltham, Hertfordshire, England, a Mr. J Barnett, a pedestrian of Feltham, took on a bet for 200 guineas that he could beat a fast horse in a 48-hour race. The horse carried 168 pounds. The horse went out fast and reached 90 miles in 13 hours, stopping to feed only twice. After 24 hours, the score was horse: 118 miles, Barnett: 82 miles.  After 48 hours the horse won, 179 miles to 158 miles. It was believed that the horse could have only gone a few more miles if the race was for another day. In January 1879, George Guyon of Canada, an elite pedestrian, and later the 6-day world champion that year, raced against a stallion, “Hesing Jr.” for 52 hours in Chicago. George reached 149 miles but the horse covered 201 miles despite the small track in the Exposition Building with sharp turns. The Chicago Tribune stated, “It was the first time in a long journey that a horse had defeated a man.” The horse took long rests totaling 24.5 hours. Reasons given for Guyon’s defeat was that he wasn’t feeling well and “the cold air of the building affected him to such an extent that during the last 24 hours of the contest he was unable to do himself justice.” Later in 1879 two of the greatest pedestrians in history, Edward Payson Weston (1839–1929) and Daniel O’Leary (1841-1933) discussed the previous event and speculated how a man would do against a horse in a 6-day event. They disagreed on this subject. O’Leary believed that horses would win, Weston was on the side of humans. To settle the debate, a race was held in San Francisco beginning on October 15, 1879 with seven men against 11 horses on a track at Mechanics’ Pavilion. A horse named Pinafore won with 557 miles, but there were no truly elite runners/walkers in the event. Weston and O'Leary Weston was still unconvinced, so O’Leary put on another 6.5-day event in Chicago starting on September 5, 1880. It was held at the Haverly tent on the lake shore and included prize money of $3,000. Fifteen men and five horses competed. There was a crowd of four thousand spectators on hand for the first day. The runners started off on a six-minute-mile pace and the horses were clocking eight-minute-miles early on. After the first day the leading horse had reached 130 miles and the leading man, 117. When 48-hours was reached, the top horse, Speculator, had reached 220 miles. The top man was at 195 miles, but he would quit at 200 miles with a swollen face. Five days in, Michael J. Byrne of Buffalo, New York took the lead. On the last day Speculator had regained the lead but sadly died while resting in his stable. Byrne also suffered during the later stages. “He began to bleed at the nose and fell down in a fainting fit and was carried into the tent amid a chorus of ‘ohs’ from the ladies. It took half an hour to revive him, and when he came out again he had lost five miles besides being very stiff and sore.” The leading horse was a black mare named Betsy Baker. She “failed to respond to the whip” and went in for two hours before she could come out again. She had finally responded to a “dose of champagne.” But after that she could do no more than a slow walk. Byrne won, covering 578 miles in the 6.5 days.

Union Avenue Opera founder and artistic director Scott Schoonover discussed the company's season-opening production of Gilbert and Sullivan's "H.M.S. Pinafore."

Hey Everyone, Angela Bowen here, the host of Tea Time With Mr. Belvedere: A Mr. Belvedere Podcast. Who's ready to board the H.M.S. Pinafore with little Danny Cooksey at the helm as the Captain? Join me this week when I discuss the Season 2 Finale S2E22: The Play which aired on March, 28, 1986. In this episode Mr. Belvedere directs Wesley's school production of "HMS Pinafore" when the teacher falls ill. Wesley is cast as the lead, but when Mr. Belvedere discovers a shy boy named Tommy with a far superior singing voice, Wesley is replaced.

Photo by Alexis McKeown Pipelines, patriarchs, and Pinafore, oh my! We see the timely re-mount of Matthew MacKenzie's Bears, which spun through town last week with Punctuate! Theatre before heading on a cross-province tour. Then, the father/son relationship went under the magnifying glass (to illuminate the miniatures) in Tetsuro Shigematsu's Empire of the Son at the Citadel. And it's baby's first opera: guest host Colleen Feehan gives us a crash course on Edmonton Opera‘s HMS Pinafore. I Don't Get It is a proud member of the Alberta Podcast Network, powered by ATB. https://idontgetityeg.com/wp-content/uploads/2018/02/IDGI-S4E12.mp3 Become a Patron!★ Support this podcast on Patreon ★

Pipelines, patriarchs, and Pinafore, oh my! We see the timely re-mount of Matthew MacKenzie’s Bears, which spun through town last week with Punctuate! Theatre before heading on a cross-province tour. Then, the father/son relationship went under the magnifying glass (to illuminate the miniatures) in Tetsuro Shigematsu’s Empire of the Son at the Citadel. And it’s […]

CeCe PenistonCeCe Peniston (/siːˈsiː ˈpɛnistən/; born Cecilia Veronica Peniston; September 6, 1969)[1] is an American recording artist and former beauty queen.[2][3][4][5][6][7][8] In the early 1990s, she was one of the most successful dance club artists in the history of the U.S. Billboard Hot Dance Music/Club Play, scoring five number one hits in the chart within three years.[9][10] Her signature song "Finally" (#5 in the Hot 100[10] and #2 in UK Top 75[11]) became one of the biggest dance singles, selling three million copies worldwide.[12]Peniston has performed at private engagements for Aretha Franklin's private birthday party in Detroit, Michigan, Pope John Paul II in Rome at the Vatican (as a member of the gospel band Sisters of Glory) and the 42nd President of the United States, Bill Clinton, during both of his inauguration ceremonies in Washington, D.C.[13] She was the first foreign female entertainer to perform in post-apartheid South Africa.[13][14]On February 4, 2011, Peniston signed a record deal with West Swagg Music Group/Bungalo Records, with full distribution through Universal Music Group Distribution, and announced release of a new solo album 15 years after her last studio set (I'm Movin' On from 1996 on A&M Records).[15]By the end of the year, however, only three digital singles had been issued including a new song called "Stoopid!",[16] and two cover versions of her prior hits, "Keep On Walkin'" and "Finally".[17][18]In December 2016, Billboard magazine listed her among the 100 Top Dance Club Artists of All Time (as the 52nd) 1969–90: Early life[edit]Peniston was born in Dayton, Ohio, in United States, but spent the majority of her formative years in Phoenix, where she was raised since she was nine. As a daughter of a former military father, Ronald Peniston (born 1934, married Barbara Anne in 1960), she started singing at church[20] and doing plays and musicals such as H.M.S. Pinafore in the 6th grade. She participated in local karaoke contests and singing talent shows, while taking piano lessons.[4][8]She attended Trevor G. Browne High School, class of 1987, in Phoenix,[21] and landed a part in a local theater group's production of Bubblin' Brown Sugar[3][4] (playing the young Sweet Georgia Brown[22]). After earning her diploma, she continued to study liberal arts at the Phoenix College, where she got involved in athletics, and entered beauty pageants. She was crowned Miss Black Arizona in 1989[3][4][5][6][7][8][12] and Miss Galaxy in 1990.[3][7]Peniston began writing pop lyrics already at school. The words of her international hit "Finally" were purportedly penned during a chemistry class, while thinking about dating in college. Her music career began in January 1991, when Felipe "DJ Wax Dawg" Delgado, her friend and a record producer based also in Phoenix, asked Peniston to record back-up vocals for Tonya Davis, a black female rapper known as Overweight Pooch after her childhood nickname.[3][4][24]Davis, headed in a direction of a "new" Monie Love, was searching for a singer to add vocals to the title track of her album Female Preacher, which was to be released on A&M Records that summer. At a talent show she met a woman named Malaika LeRae Sallard, but when it came time to get Sallard into the studio, the rapper found she'd lost her future label-mate's number. When Delgado, who'd preferred Peniston instead, brought his favorite in to do background parts, the response from everyone was immediate, but did not move the Pooch to invite Peniston back for more vocals – unless she was successful in locating Sallard.[24]Later, as it became clear that Peniston was leaping from the Overweight Pooch's album to the top of the charts, rumor had it the Pooch was stewing over Peniston's using Female Preacher as her springboard. Tonya Davis, pregnant at the time of recording her album, swore she harbored no jealousy towards Peniston. "There's no jealousy, because she has a voice. I gave her the chance, but I didn't give her a voice,"[24] the rapper insisted for Phoenix New Times in July 1992, and Peniston, interviewed by the same newspaper in the meantime, reacted by her own words. "I feel like anything's possible and I know one thing. If I wasn't at this spot, I still would be achieving to get to this spot."[24] Ironically enough, Sallard eventually threw in a few back-up vocals for Peniston on a song with a significant title, "You Win, I Win, We Lose", while Peniston, who in return played an agent to get a record deal also for Malaika (whose album Sugar Time scored in 1993 two Top 5 hits on the US Dance chart, including the No. 1 single "Gotta Know (Your Name)") mentioned the Pooch's name on her own debut album in addition, leaving Davis a note saying "thanks for letting me be a part of Female Preacher".[25]Besides the Peniston's vocal performance on three tracks in total, of which "I Like It" was released as a single with a moderate success (at #16 in US Dance[26] and #58 in UK Top 75[27] the following January), she was eventually given also a credit for co-writing two of those, "Kickin' Da Blues" and the title's, "Female Preacher". But the Overweight Pooch's album flopped on the market, and A&M was the first major label for Delgado himself, who was facing contractual disputes with the record company. After Manny Lehman (a DJ, then A&M Art Director and one of the executive producers of Female Preacher) also noticed the powerful voice of a still back-up vocalist, he offered Delgado a second chance, and commissioned him to produce a track for Peniston herself as a solo artist.[4] Not looking to lose his major deal connections, Delgado called on a hometown friend and music producer too, Rodney K. Jackson (they two met through mutual friends in Arizona), who was brought then to A&M family to help co-produce the Peniston's single, which was soon to be recognized as “Finally”.[28]Despite an initial label's resistance to sign Peniston to more than a one-off single deal, the “Finally” session resulted in recording her own debut album after the final approval of A&M's Vice President, Mark Mazzetti.[29]1991–92: Finally[edit]Peniston with Felipe Delgado at Chaton Studios in Phoenix, Arizona, putting final touches to her debut albumI was sitting in a Chicago pizza parlor in October and I heard over the radio 'Finally by CeCe Peniston'. I just started looking around going 'That's me! That's me!"[5]—Peniston recalled for EW magazine in 1992. (Almost 20 years later, when asked by Mega 104.3, she denied saying it, during her interview broadcast live on April 5, 2011.)[30]Peniston was 21 years old when her debut single "Finally" was released. The song burst on to the US club scene in the fall of 1991, where it became an instant dance anthem peaking, in October,[10] at the top of the Billboard Hot Dance Music/Club Play for two weeks, while achieving a respectful starting position (at No. 29)[11] overseas.After her first song climbed the international charts, Peniston was headed into the studio to record a full-length album. However, she "had two months to pull the whole album together" and "didn't realize the impact the record was having until it reached the top five". She also described how difficult it was to begin her career at such an extreme pace, but [4] the result was a solidly produced ten track collection titled Finally, issued in January of the following year.Both the single and album entered the US Hot 100, as well as the UK Top 75 chart (at No. 5[10] and No. 2 for single,[11] respectively at No. 70[10] and at No. 10 for album release[11]), and ultimately earned Peniston a gold or silver certification in both countries. By the end of 1992 her debut (in Europe re-released in 1997 with a bonus remix "Finally '97") sold over 540,000 in United States.[31]"We Got a Love Thang", the second single (co-written by Chantay Savage), with a video clip in heavy rotation on TV music channels, went to No. 1 in the US Dance chart in February (No. 20 in the Hot 100),[10] and in England (where "Finally" skipped to No. 2 eventually[11]) "We Got a Love Thang" peaked at No. 6.[11] Might the only controversial question regarding the title remain who had provided background vocals on the record? While on her album Finally Darnnel Rush was credited, on its single release, the name of Kym Sims (who was a co-writer of "Keep On Walkin'") appeared as one of back-up vocalists actually.[32]With another hit record on the charts, Peniston began a year of touring clubs and small theaters in the USA in support of her album. Her travels started with a series of shows in the Philippines, Japan, the United Kingdom, Germany, Spain and Italy, and after her return to the USA, Peniston continued with such R&B acts as Joe Public, the Cover Girls, R. Kelly and Levert.[4] While on tour, "Keep On Walkin'", a hip hop swinging composition, joined the list of Peniston's three consecutively running hits, bringing Peniston in June her third No. 1 in the U.S. Billboard Hot Dance Music/Club Play chart (No. 15 in the Hot 100),[9] and another Top 10 hit in UK.[11] Later in August, that was also her highest outing in the US R&B chart, scoring at No. 3.On October 17, Billboard magazine announced that Peniston was the leading nominee in the Billboard Music Awards, being nominated in four categories: three times in the dance category with "Finally" (Best New Artist, Best Female Artist and Best Director), and one in the R&B/Rap category (Best Female Artist) for her urban hit "Keep On Walkin'".[33] Ultimately the song won two awards, and three of her singles released in 1992 were listed also within the Top 100 songs of the Billboard Year-End chart (at No. 20 with "Finally", at No. 61 with "Keep On Walkin'", and at No. 97 with "We Got a Love Thang"[34]). In the UK, Peniston was listed as the 20th of Top Selling Singles Artists in 1992.Additional songs taken from album Finally achieved the Top 40 status at least in the hip hop/R&B field. The grieving lyrics of her ballad "Inside That I Cried", co-written by Peniston's then-husband, Malik Byrd (who appeared also in its video), and produced in conjunction with Anita Baker's cohort, Steve Lindsey, peaked at No. 10 in the US R&B (No. 94 in the Hot 100[10] and No. 42 in UK Top 75[11]). The fifth single, a midtempo, "Crazy Love", climbed to No. 31 (No. 97 in the Hot 100[10] and No. 44 in UK[11]).By the end of the year, Peniston received several awards for her achievements in the music industry for 1992. Among them, one Billboard Music Award (as Best New Artist – Dance, the second went to the video director Claude Borenzweig), three ASCAP Awards (for Song of The Year, Most Performed Song of The Year, and Pop Songwriter of The Year), another three awards (as Best New Dance Artist, Best Dance Solo Artist, and for Best 12" Dance Record) at the Annual Winter Music Conference, and the BMI Urban Award of Achievement.[13] The album itself was nominated on a Soul Train Music Award '93 in the Best R&B/Soul Album – Female category.[35]1993–95: Thought 'Ya KnewWithin a year, Peniston was back in the studios to record her sophomore release, and the particular challenge for the vocalist was to avoid getting pigeonholed into the dance genre. For that reason, several ballads were arranged to appear on the final set (in the front with "Forever In My Heart", produced by Brian McKnight), of which, however, none was chosen for a single release. This time around, Peniston co-authored three of thirteen tracks ("Whatever It Is", "Give What I'm Givin" and "Maybe It's The Way",[4] a ballad about her father[8]), and along with Manny Lehman and Damon Jones, who later became Peniston's manager, she was also credited as an executive producer of her scheduled album release, Thought 'Ya Knew. Apart from others, also fellow Ohio-born singer Norma Jean Wright joined the session.[36]After a certain level of hesitation over the first single, "I'm in the Mood" (originally produced by Soulshock and Karlin) was picked to be the final leader—though as support for "Searchin'", which would be separately delivered on vinyl only to DJs. "I'm in the Mood" did well by itself, and with a video accompanied by a hip-hop remix from M-Doc & Jere M.C. (better known as In Da Soul) the title was on singles reproduced by David Morales for the dance floor. The song spawned Peniston's fourth No. 1[10] (dethroning from the top of the US Dance chart Aretha Franklin's "A Deeper Love") and peaked at No. 16 in UK[11] (#32 in the Hot 100[10]).On January 25, 1994, the album Thought 'Ya Knew, which was to represent Peniston's musical zenith at that time, arrived on all available formats, including digital compact cassettes. However, as the record promptly entered the music charts, it was soon to be evident Thought 'Ya Knew was not enjoying the high-profile success of her previous set Finally. After its progress had stalled in the Billboard 200 at No. 96,[10] Thought 'Ya Knewclimbed to No. 31 in the UK,[11] but the album charted for only two weeks in the UK.Not certain about the second single either, "Keep Givin' Me Your Love" was accepted to become the British follow-up. But the track, remixed by Eddie Gordon's West End production team, had no supporting music video, and after peaking at No. 36 in April in the United Kingdom,[11] an alternative title ("I'm Not Over You") was chosen for the US market as the second cut from the Thought 'Ya Knew album."I'm Not Over You" (written by Steve Hurley, Jamie Principle, and M-Doc) might have missed the highest position of the US Dance chart, but only by about one point (at No. 2),[10] and the single was later classified in the overall Billboard Hot Dance Music/Club Play chart as the ninth most successful track of 1994 (leaving "I'm in the Mood" far behind, at #44). However, although the song had sealed the Top 10 of the US R&B chart, it did not succeed in the Hot 100 that much, failing to crack Top 40 (No. 41).[37] Considering that expectations of A&M Records company must have been bigger than a club play sale of Peniston's singles, "I'm Not Over You" was released in UK only on B-side of the "Hit by Love" release."Hit by Love" was to be the third song taken from the album. As with her previous releases, the song (with additional remixes by David Morales) became Peniston's next US Dance hit in a line of her No. 1s, but while on the top of the chart "Hit by Love" stayed for another week, the single stuck at No. 33 in the UK Top 75,[11] as well as on the bottom positions of the American Hot 100 chart (at No. 90).[10]Along with "Hit by Love" in the charts, A&M issued a rare compilation, Remix Collection, in Japan with nine alternate versions of her songs previously available only on vinyl, which tracked Peniston's music career since the "Keep On Walkin'" release. A similar remix collection, however, consisting of only two singles ("Finally" and "We Got a Love Thang"), was earlier issued in Japan as an EP under the title Finally / We Got a Love Thang: Remix Collection featuring overall eight remixed versions.At the end of the year Peniston was named the No. 1 Billboard Hot Dance Music/Club Play Artist,[37] summarizing all her songs released in 1994 ("I'm Not Over You" #9, "Hit by Love" #24, and I'm in the Mood" #44). While A&M was listed as the sixth best dance label in the Billboard Year-End chart, Peniston was also rated as the 5th Top R&B Singles Female Artist (behind Janet Jackson, Toni Braxton, Aaliyah and Mariah Carey).[38]In addition, a remix of "Keep Givin' Me Your Love" was popularized on the original motion picture soundtrack of the Prêt-à-Porter (Ready To Wear) film, and released in the U.S. after a one-year delay, scoring No. 4 in the US Dance charts in March 1995. "Keep Givin' Me Your Love" became Peniston's first song not to enter the Hot 100 chart (No. 101),[10] possibly as the result of appearing as a B-side on her previous release, and sharing its sales with the single "Hit by Love". See acast.com/privacy for privacy and opt-out information.

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Gilbert und Sullivan - dieses Duo steht für nicht weniger als die englische komische Oper des 19. Jahrhunderts. Insbesondere ihre "H.M.S. Pinafore" steht Pate für die Entwicklung des modernen Musicals. Autor: Markus Vanhoefer

El Brexit ya está en marcha, pero si hay algo que no tiene fronteras es la música. Escuchamos algunas de las piezas que nos hacen sentirnos británicos: Pompa y Circunstancia, de Elgar, la marcha 'Voice of the guns' y la ópera cómica 'H.M.S. Pinafore'.

Every weekend we go back in time and dip into the Join Up Dots vaults to find a show that could well be hidden from your ears. And why do we do this? Well, you success junkies desperate for the golden ticket have been asking "With so many episodes of Join Up Dots out there now, which ones should we listen to first? And its a difficult question to answer as everyone of them has motivation and inspiration flooding out of every pore. So we have simply decided to grab an entrepreneur at random, and share with you not only their journey, but also ours. We think we are getting better at this podcasting lark, but what do you think? Drop us a line at contactjoinupdots@gmail.com and let us know. Thanks as always for listening to the show, and enjoy todays entrepreneurial business chat. Todays guest is one of those guests that might seem easy to pigeonhole when you first look at him. But once you start digging down, you realise that there is so much more to him than most other artists operating within his creative area. A native of Virginia and a devoted family man, he first started making the world sit up and take notice of him when he jumped into the music world in 1996, and made his professional debut to rave reviews with the New York City Opera as Ralph Rackstraw in H.M.S. Pinafore. And although he certainly has got a set of pipes on him, that can belt out the huge opera numbers that you might be aware of, he unsually allows his voice to demonstrate many other types of music from pop, to Buble, stage musicals, to the Rat Pack. He believes that the music is only half of what he brings to the audience. Its the whole show that sets him apart from the stand in one spot and belt out the song type of performers. And now alongside his family, who are also amazing singers, he is taking his talent to the world. He was named “Best Male Recording Artist” of the year in 2001, 2004, and 2006 by the FCMA and has been released three solo recordings on the Shadow Mountain Label “Wondrous Love”, “Then Sings My Soul” and “A New Song” all of which have received numerous accolades and awards, including several Pearl awards So what is it about himself, that unlike so many people who would class family as the thing that stops their dreams, made him willing to give it ago? And has been surprised at how brutal the music industry is, now he is fully established in its world? Well lets find out as we bring onto the show to start joining up dots, with the one and only George Dyer.

Dive into the sparkling story of Gilbert and Sullivan's perennially relevant comic opera 'H.M.S. Pinafore', which will be performed by the Scottish Opera conducted by Richard Egarr, at the Usher Hall on Sunday 23 August.

Todays guest is one of those guests that might seem easy to pigeonhole when you first look at him. But once you start digging down, you realise that there is so much more to him than most other artists operating within his creative area. A native of  Virginia and a devoted family man, he first started making the world sit up and take notice of him when he jumped into the music world in 1996, and made his professional debut to rave reviews with the New York City Opera as Ralph Rackstraw in H.M.S. Pinafore. And although he certainly has got a set of pipes on him, that can belt out the huge opera numbers that you might be aware of, he unsually allows his voice to demonstrate many other types of music from pop, to Buble, stage musicals, to the Rat Pack. He believes that the music is only half of what he brings to the audience. Its the whole show that sets him apart from the stand in one spot and belt out the song type of performers. And now alongside his family, who are also amazing singers, he is taking his talent to the world. He was named "Best Male Recording Artist" of the year in 2001, 2004, and 2006 by the FCMA and has been released three solo recordings on the Shadow Mountain Label "Wondrous Love", "Then Sings My Soul" and "A New Song" all of which have received numerous accolades and awards, including several Pearl awards So what is it about himself, that unlike so many people who would class family as the thing that stops their dreams, made him willing to give it ago? And has been surprised at how brutal the music industry is, now he is fully established in its world? Well lets find out as we bring onto the show to start joining up dots, with the one and only George Dyer.

Henry Saint Clair Fredericks, who goes by the stage name Taj Mahal, is an internationally recognized blues musician who folds various forms of world music into his offerings. A self-taught singer-songwriter who plays the guitar, banjo and harmonica (among many other instruments), Mahal has done much to reshape the definition and scope of blues music during his 40+ year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa and the South Pacific. You may recall one of Todd's many epic appearances on television when he performed with Taj Mahal and Michele Gray in 1989 on the show Night Music hosted by David Sanborn?  The song was "Never Mind the Why and Wherefore" from the Gilbert and Sullivan operetta, H.M.S. Pinafore and they were accompanied by other musicians including Pat Metheny (guitar), Philippe Saisse (keyboards), Christian Marclay (turntables), and host David Sanborn (saxophone).   http://www.youtube.com/watch?v=5m33BXNHIHM Todd also joined Taj onstage on the same show for a rendition of Mahal's "She Caught The Katy". http://www.youtube.com/watch?v=gC1a5UAWIus

David heads to the Union Theatre in Southwark to chat with Ms. Sasha Regan about their all-male production of Gilbert and Sullivan's "H.M.S. Pinafore."

Hello Captains and welcome to Priority One's 114th episode, broadcast live on TrekRadio.net on Thursday, February 7th, 2013 and published on Monday, February 11th, 2013 at PriorityOnePodcast.com!!! Alas, James is still being held captive by Armus, but fear not! We've sent Tasha Yar to investigate (too soon?). In this week's Trek It Out, Elijah tells us about a cool new endeavor by NASA to launch the worlds largest solar sail in 2014, whilst Adrianne tells us about a recent trip to the theatre to see HMS Pinafore: The Next Generation. In STO News we cover the recent Friday Screenshot posted by Branflakes, the Spotlight on the Foundry, G&T Show's interview with Christine 'Kestrel' Thompson, writer for Star Trek Online, and finally the end of the anniversary event. After that we are delighted to be joined once again by Pug01, ground combat PvP expert of the highly successful PvP Boot Camp who lets us in on a few little gems to help make your ground PvP experience that much more awesome, before opening up hailing frequencies to read your feedback. To register for the PvP Boot Camp, visit this link to the STO forums! Remember, Captains, all the submissions we receive for our show will be entered into this month’s random drawing for 1,000 ZEN -- this includes comments on our website and emailed segment topics! We are Live on Trekradio.net every Thursday at 5:30 pm pacific time! If you’d like to join us live, during the show, Trek Radio has a built in IRC Chat client. Just click on the Community menu tab and select IRC Chat - input your desired screen name and enter! We are always looking for new blog submissions from Game/Gaming News, sci-fi/fantasy and entertainment bloggers. If you have an idea for an article and want your voice heard then send your submission to incoming@priorityonepodcast.com! Please know that all of our positions are volunteer, but we do offer a well known outlet for your work. If interested, please forward your contact information and experience along with a few writing samples to incoming@priorityonepodcast.com Did you miss any of our great Blogs last week? Stop by this link and see for yourself! How about our latest Video Release? Stop by our YouTube channel and check it out! We’re on Facebook! Head over to www.facebook.com/PriorityOnePodcast and say hi! Or, Check us out on Twitter via @stopriorityone for show times and other cool stuff. Liked this episode? Totally hated it? Leave a comment below, Contact Us using our handy web form or leave your comments on the STO Forum thread for Episode 114! If you are a Fleet Admiral and are interested in joining one of our future shows to be interviewed about your fleet, please send us an email at incoming@priorityonepodcast.com. To get the missions you are making using The Foundry featured, send in the name of your mission, a brief description, and your @handle to incoming@priorityonepodcast.com. You might be asked to record a video walkthrough of your mission with Priority One! We have a call out to all Priority One fans for your ideas, bugs and tips for our new Field Notes Segment! Visit this link to submit your bugs, tips, or any idea or feature you would like to see implemented in game. Enjoy the show!

Hello Captains and welcome to Priority One's 114th episode, broadcast live on TrekRadio.net on Thursday, February 7th, 2013 and published on Monday, February 11th, 2013 at PriorityOnePodcast.com!!! Alas, James is still being held captive by Armus, but fear not! We've sent Tasha Yar to investigate (too soon?). In this week's Trek It Out, Elijah tells us about a cool new endeavor by NASA to launch the worlds largest solar sail in 2014, whilst Adrianne tells us about a recent trip to the theatre to see HMS Pinafore: The Next Generation. In STO News we cover the recent Friday Screenshot posted by Branflakes, the Spotlight on the Foundry, G&T Show's interview with Christine 'Kestrel' Thompson, writer for Star Trek Online, and finally the end of the anniversary event. After that we are delighted to be joined once again by Pug01, ground combat PvP expert of the highly successful PvP Boot Camp who lets us in on a few little gems to help make your ground PvP experience that much more awesome, before opening up hailing frequencies to read your feedback. To register for the PvP Boot Camp, visit this link to the STO forums! Remember, Captains, all the submissions we receive for our show will be entered into this month's random drawing for 1,000 ZEN -- this includes comments on our website and emailed segment topics! We are Live on Trekradio.net every Thursday at 5:30 pm pacific time! If you'd like to join us live, during the show, Trek Radio has a built in IRC Chat client. Just click on the Community menu tab and select IRC Chat - input your desired screen name and enter! We are always looking for new blog submissions from Game/Gaming News, sci-fi/fantasy and entertainment bloggers. If you have an idea for an article and want your voice heard then send your submission to incoming@priorityonepodcast.com! Please know that all of our positions are volunteer, but we do offer a well known outlet for your work. If interested, please forward your contact information and experience along with a few writing samples to incoming@priorityonepodcast.com Did you miss any of our great Blogs last week? Stop by this link and see for yourself! How about our latest Video Release? Stop by our YouTube channel and check it out! We're on Facebook! Head over to www.facebook.com/PriorityOnePodcast and say hi! Or, Check us out on Twitter via @stopriorityone for show times and other cool stuff. Liked this episode? Totally hated it? Leave a comment below, Contact Us using our handy web form or leave your comments on the STO Forum thread for Episode 114! If you are a Fleet Admiral and are interested in joining one of our future shows to be interviewed about your fleet, please send us an email at incoming@priorityonepodcast.com. To get the missions you are making using The Foundry featured, send in the name of your mission, a brief description, and your @handle to incoming@priorityonepodcast.com. You might be asked to record a video walkthrough of your mission with Priority One! We have a call out to all Priority One fans for your ideas, bugs and tips for our new Field Notes Segment! Visit this link to submit your bugs, tips, or any idea or feature you would like to see implemented in game. Enjoy the show!

Online 24 hours each day 1 – 31 March, avfestival.co.uk / thepixelpalace.org - Radio Boredcast is a 744-hour continuous online radio project, curated by artist Vicki Bennett (People Like Us)

The Freemasonic Connection, EU, Ireland, European Parliament, UN, The Pinafore, Brother Gerald Ford, the Builders, Honorary 33rd Degree, Mystique - Fascination - Myth, Templar Pirates, Feudal Overlords, Brain Chip Promotion - Propaganda, Aldous Huxley, Wiring the Brain, Futurist Think Tanks, World Wide Mind, Virtual Sex Fantasy, An Ongoing War, Serving the System, China - UN Model State, Dehumanization, Cannibalism is a Business, Looking at the Negative is a Survival Mechanism, Breaking Through, Teaching Children the Past, Giving Away of the Mind, Eradicating the Characters, (Song: "Gossip Calypso" by Gordon Lightfoot, "Imagine" by John Lennon, "Don't Let the Sun Go Down On Me" by Elton John )

John Segers heads the Orlando Gilbert and Sullivan Players (OGASP!) and has directed several productions of Gilbert & Sullivan. Their goals are to bring the traditional D'Oyly Carte style to concert performances and full productions of the operettas in the Orlando area, to introduce new audiences to the joys of G&S and to rekindle happy memories for Savoyards throughout Central Florida. Tongue-twisting patter songs, ballads, comic solos and romantic duets form the backbone of the entertainment. Included are selections from such favorites as H.M.S. Pinafore, The Mikado, and The Pirates of Penzance, as well as highlights from The Yeomen Of The Guard, Patience and others. (7:55)