Podcasts about Jazz fusion

Im letzten Teil jeder Folge feiern wir Geburtstage und Jubiläen. Dabei spielen wir klassischen Flower-Power-Pop, Jazz-Fusion und Singer-Songwriter-Soul. Intensiv widmen wir uns einem Album aus dem Bereich Progressive Rock, das fünfzig Jahre alt wird und das Torsten seit Veröffentlichung, Linus immerhin seit mehr als dreißig Jahren begeistert. Und dass keiner unserer Songs noch etwas mit Fernsprechgeräten zu tun hat, bleibt unser kleines Geheimnis... Hier findet ihr die Playlist zur Folge auf Apple Music und Spotify: https://music.apple.com/de/playlist/listen-folge-54/pl.u-d2b00DLTMlWJJe https://open.spotify.com/playlist/0A0V3XUapQe4ESO27gm6cs PS Den Song von Aidan Smith gibt es leider weder auf Streamingdiensten noch auf YouTube. Den von The Three Graces gibt es auch nicht auf YouTube oder Spotify, er ist aber auf der Apple-Music-Playlist zu hören.

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Tras dedicar los dos últimos programas a la música de club, retomamos esta semana nuestra serie temática sobre el “jazz fusion”. En esta tercera entrega nos centramos en el bajo; más específicamente en el “fretless bass” o bajo sin trastes, cuyo característico sonido es el protagonista de los temas que te traemos en esta sesión. Te invitamos a disfrutar del hipnótico y expresivo sonido del “fretless bass”. Escuchar audio

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Jazzdrum‑Playlist (Volgorde: van vroeg → modern) 1. Gene Krupa – “Sing, Sing, Sing” (Benny Goodman, 1937) De oerdonder van de swingdrums—Krupa maakt de toms en jungle‑feel wereldberoemd. 2. Baby Dodds – “Spooky Drums” (1946) Een solo-opname die laat horen hoe vroeg-jazzdrummers kleur, ritme en improvisatie benaderden. 3. Max Roach – “Cherokee” (met Charlie Parker, 1945) Razendsnelle bebop en totaal vernieuwend ride‑cymbalspel. 4. Art Blakey – “Moanin'” (1958) Blakey's “press roll thunder” en soulvolle drive: hét hard‑bop geluid. 5. Philly Joe Jones – “Two Bass Hit” (Miles Davis, 1958) Super strakke rudiments, dynamische fills, en meesterlijke controle. 6. Elvin Jones – “A Love Supreme: Pt II – Resolution” (John Coltrane, 1965) Golvende, spirituele storm aan polyritmiek. Volgens kenners één van de meest invloedrijke drumopnames ooit. 7. Tony Williams – “Seven Steps to Heaven” (Miles Davis, 1963) Williams was 17 (!) en revolutionair in drive, vrijheid en cymbal‑articulatie. 8. Roy Haynes – “Snap Crackle” (1962) Zijn bijna elektronische “snap & crackle” stijl komt hier volledig tot recht. 9. Billy Cobham – “Stratus” (1973) Kracht, snelheid, precisie: Cobham zet een nieuwe standaard voor fusiondrums. 10. Steve Gadd – Intro van 50 Ways To Leave Your Lover 11. Steve Gadd – “Foam Home” (Steve Gadd Band – 70-Strong, 2015) Legendarische precisie, frasevorming en groove—drummer's favorite. 12. Peter Weissink – Up Jumped Spring (Keys and Beats – 2024) Als toetje: de ‘huisdrummer’ en organisator van de Tor-JazzJamsessions: Peter Weissink en zijn muzikale companen John Hondorp en Sebatian Altekamp op hammond en piano. Drums en slagwerk vormen de ritmische motor van jazz. Van de vroege “trap sets” in New Orleans tot de complexe metriek van het modern jazz‑drummen: elke periode bracht nieuwe technieken, geluiden en muzikale rollen. 1. Vroege jazz & New Orleans (1900–1920) De moderne drumkit ontstond in New Orleans toen slagwerkers verschillende percussie-instrumenten combineerden tot één set (o.a. bass drum, snare en bekkens). Kenmerken Tweeledige rol: ritme én kleur Veel marching band‑invloeden Gebruik van vroege “rudiments” en eenvoudige ritmiek Belangrijke drummers Baby Dodds — pionier van het improvisatorische drumwerk Zutty Singleton — populair door zijn werk met Louis Armstrong 2. Swing Era & Big Bands (1930–1940) Met de opkomst van bigbands werd de drummer een tijd-keeper die de dansbare “swing feel” moest dragen. Kenmerken Focus op steady hi-hat en basdrum Grote orkesten → meer kracht en consistentie nodig Drumsoli worden een showelement Belangrijke drummers Gene Krupa — maakte de tom-toms beroemd, enorme showman Chick Webb — krachtig, invloedrijk swingdrummer Jo Jones — verplaatste de “time” van basdrum naar ride-bekken, een mijlpaal 3. Bebop (jaren 40) Bebop zette de drummer in een interactieve, minder voorspelbare rol. De muziek werd sneller, complexer en meer op improvisatie gericht. Kenmerken Ride-cymbal wordt het hoofdritme-instrument “Dropping bombs”: accenten op de basdrum Veel vrijheid en communicatie met solisten Belangrijke drummers Kenny Clarke — grondlegger van moderne bebop-drums Max Roach — melodisch drummen, polyritmiek Art Blakey — dynamisch en krachtig, bekend van Jazz Messengers 4. Hard Bop & Soul Jazz (jaren 50–60) De groove werd zwaarder en aardser, beïnvloed door gospel en blues. Kenmerken Sterkere backbeat Meer emotionele spanning Interactie met blazers en piano Belangrijke drummers Art Blakey (opnieuw) — echte hard bop‑architect Philly Joe Jones — strak, fel, met prachtige rudimental frases Elvin Jones — revolutionaire, golvende “drum‑storm” rond Coltrane 5. Modal Jazz en Post-Bop (jaren 60) De ritmische vrijheid neemt toe; drummers bewegen zich losser rond de beat. Kenmerken Minder voorspelbare patronen Veel gebruik van textuur en ruimte Accent verschuift van swing naar flow en kleur Belangrijke drummers Tony Williams — enorm vernieuwend op jonge leeftijd, bij Miles Davis Jack DeJohnette — lyrisch, open, breed geluid Roy Haynes — “snap, crackle”, lichte en springerige stijl 6. Jazz Fusion (jaren 70) Elektrische instrumenten en rockinvloeden brengen nieuwe energie. Kenmerken Krachtiger spel, rock‑dynamiek Complexe maatsoorten Gebruik van elektronische drums en percussie Belangrijke drummers Billy Cobham — stormachtig, technisch extreem sterk Lenny White — pionier bij Return to Forever Harvey Mason — funk‑jazz, strakke groove 7. Contemporary Jazz (jaren 80–heden) Hedendaagse drummers mengen jazz met wereldmuziek, hip-hop, elektronica, en nog veel meer. Kenmerken Hybride setups en elektronica Complexe metriek (bijv. 7/8, 11/8) Mix van jazz, pop, funk, hip-hop en indie-invloeden Belangrijke drummers Brian Blade — muzikaal, gevoelig, dynamisch Jeff “Tain” Watts — krachtige post-bop energie Mark Guiliana — pionier van elektrojazz en “future groove” Terri Lyne Carrington — veelzijdig, grensverleggend

M1 “Idiot Bastard Son”, King Kong Jean-Luc Ponty Plays the Music of Frank Zappa, (Frank Zappa) World Pacific Jazz Records, 1970 (4:00). M2 “Twenty Small Cigars”, King Kong Jean-Luc Ponty Plays the Music of Frank Zappa, (Frank Zappa) World Pacific Jazz Records, 1970 (5:35). M3 “Bowing-Bowing”, Jean Luc Ponty-Stephane Grappelli (Jean-Luc Ponty), Inner City Records, 1976, recorded 1973, (6:28)  M4 “Valerie”, Jean-Luc Ponty-Stephane Grappelli (Jean-Luc Ponty), Inner City Records, 1976 (7:00)  M5 “Upon The Wings Of Music”, Upon The Wings of Music, (Jean-Luc Ponty), Atlantic Recording/Warner Communications, (5:24). M6 “Now I Know”, Upon The Wings of Music, (Jean-Luc Ponty), Atlantic Recording/Warner Communications, (4:25)  WELCOME TO THIS EPISODE OF VINYL VIBRATIONS – musical exploration into sounds and grooves from artists whose works are produced onto vinyl records. The Vinyl Record has stood the test of time- – Vinyl is durable and delivers stunning sound. With Vinyl Records, we capture a rich period in music history  including pop, rock, jazz, and classical genres. In each show I explore a topic in the artist's music that makes their work unique and timeless. From these podcasts, the actual vinyl LPs played in this show go back to the 1950s – I am enjoying these discs some 70+ years after their production date. Tangible music, always available great quality. …  I’m your host, Brian Frederick.  WELCOME to this episode of Vinyl …  Vibrations. ABOUT TODAY'S PROGRAM ABOUT THE ARTIST Today our featured artist is Jean-Luc Ponty – He is a French JAZZ-ROCK and JAZZ FUSION violinist and composer, born in 1942. Ponty graduated from Conservatoire National Supérieur de Musique de Paris with the PREMIER PRIX the first prize, a great accomplishment. Then he was hired by Orchestra Lamoureux. He also had a side job playing in a college jazz band and he evolved and developed a jazz interest. In his 20's, Ponty went on to play at jazz clubs in Paris as the “JAZZ FIDDLE” role. Ponty was at the right time and the right place. In 1965, the VIOLIN did not have a place in the jazz world or in the jazz sound. Ponty has a unique sound, and he has made a huge impact in JAZZ-ROCK and in JAZZ FUSION. (pause) One characteristic of Ponty's style is his spared use of vibrato. His style favors powerful long notes, with just a trace of vibrato.. Another characteristic is that he plays the electric violin, and thirdly, he uses effects processing. He is truly a modern and pioneering violinist with his jazz and fusion roots starting in the 1960s. In the1970's he collaborated as sideman with FRANK ZAPPA- and with CHICK COREA- and with the MAHAVISHNU ORCHESTRA- resulting in 18 sideman records between those three groups. Before that PONTY had many recording accomplishments – with 8 recordings as LEADER going back to 1964 when he released his premier record [JAZZ LONG PLAYING]  In 1967 he played at the MONTEREY JAZZ FESTIVAL, and this landed him a recording contract with the WORLD PACIFIC label.  In 1970, he was working with Frank Zappa on the KING KONG album, and working with Elton John on the HONKY CHATEAU album. I was lucky and thrilled to see PONTY live in 1972 at  the BROWN SHOE, a bar in the Chicago Old Town neighborhood. He played an electric violin, and had floor pedals with basic effects, and played a mind-boggling 45-minute set of ROCK FUSION music. That was during his MAHAVISHNU-ZAPPA-COREA days. I had my proof, he was the real thing. And now, let's go into the music of Jean Luc Ponty. In today's podcast I review three records of Jean Luc Ponty AS LEADER, his early years, 1970 to 1975. King Kong Jean-Luc Ponty Plays the Music of Frank Zappa 1970 Jean-Luc Ponty-Stephane Grappelli 1973 Upon The Wings of Music 1975    

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

EPISODE 141: The Blackbyrds were at the cutting edge of jazz fusion, R&B and funk in the 1970s, pushing the boundaries of Black popular music forward in one of the most musically fertile decades of the past century. Established by legendary jazz trumpeter Donald Byrd in 1973, the band's success includes several highly touted albums, film scores (1975's "Cornbread," "Earl and Me"), as well as supporting such iconic artists as B.B. King. Herbie Hancock, Gladys Knight & the Pips, Roberta Flack and more. The Blackbyrds' self-titled debut album put the group on the map with "Do It, Fluid," a funky laid-back party anthem.  The group followed that initial success with a string of albums over the next five years, including FLYING START (1974), which yielded their biggest hit, the Grammy-nominated "Walking in Rhythm," and CITY LIFE (1975), which contained the hit "Happy Music" and the iconic "Rock Creek Park," which remains one of the most sampled jazz-funk tracks to this day, as well as such hits as “Supernatural Feeling,” Grammy-nominated “Unfinished Business,” “Time is Movin',” “Dreaming About You” and “Flyin' High,” among many others. Under the leadership of original drummer and vocalist, Keith Killgo, the band continues to record, tour and perform globally.  The Blackbyrds current lineup includes original founding members Keith Killgo (drums and vocals) and Joe Hall (bass), Paul Spires (vocals), Dominique Toney (vocals), daughter of original band keyboardist Kevin Toney, Roberto Villeda (keyboards), Charles Wright (guitar), Thad Wilson (trumpet), Marshall Keys (saxophone) and Sean Anthony (percussion). blackbyrdsmusic.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

En este capítulo continuamos con la segunda entrega de la serie de programas temáticos sobre el “jazz fusion” que iniciamos la semana pasada. Te invitamos a explorar este fascinante género caracterizado por el virtuosismo y la complejidad melódica.Escuchar audio

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

En el episodio de esta semana arrancamos con una serie de programas temáticos sobre un género que nos fascina: el “jazz fusion”. Esta corriente trae al jazz influencias de otros géneros como el rock, funk, disco… y nos deleita con melodías intrincadas y ejecuciones virtuosas. Te invitamos a sumergirte en el maravilloso sonido del "jazz fusion" con esta primera entrega de la serie.Escuchar audio

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

In this episode, I sit down with bassist and vocalist Keith Horne, and it feels like reconnecting with a player I've admired for decades. I talk about the first time I experienced Keith live in 1996, when I was a freshman at Belmont University, and he was on the road with Peter Frampton. I still remember the impact of his touch, time, and musical confidence. From there, Keith and I dig into how his musical life started as a kid playing bluegrass with his dad, how flatpicking shaped his speed and articulation, and why being a multi-instrumentalist gave him an unusually complete view of the bandstand. We talk about his left-handed approach to playing guitar, how he learned guitar upside down, how he originally played drums left-handed, and why he eventually switched to a right-handed kit to survive the reality of shared backlines and sit-ins.Keith tells some incredible stories about chasing complex instruments, including the moment he finally found a left-handed pedal steel, how watching great steel players for years taught him the mechanics before he ever owned one, and how quickly he was able to apply that knowledge once the instrument was in front of him. We also trace the exact moment bass became his leading voice, when a bassist in his dad's band left his instrument at the house, and Keith quietly learned it without telling anyone, then shocked his dad by switching instruments mid-gig at age twelve and never looking back. That leads to a bigger conversation about why starting on drums is a superpower for a bassist, how it teaches you the unspoken communication between rhythm section players, and why Keith's time feel became one of his calling cards, including a compliment from Dennis Chambers that still stands out as one of the biggest of his life.Keith and I go deep on the singing bassist problem, how to keep vocals expressive while staying locked on bass, and how harmony singing often becomes the secret weapon that gets you the gig. He shares how his range and high harmony work opened doors, how constant performing strengthened his voice over time, and how he learned to shift between full voice and falsetto through heavy gigging and demanding material. We talk about the artists and songs that shaped his bass worldview, from Earth, Wind & Fire and Verdine White to Bernard Edwards, Stanley Clarke, Marcus Miller, Chuck Rainey, and Jaco. Keith tells the story of hearing Stanley Clarke for the first time and having his entire concept of the instrument explode overnight.A significant highlight is Keith's time in the Virginia fusion band Secrets, a band he calls the best musical situation he's ever been in. He tells the story of sitting in on Jeff Lorber's Tune 88, getting a standing ovation for a bass solo, and then immediately being offered the gig. We talk about how quickly great players elevate your musicianship, how his first night in the band was also Carter Beauford's first night, and the feeling of instant chemistry that made it seem like they'd been playing together forever. Keith also shares stories of opening for the Yellowjackets, becoming friends with Jimmy Haslip, and the surreal mirror-image moment when the band watching their soundcheck saw an upside-down bassist and an open-handed drummer and realized they were looking at a parallel-universe version of themselves.From there, we follow Keith's move to Nashville, living with the Wooten Brothers early on, playing jam nights seven nights a week, and building a reputation fast because he could authentically cover multiple genres on demand. He breaks down how his first major Nashville gig came through the Stockyard, leading to Tanya Tucker, and how the road unfolded from there with Waylon Jennings, Peter Frampton, and Trisha Yearwood, including singing Walkaway Joe with Trisha and what it's like to work with singers so accurate they can survive monitor failures in arenas without losing pitch. We also spend time on Hot Apple Pie, the magic of that record, why it still sounds fresh, and the frustration of how label shifts and industry timing kept the band from reaching the level the music deserved.We wrap with what Keith is doing now in Florida at the Orange Blossom Opry, what makes the venue unique, how the band tailors its opening set to match each headliner, and why the schedule can be intense during the season but still sustainable because the owners take care of the musicians in a rare way. It's a wide-ranging conversation about musicianship, time feel, harmony, career longevity, and the kind of stories you only get from someone who has genuinely lived on bandstands for decades.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Mostly jazz/rock fusion on this week's show, featuring some of my favorite bands from the 70's and beyond. This music sparked my interest in jazz music during my college years, and eventually branching out into more traditional forms. But this is the music that started it all for me and many others of my generation. Playlist Artist ~ Name ~ Album Herbie Hancock ~ Heartbeat ~ Man-Child Chick Corea ~ Shadow of Lo ~ Where Have I Known You Before Frank Zappa ~ Waka/Jawaka ~ Waka / Jawaka Shunzo Ohno ~ Runner ~ Runner - EP Miles Davis ~ Right Off - take 10 ~ Complete Jack Johnson Sessions Shakti with John McLaughlin ~ La Danse Du Bonheur ~ A Handful of Beauty Joshua Redman ~ Jazz Crimes ~ Elastic

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Paul Phillips Soulful Grooves Solar Radio Soul Show Discovering, Supporting, Showcasing, Promoting New Music playing Soulful House, Contemporary Soul, Neo Soul, Classic Soul, Funk, Disco, Jazz Fusion. www.soulfulgrooves.com

Welcome to the Nothing Shocking Podcast episode 299 with our guest Frank Marino of Mahogany Rush.  We discuss his editing and release of a new box set Live at the Agora Theatre.  An epic performance of over 6 hours of live performances including Blue Ray and DVD.  We also discuss his custom guitar pedals and more!   For More Information: https://www.mahoganyrush.com/ https://www.frankmarinoaudio.com/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on X at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping local at   Big Stricks Vinyl Records and Sports Cards - https://www.facebook.com/p/Big-Stricks-LLC-61560351678007/