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Genesis Owusu is a genre-bending Ghanaian-Australian artist who is taking the world by storm with his eclectic music and thought-provoking lyrics.In this episode of Consequence Uncut, Editorial Coordinator Jonah Kruger sits down with Genesis to talk about his sophomore album, STRUGGLER. He dives into the concept album's influences, ranging from Albert Camus to Kafka, and his collaboration with visual artist Lisa Reihana." When I was a kid, I used to write short stories and then I transitioned to poetry and then I transitioned to music and making albums and projects," he tells Consequence. "And I realized, I've just been a storyteller the whole time, but the medium has just changed."StTRUGGLER will be released on August 18 (learn more here) before a World Tour across North America, Europe and Australia that begins in October (get tickets here).Listen to the full interview with Genesis Owusu now and you can read the full article on Consequence.net. Lastly, please don't forget to like, review, and subscribe wherever you get your podcasts so you don't miss a single episode and more people can enjoy this content.Check out HelloFresh and use my code 50uncut for a great deal: https://www.hellofresh.com/Our Sponsors:* Check out Green Chef and use my code 60uncut for a great deal: https://www.greenchef.com/ * Check out HelloFresh and use my code uncutfree for a great deal: https://www.hellofresh.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
If you happen to be wandering around the Wellington waterfront today, you will probably notice something interesting in the Whairepo Lagoon: a BIG octopus. The creature is one of six installations by Auckland-based video artist Lisa Reihana, which she has created for the Aotearoa New Zealand Festival of the Arts. The series - known as Kura Moana, and on display until Sunday, March 20 - form a kind of treasure hunt across the waterfront, which kids and their parents can take in over a half-hour. In addition to the blow-up octopus, there's a couple of video installations and a statue of the Polynesian explorer Kupe. Festival director ngā toi Māori Mere Boynton spoke to Susie Ferguson.
Multi-disciplinary artist Lisa Reihana (Ngapuhi - Ngati Hine, Ngai Tu-Te Auru) is the Artist In Focus for the upcoming Aotearoa New Zealand Festival of the Arts, and will be bringing a series of her most celebrated pieces alongside new works to the Wellington region for the festival. Reihana joins the show to discuss her work and play a few favourites.
Multi-disciplinary artist Lisa Reihana (Ngapuhi - Ngati Hine, Ngai Tu-Te Auru) is the Artist In Focus for the upcoming Aotearoa New Zealand Festival of the Arts, and will be bringing a series of her most celebrated pieces alongside new works to the Wellington region for the festival. Among the works on display is the critically acclaimed in Pursuit of Venus [infected], which has travelled to London, San Francisco, Estonia, Taipei and further, but never to Wellington - until now. The large scale video installation has just opened at Te Papa for a special extended festival season, coinciding with the release of the festival programme. Reihana joins the show to discuss her work and play a few favourites.
The Pacific Sisters is a collective of Pacific and Māori fashion designers, artists, performers, and musicians that electrified 1990s Auckland. The group began on the fringes, but their ground-breaking style and performances brought the urban lives of a New Zealand–born Pacific generation into the mainstream spotlight. The Pacific Sisters include ground-breaking artists Lisa Reihana, Rosanna Raymond,, Suzanne Tamaki, Selina Haami, Niwhai Tupaea, Henry Ah-Foo Taripo, Jaunnie ‘Ilolahia and Ani O’Neill Feeonaa Wall-Clifton. This morning we join the Pacific Sisters in Muriwai where they are holding a wananga creaating a new film connect to their new collection of aitu/avator at Auckland Museum. To find out what ground braking work they’re creating in Muriwai See omnystudio.com/listener for privacy information.
Start your day the right way, with a stimulating discussion of the latest news headlines and hot button topics from The Advertiser and Sunday Mail. Today, hear from Rhana Devenport, Greg Mackie and Lauren Novak Rhana Devenport Rhana Devenport ONZM is the Director of the Art Gallery of South Australia and the first woman to hold this position. She is a museum director, curator, editor, and cultural producer whose career spans art museums, biennials and arts festivals. As former Director of Auckland Art Gallery Toi o Tāmaki she, in 2017, curated the work of Lisa Reihana for the New Zealand Pavilion at the Venice Biennale. Prior to that she was Director of the Govett-Brewster Art Gallery in New Plymouth, leading to the development of the Len Lye Centre. In Australia she worked on the first four Asia Pacific Triennials at Queensland Art Gallery. Her curatorial interests include contemporary art of Asia and the Pacific, time-based media and social practice. Greg Mackie Greg Mackie is CEO at The History Trust of SA, and is an Adelaide City Councilor, with an abundance of cultural service to his credit. As co-founder of the iconic Imprints Booksellers, Greg served many years as Chair of Adelaide Writers' Week and founded the Adelaide Festival of Ideas in 1999. He headed up Arts SA for many years and was Deputy CE in the Premier's Department and SA's ‘Ageing Provocateur' before a successful consultancy practice. Greg received an OAM in 2002, the Dame Elizabeth Murdoch Cultural Leadership Award and the Bettison James Award in 2016. Lauren Novak Lauren Novak is Social Policy Editor for The Advertiser and Sunday Mail, where she began her career as a cadet in 2005. Lauren spent more than seven years as a State Political Reporter before specialising in her current role in coverage of child protection and domestic violence policy, for which she has won state and national awards. She is also an Our Watch Walkley Foundation Fellow and a Board Director with Zahra Foundation Australia, which helps victims of domestic violence gain financial independence. See omnystudio.com/listener for privacy information.
1 November 2020 | WORD Christchurch Spring Festival Ralph Hotere was one of Aotearoa’s most significant artists. His life was just as remarkable as his art. Hotere invited the poet, novelist and biographer Vincent O’Sullivan to write his life story in 2005. Now, this book — the result of years of research and many conversations with Hotere and his fellow artists, collaborators, friends and family — provides a nuanced, compelling portrait of Hotere: the man, and the artist. Vincent O’Sullivan is joined by Bill Manhire, Cilla McQueen and Lisa Reihana to discuss the life and work of the man behind the iconic, stand-alone signature: HOTERE. Chaired by Sally Blundell.
The pulling power of Auckland Art Gallery's current Maori contemporary art exhibition has the judges of New Zealand's first portraiture award for emerging Maori artists hoping it will also be a drawcard when the entries head out on tour.
Lisa Reihana is one of New Zealand’s most important artists. Her work, In Pursuit of Venus [infected] became one of the highlights of the 2017 Venice Biennale. It is a 26 metre long animated wallpaper that was many years in the making - a reinterpretation of a 200-year-old panoramic wallpaper created by Joseph Dufour that painted an exotic portrait of the life of Pacific people as described by Captain Cook. In this story - recorded back in 2017 - Lisa is working on a short 3D film titled Nomads of the Sea which again looks at the meeting of two cultures, featuring an epic encounter between two female warriors. Presenter Tim Marlow joins Lisa Reihana in her New Zealand studio to talk about art, film and creativity.
Video Artist Lisa Reihana had just opened one of her biggest commissions for the famous shoemaker Christian Louboutin, when Covid-19 shut it down and her other 5 shows on show around the world. Lynn Freeman caught up with Lisa and James a few days ago at the end of a road trip. They'd been expecting to finally have a break at home in April, but that's now extended: Lisa says despite all the hard work involved, they're philosophical about their shows and other future opportunities being impacted by the pandemic to some degree.
"I see him as a navigator, not as a hero." In the first episode of our Letters to Cook miniseries, Rhoda Roberts introduces the Indigenous World Art Orchestra, a new First Nations gaze at Cook's journey told through fine music and first instruments. Participating artists Lisa Reihana and Nayuka Gorrie read their two searing Letters, and chat with Rhoda about language, land, white mythmaking, the scar of colonialism and their experiences as First Nations women.
In moments of change there is a window to act. How do we organise our politics around the new situation? How do we organise our institutions? What role should artists play in this? How do we move beyond short term solutions to long term ones? And if the next crisis - Climate Change - is going to change daily life for all of us, what do we need to put in place *now* for the long term? This podcast brings together three artists - Judy Darragh, Ary Jansen, Lisa Reihana - to discuss the future of art after Covid 19, and a new advocacy group for artists, Arts Makers Aotearoa. Hosted by Mark Williams. http://www.artsmakersaotearoa.nz/ Lisa Reihana is a multi-disciplinary artist who represented New Zealand at the Venice Biennale in 2017 with the large scale video installation in Pursuit of Venus [infected]. https://www.lisareihana.com Judy Darragh is an artist who uses found objects to create sculptural assemblages. She has also worked in paint and film. https://www.circuit.org.nz/artist/judy-darragh Ary Jansen is an artist and musician based in Auckland. https://www.youtube.com/channel/UCInGwvU7ljDFAouv7Wzm9Cg https://aryjansen.bandcamp.com/
Start your day the right way, with a stimulating discussion of the latest news headlines and hot button topics from The Advertiser and Sunday Mail. Today, hear from John Spoehr (Pro-Vice Chancellor, Research Impact at Flinders University), Rhana Devenport (Director of the Art Gallery of South Australia), Tory Shepherd (State Editor of The Advertiser). ABOUT TODAY'S PANEL John Spoehr Professor John Spoehr is Pro-Vice Chancellor - Research Impact at Flinders University and Director of the Australian Industrial Transformation Institute. He has over 25 years' experience as a social and economic analyst focussing on employment and industry policy, inequality and social justice. He is actively involved in the development of industry, government and community research partnerships at a local, national and international level. John's major publications include 'The Engaging State - South Australia's engagement with the Asia Pacific Region' with Purnendra Jain, 'State of South Australia - from crisis to prosperity?' and 'Power Politics - the electricity crisis and you'. His latest edited book is 'State of South Australia - turbulent times'. Rhana Devonport Rhana Devenport ONZM is the Director of the Art Gallery of South Australia and the first woman to hold this position. She is a museum director, curator, editor, and cultural producer whose career spans art museums, biennials and arts festivals. As former Director of Auckland Art Gallery Toi o Tāmaki she, in 2017, curated the work of Lisa Reihana for the New Zealand Pavilion at the Venice Biennale. Prior to that she was Director of the Govett-Brewster Art Gallery in New Plymouth, leading to the development of the Len Lye Centre. In Australia she worked on the first four APTs at QAGOMA. Her curatorial interests include contemporary art of Asia and the Pacific, time-based media and social practice. Tory Shepherd Tory is the Advertiser's State Editor and a senior columnist, and covers defence and space among other topics. She is a Walkley Awards judge, a Churchill fellow, and the author of On Freedom. Tory is a regular panel member of ABC radio and television shows including Sunrise, The Project and The Drum. See omnystudio.com/listener for privacy information.
Aotearoa New Zealand artist Lisa Reihana sits down with Samstag curator Gillian Brown to discuss her moving image work in Pursuit of Venus [infected], a re-imagining of the French scenic wallpaper Les Sauvages de la Mer Pacifique depicting Captain Cook's arrival on the Pacific Islands.Bold, creative and responsive to contemporary visual art, Samstag Museum of Art is one of Australia's leading university art museums. For more, see unisa.edu.au/samstagmuseum.Recorded by Denam Moore at the Message Pod, Kaurna Adelaide in February 2019.
Catch up with this conversation with acclaimed New Zealand artist Lisa Reihana, as she discusses the panoramic video installation that was on show as part of 'Oceania' last year. This landmark exhibition showcased diverse art of the region of Oceania, from the historic to the contemporary – but if you missed it, you can also catch up with our series of Oceania stories here: https://roy.ac/2NU90rA If you'd rather watch a video of Lisa Reihana in conversation, you'll find it here: https://roy.ac/2E3tpU0
Photographer Paul Harmon showcases degradation of the Murray-Darling Basin in Watermarks at Casula Powerhouse, how to look at a painting and not get overwhelmed in galleries according to AGNSW's Justin Paton, New Zealand artist Lisa Reihana's video work In Pursuit of Venus (Infected) at Adelaide Festival, American whaler graffiti on rock art in the Pilbara, and misuse of the sacred Wandjina.
Photographer Paul Harmon showcases degradation of the Murray-Darling Basin in Watermarks at Casula Powerhouse, how to look at a painting and not get overwhelmed in galleries according to AGNSW's Justin Paton, New Zealand artist Lisa Reihana's video work In Pursuit of Venus (Infected) at Adelaide Festival, American whaler graffiti on rock art in the Pilbara, and misuse of the sacred Wandjina.
Working with water colour, this week's live studio artist is Brisbane based Zoe Porter, we travel to the National Gallery of Victoria's Triennial exhibition, we discuss a new study has found that works from female artists sell for 50% less than their male counterparts, and art critic Andrew Frost joins us to review Lisa Reihana's Cinemania and Pipilotti Rist's Sip My Ocean.
Today, we take you to the Arsenale, a historic shipyard and main venue for the 57th Venice Art Biennale. In the New Zealand pavilion, we hear artist Lisa Reihana speak on reversing the colonial gaze in her work Emissaries. http://www.freshartinternational.com
Musician James Pinker is on The Weekend to note a band he hasn't been in for thirty plus years. He was the drummer for seminal Auckland post-punk band The Features, who have had their music collected on a recent compilation called X-Features. James Pinker has worked on music for Brian Eno, Nathan Haines, The Pogues, OMC, The Jesus and Mary Chain, Dead Can Dance, and Sisters Underground. James Pinker's recent projects include a collaboration called Mesh with Pitch Black's Paddy Free; the Indian music-influenced Holiwater Band, and more recently, and audio-visual electronica group, Haptic. James has been a curator for Auckland Council, exhibited his visual art and photography, and now works with his partner, the artist Lisa Reihana, and is the co-composer of the soundscape for her work in Pursuit of Venus [infected] which will be the featured New Zealand work at the 2017 Venice Biennale.
“I wanted to be very ambitious at a time when it looked like the economy was collapsing”. In this pod Lisa Reihana discusses her installation in Pursuit of Venus (infected) at Auckland Art Gallery Toi o Tāmaki. Based on 19th century wallpaper, Reihana’s scrolling video installation addresses a moment of early colonial contact between European and South Pacific peoples. Part 1 (0-8.22) The genesis of the project, links between the historical figures depicted and contemporary culture, and the critical nuances in the work. The making of another video Tai Whetuki/House of Death as a means to work through historical events. Part 2 (8.30-15.00) Technical challenges and ethical conundrums. Lisa concludes by talking about her digital stills of Captain Cook, Joseph Banks, Omai and Tupaia at the National Portrait Gallery, the revisiting of historical figures and play with gender. “It’s all about representation and ways of looking”.
http://website.ag.nsw.gov.au/itunesu/Lisa-Reihana.mp4 Sept. 2, 2009, 5:48 a.m. 04:52 Anne Landa, Art Gallery of NSW, Double Take, Lisa Reihana, New Media, Video, artist, exhibition, photography
Audio recordings of past Tate Modern conference, Global Photography Now: Asia Pacific, with Anne Ferran, Lisa Reihana and Yee I-Lann
Audio recordings of past Tate Modern conference, Global Photography Now: Asia Pacific, with Anne Ferran, Lisa Reihana and Yee I-Lann
Audio recordings of past Tate Modern conference, Global Photography Now: Asia Pacific, with Anne Ferran, Lisa Reihana and Yee I-Lann