Podcasts about nascence

Brendan Eich, the former CEO of Mozilla, talks about his experiences with Silicon Valley's "slush" fund era. He shares his profound insights on how this period significantly shaped the course of tech history.

Ignorance is one thing. Nescience is quite another. Know the difference.

The Witch Moon Rises, the Festival of New Life commences! Trials, choices and bloodshed! Just like a proper ritual of the old ways ought to be! By dawn not much will be the same.Content Warning: self harm, suicide, body horror, gore Hosted on Acast. See acast.com/privacy for more information.

Pfidze Lanka and Dexter Chisp are set to pledge their troughs on July 3rd. Under the sentinel of approx. 70 witnesses, they shall conjugate. In the eyes of the Lord and the state, that is. If the yecchy hoots and jibbers emanating nightly nether my chamber affirm anything, it's that those two are biblically conversant in what one imagines to be a uniformly unlovely interlock. And one can't HELP but imagine lest you impute depravity. Hear an oink, picture a pig. I am not a puritan. God knows. He knows... But ofttimes, the old fashions are the best. I do not insist on abstinence (she is an autonomous dame - if not a citizen - and carnal considerations were unhappily overlooked in her contract). I DO insist on basic decorum. It is displayed clearly on the Sub-Zero Luxury Refrigerator* in magnetic letters: "NO RUTTING UNDER THIS ROOF OR IN THE SHELTERED PADIO [sic]"†. Of course, it won't be a problem for much longer. Pfidze and Chisp are prepping their new flat for occupancy. Soon, I shan't have to eat muesli with that horrible sleeping bag, with its lardaceous stench and doubtless iridescence under blacklight, in my eyeline. She must know wherever she next goes will be a dip. I don't even want to LOOK at pictures of her stupid, accursed rental. Visit "when it's all done up", is it? Degrade myself to be hosted by a DESERTER?! Maybe I'll get a dog. On Tuesday, as I left M&S with an exquisite new set of cotton Argyle socks, I clocked a poster affixed to the window of a charity shop: an advertisement for a one-year-old St. Bernard. I have always found their goofy majesty unusually compelling. An embodiment of the sacred and the profane. They were bred to rescue people from lofty heights, to return them to solid ground. I am MAN enough to admit I cannot continue this commentary without tears. *If the algorithms don't bone me and an employee of said company sees this, it'd be nice to augment the rainy day fund as I move from Funlimited to the next (and, let's face it, final) phase of my life where the weather is, at best, uncertain. Come on, just a few quid. †I ran out of T's. GREAT SCOTT, DID THEY EXPLOIT THAT LOOPHOLE?!

13° episodio del podcast di Land of Rust dedicato alle news della settimana 17-23 Giugno 2020L’episodio è diviso in 6…

The Coldbros, minus Jake, do a deep dive on the video game Journey. The 2012 masterpiece from studio That Game Company was the recipient of many Game of the year awards and multiple best art direction awards. Despite these accolades this game has flown under some of our radars. On the surface Journey is a very pretty game with an amazing soundtrack by composer Austin Wintory, but once the guys decide to do a in depth analysis on Journey they discovered the games real beauty lies in its meaning. enjoy! (That Game Company) https://twitter.com/thatgamecompany?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor (Austin Wintory) https://twitter.com/awintory (Nascence) https://www.youtube.com/watch?v=TLfj3pAlrs4 (Apotheosis) https://www.youtube.com/watch?v=ypNgvc6c6Cc (I Was Born for This) https://www.youtube.com/watch?v=qizpBpHTzkU

In Episode 21 we finally make good on our long-held promise to explore the world of videogame music, with Austin Wintory’s beautiful score for thatgamecompany’s Journey. Crucial to the experience of Journey, Wintory’s music was recognized with a Grammy nomination and is widely held to be one of the greatest videogame scores of all time. Join us as we take a videogame diversion and analyse this gorgeous soundtrack. Episode notes: 5:20 – How does videogame music differ from film or television? 8:50 – Dan’s complicated menu music 10:05 – thatgamecompany’s journey to Journey, and Mihaly Csikszentmihalyi’s ‘flow’ 16:12 – The rise of independent videogame development and aesthetics 18:20 – Nascence and Wintory’s main Journey theme 21:50 – Tina Guo’s cello, Amy Tatum’s flute, and Charissa Barger’s harp 26:30 – Solo cello in Tan Dun’s Crouching Tiger, Hidden Dragon, and Hans Zimmer’s The Last Samurai 31:20 – Journey’s central weenie 33:45 – The Call, the sonic palate cleanser 38:10 – The Mountain 41:33 – Sound design and music in Journey 44:02 – The First Confluence and the absence of a downbeat 48:48 – The Bridge and the Second Confluence 51:50 – The first encounter and Journey’s dance 55:30 – ‘I was born for this’ 58:05 – The Desert’s Threshold and the musical interactivity of Journey 1:04:10 – The melancholy beauty of the machines 1:10:25 – The Descent, and Nick’s musical snowboarding adventures 1:20:16 – The Belly of the Whale’s Serpent 1:26:08 – The gaze of the sentinals 1:28:18 – Journey’s achingly beautiful string writing and Arvo Pärt’s Cantus in Memory of Benjamin Britten 1:34:40 – Atonement and the giant structure 1:38:56 – Journey’s Buddhist links 1:47:03 – The ascent to the peak (‘The Crossing’) 1:55:12 – The nadir 2:01:10 – Apotheosis and the hero realised 2:12:24 – The return to Tina Guo’s solo cello 2:18:28 – What does Journey mean? Is it a metaphor? 2:21:22 – The Return? Finally, if listeners are unfamiliar with Journey, we highly recommend checking out this video recording of a playthrough of the game from start to finish: https://www.youtube.com/watch?v=bkL94nKSd2M We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Game Audio Drops, sua dose diária de áudio para games! Neste episódio falamos um pouco sobre paisagem Sonora em games e como o jogo Journey fez isso certo. Enquanto preparava a pauta desta edição eu escutava a música Nascence da Trilha Sonora original do Journey composta por Austin Wintory. Link para a material que fala sobre o sound design do Journey: http://www.gamasutra.com/view/feature/179039/the_sound_design_of_journey.php Assista agora nossa palestra gratuita sobre áudio dinâmico para games: http://www.gameaudioacademy.com/webinario Vídeo do meu review da trilha do Journey(vídeo de 2013): https://www.youtube.com/watch?v=u4HbfMm8KCs Envie sua pergunta/áudio para contato@pxldj.com. Gostou do podcast? Avalie aqui: https://itunes.apple.com/us/podcast/game-audio-academy-podcasts/id1018699051

Eddie Inzauto is joined by Jason Fanelli, Dan Crabtree, and Josh Robinson on Episode 34 of the Versus Node Podcast to discuss the games of the current console generation that have best married gameplay mechanics with narrative. "Ludonarrative consonance" is the phrase of the day, and the GamerNode staff chooses the best examples released from November 22, 2005 through today on the Xbox 360, PlayStation 3, or Nintendo Wii. Listen and find out which games of the past 8 years pushed interactive storytelling to new height as we close in on a brand new era with the releases of the PS4 and Xbox One this month.--------------------------------------- Versus Node theme, "Dungeon" by Koji Kondo for Nintendo's The Legend of Zelda, 1987, remixed by Brian Schulman and Charles Kantz, 2010. Interludes: "Maenam" by Jami Sieber for Number None's Braid, 2008; "Nascence" by Austin Wintory for thatgamecompany's Journey, 2012; "Far Cry 3 (Main Theme)" by Brian Tyler for Ubisoft's Far Cry 3, 2012..--------------------------------------- Email us at vsnode@gamernode.com --- Send in a voice message: https://anchor.fm/gamernode/message

Summer has hit hard here at the Open Metalcast studios, and unfortunately there isn't any air conditioning in here. It's 87F in here, and while the fans are going full-tilt, there's some comfort in knowing this episode has some of the finest Creative Commons Metal music the net has to offer. including some hot-off-the-presses Returning We Hear The Larks, as well as Project: Roenwolfe (one of the many bands from Masters of Metal Productions), Slash Dementia, The Multiverse Concept, Marker Beacon, Falsos Positivos, Nuestros Derechos, and Spawn From Deceit. So while the Sun may never sweat, I can assure you that you'll work up a sweaty metal frenzy listening to this show. (00:10) Persian_Tales by Marker Beacon from Dead Frequencies (BY-SA) (04:20) Defying Inertia by The Multiverse Concept from Defying Inertia (BY-NC) (08:05) Death, My Friend by Nuestros Derechos from Adrift (BY-NC-ND) (12:19) Nascence in the Caverns of Mount Olympus by Returning We Hear the Larks from Far-Stepper/Of Wide Sea (BY-SA) (18:49) Roanoke by Project: Roenwolfe from Roanoke (BY-NC-ND) (21:43) Fuerza by Falsos Positivos from Fuerza 2012 (BY-NC-SA) (24:17) Sciencs Is Superior by Slash Dementia from Symptoms Are... (BY-SA) (28:56) Happiness by Spawn From Deceit from Woven Promises - Unraveled Victims (BY-NC-SA) Please support the bands in this show! Buy a T-Shirt, head to the shows, or buy out their entire discography. Whatever you can do to help these bands keep making music, please do it! Also check out the other great podcasts at Metal Injection, and be sure to listen to all of the great shows (including Open Metalcast) streaming 24/7 at Metalinjection.FM. If you have any suggestions for Creative Commons licensed metal, send me a link at craig@openmetalcast.com. Open Metalcast #075 (MP3) Open Metalcast #075 (OGG)

Summer has hit hard here at the Open Metalcast studios, and unfortunately there isn't any air conditioning in here. It's 87F in here, and while the fans are going full-tilt, there's some comfort in knowing this episode has some of the finest Creative Commons Metal music the net has to offer. including some hot-off-the-presses Returning We Hear The Larks, as well as Project: Roenwolfe (one of the many bands from Masters of Metal Productions), Slash Dementia, The Multiverse Concept, Marker Beacon, Falsos Positivos, Nuestros Derechos, and Spawn From Deceit. So while the Sun may never sweat, I can assure you that you'll work up a sweaty metal frenzy listening to this show. Shownotes and link to the bands after the break: * (00:10) Persian_Tales by Marker Beacon from Dead Frequencies (BY-SA) * (04:20) Defying Inertia by The Multiverse Concept from Defying Inertia (BY-NC) * (08:05) Death, My Friend by Nuestros Derechos from Adrift (BY-NC-ND) * (12:19) Nascence in the Caverns of Mount Olympus by Returning We Hear the Larks from Far-Stepper/Of Wide Sea (BY-SA) * (18:49) Roanoke by Project: Roenwolfe from Roanoke (BY-NC-ND) * (21:43) Fuerza by Falsos Positivos from Fuerza 2012 (BY-NC-SA) * (24:17) Sciencs Is Superior by Slash Dementia from Symptoms Are… (BY-SA) * (28:56) Happiness by Spawn From Deceit from Woven Promises – Unraveled Victims (BY-NC-SA) Please support the bands in this show! Buy a T-Shirt, head to the shows, or buy out their entire discography. Whatever you can do to help these bands keep making music, please do it! Also check out the other great podcasts at Metal Injection, and be sure to listen to all of the great shows (including Open Metalcast) streaming 24/7 at Metalinjection.FM. If you have any suggestions for Creative Commons licensed metal, send me a link at craig@openmetalcast.com.

E3! This week we throw down a plethora of next-gen announcement news. We cut our first country album, dwarves riding unicorns are discussed, and we try to give away free stuff, AGAIN. We also try something a little different and split the show into 2 smaller, bite sizes of fun. So check out part two.   -Beer of the Week- Vanilla Porter – Breckenridge Brewery, Colorado   -Featured Music- Intro- Bionic Commando Rearmed Theme – BCR, Simon Viklund Corridors of Time – Chrono Trigger, Square Taverns – World of Warcraft: The Burning Crusade, Blizzard Entertainment Nascence & Confluence – Journey, Austin Wintory Outro – Bloody Tears – Castlevania 20th Anniversary

Tobias Buckell has lived an adventurous life, not in the sense of plundering ancient tombs or fighting ninjas, but a life of extraordinary circumstances, opportunities and challenges. He says, "Fear of something is always an indicator of something I should do"... with that philosophy, he has blazed his own trail, exploring his craft - creating compelling tales like "Crystal Rain", his exploration of his own craft in "Nascence", and the recently crowd funded "Apocalypse Ocean" - and infusing his tales with a profoundly unique voice that has earned him a space on the New Yourk Times Best-Selling List and nominations for Hugo, Nebula, Prometheus, and Campbell awards. This 20(ish) minutes of conversation is rich with Tobias's refreshing perspective on so many aspects of the wrting process, including loving what you do, dealing with fear and the challenges of life as a writer, the secret of endings, and much more! The writerly goodness here here for the taking, so hit that "PLAY" button and dig in!

Episode 49 of Books and Ideas is an interview with Emily Reese from Minnesota Public Radio. Reese is the host of two podcasts that I enjoy: Top Score and Learning to Listen. In this interview we focus on Top Score, which is a podcast about video game music. Reese interviews the composers and gives listeners an inside look at the challenges that face composers in this new, but growing field. You don't need to be a muscian or a gamer to enjoy Emily's podcasts. For complete show notes and free episode transcripts go to http://books and ideas.com. This episode contains a number of short music clips. All are within the 30 second limit allowed by fair use. I am including the times and sources below for listeners who want to hear more. 00: Elder Scrolls: Oblivion from The Greatest Video Game Music recorded by the London Philharmonic and Andrew Skeet. 1:42 [Music from Elder Scrolls: Oblivion] 14:31 Opening Suite from Halo: The Soundtrack by Martin O’Donnell and MIchael Salvatori 16:40 [Music from Elder Scrolls: Oblivion] 18:49 “An End, Once and For All-Extended Cut” from Mass Effect 3 Extended Cut by Sam Huliick 23:16 Somewhere In Time (Rhapsody on a Theme of Paganini-Var. No. 18) from Classics at the Movies 24:43 The Makers Theme from Darksiders II Original Soundtrack by Jasper Kyd 25:32 Ethan Mars' Main Theme from Heavy Rain (Original Soundtrack from the Video Game) by Normand Corbeil 26:14 "Welcome to the Sprawl" from Dead Space 2 (EA Games Soundtrack) by Jason Graves  26:47 "Nascence" from Journey™ (Original Soundtrack from the Video Game) by Austin Wintory 27:43 "In Case of Trouble" from Bastion Original Soundtrack by Darren Korb available at Visit http://supergiantgames.bandcamp.com 28:06 "Bynn the Breaker" from Bastion Original Soundtrack by Darren Korb available at Visit http://supergiantgames.bandcamp.com 39:16  [Music from Elder Scrolls: Oblivion] 41:23 "I Am Alive And I Am Not Alone" from Mass Effect 3 Extended Cut by Sam Hulick

To make up for last week's absence, we've got a long, two-part episode with loads of games and movies to discuss. Alex names his XCOM guys after Chris, and they both discuss in great length how disappointing Paranormal Activity 4 is while urging you all to see Sinister instead. Also, Seven Psychopaths, Journey, Dishonored, Excision, and more! (0:00) Drunken Whaler (Dishonored OST) (1:18) Introduction (2:44) Quick Thoughts on Argo (4:59) Re-Introduction (6:29) White Day (15:02) Chris's Horror Mod Recommendations (16:53) Dishonored (41:38) XCOM: Enemy Unknown (55:15) Journey (1:07:06) Nascence by Austin Wintory (Journey OST)

May 1st, exactly 122 days into the year, is a perfect day to discuss what the GamerNode crew thinks has been great about gaming in 2012, along with the things that have been, well, not so great. Eddie Inzauto, Dan Crabtree, Jason Fanelli, and Greg Galiffa make their picks, and also discuss which games have been the very best of the first third of the year. GotFTotY, if you will. Listen and send in your choices via Facebook, Twitter, and GamerNode.com. Tom Hanks and Ken Levine say so. Versus Node theme, "Dungeon" by Koji Kondo for Nintendo's The Legend of Zelda, 1987. Remixed by Brian Schulman and Charles Kantz, 2010. Outro, "Nascence" by Austin Wintory for thatgamecompany's Journey, 2012. Links: The Last Story is Coming To America - http://www.gamernode.com/the-last-story-is-coming-to-america/ Pandora's Tower UK launch trailer released - http://www.gamernode.com/new-pandoras-tower-launch-trailer/ Dustforce Review - http://www.gamernode.com/reviews/dustforce-review/ Transcripted Hands-On Preview - http://www.gamernode.com/transcripted-hands-on-preview/ Closure Review - http://www.gamernode.com/reviews/closure-review/ Kickstarter: A Videogame Success Story - http://www.gamernode.com/kickstarter-a-videogame-success-story/ Indie Game: The Movie - http://www.indiegamethemovie.com/ BioWare working on DLC to update Mass Effect 3 ending - http://www.gamernode.com/bioware-working-on-dlc-to-update-mass-effect-3-ending/ Fez Review - http://www.gamernode.com/reviews/fez-review/ Braid Review - http://www.gamernode.com/reviews/braid-review/ Journey Review - http://www.gamernode.com/reviews/journey-review/ Mass Effect 3 Review - http://www.gamernode.com/reviews/mass-effect-3-review/ The Witcher 2: Assassins of Kings Review - http://www.gamernode.com/reviews/the-witcher-2-assassins-of-kings-review/ GN on Twitter - http://www.twitter.com/GamerNode Eddie's Twitter - http://www.twitter.com/EddieInzauto Dan's Twitter - http://www.twitter.com/DanRCrabtree Jason's Twitter - http://www.twitter.com/BigManFanelli Greg's Twitter - http://www.twitter.com/GregGaliffa Email us at - vsnode {at] gamernode [dot} com --- Send in a voice message: https://anchor.fm/gamernode/message