Podcast appearances and mentions of london philharmonic

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

Zlatomir Fung won the Cello category of the 2019 International Tchaikovsky Competition, and also has an enviable collection of other cello awards and prizes to his name. He was a Borletti-Buitoni Trust Fellowship Winner in 2022 and was awarded an Avery Fisher Career Grant in 2020. His debut recording, ‘Fantasies', is just out from Signum and on it he explores, with his pianist Richard Fu, a very specific genre, the virtuoso fantasy based on popular operas of the day. And Zlatomir has contributed his own fantasy based on Janáček's Jenůfa. James Jolly went to talk to him at Henry Wood Hall in London earlier this year just before a rehearsal with the London Philharmonic with whom he was performing a couple of concerts. 

A French pianist applauded for his versatility and wide-ranging repertoire, Cédric Tiberghien has an openness to explore innovative concert formats and dynamic chamber music partnerships. He's recorded over 20 solo albums and over 15 collaborative ones, has played concerts and recitals in all parts of the world, with the Berlin Philharmonic, Orchestre National de France, the London Philharmonic, the Sydney Symphony, among many others. He was fascinated by a grand piano when he was 2 years old, and started lessons as soon as he was able. In this conversation, Cédric takes us through his approach to music and performance with joy and excitement, and his musical selections demonstrate the full breadth of his approach to his craft. Cédric Tiberghien performs The Cage Project with Musica Viva at the Sydney Festival on 23-25 January, before heading to Canberra and Melbourne.

In Conversation begins a new year with a conductor whose passion for music is irrepressible. Australian born Daniel Smith is now based in Italy, and proudly bears the Italian honour of Australian Cultural Ambassador. Following his highly successful debut with The Mariinsky Orchestra, Daniel has guest conducted the Czech Philharmonic, London Philharmonic, Israel Philharmonic, Warsaw National Philharmonic, Frankfurt Radio Symphony, New Japan Philharmonic, amongst many others. Daniel shares stories of his hard fought career milestones, from cornering maestro Gianluigi Gelmetti in a Sydney Opera House lift to beg him to take him on as a student, to his breakthrough being the only conductor to be awarded Laureate in four of the most prestigious international conducting competitions in a single year. He speaks with great passion on his plans to share culture with as broad an audience as possible. Daniel Smith conducts The Barber of Seville for Opera Australia, which plays at the Sydney Opera House until 28 February.

The Australian-born, California-based singer/songwriter and producer RY X seems to have multiple careers: writing intimate, diaphanous folk/pop songs that offer connection and vulnerability; collaborating as a producer, singer, or DJ with some of the biggest names in electronic dance and pop, like Drake, Diplo,  and the band Odesza; and performing with orchestras, including the LA Phil, and the London Philharmonic. RY X spent the pandemic time looking inward and listening to nature. He walks on the quiet wild side, with regular collaborator Gene Evaro Jr., playing recent songs, in-studio. Set list: 1. Only 2. You 3. Howling

Welcome to Season 04 Episode 04 - the "Hunter Moon" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Ms. Deborah Jean Templin, creator of Unsinkable Women: Stories and Songs from the Titanic; Chief Petty Officer Kristine Hsia, principal vocalist for the the US Navy Band Commodores; and Derek Johnson, guitarist for Monroe Crossing. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps 01:43 - Deborah Jean Templin/Unsinkable Women 19:20 - CPO Kristine Hsia/US Navy Band Commodores 36:37 - Arts Calendar 42:15 - Derek Johnson/Monroe Crossing Media Hunter's Moon, Gilbert Vinter, composer; performed by the London Philharmonic, David Pyatt, conductor; Hawkes & Sons Lmt., 1941 O You Beautiful Doll, composed by Nat D. Ayer, lyrics by Seymour Brown, 1911; performed by the Jazz Pirates, Oct. 12, 2001. Day in, Day Out, Rube Bloom, lyrics, and Johnny Mercer, music, 1939; performed by the US Navy Band Commodores, CPO Kristine Hsia, vocals. selections from Our Miss Gibbs, musical comedy by Ivan Caryll and Lionel Monckton, 1909; performed by Adam Ramet, piano. Easy to Get Lost, written by Derek Johnson, performed by Monroe Crossing, from a performance on Minnesota Public Radio, January 2012 "Chattanooga," from the album The Road Has No End, written by Derek Johnson, performed by Monroe Crossing, December 2012 Artist Links Deborah Jean Templin Kristine Hsia Monroe Crossing Box Office at SUNY Fredonia BECOME AN OPERA HOUSE MEMBER!      

The last time Genesis keyboard player extraordinaire Tony Banks came on the show was a few years ago, and we discussed a box set of his solo albums. Since then there has been a final Genesis tour, “The Last Domino?”, which I got to see the opening and closing nights of, and Tony now has a new boxset compiling his three classical albums “7”, “6”, and “5”. The first half of the interview we take a deep dive into that process which I hope you'll find interesting. Creating classical music isn't something we've really explored on the podcast before. In the second half of the interview Tony shares details of an upcoming boxset of “The Lamb Lies Down On Broadway”, and he also confirms details of a reissue of their 60's debut album “From Genesis To Revelation”, which in the past has been ignored from official Genesis reissue campaigns. We talk about how he feels he is perceived by Genesis fans, and whether he's tempted to emulate the very successful touring approach of former Genesis bandmate Steve Hackett, who incidentally he also clarifies his feeling about during our chat. I think this conversation is quite something. Hope you enjoy. Let me know what you think. Instagram: @sendingsignalspodcastX: @signalspodcast

(00:00:00) Waylon Jennings - Honky Tonk Heroes / 1973 (00:28:10) Thy Catafalque - Mezolit / 2022 (01:04:38) Franz Liszt - Piano Concertos Nos. 1 & 2 and Totentanz (Alfred Brendel; London Philharmonic; Bernard Haitink) / 1972

French-German cellist Nicolas Altstaedt is one of the most sought after and versatile musicians today, performing repertoire spanning early music to the contemporary, as a soloist, conductor and artistic director. He's performed with the Philharmonia Orchestra, the Montreal Symphony Orchestra, and the London Philharmonic, to name only a few. His conducting has taken him to the Scottish Chamber Orchestra and the Budapest Festival Orchestra and more. As a chamber musician he's collaborated with Joshua Bell, Janine Jansen and Pekka Kuusisto, amongst many other, and has recorded 15 albums. In this conversation Nicolas enthusiastically talks about his craft and shares music from his contemporaries who inspire him most. He articulately describes the variations between the different ensembles with which he has collaborated. His energy and insights shine a fresh light into the works he performs. Nicolas Altstaedt is in Australia to guest direct the Australian Chamber Orchestra until 30 June.

In the season 2 finale of Longtones, we had the pleasure of sitting down with the remarkable Sasha Romero to delve into her inspiring musical career! We explored Sasha's beginning influences and journey through the Texas band program, her audition experiences, philosophy on musical education, thoughts on the current industry, strategies for balancing a busy schedule of teaching and performing, sources of artistic inspiration, and much more. This episode is a must-listen for anyone seeking insight into how a professional musician navigates a thriving career filled with demanding performances and teaching! Don't know much about Sasha? Let's catch you up: Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill. Currently Sasha serves on the trombone faculties at Rutgers University, Mannes School of Music, The Manhattan School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States. Sasha has also been invited to perform as a guest trombonist with the world's major orchestras, including: The New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer's OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019). In 2018 Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018. For more insights and updates, be sure to follow us on Instagram: Sasha's Instagram ⁠⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also explore more about our businesses on our websites: Sasha's Website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Website⁠⁠⁠⁠⁠⁠⁠

Welcome to the 2nd Season of Just Add Music!For this series, we are delving into the behind the scenes of the composing process by tracking the lifecycle of 2 short music commissions from start to finish. The pieces in question? Two 1-minute orchestra overtures for the bands Death Cab for Cutie and The Postal Service to open their 20th Anniversary Tour in 2023 and 2024.Join Minna as she walks through the ups and downs of the composing process and works through ideation, brainstorming, sketching, editing and execution for these two short pieces.Thank you to Ben Gibbard for bringing in me for this writing assignment, I had a blast! And to anyone who's ever been curious to try writing music themselves, I hope this series makes the process more approachable!Please enjoy the 2nd season of Just Add Music (with Minna)!Production Credits:Host, Composer, Music/Audio Editing: Minna ChoiProducer, Story Editor: Nicole WongMusic Credits:1) The District Sleeps Alone Tonight - The Postal Service2) Such Great Heights - The Postal Service3) Sleeping In - The Postal Service4) Nothing Better - The Postal Service5) Recycled Air - The Postal Service6) Clark Gable - The Postal Service7) At Last - Etta James8) Gilraen's Memorial - Howard Shore9) Olympics Fanfare - John Williams10) National Anthem - The Postal Service11) Clarinet Concerto in A Major, K. 622: II. Adagio - W.A. Mozart, Jaime Martin, Andrew Marriner, London Symphony Orchestra12) The Marriage of Figaro Overture - W.A. Mozart, London Philharmonic, Alfred Scholz

The uplifting sound of the horn, particularly in an orchestral setting, is familiar to audiences worldwide – but how do you play this wonderful instrument? Charlotte Smith interviews former London Symphony, London Philharmonic and current Royal Opera House principal horn David Pyatt, who takes her through her first horn lesson.   This episode is sponsored by Bang & Olufsen.   Musical excerpts: Brahms Symphony No. 1 London Symphony Orchestra/Jonathan Pasternack Naxos 8.572448 (2011) https://www.naxos.com/CatalogueDetail/?id=8.572448   Franz Strauss Nocturno for Horn and Piano, Op 7 from David Pyatt Recital David Pyatt (horn); Martin Jones (piano) Erato 9029534229 (1998) https://www.warnerclassics.com/release/recital-horn-works   Interview recorded at the Royal Academy of Music, London: https://www.ram.ac.uk Student horn loaned with kind permission by Paxman Musical Instruments, London: https://www.paxman.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

SynopsisWhat's your favorite season? And how would you describe it in words? And if you're a composer, how would you describe it in music?The most famous musical depiction is The Four Seasons, a set four violin concertos by Italian Baroque composer Antonio Vivaldi, but other composers have evoked the mood and sounds of the seasons. On today's date in 2009, American composer Philip Glass tossed his hat into the ring with the Toronto Symphony premiere of a new work, The American Four Seasons.Glass' seasonal tone painting, like Vivaldi, is a set of four concertos, written for violinist Robert McDuffie, who also performed the premiere. But when McDuffie finally saw the finished score, he felt Glass's view of some of the seasons did not quite match his own, so they came up with an unusual solution: In the published score, Glass did not provide titles for any of the four concertos, letting each listener (or performer) decide for him- or herself which concerto matched which season.So, in this case of this Four Seasons, it's all up to you.Music Played in Today's ProgramPhilip Glass (b. 1938) The American Four Seasons (Violin Concerto No. 2); Robert McDuffie, vn; London Philharmonic; Marin Alsop, cond. Orange Mountain CD 0072

SynopsisOn today's date in 2005, the Philadelphia Orchestra gave the premiere performance of a new Percussion Concerto by American composer Jenifer Higdon. The soloist was Colin Currie, a Scottish virtuoso for whom the work was tailor made.In program notes for her work, Higdon wrote, “When writing a concerto, I think of two things: the particular soloist for whom I am writing and the nature of the solo instrument. In the case of percussion, this means a large battery of instruments, from vibraphone and marimba (the favorite instrument of soloist Colin Currie), to nonpitched smaller instruments like brake drums, wood blocks or Peking Opera gongs.“Not only does a percussionist have to perfect playing all these instruments, he must make decisions regarding the use of sticks and mallets ... not to mention the choreography. ... Where most performers do not have to concern themselves with movement across the stage during a performance, a percussion soloist must have every move memorized.”Higdon's new concerto proved popular with both audiences and the critics, and in 2010 the work won that year's Grammy for best classical contemporary composition.Music Played in Today's ProgramJennifer Higdon (b. 1962) Percussion Concerto; Colin Currie, percussion; London Philharmonic; Marin Alsop, cond. LPO CD 0035

The Age of Prediction salon was co-hosted with Amy Brand, Publisher, MIT Press celebrating the publication of the new book The Age of Prediction: Algorithms, AI, and the Shifting Shadows of Risk by MIT Press authors Igor Tulchinsky and Christopher Mason. Igor is the Founder/CEO of WorldQuant, a quantitative investment firm. Christopher is Professor of Genomics, Physiology, and Biophysics at Weill Cornell Medicine and the Director of the WorldQuant Initiative for Quantitative Prediction. Alyssa Goodman, Professor of Astronomy at Harvard, co-moderates the conversation with POSTHOC founder and CEO, Susan MacTavish Best.  On the music front, Frank Almond performed on his rare, 400 year old violin, and shared the story of its theft and return. Frank held the Charles and Marie Caestecker Concertmaster Chair of the Milwaukee Symphony Orchestra for 25 years. He has also held the Concertmaster position with the Rotterdam Philharmonic with Valery Gergiev and Guest Concertmaster of the London Philharmonic with Kurt Masur. This salon was underwritten by the MIT Press. The MIT Press is a leading publisher of books and journals at the intersection of science, technology, art, social science, and design, and is widely considered the world's most innovative university press. The MIT Press has been an open access leader for over two decades, publishing hundreds of freely accessible books every year. Known for bold design and creative technology, the Press mobilizes knowledge by publishing provocative works from leading thinkers around the globe for the broadest possible impact and audience.

It's a bonus episode! Here's a little radio piece I made back in January to promote a Blind Boys of Alabama concert here in Olympia.  The gospel singing group has been in existence since 1939 or so, with its members changing over time... you know, like Menudo, The Preservation Hall Jazz Band or the London Philharmonic.  I spoke with Ricky McKinnie, who's been in the group since 1989.  He tells me about his background in gospel music, his own experience of blindness, the group's latest Grammy nomination, and the ins and outs of a group that has been evolving for over three quarters of a century.  Short and sweet, hope you like it!

As an advocate of historically marginalized composers, musicologist Douglas Shadle is a leading voice in public discussions about the role of symphony orchestras and orchestral music in American life. His first book, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford, 2016), explores the volatile relationships between composers, performers, critics, and audiences throughout the 19th century and demonstrates why American composers rarely find a home on concert programs today.   Shadle is also a highly-regarded expert on fellow Little Rock native Florence Price, the first African American woman to win international acclaim as a composer. His research on Price has been featured in The New Yorker, New York Times, and NewMusicBox. Shadle's second book recontextualizes Antonín Dvořák's iconic New World Symphony within the complex landscape of American culture at the end of the nineteenth century.   Shadle's publications have won two ASCAP Deems/Taylor Virgil Thomson Awards, the Society for American Music Irving Lowens Article Award, the inaugural American Musicological Society H. Robert Cohen/RIPM Award, and the Vanderbilt Chancellor's Award for Research. Shadle joined the Blair School faculty in 2014 and has served as the chair of the Department of Musicology and Ethnomusicology since 2019.   Thank you for joining us on One Symphony. Thanks to Douglas Shadle for sharing his knowledge and insights, you can find Antonin Dvorak's New World Symphony where you get your books. Works on the show today included Dvorak's American String Quartet performed by the Prague Quartet and his Ninth Symphony with Charles Mackerras and the London Philharmonic, Myun-Wun Chung and the Vienna Philharmonic, and Paavo Jarvi and the Cincinnati Symphony.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music! https://www.pricefest.org/about/douglas-shadle https://devinpatrickhughes.com onesymphony.org    

Synopsis In wartime London, on today's date in 1943, a Promenade Concert featured the first performance of the Fifth Symphony of Ralph Vaughan Williams. The composer himself conducted the London Philharmonic Orchestra. Queen's Hall, the traditional home of the annual summertime Proms concerts, had been destroyed by German bombers two years earlier. The Proms concerts had moved into a new and larger venue, the Royal Albert Hall, where the series continues to this day. For the 1943 season, Proms programs started earlier than usual, so that concert goers could get home before the nightly air raids on the city. To London audiences troubled by war fears and many sleepless nights of German bombing, the serene musical world of the Vaughan Williams Fifth must have seemed a real blessing. It's not a "wartime" symphony in the conventional sense, full of defiance and bluster, but rather an evocation and affirmation of England's musical past, blending hints of 16th century hymn tunes and modal folk melodies into symphonic form. For some time, Vaughan Williams had been at work on an opera based on The Pilgrim's Progress, a 17th century allegorical tale by the Puritan writer John Bunyan. Some of the tunes and motives from his projected opera ended up in the symphony, along with a sense of faith and optimism in the face of adversity that must have deeply affected the first audience to hear the work. Music Played in Today's Program Ralph Vaughan Williams (1872 - 1958) Symphony No. 5 London Philharmonic; Bernard Haitink, conductor. EMI 55487

Synopsis On today's date in 1945 Peter Grimes, a new opera by the English composer Benjamin Britten, debuted at Sadler's Wells Theater in London. The libretto was based on George Crabbe's long poem, The Borough, published in 1810, which described life along England's North Sea coast. In the early 1940's, Britten was living in America, and had read Crabbe's poem in California. The commission for the opera was also American, coming from Serge Koussevitzky, conductor of the Boston Symphony and one of the leading music patrons of the day. But Britten's opera is intensely English – evoking, as it does, the images and sounds of the North Sea off the east coast of Suffolk. Britten was born within sight of this seascape, and lived, for the better part of his later life, a little farther down the coast at Aldeburgh – the "Borough," on which George Crabbe had based his poem. From the start, Peter Grimes was an immediate success. Within a week of its June 7th premiere, Britten conducted the London Philharmonic in an orchestral suite of Sea Interludes from his new opera, and these, too, have since firmly established themselves in the concert repertory. Music Played in Today's Program Benjamin Britten (1913 - 1976) Sea Interludes, fr Peter Grimes London Symphony; André Previn, conductor. EMI 72658

durée : 00:28:42 - Actualités de l'orchestre - par : Christian Merlin - Les décès de Thomas Stacy, ancien cor anglais solo du New York Philharmonic, et d'Alexander Cameron, ancien violoncelle solo du London Philharmonic, ainsi que la nomination à Vienne de la cheffe Marie Jacquot, à l'affiche ce vendredi. - réalisé par : Marie Grout

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label.  This month, James Jolly talks to the conductor Edward Gardner, Principal Conductor of the London Philharmonic and Chief Conductor of the Bergen Philharmonic; in August 2024 he will assume the Music Directorship of the Norwegian Opera and Ballet. His recorded catalogue for Chandos is extensive and is crowned by the 2020 release of Benjamin Britten's Peter Grimes, recorded in Bergen, which was voted Gramophone's Opera Award winner but also our Recording of the Year.

A bonus episode that will most likely self-destruct within 24 hours about the events of this week and weaponized concern trolling.Bartók: Dance Suite, Sz. 77 - 1. Moderato. London Philharmonic. 1965 Decca Music Group Limited.

Not every music student or even professional musician has explored classical music, much like not necessarily every classical musician will know something about jazz or any other genre.  However, each genre has certain pieces that one should know from each genre regardless of your preference.  These are 25 of many possible choices, not necessarily "the best", but some pieces you should recognize by title and composer upon hearing. Musical examples used in this episode: 06:53 P. Tchaikovsky: "Dance of the Sugar Plum Fairy" from The Nutcracker - (Montreal Symphony; Charles Dutoit) 12:49 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Hannes Kästner, organ) 13:15 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Czech Philharmonic; Leopold Stokowski) 17:26 S Barber: Adagio for Strings (New York Philharmonic; Thomas Schipps) 19:48 Beethoven: Symphony No. 5 (Vienna Philharmonic; Carlos Klieber) mvt 1 and 4 24:03 Beethoven: Symphony No. 9 (Berlin Philharmonic; Von Karajan) mvt. 4 and 2 28:33 Brahms: Hungarian Dances 4, 5, 6 (Vienna Philharmonic; Claudio Abbado) 30:56 A Copland: "Hoe-Down" from Rodeo (St. Louis Symphony; Leonard Slatkin) 32:33 F Chopin: Grand Valse Brillante op. 18 (Valentina Lisitsa) 34:22 Debussy: Prelude to the Afternoon of a Faun (Royal Concertgebouw; Bernard Haitink) 36:01 Dvorak: Symphony No. 9 "From the New World" mvt 2 (London Philharmonic; Charles MacKerras) 38:16 Grieg: Peer Gynt and Peer Gynt suite no.1 (San Francisco Symphony; Herbert Blomstedt) 40:13 Handel: The Messiah "Hallelujah" (London Symphony; Colin Davis) 40:43 Handel: Water Music selections (English Chamber Orchestra; Raymond Leppard) 41:30 Holst: The Planets "Mars" - (Montreal Symphony; Charles Dutoit) 42:13 Liszt: Hungarian Rhapsody No. 2 (Marc-Andre Hamelin) 43:22 Mendelssohn: Overture and Wedding March from A Midsummer Night's Dream (London Symphony, Andre Previn) 45:11 Mozart: Overture to The Marriage of Figaro (Academy of St Martin in the Fields; Neville Marriner) 46:16 Mussorgsky: Pictures at an Exhibition - Promenade and Great Gate of Kiev (Berlin Philharmonic; Claudio Abbado) 48:25 Rachmaninoff: Piano Concerto No. 2 (Vladimir Ashkenazy; Moscow Symphony; Kirill Kondrashin) 49:38 Ravel: Bolero (Boston Symphony; Seiji Ozawa) 51:42 Ravel: Daphnis & Chloe (Rotterdam Philharmonic; Yannick Nézet-Séguin) 52:46 Rimsky-Korsakov: Flight of the Bumblebee (Berlin Philharmonic; Zubin Mehta) 53:08 Rimsky-Korsakov: Scheherezade mvt IV and III (London Symphony; Charles MacKerras) 55:06 Schubert: Ave Maria (Barbara Booney) 55:31 R Strauss: Also Sprach Zarathustra (Chicago Symphony; Fritz Reiner) 57:15 Stravinsky: Rite of Spring (from Part 1) (New York Philharmonic; Leonard Bernstein) 58:21 Tchaikovsky: Russian Dance, Arabian Dance, Dance of the Reed Flutes from The Nutcracker (Montreal Symphony; Dutoit)   Do you have a different recording of these pieces that you'd recommend?  Let me know by telling me directly at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact  The blog post that goes with this episode can be found here: https://www.davidlanemusic.com/post/25-essential-classical-pieces-to-know You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

This week on the podcast is part two of our interview with percussionist, Colin Currie, who composer Steve Reich describes as “one of the greatest musicians in the world today.” He has performed as a soloist with the world's leading orchestras including the London Philharmonic, New York Philharmonic and the Cleveland Orchestra. In addition to being a soloist, he's the founder of the Colin Currie group, the Colin Currie Quartet and Colin Currie Records. If you're interested in becoming a performing artist, you'll want to hear Colin's interview! We'll link to his site in the show notes so you can read more about him.Show Notes:

This week on the podcast is part one of our interview with percussionist, Colin Currie, who composer Steve Reich describes as “one of the greatest musicians in the world today.” He has performed as a soloist with the world's leading orchestras including the London Philharmonic, New York Philharmonic and the Cleveland Orchestra. In addition to being a soloist, he's the founder of the Colin Currie group, the Colin Currie Quartet and Colin Currie Records. If you're interested in becoming a performing artist, you'll want to hear Colin's interview! We'll link to his site in the show notes so you can read more about him.Show Notes: https://www.artsentrepreneurshippodcast.com/episodes/208-colin-currie-percussionist-pt-1-of-2

Synopsis On today's date in 1787, Mozart's opera “Don Giovanni” had its premiere performance in Prague, with Mozart himself conducting. Mozart had arrived in Prague early in October that year, but as singers and instrumentalists alike needed more time than originally planned to prepare his difficult new score, the premiere occurred later than planned. The October 29th premiere was a triumph, and a Prague newspaper reported that Mozart was received with threefold cheers when he entered and left the theater. At the request of Joseph II, the Austrian emperor, “Don Giovanni” was staged in Vienna the following year. The emperor was pleased: “That opera is divine,” he told Mozart's librettist, Lorenzo da Ponte, but, surprisingly, the Viennese audiences didn't seem to like it. Da Ponte quotes the Emperor as suggesting “Don Giovanni” was just too complicated for their taste: “Such music is not meat for the teeth of my Viennese,” he said. In his Memoirs, da Ponte writes: “I reported this remark to Mozart, who replied quietly: ‘Well, give them time to chew on it, then.'” ”He was not mistaken,” continued da Ponte. “At each performance of Don Giovanni the applause increased, and little by little, even Vienna of the dull teeth came to savor it.” Music Played in Today's Program Wolfgang Mozart (1756-1791) Don Giovanni Michele Pertusi (as Leporello); London Philharmonic; Sir Georg Solti, conductor. London 455 500

For Video Edition, Please Click and Subscribe Here: https://youtu.be/X562TchJuok Versatile singer/actor Damon Evans is a native of Baltimore, MD. He is a graduate of the Interlochen Arts Academy and Brooklyn College where he majored in Africana Studies. He has had an active career on Broadway, Television, and Classical Music. Most American audiences are familiar with his work as an actor on the popular tv sitcom The Jeffersons. He also portrayed Alex Hailey in the mini-series Roots: The Next Generation which is still considered one of the ten most watched mini-series in television history. Prior to his television work he appeared on Broadway in such shows as The Me Nobody Knows, Via Galactica, Don't Bother Me I Can't Cope, and Lost in the Stars. On stage he has toured with Pearl Bailey in Hello Dolly and became the first African-American actor/singer to portray the role of Jesus Christ in the authorized production of Jesus Christ Superstar. He has also appeared on the London stage in Carmen Jones for which he was nominated for a Laurence Olivier Award for Best Actor in a Musical. He was also active in the Classical Music and has appeared at the New York City Opera, the Tulsa Opera, The Cincinnati Opera, the Virginia Opera, the Canadian Opera Company, the Royal Opera in London, and the Netherlands Opera in Amsterdam. He has appeared as soloist with the London Symphony Orchestra, the Berlin Philharmonic Orchestra, the London Philharmonic, the Boston Pops and the Dallas Symphony Orchestra amongst others. He has also recorded for EMI Records, Chandos Records, and Dorian Records. He's taught Voice and Musical Theater at Marymount Manhattan College and currently resides in Queens, NY with his husband and two dogs Princeton and Seewee.

Synopsis On today's date in 1907, the "Pomp and Circumstance" March No. 4 by Sir Edward Elgar had its premiere performance in London. Say "Pomp and Circumstance" to most people and they will start humming the tune of Number One, later set to words as "Land of Hope and Glory." That march accompanied many of us down the aisle at our high school or college graduations. In all, Elgar composed five "Pomp and Circumstance" marches, and meant to write a sixth, but just never got around to it. No. 1 is the most familiar, but No. 4 runs a close second, with another very noble, very British main tune. During World War II, Sir Alan Herbert fitted his "Song of Freedom" to this music and with its opening line of "All men must be free," it became an unofficial alternate British national anthem. Meanwhile on these shores, we note that one of America's classic chamber jazz ensembles was founded on today's date in 1951 in New York City , when the Modern Jazz Quartet was formed by pianist John Lewis, vibraphonist Milt Jackson, bassist Percy Heath, and drummer Kenny Clarke. Under the direction of Lewis, the Quartet fused jazz improvisation with classical forms and Baroque counterpoint. Instead of playing in smoky bars, MJQ made a point of playing in concert halls and even wore tuxes, asking audiences to afford their chamber jazz the same attention and respect usually reserved for classical music. Music Played in Today's Program Sir Edward Elgar (1857 - 1934) –Pomp and Circumstance (No. 4 London Philharmonic; Daniel Barenboim, cond.) Sony Classical 60789 Milt Jackson (1923 - 1999) –Blues in c (Modern Jazz Quartet) Atlantic 1652

Synopsis A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi-yo, Silver!” Generations of American baby boomers first heard Rossini's “William Tell” Overture as the opening credits of the old Lone Ranger TV western, but we suspect only a few of them ever realized the overture by an Italian composer was written for a French opera about a Swiss archer, which was adapted from a German play by Friedrich Schiller. Like a Facebook relationship, “It's complicated.” Anyway, Rossini's “William Tell” was first heard in Paris on today's date in 1829. Rossini hoped “William Tell” would be considered his masterpiece. Ironically, the complete opera is only rarely staged these days, but the “William Tell” overture became a familiar concert hall showpiece – SO familiar, in fact, as to become something of a musical cliché. The Russian composer Dimitri Shostakovich gave a dark 20th-century spin to Rossini's overly familiar theme, when he quoted the “William Tell” overture in the opening movement of his Symphony No. 15. In the context of Shostakovich's enigmatic final symphony, Rossini's jaunty little theme comes off like a forced smile, and audiences are free to read whatever political subtext they wish into its rather sinister context. Music Played in Today's Program Gioacchino Rossini (1792-1868) –William Tell Overture (Philharmonia Orchestra; Carlo Maria Giulini, cond.) EMI 69042 Dimitri Shostakovich (1906-1975) –Symphony No. 15 in A, Op. 141 (London Philharmonic; Mariss Jansons, cond.) EMI 56591 On This Day Births 1884 - Russian-born American composer Louis Gruenberg, near Brest-Litovsk (Julian date: July 22); 1896 - Russian inventor Lev Sergeivitch Termen (anglicized to Leon Theremin) in St. Petersburg (Gregorian date: August 15) Deaths 1784 - Italian composer and teacher Giovanni Battista Martini, age 78, in Bologna; His students included Gluck, Mozart, Grétry, and Jommelli; Premieres 1829 - Rossini: opera, "Guillaume Tell" (William Tell), at the Paris Opéra; 1941 - Robert Russell Bennett: Symphony in D ("For the Dodgers"), in New York; 1961 - John Cage: "Atlas Eclipticalis," at the "International Week of Today's Music," in Montréal; 1967 - Lalo Schifrin: cantata, "The Rise and Fall of the Third Reich" (adapted from the composer's filmscore) by the Los Angeles Philharmonic at the Hollywood Bowl, with Lawrence Foster conducting; Others 1668 - German composer Dietrich Buxtehude marries the daughter of Franz Tunder, retiring organist at St. Mary's Church in Lübeck, as a condition to succeed Tunder in his position at St. Mary's; It is thought that both Handel and J.S. Bach were both interested in the position - but not in Tunder's daughter; 1778 - Milan's famous Teatro alla Scala (La Scala) opens with a performance of “L'Europa riconosciuta” by Italian opera composer Antonio Salieri, a work written specially for the occasion; The theater took its name from the site previously occupied by the church of Santa Maria della Scala (named after Bernabo Visconti's wife, Beatrice della Scala); This same opera, conducted by Riccardo Muti, was performed on Dec. 7, 2004 at the Gala reopening of La Scala after three years of major renovation; 1779 - Mozart finishes in Salzburg his "Posthorn" Serenade; 1795 - The Paris Conservatory of Music is founded by the National Revolutionary Convention. Links and Resources On Rossini On other famous radio themes

Synopsis On today's date in 1939, the King and Queen of England were in New York City. Despite the perilous situation back home in Europe, their royal majesties George and Elizabeth Windsor crossed the Atlantic to attend the 1939 World's Fair, and sample exotic native delights such as a hot dog picnic with President Franklin Roosevelt. That same evening at Carnegie Hall, another visiting Brit, conductor Adrian Boult, led the New York Philharmonic in premiere performances of three brand-new works by leading British composers of the day, including the world premiere of the Seventh Symphony of Arnold Bax, a work commissioned by the British Council and dedicated to the American people. Also premiered that night was a virtuoso Piano Concerto by Arthur Bliss and Ralph Vaughan Williams' set of variations for strings and harp on the old English carol, “Dives and Lazarus.” The music critic for The New Yorker, covering the premieres, wrote: “The symphony wandered, as Bax symphonies seem to do, yet wandered into many characteristic eloquences. The variations were soundly charming, and the piano concerto was a roaring triumph.” There seems to be no documentation on the quality of the hot dogs served to their royal majesties, but we're willing to bet they, too, were top-notch. Music Played in Today's Program Sir Arthur Bliss (1891 - 1975) –Piano Concerto (Philip Fowke, piano; Royal Liverpool Philharmonic; David Atherton, cond.) Unicorn 2029 Sir Arnold Bax (1883 - 1953) –Symphony No. 7 (London Philharmonic; Raymond Leppard, cond.) Lyrita 232

Post-post-modern diva Meow Meow has hypnotised, inspired, and terrified audiences globally with unique creations and sell-out seasons from New York's Lincoln Centre and Berlin's Bar Jeder Vernunft to London's West End and the Sydney Opera House.As well as being a prolific original music, theatre and dance-theatre creator for such commissioners as Pina Bausch, David Bowie and Mikhail Baryshnikov,Meow Meow specialises in the Weimar repertoire and French chanson. She has played Jenny in Brecht/Weill's Threepenny Opera in Paris and London with the London Philharmonic and Anna 1and 2 in Brecht/Weill's Seven Deadly Sins with Orchestra Victoria, and with United Ensemble at the Konzerthaus Berlin.Meow Meow's original works include Vamp, Beyond Glamour, Feline Intimate, Meow Meow's Little Match Girl, Meow Meow's Little Mermaid, His Master's Choice, Apocalypse Meow, and An Audience with Meow Meow. Concert work includes Meow Meow's Pandemonium with the London Philharmonic, Bergen Philharmonic and Sydney Symphony Orchestras. She recently appeared in Barry Humphries's critically acclaimed Weimar Cabaret season at the Barbican and at the Kennedy Centre in Washington DC.In other works, Meow has played Titania in Emma Rice's A Midsummer Night's Dream at Shakespeare's Globe and appeared on the West End in Kneehigh and Michel Legrand's The Umbrellas of Cherbourg in a role created especially for her - La Maîtresse. She played Pegleg in Tom Waits' musical fable The Black Rider with Victorian Opera and Malthouse Theatre; Édith Piaf in Cocteau's Le Bel Indifferent, for the Greenwich Music Festival and an acclaimed Miss Adelaide in Guys and Dolls with the Royal Philharmonic at Royal Albert Hall.Meow Meow has performed as guest artist with iconic orchestra Pink Martini at the Berlin Philharmonie, Royal Albert Hall, Opera Garnier Monte Carlo, the Hollywood Bowl, and across the concert stages of Europe, Canada, and the United States. Their album Hotel Amour: Meow Meow with Thomas M. Lauderdale includes duets with Rufus Wainwright, Barry Humphries, the Von Trapps and the late Michel Legrand. It was released in 2019 and named one of The Times' top 100 albums of the year.Meow Meow is a favourite performer at Adelaide Cabaret Festival and returns this year performing with the Adelaide Symphony Orchestra. Meow Meow's Pandemonium plays at Her Majesty's Theatre on June 18th.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

durée : 00:58:21 - Vladimir Jurowski, de Londres à Berlin - par : Aurélie Moreau - « Je ne dirige pas Beethoven ou Brahms comme Mahler ou Strauss. Je ne cherche pas une clé unique pour toutes les portes », Vladimir Jurowski. Chef principal du London Philharmonic, Il dirige les orchestres Radio Symphonique de Berlin, et de Bavière.

Russian-American conductor Lidiya Yankovskaya is a fiercely committed advocate for Russian masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 16 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. As Music Director of Chicago Opera Theater, Ms. Yankovskaya has led the Chicago premieres of Jake Heggie's Moby-Dick, Rachmaninov's Aleko, Joby Talbot's Everest, Tchaikovsky's Iolanta, and the world premiere of Dan Shore's Freedom Ride. Her daring performances before and amid the pandemic earned recognition from the Chicago Tribune, which praised her as “the very model of how to survive adversity, and also how to thrive in it,” while naming her 2020 Chicagoan of the Year. In the 2021/22 season, Ms. Yankovskaya makes a trio of Texan debuts, leading performances of Carmen at Houston Grand Opera, a tribute to Ruth Bader Ginsburg at Dallas Symphony Orchestra, and concerts featuring works by Gershwin and Dawson at Fort Worth Symphony. Elsewhere, she debuts with Chicago Symphony Orchestra in Prokofiev's Peter and the Wolf, leads a program of Brahms and Wagner at Elgin Symphony, conducts Boulanger, Debussy, and Ravel at Omaha Symphony, and makes her Pasadena Symphony debut conducting works by Tchaikovsky, Rimsky-Korsakov, and Gabriela Lena Frank. At Chicago Opera Theater, she conducts the Chicago premiere of Mark Adamo's Becoming Santa Claus and a concert version of Carmen, starring Jamie Barton opposite Stephanie Blythe. Ms. Yankovskaya has recently conducted Don Giovanni at Seattle Opera, Pia de' Tolomei at Spoleto Festival USA, Il barbiere di Siviglia at Wolf Trap Opera, Ellen West at New York's Prototype Festival, and the world premiere of Taking Up Serpents at Washington National Opera. On the concert stage, she has been recently engaged with Chicago Philharmonic, Rhode Island Philharmonic, and the symphony orchestras of Hawaii and Oviedo, Spain. Ms. Yankovskaya is Founder and Artistic Director of the Refugee Orchestra Project, which proclaims the cultural and societal relevance of refugees through music, and has brought that message to hundreds of thousands of listeners around the world. In addition to a National Sawdust residency in Brooklyn, ROP has performed in London, Boston, Washington, D.C., and the United Nations. She has also served as Artistic Director of the Boston New Music Festival and Juventas New Music Ensemble, which was the recipient of multiple NEA grants and National Opera Association Awards under her leadership. As Music Director of Harvard's Lowell House Opera, Ms. Yankovskaya conducted sold-out performances of repertoire rarely heard in Boston, including Tchaikovsky's The Queen of Spades, Britten's A Midsummer Night's Dream, and the U.S. Russian-language premiere of Rimsky-Korsakov's The Snow Maiden. Her commitment to exploring the breadth of symphonic and operatic repertoire has also been demonstrated in performances of Rachmaninoff's Aleko and the American premieres of Donizetti's Pia de' Tolomei, Rubinshteyn's The Demon, and Rimsky-Korsakov's Kashchej The Immortal and Symphony No. 1. An alumna of the Dallas Opera's Hart Institute for Women Conductors and the Taki Alsop Conducting Fellowship, Ms. Yankovskaya has also served as assistant conductor to Lorin Maazel, chorus master of Boston Symphony Orchestra, and conductor of Boston Youth Symphony Orchestra. She has been featured in the League of American Orchestras Bruno Walter National Conductor Preview and Cabrillo Festival for Contemporary Music, and assisted Vladimir Jurowski via a London Philharmonic fellowship. Ms. Yankovskaya holds a B.A. in Music and Philosophy from Vassar College, with a focus on piano, voice, and conducting, and earned an M.M. in Conducting from Boston University. Her conducting teachers and mentors have included Lorin Maazel, Marin Alsop, Kenneth Kiesler, and Ann Howard Jones. Ms. Yankovskaya's belief in the importance of mentorship has fueled the establishment of Chicago Opera Theater's Vanguard Initiative, an investment in new opera that includes a two-year residency for emerging opera composers. Committed to developing the next generation of artistic leaders, she also volunteers with Turn The Spotlight, a foundation dedicated to identifying, nurturing, and empowering leaders – and in turn, to illuminating the path to a more equitable future in the arts. Recipient of Solti Foundation U.S. Career Assistance Awards in 2018 and 2021, Ms. Yankovskaya has been a featured speaker at the League of American Orchestras and Opera America conferences, and served as U.S. Representative to the 2018 World Opera Forum in Madrid.

Ai microfoni di Unica Radio ospitiamo la violinista Anna Tifu per raccontare il concerto che sabato 14 maggio la vedrà protagonista al Teatro Doglio di Cagliari insieme al pianista Giuseppe Andaloro. Dopo due anni di assenza dai palcoscenici cagliaritani, torna a esibirsi nel capoluogo sardo la violinista Anna Tifu, protagonista, insieme al pianista Giuseppe Andaloro di un concerto straordinario che si terrà al Teatro Doglio sabato 14 maggio alle ore 21. Il concerto si inserisce nell'ambito della programmazione di Teatro Doglio ed è realizzato con la collaborazione di Compagnia B e del LEI Festival. Tifu e Andaloro sono reduci da un applauditissimo concerto tenutosi a fine marzo nello storico Teatro Regio di Parma. Vincitrice nel 2007 del prestigioso concorso internazionale George Enescu di Bucharest, Anna Tifu è considerata una delle migliori interpreti della sua generazione. All'età di 12 anni, debutta alla Scala di Milano con il Concerto n.1 di Max Bruch. Viene ammessa, all'età di 17 anni, al Curtis Institute di Philadelphia. Si è esibita con alcune tra le più prestigiose Orchestre Nazionali ed Internazionali come l'Orchestra Nazionale di Santa Cecilia, Orchestra Nazionale della RAI di Torino, Orchestra del Teatro Carlo Felice di Genova, Orchestra del Teatro La Fenice di Venezia, Simòn Bòlivar Orchestra del Venezuela, George Enescu Philarmonic, per citarne alcune, e ha collaborato con direttori del calibro di Yuri Temirkanov, Gustavo Dudamel , Diego Matheuz, Ezio Bosso, David Afkham, Mikko Franck, Jonathon Heyward. Tra gli impegni più prestigiosi ricordiamo concerti al George Enescu Festival di Bucharest con l'Orchestra RAI di Torino e Juraj Valcuha, concerto con Gustavo Dudamel e la Simòn Bòlivar Orchestra del Venezuela, inaugurazione della Stagione a Genova, Teatro Carlo Felice dove, per l'occasione, si è esibita con il famoso violino Guarneri del Gesù detto “IL CANNONE” appartenuto a Niccolò Paganini, inaugurazione a Venezia, Teatro La Fenice con Diego Matheuz, concerto inaugurale della Stagione Fondazione Società dei Concerti di Milano dove è regolarmente invitata, concerto allo Stradivari Festival di Cremona, dove si è esibita in uno spettacolo insieme all'Etoile Carla Fracci, concerti all'Auditorium Parco della Musica di Roma insieme a Yuri Temirkanov e l'Orchestra dell'Accademia di Santa Cecilia e l'inaugurazione della Stagione a Parigi, con l'Orchestra Filarmonica di Radio France, diretta da Mikko Franck. Recente è il suo debutto per la casa discografica Warner Classics, in duo con il pianista Giuseppe Andaloro. Anna Tifu è stata testimonial della campagna pubblicitaria 2011 di Alitalia, assieme a Riccardo Muti, Giuseppe Tornatore ed Eleonora Abbagnato. Suona il violino Antonio Stradivari “Marèchal Berthier” 1716 ex Napoleone e il violino Carlo Bergonzi “Mischa Piastro” 1739 della Fondazione Canale di Milano. Molto suggestivo il programma del concerto che consente ai due musicisti di poter esprimere al meglio le doti tecniche e esecutive e che prevede la Sonata in Sol maggiore di Ravel, la Fantasia op. 131 di Robert Schumann, Il Poeme di Ernest Chausson e la Tzigane, ancora di Ravel. Sul palco del Teatro Doglio la Tifu sarà accompagnata dal pianista d'eccezione Giuseppe Andaloro, ospite di importanti festival, presso le più prestigiose sale del mondo e, come solista, di orchestre quali la London Philharmonic, Nhk Symphony Tokyo, Philharmonische Camerata Berlin. Ha collaborato con direttori del calibro di Vladimir Ashkenazy, Gianandrea Noseda, Andrew Parrott, e con artisti quali Sarah Chang, Giovanni Sollima, Sergej Krylov, John Malkovich. Ha al suo attivo numerose incisioni discografiche: il suo ultimo album Cruel Beauty nel 2013, edito da Sony, è una world première di musiche italiane del tardo Rinascimento e del primo Barocco, per la prima volta registrate con un pianoforte moderno. Info biglietti su questo link.

Today's guest on Celebrations Chatter is Ashley Hunter,  the Founding Partner of A. Hunter & Company, an international advisory firm focused on risk management, insurance, and alternative risk transfer. Through her business, Ashley works with sovereign wealth funds, family offices, and corporations to address their complex risk management needs.    Ashley has spent most of her career in the reinsurance industry, working at State Farm, AIG, and the Hartford Insurance Group before founding her own company, HM Risk Group. Risk management isn't her only passion, however. Ashley is also an accomplished concert violinist, having performed with the New York Philharmonic, the London Philharmonic, and the Dallas Symphony. She studied Music Theory and Composition at Centenary College of Louisiana, before completing an MBA in Finance from Texas A&M University.    Ashley frequently contributes to many global publications on the topics of risk and the implications on emerging markets, as well as doing so as a speaker and panelist.  She has been a lecturer at the University of Texas at Austin School of Information since 2015, where she is teaching the next generation of leaders in risk management and cyber liability.    Let's learn how Ashley shares it forward on this episode of Celebrations Chatter.   New podcast episodes released weekly on Thursday. Follow along with the links below: Sign up for the Celebrations Chatter Newsletter: https://celebrationschatter.beehiiv.com/    Subscribe to Celebrations Chatter on YouTube: https://www.youtube.com/@celebrationschatter  Follow @CelebrationsChatter on Instagram: https://www.instagram.com/celebrationschatter/    Follow @CelebrationsChatter on Threads: https://www.threads.net/@celebrationschatter  Listen to more episodes of Celebrations Chatter on Apple Podcasts:  https://podcasts.apple.com/us/podcast/celebrations-chatter-with-jim-mccann/id1616689192    Listen to more episodes of Celebrations Chatter on Spotify: https://open.spotify.com/episode/5Yxfvb4qHGCwR5IgAmgCQX?si=ipuQC3-ATbKyqIk6RtPb-A    Listen to more episodes of Celebrations Chatter on Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5saWJzeW4uY29tLzQwMzU0MS9yc3M?sa=X&ved=0CAMQ4aUDahcKEwio9KT_xJuBAxUAAAAAHQAAAAAQNg  Visit 1-800-Flowers.com: https://www.1800flowers.com/    Visit the 1-800-Flowers.com YouTube Channel: https://www.youtube.com/@1800flowers  Follow Jim McCann on LinkedIn: https://www.linkedin.com/in/jim1800flowers/  Follow Jim McCann on X / Twitter: https://twitter.com/jim1800flowers (@Jim1800Flowers)

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! -- Emerging onto the international stage, Kensho Watanabe is fast becoming one of the most exciting and versatile young conductors to come out of the United States. Recently recognized as a recipient of a Career Assistance Award by the Solti Foundation U.S, Kensho will make his Metropolitan Opera debut next season, conducting Kevin Puts' The Hours. Assistant Conductor of The Philadelphia Orchestra from 2016 to 2019, Kensho made his critically acclaimed subscription debut with the Orchestra and pianist, Daniil Trifonov, taking over from his mentor Yannick Nézet-Séguin. He would continue on to conduct four subscription concerts with the Philadelphia Orchestra in 2019, in addition to debuts at the Bravo! Vail Festival and numerous concerts at the Mann and Saratoga Performing Arts Centres. Recent highlights include Kensho's debuts with the London Philharmonic and Tokyo Philharmonic Orchestras, Orchestre National du Capitole de Toulouse, Rhode Island Philharmonic as well as his Finnish debut with the Jyväskylä Sinfonia. Kensho has also enjoyed collaborations with the Houston Symphony, Royal Scottish National Orchestra, Detroit Symphony, Brussels Philharmonic and the BBC National Orchestra of Wales, the Seiji Ozawa Matsumoto Festival, and the Orchestre Metropolitain in Montreal. Equally at home in both symphonic and operatic repertoire, Watanabe has led numerous operas with the Curtis Opera Theatre, most recently Puccini's La rondine in 2017 and La bohème in 2015. Additionally, he served as assistant conductor to Yannick Nézet-Séguin on a new production of Strauss' Elektra at Montréal Opera. This season, Watanabe will conduct Mozart's Le Nozze di Figaro at the Seiji Ozawa Music Academy. Watanabe has previously been the inaugural conducting fellow of the Curtis Institute of Music from 2013 to 2015, under the mentorship of Nézet-Séguin. An accomplished violinist, Watanabe received his master of music degree from the Yale School of Music and served as a substitute violinist in The Philadelphia Orchestra from 2012 to 2016. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

French conductor Chloé van Soeterstède is one of the very prestigious Dudamel Fellows this season with the Los Angeles Philharmonic. She's working with Gustavo Dudamel, but also with other conducting legends like Michael Tilson Thomas and Zubin Mehta. It's quite an honor for a young conductor to have this experience and really helps set them up for future success as a music director of a major orchestra. I spoke with Chloé on the Classical Post podcast where we explore her new experience as a Dudamel Fellow, but also how she created her own London-based orchestra—Arch Sinfonia—which celebrates their 10th anniversary this year. Comprised of excellent players from other London ensembles like the great Philharmonia and the London Philharmonic, this dynamic organization is named after the idea of building metaphorical bridges—like an “arch” connecting things. In this case, Arch Sinfonia is building unique connections between the audience and the orchestra—even having audience members sit amidst the players, such as right in front of the timpani. The audience even votes at the end of each concert to shape the next concert program. This type of real dialogue has bode well for Chloé and her team, and provides an interesting idea for future discussion. We also speak of how female conductors among the top 25 American orchestras are extremely rare. And, how she just might be on the cusp of something great now that she's working at the highest level. For some fun lifestyle recommendations in this podcast, you'll hear of Chloé's love of silky sleeping masks, Pad Thai in London restaurants, and a propensity for modern art. — Classical Post explores the intersection of classical music, style, and wellness, diving into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok.

YolanDa Brown takes us through some of the best bits of Series 2. How do you audition for an orchestra, from the London Philharmonic to New York to Berlin? And how can you use nerves to actually improve your performance?YolanDa also finds out what it's like recording for film, and how it feels singing in the London Philharmonic Choir. Plus, an insight into the music of Rachmaninoff. With horn player Mark Vines, violinist and leader of the orchestra Pieter Schoeman, London Philharmonic Choir member Caroline Morris, violinist Minn Majoe, trumpeter James Fountain, trombone player Dave Whitehouse, violinist Kate Birchall, double bass player Hugh Kluger, Berlin Philharmonic viola player Matthew Hunter, Associate Principal Horn in the New York Philharmonic Leelanee Sterrett, and double bass player in the London Philharmonic Orchestra Sebastien Pennar.Series 4 will be arriving in March 2022 - see you then!Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

This episode, we speak to Ann and Fiona of the London Philharmonic Orchestra. For more information and to book tickets, visit www.eastbournetheatres.co.uk. You can also find us on Twitter, Instagram and Facebook. If you liked this podcast please subscribe, leave us a rating and share it with your friends. We'd love to hear what you think! The Eastbourne Theatres Podcast is a biweekly podcast series produced by Tom Allen Media and Drew Audio Solutions for Eastbourne Theatres.

It was an honor to host Dr. Jennifer Higdon earlier this year. Since her episode, she's continued composing, and presenting. In this show she discusses life as a composer, music she finds inspiration from, and what it was like to win one of the biggest awards for musicians.Jennifer Higdon, a Pulitzer Prize and three-time Grammy winner, is one of the most performed living American composers working today. She is the recent recipient of Northwestern University's Nemmers Prize and the UT Austin EM King Award. Previous honors include the Guggenheim, Koussevitzky, and Pew Fellowships, as well as two awards from the American Academy of Arts & Letters. Commissions have come from a wide range of performers: from the Philadelphia Orchestra and the Chicago Symphony, to The President's Own Marine Band; from the Tokyo String Quartet to Eighth Blackbird, as well as individual artists such as singer Thomas Hampson, violinist Hilary Hahn and pianist, Yuja Wang.  Her first opera on Charles Frazier's book, “Cold Mountain”, was commissioned by Santa Fe Opera, Opera Philadelphia, NC Opera, and Minnesota Opera, selling out all of its runs and winning the International Opera Award. She makes her living from commissions. Her works are recorded on over 70 CDs. The recording of her “Percussion Concerto” with Colin Currie and the London Philharmonic was recently inducted into The Library of Congress' National Recording Registry. Jennifer holds the Rock Chair in Composition at The Curtis Institute of Music in Philadelphia.For more information about Dr. Jennifer Higdon, visit her official website here.Visit Creative Peacemeal Podcast on social media, browse podcast swag, and continue the creative conversations via the blog!Website https://tstakaishi.wixsite.com/musicInstagram @creative_peacemeal_podcastFacebook https://www.facebook.com/creativepeacemealpod/***To make a donation to Dachshund Rescue of Houston click here!As always, THANK YOU for listening and if you have a moment, share an episode with a friend, or leave a review on Apple by clicking here and scrolling to "Ratings and Reviews" Support the show (https://www.patreon.com/creativepeacemeal)

Dougie Rankine (Editor of Truck & Driver Magazine) is joined by Damian Davis and Benji Goodchild on this weekly podcast for lorry drivers. Please subscribe to the Truck & Driver Podcast so that you never miss an episode and keep up-to-date with the latest news at truckanddriver.co.uk

The great Dutch conductor Bernard Haitink died on October 21 at the age of 92. During his 65 years career he conducted many of the world's great orchestras, holding posts with Amsterdam's Concertgebouw Orchestra for 27 years, as well as the London Philharmonic, Chicago Symphony Orchestra, Staatskapelle Dresden, Glyndebourne and the Royal Opera, and regularly guest conducting the Boston Symphony, the Berlin and Vienna Philharmonics, the Bavarian RSO, the Chamber Orchestra of Europe and numerous others. He left over 450 recordings, and they provide the focus for this conversation between Gramophone's Editor in Chief, James Jolly, and the critic and broadcaster, and Gramophone reviewer, Rob Cowan. This Gramophone Podcast is given in association with Leipzig – the City of Music.

In today's episode of THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST, we celebrate the Halloween season once again by highlighting horror score re-recordings including selections from THE NIGHTMARE BEFORE CHRISTMAS (Elfman), BRAM STOKER'S DRACULA (Kilar), CREATURE FROM THE BLACK LAGOON (Mancini), HOUSE OF FRANKENSTEIN (Salter), ED WOOD (Shore), WORLD WAR Z (Beltrami) and many more. Featured artists include Erich Kunzel, Dirk Brosse, Antoni Wit, John Morgan, William T. Stromberg, Joel McNeely, Lynda Kavina, and Nic Raine. Featured performing groups include The Cincinnati Pops, The London Philharmonic, The Polish National Radio Symphony, Cracow Philharmonic Chorus, The Mancini Pops, The Moscow Symphony Orchestra, The Brussels Philharmonic and The City of Prague Philharmonic. Enjoy! Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Kadya, Elizabeth & Claytemple Media. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

#ambisonics #spatialaudio #immersiveaudio #binaural #futureofaudio Music-making has gone through several technological revolutions: from mono to stereo over surround to 3D sound. All these revolutions started from technological progress. The artists and composers embraced the technology later on, allowing them to innovate their art form. Beethoven changed his composing style when he got a new English piano, film music changed radically when the soundtrack was introduced (instead of the live piano music accompaniment). Today a similar revolution is taking place: the technology for immersive music in 3D applications and VR is available. Artists and composers are yet to follow. A gigantic creative space is waiting to be explored by innovative and experimental bands, films and games. Steven Maes has been experimenting with sound tools for the past twenty-five years, using everything from lamp microphones to 360 video and Ambisonic immersive sound technology. Passionate about classical music, he has directed television programs, made hundreds of recordings and mastered CDs for popular music artists from Adamo to Lost Frequencies. His recordings have been praised in BBC Music Magazine Diapason and Gramophone. His DVD 392 (on Pieter Wispelwey's recording of the Bach Cello Suites) was met with great acclaim. Classica selected his recording of Debussy's La Mer (Brussels Philharmonic) as the best classical reference of all time. Recently he made recordings with London Philharmonic and London Symphony Orchestra, in 2016 & 17 Steven made two recordings that won the prestigious Echo Classic in Germany. Steven is on faculty at PXL University College in Hasselt, Belgium, where he supervises thesis projects and teaches studio techniques and is the founder of Motor Music Recording Studios. https://be.linkedin.com/in/steven-maes-494913177 http://www.stevenmaes.eu/ https://www.ted.com/talks/steven_maes_immersive_sound https://www.motormusic.eu/mm-sons https://www.youtube.com/watch?v=i3SVNMZVdXM

Greetings, Gamers, and welcome to a very special bonus episode, where Bedroth flies solo to discuss the songs featured in the opening ceremony of the 2020 Tokyo Olympics! Special thanks to Nikkei on Twitter, who appears to have been the first to publish the official list of 19 songs played in the ceremony. Thanks also to YouTubers Deh Almeida and Nicolas Monteiro, who uploaded rips of the individual themes played at the ceremony which, along with the always-wonderful VGMDB website, helped make this episode possible. Anything I get right today will be a tribute to the information I found there, as well as on various crowdsourced info-banks like Wikipedia (only approved, source-citing articles!) and the Fandom Wiki (for the more obscure stuff). Here's a link to the MediaFiles episode mentioned in the intro. Seriously, you should totally be listening to this show! https://anchor.fm/the-mediafiles/episodes/Olympic-Games-Tokyo-2020-e15iikh/a-a69t9lj Thanks as always to our amazing patrons and the artists who made our show art and theme song. You, too, can become a patron at patreon.com/vgmvgm, and you can reach out to us one of these ways: Discord: https://discord.gg/qpbXPdCf2N Twitter: @VGMpod and @Shootkapow E-mail: verygoodmusicvgm@gmail.com Voicemail: Anchor.com/vgmvgm. You can also leave us a comment on YouTube and while you're at it, please let us know if you like the video, and subscribe and ring the bell to be notified of future episodes! We look forward to hearing from you! Playlist: Roto's Teme/Theme of Erdrick - Dragon Quest/Dragon Quest III - Koichi Sugiyama - Enix - 1986/1988 Victory Fanfare - Final Fantasy - Nobuo Uematsu - Square - 1987 Sorey's Theme: The Shepherd - Tales of Zestiria - Motoi Sakuraba - Bandai Namco - 2015 Proof of a Hero - Monster Hunter IV - Masato Kouda - Capcom - 2013 Olympus Coliseum - Kingdom Hearts - Yoko Shimomura - Square - 2002 Frog's Theme - Chrono Trigger - Yasunori Mitsuda - Square - 1995 First Flight - Ace Combat 5 - Keiki Kobayashi - Bandai Namco, 2004 Royal Capital Majestic Grandeur - Tales of Graces - Motoi Sakuraba - Bandai Namco - 2009 Wind of Departure - Monster Hunter 4 - Marika Suzuki - Capcom - 2013 Robo's Theme - Chrono Trigger - Yasunori Mitsuda - Square - 1995 Star Light Zone - Sonic the Hedgehog Masato Nakamura - Sega - 1991 Main Theme - Final Fantasy - Nobuo Uematsu - Square - 1987 (with elements from the ending theme of 1999's Final Fantasy VII) Guardians - Phantasy Star Universe - Hideaki Kobayashi - Sega - 2006 Hero's Fanfare - Kingdom Hearts III - Yoko Shimomura - Square Enix - 2019 Act I-1 - Gradius in Classic I - Miki Higashino and others in the Konami Kukeiha Club - This arrangement comes from 1 1993 orchestral album released in Japan by King Records, performed by the London Philharmonic and arranged by Michiru Oshima, Masamichi Amano, Kunihiro Kawano, and the late Norio Maeda, who is responsible for this arrangement. Song of the Ancients - Nier - Square Enix - 2010. The arrangement used for the opening ceremony comes from the Nier Orchestral Arrangement Album - Addendum. The game was composed by Keiichi Okabe (who also produced the album), Keigo Hoashi, and Kakeru Ishihama. The track on the album was arranged by Sachiko Miyano and performed by the Tokyo Philharmonic with Emi Evans & J'Nique Nicole on vocals “The Minstrel's Refrain: SaGa Series Medley 2016” - This medley is taken from The Orchestral SaGa - Legend of Music album. The medley compiles tracks from several games in the series and includes pieces composed by Nobuo Uematsu, Kenji Ito, Ryuji Sasai, Masashi Hamauzu. It was arranged by Kosuke Yamashita The Brave New Stage of History - Soulcalibur VI - Junichi Nakatsuru - Bandai Namco - 2018 --- Send in a voice message: https://anchor.fm/vgmvgm/message

George Frideric (or Frederick) Handel baptised Georg Friederich Händel,; 23 February 1685 – 14 April 1759 was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737 he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular.[6] Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.Handel composed more than forty opera serias over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music exerted a strong influence on Classical-era composers, including Mozart and Beethoven.

Buy your tickets at https://www.eventbrite.com/.../mercury-the-story-of...Terry Barber is coming back to town to host a real, in-person, concert on Nov. 28. But first, Terry visits the The KC Ingram Show to tell us all about it!Concert details:Location: MARTIN COUNTY FAIR GROUNDS.All your favorite hits by Freddie Mercury & Queen from the comfort of your car!You control the volume of the LIVE (not streamed) performance, & drinks are delivered to you!After sold out shows in California, Chicagoland, and more, come hear the new, improved touring concert “Mercury” the story of Queen's front man. It's about a band that rocked the world, and the fame, decadence, tragedy and triumph that swirled around its leader.A 40-ft projection screen, your own comfortable atmosphere...This will be the event of the season! TICKET PRICE IS PER CAR: Maximum 6 people per vehicle. No Coolers will be permitted.The show features internationally acclaimed countertenor, Terry Barber plus guitarist Don Carr (Oakridge Boys), pianist/singer and recent Tony winner, Grace Field, plus creator of the Troubadour's Journey, Jonathan Cummings on drums/singing, and last but certainly not least, the incredible Bones Moltedo on bass.You'll hear: We Will Rock You, The Show Must Go On, Under Pressure, I Want It All, Hammer To Fall, Radio Ga Ga, Fat Bottomed Girls, Love Of My Life, We Are The Champions, Barcelona, The Great Pretender, Crazy Little Thing Called Love, Bohemian Rhapsody and more.Produced and directed by Terry Barber:Past member of Grammy winning, Chanticleer, Terry Barber has been a soloist for the best venues around the world, from the Metropolitan Opera to Moscow's Svetlanov Hall and can be heard on recordings with artists from Madonna, Jewel, Chaka Khan, Cyndi Lauper, to the London Philharmonic. Terry's most recent solo album is currently in consideration for 8 Grammy nominations.“Barber has Star Quality” – Atlanta Journal-ConstitutionDrive-In, Stay Safe, ROCK OUT!

Virtuoso Ray Chen hardly needs an introduction, but let's start with his Gold Medal at the Queen Elisabeth competition in 2009, at the age of 20! His career since then, by all appearances, has been an effortless climb. But as you're about to hear, that isn't the whole story. As I've gotten to know Ray (during his solo appearances with the LA Phil, including that one time he stole my bow for a Paganini encore!) I've been impressed with how open he is in person and on social media. Let's start here: if you don't follow Ray on Instagram and YouTube, you're missing out big time! Here are those links: Ray's Instagram Ray on YouTube For example, one of Ray's videos deals with the topic of insecurity. It's so rare for a world-class soloist to open up about this topic, and you certainly won't hear any insecurity in his playing! But as we discuss in this episode, it's a feeling every violinist deals with at some point, and it's a necessary step along the way to mature artistry. Ray Chen's biography Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen's remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world.Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the summer of 2017 has seen the recording of the first album of this partnership with the London Philharmonic as a succession to his previous three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award. Profiled as “one to watch” by the Strad and Gramophone magazines, his profile has grown to encompass his featuring in the Forbes list of 30 most influential Asians under 30, appearing in major online TV series “Mozart in the Jungle”, a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach) and performing at major media events such as France's Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms. “It's hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” — CORRIERE DELLA SERA He has appeared with the London Philharmonic Orchestra, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, and upcoming debuts include the SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Daniele Gatti, Kirill Petrenko, Krystof Urbanski, Juraj Valcuha and many others. From 2012-2015 he was resident at the Dortmund Konzerthaus and in 17/18 will be an “Artist Focus” with the Berlin Radio Symphony. His presence on social media makes Ray Chen a pioneer in an artist's interaction with their audience, utilising the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA.

Sam and Tim dissect Ruth Crawford Seeger's seminal String Quartet 1931, have a chat with tenor Hiroshi Amako and discuss the dress rehearsal for Die Walküre with Vladimir Jurowski and the London Philharmonic. PLUS – operatic divas, musical magic roundabouts and how ABBA stole from Wagner.Music Credits:Ruth Crawford Seeger, String Quartet 1931 performed by The Playground EnsembleEpic Trailer Music from Mattia CupelliFrank Bridge, Come to Me in My Dreams performed by Hiroshi Amako and Michael PandyaRichard Wagner, Die Walküre ‘Ride of Walkyries' performed by the Philadelphia Orchestra under Leopold Stokowski in 1934Éric Serra, ‘Diva Dance' cover by Laura Workman McMurtreyJean Sibelius, Symphony No. 5 Final MovementFollow us here:instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/Here's the website for the Amici Voices:https://amicivoices.com/Seeger, String Quartet 1931 performed by The Playground Ensemble:https://www.youtube.com/watch?v=Hqz9Ch14MpwLaura Workman McMurtrey sings ‘Diva Dance':https://www.youtube.com/watch?v=bgo0CDL6bd0Hiroshi Amako and Michael Pandya perform Come to Me in My Dreams:https://www.youtube.com/watch?v=tubl-CtoNAs

Jesse Harlin has been a composer for video games for over 15 years. His music has been played by the London Philharmonic at Abbey Road's Studio 1, but has also has his music blasted among crowds in New York's Times Square. He is an interactive music designer building music systems with some of the top audio engineers in the industry. Some video game titles to his credit include: THE FORCE UNLEASHED, MONKEY ISLAND 2, STAR WARS: THE OLD REPUBLIC and MAFIA III. One of his most recent original scores has been for the video game, YOKU'S ISLAND EXPRESS.Yoku's Island Express, a pinball platform adventure game, launched on Xbox One, PlayStation 4, Nintendo Switch™ and PC on May 29th 2018 from Team17 and developer Villa Gorilla. Yoku, the dung beetle, has arrived on Mokumana Island to take over the role of postmaster and he's ready for the easy life, soaking up the sun and delivering parcels on a tropical paradise! However, an ancient island deity is trapped in a restless sleep - and it's all down to Yoku to traverse the island using a unique blend of pinball mechanics, platforming and open world exploration.In this episode Jesse Harlin talks about how he focused creating strange and unique instrumentation mixtures in the score: from odd toy sound pairings to percussion via beat-boxing, mixed with soft female vocal work + turntablism … run through ring modulators. He also talks about his use of language as the score starts in French but morphs into Polynesian-like-skatting to other spontaneous sounds he formed into fictional vocabulary. ANNOTATED TRACKS AND SEGMENTS02:13 - "Welcome to Mokumana Beach"05:44 - "Welcome to the Space Monks"09:46 - "What Lies Beneath"OTHER TRACKS00:09 - "The Slug Gardener"13:18 - "Gorilla Woods"SOUNDTRACKThe original score was released on May 28, 2018 and is available digitally on Amazon.com, iTunes, and streaming on Spotify and Apple music. MORE ABOUT THE COMPOSERYou can also hear more music and find out more about Jesse Harlin on his official site: http://dunderpatemusic.com. You can also follow him on Twitter @oogewABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioGoogle Play PodcastsRSS Feed