Podcasts about Cantus

Let's start episode 727 of Secrets of Organ Playing Podcast. This question was sent by Gene and he writes:My question is tempo, on BWV 624: Hilf Gott, dass mir's gelinge by J.S. Bach. I'm amazed that I can play it pretty well,  and it sounds pretty good on my funny, little house organ. Fluit 4, on the triplets and to Pedal. Cantus on Principal 8. I can play it @75, metronome, mostly. Soon, I will be able to do it, start-to-finish. Of course, I listen to people on YouTube playing it much faster. Is this an embarrassingly slow tempo? What should be a goal?

El bailarín Nacho Duato ha pasado por los micrófonos de Julia en la Onda para presentar su último espectáculo: ‘Cantus', un homenaje a los niños víctimas de las guerras.

En este episodio de Invirtiendo a Largo Plazo, Juan Cantus (Portfolio Manager), habla sobre su trayectoria profesional, cómo llegó a dedicarse a la inversión en valor, cómo funciona el proceso inversor junto con el resto de miembros del equipo y cómo es su día a día analizando algunas de las compañías que forman la cartera junto con Carlos González (Director Relación con Inversores). Conecta con nosotros para conocer más acerca de nuestra filosofía de inversión.

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo.

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo.

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo.

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo.

durée : 00:14:35 - Disques de légende du mardi 28 janvier 2025 - Spécialisé dans la musique baroque, l'ensemble vocal allemand Cantus Cölln a révolutionné l'interprétation du haut baroque allemand. Fondé en 1987, il est dirigé par Konrad Junghänel.

durée : 00:14:35 - Disques de légende du mardi 28 janvier 2025 - Spécialisé dans la musique baroque, l'ensemble vocal allemand Cantus Cölln a révolutionné l'interprétation du haut baroque allemand. Fondé en 1987, il est dirigé par Konrad Junghänel.

Xavier, Chaima en de luisteraars ergeren zich aan te veel onhaalbare voornemens, mensen die blijven vragen wanneer je met een lief naar huis komt en vuurwerk dat honden doodsbang maakt en te veel zatte mensen op straat. Gelukkig kan je er ook voor kiezen om enkel haalbare voornemens te maken, hoef je niet veel te drinken want rijden en drinken gaan absoluut niet samen en is het ook fijn om je te laten omringen door fijne familie en goede vrienden.

Floresville residents, Frank and Mary Cantu, honor their beloved hometown each year through a spectacular Christmas lights display on the lawn of their home on Indian Pink Drive. The Cantus have lived in their home since the 1970s and began decorating their lawn at Christmastime to bring joy to their two children, and later, their five grandchildren. Frank and Mary — who retired from San Antonio City Public Service and Texas Health and Human Services, respectively — have hand-created most of the decorations in their Christmas display over the last 20 years, adding a new piece each year. In 2022,...Article Link

This week we honor our pagan ancestors and celebrate the winter solstice, the shortest day and longest night of the year in the Northern Hemisphere. We journey over the snow-covered mountains, frozen forests, and blue-gray fjords that inspire the music of northern Europe and Scandinavia. In a land of dark and cold, the focus turns within, and the music of this frigid region warms the heart and nourishes the soul. Classical, jazz, and traditional folk sounds stretch from majestic and powerful, to intimate and ethereal—with brilliant timbres, gorgeous melodies, and rich harmonies. On this transmission of Hearts of Space, another winter solstice celebration, on a program called "STARLIGHT NORTH 2." Music is by ORCHESTRA INDIGO, DEAD CAN DANCE, STEPHAN MICUS, TRINE OPSAHL, ANNBJØRG LIEN, BUKKENE BRUSE, CANTUS, ANNE DUDLEY, HEILUNG, HAGATHORN, SKÁLD, SHIGERU UMEBAYASHI, and ÁINE MINOGUE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Stāsta vokālā pedagoģe, dziedātāja Una Stade Svētā Lūcija ir viena no viszināmākajām kristiešu jaunavām – moceklēm, kas savu dzīvi atdeva par savu ticību. Dzimusi 283. gadā Sirakūzās, Sicīlijā, Lūcija, kas bija dzimusi turīgā ģimenē, savu bagātību atdeva trūcīgajiem, solījās palikt par jaunavu un savu dzīvību atdeva kristietībai. Pēc Jūlija kalendāra (calendarium Iulianum) tieši 13. decembris bija gada īsākā diena. Folklora vēsta, ka šajā – gada garākajā naktī pa zemi staigāja ļaunie gari, tādēļ bija jāpaliek nomodā – to varēja īstenot svinot svētkus. Tiek uzskatīts, ka Lūcija esot nesusi pārtiku vajātiem kristiešiem katakombās, un, lai varētu izmantot abas rokas pārtikas nešanai, sveces viņa likusi kronī uz galvas, lai tas apspīdētu tumšo ceļu – tā arī  ēdiens un sveču kronis ir kļuvuši par Lūcijas dienas simboliem. Savukārt Mārtiņš Luters esot praktizējis ceturkšņa gavēni, kurš ziemas periodā ir sācies tieši nedēļā pēc martires Lūcijas dienas svētkiem. Tā šī svinamā diena ir palikusi daudzu Luterisko baznīcu kalendāros – Vācijā, Itālijā, Skandināvijā un arī Amerikā. Skandināvijā Svētās Lūcijas diena kopā ar Adventi joprojām iesāk Ziemassvētku gaidīšanas laiku un Lūcijas uzdevums ir nest gaismu un cerību gada tumšākajā laikā. Daudzas pilsētas ievēl galveno Lūciju – pašu gaišāko un labsirdīgāko meiteni. Savukārt,  ģimenēs Lūcijas dienas rītā māte vai vecākie ģimenes bērni ceļas agrāk, lai pagatavotu kafiju un uzceptu saldumus.Svētās Lūcijas dienas kulminācijā cauri pilsētai vai baznīcai dodas īpaša procesija. Tās priekšgalā iet galvenā Lūcija - baltā, garā kleitā, kas raksturo viņas šķīstību, ar sarkanu jostu, kas raksturo mocekles izlietās asinis, brūklenāju vainagu, kas simbolizē mūžīgo dzīvošanu un kroni, kurā iedegtas īstas sveces, kā mūžīgās gaismas simbols. Lai gan Latvijā nav populāra šīs dienas svinēšana, tomēr jāmin, ka tā ir iedvesmojusi vairāku tradicionālu pasākumu norisi, kā arī ir bijusi par iemeslu vairāku muzikālu apvienību tapšanai. 13. decembrī jau daudzu gadu garumā notiek speciāli šai dienai veltīts koncerts Doma baznīcā, ko rīko Zviedrijas vēstniecība. Jau ceturto gadu Lūcijas procesijas priekšgalā atradīsies Elizabete Laura Porgante un viņai sekos Lūcijas māsas - Rīgas Skolēnu pils meiteņu koris "Rīga". Savukārt Kuldīgā radusies vokālā grupa septiņu meiteņu sastāvā “Lucia voices”, jeb “Lūcijas” ilgadēji devusies uz Vāciju tieši Adventes laikā, lai priecētu ne vien koncertzāļu apmeklētājus, bet arī kopā ar bērnu kori “Cantus” priecētu ļaudis gan pansionātos, gan skolās. Arī a cappella grupa “Latvian voices” savu dzimšanas dienu svin tieši Svētās Lūcijas dienā un tika izveidota tieši tam, lai veiktu šo procesiju. Lai arī grupai ir pievienojies bass Jānis Strazdiņš, joprojām reizi gadā tikai meitenes dodas uz Hamburgas Svētā Miķeļa baznīcu, lai, kā ik katru gadu, baltās kleitās, sarkanās jostās, ar brūklenāju un sveču vainagiem galvā iesāktu savu gājienu cauri baznīcai dziedot Svētās Lūcijas dienai neatņemamo neapoliešu tradicionālo dziesmu  “Sancta Lucia”.  

Damir Marusic and WoC executive editor Santiago Ramos get together to discuss Damir's latest article, “Why We Need Nightmares.” In it, Damir writes about the the binding of Isaac — the chilling story from the Book of Genesis where God asks Abraham to sacrifice his son. Damir is fascinated both by the story and by a Caravaggio painting depicting it. “That's the stuff,” he writes. But what is this “stuff”?While searching for an answer to this question, Damir and Santiago cover a lot of ground. They discuss the story of Abraham and Isaac, as well as the different ways that philosophers have interpreted it. They talk about Kierkegaard, Nietzsche, and Kant. They come to the conclusion that, while we all have different words for it — terrifying, mysterious, sublime — everyone must grapple with the stuff. Grappling with the stuff is an essential part of living a human life, for believers and unbelievers alike.This episode covers the Bible, philosophy, art, music, and much more. It is not a debate, but an exploration of what exactly it is that makes certain stories, works of art, and experiences so moving, compelling, terrifying. We enjoyed recording this episode so much that we decided to make it free for all subscribers.Required Reading and Listening:* Damir, “Why We Need Nightmares” (WoC).* Damir, “The Pursuit of Passion for Its Own Sake” (WoC).* Damir, “It's Not Really About Cancel Culture,” about Tár (WoC).* “Ending Summer on Violence and Despair, with Twitter's Audrey Horne” (WoC).* The story of the binding of Isaac in Genesis 22 (King James Version). * Immanuel Kant (Stanford Encyclopedia of Philosophy).* Søren Kierkegaard (Stanford Encyclopedia of Philosophy).* Friedrich Nietzsche (Stanford Encyclopedia of Philosophy).* “Time of tension between dying and birth” quote by T. S. Eliot, in “Ash Wednesday” (Best Poems). * Mozart, Symphony No. 40 (Leonard Bernstein and the Boston Symphony Orchestra, YouTube).* Roger Scruton on pop music as addictive (YouTube).* Keith Richards on heavy metal, “No lift, no bounce, no syncopation” (YouTube).* Caspar David Friedrich, “Sea of Ice” (painting of shipwreck/example of the sublime).* The Rolling Stones, “Gimme Shelter” (YouTube).* Nirvana, “Radio Friendly Unit Shifter” (YouTube). * Shellac, At Action Park (YouTube). * Arvo Pärt, Cantus in memoriam Benjamin Britten (Norwegian Chamber Orchestra, YouTube).* Leonard Bernstein, “The Unanswered Question,” lectures (YouTube).Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wisdomofcrowds.live/subscribe

Gepresenteerd door: Leonard Evers Het Radio Filharmonisch Orkest onder leiding van Harry Ogg speelt een selectie uit de Klassieke Top 400 van NPO Klassiek. Radio Filharmonisch Orkest Nationaal Gemengd Jeugdkoor Harry Ogg (dirigent) Joris van Rijn, viool Maria Fiselier (podiumpresentatie) Ludwig van Beethoven - Ouverture Egmont Wolfgang Amadeus Mozart - Lacrimosa uit het Requiem Pjotr Iljitsj Tsjaikovski - Scène en Wals uit Het zwanenmeer Edward Elgar - Nimrod uit de Enigma variaties Lemereis - Lumen II Georges Bizet - uit Carmen: Aragonaise (Suite nr.1) en Danse bohéme (Suite nr.2) Leonard Bernstein - Ouverture uit West Side Story (bew. M. Peress) Johann Sebastian Bach - Matthäus-Passion BWV 244: Erkenne mich, mein Hüter Arvo Pärt - Cantus in memoriam Benjamin Britten Georg Friedrich Händel - Zadok the priest HWV 258 Samuel Coleridge-Taylor - Othello-Suite: Dance Bob Zimmerman/Nando Eweg - Summer 1945 uit de film Süskind (bew. B. Zimmerman) Francis Poulenc - Seigneur, je vous en prie (uit Quatre petites prières de Saint Francois d'Assise) Edward Elgar - E.D.U. uit de Enigmavariaties

El coro del Conservatorio Municipal de Leioa, Kantika Korala, participará en el Taipei Internacional Choir Festival, que se celebrará en Taiwán del 26 de julio al 4 de agosto. Kantika Korala fue seleccionada mientras realizaba uno de sus conciertos en Tolosa, participarán en esta edición junto a otros tres coros: Batavia Madrigal Singers de Indonesia, Cantemus Mixed Choir de Hungría y Cantus de Noruega. ¿Cómo se llega a triunfar en el otro lado del mundo?

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y con invitados que cantan o tocan en vivo.

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Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y con invitados que cantan o tocan en vivo.

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y con invitados que cantan o tocan en vivo. Episode: https://i.listen.ewtn.com/~LS/~LS20240422.mp3 Podcast: https://www.ewtn.com

THE FEMININE TOUCH Vol 2. Playlist 00.00 Lisa Bella Donna ‘Night Flight' (album Night Flight) https://lisabelladonna.bandcamp.com 09.22 Hannah Peel ‘Ecovocative' (album Fir Wave) www.hannahpeelmusic.bandcamp.com 12.59 Kelly Moran ‘Ultraviolet Helix' (album Ultraviolet) https://kellymoran.bandcamp.com 21.34 The Allegorist ‘Redwinged Phoenix' (album Blind Emperor) https://theallegorist.bandcamp.com 28.28 Marie Wilhelmine Anders ‘Winter' (EP Echoes)https://triplicaterecords.bandcamp.com 36.56 Tukico ‘Timeless In The Depth' (album Primitive) www.subcontinentalrecords.bandcamp.co 41.55 Gilda Razani & Hans Wanning ‘Matab for Theremin & Synthesiser' https://gildarazani.de/ 43.51 Carolina Eyck ‘On Wings of Light and Time' (album Theremin & Voice) https://www.carolinaeyck.com 48.18 Delphine Tesla ‘Bells Of Ether' (album Eko Lunae) http://www.delphinetesla.com 57.00 Meg Bowles ‘Cloudburst Over a Parched Land' (album Pilgrimage) https://megbowles.bandcamp.com 01.03.26 Kara- Lisa Coverdale ‘Icon/c' (album After Touches) https://kara-liscoverdale.bandcamp.com/ 01.07.12 Kaitlyn Aurelia Smith & Suzanne Ciani ‘A New Day' (album FRKWYS vol,13: Sunergy) https://kaitlynaureliasmith.bandcamp.com/ 01.18.37 Helene Vogelsinger ‘Reminiscence' (album Reminiscence) https://helenevogelsinger.bandcamp.com/releases 01.27.38 Novellor ‘Laura Palmer's Theme' (EP Wrapped in Plastic) https://noveller.bandcamp.com/album/wrapped-in-plastic 01.33.00 Jenny & Her Epileptic Dog ‘Iberian Space Onion' (Various Transmissions From The Secret Cinema, Vol 1) www.lifesavicnic.bandcamp.com 01.38.37 LYDIA ‘Time' (album Emanation) www.lydia-music.bandcamp.com 01.43.40 Julianna Barwick ‘In Light ft.Jónsi' (album Healing Is A Miracle) https://juliannabarwick.bandcamp.com 01.49.13 Elin Piel ‘Vanta' (album Tone Science Module No6 Protons & Neutrons) https://dinrecords.bandcamp.com 01.54.32 36 & Awakened Souls Awakened Souls ‘Shelter/Ripples' (album The Other Side Of Darkness) https://pitp.bandcamp.com 02.01.34 Mareena & JakoJako ‘Phantasma' (album Atlas Der Gedanken) https://muzaneditions.bandcamp.com 02.06.29 Olga Wojciechowska ‘Primal Fear' (album Maps & Mazes) www.timereleasedsound.bandcamp.com 02.10.40 Gydja ‘Mjötvið ‘mæran fyr mold neðan' (album Ár var alda) https://winter-light.bandcamp.com/yum 02.19.46 Leila Abdul Rauf ‘The Emerges 1: Rebirth' (album Phantasiai) https://leilaabdulrauf.bandcamp.com/ 02.24.59 Sarah Davachi ‘Diaphonia Basilica' (Cantus, Descant) https://sarahdavachi.bandcamp.com 02.30.27 Kali Malone ‘Living Torch II' (album Living Torch) *** https://kalimalone.bandcamp.com/album/living-torch 02.38.42 Jodie Lowther 'Speaks Of Spirits' (album Roseberry) www.jodielowther.bandcamp.com 02.44.37 Pleq feat Strie ‘Our Worlds Are Frozen' www.headphonecommute.bandcamp.com 02.48.35 Nadia Struiwigh 'Soundshag' (album WHRRU) https://nadiastruiwigh.bandcamp.com 02.53.05 Hania Rani ‘Hawaii Oslo' (album Live From Studio S2) https://haniarani.bandcamp.com 03.02.00 Cilvarium ‘Luciora' (album The Seventh Secret) https://cilvarium.bandcamp.com/album/the-7th-secret 03.06.30 Alira Mun ‘Gnosis' www.aliramun.bandcamp.com 03.10.24 Caminauta ‘Live Part 1' (album Synth Fest Trance-Live Set Session) https://caminauta.bandcamp.com 03.19.28 Penelope Trappes ‘Gnostic State' (single )*** https://penelopetrappes.bandcamp.com/track/gnostic-state 03.24.03 Striē ‘Perpetual Journey' (EP Perpetual Journey) https://shop.serein.co.uk/album/perpetual-journey 03.28.25 Oliviaway ‘More Than Just A Dream' (EP More Than Just A Dream) https://oliviaway.bandcamp.com 03.33.52 Julia Kent ‘Imbalance' (album Temporal) www.music.juliakent.com 03.37.44 Christine Ott ‘Time To Die' (album Time To Die) www.christineott.bandcamp.com 03.45.54 Serena Gabriel: feat Steve Roach ‘Changing Tides' *** (album Inanna's Dream) https://projektrecords.bandcamp.com/yum 03.54.33 Sherry Finzer ‘Through The Veil' www.higherlevel.medi Edit ***

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y con invitados que cantan o tocan en vivo.

“We are there to be servants of our community. A lot of amateur choirs can become bowling leagues; they show up on Wednesday night, they have a great time, and that's the reason they do it. I think the trick is to satisfy the needs of our singers, develop them as artists and people, but also make the focus constantly about reaching out to our audience: how do I find pieces that are going to meet my singers where they are, challenge them pedagogically, and bring people to my concert and make it impactful?”Erick Lichte enjoys a diverse career as a conductor, composer, and record producer.As a founding member, singer, and Artistic Director of the male vocal ensemble Cantus, Lichte created and sustained one of only two full-time vocal ensembles in the United States. From 2000-2009, Lichte's programming and artistic direction were heard in over 60 concerts a year and he has collaborated with artists such as Bobby McFerrin, the Boston Pops, and Minnesota Orchestra.In January 2013, he began his tenure as Artistic Director of Vancouver, Canada's Chor Leoni Men's Choir. Since that time, he has grown the choir into one of the most active and popular amateur choirs in North America, performing over 35 concerts a year. His first recording with Chor Leoni, Wandering Heart, received a perfect five-star review from the UK's prestigious Choir and Organ Magazine.  In the summer of 2018, he led Chor Leoni to multiple awards and Grand Prix appearances at both the Singapore and Bali International Choral Competitions. In 2020, his world premiere recording of When There Is Peace: an Armistice Oratorio was nominated for a JUNO Award.His work with Cantus and Chor Leoni garnered him both the 2009 and 2019 Margaret Hillis Award for Choral Excellence, the highest honour from the professional choral organization Chorus America. He is only the second conductor to have ever won this award with two ensembles.Lichte is an active proponent of new music and has commissioned over 300 new works from composers such as Lee Hoiby, Eriks Esenvalds, Gavin Bryars, Jocelyn Morlock, Steven Sametz, Edie Hill, Mary Ellen Childs, and Zachary Wadsworth among many others.As a record producer, Lichte has made over 30 albums. His recent release for Naxos of the choral music of Eriks Esenvalds spent multiple weeks as the number one classical album on the Billboard charts.He is also an active composer and arranger, especially known for co-creating All is Calm: The Christmas Truce of 1914 which has toured North America annually and been performed on three continents. The work's 2018 off-Broadway run in Greenwich Village garnered Lichte a Drama Desk Award for both his composing and his musical direction. In November 2020, a filmed version of this production will air across the United States distributed through PBS.To get in touch with Erick, you can reach out on Instagram (@ericklichte) or on Facebook (@erick.lichte). You can also check out Chor Leoni's YouTube page (@chorleoni).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonAudio clip: "Will Ye Go to Flanders" from All Is Calm

“The music that I fell in love with that made me want to be a musician when I was a young teenager was not loved because it's super difficult. That's not the reason you love music. You love music that makes you feel and makes you think. If something is challenging, that feeling of reaching the finish line and being able to create a performance that you're proud of is super rewarding. If something is impossible, that doesn't excite me.”Born in Australia and raised in an immigrant family, Melissa Dunphy herself immigrated to the United States in 2003 and has since become an award-winning and acclaimed composer specializing in vocal, political, and theatrical music. She first came to national attention when her large-scale work the Gonzales Cantata was featured in The The Wall Street Journal, The Atlantic, National Review, and on Fox News and The Rachel Maddow Show, where host Rachel Maddow described it as “the coolest thing you've ever seen on this show.”. Other notable works include the song cycle Tesla's Pigeon, which won first place in the NATS Art Song Composition Award, and choral work What do you think I fought for at Omaha Beach? which won the Simon Carrington Chamber Singers Competition and has been performed nationally by ensembles including Chanticleer and Cantus.Dunphy is the recipient of a 2020 Opera America Discovery Grant for Alice Tierney, an opera commissioned by Oberlin Conservatory which premiered in 2023 at Oberlin and Opera Columbus. She has been composer-in-residence for the Immaculata Symphony Orchestra, Volti, and the Saint Louis Chamber Chorus, and her commissions include works for the BBC Singers, VOCES8, Mendelssohn Chorus, and the Kennett Symphony. Dunphy is also a Barrymore Award-nominated theater composer and is Director of Music Composition for the O'Neill National Puppetry Conference.Dunphy has a Ph.D. in composition from the University of Pennsylvania and a B.M. from West Chester University and is on faculty at Rutgers University. She is president of the board of directors for Wildflower Composers and serves on the board of Lyric Fest. She lives in Philadelphia with her husband, Matt; the Dunphys are currently the owners and developers of the Hannah Callowhill Stage, a new performance venue in Old City Philadelphia which they hope to open in 2026 for the 250th anniversary of the birth of America, and co-hosts of the popular podcast The Boghouse about their adventures in Philadelphia colonial archaeology.To get in touch with Melissa, you can visit her website, melissadunphy.com or find her on Instagram (@mormolyke) or Facebook (@mormolyke).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Эхо Хельсинки — 3 января 2024 Война — день 679 Помехи в работе GPS в канун Нового года: кто стоит за этим пока неизвестно. Больше 85% финнов планируют проголосовать на президентских выборах в конце января. Финляндия изменила требования для получения шенгенской визы. Без забастовок никак: более 60 процентов финнов выступают против планов правительства, направленных на ограничение политических забастовок. Мирный атом: треть электроэнергии в Финляндии в прошлом году выработала атомная электростанция Olkiluoto. Финны считают, что Украина имеет право атаковать российские военные объекты на территории России. Пятнадцатилетний подросток скончался в Пори от огнестрельного ранения. Исторические фантазии о геноциде: в российской Карелии продолжают придумывать свою историю войны-продолжения. Мы должны ответить на последние атаки в Украине … предоставив Киеву ракеты дальнего действия, которые позволят уничтожать пусковые установки и командные центры России, — считает новый министр иностранных дел Польши Радослав Сикорски. Новый закон о мобилизации, отмена президентских выборов, будут получены F-16 и произведен миллион дронов: эти и другие возможные перспективы, который принесет этот год Украине. Егор Алексеев с обзором финской прессы. Мы по сравнению с немцами оказались в полной жопе, — Виктор Ерофеев представил свой взгляд на русскую вину на Третьей антивоенной конференции Форума Свободной России. Cantus in memoriam Benjamin Britten — произведение композитора Arvo Pärt в исполнении Филармонического оркестра Radio France, дирижер Kent Nagano, завершает нашу программу.

Music is one of the seven great lights in the medieval model of education. It's part of the Quadrivium, along with Geometry, Arithmetic, and Astronomy. The common denominator of all four is numbers. Arithmetic is the study of numbers proper, geometry is numbers in space, astronomy is numbers in space and motion. Music is numbers in *time*, numbers in proportion and intervals. > “[M]usic advances even further towards that ‘summit of perfection' for which the quadrivium is a prerequisite. The theory of music is a penetration of the very heart of Providence's ordering of things. It is not a matter of cheerful entertainment or superficial consolation for sad moods, but a central clue to the interpretation of the hidden harmony of God and nature in which the only discordant element is evil in the heart of man.” (Henry Chadwick)Rhetoric is the pinnacle of the Trivium, Music is the crown of the Quadrivium, and in some ways, Music is the high point of Rhetoric, or at least a glorious expression of truth and goodness in beauty. A song is time *adorned*, and a song sung together is adorned time *shared*. Christmas is a celebration of God adorning humanity by taking on flesh. The eternal God now shares time with us. What better way to honor the Son's birth than singing?! In our series of Advent Activities we started with Waiting. Since then we've successfully waited two additional weeks, closer to Christmas and to the Second Coming. Last week we considered Feasting, and I am bursting after multiple opportunities just this past week. Now we come to Singing. Unlike waiting, I've addressed singing multiple times, whether related to our liturgy or just while teaching through some psalms. Also unlike waiting, which is more a question of How? instead of If? since the time will pass regardless, feasting can be consciously rejected (and is by some). Singing can be good or bad or rejected. Unlike feasting, singing can be outsourced; we can depend on/hire surrogate singers. While there are certainly times to enjoy the skill of a soloist or performing group, we shouldn't choose to only be an audience and never a choir. Whether or not your noise is skillful, even tuneful, it ought to be joyful. And the coming of the Son of God in flesh, once already and again anticipated, should stir the soul up to sing. A Queen once said, "a stable once had something inside it that was bigger than our whole world." Are we just supposed to hum about that?Though singing is not the command in Colossians 3:16, it is an inevitable and edifying result of obedience. We Bible people will be known to the degree our lives together are lyrical.> Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God. (Colossians 3:16)The word should be "in-dwelling." It's supposed to dwell **richly**, abundantly, in full-measure. We could say, let the Word live like it's completely at home in us. It belongs in us. One thing that stands out is that it is identified as **the word of Christ**. Christ Himself *is* the Logos, the Word, who took on flesh and dwelt among us. So we're to let the Word of the Word dwell in us. This is only the second time this label is given to Scripture (see also Romans 10:17), and it seems that Paul was going out of his way to help the Colossians see the preeminence of Christ. Christ is the image of the invisible God, the firstborn of creation, not in time, but in rights and privileges (Colossians 1:15). By Christ and through Christ were all things created and so all glory to Christ (Colossians 1:16). Christ is the head of the church, the firstborn from the dead, both chronologically and eschatologically (Colossians 1:18). In Christ the fulness of God was pleased to dwell (Colossians 1:19), in Him the whole fullness of deity dwells bodily (Colossians 2:9). Christ, His person and His power and His life and death and resurrection to life, compels songs! It started on the night of His birth. There is good reason to think that the heavenly choir was doing more singing than chanting in Luke 2.> And suddenly there was with the angel a multitude of the heavenly host praising God, and saying,> Glory to God in the highest, > And on earth peace, > Good will toward men. > (Luke 2:13-14 KJV)"Hark! the herald angels sing, glory to the newborn King!" Philippians 2:5-11 has been called a "hymn"; it does have a different rhythm than most prose. It sings of the Incarnation, of Christ Jesus who was made in the likeness of men, and was found in the form of man. 1 Timothy 3:16 also has a more lyrical shape, and begins with the Incarnation, "God was manifest in the flesh." The section above in Colossians 1:15-20 is also often called a hymn, and highlights the Incarnation in multiple ways. Back to Colossians 3, when Christ appears our lives, now hidden in Christ, will appear with Him in glory (Colossians 3:4). So we are commanded to forgive like Christ forgave us (Colossians 3:13). We are required to be ruled by the peace of Christ (Colossians 3:15). And we must let Christ's Word have its place at home in us (Colossians 3:16). What happens when that happens is that we don't stay quiet. We speak and we sing. There is *wisdom* and there is *thanks*. And in our verbal arsenal are songs, songs, and more songs.No joke, I've read the argument that **psalms and hymns and spiritual songs** refer to three classes of psalms. But, there isn't agreement on what psalms are which psalms. Psalms tell us to *sing*, and many Psalms look to the coming of Christ. A couple of Christmas applicable-s are Psalm 96 and 98, both of which start with singing and anticipate the Lord coming to judge. > Oh sing to the LORD a new song; > sing to the LORD, all the earth! > Sing to the LORD, bless his name; > tell of his salvation from day to day. > Declare his glory among the nations, > his marvelous works among all the peoples!> > Let the heavens be glad, and let the earth rejoice; > let the sea roar, and all that fills it; > let the field exult, and everything in it! > Then shall all the trees of the forest sing for joy > before the LORD, for he comes, > for he comes to judge the earth. > He will judge the world in righteousness, > and the peoples in his faithfulness. > (Psalm 96:1-3, 11-13)Of course anything written after about AD 90 would have to be application of Colossians 3:16, but so would any English translation of Colossians 3:16, or of any inspired Psalm, or any more modern musical arrangement. Some of the best in our arsenal are Christmas carols. *Carol* is a word for a song of joy and praise, now most often associated with the Incarnation. Great carols exalt Christ. They teach and admonish one another in wisdom. They express our thanks to God. They let us apply Colossians 3:16. They unite us as one body. They let announce *joy to the world*.“He comes to make His blessings flow Far as the curse is found” is Genesis 3:15. “Adam's likeness, Lord efface, Stamp Thine image in its place” is Colossians 1:28 in carol form. “God rest ye merry, gentlemen, let nothing you dismay. … Now to the Lord sing praises all you within this place.” “Comfort, comfort ye, My people, Speak ye peace thus saith our God; Comfort those who sit in darkness, Bowed beneath their sorrow's load.” “Boundless shall Thy kingdom be; When shall we its glories see?!”There's something that makes singing stir the soul, and when the soul is stirred it wants to sing. *Let men their songs employ.* When I say this message is an apology for Christmas carols, I mean apology not as an admission of error or regret, but apology as defense against criticism. In fact, the ubiquity of pagans singing about Christ's birth is an apologetics class itself. Not every meal is a feast. Not every get-together needs a Cantus bully; we are not on stage in a musical. That said, maybe you could use a little more considerable noise in your house. Get some Cantus under the tree. Use "[Sing Your Part](https://singyourpart.app/)" (or get [the app](https://singyourpart.org/)).# ConclusionWhat better than singing (in minor keys) to express our sadness and longing? What better than singing (in major keys and moving melodies) to express our joy and praise? Choirs help to make community. There's more about that in a book called, _Keeping Together in Time_; choirs are a force against isolation and depression. TEC has power because we have one amazing singing voice. Singing together has *grown* us. > For the Lord God omnipotent reigneth> Hallelujah….> King of kings and Lord of lords > And He shall reign forever and ever> (Handel, Messiah, HWV 56: Part II, no. 44. “Hallelujah Chorus”)Singing is not mere preparation, it is participation. Singing is not filler, it is an expression of faith. Don't hold back. ----------## ChargeSing Your Part is not just the name of an app, it is the charge to every member of the body of Christ. You are a part, you have a part. The church/choir is stronger and better and brighter because of you. You have been called/employed to sing joy to the world, the Savior reigns!## Benediction:> May the God of endurance and encouragement grant you to live in such harmony with one another, in accord with Christ Jesus, that together you may with one voice glorify the God and Father of our Lord Jesus Christ. (Romans 15:5–6 ESV)

With special guest Grant Harding! Living with Doc is like living with a toddler. Fraggle pajamas! Brool lives! P!nk: the Cantus of our times. Foreshadowing season 4 cactus people. The return of Junior Gorg's radish onesie!

Arvo Pärt is an Estonian composer of classical and sacred music. He is a devout Orthodox Christian and a pioneer of minimalism and tintinnabula styles. He is known for his works for choir and instruments, such as Tabula Rasa, Cantus in Memory of Benjamin Britten, and Magnificat-Antiphones. He was born in Paide in 1935 and studied music at the Tallinn Conservatory. He is one of the most performed living composers in the world.Symphonies 1-4Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

Today's guest deejay is Zach Frizzell, AKA zakè. I was introduced to zakè's captivating music by the talented Luke Entelis (listen to Luke's mix four Soundwave here), and I'm excited to share his unique sonic tapestries with you. Zach is the stateside label boss of the Past Inside the Present record label. Zach is also a multi-talented musician, composer, and sound artist. With a deep passion for exploring the intersection of sound and emotion, zaké weaves intricate sonic landscapes that transport listeners to ethereal realms. His musical journey began at a young age, as he discovered his love for experimenting with various instruments and sound manipulation techniques. The songs in this collection share a common thread of introspection, contemplation, and a sense of profound emotional depth. Each composition invites the listener into a world of deep reflection, where silence and subtle nuances create powerful moments of introspection. Zach's mix has been my companion during grey mornings. With my cup of coffee in hand, his music eases me into my work day, infusing even the most mundane tasks with intrigue. Join us next week when our guest deejay will be Tim Dwyer. See you then. T.R. Jordan “Unsaid” Pausal “Truth Symbol - False Idolatry” Dustin O'Halloran “Quartet N.2” Arvo Pärt “Cantus in Memory of Benjamin Britten” Eluvium “Indoor Swimming at the Space Station” willamette “Buried Presidents” William Basinski “Melancholia II” Rafael Anton Irisarri “Watching As She Reels” Stars of the Lid “Even If You're Never Awake” --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundwavemix/message

Award-winning British composer Tamsin Jones joins the podcast to discuss the Renaissance choral work “Innsbruck, ich muss dich lassen” by Heinrich Isaac, and shares two choral works of her own--one of which is inspired by and includes the melody from “Innsbruck, ich muss dich lassen”. Melody: “Innsbruck, ich muss dich lassen” Wikipedia: https://en.wikipedia.org/wiki/Innsbruck,_ich_muss_dich_lassen https://youtu.be/rI712ZGflAQ Composer / Songwriter: Heinrich Isaac (ca. 1450–1517) Duration: 1:28:25 Intro and guest questions – 0:00 Pre-discussion about “Innsbruck, ich muss dich lassen” – 13:46 Review of the melody – 18:15 Lisa shares – 1:03:28 Guest Composer:  Tamsin Jones Website: https://tamsinjones.co.uk/ Twitter: https://twitter.com/TamsinJones17 Tamsin Jones: Noel: Verbum Caro Factum Est (Chamber Choir Ireland, 2020): https://youtu.be/jwbwanPnT2g Music Mentioned in this Episode: Melody from the Theme from Bagpuss: https://youtube.com/clip/UgkxMXIVDkbqYQDLnQpLr1a1GwBwGbACmjoK Bagpuss (Playlist of Episodes): https://www.youtube.com/watch?v=Ki_FGayUGDY&list=PLLhOnau-tupR9j5yizKawnOF7fLkDKL4e Arvo Pärt – Tintinnabuli: https://youtu.be/m6xEktSFhe0 Arvo Pärt – Spiegel im Spiegel: https://youtu.be/JxYZu9piR64 Arvo Pärt – Für Alina: https://youtu.be/auD7AlDrHgI Arvo Pärt – Cantus in memoriam Benjamin Britten: https://youtu.be/TVZZgfXNFW8 Arvo Pärt – Magnificat: https://youtu.be/TJ0cd15DZWg John Tavener – The Lamb: https://youtu.be/Jp1Eq4nfnKc John Tavener – Song for Athene: https://youtu.be/tK3bIQxMMEg Eric Whitacre conducts “Leonardo Dreams of His Flying Machine”: https://youtu.be/nsLiivVgxmM Definitions in this Episode: Mixolydian Mode: https://en.wikipedia.org/wiki/Mixolydian_mode Half Cadence: https://en.wikipedia.org/wiki/Cadence#Half_cadence Wabi-sabi: https://en.wikipedia.org/wiki/Wabi-sabi Tritone: https://en.wikipedia.org/wiki/Tritone Recorded:  October 21, 2022 using Riverside.FM https://Riverside.FM  Musical score for reference created using FREE Musescore software: https://www.musescore.org Video of musical score for reference created using Musescore Online: https://www.musescore.com Melodology Podcast on Patreon: https://www.patreon.com/melodypodcast

One of the twelve, who was called Judas Iscariot, went to the chief priests and said, “What will you give me if I betray him to you? (MT 26:14)"And He Never Said a Mumblin' Word," CANTUS

Then the soldiers of the governor took Jesus into the governor's headquarters, and they gathered the whole cohort around him. (MT 27:27)"And He Never Said a Mumblin' Word," CANTUS

But Peter was following him at a distance, as far as the courtyard of the high priest; and going inside, he sat with the guards in order to see how this would end. (MT 26:57-58)"And He Never Said a Mumblin' Word," CANTUS

When Judas, his betrayer, saw that Jesusa was condemned, he repented and brought back the thirty pieces of silver to the chief priests and the elders.  He said, “I have sinned by betraying innocenta blood.”  (MT 27:3)"And He Never Said a Mumblin' Word," CANTUS

At that moment the curtain of the temple was torn in two, from top to bottom. The earth shook, and the rocks were split.  The tombs also were opened, and many bodies of the saints who had fallen asleep were raised. (MT 27:51-52)"And He Never Said a Mumblin' Word," CANTUS

Gleich fünf Strophen aus dem Choral von Paul Gerhardt übernimmt Bach in seine Kantate und zeigt damit fünffach, wie unterschiedlich er einen Cantus firmus bearbeiten kann. Kein Wunder, dass die Kantate Überlänge hat.

"I'm an only child. I grew up in rural North Dakota in the country, and I spent a lot of time by myself and at the piano bench and in my own head. I hold my ideas very close to the chest. I don't let them out until I'm pretty sure I know what they're going to be. Learning to collaborate was something I actively had to go after and figure out." - Jocelyn HagenJocelyn Hagen composes music that has been described as “simply magical” (Fanfare Magazine) and “dramatic and deeply moving” (Star Tribune, Minneapolis/St. Paul). She is a pioneer in the field of composition, pushing the expectations of musicians and audiences with large-scale multimedia works, electro-acoustic music, dance, and opera. Her melodic music is rhythmically driven and texturally complex, rich in color and deeply heartfelt. A champion of the female spirit, many of her projects focus on the stories of women. She is a co-founder of Graphite Publishing and the band Nation, singing her heart out every chance she gets.Inspired by narrative, magical realism, speculative fiction and making better humans through art, the music of Timothy C. Takach has become a mainstay in the concert world. Applauded for his melodic lines, text choices and rich, intriguing harmonies, his compositions are performed worldwide. He is a co-founder of Cantus, Graphite Publishing and Nation, and he is a co-creator of the theatrical production All is Calm: the Christmas Truce of 1914. Takach has frequent work as a composer-in-residence, presenter, conductor, clinician and lecturer.You can learn more about Jocelyn & Tim by subscribing to their YouTube pages, visiting their websites to join their newsletter lists, or reaching out on Facebook or Instagram.Websites: https://www.jocelynhagen.com/, https://timothyctakach.com/YouTube: @JocelynHagenComposer, @TimothyCTakachFacebook: @JocelynHagenMus, @timothyctakach.composerInstagram: @jocelynhagenmusChoir Fam wants to hear from you! Check out the Minisode Intro episode to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.

"A lot of our projects and our pieces seek to empower people and to bring stories to the surface that don't always get told. We have a literal stage to put these ideas forth, and we're able to ask our audiences for a little more out of them." - Timothy TakachJocelyn Hagen composes music that has been described as “simply magical” (Fanfare Magazine) and “dramatic and deeply moving” (Star Tribune, Minneapolis/St. Paul). She is a pioneer in the field of composition, pushing the expectations of musicians and audiences with large-scale multimedia works, electro-acoustic music, dance, and opera. Her melodic music is rhythmically driven and texturally complex, rich in color and deeply heartfelt. A champion of the female spirit, many of her projects focus on the stories of women. She is a co-founder of Graphite Publishing and the band Nation, singing her heart out every chance she gets.Inspired by narrative, magical realism, speculative fiction and making better humans through art, the music of Timothy C. Takach has become a mainstay in the concert world. Applauded for his melodic lines, text choices and rich, intriguing harmonies, his compositions are performed worldwide. He is a co-founder of Cantus, Graphite Publishing and Nation, and he is a co-creator of the theatrical production All is Calm: the Christmas Truce of 1914. Takach has frequent work as a composer-in-residence, presenter, conductor, clinician and lecturer.You can learn more about Jocelyn & Tim by subscribing to their YouTube pages, visiting their websites to join their newsletter lists, or reaching out on Facebook or Instagram.Websites: https://www.jocelynhagen.com/, https://timothyctakach.com/YouTube: @JocelynHagenComposer, @TimothyCTakachFacebook: @JocelynHagenMus, @timothyctakach.composerInstagram: @jocelynhagenmusChoir Fam wants to hear from you! Check out the Minisode Intro episode to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

Cantus — Into the Light (Signum) Jump to giveaway form New Classical Tracks - Paul Scholtz and Alex Nishibun from Cantus by Each December, we find ourselves surrounded by the darkness of winter, as we prepare to say goodbye to the old year and welcome in the new. It can be a time of great promise. That's Cantus' idea behind their new holiday recording, Into the Light.  “We try not to take for granted that we were able to come together and sing, which is what so many folks based in singing community choirs couldn't do,” says tenor Paul Scholtz. “But we had the privilege to do that because it is our full-time job. We wanted to bring that hopeful and celebratory energy to these performances.” Tenor Alexander Nishibun joins Scholtz to talk about their new holiday release. Tell me about Rosphanye Powell's ‘Glory Hallelujah to the Newborn King.' Alexander: “It has a killer opening solo by one of our great baritones, Rob Kelly Hines. One of the things we love about it is that Powell sets this beautiful poetry and creates this visceral excitement you feel in the music itself. It was also voiced for male voices by her husband, William C. Powell. So having that wonderful collaboration between these two artists and bringing it to Cantus was a real treat for all of us.” Tell me about Bebe Boykin's ‘O Magnum Mysterium.' Alexander: “That's one of my favorite pieces in this album. ‘O Magnum Mysterium' is this wonderful response to a text in Latin that I was introduced to us by a renaissance piece by Vitoria, which is about 500-something years old. Hearing it from this modern voice is astounding because it has this gravitas and weight. There's a huge respect for the language, which you can hear in how Boykin sets it. You hear the influence of the 21st-century ear and the 20th-century artists. You can get that sense because of how she treats the text. That informs us how we approach that particular song because of how she sets the lyrics.” Do you have a favorite track on the album? Paul: “The first one that comes to mind is Joni Mitchell's ‘River.' She's talked about it being a song she wrote for folks who feel lonely during Christmas. I think the way that consciousness can capture essentially what is a transcribed piano part underneath some soloists is beautiful. There's motion, which brings up and highlights the text.” Tell me about your reaction to premiering a new arrangement of ‘Silent Night.' Paul: “Christopher H. Harris has been a friend of the ensemble for a few years. We've programmed some of his pieces. He's an emerging composer and getting a lot of attention now, which is well-deserved. He agreed to write this brand new arrangement of ‘Silent Night' that allows us to explore some of the complex harmonies he put in here. It's one thing to see your line and to sing it, but then to have it come to life for the first time. This is a brand new arrangement, which means to have it come to life for you in that rehearsal room is an extraordinary moment.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Cantus Christmas With Cantus Cantus celebrates their 27th anniversary Cantus and Chanticleer perform together in Minneapolis Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Cantus — Into the Light (Signum Store) Cantus — Into the Light (Amazon) Cantus (official site)

In Episode 78 of the podcast, I'm excited to share with you my conversation with composer Tim Takach!  We cover a lot of ground in our conversation, talking about his time with the group Cantus, his growth and development as a composer, and his compositional process.  Tim is a wonderful storyteller, which happens to be one of the main objectives of his music--to tell stories!  We also discuss which of his compositions you should take a look at to learn more about him and his compositional style, as well as how he supports both composers and choir directors with his work with Graphite Publishing.  I had a fantastic time talking with Tim, and I know you are going to enjoy our conversation as well!  For more information on Tim and his work, head on over to:choirdirectorcorner.com/episode78Looking for an online community of choir directors, just like you? Then you should really check out the Choir Director Corner Community Membership!  Inside the membership there are Online Courses, a Resource Library with over 50 PDF's and Google Docs, and Monthly Collaboration Calls where you can ask questions and get feedback on how to tackle your biggest teaching challenges.And now, when you sign up for the annual option, you'll get two months free: 12 months access for the price of 10!Leading a choir doesn't have to be a DIY endeavor--it's better when it's done together!  Come join an awesome online community of choir directors just like you over at:choirdirectorcorner.com/membership

Church music 2029. A musical interlude by The Psychia†ry. 1. Move into our own - Nicole Mitchell 2. This and that and the other - African Head Charge 3. The carnival of the Animals R.125 The Swan - Camille Saint-Saens 4. Helgmalsrigning - The Psychiatry 5. Coconut - Mango 6. Sickness unto Death - The Psychiatry 7. Cantus in memoriam Benjamin Britten Arvo Pärt 8. Vorbei - Dora Gerson9. Inat - Impérieux 10. Delicado - Rudi Lakatos 11. Awakening - The Psychiatry

"Cantus firmus" tähendab keskaja- ja renessansimuusikas varasest muusikast laenatud meloodiat, mida kasutati uue polüfoonilise heliteose alusena. See põhines tihti gregooriuse koraalil. "Cantus firmus" on ühtlasi ka Tähenduse teejuhtide 20. numbris ilmunud artikkel – mu [intervjuu](https://teejuhid.postimees.ee/7525992/intervjuu-hardo-pajula-intervjuu-erkki-sven-tuuriga-cantus-firmus) helilooja Erkki-Sven Tüüriga. Mind huvitas seal muuhulgas küsimus, millist rolli mängis keskaja lõpul toimunud põhjalikus taju- ja tundelaadi muutuses mitmehäälsuse areng. "Ma ei ole muusikaajaloolane, aga kui me mõtleme kontrapunkti arengule Victoria ja Palestrina loomingus või Madalmaade koolkonnas, siis näeme tõesti, et mitmehäälsetesse vokaalsetesse vormidesse tekib uutmoodi ruumilisus. Need suundumused avasid uue perspektiivi ja tõid kaasa olulise hoiakumuutuse. Uutest kooskõladest ja peenest polüfooniast tekkis ka uutmoodi meeleline nauding. See muusika puudutab puhtalt taju põhjal juba sootuks teisi meeli. Varasem muusika oli tunduvalt askeetlikum," vastas selle peale Erkki-Sven. Täna ongi plaanis koos Rauni ja Taivoga enam-vähem sealtsamast edasi minna. Mida tähendab õigupoolest kontrapunkt? Millist rolli mängisid Euroopa polüfoonilises revolutsioonis Victoria ja Palestrina? Ja kuidas see kõik mõjutas hilisemat fundamentaalset kosmoloogilist pööret? Raun käis koos Ahto Abneri ja Mihkel Mälgandiga 130. [saates](https://www.youtube.com/watch?v=JAm607tjOpE&t=13s) "Usk lähitulevikku", Taivo on stuudios esimest korda. Head uudistamist! H.

"Cantus firmus" tähendab keskaja- ja renessansimuusikas varasest muusikast laenatud meloodiat, mida kasutati uue polüfoonilise heliteose alusena. See põhines tihti gregooriuse koraalil."Cantus firmus" on ühtlasi ka Tähenduse teejuhtide 20. numbris ilmunud artikkel – mu intervjuu helilooja Erkki-Sven Tüüriga [1]. Mind huvitas seal muuhulgas küsimus, millist rolli mängis keskaja lõpul toimunud põhjalikus taju- ja tundelaadi muutuses mitmehäälsuse areng."Ma ei ole muusikaajaloolane, aga kui me mõtleme kontrapunkti arengule Victoria ja Palestrina loomingus või Madalmaade koolkonnas, siis näeme tõesti, et mitmehäälsetesse vokaalsetesse vormidesse tekib uutmoodi ruumilisus. Need suundumused avasid uue perspektiivi ja tõid kaasa olulise hoiakumuutuse. Uutest kooskõladest ja peenest polüfooniast tekkis ka uutmoodi meeleline nauding. See muusika puudutab puhtalt taju põhjal juba sootuks teisi meeli. Varasem muusika oli tunduvalt askeetlikum," vastas selle peale Erkki-Sven.Täna ongi plaanis koos Rauni ja Taivoga enam-vähem sealtsamast edasi minna. Mida tähendab õigupoolest kontrapunkt? millist rolli mängisid Euroopa polüfoonilises revolutsioonis Victoria ja Palestrina? ja kuidas see kõik mõjutas hilisemat fundamentaalset kosmoloogilist pööret?Raun käis koos Ahto Abneri ja Mihkel Mälgandiga 130. saates "Usk lähitulevikku" [2], Taivo on stuudios esimest korda.Head uudistamist!H.————————————[1] https://teejuhid.postimees.ee/7525992...[2] https://youtu.be/JAm607tjOpE?t=13 Hosted on Acast. See acast.com/privacy for more information.

Your favorite recappers (Cherra, Mel, and Crystal) are back with Season 3 and we're saying goodbye to Motherland: Fort Salem. We catch up with all of our favorite fugitives and find out what's going on at Fort Salem since the devastation of the witch plague. --- Support this podcast: https://anchor.fm/itsrecapmadness/support

WOW! Season 3 is here and Eliot was not messing around! The Unit and company is on the run, but of course nothing goes to plan. Our episodes are now available on YouTube: Check out the BWE Channel As always, please feel free to reach out to us on all the things. We love hearing from you! Twitter @BigWitchEPod Tumblr @BigWitchEnergyPod Instagram @BigWitchEnergyPod Gmail = BigWitchEnergyPod@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/bwe-pod/message

CONTATTISe avete domande, richieste o suggerimenti scrivete a: info@italianosi.comTRASCRIZIONE DEL PODCASTPuoi sostenere il mio lavoro con una donazione su Patreonhttps://www.patreon.com/italianosiPer €2 al mese riceverai le trascrizioni di tutti i PodcastPer €3 al mese riceverai, oltre alle trascrizioni, anche una lista dei vocaboli più difficili, con la loro traduzione in inglese.CONTENUTI:UNA REGIONE ITALIANAContinuiamo con la Sardegna e in questa puntata vedremo: L'origine del nomeLa bandieraLa linguaLa musicaAlcune delle feste più famoseLINK:Canale DiscordRedditFacebookInstagramTRASCRIZIONECiao a tutti e bentornati, eccoci pronti per un nuovo episodio. Spero che stiate tutti bene o diciamo relativamente bene, considerato il periodo in cui ci troviamo. Oggi è il 16 marzo, per me. Ora vi racconto un fatto interessante riguardo alla data di oggi. Un fatto di cui non ho sentito parlare su Internet e quindi forse anche voi non lo sapete. Certo, quando uscirà la puntata sarà già il 22 marzo, quindi sarà troppo tardi per voi per scoprire questa cosa, ma la condivido comunque. [...]

Jocelyn Hagen joins us for episode 13 of the Composer Happy Hour. Jocelyn is a prolific composer with many fabulous works, but what I think I admire most about her are her passion and enthusiasm for poetry, and her strong interest in collaboration. Her collaborations with hip-hop artist Dessa and electronic musician Spearfisher bring unexpected voices to choral music, and she performs together with her husband (choral composer Tim Takach) as Nation, an a cappella duo that often performs "pop" music. Her love of poetry is readily apparent just by seeing the poets she has illuminated in her choral music, but hearing her talk about the poems (or even read them aloud) reveals sincere admiration for the work of these other artists. On this episode, we discuss poetry, pop music, and whether or not Frasier is suitable binging material. Jocelyn Hagen composes music that has been described as “simply magical” (Fanfare Magazine) and “dramatic and deeply moving” (Star Tribune, Minneapolis/St. Paul). She is a pioneer in the field of composition, pushing the expectations of musicians and audiences with large-scale multimedia works, electro-acoustic music, dance, opera, and publishing. Her first forays into composition were via songwriting, still very evident in her work. The majority of her compositions are for the voice: solo, chamber and choral. Her melodic music is rhythmically driven and texturally complex, rich in color and deeply heartfelt. In 2019 and 2020, choirs and orchestras across the country premiered her multimedia symphony The Notebooks of Leonardo da Vinci that includes video projections created by a team of visual artists, highlighting da Vinci's spectacular drawings, inventions, and texts. Hagen describes her process of composing for choir, orchestra and film simultaneously in a Tedx Talk given at the Walker Art Center in Minneapolis, now available on YouTube. Her dance opera collaboration with choreographer Penelope Freeh,Test Pilot, received the 2017 American Prize in the musical theater/opera division as well as a Sage Award for “Outstanding Design.” The panel declared the work “a tour de force of originality.” In 2013 Hagen released an EP entitled MASHUP, in which she performs Debussy's “Doctor Gradus ad Parnassum” while singing Ed Sheeran's “The A Team.” She is also one half of the band Nation, an a cappella duo with composer/performer Timothy C. Takach, and together they perform and serve as clinicians for choirs from all over the world. Hagen's commissions include Conspirare, the Minnesota Opera, the Minnesota Orchestra, the International Federation of Choral Music, the American Choral Directors Association of Minnesota, Georgia, Connecticut and Texas, the North Dakota Music Teachers Association, Cantus, the Boston Brass, the Metropolitan Symphony Orchestra and the St. Olaf Band, among many others. Her work is independently published through JH Music, as well as through Graphite Publishing, G. Schirmer, ECS Publishing, Fred Bock Music Publishing, Santa Barbara Music Publishing, and Boosey and Hawkes. www.jocelynhagen.com All Recordings Used by Permission of the Composer: "I Started Out Singing" University of Toledo Rocket Choristers "Look Out Above" Macalester College "Load Poems Like Guns" Conspirare

This week, we start out with a rousing round of Viola Hero and then we move on to our three topics:LISTENER FEEDBACKBreaking Down the Innovative Deep Learning Behind Google Translate (Medium)Kevin Puts, Symphony No. 2 Video (YouTube)ARE CONDUCTORS NECESSARY?Performing Without a Conductor: Liberation or Illusion?“THE ORATORIO” DOCUMENTARYWatch on PBSCLASSICAL MIXTAPEThe full playlistWillHersant, Cantique des trois enfants dans la fournaiseTiffanyArvo Part, Cantus in memoriam Benjamin BrittenKenshoRachmaninoff, Symphony No. 2 IV. Allegro vivaceTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram