Podcasts about nightmare code

Unlimited Business Wisdom Ep #108 With Mark Netter

Who's watching you? Mark Netter, writer, director and producer of the cyber phantom horror film, NIGHTMARE CODE will awaken fresh fear for a new over indulgent age of digital death. Help us decipher the Nightmare Code that may be closer than you think. Should you be reading this? No, you should listen here to learn about the very first horror film told by an artificial intelligence. #digitalhorror #MarkNetterdirector #kettlewhistleradio #DavidFairhead #ShaunFeldbusch #nightmarecodefilm #artificialintelligencewatching #AndrewJWest #MeiMelancon #GoogyGress Learn more about your ad choices. Visit megaphone.fm/adchoices

We sit down with Mark Netter, the co-founder and CEO of Electracast Media and the director and co-writer of the film Nightmare Code. We talk about the making of his award-winning film and establishing his new podcast startup.Mark is the Co-Founder and CEO of ElectraCast, a media company producing premium podcasts that generate additional value for film and TV. His prior experience includes over 17 years as an entertainment advertising executive, most recently as Director, Creative Campaigns on the launch team for DC Universe, the fan-focused OTT streaming service from Warner Bros. He was VP Strategy for Revolve and other ad agencies, and over his career his clients have included Warner Bros, The Walt Disney Studios, Universal Pictures, Paramount Pictures, Focus Features, NBC, CBS, Showtime, Starz, DirecTV, FX, TBS, TNT, A+E, Lifetime, E!, GSN, NFL, VH1, Ubisoft, Sega, Activision, Mattel and tech clients Intel and Adobe. He is also an award-winning independent filmmaker as Director/Co-Writer/Producer of NIGHTMARE CODE, the first feature film told entirely from the POV of an artificial intelligence, and is currently a member of the Entertainment Business faculty at the Los Angeles Film School, where he teaches Entertainment Marketing. Netter earned an AB in Semiotics at Brown University and an MFA in Film Production at New York University’s Tisch School of the Arts.Visit Electracast MediaWatch Nightmare Code on Tubi.--Please Support on Patreon @norlundYour help goes a really long ways Follow on Twitter @chris_norlundFollow on Instagram @norlundStay positive and thank you so much for listening

This week Renan and Bill welcome back season 2 guest Mark Netter to talk about what might just be the original mindfuck movie: 1961's French-language LAST YEAR AT MARIENBAD, directed by Alain Resnais in collaboration with novelist Alain Robbe-Grillet. If you've never seen Marienbad, worry not, there is nothing we can say about it that will ruin this movie. Even after multiple viewings and a long discussion, we still don't know what it means—but that doesn't stop your hosts from trying! Also discussed: how Bill and Renan failed Marienbad on first viewing; how WWII and the Nazi occupation influenced the filmmakers; what major philosophical rabbit holes the movie opens up; how Resnais staged things to disorient the viewer; what that matchstick game is all about; how it was received in Paris and New York upon release; what Kubrick and Lynch and the Nolans—and even Blur—borrowed from it; plus, the "cameo" by none other than Alfred Hitchcock. Film links: Marienbad at IMDB Marienbad at Wikipedia Ebert on Marienbad Criterion on Marienbad Mark Harris on Marienbad AV Club on Marienbad Senses of Cinema on Marienbad NYT, 1961: "Paris Still Stirred..." ($) NYT, 1961: "L'Affaire 'Marienbad'" ($) NYT, 1961: "Director of Enigmas" ($) NYT, 1962: Bosley Crowther review Pauline Kael's negative review ($) More Kael trashing Marienbad WSJ on Marienbad's 50th anniv. "Minotaur" theory of Marienbad Essay on Descartes and Marienbad Night and Fog at Wikipedia Nim game on Wikipedia Movies inspired by Marienbad Blur's "To The End" music video 1987 Calvin Klein Obsession TV ad LAST YEAR AT THE OVERLOOK Guest links: Mark Netter on Twitter Nightmare Code trailer Nightmare Code on the web Nightmare Code on IMDb Nightmare Code on iTunes Nightmare Code on Amazon Nightmare Code on Facebook Show links: Rate us on iTunes!  Friend us on Facebook! Reblog us on Tumblr! Follow us on Twitter! Email us at void@enterthevoid.fm!

This week Renan and Bill welcome back season 2 guest Mark Netter to talk about what might just be the original mindfuck movie: 1961's French-language LAST YEAR AT MARIENBAD, directed by Alain Resnais in collaboration with novelist Alain Robbe-Grillet. If you've never seen Marienbad, worry not, there is nothing we can say about it that will ruin this movie. Even after multiple viewings and a long discussion, we still don't know what it means—but that doesn't stop your hosts from trying! Also discussed: how Bill and Renan failed Marienbad on first viewing; how WWII and the Nazi occupation influenced the filmmakers; what major philosophical rabbit holes the movie opens up; how Resnais staged things to disorient the viewer; what that matchstick game is all about; how it was received in Paris and New York upon release; what Kubrick and Lynch and the Nolans—and even Blur—borrowed from it; plus, the "cameo" by none other than Alfred Hitchcock. Film links: Marienbad at IMDB Marienbad at Wikipedia Ebert on Marienbad Criterion on Marienbad Mark Harris on Marienbad AV Club on Marienbad Senses of Cinema on Marienbad NYT, 1961: "Paris Still Stirred..." ($) NYT, 1961: "L'Affaire 'Marienbad'" ($) NYT, 1961: "Director of Enigmas" ($) NYT, 1962: Bosley Crowther review Pauline Kael's negative review ($) More Kael trashing Marienbad WSJ on Marienbad's 50th anniv. "Minotaur" theory of Marienbad Essay on Descartes and Marienbad Night and Fog at Wikipedia Nim game on Wikipedia Movies inspired by Marienbad Blur's "To The End" music video 1987 Calvin Klein Obsession TV ad LAST YEAR AT THE OVERLOOK Guest links: Mark Netter on Twitter Nightmare Code trailer Nightmare Code on the web Nightmare Code on IMDb Nightmare Code on iTunes Nightmare Code on Amazon Nightmare Code on Facebook Show links: Rate us on iTunes!  Friend us on Facebook! Reblog us on Tumblr! Follow us on Twitter! Email us at void@enterthevoid.fm!

Our new episode focuses on David Cronenberg's VIDEODROME, and for the first time on ETV we are joined by a guest host: Mark Netter, director of indie sci-fi thriller Nightmare Code. Thought-provoking and surprisingly timely given its 1983 release date, VIDEODROME provides the starting point for a wide-ranging discussion about the power of TV in the 80s vs. the Internet today vs. radio in the distant past—with a small digression on how we listen to podcasts; society's relationship to shock content from Faces of Death to ISIS beheading videos; and our changing perception of the value of any kind of content in the context of 1980s scarcity and 2010s ubiquity.  VIDEODROME links  IMDb ◇ Wikipedia ◇ Criterion ◇ Dissolve 1 ◇ Dissolve 2 ◇ Trailer Nightmare Code links  Website ◇ iTunes ◇ Amazon ◇ Facebook ◇ IMDb ◇ Trailer Enter The Void links  iTunes ◇ Tumblr ◇ Facebook ◇ Spotify ◇ @enterthepod If you think we're doing a great job, please rate and review us in the iTunes app. If you have some ideas about what we could do better, OK, email us at void@enterthevoid.fm.

Our new episode focuses on David Cronenberg's VIDEODROME, and for the first time on ETV we are joined by a guest host: Mark Netter, director of indie sci-fi thriller Nightmare Code. Thought-provoking and surprisingly timely given its 1983 release date, VIDEODROME provides the starting point for a wide-ranging discussion about the power of TV in the 80s vs. the Internet today vs. radio in the distant past—with a small digression on how we listen to podcasts; society's relationship to shock content from Faces of Death to ISIS beheading videos; and our changing perception of the value of any kind of content in the context of 1980s scarcity and 2010s ubiquity.  VIDEODROME links  IMDb ◇ Wikipedia ◇ Criterion ◇ Dissolve 1 ◇ Dissolve 2 ◇ Trailer Nightmare Code links  Website ◇ iTunes ◇ Amazon ◇ Facebook ◇ IMDb ◇ Trailer Enter The Void links  iTunes ◇ Tumblr ◇ Facebook ◇ Spotify ◇ @enterthepod If you think we're doing a great job, please rate and review us in the iTunes app. If you have some ideas about what we could do better, OK, email us at void@enterthevoid.fm.

We opened the show with "Handbook For The Recently Deceased by Sauce a.k.a. Matisse, went over some news stories about pit bulls mauling toddlers, weathermen committing suicide, some 14 year old who fucked himself up doing the duct tape challenge and more. We interviewed, comedian and podcaster S. Anthony Thomas, Film Maker Mark Netter from Nightmare Code, Comedian Michael James, Comedian Bob Phillips, and wrapped the show up by talking to cuckoo bird La Resa Edwards who claims to be the Messiah and is running for president, who was nice enough to answer questions from our callers.

Remember those tech movies where the character was just weak sauce?  Like Neo from the Matrix or just about the every character from the movie Hackers?  Or maybe a character that was overbearing and frightful, like HAL from 2001.  Well, thankfully Nightmare Code falls in to the later of those two categories. The geeks were […] The post Nightmare Code and Tech characters w/ Mark Netter appeared first on Geekline415.

We tackle a film about artificial intelligience called Nightmare Code this week on the show! Also Michael has the news and we give another round of listener shout outs! Enjoy the show! Movie Link: Nightmare Code Be sure to help fund awesome Horror film projects by Indie film makers at Michael Steinberg’s Support Horror.com Be … →

Mark Netter gives us some Nightmare Codes to live and die by. In terms of wearing hats in the entertainment industry, Mark Netter has seemingly worn them all. He was the music supervisor on three Olympic broadcasts, he’s written screenplays, worked in a behind-the-scenes capacity on several huge feature films, produced ground-breaking video games, and worked for various digital agencies.

In which Jordan respects more than he enjoys.

Host Cyrus Webb welcomes Director Mark Netter to #ConversationsLIVE to discuss the movie NIGHTMARE CODE and what it's been like to use new media and technology to bring a film like it to life.