Podcasts about noh theatre

THE BRILLIANT BODY PODCAST w/ ALI MEZEY:"Embodied Intelligence with Philip Shepherd: Wholeness, Sensitivity, and the Pelvic Bowl"TO VIEW ON YOUTUBE: https://youtu.be/RjXbXboi6m8To subscribe now, click hereTo be an angel to the podcast, click here To read more about the podcast, click here FOR MORE ALI MEZEY:ALI - WebsiteALI - LinkTreeSYNOPSIS:In this episode of The Brilliant Body Podcast, Ali Mezey interviews Philip Shepherd, a luminary in the global embodiment movement. Together, Ali and Philip explore countercultural aspects of embodiment, the importance of challenging societal norms, and the need to advocate for a shift towards present-centered awareness.Central to the conversation is the profound impact of the pelvic bowl, a core element of Philip's teachings. Drawing inspiration from cultures that value the body differently, Philip highlights the concept of Hara in Japanese Noh theater. He traces the historical shift in Western culture from the belly as the thinking center to the current emphasis on the head, revealing a narrative of mistrust in the body.Sensitivity emerges as a core theme of the conversation, which Philip positions as the foundation of intelligence. Ali and Philip delve into the subtleties of staying “dropped in” to the pelvic floor, stressing the gentle and patient approach required for restoring sensitivity, especially in individuals who have experienced trauma. Throughout the episode, the exploration of embodiment, cultural shifts, and the profound connection between the body and the world converges into a call to action. The duo inspires listeners to nurture sensitivity, embrace radical wholeness, and reclaim their true intelligence, fostering the evolution of both individual and collective consciousness.EXPLORATION POINTS:Ali and Philip discuss the geography of intelligence and the significance of the pelvic bowl as the base of experiencing our wholeness.Philip traces the d/evolution of Western culture from valuing the belly as the center to the current emphasis on the head and mistrust of the body.They discuss sensitivity as the foundation of intelligence and explore the nuances of restoring sensitivity, particularly in trauma survivors.Philip unpacks the fallacy of independence, and vividly describes the self as being in constant felt-relationship with the world.The conversation ultimately advocates that we recognize and learn to live from our full intelligence as a key to cultural evolution. FOR MORE PHILIP SHEPHERD:BIO: Philip Shepherd is recognized as a leader in the global embodiment movement. He is the creator of The Embodied Present Process™ (TEPP), which provides both potent insights into how our culture desensitizes the body, and a series of over 150 practices to help people renew their sensitivity to the world and reclaim their calm, centred presence in it. He shares TEPP worldwide through in-person workshops and Facilitators Trainings, and has articulated the need for a new, more embodied way of being in two books: Radical Wholeness and New Self, New World. Both books identify the causes, perils and challenges of our culture's disembodiment. Philip's personal path to embodiment includes a two-year journey as a teenager, during which he traveled alone by bicycle through Europe, the Middle East, Iran, India and Japan. He has also studied classical Japanese Noh Theater; co-founded an interdisciplinary theatre company; written two internationally produced plays and a television documentary; designed and built several houses; co-founded an arts magazine called Onion; played lead roles on stages in London, New York, Chicago and Toronto; and earned a reputation as a coach, both with individual clients seeking a deeper experience of embodiment, and for corporate clients seeking to improve their presentation skills. He developed TEPP with his co-director and wife Allyson Woodrooffe, who also shares the practices in person. His website and online courses are found at EmbodiedPresent.com. His newest book, Deep Fitness, was co-authored with Andrei Yakovenko and offers a revolutionary and highly effective approach to fitness.And my website, as you may have gathered from the above, is EmbodiedPresent.comPHILIP – Facebook PHILIP – InstagramPHILIP BOOKS: (these links are to Amazon, but all distributed by Random House (yay, Philip!), you can find them in your friendly, neighborhood bookstores)Radical WholenessNew Self, New WorldDeep FitnessOTHER RESOURCES, LINKS AND INSPIRATIONS: IAIN McGILCHRIST – websiteILARION MERCULIEFF – Aleut Nation TedTalks: Native KnowingThe Womb at the Center of the Universe RICHARD LATTIMORE – his translation of The OdysseyNOH THEATRE:A short National Geographic filmA Noh play called Tomoe  BYRON ROBINSON: The Abdominal and Pelvic Brain PDF selections The Abdominal and Pelvic Brain book TANDEM:

Leaving the fighting of the Nanboku-cho wars aside for the moment, we take some time to examine the economics, aesthetics, and social developments of the early Muromachi period.Support the show

Matthew Dubroff explains how a 650 year old Japanese theatre form might just be the cure for the modern world.To learn more visit  theatrenohgaku.org.Transcript is here.

Noh Theatre, Nougaku, KyogenDengaku, sarugaku, shirabyoshi, gagaku, and kagura Muromachi,  Edo, TokugawaKan'ami Kiyotsugu, Zeami MotokiyoNational Noh TheatreIntangible Cultural Heritage of Humanity by UNESCOAssociation for Japanese Noh PlaysKami, Shura Mono, Katsura Mono, Gendai Mono, Kyojo Mono, Kiri or KichikuUshttp://www.thebibliophiledailypodcast.carrd.cohttps://twitter.com/thebibliodailythebibliophiledailypodcast@gmail.comRoxiehttps://www.youtube.com/channel/UCyAfdi8Qagiiu8uYaop7Qvwhttp://www.chaoticbibliophile.comhttp://instagram.com/chaoticbibliophilehttps://twitter.com/NewAllegroBeat

Episode 36 of CMC’s regular podcast features conversations with Tokyo-based Irish composer Anna Murray about her experiences of studying Noh Theatre, and composer and sound artist Seán Ó Dálaigh on his current work with field recordings. Presented by Jonathan Grimes and Evonne Ferguson, with production and editing support by Keith Fennell. Show Notes Anna Murray CMC Composer page annamurraymusic.com Music It’s Ever Now Rndr9 (Clouds) Read the Wall It’s Ever Now Electrictown Seán Ó Dálaigh CMC Composer page www.seanodalaigh.com Field Recordings Binaural Recordings Music Folachas (Scotia Ensemble) Rossbeigh Storm (Field Recording) Landscape Map 1 Oileán Chléire Swell (Field Recording) Bamboo Forest Outside Kyoto (Field Recording) (in)harmony (Amit Dolberg - Ensemble Meitar) Fence (Field recording) Cover art image by Seán Ó Dálaigh

In this episode of Theatre is Dead, Cara and Charlie discuss how Japan's Noh theatre emerged from stripping for sunlight and Kan'ami and Zeami keeping theatre in the family.HEAR AND NOW - 03:00 - THE ECONOMIC IMPACT OF CORONAVIRUS ON THE ARTS AND CULTURE SECTOR04:50 -Theatregoers’ Willingness to Return Is Trending Down, Data Show07:50 - We Experienced the First West End Show Staged With Social Distancing. Here's What It Was Like.09:05 - Future Stages12:00 - BeAnArtsHero.com13:15 - Black Theatre Coalition15:00 - Wait for It: The Hamilton Oscar Debate Is Not Over15:30 - The Room15:50 - Finish the Fight16:40 - Girls Like That, Synergy Theatre18:10 - The National WW2 Museum18:18 - Only the Brave Musical 18:51 - ‘Gotham Refuses to Get Scared’: In 1918, Theaters Stayed Open19:00 - Historical Context : The Origins of NOH TheatreSources: https://www.the-noh.com/en/world/history.html http://factsanddetails.com/japan/cat20/sub131/item716.html#chapter-1Homosexuality & civilization by Crompton, Louis, 1925 https://www.britannica.com/biography/Zeamihttp://andrejkoymasky.com/

This week Amy kicks off with a rant about people who want to 'break the mould' of genre fiction, instead of just doing it bloody well, which leads us down the rabbit hole of defining genres, arguing about the rules (knowing the rules; bending the rules; breaking the rules; stop breaking the bloody rules!), following formulas, smashing formulas, value adding and (because it's us) comparing genres to pizza. What other podcast about writing can be so smart and so dumb all at the same time? Guaranteed to be 80% cheeky and 100% 30 minutes long. (This may be our best episode yet, so don't miss it. It's probably all downhill from here.) See omnystudio.com/listener for privacy information.

This week Amy kicks off with a rant about people who want to 'break the mould' of genre fiction, instead of just doing it bloody well, which leads us down the rabbit hole of defining genres, arguing about the rules (knowing the rules; bending the rules; breaking the rules; stop breaking the bloody rules!), following formulas, smashing formulas, value adding and (because it's us) comparing genres to pizza. What other podcast about writing can be so smart and so dumb all at the same time? Guaranteed to be 80% cheeky and 100% 30 minutes long. (This may be our best episode yet, so don't miss it. It's probably all downhill from here.) See omnystudio.com/listener for privacy information.

In this episode I have the unique opportunity to have a deep dive conversation with the author of Radical Wholeness: The Embodied Present and the Ordinary Grace of Being, Philip Sheperd. This profound book really touched me and gave expression to many of my own experiences of wholeness. Philip shares my love of creativity and the power of present moment awareness for helping us move from our head back into our bodies intelligence where we can ground ourselves in the wholeness of being. We also touch on how we are a 'standing wave' not an object in space, which is very aligned with our understanding on Musitations, that we are music! From his amazing soul adventure at the age of 18 biking from England to Japan to study Noh Theatre, to his playing lead roles on stages in London, New York, Chicago and Toronto, to the international teaching he now does on The Embodied Present Process™(TEPP), Philip is on a mission to help wake us up to the inherent wholeness and grace of our being. Join me in this very rare and not to be missed soulversation. For me a soulversation - is two souls encountering each other in the present moment with the intention of exploring what arises. I hope you'll enjoy ours!

Get more everyday Japanese culture at brandonchin.net/raw

Ginza Six, a new shopping complex opened in Ginza, Tokyo in late April aims not to be a traditional department store. The facility not only has flagship stores of high-end brands like Dior but also includes Noh Theatre and artworks by Kusama Yayoi. Japan's retail business is struggling due to the shrinking and aging population. Department store sales in 2016 was below 6 trillion yen for the first time in 36 years. President of J Front Retailing, which runs Ginza Six, says they need to get out of the traditional department store or it will not fit consumers' lifestyle. http://www3.nhk.or.jp/news/business_tokushu/2017_0501.html?utm_int=news_contents_tokushu_004 Photo by ITA-ATU

Melvyn Bragg and guests Gregory Irvine, Nicola Liscutin and Angus Lockyer discuss the history of the Samurai and the role of their myth in Japanese national identity.The Samurai have a fearsome historical reputation as a suicidally brave caste of Japanese warriors. During World War Two, kamikaze pilots were photographed climbing into their cockpits with Samurai swords, encapsulating the way the myth of the Samurai's martial ethos kept its power long after their heyday. But the Samurai's role in Japanese culture is much more complex than that. They were deeply engaged with Zen Buddhism and Noh Theatre, and sponsored haiku poetry. After their role in Japan's century of civil war, ending in the early 1600s, they became part of the country's civil service. A 250-year peace toppled them into identity crisis.In the 19th century, with the arrival of the West, they played an important role in the establishment of a Japanese nation-state, not least by restoring the Emperor to power. And in the 20th century the mythological version of the Samurai, designed in part for Western consumption, became integral to a newly forged national identity.Nicola Liscutin is Programme Director of Japanese Studies at Birkbeck College, University of London; Gregory Irvine is Senior Curator Japan at the Victoria and Albert Museum; Angus Lockyer is Lecturer in Japanese History and Chair of the Japan Research Centre at the School of Oriental and African Studies, University of London.

Melvyn Bragg and guests Gregory Irvine, Nicola Liscutin and Angus Lockyer discuss the history of the Samurai and the role of their myth in Japanese national identity.The Samurai have a fearsome historical reputation as a suicidally brave caste of Japanese warriors. During World War Two, kamikaze pilots were photographed climbing into their cockpits with Samurai swords, encapsulating the way the myth of the Samurai's martial ethos kept its power long after their heyday. But the Samurai's role in Japanese culture is much more complex than that. They were deeply engaged with Zen Buddhism and Noh Theatre, and sponsored haiku poetry. After their role in Japan's century of civil war, ending in the early 1600s, they became part of the country's civil service. A 250-year peace toppled them into identity crisis.In the 19th century, with the arrival of the West, they played an important role in the establishment of a Japanese nation-state, not least by restoring the Emperor to power. And in the 20th century the mythological version of the Samurai, designed in part for Western consumption, became integral to a newly forged national identity.Nicola Liscutin is Programme Director of Japanese Studies at Birkbeck College, University of London; Gregory Irvine is Senior Curator Japan at the Victoria and Albert Museum; Angus Lockyer is Lecturer in Japanese History and Chair of the Japan Research Centre at the School of Oriental and African Studies, University of London.

Melvyn Bragg and guests Gregory Irvine, Nicola Liscutin and Angus Lockyer discuss the history of the Samurai and the role of their myth in Japanese national identity.The Samurai have a fearsome historical reputation as a suicidally brave caste of Japanese warriors. During World War Two, kamikaze pilots were photographed climbing into their cockpits with Samurai swords, encapsulating the way the myth of the Samurai's martial ethos kept its power long after their heyday. But the Samurai's role in Japanese culture is much more complex than that. They were deeply engaged with Zen Buddhism and Noh Theatre, and sponsored haiku poetry. After their role in Japan's century of civil war, ending in the early 1600s, they became part of the country's civil service. A 250-year peace toppled them into identity crisis.In the 19th century, with the arrival of the West, they played an important role in the establishment of a Japanese nation-state, not least by restoring the Emperor to power. And in the 20th century the mythological version of the Samurai, designed in part for Western consumption, became integral to a newly forged national identity.Nicola Liscutin is Programme Director of Japanese Studies at Birkbeck College, University of London; Gregory Irvine is Senior Curator Japan at the Victoria and Albert Museum; Angus Lockyer is Lecturer in Japanese History and Chair of the Japan Research Centre at the School of Oriental and African Studies, University of London.

In this segment, Gee talks more about breaking out of stereotypes. He talks about producing Thorton Wilder's The Long Christmas Dinner. He also references August Strindberg, Henrik Ibsen, Noh Theatre and Suzan-Lori Parks 365 Days/365 Plays.Breaking Out Of StereotypesPart 4 - Very Close to CD-Quality MPEG-4 (Broadband) (10M)Part 4 - High Quality MPEG-4 (ISDN) (5.1M)Part 4 - Highest Quality MPEG-4 available for Dial_up (3.1M)