Podcasts about Literary fiction

Jane Austen (1775 - 1817)Translated by José Jordán de Urríes y Azara (1868 - 1932)Orgullo y prejuicio (en inglés, Pride and Prejudice), publicada por primera vez el 28 de enero de 1813 como una obra anónima, es la más famosa de las novelas de Jane Austen y una de las primeras comedias románticas en la historia de la novela. Su primera frase es, además, una de las más famosas en la literatura inglesa: «Es una verdad mundialmente reconocida que un hombre soltero, poseedor de una gran fortuna, necesita una esposa». Es una novela de desarrollo personal, en la que las dos figuras principales, Elizabeth Bennet y Fitzwilliam Darcy, cada uno a su manera y, no obstante, de forma muy parecida, deben madurar para superar algunas crisis y aprender de sus errores para poder encarar el futuro en común, superando el orgullo de clase de Darcy y los prejuicios de Elizabeth hacia él. Summary by Phileas Fogg.Genre(s): Literary Fiction, RomanceLanguage: Spanish

One of the writing skills I am asked about the most is, “How do I get emotion on the page?” People ask this no matter what genre they are writing, because no one wants to produce a manuscript that is flat and unengaging. Emotion is the key, but figuring out how to inspire your reader to feel something is a tricky thing to learn and an even trickier thing to master.In her debut novel, Slanting Towards the Sea (Simon & Schuster, July 2025), Lidija Hilje has mastered it. The story feels so raw and so real—and English is not even Lidija's first language! It's a remarkable achievement. I'm excited to speak with Lidija about her path to publication and how she figured out how to get the emotion of her characters onto the page.Links from the Pod:Article from Jane FriedmanGuide on Literary Fiction from LidijaLidija's website: www.lidijahilje.comAuthor Accelerator book coaches Barbara Boyd and Nita CollinsHey everyone, it's Jenny Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach, which is to say, someone who makes money, meaning, and joy out of serving writers, I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Transcript below!EPISODE 456 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach—which is to say, someone who makes money, meaning, and joy out of serving writers—I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. That's bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. Alright, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.Jennie NashHey writers, I'm Jennie Nash, and this is the Hashtag AmWriting podcast, the place where we talk about writing all the things; short things, long things, fiction, nonfiction, pitches, and proposals. Today I'm talking with Lidija Hilje, the author of the novel Slanting Towards the Sea. And what we're talking about is how to capture emotion on the page—the most elusive thing in the entire writing universe. Lidija lives in Croatia. She's a former lawyer who I know because she became a book coach through Author Accelerator. This is her first novel, and it's something else. As a longtime book coach, it's really hard for me to read for pleasure anymore, because it's so hard not to see the writer at work and the seams of the creation. But Slanting Towards the Sea—I saw none of that. I fell wholly into the story and became lost in it; the olive trees and the sea, the pain of these people and this love triangle, and also just the love that they had for life and each other. It's almost unbearably raw—the way life itself can feel sometimes. And yet, since I know Lidija and her story to becoming a writer, I also know how much work it took to create this feeling and emotion. I'm so excited to speak with Lidija today, and so excited for people to hear about her and her story. So welcome, Lidija. Thanks for coming onto the podcast.Lidija HiljeThank you so much for having me and for this incredible introduction. I'm so honored.Jennie NashWell, before we get started, I want to read the jacket copy for Slanting Towards the Sea, so that our listeners can hear the bones of the story that you wrote. Is that okay if I read it for our listeners?Lidija HiljeAbsolutely. Thank you so much.Jennie NashOkay.Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona's dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona's life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life's disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited wife, Marina. But when a new man enters Ivona's life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved. Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.That's it! What a—what a—what a summary, right? So I want to start by talking about the genre of this book, Lidija. As a book coach, you specialize in helping people write literary fiction. And you're extremely articulate about defining exactly what it is. And I'd like to just start there, by talking about how you see this novel, where it's positioned and, um, and your sense of it in, as a—in the genre, um, categories, if you will. Um, and I'll share with our listeners before you answer that English is not your first language—which is something we're going to talk about from a writing perspective, but just from a listening perspective, to give people some context for that. So let's talk about—let's talk about genre.Lidija HiljeYeah, well, genre is one of my favorite topics as a book coach, and so naturally it is something I love talking about. So the first book I ever wrote, which is now safely shelved in a drawer at the bottom of a drawer, was women's fiction. And the reason why it was women's fiction was that because I was learning how to write, I was learning how to weave a story together. And in doing so, I was trying to find some commonalities in stories—like how stories work, how you develop them, how you develop a character arc, how you wrap it up towards the end. And—but my intention always was to write literary. I was just not very good at doing it. And so I kind of—like all the feedback that I got throughout my—from developmental editors—it was like geared towards kind of channeling the book towards women's fiction. And this is something that really still strikes me as a book coach: how different it is to coach literary fiction as opposed to genre fiction, which is more formulaic. So basically, that first book is safely shelved. And when I started writing this book, I was working really hard at trying to make it not be formulaic. And actually, one of the book coaches from our community helped me. I had a conversation with Barbara Boyd where I outlined my story for her, and she said there was this moment where I kind of did something in my outline…what could basically be called a cop-out—so that… I killed a character, basically, so that the…you know, that the book would close neatly, right? And so she called me out on it and said—because I talked to her specifically because she coaches literary fiction but didn't like or coach women's fiction—and I thought that perspective was something I needed. And so she said, "Why are you killing that character?” And that was the wake-up moment for me, because that was the moment when I realized that in doing so, that was the typical moment where a writer kind of goes toward the genre. And where the interesting thing in the literary fiction genre lies is exploring, you know, what happens when you don't kill the character—when you don't take the easy way out. And so, genre-wise, what I, you know—I run a book club for writers, and we read a lot of literary fiction. And so, I was constantly trying to figure out, like, what is it about these books that, you know, define genre? And in studying these books, there are several things, and I could talk about this, I guess, for centuries, but I'll try to...Jennie NashI—I love it. Let's do it.Lidija HiljeSo basically, in literary fiction, there are many things that genre fiction also has. There are themes, there are character arcs—you know, a character might grow, though not necessarily. But basically, it's much less clear than in genre fiction. In genre fiction, for instance, you have—especially in women's fiction—you will have a woman who is shy and then she becomes confident toward the end. Or you have a horrible, you know, self-obsessed character who learns their lesson toward the end of the book. It's really clear-cut. The reader can latch on to what the problem is without thinking too much about it. And literary fiction does the opposite. It fans out a little bit. It touches on many different things that kind of seem unrelated, but they are related. And this is a problem in writing it, as well as coaching it, because as a coach or as a writer, you have to be aware of all these things. You have to beware of how these things tie together so that you have the idea of this through line that goes throughout the story, whereas the reader might not be catching on as fast but does have the confidence that you, as the writer, are going to get them there, if that makes sense.Jennie NashOh, it makes so much sense. So when you were working on—I actually remember reading some opening, maybe the opening chapters of the novel that has been shelved. When I read those pages, they struck me as if they had that feeling of literary fiction. Was that your intention with that novel as well?Lidija HiljeYes, it was. It was just that I was unable to... I came to writing late. I mean, I was always a writer in the sense that I was always writing something, but I came to writing fiction and specifically books very late. It was 2017 when I started writing that book in Croatian. And the first, you know, contact with any craft or writing happened in 2019 when I finished the draft and I translated that book into English, and I started looking for ways of pub... you know, publishing that book and realized that the first draft is not the last draft. Like that was the—like it was—sometimes it's so funny to think like how recently I didn't know anything about publishing or writing at all. So basically, I did want that book to be literary fiction. I always wanted to do, you know, to write the type of fiction that I wrote in Slanting [Slanting Towards the Sea], and obviously I hope to, you know, hone my craft in the future, but it wasn't—it wasn't on that level. And the first developmental editor that I worked with in 2019, she was giving me all the logical advice that you can give someone, which is... hone the character arc you are telling here, show, you know, all those things that we tell our clients when we work with them as book coaches. But what it did is it completely stripped the literary part from it, and it made me write in scene, which is not how literary fiction is written. You know, like, one of the differences between commercial fiction and literary fiction is that you don't necessarily write in scenes. You write in summaries, and you write in postcards, which is the type of a scene that goes deeper instead of forward, if that makes sense. So you're not kind of—nothing changes for the protagonist, the protagonist doesn't realize anything, they don't decide on a new course of action, nothing new happens, but the reader's understanding of the character happens. And this is also true when you're looking at the character arc on the, you know, scope of the whole novel. Like in literary fiction, it will often be that, you know, that the character doesn't change much in terms of, like what I said before—she was shy and she stopped being shy, right? It will just be that the reader's understanding of the character deepens. And so my first book was an attempt at literary fiction, but it was not an execution. You know, the execution didn't really match that, and I feel like the advice that I got from my early developmental editor was just kind of trying to put me in the confines of commercial fiction. Which is... you know... understandable. You know, and I'm great— I'm even, like, today—I'm grateful for it because you first have to learn how to walk and then you can run, right? So I did have to go through the process of learning how to write a good scene, of learning how not to tell, of learning how to hide the seams that you—that you were talking about—you need to hide your fingerprints as a writer. And that was my learning book. I learned a lot from writing it, but by the time I was done with it, it was not—it didn't—it was not a bad book, and I got a lot of full requests for it, but it was not—it did not end up being what I had hoped for it.Jennie NashSo, in 2017, when you started that book, you said you came to writing late. Do you mind sharing where you were in your life, if you want to share your age or what you were doing in your life, just to give us some context for what you mean by that—by coming to it late?Lidija HiljeSo yeah, so 2017 was one of the hardest years in my life, I think. I think it's just the moment where I was around 35, I think. I would have to do the math, but mid-30s. And I had just been fired for the second time after my second maternity leave. And, you know jobs in my profession, which is—I was an attorney—were scarce, and I opened my own law firm. And I sat there in my law office, you know, a woman working as an attorney in Zadar, Croatia. It was not, you know, I was not having like flocks of clients, you know, going through the door. And you had to sit there from 8am to 4pm, which is our work time. And I had, um, ii had um... I started writing basically to pass the time. And I was writing just the scenes that I was interested in that, you know, brought me joy and then I, you know, wrote the intermittent scene, and the book grew and grew. And by the time I had finished it, which was a year and a half later, you know, it became... It just became a thing that I was—it took over it took over my whole life. I could not, you know and financially it was a difficult time for us as well. We had reached—my husband and I, like I said mid 30's—and we had kind of peaked career wise here in Croatia. So basically, what people don't understand about Croatia is that even if you're a brain surgeon, or if you're a lawyer, or if you're a programmer—like my husband—the money you make is not much more than the average wage. And so, you know, we were at the top of our game professionally, but not earning enough to make ends meet. And so we had started thinking about moving to Ireland basically, which is the, you know, IT hub for the... in Europe. And in thinking about it, I was sitting in my law office and I was basically crying my eyes out thinking if I go there, I'm going to be stripped of my identity as an attorney. I had been working toward that for basically 15, 20 years. And in trying to get over that pain of working towards something that in Ireland, it's not going to mean anything because, you know, the legal system is so very different and my use of language was not, you know, it's still not really good. Like professional English is not the same as this spoken English, you know, everyday English. And so, in kind of trying to accept that we are going to move and I'm going to be stripped of that identity as a lawyer, I was, in a way, you know, to make it easier for myself, I started accepting all the things that I didn't want to look at, which is I hated my job.Jennie NashRight, right.Lidija HiljeI loved being in a courtroom, like that was a good part of it. But everything else, you know, the intellectual part of it, like thinking about law, applying law to a certain case was interesting to me. But everything else was horrible. And so, once I accepted that, and my husband got a job, you know, like working for... as a freelancer for an outside company, and we could stay in Croatia, I was like, "And what am I going to do now? I can't go back to being a lawyer." And so, because his wage was a little bit more than, you know, for the first time, he could afford for me to go, you know, to take a year off and to see what I could do. And so, for a while, I interned at a foreign literary agency—that didn't go anywhere. Then I wrote, you know, a copy for a startup that didn't end up, you know, paying me. So that was kind of like—I was at the end of my rope by the, you know, toward the end of that year. And then I encountered the Author Accelerator program for book coaches, and I had during that year I had connected with writers and I have realized that basically the legal knowledge really translates beautifully into book coaching. So it was kind of like, you know, working on a story, or if you're working on a case, or working on a book, it's kind of a similar thing, similar logic applies. And so it was a… you—you know, it was, I know I'm mixing a little bit the books coaching and legal and, you know, writing careers...Jennie NashNo, it's fascinating.Lidija HiljeBut they are so intertwined in my life, yeah.Jennie NashI mean, it's fascinating the way that you trained yourself on story, basically. And I remember the conversation when you approached Author Accelerator, because you were nervous about being able to meet the requirements of our program because of your language—that English is not your first language. But I, I mean, we have a system whereby it's you try it, you know, if—if you'd meet the requirements, you meet them and if you don't, you don't. And it struck me that your grasp of story was so profound. That I didn't know... you know, it was one conversation about your grasp of the written language. But, um, you were... you were very nervous about your ability to do the work of book coaching in another language. And it's just interesting from where we sit now, so I want to circle back to the book itself and the novel and what you accomplished in it, because it really does have the thing that so many writers are always trying to do, and they talk about it—it is so elusive. Which is this capturing this feeling, emotion, letting the reader sit in the mirror of what those characters are feeling, and you feel it your own self, and that it, you know, when it, when it works, it's, it's like a magic trick. And it strikes me that you came at that very deliberately. It was not accidental. Is that fair to say? Would you believe that?Lidija HiljeI think I always wanted to write about... I always wanted to write quiet stories. And for quiet stories to work, you have to make the quiet things loud in a way. And the loud things are the emotions. And so yes, yes, it was always my goal. I was not always good at it... in writing emotion. But yeah, like during that process of writing that first book, I struggled with it a lot. I struggled with what I guess happens a lot of the time when we are writing is that we're trying very hard for the reader to see things the way we are seeing them. And this counter-intuitively causes the very reverse effect. You know the reader—is the more you're trying to make them listen to you, the more you're trying to, you know, impose your view of things on them, the more they resist. So the trick is basically, and I'll make it sound very easy, it's not easy at all to execute, but the trick is to kind of, you know, to try to find a way and to deliver that emotion without judgment. Like, this is what I'm feeling, or this is what my character is feeling. And not trying to explain it, not trying to get compassion, not trying to get the reader to feel anything. Like, you're just putting things out in the ether, and you're allowing the reader to do their own math. And this is something you can do in literary fiction, which is more open-ended, right? And the readers of genre fiction, I do need more hand-holding in that sense that they will not maybe work as hard as the literary reader. So yeah, I did work very hard. And, you know, the first book, the “shelved” book, really got to a point where I couldn't do that work anymore. But when I started Slanting [Slanting Towards the Sea]… the literally... the first scene in Slanting [Slanting Towards the Sea], came out the way it did. Like that's…Jennie NashOh wow!Lidija HiljeIt didn't change. We had this meeting of writing friends and one of them said, let's exchange, like, let's read 500 new words and I was not working on anything. I had been focusing on book coaching at that moment—that was 2021. And I went to the moment in that room when she is thinking about her ex-husband, you know, when the protagonist is thinking about her ex-husband, and it just came out the way it is. I don't think I changed basically more than three words since that scene came out the way it is. And so...Jennie NashOh, that's amazing. I want to... I want to read some of the lines from that opening scene, if I can, to give the readers... I mean the listeners a sense of what we're talking about. So here's how Slanting Towards the Sea begins.I open his socials and sift through his photos. I know their sequence like I know the palm of my hand. Better even, because I can never memorize what my palm looks like, how the life line twirls into the love line, how it begins tight and uniform, but then turns ropey. It scares me to look at it, to trace the lines, to see where they might lead me in years to come. But I know Vlaho's photos by heart.And it goes on from there. It's, it's just, it's so haunting. And, and the whole, the whole novel is, is that, has that feel to it. So when did you, when did you know that with this story you had it? You knew with the other one that you couldn't get it back, or that it wasn't going to happen. When did you begin? Was it after the sharing of that scene where you thought, oh, I've got this?Lidija HiljeI knew that I could write a scene, but there's a difference, you know, a postcard. I would call this a postcard. This is the typical example of a postcard, a scene where nothing changes for the protagonist and she doesn't understand anything new, but it kind of deepens the reader's understanding of, you know, her situation. So I knew I could write it, which is something I struggled with, with the first book, but I—there's a long road from doing one good postcard and then, you know, writing an entire book, which in literary fiction you have this additional, you know, challenge. You do a ratio basically of normal scenes and summaries, and postcards, and you have to maintain that ratio throughout the book. So, um, yeah for the... relatively early in the book I had submitted that first scene for some competitions. And I got great feedback. It won a critique match, writing a competition in the literary fiction category. And it was long listed in the BPA Pitch Prize in the UK. So I knew that... you know... you know... that the opening of the book was working. So that was good. But from then on, it was such a struggle, because you read the book, and so you know, it has dual timelines; it spans 20 years. I was struggling so bad trying to figure out whether I should do, you know, the past in flashbacks? Whether I should alternate timelines? How do I set this massive story up, which has, you know, the past, and, you know, the present, which happens over a span of... I don't know... five or six months in the present timeline. So I struggled with it a lot. But the thing that I struggled with the most was accountability. So basically, for the first year and a half—for the first year—I wrote, I think, maybe 150 pages. They were not very well set up. I was unsure of them, and I would always push the book backwards to work on client stories. And so what really changed the game for me was when I—I have this program that I run in summertime and one of our book coaches was in that program, Nita Collins. And after the program ended, we partnered up. And so she was my accountability—you know partner, as well as…you know, feedback giver and cheerleader and all the things. And so, you know, I still struggled with how to set up all the things and how to build up the narrative, which I think is really hard for people to coach literary fiction, because you can basically only offer solutions that are kind of geared towards tropey, right? So the author really does have to do all the work, in that sense, but she was absolutely instrumental in terms of me getting the pages down and just seeing if the pages hit the mark or didn't, why they didn't, you know, talking to her, just voicing, talking about the book. And so this went on for a year and within one year I had a full first draft and from then on it was a quick revising process and within three months I had three agent offers. So it was a fast process from then on, from having the first draft, to getting an agent.Jennie NashWell, big shout out to Nita Collins and the Author Accelerator community. I love that a connection happened for you guys. It's really beautiful the way you describe it. So can you explain why you decided it was time to go out to agents? With the first book you decided... this is not going to go anywhere. I'm putting it aside. And with this one, very soon after you finished the first draft, you decided to pitch. What was that decision-making process like for you?Lidija HiljeSo I want to be completely honest. I didn't shelve the first project because I thought it was not, I could not get it to a level. I was convinced that it was on a level, and I had pitched it, but I had been rejected over 100 times. So basically the industry decided for me that it wasn't going to happen. And one of the things that was really hard for me in that first book is that I set it in the US, which I've never been to the US. So it made it very difficult, but I felt like if I set the book in Croatia, I would, like the cultural perspective would overpower the quiet narrative. And I thought that I couldn't do it. And so I, you know, in Slanting [Slanting Towards the Sea], this is the base of the book. Like, it's, you know, I've found a way to weave the cultural perspective as seamlessly as I could. But the pitching process—I basically... I had the first draft done when I had decided to pitch the book. It was a little bit—to be honest, I was a little bit hasty. I had applied for The Muse & the Marketplace conversation with agents. You could...Jennie NashLike the speed dating.Lidija HiljeYeah, like the speed dating. And so I purchased a few tickets for that. And this was done for two reasons. The first one was to, you know; give myself a goal to work towards—to kind of make it all go faster. And the second goal was to see how the industry looks at this. And if there are any issues that they have with the, you know, with the book or with how it's set up, I would rather know sooner than later. And so, because they were reading not just the pages—they were reading, like, 10 pages, a synopsis, and a query letter—which I would also wholeheartedly recommend writing during the writing phase. Preferably, you know, toward the end of the first draft, you would have to do the pitching materials, because they inform so much of... they make you really focus on what the book is about and kind of drawing out the themes and the plot and kind of parsing all those things out. So I told myself: if I go there, and if I get some, you know the best thing that could happen is I could get some full requests. The worst thing that could happen was they will tell me that I'm not there, that my writing is not there, and that the and/or that the book doesn't hold together. And so what happened is, I was... I had just finished my first draft, but I knew that the ending wasn't right. I had the wrong ending. So I knew I had to rewrite the last third of the book, at least. And I went on to that conference, and out of five agents I had talked to, four had requested a full manuscript—toward, like, when I had it. So it was a huge, you know, confidence builder, and that summer I really, really—I can't, it's really amazing what happened—I just, I was so energized, and I just, you know, I don't know, it's like a visit from the muse, even though it's just work. But it felt—I felt very inspired, and I completely rewrote the book, basically, and that gave it the ending that it needed to have, which was also one of the fights against the genre confinements which I had kind of put on myself. So yeah, so that was the decision that I should be doing that, and at the same time, I wanted to be, like, 100% sure that when I sent the manuscript out, it would be finished—that it would be the best that I can make it by myself, you know, and, you know, for Nita to read it, for a couple of beta readers that I've really trusted—and they have the same taste in books that I do—to read it. And only with that feedback was I really ready to send it out to agents.Jennie NashSo—the—we'll get to what happened with the agents in a minute. But I want to return to something that you said about the culture of Croatia and the role that it has in the story, and you called it foundational. And it really feels both the setting of the country, meaning the land, there's... there's a lot you write about, um, the sea, and the food that comes from the sea, and the winds that travel, um, both on the sea and on the land, and there's olive trees that play a large part in this story. So there is a lot about the country itself, and then there's, there is a lot about the, the culture and the, the changing bureaucracies and politics and things that are going on. And it's interesting that you spoke in your own life about contemplating leaving the country, because your characters at some key points, contemplate leaving as well. So there's—there was very much about the constraints of the world of this place, and that's part of what the, you know, it's interesting that you talk about it as your concern was that it would overwhelm the story, but it's part of, for me, what the container in which that emotion happened. It felt not separate from the story, but a really critical component of it. The way these characters lived on the land, and in this place, and what that allowed them to do,—or to be—or not be and how they bumped up against it. It was... It's really like you have a historian's grasp of that, your world, was that something you were conscious of while you were writing as well?Lidija HiljeYes. I was always worried about writing, you know, a Croatian perspective. Like that was always a big concern for me because I, you know, when you're looking at literature and what interests readers, it's either, you know, the book set in the UK and US, which is kind of the clear narrative, it doesn't, it's, it's a pervasive culture that we all understand when it kind of becomes invisible, or, you know, a background noise, it doesn't really affect the narrative. Whereas the other interesting things that readers, when they want to travel somewhere, they will want to go somewhere exotic, you know, whether it's Nigeria or, you know, Eastern Asia, Japan, China, you know? So it felt like Croatia is different, but not different enough, you know? And so it's, it's kind of like almost like it makes the reader constantly forget that they're in Croatia, while at the same time kind of jarring them when you remind them of the differences, and this was one of the, one of the, you know, key points of my work with Nita, was when she would just notice things like, what is, you know, what is the, why are there, there are no dividers in the hospital between the beds? And it's just like... and now I realize that I have to explain how our hospitals look like, and it's not like yours. Or the difference in the tides, which in America are, you know, over, over, I don't know how many feet, and in Croatia they're just, um, and we talked about it when you were here in Zadar as well. So it's just like, it's very similar to America, but not quite. And that was very frustrating at times to try to depict. But on the other hand, in writing Ivona, I wanted to, I feel, I have felt and still feel a lot of frustration with my country. I love it, but I have been planning, like there have been multiple, you know, periods in my life when I had hoped to leave, just because how frustrating it is to live here sometimes with the bureaucracy and just the way the mentality is here and everything. So basically in writing her story, I wanted to air out those grievances in a way. To give them voice, to examine them, to see what they are, and like everything, you know, it's not black or white, it's the way we are here, and it's also the way I am, you know. I notice this when I interact with people from other areas, and they say that us Croats and, you know, Balkan people are very, you know, always like, always complaining about something, which is true, we are. And so, yeah, so it's difficult. It's difficult because I wanted that to be a part of the story. And at the same time, you know, there, you know, there is the possibility of the American reader who doesn't see that it's a part of the culture here, basically. That they could look at Ivona, and say, you know, why does she just not snap out of it?Jennie NashHmm…Lidija HiljeAnd, you know, it's almost like saying to me to snap out of the issues that I had as I was like, trying, you know, like banging my head against the wall, trying to get my career going, and t's not working. Like whatever you're, you're trying—like it's easier for me to make it in the US, never having set a foot there, than in Croatia.Jennie NashRight.Lidija HiljeI mean, my book is being published in the US; it's still not being published in Croatia, just for the record. So it's really hard, and it's really hard to make that a part of the book, but not have it, like, weigh the book all the way down. So it was a process. It's like all the things you try and miss and, you know, sometimes you go overboard, and then you have to pull back, and you have to be careful not to go too deeply into your own experience and just feel that the character is separate from you, and obviously she has some different issues than I had and a different occupation, but a lot of her grievances are mine as well.Jennie NashWell, that yearning and, can… I guess confusion really does come across. The how will I, how will I live? How will I love? How will I spend my days? I mean, these are the questions of our life, and they're the questions of this character in—as she goes through what she's experiencing. That they're, they're both mundane questions and, and, you know, the most profound. And, and the way you capture it... I mean, that was just to circle back to my initial idea of talking about how to capture emotion on the page, you know, which is the work of a novel. That's what it's for. That's its point. And it's just so hard to do. And you just did it on so many levels in a language that's not your first. And it really is just extraordinary and moving. And in preparing to talk to you today, I read a lot of the early reviews—people who got advanced readers copies, 'cause the book comes out in July, 2025, and we're speaking a few months before that time. So it's not fully out in the world, but it's enough that, um, I can see that reaction rippling through the readers and, and certainly through the, um, professional, um, colleagues and, you know, who've blurbed the book. But this idea of it being—the word people kept using was “moving.” And there was a lot of words like “tender” and “haunting,” you know, people really felt what it sounds like you intended them to feel. So how, from where you sit now, how does that—how does it feel to have gotten that feedback from some of the writers you admire? And to know that it did… it works doing what you want it to do? How does that feel?Lidija HiljeOh, it's, it's impossible to talk about that because I guess I'm typically Croatian in the way that it's easier for me to sit in my failures than to sit in my successes. So it's absolutely incredible. I mean, when you get a blurb from Claire Lombardo, who is, you know, I absolutely adore her books and I think she's insanely talented, you know, and for her, you know, she used the words “humane,” and that really—I was so moved by that. So my… kind of my goal is for, for people to see the humanity in these, these characters. And so it's really, it's really amazing. It's, it's beyond, you know, some of the, you know, I got really great blurbs from authors I really, really deeply admire: Thao Thai, Nguyễn Phan Quế Mai, Amy Lin, and Madeline Lucas, and as well, you know, Claire Lombardo, whom I mentioned. It's really incredible. It's so life affirming for me, you know, to be able to do that. But like I said, it's always, you know, when I'm reading the reviews, which I probably shouldn't be doing, I'm always focusing on the few that are not—just not feeling it. And then I have to remind myself it's not—this is not a book for anyone, for just everyone. And it's, you know, it's a journey. It's still, like you said, early days. I'm learning to be an author, to grow an even thicker skin in that sense. But yeah, it did feel great to get those beautiful reviews. And I'm so grateful to them for reading and donating their time to me.Jennie NashI mean, it's so not fair what I want to say. It's so not fair. But I want to ask anyway. Quite a few of the reviews said they can't wait for your next book, which, you know, it's like you're not a machine. You've just done this one. But are you thinking about that? Are you… do you have thoughts about that?Lidija HiljeYeah, I am trying to work on my new book. But, you know, I'm admiring the writers who put out a book a year. That's definitely not going to be me. There's an insane amount of work in putting the book out. You know, there's invisible work that goes behind the screen, you know, that people don't see, but it's happening and it takes up a lot of time. And there's also this emotional, you know, it's, it's—it's difficult sitting in, like… you're trying to make this your career. You wrote your heart on the paper and you're offering it to the world. And now you're suspended in this period when you put it out and you're waiting to see how it's received, whether someone tramples on it or whether it's upheld. And so it's a difficult, emotionally difficult place to be in, and I'm one of those writers who struggle to create when I'm not, you know, when I'm feeling… when I'm feeling stressed. So work on my second novel is going slowly. I've gotten to page 100, but then I realized it needed, you know, I needed to make some changes, so I'm back to page 30. So it's a, you know, it's a—it's a process. I think, you know, writing literary fiction takes time. It takes self-examination; it takes a lot of reading of other people who have done it successfully—the type of novel that you're trying to execute. So, so yeah, I'm trying to work on it, but, um, but it may, it may be a while.Jennie NashAll right. I know—that's why it wasn't fair to even ask. Um, so back to… I just want to pick up the story back to—you got the three or the four, um, agent requests, and you, you finished the novel, and, um, and you pitched to them. Can you just share what all unfolded? Because… it was pretty extraordinary.Lidija HiljeSo, basically, what happened was I didn't pitch all the four agents that had requested the pages. I had the first querying experience, which is what I said—you know 100 rejections. I took a long, hard look at it and realized that many of the time I was querying the wrong agents, genre-wise, which, you know, I was not aware of at the time. So a lot of those rejections were basically because I was querying a women's fiction book to literary agents. And that was one thing. And the other thing is… I was pretty, you know, unselective with whom I was querying the first time around. And the second time around, I was really intentional with the type of agent and their reputation and the connections within the industry—you know, just much more aware, approaching it much more professionally in terms of, you know, just wanting a good fit that would actually be able to do something for me, you know, to sell the book. And so a friend who had, you know, she had given me a referral to her agent—that didn't pan out. I gave that agent a month, an exclusive. And when that didn't pan out, I basically sent the query to my now agent, Abby Walters, at CAA. And, you know, it was a form on the website. I didn't even write her an email. It was just a form. So I didn't think that anyone would read it, basically. And I got—quickly I got like five or six requests, right out of the gate, those maybe first 10 days. And by the end of the second week I had gotten an offer of representation from Abby. And I followed up with the rest of the agents. The total, uh, the total number of, uh, full requests ended up being, I think, maybe nine out of 20, 25 queries. And, uh, I got three offers of representation, um, from fantastic agents. And, uh, deciding was hell. I was—I was—it was horrible to be in a position where you had to say no to an agent that you admire and that you would genuinely love to work with, but you know, for some reasons I chose Abby and I'm really happy with working with her. She's fantastic. I—I, you know, love her to death. And yeah, so that was the story of getting an agent. It was—it was—it was pretty quick and painless, I have to say, the second time around.Jennie NashRight, from 100 rejections with the first one to—to nine full requests and three offers on—on this one, that's an extraordinary swing, for sure. And I love the—the way that you approached it the second time with that intention. It just says everything about the kind of person and writer you are, and the book landed with Simon & Schuster and will be coming out soon, and I can't wait to share it with our listeners. It's a beautiful, beautiful novel. I just—I cherished reading every page, and we had the really great good fortune of my taking a vacation to Croatia and coming to your town and meeting you and walking through the town with you, and I treasure that for so many reasons. But having read the book, I felt like I could taste it and see it in a really special way, having had a tour of your city with you. So that, for me, was just a special—a special part of it too.Lidija HiljeThank you so much, Jennie. But actually, you kind of were a part of that, because when I thought about the places where Ivona would take a seer to, you know, to see, I had our tour in my—you know, on my mind, because I was thinking, like, what would she show someone who's from another place? Like, where would she take him? And it wouldn't be the things I showed you. I mean, I showed you some of the big things that you have to see when you're here. But I took you to the places that are more intimate to me, like more personally important to me.Jennie NashYeah.Lidija HiljeAnd so this is—this is what's behind the scene where she shows him her school. And, you know, so, yeah… you know, real life.Jennie NashOh, that's amazing. That's amazing. Well, yeah, I did get to see where you went to school and where the law office was. And—and one of the things that's really stayed with me was we went to a bookstore and it… Um, and it—just knowing what your life in books has been, Lidija, and how you've studied them and how you've worked to become a writer of the caliber that you are. And that bookstore was so small, and it had mostly books in Croatian, and it was not anything like the kind of bookstore that one would think would spark a major literary career. And it… that just has stuck with me, because you—you made your own bookstore, right? You found your own literary community. You found your own career and way, and it's just been a joy to watch and to cheer you on. And thank you for coming and talking with us today.Lidija HiljeThank you so much for having me, and all the encouragement over the years. I'm really grateful for that as well.Jennie NashAll right, well, until next time, for our listeners—keep your butt in the chair and your head in the game. Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Lidija Hilje shares how her debut novel, Slanting Towards the Sea, and her own journey is shaped by second chances and the courage it required to begin again.Lidija Hilje brings a rare and powerful perspective to her fiction. After a decade working in Croatian courts, she left the legal field to write in English as her second language and to coach other writers through their own stories. We discuss how that radical life change shaped both her novel and her coaching philosophy.In today's Book Gang episode, Lidija joins me for a profoundly moving and insightful conversation about her first novel, Slanting Towards the Sea. In this week's warm and expansive episode, we discuss:How writing in a second language and through a bicultural lens shaped the emotional and narrative depth of Slanting Towards the SeaThe novel's quiet but powerful thread on broken governmental systems, and how we see the differences and parallels between our American and Croatian experiencesHow Lidija's former legal career informs her current work as a book coach, and how she helps authors clarify and complete the stories they feel called to tellBONUS BOOK LIST: This week, you can set sail with these 34 sea books. From shipwreck survival stories to coastal mysteries, oceanic fantasies, and sweeping seaside romances- this book list has a little something for everyone!Meet Lidija HiljeLidija Hilje is a Croatian writer and certified book coach. After earning a law degree, she spent a decade practicing law in Croatian courts before transitioning to book coaching, and writing in English as her second language. Her writing has appeared in The New York Times and other outlets. She lives in Zadar, Croatia, with her husband and two daughters. SLANTING TOWARDS THE SEA is her first novel.Mentioned in this episode:Browse the 2025 MomAdvice Summer Reading Guide (with ads) or download the 48-page reading guide ($7) to support our show. If you are a show patron, please check your inbox for your copy as part of your member benefits. Thank you for supporting my small business!   Download Today's Show TranscriptJoin the July Book Club Chat (Husbands & Lovers)BONUS BOOK LIST: 34 Sea Books (upcoming titles, new releases, and backlist selections to browse)Slanting Towards the Sea by Lidija HiljeThe Maid on NetflixBookshop.org pays a 10% commission on every sale and matches it with 10% to support independent bookstores.Connect With Us:Join the Book Gang PatreonConnect with Lidija Hilje on Instagram or her WebsiteConnect with Amy on Instagram, TikTok, or MomAdviceGet My Happy List NewsletterGet the Daily Kindle Deals NewsletterBuy Me a Coffee (for a one-time donation)

This week, Steph and I talk about some our favorite books outside the thriller genre, since we've both been expanding our genres a little.Books We Talked AboutProject Hail MaryThe Road to Tender HeartsSky Full of ElephantsPS You're the WorstThe Three Lives of Cate KayThe Seven O'Clock ClubAn Academy for LiarsShy GirlThings Don't Break On Their OwnThe Book Club for Troublesome Women Check Out My Stories Are My Religion SubstackCheck Out Author Social Media PackagesCheck out the Bookwild Community on PatreonCheck out the Imposter Hour Podcast with Liz and GregFollow @imbookwild on InstagramOther Co-hosts On Instagram:Gare Billings @gareindeedreadsSteph Lauer @books.in.badgerlandHalley Sutton @halleysutton25Brian Watson @readingwithbrian

Author Jonathan Gibbs joins us to talk about his novel Randall, published in the UK by Sam's Galley Beggar Press eleven years ago but just now making it to the US thanks to new independent publisher, Tivoli Books. The fictional Randall is a visual artist in 1990s London during the reign of the provocative Young British Artists (YBAs).Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

In this engaging conversation, the hosts discuss their favorite books from the first half of 2025, sharing insights into their reading habits, the challenges of completing long series, and the impact of audiobooks. They delve into their top five book recommendations, exploring various genres and themes, including humor in literature, character development, and the importance of endings in series. The discussion highlights the influence of BookTube trends and the joy of engaging with a reading community. In this engaging conversation, the participants delve into their favorite reads of the year, exploring a variety of genres including literary fiction, graphic novels, fantasy, and more. They share insights on the works of Cormac McCarthy, Norse-inspired fantasy, the history of gaming studios, and the impact of magical realism. The discussion also touches on the evolution of genres, the power of unique storytelling, and the emotional depth found in literature. Each participant highlights their top picks, providing a rich tapestry of recommendations for listeners.Send us a messageSupport the showFilm Chewing Podcast: https://www.buzzsprout.com/2235582/followLens Chewing on YouTube: https://www.youtube.com/@lenschewingSpeculative Speculations: https://creators.spotify.com/pod/show/speculative-speculationsSupport the podcast: https://www.paypal.com/ncp/payment/7EQ7XWFUP6K9EJoin Riverside.fm: https://riverside.fm/?via=steve-l

This week, John Maytham shares his thoughts on three very different but equally compelling reads. His top pick is Nobody’s Fool by Harlan Coben, a twist-filled thriller about former detective Sami Kierce, who’s forced to confront a traumatic, unsolved mystery from his past when a woman he thought was dead reappears in his life. John calls it “a book that keeps you guessing.” He also highlights Dream Count by Chimamanda Ngozi Adichie, a beautifully layered novel exploring the emotional lives of four Nigerian women, each navigating identity, love, and loss across continents and crises. Finally, John reflects on Enchanted Ground by Steven Lovatt, a deeply personal journey from grief to renewal, as the author seeks meaning and belonging in a world disconnected from nature and history. Three books, three very different voices—but each, in its own way, a story of reckoning with the past and searching for truth. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Lori Duff's journey began with strong academic success, which led her parents to steer her towards law school. Initially focused solely on her legal career, Lori truly discovered her love for creative writing after a challenging election loss in 2012. This moment of introspection prompted her to start blogging, humorously chronicling her husband's antics, which then evolved into a more public writing career. Lori is a lawyer, a judge, and an award winning writer.  She's a past president of the Georgia Council for Municipal  Court Judges, and the National Society of Newspaper Columnists.  A two time winner of the Georgia Bar Journal's Annual Fiction Competition, she also won the Forward Indies Gold Medal for Humor,  and the National Society of Newspaper Columnists Annual Column Contest, and many other awards for her work.  Her new novel,  Devil's Defense, is a finalist in the American Book Fest Best Book Awards in General Fiction and Thriller Adventure categories and her novella, Broken Things, won the Georgia Independent Author of the Year Award for Literary Fiction.    What You Will Hear in This Episode:  01:46 Lori's Background 04:24 Journey to Writing 05:34 Balancing Law and Writing 15:20 Creative Inspirations 18:05 Character Development 30:46 Upcoming Projects   Quotes “People are complicated. Nobody thinks they're the bad guy.” “Don't let anyone else tell you no. There's enough people telling you no.”   Mentioned: loriduffwrites.com Substack @loriduffwrites Twitter: @loriduffwrites Facebook: Lori Duff Writes Instagram: @loriduffwrites LinkedIn: Lori Duff eConnect with Bonnie Substack Newsletter: Own Your Ambition Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age IAMMusicGroup   Purchase my book Not Done Yet on Amazon:    If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review  

Writers beware of the TikTok publishing model, and we chat with Wendy Erskine about her exuberant, polyvocal novel, The Benefactors.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Author Megan Hunter joins us  to talk about her new novel, Days of Light, that depicts fifty years in the life of a British woman who learns to find value and purpose within the deepest mysteries of her life.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Mark Haddon, bestselling author of The Curious Incident of the Dog in the Night-Time, A Spot of Bother, and The Red House on his process writing 18 books, succeeding and failing and writing without a map.We discuss:Why writing begins before you start writingCreating strong beginningsHow poetry can expand your creative rangeWriting without a mapOn self-doubt, impostor syndrome & trusting your instinctsThe value of conflict, myth, and compression in storytellingPublishing realities, artistic risk, and protecting your creative sparkAbout Mark HaddonMark Haddon is the author of the internationally bestselling novels The Curious Incident of the Dog in the Night-Time, A Spot of Bother, and The Red House. His debut novel won the Whitbread Book of the Year Award and inspired a Tony Award–winning play. A multidisciplinary artist, Mark has also written award-winning poetry, radio dramas, children's books, and TV screenplays. He teaches creative writing for the Arvon Foundation and lives in Oxford, England.*Resources and Links:

Galley Beggar Press's own Mark Bowles is shortlisted for a first novel prize; Sam stays up too late celebrating. We talk to writer Seán Hewitt about his novel Open, Heaven, an exquisitely written, first love narrative set in the English countryside. Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Thoughts on taste, classism, wealth and how some books and authors are elevated by the social elite, deliberately creating an atmosphere of exclusivity. Also on why some books are phenoms and what is art.Buy LoveLitCon tickets here https://lovelit.com/ Be sure to use my author-specific code for a $10 discount! LOVE8368STRANGE FAMILIAR is live! https://www.jeffekennedy.com/strange-familiar You can preorder MAGIC REBORN at https://www.jeffekennedy.com/magic-rebornRELUCTANT WIZARD is out now and the audiobook is live!! https://www.jeffekennedy.com/reluctant-wizardThe posture-correcting sports bra I love almost more than life itself is here https://forme.therave.co/37FY6Z5MTJAUKQGAJoin my Patreon and Discord for mentoring, coaching, and conversation with me! Find it at https://www.patreon.com/JeffesClosetYou can always buy print copies of my books from my local indie, Beastly Books! https://www.beastlybooks.com/If you want to support me and the podcast, click on the little heart or follow this link (https://www.paypal.com/paypalme/jeffekennedy).Sign up for my newsletter here! (https://landing.mailerlite.com/webforms/landing/r2y4b9)You can watch this podcast on video via YouTube https://youtu.be/hAQznznAJ_cSupport the showContact Jeffe!Find me on Threads Visit my website https://jeffekennedy.comFollow me on Amazon or BookBubSign up for my Newsletter!Find me on Instagram and TikTok!Thanks for listening!

Award-winning and bestselling author Maggie O'Farrell Hamnet and The Marriage Portrait author takes us behind the scenes of her creative process—from the early struggles of starting out to the discipline and instinct that shape her acclaimed novels.We explore the irresistible drive to write, the role of characters in steering a story, and how she blends history with imagination. Maggie also shares her thoughts on revision, redrafting without ego, and what it really takes to endure in the writing life.We discuss:The insatiable urge to write and the challenges of beginning a novelLetting characters lead and reshaping a story mid-draftWeaving fact and fiction in historical narrativesWhy revision is where the real writing happensHonest feedback, creative resilience, and writing for the long haulABOUT MAGGIE O'FARRELLMaggie O'Farrell is the author of Hamnet (winner of the National Book Critics Circle Award) and I Am, I Am, I Am: Seventeen Brushes with Death, both Sunday Times number 1 bestsellers. Her other works include The Marriage Portrait, The Vanishing Act of Esme Lennox, After You'd Gone, The Hand That First Held Mine (winner of the Costa Novel Award), and Instructions for a Heatwave. Maggie's work is praised for its lyrical prose, emotional depth, and its ability to bring overlooked historical figures to life.*RESOURCES & LINKS

This movie looks like an innocent little story about seniors who want to make the most of their golden years, but the craft behind it will knock your socks off. It's a multiple POV, multiple plot film and believe me, this is NOT an easy format to pull off. So if you're writing a story with more than one protagonist and/or more than one plot line, do yourself a favour — listen to this episode and learn from these master storytellers. -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Have you ever wondered how childhood obsessions evolve into creative careers? Fiction writer Pemi Aguda takes us on her journey from creating mini-magazines as a six-year-old in Lagos, Nigeria to publishing internationally acclaimed fiction. In today's chat, Pemi reveals how her "lonesome" childhood with books transformed into a writing career that explores Nigerian women's experiences and the weight of ancestry. Stay for Pemi's tips on how to become a better writer and on how to find your artistic voice as a author. Trigger Warning: This episode contains discussion of suicide as part of a fictional narrative. If you are struggling with suicidal thoughts, please know you are not alone. Resources for support are listed below. Chapters 00:00 Introduction  02:56 Pemi Aguda's Journey from Lagos to Writing 05:50 The Evolution of Pemi's Writing Process 08:55 Understanding Creative Voice and Teaching 12:01 The Art of Revision and Storytelling 14:52 Exploring Themes in Pemi's Work 17:59 The Influence of Ancestry on Writing 21:12 Literary Influences and Inspirations 24:11 Writing Habits and Routines 27:06 Life Beyond Writing: Hobbies and Interests 29:55 Conclusion and Future Works Connect with Pemi Aguda Website: pemiaguda.com Instagram: @pemi.i Order "Ghost Roots" : Penguin Random House Connect with Your Host Website: martineseverin.com Instagram:Instagram Newsletter:Creative Matters This is How We Create is produced by Martine Severin and edited by Santiago Cardona and Daniel Espinoza. Suicide Prevention Resources American Foundation for Suicide Prevention: https://afsp.org/ 24/7 Crisis Hotline: 988 Suicide & Crisis Lifeline 988lifeline.org If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat 988lifeline.org. Veterans, press 1 when calling. Crisis Text Line Text TALK to 741-741 to text with a trained crisis counselor from the Crisis Text Line for free, 24/7

Are male literary writers underrepresented in today's publishing scene? And we talk to Vijay Khurana about his timely first novel, The Passenger Seat, which explores contemporary masculinity.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

What if the traditional publishing world says “no”? Eleanor Anstruther—acclaimed novelist and creator of The Literary Obsessive—shares her bold leap into indie publishing, serialising fiction and memoir on Substack, and why you need an Artist DNA to draw an audience.We discuss: Her aristocratic background and experience living in a communeNavigating rejection and the pivot to serialising work onlineThe realities (and surprises) of building a paid readership on SubstackAdvice for writers considering serialisation and indie publishingHow to build a creative communityPractical tips: drafting, book sales, pricing subscriptions, and more*ABOUT ELEANOR ANSTRUTHEREleanor Anstruther grew up in London, studied History of Art at Manchester, and spent twelve years travelling the world and starting a commune before turning to writing. Her debut novel, A Perfect Explanation, was longlisted for major prizes. Today, she serialises her fiction and memoir on Substack, where she's built a passionate readership and runs the celebrated interview series 8 Questions. Connect with her via The Literary Obsessive on Substack.*RESOURCES & LINKS

French author Laurent Binet joins us to talk about his latest novel Perspective(s), translated by Sam Taylor, a murder mystery set in the art world of Renaissance Florence.  Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Georgina Godwin is joined by Jenny Mustard to discuss her upbringing in Sweden, new novel ‘What A Time To Be Alive’ and the challenges of writing literary fiction.See omnystudio.com/listener for privacy information.

Tara talks to journalist and debut author Atharva Pandit, whose novel Hurda is inspired by a real-life case that briefly made headlines in 2013, and then vanished.What begins as a mystery about three missing girls from a village in Maharashtra becomes a statement on what gets remembered and what gets buried. Atharva shares how a two-page newspaper feature became the seed for a decade-long creative journey. He discusses the blurry boundaries between fact and fiction, and how he built an entire village of voices, each with their own secrets and silences. The episode also delves into the quiet power of clothing, especially that green top that became a symbol of much more. Tara and Atharva explore why rural women's lives so often go unheard, and how fiction can offer them space, dignity, and depth.‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

Writing your first novel is a rollercoaster—exciting, overwhelming, and, let's be honest, a little terrifying. But when you finally reach that finish line? It's incredible.In this episode of Write It Scared, I'm joined by debut author Alexandria Faulkenbury. Her debut novel, Somewhere Past the End, will be released in May 2025. Alexandria generously shares the highs, the lows, and all the messy moments in between on her journey from childhood storytelling dreams to becoming a published author.We dive into:Alexandria's personal path—from early passion, to academic detours, to rediscovering writing amidst life's busy chaos.Her experience navigating the notoriously challenging query trenches (the struggle is real!).What it's like working with a small press—and why that path can be rewarding.How she handled the complexity (and occasional panic!) of writing dual POVs.Practical advice on balancing writing with real-life responsibilities (spoiler alert: it's tough, but doable!).Why it's crucial to celebrate every small win along the way.Whether you're an aspiring writer, deep in the query trenches, or just dreaming about writing someday, Alexandria's story will inspire you and remind you that every step matters.Episode Breakdown00:00 – A quick personal epiphany (because those happen!)00:25 – Welcome back to Write It Scared!01:28 – Meet Alexandria Faulkenbury02:53 – Alexandria's writing journey: twists, turns, and surprises05:01 – Inside the story of Somewhere Past the End09:38 – Real talk: navigating the query process15:10 – What it's really like to work with a small press17:40 – The very real struggles of writing (it's okay—we all have them!)26:16 – Balancing writing with the chaos of everyday life30:30 – Alexandria's final words of wisdom and encouragementGuest info:Alexandria Faulkenbury holds an M.A. in multicultural and transnational literature and lives in South Carolina with her family. She is a part of the 2025 debutante ball, a collective that celebrates the journey of women writers as they publish their first book. Her work has been featured in The Maine Review and MER Literary, among others. Find her at alexandriafaulkenbury.comInstagram: https://www.instagram.com/amfaulkenbury/Twitter/X: https://x.com/LexiBuryBluesky: Have a comment or idea about the show? Send me a direct text! Love to hear from you.Support the show To become a supporter of the show, click here!To get in touch with Stacy: Email: Stacy@writeitscared.co https://www.writeitscared.co/ https://www.instagram.com/writeitscared/ Take advantage of these Free Resources From Write It Scared: Download Your Free Novel Planning and Drafting Quick Start Guide Download Your Free Guide to Remove Creative Blocks and Work Through Fears

We are joined by the brilliant writer Jonathan Coe to discuss his latest novel, The Proof of My Innocence, a pastiche of genre fiction and insightful critique of contemporary politics.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Steve speaks with ARX-Han, an anonymous writer, about his book "Incel."(00:00) - Introduction (02:09) - Discussing the Novel 'Incel' (06:08) - Character Analysis and Literary Influences (13:32) - Themes of Evolutionary Psychology and Nihilism (18:38) - Historical Context and Modern Inceldom (26:18) - Impact of Dating Apps on Modern Relationships (32:47) - Representation and Character Dynamics (40:21) - Literary Comparisons and Philosophical Depth (45:38) - Philosophical Underpinnings of Meaning (48:14) - The Hard Problem of Consciousness (50:38) - Free Will and Determinism (52:53) - Darwinian Nihilism and Nick Land (58:17) - Historical Perspectives on East Asian Civilization (01:03:11) - The State of Literary Fiction (01:16:45) - AI and Literature (01:19:44) - AI and Human Meaning Music used with permission from Blade Runner Blues Livestream improvisation by State Azure.–Steve Hsu is Professor of Theoretical Physics and of Computational Mathematics, Science, and Engineering at Michigan State University. Previously, he was Senior Vice President for Research and Innovation at MSU and Director of the Institute of Theoretical Science at the University of Oregon. Hsu is a startup founder (SuperFocus.ai, SafeWeb, Genomic Prediction, Othram) and advisor to venture capital and other investment firms. He was educated at Caltech and Berkeley, was a Harvard Junior Fellow, and has held faculty positions at Yale, the University of Oregon, and MSU. Please send any questions or suggestions to manifold1podcast@gmail.com or Steve on X @hsu_steve.

Disclosure: We are part of the Amazon Affiliate/LTK Creator programs. We will receive a small commission at no cost if you purchase a book. This post may contain links to purchase books.Welcome back to the What to Read Next Podcast! In today's episode, I'm joined once again by our resident literary fiction expert and middle grade author, Laura Bird. Laura is bringing us six stunning literary fiction reads that will break your heart—but leave you with hope. These are perfect picks for readers who want emotional depth, compelling characters, and a reminder of the beauty in human connection.Whether you're in a book club or simply want a novel to get lost in, this episode has a recommendation for you.⏱️ TIMESTAMPS & BOOK RECOMMENDATIONS00:00 – Welcome back Laura Bird! 01:00 – Why we love literary fiction with hopeful endings 02:45 – Books perfect for book clubs 04:05 –

Critically acclaimed literary fiction writer, Eleanor Anstruther tells us about how she has integrated Substack into her writing and publishing journey as well as her endeavours to figure out the best ways of being a hybrid author.

We brag about having poet, critic, and translator extraordinaire Michael Hofmann on the show, and then we talk to him about his latest work in translation, The Frog in the Throat by Markus Werner, out now from New York Review of Books Classics.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

We celebrate prize winners: Galley Beggar Short Story Prize and Republic of Consciousness Prize, US & Canada!! And translator Victor Meadowcroft joins us to talk about House of Fury by Evelio Rosero out now from New Directions.  Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

My guest this episode is Joshua S. Narins, a literary fiction author based in New England. Before turning to writing, he spent two decades as a cinematographer, specializing in aerial, underwater, and second-unit film work. Now, he brings that visual storytelling sensibility to his fiction, crafting character-driven narratives with a sharp, cinematic edge. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally. Sponsor Inspirational Indie Authors is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. About the Host Howard Lovy has been a journalist for 40 years and now amplifies the voices of independent author-publishers and works with authors as a developmental editor. Find Howard at howardlovy.com, LinkedIn, and X. About the Guest Joshua S. Narins is a New England-based literary fiction novelist, and his released titles include his debut novel, False Neutral and his follow-up, Clear-Cuts. Prior to embarking on a writing career, Joshua was a veteran Director of Photography and, in addition to principal unit production, specialized in all aspects of underwater, aerial, and second-unit cinematography. Joshua lensed work on projects ranging from studio features to independent films, foreign and cable films, national and international commercial campaigns, and special-venue projects. Joshua is currently at work on his next project.

Best-selling Author Tessa Hadley on getting published in her 40s and beyond, the craft of literary fiction, developing character and conflict, and the importance of conflict.*ABOUT TESSA HADLEY:Tessa Hadley is the author of eight highly acclaimed novels, including Clever Girl and Free Love, as well as four short story collections, most recently Bad Dreams and Other Stories, which won the Edge Hill Short Story Prize. Her latest book is the novella The Party. Her work regularly appears in The New Yorker and Granta, and she has won the Windham Campbell Prize and the Hawthornden Prize. After two decades of struggling to publish, she landed her first book deal at 46 and has since become one of the most respected literary fiction writers of our time.*RESOURCES & LINKS

It's prize shortlist season! And, we have a fascinating discussion with author Jón Kalman Stefánsson about Heaven and Hell, the first novel in his Icelandic trilogy, Heaven and Hell.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Novelist Allegra Goodman found the name of a marooned French noblewoman in a history book decades ago when she was vacationing with her family off the coast of Canada. The woman’s name was mentioned in passing and Allegra got curious about her life. Years later, Allegra is out now with the brilliant new novel “Isola” based on the real life of a 16th-century noblewoman Marguerite de la Rocque — and it’s February’s pick for Reese’s Book Club. She joins us to talk about her first foray into historical fiction and the moment when she first heard Marguerite’s voice in her head.See omnystudio.com/listener for privacy information.

Today's guest has a common readerly dilemma: what to do when reading tastes change? In her submission to join Anne on the show, Philadelphia dweller and avid book thrifter Phoebe Mellinger shared that she'd had pretty consistent reading tastes for her whole life, until last year when she noticed that her taste suddenly and vastly changed. Her go-to genres just were't working any more. This experience led Phoebe to embark on a year of discovery: she read a bunch of books in a range of genres, but she's not really sure where to go from here. While Phoebe is getting a better feel for what she enjoys and understanding how to talk about what she's looking for with more clarity, she's also picked up quite a few books based on enthusiastic recommendations, only to find they weren't her cup of tea. Today she's here to get Anne's help in figuring out how to discern the difference between what simply sounds good and what may actually be a good fit for her. Anne has ideas, of course! Please let us know if you have recommendations for Phoebe by leaving a comment over on our show notes page at whatshouldireadnextpodcast.com/467, where we've also collected the list of all the titles mentioned today. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's guest is Jean Kwok, a writer known for writing literary thrillers, which is the blending of literary writing and mystery, resulting in tension-filled books with exciting twists. Jean brings fantastic insights into complex literary structures and the importance of knowing what you're doing. A fun listen for anyone who loves their mysteries and thrillers wrapped up in a literary package. And this week's episode comes with a dose of Agatha Christie on the side, for reasons that will become clear when you listen! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa C. Taylor is the author of the novel, The Shape of What Remains, three poetry collections, most recently Interrogation of Morning (2022) and two short story collections, most recently Impossibly Small Spaces (2018). Her honors include the Hugo House New Fiction Award and Pushcart nominations in fiction and poetry and Best-of-the Net nominations in both categories. Her poetry collaboration with Irish writer Geraldine Mills, The Other Side of Longing received the Elizabeth Shanley Gerson Honor at University of Connecticut. Lisa holds an MFA in Creative Writing and she is the co-director of the Mesa Verde Writers Conference and Literary Festival. She is also a board member for Four Corners Writers and the Mancos Creative District. Lisa has received writing residencies from Vermont Studio Center, Willowtail Springs, and Tyrone Guthrie Centre in Ireland. She teaches writing online and offers workshops around the country.   More: https://www.lisactaylor.com/ Intro Music by Moby Gratis: https://mobygratis.com/ Outro Music by Dan-o-Songs: https://danosongs.com/   Host Mark Stevens www.writermarkstevens.com   Watch these interviews on YouTube (and subscribe)! https://youtube.com/playlist?list=PLBP81nfbKnDRjs-Nar9LNe20138AiPyP8&si=yl_seG5S4soyk216

Author Steve Stern joins us for his second appearance on the pod to talk about his latest novel, A Fool's Kabbalah, about one man's quest to recover Judaic texts following the ravages of WWII.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

In season 4 episode 160, we discuss two articles about the Big 5 ruining literary fiction and literary fiction not being a real thing.Visit our website athttps://www.tbrlowdown.com to see our show notes, join our Discord, book club, and subscribe to our Substack newsletters.

Lin King is an award-winning writer in her own right. But it was her work on "Taiwan Travelogue" that snagged both her and author Yang Shuang-zi the highly coveted National Book Award 2024 for Translated Literature. Lin discusses her work and what's next. Hosted by ICRT's Hope Ngo. -- Hosting provided by SoundOn

Isabella Hammad, Norah Lofts, comfort reads – welcome to episode 135!   In the first half, we discuss whether or not literary fiction can be comfort reads – thank you for the suggestion, Marcy! In the second half, we compare

A new, indie friendly platform for buying e-books; we have a great discussion with the prolific and wonderous Ali Smith about her latest novel, Gliff! Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Lavender Finch is just a girl on the edge of the rest of her life when trauma shows up by the name of Travis. But it isn't the trauma that almost ruins Lavender, it's the shame she swallows when she keeps it a secret that threatens to choke the life out of her. Loving Lavender Finch is a coming-of-age-tale that explores the intricate dance between truth and vulnerability through the eyes of a seventeen-year-old girl struggling to find herself amidst trauma, endured and inherited. Throughout this story, readers are invited to explore the complexities of self-identity and the courage it takes to share the deepest parts of our soul with another. Send us a textVisit www.kellybargabos.com to listen to all past episodes and/or connect with Kelly.

Welcome, dear listeners, to the finale of Season 6. Our literary journey has taken us through the works of novelists and poets, exploring the depths of Literary Fiction. And for our closing episode, we have a special guest - Chuck Rosenthal, acclaimed author of Awake For Ever in a Sweet Unrest. As we delve into the premise of his latest book, we are transported into a world of love, longing, and artistic passion. Through this enthralling conversation with Chuck, we not only unravel the complexities of his main character Beatriz but also gain insight into the lives of 19th century romantic literary giants. Get ready for an educational and fascinating finale that will leave you yearning for more. Tune in to our upcoming season, where I will recite my poetry from all of my published works. Season 7 is aptly named "Inspire Me," promising to ignite the soul and capture the imagination. Each episode will be a journey through words, painting pictures of raw emotion and thought-provoking ideas. So, sit back, relax, and let yourself be inspired by the power of language and the artistry of poetry. Awake For Ever in a Sweet Unrest. Deep within the hidden library of Los Angeles' iconic poetry venue, Beyond Baroque, all modern electronics mysteriously fail. There, 19-year-old Beatriz encounters Mary Wollstonecraft Godwin Shelley, who promises a magical adventure back to 19th-century Europe. There, Beatriz meets literary legends John Keats, Percy Bysshe Shelley, Mary Shelley, and Lord Byron, experiencing the romantic landscapes and dangerous exploits of their world. As she navigates this liminal space, Beatriz discovers the power of poetry and art, and the courage to find her own identity. Rosenthal, an acclaimed author, brings historical figures to life, offering a deeply intimate tale of passion, creativity, and self-discovery. Awake For Ever in a Sweet Unrest is perfect for anyone who has ever lost themselves in the magic of a hidden library.   Chuck Rosenthal was born in Erie, Pennsylvania. He attended Allegheny College, Bowling Green State University, SUNY Buffalo, and the University of California, Davis, where he earned several advanced degrees in English, Sociological Theory and philosophy. He earned a Ph.D. in English and American literature with emphasis in creative writing and narrative theory from the University of Utah. Rosenthal is the author of fourteen novels: the Loop Trilogy: Loop's Progress, Experiments with Life and Deaf, and Loop's End; Elena of the Stars; Avatar Angel, the Last Novel of Jack Kerouac; My Mistress Humanity; The Heart of Mars; Coyote O'Donohughe's History of Texas; Ten Thousand Heavens; The Legend of La Diosa; You Can Fly, a Sequel to the Peter Pan Tales; The Hammer the Sickle and the Heart, Trotsky and Kahlo in Mexico; and Let's Face the Music and Dance a hybrid novel. He has published a memoir, Never Let Me Go, and a travel book, Are We Not There Yet? Travels in Nepal, North India, and Bhutan (Magic Journalism), as well as a second book of Magic Journalism, West of Eden: A Life in 21st Century Los Angeles. Rosenthal published two books of experimental poetry, Tomorrow you'll Be One of Us (sci-fi poems with Gil Wronsky and Gronk, illustrator) and The Shortest Farewells Are the Best (noir poems, also with Gail Wronsky). They also wrote and directed the sci-fi play, People of Earth, This Is Your Last Warning, performed at the Craft and Folk Art Museum in Los Angeles. Rosenthal has written a book of animal philosophy, How the Animals Around You Think, the Semiotics of Animal Cognition. He's published in numerous journals, and read and lectured at universities and on television and radio throughout the U.S. as well as in Mexico, Argentina, India and England. Please check out his website: https://chuckrosenthal.com/  

We talk about our 2025 literary projects, and writer Holly Pester joins us to discuss her novel on the precarity of temporary living spaces, The Lodgers, Assembly Press's submssion for the 2024 Republic of Consciousness Prize, US & Canada.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Sam and Lori discuss Emily Brontë's classic novel of revenge on the moors--Wuthering Heights!  Does this novel live up to its reputation? We have a friendly difference of opinion.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksTheme music by Carlos Guajardo-Molina

A Doestoevsky short story goes viral on Tik-Tok, and we talk to A Case of Matricide author Graeme Macrae Burnet about proxies, accomplices, and doppelgangers in the not-so-quiet French town of Saint Louis. Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksTheme music by Carlos Guajardo-Molina

Dive into the world of literary fiction books with Tina from Book Talk, etc. Discover her top 5 book recommendations for readers and why she loves the genre.I'm so excited to launch our new All-Star Book Influencer series with our first guest, Tina from Book Talk, etc., who joins the show to offer our listeners her top recommendations for the best literary fiction novels.What Can You Expect From the All-Star Book Influencer Series?The All-Star Book Influencers Series will spotlight conversations with influential figures in the book world, from bookstagrammers and booktubers to podcast hosts and reading community leaders. Each of our upcoming guests has chosen their dream topic to discuss on our show.Here's what you can come to expect in the months ahead:Diverse Perspectives: Each guest will bring their unique take on reading, from curating lists that challenge our norms to reviving under-the-radar titles that deserve a second glance.Fresh Recommendations: We'll cover everything from contemporary must-reads to cozy classics, ensuring our conversations remain as varied and engaging as your tastes.Actionable Inspiration: Get ready for book talk that goes beyond the pages—these episodes will help you consider why you read what you do and how to open new pathways to reading more, reading diversely, and making your reading life more intentional.Today, we define what we think makes a great literary fiction book, whether novels need satisfying endings to be favorites, and share Tina's top five recommendations for beginning a literary fiction reading journey.We also discover more of her behind-the-scenes content creation process, including her experiences in the podcasting world, her transition to BookTube, and what she has learned about the importance of authenticity in content creation.BONUS BOOK LIST: Don't miss this week's bonus book list featuring 15 literary fiction titles perfect for escaping this reading season. This curated list includes both Tina's favorites and mine to kickstart your new reading journey.Meet TinaTina Books is a bookish content creator and book podcaster. She is a self-proclaimed book pusher with a passion for new releases who focuses on mystery/thriller, literary fiction, horror, contemporary fiction, and memoir. Tina cohosts Book Talk, etc., a weekly book recommendation podcast. She can be found on Instagram and TikTok at TBR, etc. She is also finding her way on Booktube, also at TBR, etc.  Mentioned in this episode:NEW BONUS BOOK LIST: 15 Literary Fiction Books For Character-Driven AdventuresJoin the November Book Club Chat (This is How it Always Is by Laurie Frankel)Book Talk, etc. PodcastEvenityThe Nonfiction November Challenge You NeedNotionA Little Life by Hanya YanagiharaA24 FilmsDemon Copperhead by Barbara KingsolverThe Safekeep by Yael Van Der WoudenIn Memoriam by Alice WinnThe Facemaker by Lindsey FitzharrisThe Nickel Boys by Colson WhiteheadThe Nickel Boys movieKanopyNever Let Me Go by Kazuo IshiguroNotes on an Execution by Danya Kukafka30 Fictional Serial Killer Books to Read NowThe Enchanted by Rene DenfeldThe Child Finder by Rene DenfeldAmy's Interview with Rene DenfeldBookshop.org pays a 10% commission on every sale and matches 10% to independent bookstores!Connect With Us:Join the Book Gang PatreonConnect with Tina on the Book Talk, etc. Podcast, Instagram, Tiktok, and YouTubeConnect with Amy on Instagram, TikTok, or MomAdviceGet My Happy List NewsletterGet the Daily Kindle Deals NewsletterBuy Me a Coffee (for a one-time donation)