Podcasts about subgenres

Wes Anderson's The Phoenician Scheme crash-lands into theaters with a symmetry—and we're here to unpack the wreckage. Benicio Del Toro plays Anatole “Zsa-Zsa” Korda, a morally exhausted arms dealer who survives a plane crash and decides, rather abruptly, to become a better man. His daughter, a nun (played with unsettling calm by Mia Threapleton), may be his salvation. Or his reckoning. Or both. Along for the ride: Michael Cera as a soft-spoken entomologist, a council of multinational bureaucrats with murderous intent, and Bill Murray as God (in grayscale, naturally).Pete Wright hosts this morally ambiguous briefing with fellow operatives Tommy Metz III and Steve Sarmento, as they parse Anderson's most spiritually ambitious and physically violent film to date. There are questions—big ones. Is this Cain and Abel by way of a TWA departure lounge? Why does forgiveness feel like a conference call?We dig into the film's sumptuous craft, its emotional architecture, and the performances that hold it all together with linen thread and murmured apologies. If you've ever wanted to see a man seek redemption through dinner parties, aerial espionage, and awkward family reunions, this one's for you.Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Pete Wright hosts a brutally personal Mother's Day episode of Sitting in the Dark, joined by regular co-conspirators Kyle Olson, Kynan Dias, and Tommy Metz III, as they dig into three films that ask a profoundly unsettling question: What if Mom is the monster?We start with Run (2020), a film that's more “Lifetime original” than it has any right to be. It's clean, tight, and distressingly effective. Sarah Paulson's performance is terrifying not because she twirls her mustache but because she doesn't have one. And newcomer Kiera Allen rolls (yes, rolls) away with the movie by doing exactly what her character does best—staying two clever steps ahead.Next, Goodnight Mommy (2014). Austrian, austere, and absolutely harrowing. It's a film about maternal misrecognition, grief-fueled delusion, and the dangers of not labeling your twins' toothbrushes. There's a twist, and if you see it coming, that won't make the third act any less of a gut punch. It's what happens when grief curdles, and no one's left to explain bedtime.And then: mother! (2017). Darren Aronofsky's symphonic descent into allegorical madness. Sure, it's “about” the Bible. It's also about climate change. It's about patriarchy, artistic ego, and the cosmic price of hospitality. Or maybe it's just a guy on a cocaine bender writing a play he'll never finish. Whether you think it's pretentious or profound (hint: it's both), one thing is clear—Jennifer Lawrence earns every ounce of your attention and maybe a few gallons of blood.Across these three films, the panel explores how motherhood in horror isn't just about nurture gone wrong. It's about architecture—both of the home and the psyche. It's about women who are worshipped, consumed, blamed, and erased. And yes, sometimes it's about cockroaches.Films Discussed:Run (2020) – dir. Aneesh ChagantyGoodnight Mommy (2014) – dir. Veronika Franz & Severin Fialamother! (2017) – dir. Darren AronofskyComing AttractionsFor Pride Month, Kynan's curating a trio of queer-coded and queer-explicit horror: from the monstrous repression of Nightmare on Elm Street 2, to the camp and creaturehood of Bride of Frankenstein, to the raw queer body-horror ballet of Titane. You won't want to miss it.Film SundriesThe List on LetterboxdWatch the movies discussed:Run: Apple • Hulu • LetterboxdGoodnight Mommy: Apple • Amazon • Letterboxdmother!: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (08:05) - The Horror Bond of Motherhood (15:41) - Run (32:43) - Goodnight Mommy (49:39) - Mother! (01:09:49) - Coming attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Are you tired of superheroes who always do the right thing? Exhausted by teams that save the day and, dare we say it, have a plan? This month, The Film Board dives into Marvel's Thunderbolts—the super squad you get when you order the Avengers from the bargain bin. Pete Wright is joined by Mandy Kaplan, Justin Jaeger, Tommy Metz III, and Steve Sarmento for a roundtable that spoils everything, celebrates Florence Pugh's star turn, and debates whether more MCU movies should end with a hug instead of a fistfight.We dig into the surprising emotional depth, the ensemble's knack for both grounded action and found-family pathos, and a Taskmaster controversy that set the chat ablaze. The conversation covers what works for Marvel die-hards and superhero newbies alike, why Florence Pugh and Lewis Pullman might be the new MVPs of the MCU, and how Jake Schreier's direction finds the sweet spot between earnest and absurd. Along the way, you'll hear our takes on trauma, group dynamics, and Julia Louis-Dreyfus's master class in playing Marvel's most maladaptive Nick Fury. This is a rare comic book movie that's as interested in grief and group therapy as it is in punching things.Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

"Schon wieder ein neuer Extraction-Shooter?" Das ist die übliche Reaktion auf eine Ankündigung eines neuen Titels aus dem Subgenre. Doch auf den zweiten Blick stellen wir fest, dass es kaum erfolgreiche Extraction-Shooter auf dem Markt gibt. In diesem Jahr erwartet uns mit ARC Raiders und Marathon nochmals vielversprechender Nachschub. Aber blüht den beiden Spielen dasselbe Schicksal wie Rainbow Six: Exctraction, DMZ aus Call of Duty und Hazard Zone aus Battlefield 2042?In Ausgabe 167 des PC Games Podcast quatschen Moderator Michi Grünwald und Redakteur Carlo Siebenhüner über die beiden anstehenden Shooter, aber auch über die großen Schwierigkeiten, die das Subgenre immer wieder mit sich bringt. Bis auf Hunt: Showdown und Escape from Tarkov verschwinden die meisten Titel nämlich recht schnell in der Bedeutungslosigkeit. Deswegen stellen wir uns die Frage, ob und wie ARC Raiders oder Marathon diesen Bann brechen können.Lasst uns gerne in den Kommentaren wissen, wie ihr zum Thema Extraction-Shooter steht. Welcher ist euer Favorit und was erhofft ihr euch von zukünftigen Spielen des Genres? Ihr könnt diese und ältere Folgen des PC Games Podcast ab sofort übrigens auch auf unserem YouTube-Kanal anhören. Wir wünschen euch viel Spaß mit der aktuellen Ausgabe!Der PC Games Podcast - der offizielle Videospielpodcast der PC Games - erscheint seit über einem Jahrzehnt regelmäßig und liefert dabei wöchentlich gleich mehrere Talks zum riesigen Thema Videospiele.Unser Moderationsteam, Michi Grünwald und Vivi Ziermann, deckt dabei etliche Bereiche ab: Review-Gespräche und Previews zu brandaktuellen Games, nostalgische Rückblicke, Reports, Interviews und vieles mehr. Dabei gibt es natürlich auch immer mal wieder spannende Insights in die Spielebranche und in die Redaktion des ältesten, noch aktiven Videospielmagazins Deutschlands - seit 1992 am Start!Unser Spiele-Podcast ist vollkommen kostenlos zugänglich und neben unseren Webseiten auch auf allen großen Podcast-Plattformen - von Apple Music bis hin zu Spotify - zu finden.

“All your followers are blind, Too much heaven on their minds, It was beautiful but now it's sour, Yes it's all gone sour.”Talking About Jesus Christ Superstar with our guest, editor Lucy DonaldsonFilm editor Lucy Donaldson joins Andy Nelson and Pete Wright to discuss Norman Jewison's bold 1973 musical adaptation Jesus Christ Superstar and share insights from her impressive editing career. From working on acclaimed projects like Ma to recent hits like A Haunting in Venice, Donaldson brings her expert perspective to analyzing what makes this unconventional rock opera work so magnificently on screen.In this entertaining and insightful conversation, Donaldson opens up about her journey in the film industry, from her early days at the National Film and Television School to assisting on major productions at Blumhouse before landing breakthrough editing opportunities. The discussion explores the collaborative nature of film editing, working with directors, and how test screenings help shape the final cut. The conversation then dives deep into Jesus Christ Superstar, examining how Jewison's creative vision of hippie performers telling the Biblical story in the Israeli desert creates a uniquely compelling cinematic experience. From the magnetic performances of Ted Neely as Jesus and Carl Anderson as Judas to the bold editing choices and striking cinematography, the group analyzes what makes this controversial film continue to resonate decades later.With its daring artistic choices, memorable musical numbers, and raw emotional power, Jesus Christ Superstar remains a fascinating piece of cinema that challenges conventional storytelling. Through Donaldson's thoughtful analysis and personal connection to the film, we gain new appreciation for this groundbreaking rock opera that shouldn't work on paper but absolutely triumphs on screen. This engaging discussion with a talented editor offers wonderful insights into both the craft of film editing and the enduring impact of bold artistic vision.Film SundriesWatch the conversation on YouTubeLucy's WebsiteWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Time to discuss the film that inspired this month's theme, Mikey Chu returns to unravel the secrets of The Empty Man directed by David Prior. The boys discuss how this film evolves from an urban legend to pure cosmic horror, as well as theorize on what actually happened. Thought + concentration + time = podcast!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we uncover the mysteries behind The Empty Man. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Mikey on social media:LetterboxdYouTubeHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Feste Kameraperspektiven, eine Story voller Symbole und melancholisch-düstere Atmosphäre: Post Trauma spricht mit seiner gesamten Aura die Fans von klassischem Survival Horror an. Während es im Blockbuster-Segment eher in 3rd-Person-Action-Horror geht, ist es ausgerechnet die Indie-Szene, die dieses Subgenre am Leben erhält. Post Trauma wurde zu weiten Teilen von einer einzigen Person entwickelt, und reiht sich damit zu anderen vergleichbaren Titeln, wie Crow Country, Hollowbody oder Mute House. Damit sind die Erwartungen gesetzt - und sie werden schnell gebrochen, wie Micha, Benny und Björn feststellen: Denn im Gegensatz zu den großen Vorbildern Silent Hill und Resident Evil setzt Post Trauma vor allem auf Rätsel. Viele, viele Rätsel. Werden die Kämpfe gegen Monster damit zum unnötigen Ballast? Oder kommt dadurch die Atmosphäre und metaphorische Geschichte nur noch besser zur Geltung? Erfahrt mehr im Cast! Diese Folge ist eine Kooperation mit Ink Ribbon Radio, dem umfangreichsten Podcast über Horrorspiele im deutschsprachigen Raum. Das Projekt von Björn und Benny findet ihr hier: https://ink-ribbon-radio.letscast.fm

So, noch eine Straße hier, dann die neuen Bauernhäuser da und dort drüben kommt der Marktplatz hin - was soll das heißen: "Elisabeth Müller ist unglücklich mit dem Blick aus ihrem Haus?!" Der jüngere Jochen und Aufbaukönigin Géraldine kennen solche Probleme in all den unterschiedlichen Skalierungen, die uns Aufbauspiele bieten. Und um die soll es diesmal gehen, samt Sub-Genres und unseren Wünschen für die ein oder andere Weiterentwicklung. Wenn ihr demnächst in euren Aufbaustädten gemeinsam mit Géraldine durch die Straßen radeln könnt, wisst ihr wieso! Viel Spaß bei der Städteplanung, Jochen & Géraldine Wenn ihr uns unterstützen möchtet, schaut doch mal hier vorbei: https://www.gamespodcast.de/abo/ Timecodes: 00:00:00 - Einleitung 00:07:07 - Frühe Beispiele und Qualitätskriterien 00:17:39 - Subgenres, aktuelle Trends und Nachahmer 00:44:41 - Early Access, Seasons, persistente Städte, Militär, Story und Deko 01:19:05 - Setting, Erkundung aus der Ego-Perspektive, Wünsche ans Genre und Spiele, auf die wir uns freuen In dieser Sendung zu hören: Jochen Redinger & Géraldine Hohmann

Episode 4 of Cue the Commentary explores Tik Tok, highlighting some of the subgenres and trends that are garnering many views. The music used is “Four Way” by William Ross from the Free Music Archive (freemusicarchive.org), modified under a Creative Commons Attribution 4.0 International Public License.

Welcome, you depraved ghouls and ghost enthusiasts, to another episode of Sitting in the Dark—the podcast where we ask the truly vital horror questions, like, “Is this house cursed by restless spirits, or is it just what happens when unresolved trauma and black mold get into a knife fight?” This week, host Tommy Metz III is joined by fellow ghost provocateurs Pete Wright, Kynan Dias, and Kyle Olson to dig into haunted house horror—though not just your average “the walls are bleeding, but let's still stay the night” tales. No, we're talking haunted spaces—as in, Session 9, Ouija: Origin of Evil, and The Others—three films that prove the scariest thing in any building isn't the wallpaper peeling off the walls… it's the emotional wreckage you brought with you.Tommy kicks things off with a haunted homage to asbestos removal (yes, really), leading a deep dive into Brad Anderson's Session 9—the only film that will make you afraid of abandoned hospitals and David Caruso's dramatic whisper-acting. Then it's on to Mike Flanagan's miraculous studio rescue, Ouija: Origin of Evil—the rare horror prequel that's smarter than its brand deal, sharper than its title suggests, and way too good to be based on a board game. Finally, the gang closes the coffin lid on Alejandro Amenábar's The Others, Nicole Kidman's masterclass in weaponized repression, ghostly guilt, and why sunlight is overrated anyway.Along the way, expect critical mass levels of hot takes on ghost psychology, asbestos-based metaphors, PG-13 trauma horror, and why the real haunted house is sometimes the one you build inside your own mind. So pull the blackout curtains tight, polish your crucifixes, and maybe call your therapist—because tonight, we're not just sitting in the dark. We are the dark.Film SundriesThe List on LetterboxdWatch the movies discussed:Session 9: Apple • Amazon • LetterboxdOuija: Origin of Evil: Apple • Amazon • LetterboxdThe Others: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:32) - Do you LOVE Ghost Stories (10:02) - Thinking about Haunted House Tales (16:28) - Session 9 (24:20) - Mysterious Peanut Butter (26:04) - Session 9 (35:43) - Ouija: Origin of Evil (55:16) - The Others Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Sometimes when you podcast with the devil, it follows you home... We're discussing Ryan Coogler's southern gothic sensation Sinners, which happen to fall perfeclty into our theme this month. The boys discuss racial assimilation, black joy, Coogler's remix of vampire lore, and the power of music. This is a spoiler-filled discussion, so please do yourself a favor and see the film in theaters! New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we uncover the mysteries behind The Empty Man. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Try to keep your horniness in check as the boys discus Lifeforce directed by Tobe Hooper. We're talking Hooper's unique career, vampire lore, and how the government and military will never be more powerful than boners. Prepare for love on a level you've never felt before!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we uncover the secrets of The Empty Man. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

3 targets on the Kill List, 3 podcasting boys just trying to make a living. The boys are joined by All-Star Specter Jay Krieger (Genre Haze, Safe Room Podcasts) to discuss the part domestic drama/part hitman thriller/part cult ritual/ film by Ben Wheatley. Over the top violence, dark comedy, and confronting the darkness within. Abracadabra!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we're getting real horny in space talkin Lifeforce. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Jay on social media:BlueskySafe Room PodcastHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Send us a textIn Episode 195 of Book Talk, Etc., Tina and Hannah dive into the world of historical fiction and what defines the genre. We discuss our favorite historical fiction sub-genres, explore the historical settings we love, how often we reach for historical fiction, and what keeps us coming back to stories set in the past.If you enjoy our commercial-free podcast, please consider supporting us on Patreon! Your membership will give you access to our exclusive bonus episodes, including Niche Novels, Books We DNFed, and What's in the Mailbag! Plus, you'll receive invites to monthly events like Mood Reader Happy Hour and Bookstore Browsing, and a private Facebook group and Discord server where you can interact with other fans of the show... all for just $5 a month!If you prefer other shopping options, you can find today's books on Bookshop.org or Blackwell's. Purchasing through these links supports us with a small commission, at no extra cost to you.Loving LatelyElf - Glow Reviver Lip Oil (T)Kondo and Kezumi - Series (H)Community ReadWild Dark Shore (T+H)Book TalkCurrently Reading Episode - Season 7, Episode 3In Memoriam | Alice Winn10 Popular Historical Fiction Sub-Genres See What I Have Done | Sarah SchmidtCursed Bread | Sophie MackintoshThe Quiet Librarian | Allen EskinsHistorical Fiction Beyond WWIIClear | Carys Davies (T)The Inheritance | Trisha SakhlechaThe Witching Tide | Margaret Meyer (H)The Good People | Hannah KentThe Unexpected Diva | Tiffany L. Warren (T)Heaven & Earth Grocery Store | James McBride (H)Shelf AdditionsSupport the showLet's Connect... Email us at booktalketc@gmailBTE on YoutubeTina's TikTok , IG @tbretc YT @tbretcHannah's TikTok , IG @hanpickedbooksJonathan IG @infiltrate_jayPodcast IG @booktalketcRenee's Substack Newsletter , IG@Itsbooktalk

For nearly a century, horror films have told us a story—one of terror, of survival, of the inevitable confrontation between innocence and brutality. But there's one story, in particular, that has evolved in ways both subtle and seismic: the story of the Final Girl.It begins in the shadows, in the screams of Janet Leigh, in the wide, terror-stricken eyes of Jamie Lee Curtis. The Final Girl is the last one standing, the one who fights back, who outwits the killer, who survives. But survival is never just survival, is it? It's transformation.It's a reckoning. And it's a mirror reflecting the anxieties of the era.In this episode of Sitting in the Dark, Kyle Olson takes us on a journey—a journey that moves from the early days of horror's damsels-in-distress to the fierce, unrelenting heroines of the modern era. With Pete Wright, Tommy Metz III, and Kynan Dias by his side, the discussion turns to three films that redefine the trope for the 21st century: Prey (2022), Sweetheart (2019), and The Invisible Man (2020).What do these films tell us about the evolution of gender in horror? How does the Final Girl of today differ from her predecessors? And perhaps most intriguingly, why are these stories—stories written by men—resonating so deeply with audiences yearning for something different?From the jungles of Prey to the desolate island of Sweetheart to the omnipresent, unseen menace of The Invisible Man, this is an exploration of fear, of power, and of the ghosts that refuse to be ignored. Because in horror, as in life, survival is never just about making it to the end. It's about what you become along the way.Film SundriesWatch the movies discussed:Sweetheart: Apple • Amazon • LetterboxdThe Invisible Man: Apple • Amazon • LetterboxdPrey: Apple • Amazon • LetterboxdHer Body, Himself: Gender in the Slasher Film by Carol J. Clover (00:00) - Welcome to Sitting in the Dark (07:20) - Sweetheart (21:22) - Prey (42:38) - The Invisible Man (01:04:05) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Worum geht's? 1990 erscheint mit F-Zero ein Launch-Titel für das brandneue Super Nintendo, der nicht nur als technisches Schaufenster für das neue Mode-7-Scrolling dient, sondern auch ein neues Subgenre im Rennspielbereich definiert: futuristische High-Speed-Rennen mit schwebenden Gleitern auf halsbrecherischen Strecken. Als Spieler steuert man eines von vier Fahrzeugen durch Loopings, Schikanen und Energiezonen – begleitet von einem ikonischen Soundtrack und minimalistischem, aber prägnantem Design. Gunnar und Fabian sprechen in dieser Folge über die Entstehung des Spiels, die Bedeutung für Nintendos 16-Bit-Start und wie F-Zero mit Tempo, Stil und Präzision den Grundstein für eine langlebige Serie legte. Infos zum Spiel: Thema: F-Zero Erscheinungstermin: November 21, 1990 (Japan), USA 1991, EU 1992 Plattform: SNES Entwickler: Nintendo EAD Publisher: Nintendo Genre: Rennspiel Designer: Takaya Imamura, Shigeru Miyamoto u.a. Music: Yumiko Kanki, Naoto Ishida Produktions-Credits: Sprecher, Redaktion: Fabian Käufer, Gunnar Lott Audioproduktion: Sascha Blach, Christian Schmidt Titelgrafik: Paul Schmidt Intro & Outro: Nino Kerl (Ansage); trash80.com (Musik)

Wir besprechen und reviewen darin ein aktuelles (Indie)-Spiel, einen Underdog oder ein übersehenes Kleinod und schauen uns an, in welchem Subgenre es sich bewegt. Welche Spiele führten zu diesen Mechaniken, was sind die Inspirationen und die "Verwandten", die den Weg hin zu diesem aktuellen Titel geebnet haben.

Talking About Michael Schaack's Felidae with our guests, Deaf Crocodile's Dennis Bartok and Craig RogersJoin us for a fascinating conversation with Dennis Bartok and Craig Rogers, co-founders of Deaf Crocodile Films, as we explore their journey in film restoration and distribution, culminating in their latest release—the 1994 German animated noir Felidae. From their early days working together at Cinelicious Pictures to launching Deaf Crocodile during the pandemic, these passionate film preservationists have rescued nearly 70 films from obscurity thus far.The heart of our discussion centers on Felidae, a dark animated detective story following Francis, a cat who moves to a new neighborhood only to find himself embroiled in a series of gruesome murders. The film, based on the first of Akif Pirinçci's novel series, pushes boundaries with its mature themes, graphic violence, and surprising commentary on eugenics. We dive deep into the challenging restoration process, including the race against time to preserve the deteriorating original negative, and the fascinating history of this ambitious international animation project that featured Boy George on its soundtrack.Beyond Felidae, Dennis and Craig share incredible stories about their other restorations, including the rediscovery of Solomon King, a lost 1974 black action film they found through its soundtrack album. They discuss their philosophy on film restoration, the challenges of securing rights to forgotten films, and their commitment to preserving cinema history while making these works accessible to modern audiences.This episode offers a rare glimpse into the world of film restoration and distribution, highlighting how passionate individuals are working to save important pieces of cinema history. Felidae stands as a prime example of their work—a unique, challenging animated film that deserves to be rediscovered by modern audiences, and we had a wonderful time discussing it with these dedicated film preservationists.Film SundriesCheck out Deaf Crocodile!Tune in to The Official Deaf Crocodile PodcastFind Deaf Crocodile on Instagram, Bluesky, and TwitterFind Dennis on IMDbListen to Pete's and Andy's conversation about Gangs of Wasseypur Part 1 and Part 2 on The Next Reel Film PodcastListen to Pete's and Andy's conversation about Dead Mountaineer's Hotel on The Next Reel Film PodcastListen to Pete's and Andy's conversation about Kin-Dza-Dza! on The Next Reel Film PodcastWatch our conversation on YouTube!Find other places to watch this at JustWatchScript OptionsTheatrical trailer (restoration version)Original MaterialLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

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Brian Fallon ist Kopf – sprich Sänger, Gitarrist und Songwriter von The Gaslight Anthem. Die sind eine der führenden Bands im Subgenre des Heartland Punk – ein von Americana, Roots Rock und dem Working-Class-Spirit eines Bruce Springsteen beeinflusster Sound.Fallon kommt am 28. Januar 1980 in Red Bank, New Jersey zur Welt. Er wächst im Stadtteil Hackettstown auf. Mit 17 veröffentlicht er unter dem Namen No Release sein erstes Tape. Nach ersten Band-Erfahrungen mit Amping Copper und Surrogate McKenzie veröffentlicht er 2004 die „American Music“-EP. Auf der singt Fallons Mutter Debbie die Backing-Vocals.Im gleichen Jahr gründet Fallon die Band This Charming Man aus der sich 2006 The Gaslight Anthem bilden. Zwischen 2007 und 2014 veröffentlichen The Gaslight Anthem fünf Alben, mit denen sie sich in einer breiten Szene zwischen Punk, Emo und Indie einen hehren Status erspielen.Nach neun Jahren Album- und zwischenzeitlicher Bandpause erscheint 2023 mit „History Books“ das sechste Album von The Gaslight Anthem.Die Zwischenzeit hat Fallon genutzt, um vier Soloalben zu veröffentlichen und mit Molly And The Zombies ein Americana/Folk-Projekt zu gründen. Nicht zu vergessen, dass er mit The Horrible Crowes schon zuvor ein Seitenprojekt hatte.Fallon ist bekennender Christ, zum zweiten Mal verheiratet und Vater von zwei Kindern. Hosted on Acast. See acast.com/privacy for more information.

Afro House ist ein Subgenre der elektronischen Tanzmusik mit Wurzeln in Südafrika. In den letzten Jahren hat sich Afro House zu einem der angesagtesten Club-Sounds im Globalen Norden entwickelt. Zu den einflussreichsten Akteuren zählen das Berliner Label Keinemusik und der Superstar-DJ Black Coffee. Tracklist Sounds! Mixtape: Caiiro - Huhudi Citizen Deep Feat. Starr Healer - Mdali Blue Method - Indigo Culoe De Song - Lakeside Gods Shimza/Manana - Ain't It Amazing Emmanuel Jal/Bun Xapa - Chaak Kasango/Chris Arna/Voodoochild - Like That Moonchild Sanelly - Bashiri Nathan Gabri/Keka Shushi - Oay Le Kususa/Argento Dust/Zakes Bantwini - Asanda Omah Lay/Lekaa Beats - Holy Ghost (Martin Solveig Remix) Rampa/Adam Port/&Me Feat. Chuala - Say What

This week on Horror Joy, Brian and Jeff traverse the eerie corridors of liminality in horror. They kick off with a deep dive into the Apple TV series Severance, exploring how its portrayal of work-life separation raises existential and psychological questions. Is it a thriller, or horror? Moving forward, they venture into the unsettling realm of analog horror, with a focus on YouTube creators like Kane Pixels and Alex Kister.Join us as we travel deeper in the backrooms of liminal horror and the analog threat:·We'll discuss how liminality works in Gothic literature·We'll analyze what Severance tells us about the value of labor and the role that religious language plays in the trust/fear/disgust of corporate overlords·We'll question how authenticity is found in the gritty videos of analog horror and the terror of a found footage retelling of Biblical stories·We'll find joy in the mystery box of Severance and the labor of love of analog horrorFrom grainy VHS aesthetics to biblical retellings, they examine how these themes distort reality and evoke a primal fear of the unknown. Join them in exploring the blurred lines of identity, the nature of labor, and the unsettling nostalgia of analog media.SeveranceKiller tapes and Shattered Screens by Caetlin Benson-AllotThe BackroomsThe Mandela CatalogExploring Liminal Spaces in Gothic Literature: The Role of Transition andBoundary in Frankenstein, Dracula, and the Works of Edgar Allan Poe by Mariyam FarzandArts of Wonder by Jeffrey L. Kosky “What Is Analog Horror? The Subgenre of 'Skinamarink' Explained.” By Samuel Williamson. Collider. 7 Feb. 2023The Ritual Process by Victor TurnerWalter BenjaminAlienation in laborLimbo 00:00-02:18 Hosts Introduction and Episode Overview02:19 Deep Dive into Severance03:52 Liminality in Gothic Literature05:27 Severance: Themes and Analysis07:12 The Horror of Modern Workspaces16:23 Rituals and Symbolism in Severance24:51 Helly R's Role and Corporate Religion27:30 Exploring the Horrors of Severance28:40 The Liminality in Severance and Analog Horror30:45 Analog Horror: A Dive into the Genre35:08 The Mandela Catalog and Biblical Narratives37:28 Medieval Drama and Modern Analog Horror47:23 Finding Joy in Horror52:09 Conclusion and Final Thoughts                

“I thought I saw a specter at your shoulder.”Ian Seabrook, acclaimed underwater cinematographer behind upcoming Last Breath and next year's live-action Moana, joins us to dive deep into the 1965 James Bond classic Thunderball. With decades of experience filming beneath the waves, including recent work on Indiana Jones and the Dial of Destiny, Old, and Jungle Cruise, Seabrook shares fascinating insights about his journey from amateur underwater photographer to Hollywood cinematographer, and why Thunderball remains such an influential film in his career.From the groundbreaking 10-minute underwater battle sequence to the technological innovations that made filming underwater possible in the 1960s, we explore how Thunderball pushed the boundaries of what could be achieved on camera beneath the waves. Seabrook offers unique perspective on how underwater filming has evolved from the days of pure practical effects to modern CGI, while discussing his work on recent films like Last Breath and the vital importance of creating safe, comfortable environments for actors working underwater. The conversation spans everything from early influences like National Geographic magazines to legendary underwater filmmaker Ricou Browning (who directed Thunderball's underwater sequences and famously played the Creature in Creature from the Black Lagoon) to the challenges of directing actors underwater and building trust with performers who may be facing their fears in an unfamiliar environment.Whether you're a James Bond fan or simply interested in the craft of filmmaking, this discussion illuminates why Thunderball remains a landmark achievement in underwater cinematography. Ian's passion for his craft and deep knowledge of both the technical and artistic aspects of underwater filming made for an engaging conversation about this classic film that helped establish underwater action sequences in modern cinema.LinksFind Ian on his website, on IMDb, or on InstagramWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal Material and on AudibleLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Welcome to Sitting in the Dark, the podcast that illuminates the shadowy corners of horror cinema. This month, your host, Kynan Dias, and a coven of his most insightful monster aficionados – Pete Wright, Kyle Olson, and Tommy Metz III – go under the sheets into a chillingly erotic realm: the intersection of horror and sex.Now, we're not talking about the gratuitous, the exploitative. No, this is a deeper dive, a plunge into the murky waters where fear and desire intertwine. Think of it as the uncanny valley of emotion – that unsettling space where repulsion and attraction collide.Our cinematic subjects? A trio of films that span decades and genres, each offering a unique perspective on this monstrous ménage à trois. First, we confront the hallucinatory, emotionally raw world of Andrzej Żuławski's Possession. Isabelle Adjani's Cannes-winning performance anchors this psychosexual nightmare, a film that pushes the boundaries of body horror and marital breakdown. Prepare for tentacles. Prepare for existential dread. Prepare to question everything you thought you knew about love and divorce.Next, we shapeshift into Mike Nichols' Wolf, a film that explores the beast within. Jack Nicholson's transformation from corporate drone to lycanthrope becomes a metaphor for unleashed primal instincts.Finally, we sink our teeth into Karen Kusama's Jennifer's Body. This darkly comedic horror-satire tackles the complexities of female desire and monstrous appetites. Megan Fox, as the titular Jennifer, embodies the seductive power of the demonic feminine, a force that both allures and devours.Film SundriesPossession: Apple • Amazon • JustWatchWolf: Apple • Amazon • JustWatchJennifer's Body: Apple • Amazon • JustWatch (00:00) - Welcome to Sitting in the Dark (03:22) - Sexy, Sexy Monsters (07:22) - Possession (26:04) - Wolf (47:59) - Jennifer's Body (01:11:54) - Coming Attractions: Last Woman Standing Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Enigmatic whispers in the Oregon woods. A father's love, twisted and gnarled. This isn't your grandmother's werewolf story. Because she probably killed the wolf and made his pelt into a coat, AmIRight?Pete, Tommy, and Steve venture into the shadowy heart of Leigh Whannell's Wolfman, a film that dares to ask: what if the monster within isn't just fur and fangs, but the inherited burden of family, the gnawing anxieties of parenthood, and the terrifying erosion of self? Forget silver bullets and full moons. This is a descent into the primal, a claustrophobic exploration of generational trauma played out in a remote farmhouse, where the walls close in as quickly as the darkness.And yet, the crew wrestles with the film's unrealized potential on almost every point, the tantalizing promise of thematic depth ultimately yielding to a sense of hollowness. So, is it a poignant meditation on the fragility of connection? Or a missed opportunity?Ok, it's mostly the second one. Mostly. Listen in to learn just how much, though!Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Stephen, Jake & Ryan enter the arena to definitively decide if sci-fi, epic fantasy or grimdark has the best characters! Which genre do you support? Next Up: Hyperion by Dan Simmons Check us out on YouTube: https://youtube.com/c/FantologyPodcast Chat with us more and support in the links below https://www.fantologybooks.com https://discordapp.com/invite/k5efNbG https://www.patreon.com/fantology_books http://www.audibletrial.com/Fantology https://www.redbubble.com/people/fantology/shop Music Credit: Nathan Towns, see more at https://nathantownscomposer.com/

Talking About Inglourious Basterds with our guest, cinematographer Shane HurlbutIn this engaging episode of Movies We Like, acclaimed cinematographer Shane Hurlbut joins hosts Andy Nelson and Pete Wright to discuss Quentin Tarantino's masterpiece Inglourious Basterds and share fascinating stories from his illustrious career behind the camera. From his humble beginnings on a farm in upstate New York to becoming one of Hollywood's most innovative cinematographers, Hurlbut's journey is filled with determination, creativity, and a fearless approach to his craft.The conversation delves deep into what makes Inglourious Basterds a cinematographic triumph, with Hurlbut breaking down the brilliant work of Robert Richardson and how the film's visual style enhances its storytelling. He discusses the importance of tension-building in Tarantino's work, the strategic use of lighting, and how the film's iconic scenes were crafted to maximize dramatic impact. The discussion also explores the significance of color, particularly the use of red throughout the film, and how it ties into the narrative themes.Hurlbut shares incredible behind-the-scenes stories from his own career, including his innovative work on films like Drumline, Terminator Salvation, and The Babysitter. He details how he overcame challenging shooting conditions, developed creative solutions to technical problems, and established strong collaborative relationships with directors like McG and Charles Stone III. His anecdotes about transforming limited resources into cinematic gold provide valuable insights into the art of cinematography.Inglourious Basterds stands as a testament to the power of masterful filmmaking, where every technical element serves the story's emotional core. Our conversation with Shane Hurlbut not only illuminated the brilliant craftsmanship behind this modern classic but also demonstrated how passion, innovation, and fearless creativity continue to push the boundaries of cinematic storytelling.Film SundriesFind Shane on his website, Facebook, Instagram, and IMDbLearn more about Filmmakers Academy on their YouTube channelWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

What makes a single movie become a phenomenon? What is it about certain films—films that arrive in theaters, scare the daylights out of us, and then stay with us—that transforms them into franchises spanning decades? Why does one horror film birth sequels, spin-offs, reboots, and even TV shows, while others fade quietly into obscurity?Picture this: a young boy receives a doll for his birthday, only to discover it's inhabited by the spirit of a serial killer. Elsewhere, a teenager falls asleep, only to find herself hunted by a burned man in a striped sweater who kills through dreams. And, in another corner of horror lore, a puzzle box opens the doors to a realm of sadistic creatures who blur the line between pleasure and pain. These, taken on their own, sound mostly ridiculous.Child's Play, A Nightmare on Elm Street, and Hellraiser. These three films became more than just singular stories—they evolved into worlds. Worlds filled with iconic characters like Chucky, Freddy Krueger, and Pinhead, names that transcend the genre to become part of pop culture itself. But how?Why do some horror films captivate us so deeply that we want to revisit their worlds, again and again? Why do we keep coming back to the dolls, the dream-demons, and the interdimensional sadists? Unforgettable villains? Unique and terrifying concepts? Marketing? Or is it something deeper—something they reflect about us, about our society, about our fears?Today, we're going to explore this question by diving into these three legendary horror films as we take on First Frights this month on Sitting in the Dark with Pete Wright, Kynan Dias, Kyle Olson, and Tommy Metz III. (00:00) - Welcome to Sitting in the Dark (04:39) - First Frights (08:05) - A Nightmare on Elm Street (26:20) - Hellraiser (46:59) - Child's Play (01:06:28) - Coming Attractions: Sexy, Sexy Monsters! Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Is Amazon's $250 million Christmas blockbuster Red One a fresh take on holiday magic, or a cynical cash grab? Join Pete and guest Matthew Fox as they unwrap this action-packed holiday film starring Dwayne "The Rock" Johnson and Chris Evans. From buff Santas to beach-fighting snowmen, this episode explores how Hollywood's attempt to "Marvelize" Christmas might have missed the spirit of the season.Did Red One forget what makes Christmas special? We dive deep into how the movie's attempt to universalize Santa Claus across all cultures reveals a concerning lack of cultural awareness. The hosts explore why forcing Christmas onto everyone – including those who don't celebrate it – feels particularly tone-deaf in our current social climate.What happens when you mix Marvel-style action with holiday mythology? We examine how J.K. Simmons' surprisingly buff Santa and the movie's fresh take on Krampus reshape traditional Christmas lore. The discussion weighs whether these creative choices enhance or diminish the heart of Christmas storytelling.This episode brought to you by:LevelUp LightsaberAudible Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

This week, Gare, Steph and I chose our own genres to pick books from, and tried to guess what each other picked based on our choices! Listen and you can play along with us!Kate's PicksThe PredictionFatal IntrusionDead MoneySteph's PicksA Step Past DarknessJane DoeThe Mindfuck SeriesGare's PicksThe Girls Are All So Nice HereTell Me EverythingOnly If You're Lucky

Im März 1933 erschien mit „The Tower of the Elephant“ eine der beliebtesten Erzählungen aus dem Bereich der „Sword and Sorcery“, jenem Subgenre der Fantasyliteratur, in welchem schwertschwingende Helden (und Antihelden) spannende Abenteuer in einer Welt voller Magie (ja), Gewalt (oft) und Exotik (meistens) erleben. Im Gegensatz zur High Fantasy wird dieses Subgenre gerne als „minderwertig“ betrachtet, was der Sache aber nicht gerecht wird, wie ich finde. Natürlich geht es hier weniger um komplexe Intrigen und weltverändernde Geschehnisse, sondern eher um die persönlichen Kämpfe und Abenteuer eines Protagonisten.

In this final Halloween-themed episode of Screams in Focus, hosts Diana and Renee dive into their favorite horror TV shows and movies. Starting with the hot series From and the iconic The Walking Dead, they discuss how zombie horror became mainstream and why it's one of their favorite subgenres. They also explore classics like Halloween and Night of the Living Dead and modern hits like Stranger Things, Fear Street, and A Quiet Place: Day One. Diana and Renee share personal anecdotes, talk about trends in the horror genre including major actors in horror roles, and family-friendly options like Ghostbusters. Diana and Renee also chat about The Servant, I Am Legend, and comedy horror favorites like Shaun of the Dead. Plus, they offer fresh horror recommendations and reflect on how the genre has evolved emotionally and culturally. Check out earlier episodes for more spooky insights! Chapters & Timestamps: 00:00 – Introduction to Screams in Focus 02:10 – TV Series That Keep Us Hooked (From and The Walking Dead) 08:21 – Diving into Horror Movies 16:13 – The Walking Dead and Zombie Phenomenon 21:48 – Horror Movie Inspirations and Spin-offs 22:33 – Classic Horror Films and Their Impact 23:29 – Zombie Movies: World War Z to Train to Busan 24:05 – Comedy Horror: Shaun of the Dead and More 24:57 – Family-Friendly Horror Films 26:45 – Least Favorite Horror Films 30:48 – Screaming Moments in Horror 36:08 – Fresh Screen Segment: Latest TV and Movies 38:31 – Final Thoughts and Farewell Renee Hansen:  https://linktr.ee/renee.hansen Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com  X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus Feedback and TV/Movie Recommendations:  Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com

Throwback Trivia Answer

Throwback Trivia Question

K-pop has taken the world by storm in the last decade, but you may not have heard of K hip-hop, a subgenre that is stacking up millions of streams.

In this episode, Bill and Chris discuss analog horror, a subgenre of horror fiction that originated online in the late 2000s and early 2010s. They review various web series and YouTube channels that fall under the analog horror genre, including Arcadia TV, CH/SS, Channel 7 Restored, FNAF VHS, Winter of 83, Where the Fuck Are We?, and Marble Hornets. They highlight the unique storytelling techniques and themes explored in each series, such as parallel dimensions, mental health, extraterrestrials, and alternate history. In this part of the conversation, Prof. Christopher Bricklemyer and Bill discuss various examples of analog horror, including Marble Hornets, Local 58, Gemini Home Entertainment, and more. They touch on the use of bad lighting and loud noises in Marble Hornets, the slow pacing of some analog horror series, and the importance of creating an authentic VHS aesthetic. They also mention other analog horror series like The Real, Murohai, and Godzilla-based ones. The conversation highlights the diverse range of storytelling and artistic styles within the analog horror genre. The conversation covers various analog horror series and movies, with a focus on their unique storytelling and immersive experiences. The discussion includes recommendations for specific series and creators, such as Monument Mythos, Surreal Broadcast, CHSS, FNAF VHS, Winter of 83 Eventide Media Center, Midwest Angelica, Local 58, The Mandela Catalog, The Tangy Virus, Omega Mart, Vita Carnis, The Oldest View, The Back Rooms, and Greylock. The hosts also reminisce about past episodes and segments, including a tribute to the late Robert Loggia.

The monsters are no longer in the closet! This week, Peaches and Michael dig into a “fearz” subgenre that's near and dear to their hearts – QUEER HORROR! In addition to discussing how they've watched the cultural conversation around LGBTQIA+ representation in genre shift in real time, our hosts delve into the very real catharsis fright cinema provides for those who have faced the true horrors of society. Joining the conversation is acclaimed author Dr. Heather O. Petrocelli, whose life work has led to the definitive empirical study that links queer spectator ship and the horror genre. Then, celebrated author and playwright Sean Abley stops by to discuss penning one of the first “out” columns in Fangoria, as well as his years in the making work on a true encyclopedia of Queer Horror films. From Clive Barker's bloodletting to the trans male fascination with werewolves and beyond, this episode has it all! GO! 

Environmental Portraits in Papua-Neuguinea und der Mongolei Hey Leute, dieses Mal zu Gast im Podcast die Schweizer Fotografin Diana Barthauer. Die gebürtige Deutsche hat nach vielen Jahren der Landschaftsfotografie seit einiger Zeit ein neues Subgenre für sich entdeckt, das Fotografieren von Menschen in der Landschaft eingebettet – neudeutsch auch Environmental Portraits genannt. Dabei geht ihr […]

This month join Maddie, Rachel A, and Stefanie as they discuss the subgenres of Mystery. They hit on Noir, Cozy, Paranormal, and Thriller, and talk about books with twists you won't see coming. 

Welcome to the Boomcast. Episode #22 is the first in an ongoing series called MOVIE SUBGENRE, in which fellow cinephile BEN LEWANDOWSKI and myself examine similarly themed films. Today we list our TOP 10 HIJACKING FILMS! This show will have you flying high! I know that was bad but it had to be done. The act of hijacking a plane has always made for great action/drama in cinema and Ben and I look back at some of our favorites. Enjoy!

As if we hadn't gorged enough on lore last week, this time we welcome one of electronic music's boldest world-builders, Iglooghost.Iglooghost's new album Tidal Memory Exo takes place in a punk-dystopian vision of a British seaside town that's been cut off from the rest of society. It even comes accompanied by an online forum where users debate the politics and micro-genres of the local “tidal scene” (sporestyle, tektonikore, foamtek) and an online marketplace where people sell mysterious sea creatures and offer theories about their origins, among many other diversions. Something else that interested us about the project is that while Iglooghost's early releases took place in full-on fantasy world, recently he's started creating parallel universes based in Britain, bringing his lore-making closer to his own reality. Prior to Tidal Memory Exo, he created a whole world around “Lei Music” – a supposedly ancient musical style performed to summon “strange, squeaking entities” in rural Dorset, the part of south-west England where he grew up.Naturally we spoke to him about all that and about lore in general, as well as getting his insights on the ever-changing nature of the online experience, his obsessive fans, TikTok as a ghost town, and the risk of world-building becoming too cynical. Never go full Marvel, basically.As ever, if you enjoy what we're doing on No Tags, please do follow, rate and review on your podcast app of choice, correspond with us on Substack, and consider subscribing to our paid tier. Now that we're weekly, £5 a month works out to less than £1.20 per episode, which is basically a bag of crisps these days – and it really does help us out. Thanks for listening/reading! Get full access to No Tags at notagspodcast.substack.com/subscribe

Welcome to episode three of three in my royal fiction series, which we started with Katharine McGee, continued with Linda Keir, and are finishing with Heather Cocks and Jessica Morgan, authors of both The Royal We and The Heir Affair. I would argue that The Royal We released in 2015—actually kickstarted this trend of royal fiction that continues and continues today. In this book—which is inspired by the love story of Prince William and Kate Middleton—we meet an American girl, Bex Porter, who meets a dreamy guy named Nick while at Oxford, and finds herself accidentally in love with, casually, the heir to the British throne. Interestingly, the American aspect was introduced by Heather and Jessica in 2015, before Prince Harry ever met Meghan Markle the next year, in 2016. In 2020, the follow up to The Royal We, The Heir Affair, was released, and in this book, we find (slight spoiler alert here) Bex adjusting to royal life, including a scandalous secret that turned her wedding to Nick into a nightmare, leaving them in self-imposed exile. Trying so hard to not give spoilers here. In this book we get to know the character of Freddie more, and—you know what, you just need to add these two books to your summer beach bag, and you just need to read the books. Because if I keep going, I'm going to give plot points away, and I don't want to do that. I am so thrilled to have had the chance to chat with the dynamic Heather and Jessica, who, in addition to writing these two books, are the creators of the unparalleled celebrity fashion blog, Go Fug Yourself, and are known as such as The Fug Girls. In addition to The Royal We and The Heir Affair, they've also written two young adult novels, Spoiled and Messy, and have written everywhere from New York Magazine to Vanity Fair to Cosmopolitan, The New York Times, The Washington Post, W, Glamour, and more. One thing we actively and intentionally avoid in this conversation is the real-life happenings of the royal family—so if you're looking for dish and juice on that, you'll be disappointed—but you won't be disappointed in this chat, which is fantastic. In this conversation, we prefer to stay in the fictional world of Bex and Nick and Freddie, and I think you'll find that you'll enjoy it there with us. These two women are phenomenal.   The Royal We by Heather Cocks and Jessica Morgan The Heir Affair by Heather Cocks and Jessica Morgan

Fun With Dumb Ep #284: All the way from Sydney Australia, we're joined by Audiophile/Radio Host/DJ/Content Creator Derrick Gee as we talk about the coining sub-genres, finding music gems, and the business of Kpop. Thank You To Our Sponsor Zocdoc: https://www.zocdoc.com/dumb Join Our Patreon: https://patreon.com/funwithdumb Business Inquiries: dfd@dumbfoundead.com More FWD: https://linktr.ee/funwithdumb Hosted By Jonnie "Dumbfoundead" Park Dumbfoundead: @dumbfoundead   https://www.instagram.com/dumbfoundead Follow Rek: https://www.instagram.com/rekstizzy Follow Derrick Gee: https://www.instagram.com/gee_derrick/ Intro Animation by: @yeetheeast Intro Song by: @sweater_beats Fun With Dumb Producers:  Jonnie "Dumbfoundead" Park Dave Wu Alex the Intern Special Thanks to Our Patreon Family Members: Jessica A Walker Justin S Andrew Y Jason Y Allen L Julio Obvious Lee Chris M Davis Learn more about your ad choices. Visit megaphone.fm/adchoices

Wir sezieren ein ganzes Genre. Den Horrorfilm. Wie haben sich Gruselstreifen seit der Stummfilmzeit verändert und haben wir heute vor anderen Dingen Angst, als die Leute damals? Welche waren die einflussreichsten Werke? Mit welchen Stilmitteln erzeugen Regisseure Anspannung, Angst und Panik? Macht euch bereit für eine interessante und wohlig beklemmende Analyse einer ganzen Kunstgattung. – – – – – – – – – – – WERBUNG Die Links zu unseren Werbepartnern findet ihr hier: https://bit.ly/kussponsored – – – – – – – – – – – PODCAST KAPITEL (00:07:16) Wiederholung: Was ist ein Genre? (00:16:07) Geschichte des Horrorfilms: Stummfilmzeit und Goldene 20er (00:30:37) Die 30er und 40er - Monsterfilme und Hays Code (00:47:09) Die 50er - Kinokrise und Sci-Fi-Horror (01:04:41) Die 60er - Wiederbelebung des Genres (01:16:54) Die 70er - Blütezeit und neue Trends (01:33:22) Die 80er - Sequels und Kommerz (01:46:40) Die 90er - Es wird seltsam (01:57:24) Die 2000er bis heute - es wird wieder härter (02:13:23) Subgenres (02:20:32) Stilmittel: Ton und Musik (02:34:10) Stilmittel: Suspense / Surprise / Negativraum (03:07:33) Hinweis: Discord und Facebook Gruppe (03:08:59) Hörerfeebback und Co. – – – – – – – – – – – Unsere IMDb Playlist: https://imdb.to/46UdNhm – – – – – – – – – – – Kack & Sachgeschichten - Der Podcast mit Klugschiss http://www.kackundsach.de/ Alle Links und Infos auch hier: https://linktr.ee/kackundsach

Wir sezieren ein ganzes Genre. Den Horrorfilm. Wie haben sich Gruselstreifen seit der Stummfilmzeit verändert und haben wir heute vor anderen Dingen Angst, als die Leute damals? Welche waren die einflussreichsten Werke? Mit welchen Stilmitteln erzeugen Regisseure Anspannung, Angst und Panik? Macht euch bereit für eine interessante und wohlig beklemmende Analyse einer ganzen Kunstgattung. – – – – – – – – – – – WERBUNG Die Links zu unseren Werbepartnern findet ihr hier: https://bit.ly/kussponsored – – – – – – – – – – – PODCAST KAPITEL (00:07:16) Wiederholung: Was ist ein Genre? (00:16:07) Geschichte des Horrorfilms: Stummfilmzeit und Goldene 20er (00:30:37) Die 30er und 40er - Monsterfilme und Hays Code (00:47:09) Die 50er - Kinokrise und Sci-Fi-Horror (01:04:41) Die 60er - Wiederbelebung des Genres (01:16:54) Die 70er - Blütezeit und neue Trends (01:33:22) Die 80er - Sequels und Kommerz (01:46:40) Die 90er - Es wird seltsam (01:57:24) Die 2000er bis heute - es wird wieder härter (02:13:23) Subgenres (02:20:32) Stilmittel: Ton und Musik (02:34:10) Stilmittel: Suspense / Surprise / Negativraum (03:07:33) Hinweis: Discord und Facebook Gruppe (03:08:59) Hörerfeebback und Co. – – – – – – – – – – – Unsere IMDb Playlist: https://imdb.to/46UdNhm – – – – – – – – – – – Kack & Sachgeschichten - Der Podcast mit Klugschiss http://www.kackundsach.de/ Alle Links und Infos auch hier: https://linktr.ee/kackundsach

Welcome to this special fiction episode of I'd Rather Be Reading—specifically part two in my latest fiction subgenre obsession: royal family fiction. We've already had Katharine McGee on the show of the four-part American Royals series, and we will later have the writing duo behind The Royal We and The Heir Affair; today we have the writing duo behind The Royal Game, my latest royal family fiction favorite. (I'd also throw Red, White, and Royal Blue onto this list, as well.) It is a subgenre that is growing and growing in popularity, and not surprisingly, considering how ubiquitous the royal family has become in culture, especially lately. Today you get the chance to meet Linda Keir, a writing duo who has now written four books together and has been writing together since 2016. Linda Keir is a portmanteau of Linda Joffe Hull and Keir Graff, both of whom have successful writing careers on their own and as a team. The Royal Game—which came out on January 30 of this year—is their first foray into royal family fiction, but hopefully not their last. I won't give too much away, but the loose plot of The Royal Game involves the love story between American pop singer Jennie Jenson and Prince Hugh of England, the heir to the throne. Someone is determined to keep Jennie from becoming a princess, and to have the happy ending to her fairytale, Jennie will have to play “the royal game.” Not everyone is excited about the prospect of an American princess, apparently. Jennie finds parallels between what's happening to her and Hugh's mother, Princess Penelope, who died in a mysterious plane crash. (Don't worry, I ask Linda and Keir if my theories that Jennie and Hugh and Penelope are based on Meghan Markle and Prince Harry and Princess Diana are true.) Jennie wants to know if Penelope is murdered—and worries she might be next. It's a thrilling mystery, a romantic love story, and really, really good. Today on the show we talk about their process of being a writing team, what they think about the royal family and if they follow it outside of their work on this latest book, why they chose to get into the royal family fiction subgenre, and what, exactly, “the royal game” is, anyway.   The Royal Game by Linda Keir We also mention On Duty with the Queen by Dickie Arbiter on the show!

Plant horror, evil animal attack horror, historical horror, alien abduction movies... what horror subgenre most deserves more love? Let's talk about it. Support Horrorweekly here: https://www.facebook.com/groups/wearehorrorweekly --- Send in a voice message: https://podcasters.spotify.com/pod/show/horrorweekly1/message

From Baby Jane to Auntie Roo and beyond! This week, Peaches and Michael unveil a special episode dissecting one of horror's most “Sainted Subgenres” – HAGSPLOITATION (aka “Psycho Biddies”)! In addition to discussing the many luminous women who brought these movies to life, our hosts tackle the oft problematic labeling of this particular avenue of fright. Joining the conversation is award-winning historian/author/host David Del Valle, who provides insight and personal stories about the era of Hollywood that birthed these films. Additionally, David digs into why these deliciously devilish dames connect with a whole generation of queer folks. Bette! Joan! Olivia! Oh my! This episode has it all! Go!