Norwegian playwright and theatre director
POPULARITY
3 episodes with Henrik Ibsen
11 episodes with Henrik Ibsen
2 episodes with Henrik Ibsen
4 episodes with Henrik Ibsen
3 episodes with Henrik Ibsen
7 episodes with Henrik Ibsen
2 episodes with Henrik Ibsen
3 episodes with Henrik Ibsen
5 episodes with Henrik Ibsen
The Peices on the board are much more than they seem!www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Is this a lounge or a dungeon Quarry? The Party finds an unusual room with a single relaxed occupant.www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Ibsens salong er tilbake! I den nye sesongen starter vi forfra, med Ibsens debutdrama «Catilina» fra 1850. Litteraturprofessor Frode Helland er dagens gjest. Er «Catilina» verdt å lese i dag? Og ser vi tegn på hva som vil komme? Roma, år 63 før vår tidsregning. Republikken vakler. Mistilliten brer seg. Og midt i det politiske kaoset står én mann: Catilina. For noen var han en farlig konspiratør. For andre en desperat opprører mot et korrupt system. Nesten 2000 år senere sitter en ung Henrik Ibsen i den lille kystbyen Grimstad — fattig, ambisiøs og rastløs. Han finner noe av seg selv i den romerske opprøreren. Resultatet blir et stykke som varsler at en ny stemme var på vei inn i norsk litteratur. Podkasten ledes av daglig leder ved IBSEN Museum & Teater Bergljot Geist. Teknisk produksjon og klipp ved Sander Jordbakke
An entire underground alchemy lab complete with alchemical golem and female lab Attendants!www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
The Party finds an Achemy Lab, Gaurded of course!www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Golden ThreadsLast July, Nick Jeffery and I put together a month long review of Rowling's work in celebration of her 60th birthday, a Kanreki party. Every day we posted conversations about each of Rowling's works with Nick discussing a ‘Lake' point, something biographical or bibliographical, and me talking about a ‘Shed' quality of the work, the author's traditional tools, artistry, and meaning.That worked great for about twenty days. Then we ran out of books. What to do for the remaining days of the month?We decided to talk about Golden Threads, the plot points, themes, and twists that run through everything Rowling has written. We started out with a survey of the fifteen-plus already identified by Rowling Re-readers and Fourth Generation types (see here and here) and then with more in depth looks at the ones that were controversial or more difficult to see. We closed off the month with the ‘Lost Child' Golden Thread and the possibility that Rowling's inspiration for the Harry Potter series was the trauma of pre-natal infanticide (‘abortion').As disturbing as that Golden Thread was to many Rowling fans and Feminist Gate Keepers, there was another third-rail string we didn't discuss, namely, the plot point of incest that readers encounter again and again in the Potter and Strike series as well as the stand-alone stories.Incest as Golden ThreadNick and I discuss the Incest Golden Thread on the fly in the conversation above about Strike-Ellacott fandom theories about Sleep Tight, Evangeline and the series finale. Here are some written references if you want to review them by looking at the books in question on your shelf.* Harry PotterThe foundation crime of the Hogwarts Saga is the abuse of Merope Gaunt by her father Marvolo and her brother Morfin. The abuse in question in this children's book series is not explicitly sexual. As with the abuse of Ariana Dumbledore by the Muggle boys, however, that Merope's father and brother violated her is there between the lines; her trauma is so great that she loses her capacity for magic (as she does after her Riddle lover leaves her) and the family does not send her to Hogwarts lest their shameful secret be revealed. No broken Merope, no Lord Voldemort, no Potter family murder and orphan Harry — no series. Though the Saga's foundation crime, the Gaunt family's abuse of its only young woman, is not revealed until Order of the Phoenix, it is the tragedy on which all the core conflicts of the septology are built.* Casual VacancyStuart ‘Fats' Wall is the adopted son of Tessa and Colin Wall. A teenager in Vacancy, he and Krystall Wheedon are the star-crossed lovers around whose choices and behaviors the ensemble drama largely turn. Fats at the end of the book claims responsibility for all the Ghost of Barry Fairbrother posts by means of which the secrets of Padford citizens are spilled.In the climax of the Wall family drama after Robbie's drowning and Krystall's suicide, Tessa reveals to Fats his personal history. His biological mother was only fourteen when he was born, an age that sadly means it is possible-to-likely that he is the fruit of incest. Tessa, a diabetic woman unlikely to carry a baby to term successfully, compelled her unwilling husband to agree to the adoption despite his mental fragility. Again, the foundation crime of this very involved story is incest, the abuse of a young woman by her family. * Lethal WhiteIn the first of only two Rowling books in which every epigraph was taken from a single work, the fourth Strike novel takes all of its headings from Henrik Ibsen's Rosmersholm, a play in which suicide and incest go hand in hand, especially in the White Horse finale. The novel parallels its epigraph source in astonishing ways.The Chiswell family has its secrets. The Minister of Culture hires Strike's agency to find ‘dirt' on Jimmy Knight and Geraint Winn that can used as counter “bargaining chips” to end their capacity to blackmail him. He shares neither what information they have that they are holding over his head to extort money and revenge nor what Billy Knight witnessed years ago. If Jasper or Izzy Chiswell had told Strike this information in the beginning, it is likely the pater familias would not have been murdered. The biggest secrets, of course, are about the sexual relationship between Raphael and his step-mother and the step-son's plans to murder father and eventually Kinvarra in order to be free to spend the millions he'll make from sale of the Stubbs. Not quite incest, a step-mother in bed with her step-son, but something like it.Rosmersholm‘s family secrets are if anything more disturbing. Kroll reveals to Rebecca that Dr. West, her adoptive father, was very likely her biological father as well. It is implied heavily that after her mother's death Rebecca's relationship with Dr. West changed from filial to sexual; Kroll's revelation about this is something of an Oedipus Rex moment. Rebecca realizes that she had been sleeping with her father and the incest taboo crushes her ability to accept Rosmer's overdue marriage proposal, a proposal for which she had convinced the ailing Mrs Rosmer to commit suicide.* Troubled BloodThe psychopathic murderer and torturer of children that the police and public believe killed Margot Bamborough is Dennis Creed. We learn in chapter 8 of Strike 5 via the Peg-Legged PI reading The Demon of Paradise Park that Creed was the incestuous rape off-spring of Agnes Waite and her step-father Awdry, a man who wanted to kill the child at birth but which the mother prevented (to her eventual regret). Awdry abused the boy all through his childhood, especially after Agnes' escape as a young woman (reminiscent of Peggy Nancarrow's flight from St Mawes). Troubled Blood is haunted by the victims of Creed's madness, all of whose deaths can be traced back to Awdry's violent sexual violation of his step-daughter.* Hallmarked ManThe mystery Cormoran Strike agrees with no little hesitation to try to solve is ‘What happened to Rupert Fleetwood?' Decima Longcaster Mullins, mother of Fleetwood's son Lion, believes her baby-daddy was the unidentifiable murdered man in the Ramsey Silver Vault. We learn before that victim's identity is revealed that Fleetwood fled the UK after he learned that the woman he loved was his half-sister and his son the product of unwitting incest. Rowling-Galbraith reveals only in the epilogue that Ian Griffiths murdered Tyler Powell because the young man was determined to rescue the young woman living with Griffith as his daughter who was pregnant with his child. Once again, the foundation crimes of a Rowling work turn on the intentional sexual abuse of a girl by a father-figure, here compounded by an Oedipus Rex like incest-in-ignorance episode. Incest Notes* Fantastic BeastsAs in the Harry Potter novels, there are no explicitly incestuous relationships in the Fantastic Beasts screenplays. The conception of Leta Lestrange, however, checks the ‘rape,' ‘power abuse,' and ‘inter-family' boxes of father-daughter incest nightmare. Her mother, Laurena Kama, was desired by Corvus Lestrange III even though she was married to Mustafa and the mother of Yusof. Corvus compelled her by the Imperius Curse to join him and, while she was under his control, which is to say ‘unable to consent or resist his will,' conceived Leta, who took his name as if her mother had been his wife. Leta unknowingly avenges the Kama family by her switching her younger half-brother Corvus IV with the Dumbledore baby that results in his death by drowning.* IckabogNick Jeffery points out in our conversation that there can be no more incestuous means of conceiving a child than the Ickabog species' parthenogenic reproduction. If one accepts that as incest, the Ickabog's death after delivery and the imprinted character of the Ickaboggle by its first contact post partum have to be read allegorically.* Cuckoo's CallingThere is no mention made in the first Strike novel of John Bristow's having sexually abused his younger also-adopted sibling-sister, Lula Landry. I'm going to include it in these ‘Incest Notes' because I think it possible that the man who killed his brother Charlie and envied his sister Lula ‘played' with her cruelly, which fostered her mental instability. I think this is more than imaginative free association head-canon because of Lula's successful search for and planned meeting her real sibling brother Jonah Agyeman the night of her death. Bristow-Agyeman, the false and true brothers, are figures of erotic and anterotic love in her life, so much that I don't think incest is a stretch for John Bristow, the unloved chick in the nest.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.So what?There has been a real up-tick in speculation about how the Strike series will finish in its last two books with the guess work largely turning on how the Big Unresolved Mysteries will play out. The reason I've written up these thumbnail etchings of incest occurrences through Rowling's work is because several of the theories Nick and I are seeing in the comment boxes here and on the YouTube HogwartsProfessor channel are incest driven.To get that, a Serious Striker, beyond grasping that incest is a ‘thing' to expect in a Rowling piece like Bad Dad, Divine Mother, Violence Against Women, and at least one Lost Child, has to have in sight at all times three ideas that act as premises:* Closing Trilogy Theory: Hallmarked Man the first of a three book finale which introduces the main characters;There's a real split in Strike fandom about what to think of Hallmarked Man. The great mass of readers on Reddit I'm told and at least one Substack Sage believe it is “the worst book of the series,” a real stinker. Nick and I — and most of the Hogwarts Professor readers who comment on our posts and conversations — in contrast think it is a brilliant book, one that may eventually be considered one of the best in the Strellacott decalogy.The difference is that the one group reads Strike 8 as if it were just like the first seven books in the series, i.e., a stand alone mystery whose cast of characters will in large part disappear from the stage before the next book begins. That working assumption makes the extraordinarily large cast of players in Hallmarked Man and the five different story-lines just with respect to whom the silver vault corpse might be, not to mention the Strike-Ellacott romance and over arching mysteries clues seem a confusing pile-up of plot points and people, few of which made this book fun-to-read. The author seems like she just lost control of the story and threw everything that occurred to her into the story and cut none of it out.Our working theory disagrees with that Just-Like-All-the-Others assumption and finds the possibility that Rowling has just lost her way very unlikely. Having just finished charting each of Strike 8's chapter sets or ‘Parts' and found that each is an intricate ring, as well as those Parts working as a ring, too, believing that the author is asleep at the wheel seems borderline preposterous.We think that the first seven books, each written playfully on the model of its Harry Potter numeric counterpart, are a closed set — and that the last three books in the ten book series are being written as a trilogy in which the Great Mysteries introduced in the first seven will be resolved.Hallmarked Man, as the first book in this three part series, is burdened with introducing all the principal players of this extended finale inside a book whose mystery allows their appearance and character reveal without pointing too obviously to their part in the upcoming drama. Hence Tara, Dino, Valentine, Ralph Lawrence, Sacha, and at long last Rokeby playing the roles they do in this book.* Trilogy will resolve at last the Leda Margaret, Charlotte, and Strike/Ellacott story line mysteries; The end of Strike 10 seems to be a hard stop according to Rowling. She is obliged, consequently, in the next two books to give her readers satisfaction on the many hanging threads in the series, most notably:* The story of Strike's conception, the IED explosion, and his SIB medal;* Peggy Nancarrow, a.k.a., Leda Strike, why she left St Mawes as she did, why she raised her children as she did, and all the circumstances of her seeming suicide (Where's Switch?); and* Charlotte Campbell-Ross, sometimes referred to as the Honorable Milady Bezerko, and the baby she claims to have conceived with Strike, her backstage efforts to upend Strike's relationship with Robin, her break-up with the hotelier billionaire, her suicide note, and, echoing Leda, the circumstances of her seeming suicide.That's the shortest of lists obviously with nothing about Murphy or Robin or the host of other key players in the series. Given the ending of Hallmarked Man, I'm very much inclined to think that Sleep Tight, Evangeline's mystery will turn on where Robin went after Strike's proposal on the stairs which will necessarily involve Murphy, and, forgive me, many of the players from Strike 8 as Rowling-Galbraith begins rolling out the stunning twists hidden beneath the surface of Strike 8. All those fun confrontations with Charlotte's bizarro family, from Emilia at the end of Grave to Tara, Dino, Valentine, and Sacha? My bet is we'll learn in the next books how much Strike and Ellacott missed in their meetings with each.* Serious Strikers think incest is at the heart of the Strike, Nancarrow, and Campbell mysteries.Leda's Conception* Ted's Daughter with an Unknown WomenA real stretch, I know, but Ted, per the invaluable Cormoran Strike Timeline, was fourteen years older than his younger sister Peggy. If you think it inconceivable that Ted was Leda's father, you either imagine that just-barely-teenage boys cannot sire children (see George Hamilton's life for his sexcapades at age twelve with his stepmother) or you make nothing of the fact that Trevik gave up his daughter for his mother's upbringing when his wife died. Perhaps the cause of the Nancarrow house nightmare and Ted's departure for the Army “lest murder be done” was because, a la Hamilton, Leda's mother was not a young lass with whom Ted met outside The Victory but Trevik's abused wife, Ted's own mother. Which is to say he was both Leda's brother and biological father. Hence the otherwise almost inexplicable relationship of Ted, his barren wife, and Peggy-Leda. Just sayin'!Strike's conception:* Son of Leda and Ted;Leda is 23, give or take a year, at Strike's conception early in 1974 and her older brother is 37 and married to Joan who cannot have children. It's possible that Ted is Cormoran's dad, just as Joan is delighted to hear Strike say he is in Troubled Blood, the only barrier being our being told repeatedly that Ted was a “proper man.” Perhaps that repeated telling is a marker that he wasn't always that proper but did his best to set his sister (daughter?) up well with the Rokeby paternity evidence. See ‘Uncle Ted It' for more speculation along these lines.* Son of Leda and Trevik Nancarrow;I'm thinking that if Rowling is pointing to an incest relationship in the Nancarrow family it isn't with “proper man” Ted, the long-suffering and ever vigilant older brother but to the “pure terror” and “hard-drinking” man despised by sister and brother. You'll forgive for thinking that anything to which Rowling-Galbraith is clearly hopeful her readers will believe is not the surprise ending of her ten book series.* Rokeby deception If Strike's or Leda's conception was incestuous, especially if Ted was the father of either, then Rokeby was deceived about his parentage, I presume with Ted's SIB-driven assistance. The best motivation I have read about why Leda was murdered and her death staged as a seeming suicide, beyond even the Mad Guillespie theories, is that she tired of this deception, hence her refusal to accept Rokeby's child support, and intended to tell Cormoran who his father really was. So Ted killed her. Charlotte Conception and Abuse by Father, Relations with Half-Brother:* Tara and Dino's DaughterFiona wrote to me privately to share her theory that Dino is not only the father of Valentine, Cosima, Decima, and Rupert, but also of Charlotte:In response to a post by Cheryl Rose Orrocks on 17 Feb 2026, my current theory is that Dino Longcaster is Charlotte's father and that his son, Valentine Longcaster, will be revealed as her abuser and the possible biological father of Charlotte's children. Hence the 2nd incest storyline will also involve the Longcaster family. This could be why Charlotte's mother, Tara, despised Charlotte so much.If Jago Ross is somehow linked to the matter of the DNA test involving Bijou and Strike, it may be because he had Charlotte's birth children DNA tested to confirm parentage. Maybe Jago discovers he is not the biological father and assumes Strike is, hence the reason he wants to obtain Strike's DNA results.This would need a whole longish post to unfurl but the high points of Fiona's idea is that, just as with the Fleetwoods, Dino impregnated Campbell's wife Tara unknown to the father. When the Campbells divorced (he doesn't seem to have found out?), Dino then became Charlotte's stepfather in addition to being her biological father.And maybe even the father of her children that she claimed were Cormoran's and Jago's? Whew.* Dino's Sexual AbuseRubes posted her theory on a thread here on 3 March that Dino Longcaster abused Charlotte his step-daughter after his marriage to her then mother, Tara Campbell Longcaster:I think Charlotte got involved with Dino as a teenager (whether willingly or not). That is why she ran away and attempted to kill herself. She told her mother who disbelieved her or knew and it is the source of their conflict. Dino was also maybe the stepfather that tried to have her committed.Dino and his daughter [Cosima] gave me Ivanka and Donald Trump vibes. Maybe he sublimated that incestuous desire with young Charlotte. He is also obsessed with looks and perfection and we know Charlotte as Venus is the epitome of beautyI think Charlotte either extorted him all these years or else continued the on-and-off affair so he would help support her lifestyle.He might even be the father of the twins. It would support both the false paternity and incest themes in THM. We also have multiple examples of (step)fathers grooming/abusing their stepdaughters throughout the series.* Valentine or Sacha relations; Strike child, Ross twinsBoth the ‘Dino Did Her' theories suggest in turn that, a la the Brockbank twins Noel and Holly, the Longcaster and Legard half-siblings Valentine and Sacha had sexual relationships with their beloved swinging sis Charlotte. Either man could be the father of the mystery baby she told Strike was theirs and either one could also be the baby daddy of Jago Ross' supposed twins.As Fiona suggests, if the results of Bijou's DNA testing of Strike winds up in Ross' hands — perhaps Rowling makes the whole effort Ross-inspired after he discovers the twins are not his? — he is the one who reveals to Strike that neither of them was the father of Charlotte's only children. If so, I look forward to reading how Rowling has Strike or Robin connect the dots with the incestuous Campbell-Legard-Longcaster family love-pit.ConclusionsDoes incest tie up all the loose threads in this series? No way. I suppose incest or at least cousin-marriage is a way of life in Afghanistan but I don't see how incest explains for us all the questions surrounding the IED blast.But with respect to the several conception questions we've been straddled with, incest definitely throws up some fascinating possibilities (and ‘throws up' reflects the nausea inducing aspects of this viscerally felt taboo). If you accept the Finishing Trilogy Idea and its corollary that all the mysteries will be resolved in the last three books and that Hallmarked Man has given us our cast of characters, then the possibility that the soft-incest of Decima and Rupert with its sort of happy ending in Strike 8 was an introit to an inbreeding heavy finish in the last two books.Please share your thoughts in the comment boxes below about these theories and about my conversation with Nick in the video above!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Ann speaks to Dr. Carla Neuss, assistant professor of Baylor University's theatre department, about their adaptation of Henrik Ibsen's classic, "An Enemy of the People". Ann also sits down with Lydia Tate, the new president and CEO of Waco's KWBU-FM 103.3.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Background to the Poem and Poet that stage managed Hitler into being“Dietrich Eckart wrote a poem that referred to a "Great One" or "Nameless One," expressing his belief in a coming "German Messiah" who would redeem the nation. ““Dietrich Eckart, a significant figure in the early Nazi movement, wrote a poem that expressed his anticipation of a "German Messiah." This poem, composed months before he met Adolf Hitler, referred to a "Great One" or "Nameless One," indicating Eckart's belief in a savior who would redeem Germany from its post-World War I struggles.”“Eckart's belief in a coming savior led him to view Hitler as the embodiment of this prophesied figure. He recognized Hitler's potential as a leader and demagogue, which significantly influenced Hitler's rise within the German Workers' Party and later the National Socialist German Workers' Party (NSDAP).Eckart's mentorship and support were crucial in shaping Hitler's political identity and oratory skills, ultimately contributing to the establishment of the Nazi regime.”“Dietrich Eckart's poem about the "Great One" reflects themes of nationalism, antisemitism, and the idea of a messianic leader for the German people, aligning with his broader political and ideological views. His adaptation of Henrik Ibsen's "Peer Gynt" also incorporated these themes, portraying the protagonist as a superior Germanic hero battling against implicitly Jewish "trolls."”It takes a group of people desperate for position and proximity to power to create hell … Hitlers Inner Circle (posted from DUCKDUCK)Key Figures in Hitler's Inner CircleAdolf Hitler's inner circle consisted of influential leaders who played significant roles in the Nazi regime. Here are some of the most notable members:1. Hermann Göring Position: Commander-in-Chief of the Luftwaffe and Reichsmarschall. Roles: Founder of the Gestapo, Minister of the Economic Four-Year Plan, and designated successor to Hitler in 1941. 2. Joseph Goebbels Position: Reich Minister for Propaganda. Roles: Controlled all media and public information, known for his powerful speeches that mobilized the German populace. 3. Martin Bormann Position: Head of the Nazi Party Chancellery. Roles: Hitler's personal secretary, controlled access to Hitler and all information flow, had significant influence over domestic policies. 4. Albert Speer Position: Chief Architect and Reich Minister for Armaments. Roles: Responsible for increasing Germany's armaments production, developed a close personal relationship with Hitler. 5. Wilhelm Keitel Position: Field Marshal and Chief of the Supreme High Command. Roles: Chief of Defense for Germany, played a crucial role in military operations. 6. Joachim von Ribbentrop Position: Foreign Minister. Roles: Key diplomat, brokered significant pacts like the Molotov-Ribbentrop Pact. 7. Walther Funk Position: Reich Minister of Economics. Roles: Managed economic policies and was involved in financial institutions.
With the lich defeated now only a Giants Evil Alter remains, What to do?www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. 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Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. 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Entre 4 e 25 de julho, o sul da França volta a se transformar em um dos principais epicentros das artes cênicas do mundo com a 80ª edição do Festival de Avignon, sob a direção do português Tiago Rodrigues. À frente do evento desde 2023, ele propõe um método: "fazer perguntas", "sustentar dúvidas" e "recusar respostas fáceis" num tempo de "discursos violentos". É também o retorno de Wagner Moura aos palcos, um reencontro com o teatro que acontece no maior festival do gênero no mundo. A imagem escolhida para o cartaz oficial desta edição do Festival de Avignon sintetiza a intenção de Tiago Rodrigues: um enorme ponto de interrogação. Tiago Rodrigues explica que “o questionamento foi uma forma bastante livre de nós darmos um tema a este festival, de relembrarmos o público que este festival faz muito trabalho sobre a sua história, sobre o seu arquivo, ao chegar à 80ª edição, queria estar muito concentrado também no presente e no futuro, e perguntar, agora, o que é que vamos fazer nos próximos 80 anos de festival? Essa é uma das perguntas que nos interessa”. A proposta, segundo ele, não é retrospectiva, mas prospectiva, um deslocamento do olhar para o que ainda pode ser construído. Esse gesto se desdobra na própria definição do papel do festival. Para Rodrigues, trata-se de “fazer perguntas juntos, mas fazer perguntas através da arte”, lembrando que “é isso que o festival faz há 80 edições e queríamos relembrar-nos nós, os artistas, mas também o público, que é isso que nós fazemos aqui num mundo onde estamos cheios de más respostas, poucas respostas, mas más na maioria dos casos, respostas violentas, respostas simplistas, respostas pouco informadas”. Leia tambémDezenas de igrejas se convertem em teatros na 'Cidade dos Papas' durante o Festival de Avignon Nesse contexto, o festival se coloca como espaço de fricção e elaboração coletiva, onde “queremos colocar as boas perguntas, perguntas às vezes complexas, perguntas também com prazer, perguntas com dúvida, perguntas que permitam o debate em vez de respostas que criam a violência”, já que, segundo ele, “as artes podem ter esta função e certamente um festival onde vêm pessoas do mundo inteiro e se reúnem numa cidade que dobra a sua população no momento do festival para acolher o mundo inteiro que a visita. Esse é o momento em que podemos fazer perguntas juntos”. Leia tambémWagner Moura estreia em maior encontro de artes cênicas do mundo ao lado de destaques da cena brasileira A dimensão política dessa proposta se articula também a uma reflexão sobre o acesso à cultura. Rodrigues afirma que “o acesso democrático às artes não é um exercício populista, uma flor que se põe na lapela nos dias de festa. É um trabalho quotidiano que deve permitir o acesso fácil à criação exigente, criação de grande qualidade, feita em liberdade e à qual todas e todos devem ter acesso”. E conclui: “se fosse fácil, não era um serviço público, é um serviço público, a cultura, porque não é fácil de fazer. É preciso tempo, é preciso investimento e é preciso sonhar”. É nesse cenário que a presença brasileira ganha centralidade nesta edição histórica. Entre os destaques está a diretora e dramaturga Christiane Jatahy, que retorna ao festival com um novo trabalho - Um Julgamento - Depois de O Inimigo do Povo - ao lado do ator Wagner Moura, com texto de Jatahy, Moura e Lucas Paraizo, marcando também o retorno do ator ao teatro, após 16 anos dedicados ao cinema e à televisão, período em que se tornou uma das figuras brasileiras de maior projeção internacional. Ao comentar o retorno de Jatahy ao festival, Rodrigues sublinhou a relação de longa data entre a artista e Avignon, bem como a força do novo projeto que ela apresenta ao lado de Wagner Moura. Segundo ele, “Christiane Jatahy é já uma artista muito amada pelo público do festival, muito conhecida em França, uma encenadora que também é muito conhecida do público lusófono, seja no Brasil, seja em Portugal, e que tem marcado as cenas europeias nos últimos anos com as suas adaptações do repertório”. Rodrigues destaca ainda o caráter inédito da parceria artística apresentada nesta edição: “desta vez, pela primeira vez, trabalha com Wagner Moura, que decide voltar ao teatro 16 anos depois. Ele tem vivido a sua aventura cinematográfica e televisiva e neste momento é talvez o ator brasileiro mais conhecido no mundo”. Para o diretor, o reencontro de Moura com o palco tem um peso simbólico particular, sobretudo pela forma como se articula com o trabalho da encenadora brasileira. Sobre o projeto, Rodrigues reforça a dimensão de retorno ao essencial do ofício do ator: “é muito comovente ver Wagner Moura a regressar ao teatro com essa vontade de quem regressa à essência do trabalho de ator”. De volta ao festival Jatahy descreve esse retorno a Avignon como profundamente significativo, especialmente por ocorrer sob a direção de Rodrigues. Ela afirma que “é muito importante, muito legal pra mim e muito significativo estar voltando para Avignon agora sob a direção do Tiago Rodrigues, que é um artista que eu tenho muita relação, um amigo e alguém que eu respeito muito, e eu fico muito feliz de estar dentro da programação criada por ele e pela Magda [Bizarro, mulher do diretor e co-fundadora, a seu lado, da Cia Mundo Perfeito]”. Para a diretora, o contexto atual amplia ainda mais o alcance simbólico de sua participação, já que “essa volta está conectada também à união de três festivais, o Festival de Avignon, o Festival de Edimburgo e o Holland Festival, que escolheram este ano uma artista, um trabalho para apoiar e para juntar forças para que esse trabalho possa ter sido realizado”. Leia tambémTeatro: Christiane Jatahy revisita fantasmagorias de 'Hamlet' em Paris com seu maquinário de revolução e desejo No centro da criação está o reencontro artístico com Wagner Moura, que, segundo ela, carrega uma longa expectativa compartilhada: “vem também com uma outra parceria muito significativa com ele, que é um ator com quem eu tenho uma relação de muito tempo e é muito tempo que a gente deseja fazer um trabalho juntos”. O projeto nasce dessa convergência, como ela define, “é um trabalho muito sobre o nosso encontro e sobre as coisas que a gente tem vontade de falar”. A peça, que se estrutura em torno da ideia de julgamento e da "crise contemporânea da verdade", parte de uma inquietação contemporânea sobre verdade e política. Jatahy explica que “a gente entra na questão do julgamento, a gente leu muitas coisas, a gente pensou muitas coisas, e para mim sempre é muito importante que o trabalho esteja numa reflexão, numa conexão, lançando perguntas sobre o que a gente está vivendo hoje”. Ela acrescenta que “claro que é sempre um aspecto íntimo e pessoal, mas também é político, porque não tem como separar uma coisa da outra”, situando o trabalho num campo em que a criação artística se confunde com a leitura crítica do presente. Essa dimensão se radicaliza na própria estrutura dramatúrgica da peça, que se relaciona diretamente com a obra “O Inimigo do Povo”, de Henrik Ibsen. Jatahy descreve o projeto como “um desdobramento de O Inimigo do Povo, uma possibilidade de continuidade dessa peça”, como se o personagem Thomas Stockmann “fosse à cena, fosse ao teatro, pedir a possibilidade de ter a sua defesa e de ter a sua reparação, e essa decisão vai caber ao público”. Nesse movimento, a obra transforma o espectador em instância de julgamento, deslocando o eixo tradicional da representação teatral. Leia tambémFestival de Avignon: 'A Noiva e o Boa Noite Cinderela', ou como explodir no próprio corpo as fronteiras do teatro A outra grande presença brasileira no festival é a artista e encenadora Carolina Bianchi, que retorna a Avignon após sua revelação em 2023. Agora, ela apresenta o terceiro capítulo de sua trilogia “Cadela Força”, intitulado “Uma Luz Cordial”, além de propor uma maratona que reúne os três trabalhos em sequência. Diretora brasileira lançada pelo festival volta a Avignon Ao lado desse reencontro, o diretor Tiago Rodrigues também destacou o percurso de Carolina Bianchi, que regressa a Avignon após o impacto de sua participação em 2023. Rodrigues relembra a presença e o desdobramento internacional da artista: “o que aconteceu a seguir é do conhecimento geral, Carolina Bianchi depois desse espetáculo ganha o Leão de Prata da Bienal de Veneza, torna-se uma artista que faz todas as cenas europeias e mundiais, é revelada por esse festival”. Sobre o novo projeto apresentado no festival, o diretor destaca a ambição dramatúrgica da artista brasileira: “ela sonhava fazer uma trilogia com três espetáculos consagrados à questão da violência, sobretudo da violência contra as mulheres”. Bianchi define esse retorno como o fechamento de um ciclo longo de investigação: “é muito, muito emocionante estar voltando para Avignon, sobretudo encerrando a trilogia, chegando em julho para estrear o último capítulo desse grande ciclo, que tomou muitos anos de trabalho, de estudos e de investigação”. Ela descreve a estrutura do projeto como algo em constante expansão, no qual “são três peças independentes, mas que são atravessadas por perguntas que vão se acumulando, que vão se borrando, que vão se confundindo, voltando, gerando novas questões”, configurando um campo de criação em que as fronteiras entre obras se tornam porosas. O novo capítulo, explica ela, desloca o foco para o próprio ato de escrever. “Uma Luz Cordial é uma peça sobretudo sobre a escrita, sobre esse lugar de onde a gente escreve”, afirma, acrescentando que se trata de um trabalho que poderia inclusive anteceder os demais, pois “é uma peça que fala sobre essa escritura, esse escrever que vem com toda essa carga, com o peso de todos esses assuntos, tentando dar forma a todos esses enigmas”. Nesse ponto, emerge o núcleo mais radical de sua proposta: a escrita como zona de violência e desorganização. Bianchi afirma que “essa violência da última peça é uma violência da escritura, da literatura, um encontro dessa violência da literatura que não tem os mesmos limites da violência do teatro”. Nesse processo, entram em cena as vozes de outras autoras como forma de desestabilização do próprio eu criador: “aparecem essas escrituras de outras autoras, como Hilda Hilst e Emily Dickinson, como alter egos dentro da minha escritura”, num movimento em que "o sujeito que escreve se fragmenta e se multiplica para seguir criando". Leia tambémTeatro: Destaque brasileiro no Festival de Avignon, Carolina Bianchi traz estupro e feminicídio em cena marcada por 'combate' A trilogia culmina ainda numa experiência de apresentação integral de 10 horas seguidas na Ópera de Avignon, pensada como uma espécie de teste final do próprio projeto. A artista explica que “a ideia é apresentar os três capítulos em sequência, como uma grande maratona”, algo que transforma a obra em uma experiência contínua, na qual “é como se a gente estreasse uma quarta coisa, porque a trilogia não é só assistir aos trabalhos separadamente, mas ver como eles se contaminam entre si”. Leia tambémAvignon: maior festival cênico do mundo abre suas portas com homenagem ao Brasil em mostra paralela O Festival de Avignon 2026 se estrutura como um espaço de cruzamento entre artistas, linguagens e geografias, reunindo 47 espetáculos no programa oficial, o chamado IN, com 300 apresentações ao todo e 30 criações inéditas, o que representa 64% da programação. A edição inclui ainda 80 debates e encontros com 49 artistas de dez países, e pela primeira vez na história do festival a maioria dos artistas do IN é feminina, enquanto 67% dos participantes estreiam no evento. Mais de 136 mil ingressos estão disponíveis. Entre julgamento e escrita, entre democracia e linguagem, entre teatro e performance, Avignon 2026 se desenha como um território de fricção contínua, onde, como sugere sua direção artística, "o essencial não é responder, mas sustentar perguntas". Leia também'Impossível fazer um teatro que não seja humanista': Olivier Py se despede do Festival de Avignon História de encontros e criações Fundado em 1947 por Jean Vilar, o Festival de Avignon, tornou-se, ao longo das décadas, um espaço emblemático para o teatro e as artes cênicas. Desde sua primeira edição, ele é um ponto de encontro artístico que recebe artistas do mundo inteiro e apresenta uma programação ousada e inovadora. Sob a direção de Tiago Rodrigues, o festival reforçou sua abertura internacional, valorizando artistas de diversas culturas e estimulando o intercâmbio cultural. Essa orientação se materializa na valorização de línguas convidadas, como o inglês em 2023, o espanhol em 2024 e o árabe em 2025, além do Brasil como país convidado de honra no ano passado. Ingressos A bilheteria do Festival de Avignon 2026 começa em etapas para acomodar o grande volume de procura e garantir uma experiência de compra mais fluida: a inscrição para reservar um intervalo de compra online abriu em 24 de março, e a venda por faixas de horário acontece de 13 a 18 de abril, com cada comprador recebendo um link e duas horas para efetuar a compra dentro de sua janela específica — esse sistema ajuda a evitar a saturação do site oficial. A partir de 18 de abril, a bilheteria online do Festival de Avignon será aberta sem horário específico e dentro do limite de lugares disponíveis, a partir das 10h no endereço fnacspectacles.com e, em seguida, a partir das 13h no festival-avignon.com. Novos ingressos serão disponibilizados toda quarta-feira, às 10h. Os preços dos ingressos variam conforme o espetáculo, mas tradicionalmente a programação oficial do festival cobra valores entre cerca de €10 e €45 (entre R$ 60 e R$ 270) por apresentação, com categorias distintas de acordo com o tamanho do espetáculo e a localização das poltronas; há também ofertas de tarifas reduzidas, geralmente entre €7 e €25 (entre R$ 41 e R$ 150), para públicos jovens, estudantes, pessoas com menos de 26 anos ou em situação de desemprego, mediante apresentação dos comprovantes exigidos pela organização.
Last week, Mickey-Jo attended the opening night performance of Henrik Ibsen's A DOLL'S HOUSE at the Almeida Theatre in London, in a new translation by Anya Reiss.This strikingly modern take on the classic play stars Olivier Award winner Romola Garai as Norma and Tom Mothersdale as Torvald, under the direction of Joe Hill-Gibbins.Check out what Mickey-Jo thought of the new script, the performances, and the bold choices made by this revival...check out Mickey-Jo's brand new substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:48 | this adaptation10:56 | creative choices15:51 | performances21:46 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Back a Lich into a corner and see what happens...www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. 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Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. 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A 80ª edição do Festival de Avignon decorre de 4 a 25 de Julho e tem, no cartaz, um enorme ponto de interrogação para destacar a importância de questionar o mundo através da arte. O tema acabou por surgir "de uma forma bastante livre", conta Tiago Rodrigues, o director do festival, que apresentou, esta quinta-feira, a programação no Théâtre du Rond-Point, em Paris. Foi aí que conversámos com o encenador e dramaturgo português sobre os nomes que preenchem uma edição em que, mais do que nunca, “é imperativo sonhar num mundo onde parecemos cercados por uma tremenda e terrível má notícia a cada dia”. Tiago Rodrigues é o artista português que dirige um dos mais prestigiados festivais de teatro do mundo e que este ano cumpre a 80ª edição. Desta vez, a linha de força de Avignon está estampada no cartaz do evento: de um fundo amarelo solar sobressai um enorme ponto de interrogação. A força das dúvidas e dos questionamentos talvez seja a chave para entrar no espírito de Avignon, a cidade-teatro que abre portas para o mundo durante os dias do festival. Tiago Rodrigues assume que “o questionamento” acabou por se impor como um tema natural desta edição porque todos os espectáculos e eventos programados deixam no ar perguntas que são antídotos contra as “respostas simplistas” que “criam a violência” dos tempos que correm. O encenador e dramaturgo sublinha que juntar pessoas no mesmo espaço para fazerem perguntas através da arte “é uma coisa absolutamente essencial e cheia de futuro”. Talvez por isso, o teatro é hoje ainda mais urgente e “claro que não está em vias de extinção”, avisa. Aos comandos do festival desde 2023 e reconduzido para um segundo mandato até 2030, Tiago Rodrigues alerta que “é imperativo sonhar num mundo onde parecemos cercados por uma tremenda e terrível má notícia a cada dia”, exemplificando com o medo que o assola quando vê artistas como o libanês Ali Chahrour a viver sob bombardeamentos em Beirute. Mas vamos à programação do festival, que divulgámos esta quarta-feira depois da apresentação no espaço La FabricA, em Avignon. Um dia depois, Tiago Rodrigues foi ao Théâtre du Rond-Point, em Paris, para a conferência de imprensa do lançamento desta edição e a RFI teve a oportunidade de falar com ele. Começámos por abordar os nomes lusófonos e o director do festival apontou, desde logo, a artista brasileira Carolina Bianchi como “a grande revelação nos últimos anos no teatro mundial”, lembrando que ela foi a grande aposta de Avignon em 2023 (o primeiro ano programado por Tiago Rodrigues). A encenadora, actriz e escritora vai estrear em Avignon o terceiro capítulo da trilogia "Cadela Força", três anos depois de ali ter apresentado o primeiro capítulo, “A Noiva e o Boa Noite Cinderela”, que ganhou o Leão de Prata da Bienal de Veneza. Por outro lado, haverá dois dias de maratona teatral de 10 horas em que as três peças poderão ser vistas de seguida: “A Noiva e o Boa Noite Cinderela”, “The Brotherhood” e “Uma Luz Cordial”. Sobre os também brasileiros Christiane Jatahy e Wagner Moura, que vão apresentar “Um Julgamento – Depois do Inimigo do Povo”, Tiago Rodrigues lembra que “Christiane Jatahy é uma artista muito amada pelo público do festival” e que, pela primeira vez, trabalha com Wagner Moura, “neste momento, o actor brasileiro mais conhecido no mundo” e que regressa ao teatro 16 anos depois “com essa vontade de quem regressa à essência do trabalho de actor”. Nesta edição, acabam por ser poucos os artistas lusófonos, mas fica a promessa que, depois de portugueses, cabo-verdianos e brasileiros terem estado em edições anteriores, “os artistas moçambicanos, angolanos e guineenses” também merecem ter o seu palco em Avignon. Continuando o seu projecto de convidar línguas para o festival, depois do inglês, espanhol e árabe, Tiago Rodrigues justifica a escolha, este ano, da língua coreana como “uma vontade de viajar até longe”. Daí que um quarto da programação seja constituída por artistas da Coreia do Sul e uma das convidadas de honra, que inspira dois espectáculos, é a Nobel da Literatura Han Kang. De resto, mais de metade dos projectos são dominados por artistas mulheres com “propostas absolutamente extraordinárias”. Na entrevista, o director do Festival de Avignon mostrou-se, ainda, muito “preocupado com o que está a acontecer em Portugal, nomeadamente em Lisboa”, algo que descreveu como “uma espécie de cerco à liberdade de criação” e “um grande abandono da verdadeira democratização” do acesso às artes e à criação. RFI: Na apresentação da programação, o Tiago Rodrigues falou na vontade de que o festival seja uma “festa de questionamentos” e o cartaz apresenta um grande ponto de interrogação. Quais são as linhas de força que cosem as entrelinhas desta edição e até que ponto o questionamento é uma delas? Tiago Rodrigues: “O questionamento foi uma forma bastante livre de darmos um tema a este festival, de relembrarmos ao público que este festival - que faz muito trabalho sobre a sua história, sobre o seu arquivo - ao chegar à 80ª edição, queria estar muito concentrado também no presente e no futuro, perguntar o que é que vamos fazer nos próximos 80 anos de festival. Hoje, quando defendemos a importância das artes, do teatro, da dança na vida das pessoas, muitas vezes dão-nos a entender que estamos a defender qualquer coisa que está em vias de extinção ou qualquer coisa que é antiga e que estamos a tentar ainda fazer sobreviver não se sabe bem porquê, quando o que nós defendemos é uma coisa absolutamente essencial e cheia de futuro que é a possibilidade de nos reunirmos em sociedade, pessoas juntas fisicamente no mesmo espaço para fazer perguntas juntos, mas fazer perguntas através da arte. E é isso que o festival faz há 80 edições e queríamos relembrar-nos a nós, os artistas, mas também ao público, que é isso que nós fazemos aqui. Num mundo onde estamos cheios de más respostas - poucas respostas mas más na maioria dos casos - respostas violentas, respostas simplistas, respostas pouco informadas, nós queremos colocar as boas perguntas. Perguntas às vezes complexas, perguntas também com prazer, perguntas com dúvida, perguntas que permitam o debate em vez de respostas que criam a violência. Eu acho que as artes podem ter esta função e certamente um festival onde vêm pessoas do mundo inteiro e se reúnem numa cidade que duplica a sua população no momento do festival para acolher o mundo inteiro que a visita, esse é o momento em que podemos fazer perguntas juntos.” Há três artistas brasileiros em destaque nesta edição: Carolina Bianchi, Christiane Jatahy e Wagner Moura. Comecemos por Carolina Bianchi, que foi revelada no primeiro ano de Tiago Rodrigues à frente do Festival de Avignon, em 2023. O que nos traz Carolina Bianchi? “Carolina Bianchi foi uma aposta do festival em 2023, na primeira edição que eu programei, porque acreditava que seria um grande acontecimento para o teatro europeu e mundial descobrir o trabalho de Carolina Bianchi que era um trabalho que estava muito discretamente escondido na cidade de São Paulo, que não rodava muito, que não era muito conhecido mesmo no Brasil. Tivemos a oportunidade de a desafiar a começar um projecto, uma trilogia. Ela sonhava fazer uma trilogia com três espectáculos consagrados à questão da violência e, sobretudo, a violência sobre as mulheres. O primeiro episódio é consagrado a essa violência na história da arte e na performance. O segundo no teatro e o terceiro na literatura mas como também a escrita pode ser uma forma de libertação, de emancipação. Ao ouvir essa ideia, dissemos imediatamente: ‘Vem fazer o primeiro espectáculo no Festival de Avignon'. O que aconteceu a seguir é do conhecimento geral. Carolina Bianchi, depois desse espectáculo, ganha o Leão de Prata da Bienal de Veneza, torna-se uma artista que faz todas as cenas europeias e mundiais, é revelada por esse festival. Criou o segundo capítulo entretanto, “Brotherhood”, e nós tínhamos combinado há muito que ela encerraria esta trilogia de novo em Avignon. A grande sorte que temos é que encerra com um espectáculo que será absolutamente fenomenal, “Uma Luz Cordial”, mas também conseguimos preparar, pela primeira vez, a hipótese de ver a trilogia seguida. São dez horas de teatro, uma grande aventura que tem ocupado esta artista durante quase cinco ou seis anos da sua vida e vamos poder ver não só a estreia mundial do último capítulo da trilogia, mas também, pela primeira vez, toda a trilogia seguida no Festival de Avignon, com cerca de 20 intérpretes brasileiros liderados por esta grande artista. É uma grande revelação dos últimos anos no teatro mundial.” E em relação a Christiane Jatahy, que já esteve em Avignon, e Wagner Moura, o que é que eles trazem ao festival? “Christiane Jatahy é já uma artista muito amada pelo público do festival, muito conhecida em França, uma encenadora que também é muito conhecida do público lusófono, seja no Brasil, seja em Portugal, que tem marcado as cenas europeias nos últimos anos, com as suas adaptações de repertório e desta vez, pela primeira vez, trabalha com Wagner Moura, que decide voltar ao teatro 16 anos depois. Ele tem vivido a sua aventura cinematográfica, televisiva, neste momento é, sobretudo, talvez o actor brasileiro mais conhecido no mundo com a nomeação ao Oscar, com o Globo de Ouro que ganhou e com a Palma de Ouro em Cannes que ganhou pelo filme “O Agente Secreto”. E é muito comovente ver Wagner Moura regressar ao teatro com essa vontade de quem regressa à essência do trabalho de actor. Aqui, Christiane Jatahy e Wagner Moura escreveram juntos, inspiraram-se no “Inimigo do Povo”, de Henrik Ibsen, autor norueguês, e pegando na história do “Inimigo do Povo”, onde o protagonista acabou de anunciar que as águas de uma vila termal estão contaminadas e, portanto, ao salvar a saúde das pessoas, condenou economicamente essa cidade, ele é acusado de ser inimigo do povo. O que vemos nesta peça é que imediatamente a seguir a esta história há um julgamento e nesse julgamento há vários testemunhos, nomeadamente o do Dr. Stockmann, interpretado por Wagner Moura e escrito por Wagner Moura com Christiane Jatahy, que defende que não é inimigo do povo, pelo contrário, enquanto outros defendem que ele é inimigo do povo. Será o público a decidir o resultado deste julgamento e o espectáculo tem dois finais em função da decisão do público.” Em termos de lusofonia, não há muitos mais nomes lusófonos. Porquê? “Porque o Festival de Avignon é uma página em branco onde nós tentamos responder às mesmas questões com respostas diferentes todos os anos. Evidentemente, a língua portuguesa, nem que seja pela minha presença na direcção do festival, tem estado mais presente do que no passado na história do Festival de Avignon, com artistas portugueses, cabo-verdianos e brasileiros também. Este ano, a presença da língua portuguesa está defendida por duas grandes artistas brasileiras e no futuro voltará a estar defendida por, não sei, artistas angolanos, moçambicanos, guineenses, porque não? Portanto, a língua portuguesa tem essa riqueza de poder ter artistas, nomeadamente no teatro e na dança, que merecem ser descobertos e mostrados no Festival de Avignon. Certamente que a cena lusófona - e não só lusófona, também a cena especificamente portuguesa - continuará a ter presença no Festival de Avignon. Este ano não tem, porque nem todos os países podem estar todos os anos no festival. Há países, por exemplo, como a Coreia do Sul, que, através do convite à língua coreana como língua convidada, este ano regressa ao Festival de Avignon depois de 25 anos de ausência. Há 25 anos que não havia um artista coreano no festival. O mundo é grande, o festival também é muito grande, mas não é tão grande como o mundo. E, portanto, embora gostássemos de fazer um festival que tivesse artistas de todos os países do mundo todos os verões, esse sonho terá que ficar para mais tarde. Por agora, queremos ter todos os artistas do mundo, mas um festival de cada vez.” Até porque o Tiago Rodrigues foi reconduzido até 2030 na direcção do festival, não é? “Tenho a grande sorte de ter sido reconduzido para um segundo mandato que começará após este festival. Este é o meu último festival do primeiro mandato, mas estou já a preparar os próximos quatro festivais até 2030. Sem dúvida que até 2030 não faltarão artistas de língua portuguesa.” O que é que o incitou a convidar a língua coreana? “A vontade de viajar até longe esteve na origem deste convite à língua coreana. É a quarta língua que convidamos para o Festival de Avignon. Começámos com o inglês, depois com o espanhol, duas línguas globais, mas de origem europeia. A terceira língua foi o árabe, uma língua de origem não europeia, mas muito presente na Europa e muito presente em França, onde é a segunda língua mais falada. Portanto, estas três línguas, por serem globais e também, por uma certa proximidade, por serem línguas que nos dizem coisas quando somos público do Festival de Avignon, que é um público maioritariamente francês, e o internacional que é maioritariamente europeu, merecia ser provocado pela distância. Então, começámos a procurar as línguas asiáticas que poderia ser interessante propor e percebemos que a língua coreana, sendo uma língua que só é falada numa península, é também uma espécie de 'soft power' através do K-pop, da música popular, através do 'K-drama', as séries televisivas coreanas que são muito populares no mundo inteiro...” Da Prémio Nobel da Literatura... “Da Prémio Nobel da Literatura. Mas por trás dessa presença global, há um grande desconhecimento, por exemplo, do teatro e da dança da Coreia, portanto, fomos pesquisar. Fomos muitas vezes à Coreia do Sul, a várias cidades, descobrimos muitos artistas e compusemos aquilo que corresponde a um quarto da programação do festival, com artistas coreanos. Há muito teatro, muito teatro documentário, muita dança, muitas formas tradicionais como o pansori ou outras formas populares de circo, de música, de teatro, de dança, mas actualizadas com uma leitura contemporânea. E também a literatura porque Han Kang [Prémio Nobel da Literatura] estará no Festival de Avignon, será uma das figuras centrais do festival. Haverá uma grande leitura de partes do seu romance, dirigida por Julie Deliquet, pela actriz Isabelle Huppert e pela actriz coreana Hyeyoung Lee, que juntas lerão, em francês e em coreano, partes do romance de Han Kang em presença da própria Han Kang. Haverá espectáculos que adaptam outros romances de Han Kang. E haverá também encontros e entrevistas públicas com a Prémio Nobel e ela será uma das grandes presenças da língua convidada.” Há uma artista lusodescendente, percussionista da cena electro-pop francesa Lucie Antunes, que faz um espectáculo com Mathilde Monnier, uma presença conhecida em Avignon. São duas mulheres fortes, "guerreiras", como o nome de um dos álbuns de Lucie Antunes. Também está programada Rébecca Chaillon, que faz igualmente espectáculos muito fortes. Nesta edição, há mais mulheres a dirigirem projectos do que homens. Qual é a mensagem subjacente? “É a mensagem natural de que não é difícil fazer uma programação que eu considero de grande, grande, grande qualidade, tendo uma grande maioria de mulheres à frente dos projectos. Não queremos passar outra mensagem que aquela de dizer que deveria ser perfeitamente normal haver muitas programações em muitos festivais do mundo onde há uma maioria de mulheres, porque há enormemente artistas mulheres que fazem projectos absolutamente extraordinários. A mensagem termina aí e depois as conclusões são tiradas pelas pessoas. Foi sem esforço que chegámos a uma programação maioritariamente feminina e por pura paixão pelo trabalho proposto por estas artistas. Quando fomos fazer as contas no final, porque gostamos sempre de poder perceber até que ponto é que estamos a respeitar a nossa vontade de paridade, percebemos que estávamos muito para lá da paridade. E ainda bem que sim, porque artistas como por exemplo Lucie Antunes e Mathilde Monnier, que vão colaborar nesse espectáculo “Silence”, são grandes artistas. Uma vem pela primeira vez ao Festival de Avignon, a Lucie, e a Mathilde Monnier é a artista - depois do fundador do festival Jean Vilar - que mais vezes se apresentou no Festival de Avignon. Mas temos também toda uma geração de grandes encenadoras francesas, como Rébecca Chaillon, Jeanne Candel, Marion Siéfert, Tiphaine Raffier, que vêm marcar presença no festival e mostrar como uma boa parte da pujança, da qualidade e da diversidade do teatro francês passa pelas encenadoras.” No seu primeiro ano na direcção do Festival de Avignon, em 2023, disse-nos que quando se vem a Avignon pela primeira vez, sai-se transformado. Que utopias ainda faltam cumprir em Avignon? No mundo tão complicado em que vivemos hoje, ainda é possível sonhar? “Não só é possível, como é imperativo sonhar num mundo onde parecemos cercados por uma tremenda e terrível má notícia a cada dia. Eu hoje, nesta apresentação, pude mencionar o choque com que vi as mensagens expressas por Ali Chahrour, um artista libanês que esteve no ano passado no festival e que está neste momento em Beirute sob bombardeamentos, e pude exprimir a minha perplexidade, o meu medo, o meu choque e, ao mesmo tempo, perante isto, é absolutamente imperativo sonhar, concretizar os sonhos e propor sonhar a outros. É por isso que nós falamos desta ideia de questões no festival. Questões podiam ser aqui um sinónimo de sonho. No Festival de Avignon eu diria que há ainda muitas coisas que eu gostaria de conseguir fazer até 2030. A batalha essencial, que é aquela que dá sentido ao facto de acompanharmos a criação artística, de defendermos a liberdade artística, de procurarmos meios para os artistas poderem trabalhar, é de conseguir completar, aperfeiçoar, prolongar a aventura do acesso democrático às artes. A democratização do acesso à criação continua a ser a enorme aventura não só em Avignon, mas no mundo inteiro e - porque estou a falar em português - preocupa-me muito o que está a acontecer em Portugal, em muitas cidades, nomeadamente em Lisboa, onde é completamente inesperado o que é uma espécie de cerco à liberdade de criação, ingerências políticas, mas também um grande abandono da verdadeira democratização. O acesso democrático às artes não é um exercício populista, uma flor que se põe na lapela nos dias de festa. É um trabalho quotidiano que deve permitir o acesso fácil à criação exigente, criação de grande qualidade feita em liberdade e à qual todas e todos devem ter acesso. Se fosse fácil, não era um serviço público. A cultura é um serviço público porque não é fácil de fazer. É preciso tempo, é preciso investimento e é preciso sonhar.”
With The Ghast Bears Defeated The Party enters a room with a far more dangerous occupants...www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
2 Ghastly Bears down 2 to go, But these Undead aernt done yet!www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Do you have any thoughts or ideas about the show? Send us a text! Hello Creators,In this special bonus episode, we're taking part in Podcaston 2026, where thousands of shows spotlight a charity they believe in. Ours is the Entertainment Community Fund, formerly the Actors Fund. They've been supporting the entertainment community since 1882, with practical help that can change everything when life gets shaky: emergency financial assistance, mental health support, housing resources, career coaching, and more. If you work in the performing arts, or you love someone who does, this is one to know.How to Support: entertainmentcommunity.orgFollow them on InstagramTo fit the performing arts theme, I asked our acting community on Instagram to inspire the readings, a soothing collection of favourite monologues from classic plays. You'll hear voices wrestling with betrayal and self-respect, the shock of beauty on a scrappy stage, the clarity of a calling, the dreamlike logic of memory, the moment a “doll” becomes a person again, and a king who remembers he is made of the same dust as everyone else. It's a calm, spoken-word listen designed for winding down, easing insomnia, and giving your nervous system something steady to follow.If it helps you rest, please subscribe, share it with a friend, support the Entertainment Community Fund via the links, and leave a review with the monologue that stayed with you.Sweet dreams,Florence xSupport the showOur Links:Subscribe to our Newsletter!www.sleeplesscreativespodcast.co.ukOur producerInstagramLinkedinDo you want to feature as one of our Guest Readers in your own special episode? If you work or study in the Performing Arts or Creative Industry in any capacity, we would love to have you.Applications open on 1st September every year, follow us on Instagram to keep up with the announcements!Sleepless Creatives is hosted by Florence St Leger, and produced by Canary Studios.The opening theme is Reflection by Birds of Norway.
The ghastly Bears seem to sense the tactics of the Party and try to adapt as best they can under the unknown restraints they endure...www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Trolls in Scandinavian folklore can be a little different from what’s imagined in the rest of the world. We begin our show with a montage of clips from recent movies, Trollhunter (2010), Troll (2022), and Troll 2 (2025) — the latter two being Netflix productions that have rekindled interest in the subject while reimagining trollsin a way that does not always conform to the folklore. While all Scandinavian countries have their share of troll lore, this episode focuses specifically on Norway, the country with the most compelling collection of troll folklore. The first portion of our show looks at the Norwegian writer Henrik Ibsen’s play along with incidental music composed for the play by his associate Edvard Grieg. Introducing this topic is a clip from the 1970 musical Song of Norway, a fanciful Edvard Grieg biopic that garnered particularly bad reviews. We learn a bit about why Grieg hated his well-known “Hall of the Mountain King,” a composition which accompanies Peer Gynt’s encounter with trolls inside a mountain in the Dovre mountain chain. We also learn what Ibsen hoped to achieve in telling the story of his antihero Peer Gynt, and how he wrestled with the movement known in Norway as Romantic Nationalism. Next we look at two figures integral to this movement, Peter Christen Asbjørnsen and Jørgen Moe, a pair of folktale collectors often described as the “Brothers Grimm of Norway.” Their 1841 publication, Norwegian Folk-Tales, along with updated volumes published in 1844, 1845, and 1871, provide most all the troll tales with examine in this episode. An exception to this is a book authored by Asbjørnsen alone, High Mountain Scenes, volume 2, Reindeer Hunt at Rondane. Published sometime before 1846, it’s the only volume referencing tales told about Peer Gynt, those being very loosely represented in Ibsen’s play. Asbjørnsen & Moe’s “Norwegian Folk Tales” The first of these we retell concerns a creature known as “the Bøyg,” something referred to as a type of troll in the story is described more as a giant serpent of sorts. We follow this with more Peer Gynt episodes involving male trolls flirting with human females and a troll poking his enormous nose through a cabin window and suffering the consequences inflicted by Gynt. The final story, “The Cat on the Dovre-Mountain,” takes place at Christmas, a time when troll encounters are particularly prevalent, and involves Gynt outsmarting a group of bothersome trolls via a peculiar stratagem. Next, we run through some lesser-known details of the best-known troll tale “The Three Billygoats Gruff.” We follow this with another well-known (in Norway) story, “The Boy Who Had an Eating Match with a Troll.” It involves a youth outwitting a troll with a particularly gruesome ruse It was familiar enough to Norwegian audiences to be referenced in Trollhunter. Next we look at a character Askeladden, who is pitted against trolls in several of Asbjørnsen & Moe's stories. He’s usually describing the good-for-nothing youngest brother of a trio, an underdog who surprisingly achieves great things. His name (literally “ash lad”) referenes his stay-at home habits, in particular, sitting by the hearth playing in the ashes. We learn of several characters with related names and habits in Scandinavian literature and a more insultingly rude nickname for such characters, one which Asbjørnsen & Moe chose to censor from their stories. Theodor Kittlesen, “Troll Pondering How Old iIt Is” (1911) Our next troll tale, “The Lads who Met the Trolls in the Hedale Woods,” gives us particularly monstrous trio of trolls sharing a single eyeball. While this is atypical, we also encounter here the common trope of trolls sniffing the air for “Christian blood,” a suggestion that their kind of an older pre-Christian order. A reference to trolls using magic is also contained in this story, something we’ll run into in other tales. We then hear some clips from a couple of Asbjørnsen & Moe-inspired films, the 2017 Norwegian film Ash Lad: In the Hall of the Mountain King and its 2019 follow-up, The Ash Lad: In Search of the Golden Castle. The “Golden Castle” in Norwegian film title and the title of the relevant Asbjørnsen & Moe story is “Soria Moria Castle.” This one also features trolls, but in a peripheral role. It’s a longer legend quest rather than a short folk tale in which we encounter three multi-headed trolls holding human women captive in three different castles. Our last story, “The Hen is Trips in the Mountain,” takes its weird title from a strange phrase uttered to open a door into a mountain, like “Open Sesame.” When a young woman enters theis particular mountain looking for a lost hen, she meets an unpleasant end, as does her younger sister, but when the youngest of the three enters, she manages not to repeat the mistakes of her two siblings and later discovers that trolls can explode when touched by the first rays of dawn (as well as turning to stone, another common folklore trope). We wrap up the show with some interesting stats regarding the fascination trolls exert over the heavy metal subculture. Theodor Kittlesen, “Mountain Troll” (1887)
Goldie locks and the three undead bears would have been its own story!www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Episode 108: The Lady from the Sea by Henrik Ibsen Host: Douglas Schatz Guests: Professor Kirsten Shepherd, Tzen Sam Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. When Henrik Ibsen's lyrical play The Lady from the Sea premiered in 1889, the critics were bewildered. On the surface it is a conventional drama of marital strife and the constrained social position of women, but the play is enriched by its acute portrait of psychological trauma and mystical undercurrents. I was prompted to explore the play having seen Simon Stone's modern adaptation at the Bridge theatre in London in the Autumn of 2025, and I am delighted to welcome Ibsen expert, Professor Kirsten Shepherd, back to the podcast, to discuss this intense and mysterious work. Kirsten and I are also joined by Oxford PHD student, Tzen Sam.
The Giants Fall 1 by 1www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Theatermaker Abdel Daoudi brengt de voorstelling ‘Hedda' terug op het podium. Ditmaal niet als een opstandige vrouw uit de klassieker van Henrik Ibsen, maar als een vrouw die controle wil houden. In de voorstelling zoekt Hedda de grenzen op van vrouw-zijn in een maatschappij die haar tegelijk vereert en veracht. Daoudi is onder andere bekend van de veelgeprezen voorstelling ‘Geschiedenis van geweld'. Met de voorstelling ‘Branden' onderzoekt hij verder de complexe relatie tussen mens en geweld. Presentatie: Jannekee Kuijper
Paulien en Chris doen een uitje in eigen stad en gaan vol goede moed naar de nieuwe tentoonstelling Metamorfosen in het Rijksmuseum. Die tentoonstelling vinden ze helemaal niet leuk. Maar Chris ontdekt een andere tentoonstelling die hij wél leuk vindt. Het is de Fake! en hier vind je een link. Meer info over het kunstwerk Metroality vind je hier. Daarnaast belt Chris met Hedda in Noorwegen. Hedda is vernoemd naar een van de beroemdste toneelpersonages van Henrik Ibsen (waar Chris sinds een week fan van is): Hedda Gabler. Chris praat met de Noorse Hedda over haar naam, Ibsen en de bijzondere boerderij waar ze is opgegroeid. Wil je een BBC registratie van Hedda Gabler zien dan is dit een goeie optie. In deze podcast aflevering is er ook aandacht voor de Nationale Zorgreserve, een landelijk netwerk van (oud-)zorgprofessionals inzetbaar in crisistijd. Heb jij een zorgdiploma en wil je bijdragen aan de maatschappelijke weerbaarheid van Nederland? Meld je aan via nationalezorgreserve.nl Dit is het Instagram-account van Man met de microfoon. Wil je lid worden of een eenmalige donatie doen via petjeaf.com dan kan dat: hier Eenmalig overmaken kan ook naar: NL37 INGB 0006 8785 94 van Stichting Man met de microfoon te Amsterdam. Wil je adverteren, dan kun je een mailtje sturen naar: adverteren@dagennacht.nlSee omnystudio.com/listener for privacy information.
Have you ever wondered what the Monsters are doing before the party arrives?www.Rollmonger.comRoll Mongers Merch!Support us On Patreon!Cast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoe GibsonA Huge THANK YOU! To Our Patreon Supporters: "GrooveLord" & "ExploShawn" Matt Kenney, Daniel Harris, Allen Cooper Jr. Jered Mercer, "NarkMaul" Stephen Cahill (www.Patreon.com/RollMongers)Products through Our Affiliate link below. http://affiliates.fantasygrounds.com/370352/15958http://affiliates.fantasygrounds.com/370352/15958https://podcast.feedspot.com/pathfinder_roleplaying_game_podcasts/Music: (Evan King) Intro/Outro: "Singularity"Edvard Grieg Peer Gynt Suite no 1 morning mood written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Free classical music for youtube videos. Most popular classical songs download. Commercial use allowed.Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (https://incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audiohttps://Tabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, Feywild, Windswept plainsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongers Thank You For your needed Support! https://www.RollMonger.com https://www.TeeSpring.com/RollMongers for Merch! https://www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController •Become a supporter of this podcast: https://www.spreaker.com/podcast/pathfinder-2e-age-of-ashes-the-elven-portal-podcast--4189253/support.
Chris is he-le-maal into Henrik Ibsen. Terwijl hij dacht dat het niets voor hem zo zijn. Te intellectueel enzo. Maar dat blijkt helemaal niet zo te zijn. Ibsen is geweldig. En dat gaat hij nu met je delen. En mocht je dezelfde registraties van Een Poppenhuis en Spoken willen kijken: hier vind je A Doll's House (en ja, er komen veel reclames tussendoor, maar 'who cares' bij zo'n geweldig stuk!) en hier vind je Ghosts met Judi Dench. Let op: het is het eerste van vier delen. Maar de rest kun je makkelijk vinden. In deze podcast aflevering is er ook aandacht voor de Nationale Zorgreserve, een landelijk netwerk van (oud-)zorgprofessionals inzetbaar in crisistijd. Heb jij een zorgdiploma en wil je bijdragen aan de maatschappelijke weerbaarheid van Nederland? Meld je aan via nationalezorgreserve.nl Dit is het Instagram-account van Man met de microfoon. Wil je lid worden of een eenmalige donatie doen via petjeaf.com dan kan dat: hier Eenmalig overmaken kan ook naar: NL37 INGB 0006 8785 94 van Stichting Man met de microfoon te Amsterdam. Wil je adverteren, dan kun je een mailtje sturen naar: adverteren@dagennacht.nlSee omnystudio.com/listener for privacy information.
About this episode: It started as a time-limited series of interviews with public health experts at the start of a global pandemic. Over nearly six years, Public Health On Call expanded to a wide range of topics, including humanitarian health, aging, and vaccines, becoming a home for nuanced public health discussions and analysis. In this episode: Hosts Stephanie Desmon, Josh Sharfstein, and Lindsay Smith Rogers reflect on 1,000 episodes of the show, the challenges of covering complex health topics, and what issues they want to focus on next. Note: This episode is also available as a video on YouTube. Guests: Stephanie Desmon, MA, is a former journalist, author, and the director of public relations and communications for the Johns Hopkins Center for Communication Programs. Dr. Josh Sharfstein is distinguished professor of the practice in Health Policy and Management, a pediatrician, and former secretary of Maryland's Health Department. Lindsay Smith Rogers, MA, is the producer of the Public Health On Call podcast, an editor for Expert Insights, and the director of content strategy for the Johns Hopkins Bloomberg School of Public Health. Episodes mentioned: 001 - Global Preparedness, Misinformation and Community Transmission—March 2020 060 - The Epidemic Within the Pandemic: Opioids and COVID-19—April 2020 064 - How COVID-19 Has Changed a Baltimore Public School—May 2020 132 - The Enemy of the People, by Henrik Ibsen and Parallels to the COVID-19 Pandemic—August 2020 169 - Online Learning with Baltimore Public School Principal Matt Hornbeck—September 2020 285 - COVID-19 and the Arts Part 2: Performing Arts and the Pandemic with Marin Alsop—March 2021 311 - A Baltimore Public School Reopens—May 2021 401 - School in the Time of COVID: A Tour Of Hampstead Hill Academy—November 2021 465- A Special Mother's Day Episode—May 2022 653 - Back to School: How One K-8 School Is Getting Ready for the Fall—August 2023 751 - The New Federal Regulations Aimed Making Methadone More Accessible—And Less Stigmatizing—April 2024 823 - Special Episode—The Fight For A Swimmable Harbor in Baltimore—November 2024 862 - The Misinformation Around Seed Oils—March 2025 891 - B'More For Healthy Babies: A Look Back at 15 Years of Infant Mortality Reduction in Baltimore—May 2025 953 - Interpreting the Data on Tylenol, Pregnancy, and Autism—September 2025 967 - An Update on Baltimore's Swimmable Harbor and the Pistachio Tide—October 2025 973 - Baltimore's Record Low in Homicides—November 2025 979 - Why Are More People Choosing Not to Vaccinate Their Pets?—November 2025 Transcript information: Looking for episode transcripts? Open our podcast on the Apple Podcasts app (desktop or mobile) or the Spotify mobile app to access an auto-generated transcript of any episode. Closed captioning is also available for every episode on our YouTube channel. Contact us: Have a question about something you heard? Looking for a transcript? Want to suggest a topic or guest? Contact us via email or visit our website. Follow us: @PublicHealthPod on Bluesky @PublicHealthPod on Instagram @JohnsHopkinsSPH on Facebook @PublicHealthOnCall on YouTube Here's our RSS feed Note: These podcasts are a conversation between the participants, and do not represent the position of Johns Hopkins University.
[REBROADCAST FROM Dec. 1, 2025] A provocative re-imagining of Henrik Ibsen's classic play, “Hedda” stars Tessa Thompson as the aristocrat caught between a past love and a stifling marriage. Thompson and director Nia DaCosta discuss the film.
En hittil ukjent reiseskildring forteller om et forunderlig besøk til Norge. Den tar oss med til Henrik Ibsen på Grand Café, til skogene i Nordmarka og en gåtefull, vakker kvinne – og til tapt kjærlighet. Film og produksjon: Alexander Zlatanos Ibsen Musikk: Stefan Ibsen Zlatanos («Snøflak» og arrangement av Manos Hadjidakis, «Et sted finnes min kjærlighet») Takk til: Anna Stavrakopoulou, Krystalli Glyniadaki, Marilena Zlatanou, Kaare Stang, Nils August Andresen, Civita. Avisen Minerva finansieres av våre abonnenter: Gå til Minerva.no/abonnement for å bidra til at vi kan fortsette å lage podkast. Minervapodden er produsert av Avisen Minerva. Ansvarlig redaktør: Nils August Andresen.
En hittil ukjent reiseskildring forteller om et forunderlig besøk til Norge. Den tar oss med til Henrik Ibsen på Grand Café, til skogene i Nordmarka og en gåtefull, vakker kvinne – og til tapt kjærlighet. Film og produksjon: Alexander Zlatanos Ibsen Musikk: Stefan Ibsen Zlatanos («Snøflak» og arrangement av Manos Hadjidakis, «Et sted finnes min kjærlighet») Takk til: Anna Stavrakopoulou, Krystalli Glyniadaki, Marilena Zlatanou, Kaare Stang, Nils August Andresen, Civita. Avisen Minerva finansieres av våre abonnenter: Gå til Minerva.no/abonnement for å bidra til at vi kan fortsette å lage podkast. Minervapodden er produsert av Avisen Minerva. Ansvarlig redaktør: Nils August Andresen.
En hittil ukjent reiseskildring forteller om et forunderlig besøk til Norge. Den tar oss med til Henrik Ibsen på Grand Café, til skogene i Nordmarka og en gåtefull, vakker kvinne – og til tapt kjærlighet. Film og produksjon: Alexander Zlatanos Ibsen Musikk: Stefan Ibsen Zlatanos («Snøflak» og arrangement av Manos Hadjidakis, «Et sted finnes min kjærlighet») Takk til: Anna Stavrakopoulou, Krystalli Glyniadaki, Marilena Zlatanou, Kaare Stang, Nils August Andresen, Civita. Avisen Minerva finansieres av våre abonnenter: Gå til Minerva.no/abonnement for å bidra til at vi kan fortsette å lage podkast. Minervapodden er produsert av Avisen Minerva. Ansvarlig redaktør: Nils August Andresen.
Our latest guest on Soundtracking is Nia DaCosta, who joins us to discuss her film Hedda, which is streaming now on Amazon Prime as well as other home entertainment platforms. Based on the Henrik Ibsen play, Hedda stars former Soundtracking guests Tessa Thompson and Tom Bateman among a fine cast, and centres around a lavish party in which personal and professional tensions simmer. Hildur Guanodottir's score is predictable fabulous.
Leibold, Christoph www.deutschlandfunk.de, Kultur heute
In this episode of Decorating Pages, Emmy-winning set decorator Kim Wannop sits down with Production Designer Cara Brower to talk about designing Hedda, Amazon MGM Studios' new adaptation of Henrik Ibsen's Hedda Gabler—now streaming on Prime Video. Brower—whose credits include Candyman, The Marvels, Twin Peaks: The Return, Us, and Hail, Caesar!—explains how she found and transformed a single English country estate into Hedda's entire universe: grand staircase, dark entry hall, sensual bedroom, secret telephone nook, glass conservatory with a deadly chandelier, and a lakeside bonfire that bookends the story. The conversation digs into:How Ibsen's original themes of power, boredom, control, and societal constraints on women informed the design choicesLayering Victorian architecture with Art Deco curves, 1960s-inspired pattern, and bold modern art so Hedda's home feels like a socialite's act of rebellionDesigning Hedda's bedroom as a cold, sensual, almost Hollywood-boudoir space that belongs entirely to herThe engineering and cross-department chaos behind the film's glass chandelier set pieceWhy shooting mostly on location—with minimal VFX—makes the film feel more immediate and theatricalPerfect listening if you love period drama, literary history, and extremely opinionated wallpaper.
A provocative reimagining of Henrik Ibsen's classic play, “Hedda” stars Tessa Thompson as the aristocrat caught between a past love and a stifling marriage. Thompson and director Nia DaCosta discuss the film, now streaming on Prime Video.
When the filmmaker Nia DaCosta (Candyman, The Marvels, 28 Years Later: The Bone Temple) was growing up, she says she only saw Black women portrayed in one of two ways: either as harmful stereotypes or as noble figures who became one-dimensional in their wisdom and perfection. Nia has dedicated her career to presenting complex and nuanced portrayals of Black women on-screen. Her new movie, “Hedda,” is loosely based on Henrik Ibsen's classic 1891 play “Hedda Gabler,” which features one of literature's most controversial characters. But in this new adaptation, the title character is reimagined as a biracial and bisexual woman in 1950s England. Nia joins Tom Power to talk about the film and what happens when we let people be imperfect.
In this episode of Chronicles, Luca discusses An Enemy of the People by Henrik Ibsen. He explores Ibsen's philosophy of individual self-realisation and the play's themes of mob rule, principle, and truth.
We're kicking off the Fall/Winter 2025 season of OnWriting with a roundtable conversation between screenwriters Nia DaCosta, Benny Safdie and Will Tracy, who sat down to discuss their latest projects, the writing process, and more. Nia DaCosta is the writer and director of Hedda, a provocative, modern reimagining of Henrik Ibsen's classic play in which the titular Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Benny Safdie is the writer and director of The Smashing Machine, the true story of mixed martial arts and UFC fighter Mark Kerr, whose obsession with greatness made him a legend — and nearly cost him everything. Will Tracy is the writer of Bugonia, directed by Yorgos Lanthimos, in which two conspiracy-obsessed men kidnap the CEO of a major company when they become convinced that she's an alien who wants to destroy Earth. --- Read shownotes, transcripts, and other member interviews: wgaeast.org/onwriting Follow the Guild on social media: @WGAEast OnWriting is a production of the Writers Guild of America East. The show is produced by WGA East staff members Jason Gordon, Tiana Timmerberg, and Molly Beer. Production, editing, and mix by Giulia Hjort. Original music is by Taylor Bradshaw. Artwork is designed by Molly Beer.
What if a classic tale could be reshaped with modern twists and turns that leave you questioning everything you thought you knew? Join me, Kyle McMahon, as I sit down with visionary director Nia Da Costa (The Marvels, 28 Days Later: The Bone Temple), superstar Tessa Thompson (The Avengers: Endgame, Creed) Nina Hoss and Tom Bateman to explore how the new Prime Video film 'Hedda' reimagines Henrik Ibsen's iconic play with electrifying creativity. Unearth how Nia DaCosta's visionary adaptation amplifies the timeless stakes of 'Hedda Gabler,' with Tessa Thompson breathing new life into the titular character. With Nina Hoss portraying a gender-swapped Eileen Loveborg and Tom Bateman tackling the complexities of George Tessman, this episode promises a deep dive into the innovative storytelling that challenges societal norms and character dynamics. Nina opens up about the liberating challenge of stepping into a reimagined role, enriching the narrative with existential undertones that speak volumes about contemporary issues. Meanwhile, Tom reflects on George Tessman's internal battle with power and understanding, shedding light on his character's tumultuous relationship with Hedda. Get ready for a thought-provoking conversation that not only celebrates the daring vision behind this adaptation but also offers a fresh perspective on a literary classic that continues to resonate. Tune in for an insider's look at 'Hedda,' where tradition meets transformation and storytelling reaches new heights.If you dig the show, subscribe, rate, and share—and tell your mom; she and Kyle would absolutely get along.
In the new film Hedda, Tessa Thompson plays a woman bored with her dull husband, and who devilishly manipulates the affections of everyone in her orbit. Writer/director Nia DaCosta makes some bold changes in this adaptation of the classic Henrik Ibsen play Hedda Gabler, and sets almost all of the action during a lavish party gone awry. But this is not your grandmother's Hedda. It's sexy, chaotic, and, above all, messy as hell. It's streaming on Prime Video. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
In celebration of the release of Hedda on Prime Video, Tessa Thompson joined Perri Nemiroff for a Collider Ladies Night conversation!During their chat, Thompson revisits working on Veronica Mars with Kristen Bell and discusses how Justin Simien's Dear White People was a personal acting game-changer. She also digs into the reality of joining the Marvel Cinematic Universe, and celebrates her longstanding collaboration with Hedda director, Nia DaCosta.Hear about all of that and so much more in this interview!Here's the official synopsis for HEDDA: "A provocative reimagining of Henrik Ibsen's classic play, Hedda follows enigmatic newlywed Hedda (Tessa Thompson), who is outwardly composed but hiding a simmering discontent that threatens to explode when the brilliant and charismatic Eileen Lovberg (Nina Hoss) reenters her life. Over the course of a raucous party, the high and low of society endure the consequences of this dangerous and unknowable woman yearning for a past love. What ensues is a ruthless game of manipulation, where lust, jealousy, and betrayal collide. Written and directed by Nia DaCosta, Hedda is a daring exploration of power, desire, and a woman's refusal to be confined." Hosted on Acast. See acast.com/privacy for more information.
All treats and no tricks for you in this packed Halloween edition of Breakfast All Day. Here's what we've got: NOUVELLE VAGUE: Richard Linklater recreates the making of the French New Wave classic "Breathless" with a movie that looks like it could have come out in 1960, as well. You don't need to know anything about Jean-Luc Godard, or Jean Seberg, or Jean-Paul Belmondo to enjoy this affectionate and humorous homage, but there are Easter eggs galore if you do. In theaters before streaming on Netflix Nov 14. SHELBY OAKS (With William Bibbiani): Our good friend Bibbs joins in on a review of this horror debut from longtime YouTube film critic Chris Stuckmann. It follows a woman investigating the disappearance of her sister, who was a paranormal investigator, in a small Ohio town. In theaters. HEDDA: Tessa Thompson is impossibly charismatic in this bold reimagining of the classic Henrik Ibsen play "Hedda Gabler." Nia DaCosta's adaptation is queer and multiracial in ways that are reminiscent of "Bridgerton." The cinematography and production design are gorgeous, but see it for the clothes alone. Streaming on Prime Video. IT WAS JUST AN ACCIDENT: This will end up being a major contender in the awards conversation. Iranian master Jafar Panahi tells the story of several disparate people who come together to abduct and confront the man they believe was their torturer in prison. It's tense and beautifully acted, with an unexpected streak of absurd humor. In theaters. MOVIE NEWS LIVE!: Our travels have kept us from doing our movie news livestream for the past couple weeks, so it was nice to be together again. Among the topics we discussed were the upcoming "Stranger Things" finale, "Sinners" and "K-Pop Demon Hunters" back in theaters, Osgood Perkins Day, and Francis Ford Coppola auctioning off his watch collection. We're gone next week but back Nov. 14. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/
"Hedda" is a dramatic adaptation of Henrik Ibsen's "Hedda Gabler" written and directed by Nia DaCosta, starring Tessa Thompson in the title role, with Imogen Poots, Tom Bateman, Nicholas Pinnock, and Nina Hoss in supporting roles. The film premiered at the 2025 Toronto International Film Festival to positive reviews for its performances, DaCosta's direction, and modern take on the material. Hoss and Bateman were kind enough to spend time speaking with Ema Sasic about their work and experiences making the film. This is followed by my conversation with the film's casting directors, Dez Hamilton and Joe Harris, and concludes with Cody Dericks' interview with the film's composer, Academy Award-winner Hildur Guđnadóttir. You can listen to all of these below. Please be sure to check out the film, which is now available to stream on Prime Video from Amazon MGM Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
"I love adaptations. The beauty of adaptation, especially a classic, like Shakespeare and Chekhov or Ibsen, they're such a gift because they give you this beautiful framework, and it's almost like they're begging you to take it and make it your own," says writer/director Nia DaCosta about adapting Henrik Ibsen's 1891 play Hedda Gabler into her new film Hedda. Set in the 1950s, the movie stars Tessa Thompson in the lead role, Imogen Poots as Thea, and reimagines the character Eilert Lovborg as a queer woman (now Eileen), played by Nina Hoss. We chat with Nia DaCosta about her journey to becoming a filmmaker, genre hopping into horror with Candyman and the upcoming 28 Years Later: The Bone Temple. She even made the superhero movie The Marvels. We also talk about the challenges of tackling the complicated, often cruel character of Hedda in the new film. "When I read the play [Hedda Gabler]," says DaCosta, "I'm like, this woman is hilarious! She's absolutely absurd. In the play, she's so verbose roaming around this sitting room, yelling at everyone who comes in. I wanted to replicate that, but more through action. And then there's the empathy part of it. To me, her tragedy is that she will never know herself. It's a life's work to understand and know ourselves, our emotional world. I think because she is so cruel, because she is so unhappy, because she has made these decisions that have trapped herself in this life – that to me is really sad. But I don't want people to forgive her for what she's done, or to excuse it." DaCosta also shares her advice on adapting someone else's story. "I think you have to know why you want to do it, and what it is you want to use the work to say. To let that 'why' sort of guide your pen. That's my convoluted way of saying trust your gut." If you've been thinking about adapting a classic play into a modern movie, you don't want to miss this podcast.
DaCosta directed the box office hit horror movie Candyman and The Marvels. Her latest, Hedda, is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler. She reimagines the main character as a queer, mixed-race Black woman, played by Tessa Thompson. DaCosta spoke with Tonya Mosley about navigating white spaces in Hollywood, why she loves horror, and her time as a production assistant. Also, jazz critic Martin Johnson reviews bassist Linda May Han Oh's album Strange Heavens. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Tessa Thompson's latest role is an infamously chaotic one: Hedda Gabler. Adapted from the classic play by Henrik Ibsen, “Hedda,” in select theaters Oct. 22, casts Thompson as a 1950s housewife who feels snubbed by an old lover and stifled in a new marriage. For Hedda, the only exit strategy is to punish those who have hurt her and then destroy herself.In this episode of Modern Love, Thompson explains why she relates to female characters like Hedda and to the desire to define life and love on one's own terms. She also reads a Modern Love essay about an unhappy marriage that helped the author find herself.Here's how to submit a Modern Love essay to The New York Times.Here's how to submit a Tiny Love Story. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
Wes & Erin continue their discussion of Henrik Ibsen's "A Doll's House."
Nora Helmer begins Act I as a devoted wife to her respectable husband, Torvald, and a devoted mother to her young children. She ends Act III by walking out on all of them and closing the door behind her. The emotional distance covered in these three acts (representing a span of just a few days in the lives of the Helmers) makes Nora one of the greatest and most coveted acting challenges in the theater. How might we mark out a route between the Nora of Act I, the charming toy of the men in her life who seems to desire nothing more than the comfort and ease her husband's recent promotion is set to provide, and the Nora of Act III, an independent woman willing to sacrifice everything in pursuit of her own self-determination? Wes & Erin discuss Henrik Ibsen's "A Doll's House."
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