Podcasts about Random House

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. This episode was originally produced in July of 2015. Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* The opening loop is from Mr. Knight from Coltrane Plays the Blues, which you should own. * The violin piece is Occam II for Violin, a piece by Silvia Tarozzi, played by Pauline Oliveros.* Next up is Mikuro's Blues from the mighty David S. Ware' mighty Go See the World.* The amazing orchestral pieces is Triumph by Miguel Atwood-Ferguson and Carlos Nino from Fill the Heart- Shaped Cup * Finally, there's 13 Ghosts II by Nine Inch Nails from Ghosts I-IV Learn about your ad choices: dovetail.prx.org/ad-choices

At just 15 years old, Jarvis Cocker wrote a manifesto that laid out his vision for a band he hoped would take over the music industry.Jarvis discovered the document while sorting through the boxes of stuff from his early life that he'd stashed away in his attic.It was in an an old school exercise book from when he was a fifteen-year-old schoolboy in Sheffield.He'd filled it with detailed plans to form a band called Pulp that would storm the music industry.But it took fourteen years for his 'Pulp Masterplan' to come to fruition, when his song ‘Common People' went to the top of the UK charts.This interview was first broadcast in 2023 Further informationThis interview was recorded at the 2023 Melbourne Writers Festival Good Pop Bad Pop is published by Random House

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

La madrileña Ayesha L. Rubio nos presenta su primer libro de cuentos, Volverán como fuego (Ed. Random House), una colección de estampas que ofrece un retrato demoledor de EEUU, país que conoce bien y por el que siente tanta fascinación como reparos. Con ella hablamos de su experiencia allí, de la violencia como forma de control social y de las trampas del sueño americano. Luego, Javier Lostalé abre su ventanita poética a Los latidos contados (Ed. Mahalta), el nuevo poemario del prolífico Federico Gallego Ripoll. En su sección, Sergio C. Fanjul nos habla Galleteras. La otra memoria de la galleta maría (Ed. La Caja Books), libro a medio camino entre el ensayo y la novela en el que la poeta y antropóloga Laura Sanz reivindica a las obreras de la fábrica Fontaneda de Aguilar de Campoo, su pueblo, para invitarnos a reflexionar sobre el trabajo feminizado y la importancia de la organización sindical. Terminamos Desmontando el poema con la ayuda de Mariano Peyrou, que esta vez nos recomienda Interna/Llanuras sucesiones (Ed. La uña rota), volumen que reúne las traducciones al español de dos poemarios de la autora gallega Oriana Méndez con prólogo de su paisana Chus Pato.Escuchar audio

Dos hombres se conocen en un chat gay buscando sexo. Uno de ellos es un bugchaser, una práctica sexual en la que la persona busca activamente infectarse con el VIH. Esa es la premisa que ha elegido el escritor y periodista Marcos Augusto Lladó para su primera novela, “Te hice dios”, publicada por Random House. Sobre impulsos, deseos, miedos y culpas en la comunidad de hombres que tienen sexo con otros hombres conversamos con Marcos Augusto.Escuchar audio

Click Here to ask your book writing and publishing questions!TV writer, screenwriter, and author Eric Garcia has published six books (so far). He sold three of them to Hollywood and somehow still managed to write his latest novel entirely by accident. He set out to write a short story. Then it got longer. Then it was a novella. Then it was 80,000 words and he had to admit he'd written a whole book, mostly at night, while still juggling film and TV work. We also talk about what's  changed in publishing since his Random House days (Hint: mid-list used to mean stable; now everyone's terrified of it), why chasing trends is a losing game when a book takes years to reach shelves, and why there are no rules for how long a chapter should be, except the one that matters: Don't make me want to stop reading.We also bond hard over the Oxford comma as well as the correct use of "less" and "fewer." I nearly combust with joy over our shared grammar rage. 

In Molly Fader's latest novel, Lady X: A Novel (Random House, 2026), the search for a notorious vigilante exposes the secrets between three generations of women in this propulsive novel of female resistance and rage, sweeping from contemporary L.A. to gritty, 1970s New York. Los Angeles, 2024. After learning that her A-List actor husband sent explicit photos to multiple girls on social media, Margot Cooper runs away from the world—and the paparazzi—by fleeing to her childhood home with her teenage daughter in tow. But home isn't the sanctuary Margot was hoping for. In a cardboard box in the corner of the attic, she finds damning evidence of an infamous urban legend, the mysterious vigilante “Lady X”—including a blurry newspaper photo of a woman who looks an awful lot like Margot's mother. New York City, 1977. In the midst of an infamous summer, Ginger Daughtry and her two beloved roommates are able to shield each other from the chaos—until one of them is assaulted. Astounded by the lack of response from police, the young women decide to engage in some light payback, signing their handiwork as “Lady X.” Soon copycats appear, and a movement inspired by acts of vandalism against terrible men spirals out of control, with criminals running amok under the guise of the enigmatic “Lady X.” When a body is found fallen—or pushed—from five stories high, the hunt reaches a boiling point. But Lady X has vanished into thin air. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Molly Fader's latest novel, Lady X: A Novel (Random House, 2026), the search for a notorious vigilante exposes the secrets between three generations of women in this propulsive novel of female resistance and rage, sweeping from contemporary L.A. to gritty, 1970s New York. Los Angeles, 2024. After learning that her A-List actor husband sent explicit photos to multiple girls on social media, Margot Cooper runs away from the world—and the paparazzi—by fleeing to her childhood home with her teenage daughter in tow. But home isn't the sanctuary Margot was hoping for. In a cardboard box in the corner of the attic, she finds damning evidence of an infamous urban legend, the mysterious vigilante “Lady X”—including a blurry newspaper photo of a woman who looks an awful lot like Margot's mother. New York City, 1977. In the midst of an infamous summer, Ginger Daughtry and her two beloved roommates are able to shield each other from the chaos—until one of them is assaulted. Astounded by the lack of response from police, the young women decide to engage in some light payback, signing their handiwork as “Lady X.” Soon copycats appear, and a movement inspired by acts of vandalism against terrible men spirals out of control, with criminals running amok under the guise of the enigmatic “Lady X.” When a body is found fallen—or pushed—from five stories high, the hunt reaches a boiling point. But Lady X has vanished into thin air. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Welcome!

This episode offers a practitioner's view of what sustainable transformation actually moves through: from the moment of honest awareness, through the friction of resistance, into the kind of cultural shift that outlasts any single initiative or leader. In this episode: Meagan Bond, Nic Kruegar, Rich Cruz, LindaAnn Rogers, Lee Crowson, Ian Siderits, Tricia Kennedy, Alexander Taylor I/O Career Accelerator Course: https://www.seboc.com/job Visit us https://www.seboc.com/ Follow us on LinkedIn: https://bit.ly/sebocLI Join an open-mic event: https://www.seboc.com/events   References: Brocha, S. (2026). The Human Method®: An eight-phase organizational transformation methodology [Unpublished manuscript].   Dweck, C. S. (2006). Mindset: The new psychology of success. Random House.   Edmondson, A. C. (1999). Psychological safety and learning behavior in work teams. Administrative Science Quarterly, 44(2), 350–383. https://doi.org/10.2307/2666999   Edmondson, A. C. (2018). The fearless organization: Creating psychological safety in the workplace for learning, innovation, and growth. Wiley.   Gallup. (2025). State of the global workplace: 2025 report. Gallup.   Keller, S., & Aiken, C. (2009). The irrational side of change management. McKinsey Quarterly. McKinsey & Company. (2021). The state of organizations 2021: Ten shifts transforming organizations. McKinsey & Company. Overmier, J. B., & Seligman, M. E. P. (1967). Effects of inescapable shock upon subsequent escape and avoidance responding. Journal of Comparative and Physiological Psychology, 63(1), 28–33. https://doi.org/10.1037/h0024166 Peterson, C., Maier, S. F., & Seligman, M. E. P. (1993). Learned helplessness: A theory for the age of personal control. Oxford University Press. Samuelson, W., & Zeckhauser, R. (1988). Status quo bias in decision making. Journal of Risk and Uncertainty, 1(1), 7–59. https://doi.org/10.1007/BF00055564

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

This is a special episode commissioned by Aspen Ideas: Health and originally performed at the 2026 festival in Aspen, Colorado. Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. MusicThe Barr Brothers play Static Orphans Learn about your ad choices: dovetail.prx.org/ad-choices

This week, as we head to the 4th of July weekend, we are bringing you a special two-part episode that provides a capstone for our month-long collaboration with Random House about the books that have shaped American history.Over almost two hours, we took a 250-year-tour of the books that shaped this country's history. Niki, Kellie and Jody were joined by Pulitzer-prize winning presidential historian Jon Meacham, who is also Niki's fellow Vanderbilt professor.We tried to touch on a lot of books, and also group them into basic schools of thought that we could use to trace how the story of American history shifted over time.For a full list of the books discussed, check out our newsletter.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode, we're stepping back to the golden age of natural history podcasting by resurrecting the format of the classic show Wild Ideas: The Podcast. Joining us on the trail is one of the OG hosts: the man himself, Gordon Maupin. It's a 3-way team-up where each of us brings a heavy-hitting seasonal mystery to the table.First, Steve unravels the rule-breaking world of the Ambystoma polyploid salamander complex, where unisexual lineages are mixing up DNA from different species and blurring the lines of what makes a species a species. Then, Gordon shrinks things down to look at the world of duckweed ecology, a group that includes the smallest flowering plants in the world. Finally, Bill turns our eyes to the skies over the marsh to pull back the curtain on dragonfly migration, looking into the recent science that shows some dragonfly species are multi-generational continental travelers (as well as badass predators).Come listen in as Gordon and the guys answer the question, “What's going on outside?” (Wild Ideas fans, that's for you)This episode was reecorded at the Iroquois National Wildlife Refuge in Alabama, NY on May 13, 2026.Episode LinksCheck out the Iroquois National Wildlife Refige and their Bald Eagle Cam.Here's the New York Times article about 7 Podcasts About the Joys of Bird Watching that includes a mention of our show.Episode NotesGetting The Great Egret's Latin Name RightDuring a quick aside this episode, Gordon spotted a Great Egret and Steve tried to recall its scientific name, tentatively going with Erodea alba. He wasn't entirely wrong! The correct name is Ardea alba.While alba means "white," Ardea is Latin for "heron." It also ties back to the ancient myth by everyone's favorite Roman poet Ovid, who wrote about a bird rising directly from the ashes of the burned city of Ardea. What's the Deal With Axolotls?We wondered if the axolotl is in the same genus as the Jefferson and blue spotted salamander (Ambystoma) and yes they are!Species: A. mexicanum (Axolotl) Unlike most members of Ambystomatidae—which typically metamorphose into terrestrial adults—the axolotl exhibits a trait called neoteny (or paedomorphosis). This is where an organism retains juvenile or larval traits into adulthood. Axolotls retains its aquatic, larval features (like its signature feathery external gills) into adulthood and spends its entire life in the water Bill's Hard Claim on ID'ing Jefferson Salamanders Bill said there is no way we could tell if it was a Jefferson salamander: is that true? Bill was basically right if we're talking about visually confirming a female-looking salamander in a blue-spotted/Jefferson overlap zone. Many unisexual individuals cannot be confidently identified by sight, and genetic testing is the clean answer. But during the breeding season, a male with a swollen cloaca is not part of the all-female unisexual lineage, so that can help narrow things down. So, a male in breeding condition can sometimes be identified much more confidently than a female/unisexual-looking animal, but you need to have serious knowledge about species location, morphology, and breeding-season characteristics. The Jefferson Complex vs. the Bigger Unisexual Salamander SituationDuring the episode, Bill had a “wait, what are we even talking about?” moment while Steve was explaining the huge all-female/unisexual Ambystoma salamander lineage.Steve was talking about the big-picture version: a bizarre evolutionary group that can involve genomes from several mole salamander species, including Blue-spotted, Jefferson, Small-mouthed, Streamside, and Tiger Salamanders.Bill, though, was thinking what we hear more about in the Northeast and Great Lakes region: the “Jefferson complex,” or the Blue-spotted/Jefferson Salamander mess. Around here, that usually means you can't usually ID a Jefferson Salamanders or a Blue-spotted Salamander down to species because the sally in front of you may belong to the all-female, polyploid lineage that can't be confidently sorted out just by looking at them.So Bill's question was basically: “Hold on. Is this identification nightmare only a Jefferson/Blue-spotted thing, or does it happen with the other species too?”And the answer is: yep. It can happen with the others too.The narrower Jefferson complex usually refers to the Blue-spotted/Jefferson part of the story, especially in places where those are the main overlapping species. But when scientists zoom out and include the other players (Small-mouthed, Streamside, and Eastern Tiger Salamanders) they usually refer to the whole thing as the unisexual Ambystoma lineage.So the practical field takeaway is this: in places where these species overlap, a female-looking Ambystoma salamander may be impossible to identify with confidence by appearance alone. Even experts may only be making an educated guess unless they use genetic testing. Measuring red blood cell size can help estimate ploidy (basically, whether the animal has extra chromosome sets) but DNA testing is the real way to know which genomes are actually in there. Is Duckweed the Smallest Flowering Plant? Yes, but specifically a microscopic type of it. The world's smallest flowering plants belong to the genus Wolffia - Often referred to as "rootless duckweed" or "watermeal," they are the tiniest members of the duckweed family (Lemnaceae) Individual Wolffia plants are usually less than 1 mm long, roughly the size of a pinhead or cornmeal, and the flowers are correspondingly microscopic.Unlike standard duckweed (Lemna), Wolffia plants do not have roots and appear simply as tiny floating green spheres or oval seeds.The plant produces the world's smallest flower, which forms in a tiny depression on the plant's top surface.Because they are so small and have highly efficient asexual budding, they can easily cover a pond in dense mats before you ever notice an individual plant. Can be found across temperate and tropical regions of North, Central, and South America Correction: Ed Yong's An Immense World (UV, not Infrared)During the episode, Bill mentioned Ed Yong's phenomenal book, An Immense World, and noted that researchers are increasingly discovering how many animals can see in the infrared spectrum. His memory slipped slightly on this one! Yong actually discusses the growing scientific realization that many animals see in the ultraviolet (UV) spectrum, not infrared. (Though as you'll see below, dragonflies do have a few tricks up their sleeves on the other end of the spectrum). Gordon's Question: Infrared Vision & Dragonfly MatingBill's misremembering of what was in An Immense World was prompted by Gordon asking a fantastic question during the recording: Can dragonflies see in the infrared spectrum, and if they can, are they using it to navigate during migration?First, a quick clarification: when most of us hear “infrared,” we immediately picture thermal imaging — animals glowing in the dark, Predator vision, that whole thing. That is not what we're talking about here. Dragonflies do not appear to see heat signatures.What they may be able to see is near-infrared — light just beyond the deepest red wavelengths visible to humans. Near-infrared is not heat vision. It is more like an invisible extension of red.According to a recent study published in January 2026 by researchers in Osaka, Japan, some dragonfly species have visual pigments that are sensitive to extremely long red wavelengths, possibly reaching into the near-infrared edge of the spectrum. That alone is pretty wild. But the discovery also highlights a striking example of parallel evolution between insects and primates. Millions of years ago, the ancestors of humans and other primates evolved molecular changes that helped produce red-sensitive vision. This new research suggests that some dragonflies may have independently evolved a similar molecular tuning mechanism for detecting red light. However, while primate red vision operates within the visible spectrum, some dragonflies appear to have pushed that sensitivity even farther, toward the boundary between deep red and near-infrared.So what are they doing with this ability? Probably not navigating migration, at least as far as we know.The better-supported idea is that this long-wavelength vision helps dragonflies identify mates quickly in flight. Male and female dragonflies can reflect red and near-infrared light differently, especially against green vegetation. So for an animal making split-second decisions while zipping around at high speed, that extra visual contrast could be a big deal. So to answer Gordon's question, dragonflies may be seeing farther into the red/near-infrared edge of the spectrum than we can, but based on what researchers currently know, they're probably using that ability for rapid sex recognition, not long-distance navigation. It's more of a high-speed dragonfly dating filter than infrared GPS.The Missing Piece: Visual Cues and "Leading Lines" in MigrationOne big element Bill neglected to mention in covering how dragonfies navigate during migration is the VISUAL piece – that they also use what they're seeing! That is a crucial piece of the puzzle. Dragonflies are also extremely visual animals. Those huge compound eyes are not just for decoration. So, what they're seeing is likely a key piece in their migration toolbox. Migrating dragonflies are often observed moving along major landscape features: coastlines, mountain ridges, river valleys, and other long, continuous edges. Biologists sometimes refer to these kinds of features as leading lines, because they can help guide or funnel migrating animals across the landscape.That doesn't mean a dragonfly is looking down and thinking, “Ah yes, the Susquehanna River. I'll take this south.” But these landscape features can still matter in several ways.Coastlines can keep migrants from drifting too far over open water, which is risky for an insect that eventually needs to land, rest, and feed.Mountain ridges and long hillsides can create useful air currents and updrafts, allowing dragonflies to ride favorable winds and conserve energy.River corridors can provide both a visual pathway and good stopover habitat, with water, vegetation, and plenty of small flying insects to eat when they need to refuel.The overall migration story for dragonflies probably isn't “dragonflies have one magic compass.” It's more like they are combining a bunch of cues at once: the visual structure of the landscape below them, as well as the elements covered during the episode. Steve's Questions: Resident vs. Migratory Green Darners & The Thermal Genetic SwitchDuring the episode, Steve asked two really good questions about Common Green Darners: if some are migratory and some are resident, how do they know which group to mate with? And could temperature be the thing that nudges a young darner down one path or the other?The first answer is surprisingly simple: they probably don't know, and they probably don't care.For a long time, researchers assumed these groups were reproductively isolated, believing residents emerged and died before the migratory cohort reached adulthood, but modern research has overturned this idea. According to a comprehensive review by Michael L. May and John H. Matthews, adult flight periods absolutely overlap in mid-summer, and genetic testing reveals zero genetic differentiation between the groups. The entire continental population belongs to a single, randomly mating gene pool. So when a Common Green Darner is ready to mate, it is probably not checking whether the other darner is from the “resident” or “migratory” team. It is just mating with another mature Common Green Darner in the same airspace. Very romantic. Very dragonfly.Steve's second question gets at something even more interesting: what makes one generation migrate while another stays put?This is where temperature, day length, and seasonal timing seem to matter a lot. A Green Darner nymph developing in warm water during long summer days may be pushed toward faster development. That can produce adults that emerge, feed heavily, build up energy reserves, and migrate south in late summer or fall.But if nymphs are developing as temperatures drop and days get shorter, their development can slow down. Instead of rushing to become adults, they may overwinter as aquatic nymphs and emerge the following year. Those individuals can then become part of the resident breeding population in northern ponds.So Steve's instinct was basically right: environmental conditions appear to play a huge role in shaping whether a darner develops quickly and migrates, or slows down and overwinters.The only thing to be careful about is the phrase “genetic switch.” There probably are changes in gene expression involved. Temperature and day length can absolutely affect how insects develop, but in Common Green Darners, we should probably think of it less as a single switch being flipped and more as a whole developmental pathway being shaped by the environment.The short version: migratory and resident Green Darners are not separate species or rival dragonfly factions. They appear to be part of one big, mixed population whose life cycle can play out in different ways depending on timing, temperature, and local conditions.Sponsors and Ways to Support UsThank you to Always Wandering Art (Website and Etsy Shop) for providing the artwork for many of our episodes.Support us on Patreon.Works CitedHallworth, M. T., Marra, P. P., McFarland, K. P., Zahendra, S., & Studds, C. E. (2018). Tracking dragons: stable isotopes reveal the annual cycle of a long-distance migratory insect. Biology Letters, 14(12), 20180741. doi: 10.1098/rsbl.2018.0741.Hu, G., Lim, K. S., Horvitz, N., Clark, S. J., Reynolds, D. R., Sapir, N., & Chapman, J. W. (2016). Mass seasonal bioflows of high-flying insect migrants. Science, 354(6319), 1584–1587. doi: 10.1126/science.aah4379.Knight, S. M., Pitman, G. M., Flockhart, D. T. T., & Norris, D. R. (2019). Radio-tracking reveals how wind and temperature influence the pace of daytime insect migration. Biology Letters, 15(6), 20190327. doi: 10.1098/rsbl.2019.0327.Lancaster, L. T., Dudaniec, R. Y., Chauhan, P., Wellenreuther, M., Svensson, E. I., & Hansson, B. (2016). Gene expression under thermal stress varies across a geographic range expansion front. Molecular Ecology, 25(5), 1141–1156. doi: 10.1111/mec.13548.May, M. L. (2013). A critical overview of progress in studies of migration of dragonflies (Odonata: Anisoptera), with emphasis on North America. Journal of Insect Conservation, 17(1), 1–15.May, M. L., & Matthews, J. H. (2008). Migration in Odonata: a case study of Anax junius. In A. Córdoba-Aguilar (Ed.), Dragonflies and Damselflies: Model Organisms for Ecological and Evolutionary Research (pp. 63–77). Oxford University Press.Sato, R., Terakita, A., & Koyanagi, M. (2026). Dragonfly red opsins share a common tuning mechanism with mammalian red opsins and further enhancement of near-infrared sensitivity. Cellular and Molecular Life Sciences.Trottier, R. (1971). Effect of Temperature on the Life-Cycle of Anax junius (Odonata: Aeshnidae) in Canada. The Canadian Entomologist, 103(12), 1671–1683.Wikelski, M., Moskowitz, D., Adelman, J. S., Cochran, J., Wilcove, D. S., & May, M. L. (2006). Simple rules guide dragonfly migration. Biology Letters, 2(3), 325–329.Yong, E. (2022). An Immense World: How Animal Senses Reveal the Hidden Realms Around Us. Random House.

Welcome!

Hanif Abdurraqib and Javier Zamora both float between poetry, memoir, essay, spoken word and more -- finding the right form to explore their personal experience within American history. They join Jody Avirgan to discuss their work and its impact.For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

Welcome! ⚽ Today, listen to K read aloud The Berenstain Bears Get Their Kicks for the FIFA World Cup of Soccer by Stan and Jan Berenstain ( ages 3 - 8 ). Every weekday, we will read aloud a new kids book.The Berenstain Bears Get Their Kicks was published by Random House in 1998. Join us tomorrow to hear a new kids book read aloud by K!Thank you for tuning in to Storytime with K. In this space, we will read aloud your favorite kids books with new episodes posted Monday through Friday! Whether you use reading time to help build reading skills, learn English, or help your little ones fall asleep, this podcast has exactly what you need.Follow along on Instagram to see what book is next! You can find podcast versions of these stories on most podcast platforms, such as Spotify, Anchor, Apple Podcasts, Google Podcasts, Amazon Music, Overcast, and more! New episodes posted daily Monday - Friday!VIDEO OPTION AVAILABLE ON YOUTUBE - Learn to read, learn English, or simply enjoy the illustrations in the book!*This podcast is meant for entertainment purposes only*#soccer #worldcup #storytimewithk

Most organizations are extraordinarily good at activity and extraordinarily bad at progress. Meetings that produce more meetings. Initiatives launched before the last ones landed. Leaders who are permanently busy and chronically stuck. This is not a strategy problem. It is a pattern problem, and patterns live in culture, not in org charts. This episode examines the invisible cycles that keep organizations in motion without forward momentum: the norms, assumptions, and unspoken rules that make dysfunction feel like diligence.  In this episode: Meagan Bond, Tom Bradshaw, LindaAnn Rogers, Nic Kruegar, Stacy Lee, Rich Cruz I/O Career Accelerator Course: https://www.seboc.com/job Visit us https://www.seboc.com/ Follow us on LinkedIn: https://bit.ly/sebocLI Join an open-mic event: https://www.seboc.com/events References: Dweck, C. S. (2006). Mindset: The new psychology of success. Random House. Edmondson, A. C. (1999). Psychological safety and learning behavior in work teams. Administrative Science Quarterly, 44(2), 350–383. https://doi.org/10.2307/2666999 Edmondson, A. C. (2018). The fearless organization: Creating psychological safety in the workplace for learning, innovation, and growth. Wiley. Gallup. (2025). State of the global workplace: 2025 report. Gallup. Glassdoor. (2025). The hidden costs of layoffs: Workforce trust, engagement, and organizational performance. Glassdoor Economic Research. Keller, S., & Aiken, C. (2009). The irrational side of change management. McKinsey Quarterly. McKinsey & Company. (2021). The state of organizations 2021: Ten shifts transforming organizations. McKinsey & Company. Overmier, J. B., & Seligman, M. E. P. (1967). Effects of inescapable shock upon subsequent escape and avoidance responding. Journal of Comparative and Physiological Psychology, 63(1), 28–33. https://doi.org/10.1037/h0024166 Peterson, C., Maier, S. F., & Seligman, M. E. P. (1993). Learned helplessness: A theory for the age of personal control. Oxford University Press. Russell Reynolds Associates. (2025). Global CEO turnover index: 2024 year in review. Russell Reynolds Associates. Samuelson, W., & Zeckhauser, R. (1988). Status quo bias in decision making. Journal of Risk and Uncertainty, 1(1), 7–59. https://doi.org/10.1007/BF00055564 Society for Human Resource Management. (2019). The high cost of a toxic workplace culture: How culture impacts the workforce—and the bottom line. SHRM. Society for Human Resource Management. (2024). SHRM Q4 2024 civility index: The state of workplace civility in the United States. SHRM.

La série Girls est considérée comme la voix d'une génération : les Millennials. En racontant le quotidien de quatre jeunes femmes à New York, elle explore le fossé qui sépare leurs aspirations de la réalité, souvent peu reluisante. Alors que certain·es voient sa créatrice Lena Dunham comme un génie, pour d'autres, elle incarne tous les défauts de ses personnages : bourgeoise, privilégiée, égocentrique. Dans son nouveau livre Famesick, elle se confie sur son travail, ses relations, ses problèmes de santé et le revers de la célébrité.Adèle Sautereau :Son podcast BoobcastSon compte InstagramSource : Lena Dunham, Famesick, Random House (2026)Abonnez-vous à la newsletter sur Substack : chaque mois, je publie un article sur un sujet de la pop culture !Suivez Star System sur les réseaux :Instagram : @starsystempodcastTikTok : @starsystempodcastIllustration : Ines Basille. Musique : Naaha. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A conversation about finding historical inspiration in all sorts of unique places, with Tiya Miles, author of "All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake" and Kathleen DuVal, author of "Native Nations: A Millennium in North America"For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

“Just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. The agent is the unacknowledged legislator of the literary field.” — Laura McGrath We think of publishers and editors as the ultimate tastemakers. As those godlike gatekeepers controlling what we read. But if you're looking for literary gods, Laura McGrath argues, then you need to look at literary agents rather than publishers or editors. Her ten-year project, Middlemen: Literary Agents and the Making of American Fiction, is the first serious scholarly account of the literary agent's astonishingly powerful role in shaping what America reads. Except, of course, the Middlemen are actually Middlewomen — since 80% of literary agents are women. The numbers are striking. Just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. McGrath interviewed 75 of them over ten years. Shelley called poets the unacknowledged legislators of the world. McGrath's agents are the unacknowledged legislators of the literary field. They shaped postmodernism (Candida Donadio and Pynchon, Heller, Gaddis). They launched the debut novel as a literary form. They made the short story collection viable. And 25 of them control more than half of the prizes. So will AI replace the agent? In operations, perhaps, McGrath acknowledges — the slush pile is overwhelming and smart machine assistance is welcome. But in creative work — in the business of writing, editing, translation, cover design, and above all taste — she thinks not. No algorithm will ever learn the Catch-22 of publishing — separating the Thomas Pynchon or Joseph Heller from all the dross. And no bot (male or female) is ever going to host a three-martini lunch in Manhattan. Five Takeaways •       The Literary Agent as the New Gatekeeper: Replacing the Publisher: In the early 20th century, publishing was shaped by the taste of individual publishers: Bennett Cerf at Random House, Alfred and Blanche Knopf at their imprint, Max Perkins at Scribner's. Those days are over. Publishers are now conglomerates where individual editors may have excellent taste but no single figure shapes the house. Into that vacuum has come the literary agent — who now operates, McGrath argues, exactly as the great publishers once did: as the primary tastemaker, the person whose aesthetic and commercial judgment shapes what America reads. •       25 Agents, Half the Prizes, 80% Women: The Numbers: McGrath's most striking statistical finding: just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. Twenty-five people. The field is 80% women — hence the tongue-in-cheek title — and 73% white. Agents tend, McGrath found, to represent authors who resemble themselves. One answer to the question “why is contemporary literary fiction so white?” is: because agents are. And agents, because they work on contingency fees rather than salaries, face severe financial pressures that concentrate power at the top of the profession. •       The Unacknowledged Legislators: Agents Shaped American Literary History: McGrath's book is full of literary history rewritten from the agent's perspective. Sterling Lord persisted past dozens of rejections to place On the Road for Kerouac. Candida Donadio — Pynchon's, Heller's, Gaddis's, and early Philip Roth's agent — championed maximalist, experimental writers whom no one was interested in, and built the social network of editor relationships that made postmodernism possible. The debut novel as a cultural form, the persistence of the short story collection despite poor sales, the rise of the New York novel — all are, in McGrath's account, partly agent-made. •       Can White Male Writers Not Get Published? No: Andrew raises the complaint he hears from white male writers: that they can no longer get published because of diversity initiatives. McGrath's answer is flat. No. She thinks it's silly. The number of books published each week is staggering. Being able to see some success on the part of writers of colour does not diminish the work white men are doing. The complaint, she notes, circulates every ten years, typically after a boom in support for writers of colour. We are in another round of this cycle. There will be another one in a decade. •       Will AI Replace the Literary Agent? In Operations, Maybe. In Taste, No: Andrew's closing question: will AI replace the middlemen? McGrath draws the distinction she heard at the US Book Show: AI in operations (slush pile management, contract tracking), yes, possibly. AI in creative work — writing, editing, translation, cover design, and above all taste — she hopes not. An algorithm is built on priors. It narrows the window of possibility endlessly, replicating itself. That is not what a good literary agent does. A good literary agent is looking for books that surprise, frustrate, and thrill. No algorithm has learned to take an author out for a three-martini lunch. About the Guest Laura McGrath is an assistant professor of English at Temple University and a National Endowment for the Humanities Fellow. She was formerly the associate director of the Literary Lab at Stanford University. She is the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, April 28, 2026). She writes the textCrunch Substack on literary and publishing culture. References: •       Middlemen: Literary Agents and the Making of American Fiction by Laura McGrath (Princeton University Press, April 28, 2026). •       Earlier on KOA: Gayle Feldman on Nothing Random: Bennett Cerf and the Publishing House He Built — the companion episode referenced at the opening. •       Sterling Lord (agent for Kerouac), Candida Donadio (Pynchon, Heller, Gaddis, Roth), Andrew Wylie — agents profiled in the book. •       Andrew Keen, Cult of the Amateur (2007) — referenced as Andrew's own defence of gatekeepers. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTube

Welcome!

Nate DiMeo, host of "The Memory Palace" podcast and author of "The Memory Palace" book, on the small details that shape the work of history.For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

Sarah F. Davidson joins editorial cartoonists Ted Rall (from the Left) and Scott Stantis (from the Right) to check in on the Graphic Novels industry. (Ted has authored numerous graphic novels, including My War with Brian, The Stringer and The Year of Loving Dangerously.)Sarah is a graphic novelist, colorist, and Professor of Sequential Art at Savannah College of Art and Design (SCAD). Creator of the award-winning Jackson's Wilder Adventures series (ALA Best Graphic Novels for Children), she specializes in middle-grade comics filled with magic, nostalgia, and feel-good vibes. She has colored for major publishers including Random House, Feiwel & Friends, and Webtoon.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Sarah F. Davidson joins editorial cartoonists Ted Rall (from the Left) and Scott Stantis (from the Right) to check in on the Graphic Novels industry. (Ted has authored numerous graphic novels, including My War with Brian, The Stringer and The Year of Loving Dangerously.)Sarah is a graphic novelist, colorist, and Professor of Sequential Art at Savannah College of Art and Design (SCAD). Creator of the award-winning Jackson's Wilder Adventures series (ALA Best Graphic Novels for Children), she specializes in middle-grade comics filled with magic, nostalgia, and feel-good vibes. She has colored for major publishers including Random House, Feiwel & Friends, and Webtoon.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Parades et célébrations le 19 juin 2026 aux États-Unis : le pays célèbre Juneteenth : l'émancipation et la liberté pour tous les esclaves dans tous les États du pays annoncée en 1865 au Texas, dernier État à avoir appris la nouvelle. Une fête célébrée cette année à Paris aussi à l'Arrêt, le restaurant de la cheffe afro-américaine Mashama Bailey et Johno Morisano, un restaurant aux saveurs du sud des États-Unis, à l'image de celle proposée dans le restaurant original à Savannah dans l'État de Géorgie.  Mashama Bailey est notre invitée. Pour une autre lecture de l'émission, ces time codes ont été notés pour vous permettre d'aller directement aux sujets qui vous intéressent. L'émission s'ouvre à Savannah en Géorgie, chez Mashama Bailey, sous le porche de sa maison, un après-midi de printemps avec ses parents, à partager un petit goûter salé de pâté en croûte et de quiche, héritage de ses années françaises peut-être. Aux origines du goût. Avant d'être cheffe, Mashama Bailey est une enfant qui mange. Dans la cuisine de sa mère et surtout de sa grand-mère, elle découvre sans le savoir une certaine idée du goût : des produits de saison, du fait maison, et une cuisine ancrée dans le quotidien, une cuisine rurale et végétale, fraîche et intuitive, pas tout à fait l'image caricaturale de la cuisine de la soul food, et du Sud. (3'30) Les racines de cette cuisine se trouvent dans la nature même de la ville de Savannah, au sud-est des États-Unis, un port né il y a un peu plus de 2 siècles, un refuge pour de nombreuses communautés. Ce melting pot constitue le socle de la tradition culinaire avec un plat emblématique : le Country Captain. Les légumes au cœur de la cuisine du Sud (8'00) : Choux, feuilles de moutarde, navets, maïs, patates, douces… Les légumes, les greens sont un pilier, les marqueurs d'une identité culinaire et culturelle, et sa grand-mère les lui a transmis. Elle n'avait pas de jardin mais connaissait les maraichers, les jardiniers, les pêcheurs, et il y avait toujours une casserole sur le feu, quant à Mashama, elle passe sa vie dehors, à cueillir les fruits chauffés par le soleil à même l'arbre. C'est en France que le déclic opère (12'03), Mashama cheffe privée pour une famille new yorkaise a l'impression de régresser et saisit l'opportunité de partir en France, en Bourgogne, pour se former. Elle redécouvre en Bourgogne les marchés, cette proximité entre le champ et l'assiette. De retour à Savannah, Mashama part à la rencontre de cette vraie cuisine du Sud, dont le reflet n'est pas le poulet frit que le marketing propose à toutes les sauces -quand à l'origine, il s'agit d'un plat de fête très long à préparer. « Quand je suis rentrée, j'ai compris tout ce que j'avais à apprendre sur cette cuisine du Sud, et on ne pouvait pas l'apprendre dans les restaurants. Pour la découvrir et la goûter, il fallait rencontrer des gens, être invitée chez eux, regarder, pour apprendre ces recettes du Sud, comme les pains de maïs, ou le succotash, c'est un ragout de légumes d'été. »   Fière de ses racines africaines, qui l'honorent et l'obligent. (15'27) Mashama Bailey revendique aujourd'hui une cuisine personnelle, qui raconte l'histoire des Afro- Américains, de ses racines noires, et en valeur cet précieux. Elle insiste sur la nécessité de préserver et transmettre ces recettes, notamment auprès des jeunes générations. Elle rappelle le rôle fondamental des Afro-Américains dans la construction des États-Unis, de la société, et de la culture culinaire américaine, ce qu'elle s'emploie à mettre en valeur et transmettre. (21'28) Transmettre, préserver, honorer ses racines et la mémoire afro-américaine. La rencontre avec The GREY, la station de bus à Savannah. The Greyhound bus station, (22'10) une station construite et utilisée pendant la ségrégation. En allant la visiter, la cheffe très émue a ressenti étonnamment qu'il y avait eu de la joie dans l'espace réservé aux Noirs, aux « gens de couleur », elle a alors compris qu'elle allait à son tour faire résonner la joie dans cet endroit, et la mémoire d'un peuple, qu'elle allait cuisiner. La cheffe raconte sa relation amicale et d'associés avec Johno Morisano, (24'40) puis revient sur son restaurant parisien L'Arrêt, où elle cherche à faire découvrir une cuisine du Sud contemporaine et exigeante, adaptée au contexte français mais fidèle à ses racines. Puis il est question de Juneteenth, des raisons pour lesquelles beaucoup d'États américains connaissent encore mal cette fête, très largement célébrée dans le Sud, dans les États esclavagistes, et de la fête organisée à Paris ! Johno Mosisano et Mashama Bailey ont ouvert l'Arrêt à Paris, 36 rue de l'Université, dans le 7ème arrondissement. Mashama Bailey a été sacrée meilleure cheffe des États-Unis le 13 juin 2022, par la fondation James Beard, soit plus haute distinction gastronomique du pays. La série Chef's table avec Mashama Bailey série qui a contribué à révéler la cheffe américaine. Le livre : Black, white and the Grey, éditions Random House. ► Pour aller plus loin : - Black Food, de Bryant Terry, Hachette cuisine - Shrimps and Grits, plat emplématique du Sud, ces crevettes et ce gruau de maïs, nous en avions parlé avec Mashama ici - Les racines africaines de la cuisine américaine - High on the hod, de Jessica B Harris et la série Netflix inspirée du livre : La part du lion en français. Programmation musicale : - Pata pata, de Miriam Makeba - Georgia on my mind, de Ray Charles. La recette :

This episode was originally released in 2016 in the days after the shooting at the Pulse nightclub in Orlando. It is re-released every year on the anniversary of the incident.Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate.  Learn about your ad choices: dovetail.prx.org/ad-choices

In this NBN episode, host Hollay Ghadery interviews acclaimed poet Laurie D. Graham about her new book of poetry, Calling it Back to Me (McClelland & Stewart, 2026). A poet's clear-eyed witnessing of familial history, this is the most personal collection yet from two-time Trillium Book Award finalist Laurie D. Graham. In these searching, spare, and resonant poems, Laurie D. Graham traces the story of her great-grandmothers' lives before and after they left their homelands and settled on this continent, striving to understand how she came to be here and writing the act of colonization as it exists in her own family history. This collection's fractured lines, time-weathered yet alive with detail, reflect a family's knowledge broken by global immigration and memory loss, both individual and collective. The result is a courageous reckoning with the legacy of leaving home. With tender curiosity and a determination to bear unflinching witness, Calling It Back to Me: Poems (Random House, 2026) asks: When language and memory are so tenuous, what is it that gets passed down between generations? LAURIE D. GRAHAM grew up in Treaty 6 Territory, near amiskwacîwâskahikan (Edmonton, Alberta), and she has lived in Nogojiwanong/Peterborough, in the Territory of the Mississauga Anishinaabeg, since 2018, where she is a poet, an editor, and the publisher of Brick magazine, a journal of literary non-fiction based in Toronto. Her first book, Rove, was shortlisted for the Gerald Lampert Memorial Award for the best first book of poetry in Canada. Her second and third books, Settler Education and Fast Commute, were both nominated for Ontario's Trillium Book Award for Poetry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery interviews acclaimed poet Laurie D. Graham about her new book of poetry, Calling it Back to Me (McClelland & Stewart, 2026). A poet's clear-eyed witnessing of familial history, this is the most personal collection yet from two-time Trillium Book Award finalist Laurie D. Graham. In these searching, spare, and resonant poems, Laurie D. Graham traces the story of her great-grandmothers' lives before and after they left their homelands and settled on this continent, striving to understand how she came to be here and writing the act of colonization as it exists in her own family history. This collection's fractured lines, time-weathered yet alive with detail, reflect a family's knowledge broken by global immigration and memory loss, both individual and collective. The result is a courageous reckoning with the legacy of leaving home. With tender curiosity and a determination to bear unflinching witness, Calling It Back to Me: Poems (Random House, 2026) asks: When language and memory are so tenuous, what is it that gets passed down between generations? LAURIE D. GRAHAM grew up in Treaty 6 Territory, near amiskwacîwâskahikan (Edmonton, Alberta), and she has lived in Nogojiwanong/Peterborough, in the Territory of the Mississauga Anishinaabeg, since 2018, where she is a poet, an editor, and the publisher of Brick magazine, a journal of literary non-fiction based in Toronto. Her first book, Rove, was shortlisted for the Gerald Lampert Memorial Award for the best first book of poetry in Canada. Her second and third books, Settler Education and Fast Commute, were both nominated for Ontario's Trillium Book Award for Poetry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Music The Barr Brothers play Static Orphans Resavoir plays Facets We hear Le mort de l'enfant from Hikaru Hayashi's score to The Naked Island. South Seas by David Pike Trust in Me from Sould Flutes Flowering Jasmine from Gidon Kremer Tesko Mi Je Zabrovit Tebe from Branko Mataja.  Learn about your ad choices: dovetail.prx.org/ad-choices

Writing a book is one of the most overlooked thought leadership moves a female founder can make, and most people go into it completely unprepared.On this episode of Dear FoundHer, Lindsay Pinchuk talks with Ruthie Ackerman, author of The Mother Code and founder of Ignite Writers Collective, about what it actually takes to write and publish a book. Ruthie spent years as a journalist and deputy editor at Forbes Women before losing her job, starting a business, and landing a Random House book deal. Now she helps women in business find their voice on the page, and she's honest about how hard the process is.The publishing world has a glamour problem. Most people picture the finished book, not the 90-page proposal, the years of revision, or the media outreach that a publisher will not do for you. Ruthie lays out what female founders need to know before they commit, including how to choose the right publishing path, what a real publicity strategy looks like, and why treating your book like a business launch is the only approach that works.For anyone building a personal brand and wondering whether a book belongs in that plan, Ruthie also speaks directly to the PR for small business reality. Getting press, landing speaking opportunities, and reaching the right audiences all require the same intentionality you bring to every other part of your business. A book done right is a long-term thought leadership asset, not a project you finish and walk away from.If your story has been sitting in the back of your mind waiting for the right moment, this episode is worth your time.Episode Breakdown:00:00 Thought Leadership Starts With Your Story03:51 Ruthie Ackerman's Path From Forbes to Random House05:59 Getting Laid Off and Launching Ignite Writers Collective08:21 How Ignite Writers Collective Grew During the Pandemic10:35 Starting a Book Three Months After Having a Baby12:08 Five Questions to Ask Before You Write a Book13:57 Traditional Publishing vs. Self-Publishing vs. Hybrid15:50 What a 90-Page Book Proposal Actually Looks Like18:35 Why Authors Have to Be Their Own Marketers20:07 Three Tips for Making Time to Write22:08 What Not to Do When Writing a Book24:10 How to Find a Literary Agent26:41 All the Hats You Have to Wear as an Author28:55 How Ignite Studios Supports Authors End-to-End32:11 Ruthie's Three Actionable Steps for Aspiring AuthorsConnect with Ruthie Ackerman:Follow Ruthie on Instagram Subscribe to The FoundHer Files Follow Dear FoundHer on Instagram Podcast production and show notes provided by HiveCast.fm Hosted on Acast. See acast.com/privacy for more information.

Isabel Wilkerson, author of "Caste" and "The Warmth of Other Suns" and Tara Westover, author of "Educated," on the power of books and history to expand our horizons.For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

In the summer of 1983, a stylish Venetian man named Silvano stepped onto a cruise ship and felt his shirt suddenly soak with sweat for no reason. That single moment marked the beginning of a nightmare that would steal his sleep forever. For over 250 years, one Italian family had been haunted by a mysterious curse: a disease that slowly, relentlessly destroys the brain's ability to sleep. Victims lie awake for months in a living hell of hallucinations and exhaustion, fully conscious as their bodies burn out and die. What began as a whispered “family disease” in 18th-century Venice was finally named Fatal Familial Insomnia — a prion disorder caused by nothing more than a single misfolded protein that turns the brain's sleep switchboard into a graveyard of crumpled origami cranes. This is the haunting true story of a genetic curse that science still cannot stop, and the quiet courage of the families who choose to live in the shadow of knowing — or not knowing — their fate.   Sources: Max, D.T. The Family That Couldn't Sleep: A Medical Mystery. Random House, 2006. (The definitive book on the Venetian family's 250-year saga and Silvano's story.) Prion Alliance. “About Prion Alliance & Our Mission.” prionalliance.org. (Nonprofit founded by FFI patient-scientists Sonia Vallabh and Eric Minikel.) CJD Foundation. “Fatal Familial Insomnia (FFI).” cjdfoundation.org/fatal-familial-insomnia-ffi. (Leading U.S. patient-support organization for all prion diseases.) Khan, Z. and Bollu, P.C. “Fatal Familial Insomnia.” In: StatPearls [Internet]. Treasure Island (FL): StatPearls Publishing, 2024. (Most current peer-reviewed medical overview of FFI.) National Organization for Rare Disorders (NORD). “Fatal Familial Insomnia.” rarediseases.org/rare-diseases/fatal-familial-insomnia. (Clear, family-friendly summary of symptoms, genetics, and history.) Mastrianni, J.A. “Genetic Prion Disease.” In: GeneReviews® [Internet]. Seattle (WA): University of Washington, Seattle, 2021. (Gold-standard genetic reference for the PRNP mutation and prion mechanism.)   Join The Dark Oak Discussion: Patreon The Dark Oak Podcast Website Facebook Instagram Twitter TikTok Youtube This episode of The Dark Oak was created, researched, written, recorded, hosted, edited, published, and marketed by Cynthia and Stefanie of Just Us Gals Productions with artwork by Justyse Himes and Music by Ryan Creep

Are you a grandparent thrust into the role of primary caregiver, managing the relentless stress, marriage challenges, and behavioral transitions that come with raising your grandchildren? Do you wonder how to move from surviving daily crises to building a sanctuary in your home—one where healing and hope are possible for both you and your grandchildren? Has your retirement story taken an unexpected detour, leaving you to mourn lost dreams while navigating the high-stakes world of kinship caregiving?I'm Laura Brazan, and welcome to "Grandparents Raising Grandchildren–Nurturing Through Adversity." In this episode, we sit down with resilience expert Steven Wagstaff, a retired pastor and C5 quadriplegic, whose life-altering journey offers tools for managing caregiver burnout, strengthening your marriage, and understanding the messy realities of raising kids affected by trauma. Together, we'll discuss how to normalize feelings of isolation, use humor and hard-earned wisdom as powerful tools, and make space for grief without letting it become your ceiling. For more information on Stephen, his ministry and his podcast, please visit "Swagability".Each week, we bring you authentic conversations and expert advice on trauma-informed childrearing, emotional wellness, marriage, legal and financial support, and building real community. You'll discover strategies for leading with intention, connecting with your partner, and embracing your own story of unexpected resilience.Join our supportive community.Send us Fan MailDr. Jennifer Brunton holds a Ph.D. in sociology from Columbia University and has a career spanning from college professor to high-level editor and writer for brands like Forbes and Random House. But it is her identity as a proudly Autistic parent of an Autistic son and grandmother/primary caregiver to two neurodivergent granddaughters, 2- and 3-years-old, that fuels her deepest mission. I recently interviewed her for an episode that will be live the end of August 2026.  Jill Bryant has spent years researching the deep complexities of counseling and the lived reality of kinship care as a professor and a grandparent raising a grandchild. Her work, focusing on the complete subjective well-being of kinship caregivers. Taking this 10-minute survey gives our advocates the timely, real-world data they need to fight for the funding and structural support your family deserves right now.  Kinship care—stepping up to raise your grandchildren—can often feel like an incredibly lonely journey. When custody happens unexpectedly, it's easy to feel like you are the only one navigating the trauma, the system, and the sheer exhaustion.But you aren't alone. And that is exactly why your story matters. Your unique experience holds the power to change the system for the next family. Share your story with us at laurabrazan@grandparents-raising-grandchildren.orgThank you for tuning into today's episode. It's been a journey of shared stories, insights, and invaluable advice from the heart of a community that knows the beauty and challenges of raising grandchildren. Your presence and engagement mean the world to us and to grandparents everywhere stepping up in ways they never imagined.Remember, you're not alone on this journey. For more resources, support, and stories, visit our website and follow us on our social media channels. If today's episode moved you, consider sharing it with someone who might find comfort and connection in our shared experiences.We look forward to bringing more stories and expert advice your way next week. Until then, take care of yourselves and each other.Want to be a guest on Grandparents Raising Grandchildren: Nurturing Through Adversity? Send Laura Brazan a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/grgLiked this episode? Share it and tag us on Facebook @GrandparentsRaisingGrandchilden Love the show? Leave a review and let us know!CONNECT WITH US: Website | Facebook 

Every week in the 1950s and 60s, 30 million Americans watched the congenial Bennett Cerf on Sunday nights on "What's My Line?" But he was much more than a game show panelist. In 1927, he co-founded the publishing giant Random House and brought to the public authors such as James Joyce, Ayn Rand, Truman Capote, Dr. Suess, and William Faulkner. Author Gayle Feldman spent 30 years researching and writing her book "Nothing Random." Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Hope Prose, Tara has the joy of speaking with one of her favourite literary citizens: not a writer, but a voracious reader, friend, husband to Ruth, father, and her beloved agent, Don Pape. Don is the founder of Pape Commons, a collaborative and creative community that leans into each other and embraces one another's gifts. Bringing over thirty years of experience from publishers such as Doubleday, the Random House imprint, and WaterBrook, Don pairs his passion for excellent stories and ideas with a mission to bring those voices to the readers who need them. Listen in as they discuss what makes a story stand the test of time, which stories have resonated most closely with Don, how stories can serve different purposes for us across our lifespan, and why we need to continue creating. You can find out more about Pape Commons at www. papecommons.comA Reading List of books Don mentioned: Whale Island, Mary Beth KeaneStone Angel, Margaret Lawrence What the Fireflines Knew, Kai HarrisThe Hobbit, C.S. LewisThe Hope Prose Podcast's InstagramAlex's Instagram Tara's Instagram

Every week in the 1950s and 60s, 30 million Americans watched the congenial Bennett Cerf on Sunday nights on "What's My Line?" But he was much more than a game show panelist. In 1927, he co-founded the publishing giant Random House and brought to the public authors such as James Joyce, Ayn Rand, Truman Capote, Dr. Suess, and William Faulkner. Author Gayle Feldman spent 30 years researching and writing her book "Nothing Random." Learn more about your ad choices. Visit megaphone.fm/adchoices

内容简介本期聊“为什么要追求卓越”。增长往往不是线性的，真正的跃迁来自少数关键时刻；卓越工作不仅带来更高回报，更重要的是让人有机会提出更好的问题、完成更好的价值对齐。平庸的工作会被市场和记忆迅速遗忘，而卓越，是个体与组织面对世界最坦诚的行动方式。参考文献* Deutsch, D. (2011). *The Beginning of Infinity: Explanations That Transform the World*. Viking.* Christian, B. (2020). *The Alignment Problem: Machine Learning and Human Values*. W. W. Norton & Company.* Taleb, N. N. (2012). *Antifragile: Things That Gain from Disorder*. Random House.* Kahneman, D. (2011). *Thinking, Fast and Slow*. Farrar, Straus and Giroux.* J.P. Morgan Asset Management. (2024). *Guide to the Markets*. J.P. Morgan Asset Management.* S&P Dow Jones Indices. (2024). *S&P 500 Index Methodology*. S&P Global.

Are you a grandparent, caregiver, or child impacted by generational trauma? Do you wrestle with questions of connection, healing, and the hope to break repeating patterns? Are you searching for authentic guidance to rewrite your family's future after abuse or neglect? I'm Laura Brazan, and in this episode of 'Grandparents Raising Grandchildren: Nurturing Through Adversity,' we confront the realities of trauma and healing. Our guest, therapist and author Johnzelle Anderson, shares his powerful story as a grandchild raised by his grandmother—the very person who both nurtured and wounded him. Together, we unpack how generational abuse cycles can be disrupted with love, boundaries, and self-awareness. Learn practical tools for auditing your family's “trauma soundtracks,” building genuine connection, and fostering resilience in your grandchildren.Johnzelle is a licensed therapist by trade, and believes in the power of storytelling to heal, imagine, disrupt, and inspire. His writing focuses on mental health, race, relationships, and identity. In his book Mixtape: A Memoir, therapist and storyteller Johnzelle Anderson weaves a raw, lyrical portrait of resilience, identity, and healing. Send us Fan MailDr. Jennifer Brunton holds a Ph.D. in sociology from Columbia University and has a career spanning from college professor to high-level editor and writer for brands like Forbes and Random House. But it is her identity as a proudly Autistic parent of an Autistic son and grandmother/primary caregiver to two neurodivergent granddaughters, 2- and 3-years-old, that fuels her deepest mission. I recently interviewed her for an episode that will be live the end of August 2026.  Jill Bryant has spent years researching the deep complexities of counseling and the lived reality of kinship care as a professor and a grandparent raising a grandchild. Her work, focusing on the complete subjective well-being of kinship caregivers. Taking this 10-minute survey gives our advocates the timely, real-world data they need to fight for the funding and structural support your family deserves right now.  Kinship care—stepping up to raise your grandchildren—can often feel like an incredibly lonely journey. When custody happens unexpectedly, it's easy to feel like you are the only one navigating the trauma, the system, and the sheer exhaustion.But you aren't alone. And that is exactly why your story matters. Your unique experience holds the power to change the system for the next family. Share your story with us at laurabrazan@grandparents-raising-grandchildren.orgThank you for tuning into today's episode. It's been a journey of shared stories, insights, and invaluable advice from the heart of a community that knows the beauty and challenges of raising grandchildren. Your presence and engagement mean the world to us and to grandparents everywhere stepping up in ways they never imagined.Remember, you're not alone on this journey. For more resources, support, and stories, visit our website and follow us on our social media channels. If today's episode moved you, consider sharing it with someone who might find comfort and connection in our shared experiences.We look forward to bringing more stories and expert advice your way next week. Until then, take care of yourselves and each other.Want to be a guest on Grandparents Raising Grandchildren: Nurturing Through Adversity? Send Laura Brazan a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/grgLiked this episode? Share it and tag us on Facebook @GrandparentsRaisingGrandchilden Love the show? Leave a review and let us know!CONNECT WITH US: Website | Facebook 

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. MusicTwo (Duvet and Correspondences) from Laurie Torres' gorgeous album, Après coup.NotesI implore you to get lost in the interactive map at livingnewdeal.org. And then go out in the woods. Learn about your ad choices: dovetail.prx.org/ad-choices

Step inside a 1980s Kentucky department store as Kayla Rae Whitaker shares the family secrets and ambition behind her novel Returns & Exchanges. Book Gang welcomes acclaimed author Kayla Rae Whitaker to discuss her much-anticipated new novel, Returns & Exchanges. Whitaker's immersive storytelling and meticulous research bring the 1980s era and its consumer culture to vibrant life. Set in Kentucky during the 1980s, this sweeping family drama follows Fred and Fran, a couple whose rags-to-riches ascent as department store owners brings both fortune and unexpected turmoil. As their business thrives, the family's personal lives become increasingly complicated in this messy family saga. Through multiple perspectives and intricate subplots, the novel explores themes of identity, desire, mental health, and the complexities of the American dream in this page-turning story. In this warm and insightful conversation, we discuss:

What's a recession indicator you've noticed?Lately, one answer keeps resurfacing online: "You can see celebrities' ribs again." And as unserious as that sounds at first, history suggests it may not be entirely wrong.In this episode, I dive into Ozempic, recession aesthetics, quiet luxury, heroin chic, and the return of thinness as a cultural ideal. From celebrity weight loss trends to the politics of appetite, I explore how beauty standards shift during periods of economic anxiety, social instability, and cultural fear- and why women's bodies so often become the place where those anxieties are projected.Are. You. Ready?****************Sources & References: Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice, Harvard University Press, 1984.Debord, Guy. The Society of the Spectacle. Zone Books, 1994.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.Foxcroft, Louise. Calories & Corsets: A History of Dieting Over 2,000 Years. Profile Books, 2011.Rose, Nikolas. Governing the Soul: The Shaping of the Private Self. Free Association Books, 1999.Stearns, Peter N. Fat History: Bodies and Beauty in the Modern West. New York University Press, 2002.Strings, Sabrina. Fearing the Black Body: The Racial Origins of Fat Phobia. NYU Press, 2019.Tolentino, Jia. Trick Mirror: Reflections on Self-Delusion. Random House, 2019.Veblen, Thorstein. The Theory of the Leisure Class. Oxford University Press, 2007.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. Harper Perennial, 2002.Additional reporting and cultural analysis referenced throughout the episode includes coverage of Ozempic and Wegovy, celebrity weight loss culture, recession aesthetics, heroin chic and 1990s fashion culture, wellness culture, self-optimization, and digital body surveillance from contemporary journalism, academic commentary, and media analysis.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

The Sane One goes on sale May 5 from Random House, you can purchase it here: https://www.penguinrandomhouse.com/books/677456/the-sane-one-by-anna-konkle/. For a limited time, get 60% off your first order, plus free shipping, when you head to https://Smalls.com/SMOSHMOUTH. Let Rocket Money help you reach your financial goals faster. Join at https://RocketMoney.com/SMOSHMOUTH. Go to https://www.Zocdoc.com/SMOSHMOUTH to find and instantly book a top-rated doctor today.PODCAST:https://bit.ly/SmoshMouthSpotifyhttps://smo.sh/SmoshMouthiHearthttps://bit.ly/SmoshMouthApple0:00 Intro5:02 Anna Konkle's memoir, The Sane One11:28 Sponsor!13:11 Back to Anna's book & mediating on life and death40:07 Shayne's drowning story43:47 Sponsor!45:02 Perception of self & parents1:02:20 Sponsor!1:03:38 More on the book, cockroaches, and rodents1:26:13 Embarrassing confessionsSUBSCRIBE: https://smo.sh/Sub2SmoshCastWEAR OUR JOKES: https://smosh.comWHO YOU HEARShayne Topp // https://www.instagram.com/shaynetopp/Amanda Lehan-Canto // https://www.instagram.com/filmingamanda/Anna Konkle // https://www.instagram.com/annaryankonkle/WHO YOU DON'T HEAR (usually)Director: Selina GarciaEditor: Rock ColemanProducer: Amanda Lehan-Canto, Shayne Topp, Selina GarciaProduction Designer: Cassie VanceArt Director: Adrian Sheen, Erin Kuschner, Josie BellerbyAssistant Art Director: Courtney ChapmanProp Master: Abigail Schmidt, Bridgette BaronStage Manager: Alex AguilarWardrobe Designer: Julia RosnerSet Decorator: Luke BrauSet Dresser: Carly HoughAudio Mixer: Scott NeffAudio Utility: Dina RamliDirector of Photography: Brennan IketaniVideographer: Eric Wann, James HullCamera Operator: Joshua VazquezPodcasts Producer: Selina GarciaAssistant Director: Jonathan HyonExecutive Vice President of Production: Amanda BarnesDirector of Production: Alexcina FigueroaProduction Manager: Jonathan Hyon, Tyler KennedyProduction Coordinator: Oliver Wehlander, Zianne HooverProduction Assistant: Caroline Smith, Tyrelle AnthonyDirector of Post Production: Luke BakerDIT/Lead AE: Matt DuranDIT/AE: Beni KimuenePost Production Coordinator: Ariana MartinezDirector of IT: Tim BakerIT & Equipment Coordinator: Lopati Ho CheeSound Editor: Gareth HirdDirector of Design: Ness CardanoSenior Motion & Branding Designer: Christie HauckSenior Graphic Designer: Jay TaylorGraphic Designer: Monica RavitchDirector of Channel Operations: Lizzy JonesChannel Operations Manager: Audrey CarganillaChannel Operations Coordinator: Sabrina LiebermanDirector of Social Media: Erica NoboaSocial Media Associate Producer: Peter DitzlerSocial Media Manager: Kim WilbornSocial Media Coordinator: Margaux BernalesSocial Editor: Vida RobbinsMerchandising Manager: Mallory MyersBrand Partnership Manager: Chloe MaysBrand Partnerships Coordinating Producer: Liz KummerOperations Manager: Marshall A. PeaseOperations Coordinator: Sara FaltersackFinancial Operations Specialist: Natalie LewisTalent Coordinator: Danielle MosesPeople & Culture Manager: Katie FinkPeople & Culture Coordinator: Hannah MerrittCEO: Alessandra CataneseExecutive Producers: Anthony Padilla, Ian HecoxEVP of Programming & Development: Kiana ParkerProducer, Special Projects: Rachel CollisExecutive Coordinator: Katelyn HempsteadOTHER SMOSHES:Smosh: https://smo.sh/Sub2SmoshSmosh Pit: https://smo.sh/Sub2SmoshPitSmosh Games: https://smo.sh/Sub2SmoshGamesSmosh Alike: https://bit.ly/SubToSmoshAlikeFOLLOW US:TikTok: https://smo.sh/TikTokInstagram: https://instagram.com/smoshFacebook: https://facebook.com/smosh

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Music The Skydiver from the great Lalo Schiffrin's score to the quite poor, The Mask of Sheba. Charlie Megira plays The Girl Who was Frightened of Ashtrays Ellen's Image from the great Lalo Schiffrin's score to the quite excellent, The Fox. What if... from Keegan Dewitt's score to the quite charming, Heart Beats Loud. Notes There was a very good article in Cabinet Magazine by Christopher Turner about the Switzer Brothers that includes excerpts from an unpublished autobiography from Bob.  I also really enjoyed this one from Liz Stinson about the science and art of Day Glo.  Learn about your ad choices: dovetail.prx.org/ad-choices