Podcasts about Random House

In 2024, Nina's small-engine plane crashes into a lake in the Wyoming mountains. Her boyfriend Ben, who was flying it, is nowhere to be found. Lost and freezing on the shore, Nina is armed with only a few old protein bars, a phone with no service, and a vague hope of rescue. It is up to her to survive in the vast wilderness. But then she stumbles upon Sunrise—a town of the Old West that is strangely well maintained, but seemingly abandoned. A place that holds the missing link to a ghost story one hundred years in the making.In 2003, Sand Daw's golden boy Coll is putting the finishing touches on the town's annual historical reenactment. But when an upstart would-be author comes to him with questions about one of Sunrise's most beloved figures, it threatens to upend everything he thought he knew about the city—and himself.In 1902, town founder, gunslinger, and legendary pulp hero Anton Vargas returns to Sunrise and quickly takes charge of a group searching for a missing boy. But who really is Vargas? What does he know about the boy's disappearance? And why has he returned after such a long absence?These three strangers are separated by time and circumstance. But Sunrise's many secrets are like gunpowder: quiet, contained, until they encounter a spark. Magisterial and suspenseful, Téa Obreht's novel Sunrise (Random House, 2026) challenges the myths we think we know: of heroes and villains, of the people and places to which we lay claim, and, most of all, of our own lives. Téa Obreht is the internationally bestselling author of The Tiger's Wife, Inland, and The Morningside. Her novels have won the Orange Prize for Fiction and the Southwest Book Award, and have been finalists for the National Book Award and the Dylan Thomas Prize, among others. Her work has appeared in The Best American Short Stories, The New Yorker, The Atlantic, Harper's Magazine, and Zoetrope: All-Story. Originally from the former Yugoslavia, she divides her time between Dublin, Ireland, and Wyoming. Recommended Books: Kevin Barry, City of Bohane Patrick DeWitt, The Sisters Brothers Katy Simpson Smith, The Maltese Version Stephen Graham Jones, The Buffalo Hunter Hunter Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2024, Nina's small-engine plane crashes into a lake in the Wyoming mountains. Her boyfriend Ben, who was flying it, is nowhere to be found. Lost and freezing on the shore, Nina is armed with only a few old protein bars, a phone with no service, and a vague hope of rescue. It is up to her to survive in the vast wilderness. But then she stumbles upon Sunrise—a town of the Old West that is strangely well maintained, but seemingly abandoned. A place that holds the missing link to a ghost story one hundred years in the making.In 2003, Sand Daw's golden boy Coll is putting the finishing touches on the town's annual historical reenactment. But when an upstart would-be author comes to him with questions about one of Sunrise's most beloved figures, it threatens to upend everything he thought he knew about the city—and himself.In 1902, town founder, gunslinger, and legendary pulp hero Anton Vargas returns to Sunrise and quickly takes charge of a group searching for a missing boy. But who really is Vargas? What does he know about the boy's disappearance? And why has he returned after such a long absence?These three strangers are separated by time and circumstance. But Sunrise's many secrets are like gunpowder: quiet, contained, until they encounter a spark. Magisterial and suspenseful, Téa Obreht's novel Sunrise (Random House, 2026) challenges the myths we think we know: of heroes and villains, of the people and places to which we lay claim, and, most of all, of our own lives. Téa Obreht is the internationally bestselling author of The Tiger's Wife, Inland, and The Morningside. Her novels have won the Orange Prize for Fiction and the Southwest Book Award, and have been finalists for the National Book Award and the Dylan Thomas Prize, among others. Her work has appeared in The Best American Short Stories, The New Yorker, The Atlantic, Harper's Magazine, and Zoetrope: All-Story. Originally from the former Yugoslavia, she divides her time between Dublin, Ireland, and Wyoming. Recommended Books: Kevin Barry, City of Bohane Patrick DeWitt, The Sisters Brothers Katy Simpson Smith, The Maltese Version Stephen Graham Jones, The Buffalo Hunter Hunter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2024, Nina's small-engine plane crashes into a lake in the Wyoming mountains. Her boyfriend Ben, who was flying it, is nowhere to be found. Lost and freezing on the shore, Nina is armed with only a few old protein bars, a phone with no service, and a vague hope of rescue. It is up to her to survive in the vast wilderness. But then she stumbles upon Sunrise—a town of the Old West that is strangely well maintained, but seemingly abandoned. A place that holds the missing link to a ghost story one hundred years in the making.In 2003, Sand Daw's golden boy Coll is putting the finishing touches on the town's annual historical reenactment. But when an upstart would-be author comes to him with questions about one of Sunrise's most beloved figures, it threatens to upend everything he thought he knew about the city—and himself.In 1902, town founder, gunslinger, and legendary pulp hero Anton Vargas returns to Sunrise and quickly takes charge of a group searching for a missing boy. But who really is Vargas? What does he know about the boy's disappearance? And why has he returned after such a long absence?These three strangers are separated by time and circumstance. But Sunrise's many secrets are like gunpowder: quiet, contained, until they encounter a spark. Magisterial and suspenseful, Téa Obreht's novel Sunrise (Random House, 2026) challenges the myths we think we know: of heroes and villains, of the people and places to which we lay claim, and, most of all, of our own lives. Téa Obreht is the internationally bestselling author of The Tiger's Wife, Inland, and The Morningside. Her novels have won the Orange Prize for Fiction and the Southwest Book Award, and have been finalists for the National Book Award and the Dylan Thomas Prize, among others. Her work has appeared in The Best American Short Stories, The New Yorker, The Atlantic, Harper's Magazine, and Zoetrope: All-Story. Originally from the former Yugoslavia, she divides her time between Dublin, Ireland, and Wyoming. Recommended Books: Kevin Barry, City of Bohane Patrick DeWitt, The Sisters Brothers Katy Simpson Smith, The Maltese Version Stephen Graham Jones, The Buffalo Hunter Hunter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In the summer of 2022 the federal government sued to stop the biggest publisher in the world from buying the fourth biggest, and for two weeks the people who run American publishing had to explain their business under oath.Asked how publishing decides what succeeds, the CEO of Penguin Random House said this: “Everything is random in publishing. Success is random. Bestsellers are random. So that is why we are the Random House.”That isn't a critic. It isn't a bitter writer with a drawer full of rejections. That's the man running the largest publishing company on earth, telling you the system doesn't know.This is the first of a series of weeks on what's actually happening in publishing right now, and what I think a publisher is for. Today: the real numbers, including the viral one that's false. Why an indie musician gets romance and an indie author still gets an asterisk. And what the word hybrid actually means, which turns out to be a story about Mendel's peas.Follow The Difficulty: Subscribe at chadprevost.substack.com, or listen on Apple Podcasts or Spotify. The Difficulty is produced by Crossroads Publishing Group, a message-and-meaning press. More at chadprevost.com. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit chadprevost.substack.com

When Magic Stops Being a Theory Somewhere between 38 and 50, most of us get hit by something we never saw coming. You feel like a stranger in your own life. You're crying in the grocery store parking lot and you don't know why. Everyone tells you to expect the truck that hits you in midlife. Nobody warns you about what comes through the hole it makes. This week I'm introducing a word I made up because we need it. midstery (MID-stuh-ree), noun. Midlife, mystery. A midstery is when magic stops being just a theory. Something magical happens in your own life, it stops being a thing that happens to other people, and you start running toward it, fascinated. Each one permanently widens what you're able to notice. Enough of them add up to an awakening. And they almost never show up on a retreat in Sedona. They show up while you're loading the dishwasher. In this episode: Why busyness is the most rewarded numbing agent we have, and what it's covering up What happens somewhere between 38 and 50 that nobody prepares you for Midstery: the word for what comes after the truck Why the women in your life don't think they have intuition, and the history that taught them that What your brain does with the eleven million pieces of information your senses hand it every second Why federal agents are worse at spotting a liar than you are My theory about why true crime is a woman's genre One small thing to do this week that will make it very hard to keep calling yourself unintuitive Chapters: 00:00 Purpose and Pain 00:55 The Busy Trap 02:38 Midstery 07:41 Intuition and Evidence 14:03 Practice Your Intuition Doing the case file? I want to hear about it. Come tell me on Instagram, or hit reply on the newsletter. I read every message myself and I'm dying to know what midsteries are coming through for you. On Our Best Behavior by Elise Loehnen. Available here. *Published by Random House. *I don't get paid a cent for promoting this book. I just think it's that fucking excellent. Connect with Emily Bookings & Website: emilyandherstars.com Newsletter + Calendar Download: sign up here Instagram & Threads: @emilyandherstars

In the years following the American Revolution, when the country was still uncertain of itself and the frontier was still a place of violence, two brothers carved out a story of fear across the wilderness. When their story was first published in 1824, many people thought it was so terrible it simply had to be fiction, and whilst the facts may have been a little blurred, it sadly had much more truth to it than people wanted to accept. Behind the legend lay a grim and disturbing story of violence and murder and even a twinge of mystery, that is still as troubling today as it ever was.SOURCES Grandjean, Katherine (2026) Kingdom of Devils. Random House, NY, USA. Coates, Robert (1930) Outlaw Years, The: The History of the Land Pirates of the Natchez Trace. Pelican Publishing Co. USA. Hall, James (1833) The Harpe's Head, a Legend of Kentucky. Key & Biddle, NY, USA. The Poughkeepsie Eagle (1799) Domestic Intelligence. The Poughkeepsie Eagle, Tues, 26 Deb 1799, p3. USA. Kentucky Gazette (1799) Lexington, April 18. Kentucky Gazette, Thurs 18 April 1799, p2, USA. Kentucky Gazette (1799) Lexington, April 25. Kentucky Gazette, Thurs 18 April 1799, p2, USA. The United States Gazette (1804) February 9. The United States Gazette, Tues 13 March 1804, p4. USA ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you a grandparent navigating the chaos of raising neurodivergent grandchildren, feeling like you're exceeding your emotional limits every single day? Do you find yourself craving just one uninterrupted breath, struggling to reconcile the clinical language of “disorder” and “correction” with the vibrant, complex reality of your family? Are your own sensory needs clashing with those of the children in your care, leaving you feeling both isolated and unseen?Jennifer Brunton, is an autistic mother and grandmother, and primary caregiver to two brilliant, intense, neurodivergent toddlers. Her projects encompass books, talks (including Keynotes), thought leadership and other articles, and consulting. She is coauthor of The #ActuallyAutistic Guide to Advocacy. She's worked as a writer and editor at Forbes, Random House, Mirabella, and Bristol-Myers Squibb, as well as for a range of individual, corporate, and academic clients.Welcome to “Grandparents Raising Grandchildren,” where we break down old, pathologizing walls and build a house rooted in acceptance, honesty, and shared challenge. Here, you'll find solidarity from other grandparents who understand what it is to stretch past capacity, expert insight on neuroaffirming advocacy, and real tools for adapting your household—headphones, comfort chickens, and micro-adjustments included. Together, we reframe compliance as compassion, and disorder as difference.Join me on this journey as we create new blueprints for our families, root out stigma, and uplift each other. In community, we honor the survival—and the leadership—of kinship caregivers like you, dismantling isolation with every honest story shared.Send us Fan MailI want to know how you're doing. Is the podcast giving you what you need? What support are you missing most right now? Send me a Direct Message on Facebook or Instagram or email me directly at laurabrazan@grandparents-raising-grandchildren.org. I read and reply to every message because this community is built on supporting each other! Every single one of us raising our grandchildren has a story worth telling. And your story truly matters. What is one thing you wish our community did more of that we aren't doing yet? You can connect with us on Facebook, Instagram, and through the fan mail link. They're all right here in the show notes and on our website.Thank you for tuning into today's episode. It's been a journey of shared stories, insights, and invaluable advice from the heart of a community that knows the beauty and challenges of raising grandchildren. Your presence and engagement mean the world to us and to grandparents everywhere stepping up in ways they never imagined.Remember, you're not alone on this journey. For more resources, support, and stories, visit our website and follow us on our social media channels. If today's episode moved you, consider sharing it with someone who might find comfort and connection in our shared experiences.We look forward to bringing more stories and expert advice your way next week. Until then, take care of yourselves and each other.Want to be a guest on Grandparents Raising Grandchildren: Nurturing Through Adversity? Send Laura Brazan a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/grgLiked this episode? Share it and tag us on Facebook @GrandparentsRaisingGrandchilden Love the show? Leave a review and let us know!CONNECT WITH US: Website | Facebook 

Marc Cameron is a New York Times and USA Today bestselling author with three major thriller series and thirty years in law enforcement behind him. In this conversation with Samantha Tennant, Marc talks about the rejection letter from Random House that forced him to go "over the top" — and accidentally created Jericho Quinn. He shares what it was really like to write seven Tom Clancy Jack Ryan novels, why the Arliss Cutter series is powered by his own experiences as a deputy marshal, and what's coming next: a long-awaited Jericho Quinn return and a potential screen adaptation of the Cutter series.

Daniel Mason is the author of six books of fiction, including The Piano Tuner, the story collection A Registry of My Passage Upon the Earth — which was a finalist for the Pulitzer Prize — and North Woods, which was a finalist for the National Book Critics Circle Award and the Dublin Literary Award. He's also a physician and a professor in Stanford's Psychiatry Department. His latest is Country People, published by Random House and out last month. It's a Good Morning America summer book club pick and a NYT bestseller. It's contemporary, it's hilarious and, for us procrastinators who would rather fall down research rabbit holes than write, it's very relatable. It also gives writers a bunch of craft lessons to sink our teeth into. How to use your text to teach readers how to read your novel. Embedding content into form (this novel is a master class in that). Using different textures and kinds of writing to enhance your storyline, and more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded on August 13, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

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Three Tenses (Random House, 2026) by Ed Park is not quite a memoir, not quite fiction, not quite poetry and not quite prose—and yet it transcends the sum of all its not-quite parts as a resonant portrait of its young artist. Written when he was 28, Park's “transmission from the nineties” displays his more earnest, more vulnerable version: a writer toiling away in upstart obscurity, working thankless New York jobs, who has yet to reach the triumph of publishing his first book. Three Tenses would not be that book. Instead, Park stashed it away in a manilla folder. Fast forward to the dog days of the pandemic, 2020, when Park rediscovered his old manuscript, tinkering with it while he worked on other projects, including his novel Same Bed, Different Dreams, which went on to be a Pulitzer Prize finalist after its 2023 publication. Fascinated and charmed by its lack of convention, I knew that I wanted to speak to Park about Three Tenses, and he was kind enough to join me for a chat about the process of confronting—and publishing—his younger self.  Ed Park is the author of the novels Same Bed, Different Dreams, a finalist for the Pulitzer Prize and the winner of the Los Angeles Times Book Prize, and Personal Days, a finalist for the PEN/Hemingway Award, as well as the story collection An Oral History of Atlantis. He is a founding editor of The Believer, and his writing appears in The New Yorker, the New York Review of Books, Harper's, The Atlantic, and other publications. In 2025, he received the Arts and Letters Award from the American Academy of Arts and Letters and the Deborah Pease Prize from A Public Space Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Como ya venimos haciendo desde hace unas semanas, nos zambullimos de nuevo en nuestro archivo para rescatar algunas de las entrevistas que nos ha dejado la temporada y armar con ellas programas monográficos que nos permitan profundizar en un tema, estilo o género desde perspectivas diferentes.Esta vez nos enfocamos en las posibilidades del cuento, un género que -al menos en España- todavía pugna por medirse en pie de igualdad con la novela, aunque en este programa tenemos claro que cuando se trata de literatura no hay hermanos pequeños ni mayores. De hecho, en el especial de hoy recuperamos las conversaciones que mantuvimos en su momento con dos autoras que han cultivado ambos géneros, pero que en sus últimas entregas se han concentrado precisamente en el relato.Con la argentina Ana María Shua hablamos de la enfermedad y sus alrededores, que es la obsesión sobre la gira toda su obra literaria, también su más reciente libro de cuentos, de título muy revelador: El cuerpo roto (Ed. Páginas de Espuma).Antes, escuchamos a la española Elvira Navarro, que nos presenta su segundo libro de relatos, La sangre está cayendo al patio (Ed. Random House), volumen en el que bucea en la zona cero de nuestra conciencia, ese lugar donde se gestan los impulsos que tantas veces nos abocan a la desgracia.Escuchar audio

Three Tenses (Random House, 2026) by Ed Park is not quite a memoir, not quite fiction, not quite poetry and not quite prose—and yet it transcends the sum of all its not-quite parts as a resonant portrait of its young artist. Written when he was 28, Park's “transmission from the nineties” displays his more earnest, more vulnerable version: a writer toiling away in upstart obscurity, working thankless New York jobs, who has yet to reach the triumph of publishing his first book. Three Tenses would not be that book. Instead, Park stashed it away in a manilla folder. Fast forward to the dog days of the pandemic, 2020, when Park rediscovered his old manuscript, tinkering with it while he worked on other projects, including his novel Same Bed, Different Dreams, which went on to be a Pulitzer Prize finalist after its 2023 publication. Fascinated and charmed by its lack of convention, I knew that I wanted to speak to Park about Three Tenses, and he was kind enough to join me for a chat about the process of confronting—and publishing—his younger self.  Ed Park is the author of the novels Same Bed, Different Dreams, a finalist for the Pulitzer Prize and the winner of the Los Angeles Times Book Prize, and Personal Days, a finalist for the PEN/Hemingway Award, as well as the story collection An Oral History of Atlantis. He is a founding editor of The Believer, and his writing appears in The New Yorker, the New York Review of Books, Harper's, The Atlantic, and other publications. In 2025, he received the Arts and Letters Award from the American Academy of Arts and Letters and the Deborah Pease Prize from A Public Space Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Three Tenses (Random House, 2026) by Ed Park is not quite a memoir, not quite fiction, not quite poetry and not quite prose—and yet it transcends the sum of all its not-quite parts as a resonant portrait of its young artist. Written when he was 28, Park's “transmission from the nineties” displays his more earnest, more vulnerable version: a writer toiling away in upstart obscurity, working thankless New York jobs, who has yet to reach the triumph of publishing his first book. Three Tenses would not be that book. Instead, Park stashed it away in a manilla folder. Fast forward to the dog days of the pandemic, 2020, when Park rediscovered his old manuscript, tinkering with it while he worked on other projects, including his novel Same Bed, Different Dreams, which went on to be a Pulitzer Prize finalist after its 2023 publication. Fascinated and charmed by its lack of convention, I knew that I wanted to speak to Park about Three Tenses, and he was kind enough to join me for a chat about the process of confronting—and publishing—his younger self.  Ed Park is the author of the novels Same Bed, Different Dreams, a finalist for the Pulitzer Prize and the winner of the Los Angeles Times Book Prize, and Personal Days, a finalist for the PEN/Hemingway Award, as well as the story collection An Oral History of Atlantis. He is a founding editor of The Believer, and his writing appears in The New Yorker, the New York Review of Books, Harper's, The Atlantic, and other publications. In 2025, he received the Arts and Letters Award from the American Academy of Arts and Letters and the Deborah Pease Prize from A Public Space Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Music Migratory Birds by Western Skies Motel Artifact 3 by Ryan Teague Barcelona by Alex Kozobolis Feel First Life by Jon Hopkins Learn about your ad choices: dovetail.prx.org/ad-choices

Click Here to ask your book writing and publishing questions!Laurie Notaro has hit the New York Times bestseller list more times than she can pin down. She's also written so many books she can't tell you the number without checking. And she drives a 2008 Mini Cooper, lives in a 1,500 square foot house, and has earned out on exactly one of those books. If you've ever wondered what a long career in publishing actually looks like from the inside, start here.We talk about I've Got a New Complaint, her new essay collection out September 8 from Little A, which is so hysterical I'll be giving it to everyone for the holidays. Laurie walks through her essay writing process, including the structural trick she wishes she'd figured out thirty years earlier. She's also as blunt as you'd expect about the parts nobody prints on a book jacket. Her first book, The Idiot Girls' Action-Adventure Club, was self-published after seven years of rejections, then picked up by Random House. Her career came apart twice. She was dropped by her agent over email while she was on tour. She spent three years living on credit cards. And she was told repeatedly that nobody wants to read about middle-aged women, which is a fascinating position to take on the largest book-buying demographic in the country.We also get into why she left the Big Five for an Amazon imprint, plus her genuine affection for one-star reviews and why they may be the best free marketing a first-time author will ever receive. If you're writing a book and trying to figure out whether traditional publishing or self-publishing is the right road, this is a candid look at both from someone who has done all of it, more than once.

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Julie Buntin is the author of the novel Famous Men, available from Random House. Buntin's debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Other writing has appeared in Harper's Magazine, The New York Times, The Atlantic, and elsewhere. She lives in Ann Arbor, where she is an assistant professor at the University of Michigan. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rula.com/otherppl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get started. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Flashing back a decade to the recording of A Song of Myself Nate did in a hotel room in Phoenix ahead of the 2016 Presidential election.  Learn about your ad choices: dovetail.prx.org/ad-choices

How can content marketing in a tight niche build the audience that launches your book? And how do you decide whether to hand your self-published bestseller to a traditional publisher. Suzanne Smith shares what she learned in four years of going from blog to book deal. In the intro, how to stand out as a writer in the age of AI [Nathan Barry Show; Interview with Nathan Barry]; thoughts on asset maintenance; Goodreads giveaway on Bones of the Deep (Aug 5-20, 2026) This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Suzanne Smith is the founder of The Independent Landlord, and the bestselling author of The Good Landlord Handbook. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How a free blog in a tight niche built the audience for the book Rewriting the book from scratch when the law changed Why speed made self-publishing the only option Building a paid membership after one audience member asked for it Negotiating a Penguin Random House deal with no agent Using AI as a business sidekick, with a control room and an engine room You can find Suzanne at TheIndependentLandlord.com. Transcript of the interview with Suzanne Smith Jo: Suzanne Smith is the founder of The Independent Landlord, and the bestselling author of The Good Landlord Handbook. So welcome to the show, Suzanne. Suzanne: Thank you. Jo: Oh, there's so much to talk about today. But first up— Tell us a bit more about you and your background, and how you got into property and writing after a legal career. Suzanne: Well, I've always loved reading books. In fact, I recently did a French literature degree as a mature student. Being an author was never in the game plan at all. It's not something that I even thought about. I was brought up in New Zealand, so shout out to all the Kiwis and those across the pond in Australia. The thing about it is, Jo, you've lived there yourself. Kiwis are independent, self-reliant and have this great sense of fair play. So that was a very formative experience for me. We moved back to England when I was 16, and I have become thoroughly anglicised since then, but a Kiwi at heart. I always wanted to become a lawyer. New Zealand in some ways on television is quite American, and there was this American programme called The Paper Chase. It was about all of these students at Harvard studying law, and the professor said, “You come here with a skull full of mush and you leave thinking like a lawyer.” I thought, “Oh, I like the sound of that.” I didn't really know what a lawyer was, but everyone seemed to be very happy that I wanted to become one, and then that was it. Jo: So you went into law, and then how did you get into property? Suzanne: So I worked for 25 years as a solicitor. That's like an attorney if you're American. Started off in a law firm, and then I went into pharmaceuticals and I worked for big companies like what is now GSK, GlaxoSmithKline, and small companies as well. When I started out, it was before the internet, before Google. When you're in house, you're very much a generalist. You do a bit of everything. So you help companies grow their business. You're not business prevention, but you're still bound by the code of conduct for solicitors. You've got this role of keeping the company on the right side of the law. Then I had twins, who were born about five years after I became a lawyer, and I decided to work part-time for a while and did an MBA when they were little, part-time through the Open University. I know Jonathan is doing one at the moment. Jo: Yes. He's finished, so that's exciting. Suzanne: That was transformational for me, because I had probably been thinking a bit too much as a lawyer, and it helped me to broaden my view of the world and understand all sorts of things. Sso I continued going up the greasy pole, and then for my last job, in 2015, I joined a biotech company in Cambridge, England, as general counsel and company secretary. It was a long way from home, about two, three hours' drive from home. So I decided to buy a flat, an apartment, and to stay there in the week. I thought to myself, “Well, when I leave this company, I can let it out as a buy-to-let,” but actually as a landlord. So I stayed there for five years, and then when I left, I let out the property. The reason why I decided to leave law after 25 years, I had what I call a sliding doors moment, like in the film. I was 50. I was on holiday with my husband, and we'd probably had one too many rum cocktails. And he said to me, “Well, what do you want to be doing with your life? What would you do if you could do anything?” I was thinking, “Well, I've done law. I want to do something else now.” I didn't really know what that was, and I'd always been thinking about studying French properly, and that's when I left. So I decided, 18 months later, I left to do a French degree at King's College London, full-time. I was the only old person there with lots of 18-year-olds. When I did that, I was able to cash in my share options because I was a good leaver. I retired, and so I started buying properties to let out and became a landlord, without really thinking too much about it, and I used letting agents. They were fine to begin with, but I didn't really have a game plan or anything like that. What I realised is that when I tried to research things online, I couldn't really find anything that was terribly helpful. It was either quite general or it was very legal. So after a while… I became a landlord in 2019. I had the idea, why don't I set up a blog? And this is August 2022, so just four years ago. My husband came up with the idea of the name, The Independent Landlord, because it's that Kiwi spirit, being very independent. I thought, “Right, I'm not going to charge anyone for it. It's a hobby. It's not a business. I'm going to pay it forward and help, use my legal training, practical legal approach, and practical common sense, by doing this blog.” Almost exactly four years ago, I sent my first newsletter to 13 people. Jo: Woo-hoo. Suzanne: And I sent one last week to over 18,000. So it's been quite a journey. Jo: Wow, this is so great. I love this. There's so much in there. The turning 50 and then doing a degree. My master's in death is a little different to your French literature, but I like it. So I love this, and buying properties, starting it on the side, not a business at first, and growing the audience, and obviously you've put so much work in. Then you decide to write a book. So talk about that, because an online blog, although I'm sure your articles and everything were super useful, it's very different to write a blog than a book. So talk about your challenges in writing. Why did you decide to do a book in the first place? Suzanne: Again, I was an accidental landlord, is what they call it when you let a property when you didn't intend to buy it as a buy-to-let, which I did with my Cambridge flat. And I became, in many respects, an accidental author. So I was having a conversation with my husband again and I was saying I'd done this lead magnet to get people to sign up to my newsletter, and a big new law was going through Parliament at the time, called the Renters Reform Bill, that was going to completely transform the way landlords operate. I was saying to my husband, “Oh, I need to update my lead magnet, a little ebook, to explain the new law.” He looked at me and said, “Well, why don't you do a proper book? Write a book.” This was on the 29th of September, 2023. The reason why I mention that is that I thought, “Wow, what a great idea,” and my head was bursting. I went onto Google, and guess what I downloaded on the 1st of October? Jo: My blueprint? Suzanne: Exactly. I found you immediately, the Author Blueprint, and I downloaded it. I checked: on the 1st of October, 2023. Then I listened to almost… well, I think I went back several years on your podcast, just trying to understand. I'm like that. When I try and do something, I just try and learn everything that there is to know about it. So I started writing the book, and I guess the first challenge was I write quickly, and I'm used to writing for people who aren't lawyers, being in-house. So I thought I needed to have a structure. The structure was easy in many respects because, a bit of business at the end, and then you can go through a tenancy. I thought it was important to have a narrative thread all the way through it, just to bring it together. This is the literature degree coming in here. I thought that the mission for everything I do, the reason why I started doing this, is to help landlords, but also to help the experience of renting that people have in England. It's very specific for English law. And to help improve the private rented sector. So that's why I originally set up my blog for free, and I wanted, when people went onto Google, they could find something sensible and very detailed from me. My blog posts were… Well, I've now got over 400,000 words on my blog, so it's a substantial piece of work that is out there free of charge. So what I decided to do was to bring this narrative thread, I call it the good landlord ethos, to the book. Then I wrote very quickly, and I had a pretty good draft by April 2024, because we were all thinking that the law was going to change very soon. But then there was an election, and in the end the government changed and the legislation changed completely, so I had to rewrite the book and start again. So I think that my biggest challenge was that my subject matter, the new law, changed. Because I wanted to publish this book that explained to people practically what they have to do, and make it really straightforward, keeping out of politics, because it is a very politically charged area. I wanted to write it so it's a manual, somebody could literally follow it. So I used an editor, and I did write the book twice. I had a beta reader who is another lawyer, and a landlord as well. Then I got to the get-the-damn-thing-done stage. The really tedious bit of all the typos at the end. Jo: Yes, the finishing energy to get it out there. So at that point, obviously you'd found my blueprint, so you were learning about the indie way of doing things. Did you always decide to self-publish? How did you think about publishing? What were your challenges in publishing? Suzanne: It never occurred to me not to self-publish, because the new law came into effect on the 1st of May, 2026. The law and the details that I needed for the book were finalised in January, and I published on Amazon on the 5th of March, so I had to go so quickly. Even though I'd got a lot of it written, the last bit came in January, and so I needed speed. I knew that for landlords to be able to have something that they can use straightaway to help get them ready for it, and then use as a manual afterwards, I had to be first. Jo: Sorry, just on the year. Was it '24? You said '26. You meant May— Suzanne: 2024? No, no, because I actually published it this year. What happened in 2024, I had the first draft ready, but then I had to do another draft because the law changed when the Labour government came in. Jo: Right. Suzanne: The Renters Reform Bill turned into the Renters' Rights Bill. So I had to rewrite the book. So I finished however many drafts at the end of January 2026. Then it went to an editor, et cetera, et cetera, and I managed to get the book ready for a proof, to get the proof printed, towards the end of February. So it was really quick to go from the law being sufficiently finalised for me to write a book in January, and then having it ready in just over a month. There is no way that I could have done that if I'd gone to a traditional publisher. It didn't even occur to me to go, because I didn't want to be going touting around my book and, “Please publish me,” et cetera. It's just not me. I'm the independent landlord, and that moved very easily to being the independent publisher. So I learnt how to do all the publishing. And a huge thanks: I joined your Patreon and I was a very good student. I went through everything systematically and followed your playbook, and used Vellum and BookFunnel and all the other tools. So I decided to go on Amazon as well as have my own Shopify store, which just about killed me. Jo: I was going to say, you are an excellent student. You really like learning, but you also put this into practice, which is why I also wanted to talk to you. You haven't just talked about all this. You've literally done everything. Suzanne: Sometimes it was like my head was going to burst. Luckily, Claude upped his game earlier this year when we got the Opus 4.5. I didn't use AI really until this year. I decided I need to do exercise all the time, and have that as a have-to-do, because my head was spinning all the time with all these different things. So I would go to the gym, go to a spin class, and then I would walk out with my phone on, with the Claude app, and dictate a stream of consciousness into it. “Oh, I need to do this, or what about that? Oh, I just remembered about this. Oh, I've had this idea, blah.” And then said, “Make sense of it for me, Claude.” So it was very much as a thinking partner, because when you're writing your first book, it's bad enough, but when you're learning how to publish… Even, like, when I got the first proof of the book back from BookVault, I realised that all the footnotes—I have 114 footnotes in my book, and that, again, is the recent degree there—and the formatting had gone skew-whiff. Apparently it was an issue with Vellum, and they were really lovely and they sorted it straight out for me. So it shows: always get a proof of the book. They were able to sort that out very quickly, and BookVault were very quick in getting me another proof, because you can shortcut it and just pay to get a very quick delivery. Amazon, on the other hand, was really slow. It took a week. So I actually published earlier on my Shopify store for my members, of my membership, and I gave them a discount. Then I finally got it onto Amazon on the 5th of March. There are all these different skills you're having to learn. The Shopify store I found very hard, and there was all the tax, because I'm VAT registered. So I think I'm still recovering. Jo: You're still recovering. I wouldn't normally recommend a Shopify store for someone with their first book, doing first of everything. But, as you say, you're someone who learns a lot, puts it into practice, and— I think you were pretty determined to do that because you had a community as well, right? Suzanne: Exactly, yes. The big subscriber list. I think that's why the book did so well. So in the first week, because I met you at the Indie Author Lab put on by— Jo: Yes, London Book Fair, yes. Suzanne: Yes, the Alliance of Independent Authors. I met you there, and it was just my first week, and I had 1,000 sales in the first week. That was because of my audience. I'd been going on about the fact that I'm writing this book for two and a half years, because that's how long it took me to do. So I had a wait list for it, and I had a thing on my website, a landing page on my website, saying how good the book was and why it's the best thing for the Renters' Rights Act. Then I went onto Google, and I think I sent you a screenshot of this at the time. I put into Google, “What's the best book for the Renters' Rights Act for landlords in England?” And it came up with me as a featured snippet, and I hadn't even published it at that time. It was just about there. So the blog really helped, because I'd become an authority on the Renters' Rights Act. Even though I'm not a practising solicitor any more, I spent all my time reading the damn thing, and it is a very complicated bit of legislation. Funnily enough, I have ruffled a lot of feathers. People have even said about me behind my back, “What does she know? She's only got four properties.” But I just took no notice. I thought, “I'm going to try and use my legal brain and my understanding of what it's like being a landlord, there with the rubber gloves cleaning an oven when people have moved out, and try and write something that's not trying to sell anything else, and to help people.” And then it got picked up. Jo: Yes. Wait, let's just slow down. Slow down, because we will get onto that in a minute. But let's just come back to that launch. So as we talked about, you've had a blog for five years— Suzanne: It was three and a half by then. Jo: Three and a half years you've been blogging, but hundreds of thousands of words of useful information. So you've essentially done content marketing. You've attracted people. You had a lead magnet. You got them on your email list. You told them that you were writing a book. You got a sort of pre-sales list up. So that's an email list. You've got a blog. Did you do anything else in terms of marketing? Suzanne: I had YouTube, a big YouTube channel. I'd only set it up at the end of 2024, and I'd had half a million views. And again, just very straightforward advice, and without all the scaremongering and politics. I deliberately keep out of it all. A lot of people joined my newsletter as a result of that. Also a year ago, exactly today, I was running a Facebook group, which was a lot of hard work. There were a few thousand people in it, but there are often a lot of people going in there trying to sell things: insurance, eviction specialists and things. And there was also a lot of people just being unpleasant to other people. I was getting fed up with it. It was taking me a lot of time, and I was doing a lot of speaking events and trying to explain what this new law was doing, and wearing myself out. I'm an extrovert, but even I find speaking events absolutely exhausting, because it's like everything gets sucked out of you. It's strange. Then somebody came up to me in July last year and said, “Suzanne, can you set up a membership?” I said, “Well, landlords aren't going to pay for that.” And they said, “Yes, they will. You build it and they will come.” I asked ChatGPT and thought about it. I asked ChatGPT, who I was dating at the time, now exclusively with Claude, but I know Claude has other people in his life. But I'm very much set with Claude Fable at the moment. So I asked ChatGPT, how can I go about setting up a membership? And I mentioned your one and said, “Should I do it on Patreon?” And then he came back with: go for Circle. So I set up a membership on Circle, exactly a year ago. In fact, it's the anniversary of my first member yesterday. hTe rules I had were, no selling. So I don't sell, no affiliate links, no one else can sell anything, and we have to be supportive. No negativity, no politics. So what it's become, it's like the senior common room of the private rented sector, with landlords, lawyers, letting agents. There's a fantastic forum in there. It's not me doing it, it's peer-to-peer. I have twice-monthly live streams where people can ask me questions. I wonder where I got that from. No, I very much modelled it on your Patreon, but on a different platform. I have courses in there as well. So that has really grown. I launched it in July, and by September, October, I'd gone past the VAT threshold, which has complicated everything, but it means my business now is this membership. I really enjoy doing it, and there hasn't been all the negativity that you have in a Facebook group. So I had them as… talk about your thousand fans. There are about 1,500 in the membership, and their support really helped the launch of my book, as well as the wider people who get my free newsletter. Jo: Yes. Suzanne: So it's all different types of content marketing. Jo: Y, but I do love this. And of course, if people are wondering, I joined Patreon back in 2014, I think it might have even been before that, and there weren't too many places back then to run communities. It wasn't even really a community at the time, it was a sort of, almost a “give me a bit of support for the podcast.” So things have changed a lot in terms of communities, and obviously you went with Circle, which is great. Patreon is slightly different now, and some people are using Substack for something similar. So that's just on the platform, but on the business: early on in our conversation you said, “I wasn't going to have a business. It wasn't a business. It was just putting stuff out there, helping other people,” and then your audience asked for this membership. And so now it is a business, right? Suzanne: Yes, it is. Jo: And you've got a book and all of this. So are you happy with the change to a business? Because obviously you have to treat it quite differently. Suzanne: Yes, I am, because I think to begin with, I was just doing it one or two days a week. I was actually studying a master's in French literature part-time, and I then found that I was enjoying the blog more than the master's, so I dumped the master's after the first year. But after getting 88% for one of my dissertations, which interestingly was on the translation of a Simone de Beauvoir book into English, and the publisher who's got that now is Random House, but that's another thing. Anyway, so I decided to give up my master's and double down and work full-time on the blog. People were paying to help me with all the big fees and things, the big tech stack, Buy Me a Coffee. I was doing a little bit of consulting and things. I was working six, seven days a week. I was treating it like a business in terms of quality and my effort, but it wasn't a business in terms of revenue. Then it just all came together, and this person said, “Set up a membership,” and I thought, “That's what I'm going to do. I'm now going to put it on a business setting.” I've got an MBA, I know how to do it, and people thought I planned it, but I didn't. It just happened. So now I do very much treat it as a business, but I still don't advertise. I don't allow people to advertise with me, because I want to be independent. If I recommend something, I want people to believe it's me recommending it, not just because someone's paying me, which can be a big issue in the landlord area. Jo: Oh, in any industry. I get pitched every day with loads of random things that people are like, “Oh, a dollar a click or whatever, if you send this to your list.” And it's like, seriously? Just stop it already. I did just want to add there: somebody asked you, they said, “You should have a community,” and that sparked that idea. I just wanted to acknowledge that my Patreon came from Jim Kukral. Some of you will remember, who've been around a long time. Jim Kukral came on my blog around sort of 2013. Amanda Palmer had just put out a book called The Art of Asking, and I was doing a lot of unpaid work on the podcast at the time, and I was either going to give it up or I had to fund it somehow. Jim said, “You should do a Patreon.” And I was like, “Oh, no, I hate asking for money.” So at the time I just felt, oh, weird. Then I was like, “No, I do all this work,” as you were saying. Now the Patreon has changed so much in terms of what it is, but it is the backbone of my business, too. So I love that you listened to one of your fans who said what they wanted, and I love that I've listened as well. Sometimes we just have to listen to those urges, don't we, to take things on? Suzanne: Yes, absolutely. In some ways I didn't really back myself before. I thought, “No one's going to pay for this.” Then the more you give, the more they want. Jo: Yes. Suzanne: What I've been really working on now is having boundaries, because there were two big kind of mottos that I picked up when I was working in pharmaceuticals. One was from a head of the business. He was Canadian, and he was always saying, “You've got to skate to where the puck is heading.” Jo: That's Wayne Gretzky, is it? Suzanne: Exactly. Yes. He would always say it, and so that's what I've done with my blog and my book. When I write things, I don't pay for any tools. I don't do keyword searches and all that. I just think, I do one blog post per topic, and I'm going to guess what people are going to be searching for soon, and I build up all this content around it. That's why most of my blog pages are top five. I've had no advertising. I haven't asked for any backlinks. I don't do it. People backlink to it because it's useful. So that was the first thing, is skate to where the puck is heading, and that was my approach with the book. I knew people would need this book from around May, and they'll need it forever, because it is so complicated and regulated, the rules for being a landlord in England. So that was the first one. The second thing was: when you take something on, you've got to let something go. One in, one out. I found that I was taking on so many different things, and I've just been cutting back, because I can't be doing all the speaking, I can't be answering people's emails. So I now don't do emails. If people want my advice on something, they ask me in the hub, at the twice-monthly live streams. Sometimes I answer in the forums, but I don't have time. When there are 2.4 million landlords in the UK, and even with our 18,000 on my newsletter, I could spend, and I did, I used to spend all my time replying to emails. So anyway, there are the things. Oh, and there was a third one, which is: attract, don't chase. One of my friends gave me that advice and that's exactly what my approach has been. I just don't chase for anything. I just put the stuff there and then build it and they will come. Jo: Yes, and I think another thing is the power of the niche. It's so clear that what you write about, the people you are aiming at, you have an extremely tight target market. That is both a strength and obviously a weakness, because they're the only people. But as you say, there's more than enough of those people for a community, for the book you have. From my own perspective, that's the same for me, the power of the niche. That's how I have a successful podcast, for example, because of that reason. I think you're like a poster child of what a non-fiction author should do. What I like is that you didn't go, “Oh, where's a niche where I could make money?” and then jump in. You've gone about this in a kind of slightly accidental way, but now you're leaning in and this uses all your skills. So this really is a great example of the power of the niche and then making the most of it. But let's move on to what then happened, and— What happened with the book deal? Suzanne: Wow. So you and I met each other on whatever day that was in March at the Indie Author Lab, and the following day I got an email, via my website on a contact form, from Penguin Random House saying, “We love the book. We love the mission, its values,” all this kind of thing. And I was thinking, “Oh, it's another one of those. Must be an—” Jo: AI spam bot, right? Suzanne: Yes, and I remember I sent you a screenshot of it, and then I checked her out on LinkedIn and thought, “Okay, there is somebody with that name there.” You're always saying, and Orna Ross and everyone are always saying, “Watch out for scams.” And in fact, Penguin Random House even this weekend on Instagram put out something saying, “There are lots of people impersonating us.” So I didn't take it too seriously, and it was something like, “Oh, would you be interested in us publishing your book?” And I thought, and I laughed. It was like, no, this is too good to be true. So I replied and said… Oh, I said, “Well, thank you so much. The Renters' Rights Act…” And so this is like the second week in March. “The Renters' Rights Act comes into effect on the 1st of May. If you want to publish it, you're going to need to get your skates on.” I literally did say that. Then she arranged a meeting with me the next day, on the Friday. I still was very dubious about it, and I had a think about it. What helped me, and I have the little booklet here: at the Author Lab, we did some work at the beginning, and Orna said, “Put your phones away.” And it was like, “What? Put my phone away?” Then we had to do this definition of success, and our passion, and our mission, and our purpose. I wrote down things like, I want to help landlords, and in so doing, help improve the private rented sector. I get pleasure from helping people. I want to improve standards and use my legal and practical skills, et cetera. So I thought, “Okay, what is my purpose of doing this book?” It isn't really to make money, because going with Penguin, you wouldn't do that for financial reasons, because you'd make very little money. So I thought, what is my why? My why is I want as many people to read this book as possible. And I've managed to sell a few thousand copies, but there are 2.4 million landlords, and they all need to understand this book, and the only way that I can get it out there, apart from doing ads, is to get it out in bookstores. So I thought about it, and then said, “Yes, I will do it, because I want to get the book out there.” So it's distribution. It's going to be published on the 6th of August, which is really quick, bearing in mind they contacted me in the middle of March. It's exactly the same book, it's just got different copyright wording and different blurb, different paper. Same cover, because I managed to find a fantastic cover person to do it. So they've kept everything the same. So we negotiated that book. I have no agent. They came to me. It's the attract, don't chase. I just put my lawyer hat on, and because one licence is very much like another one… I did turn down their first offer. Jo: Well done. Good negotiation. Suzanne: My daughter said to me, who's an adult daughter, she said, “But it's Penguin.” And I said, “Well, no, but it doesn't work for me.” So I had a call with them, and then they came up with something that worked for me a bit more. I did have to concede on a few things, like I can't sell it in my Shopify store. But in some ways, that was a blessing in disguise, because it means I don't get any more “Where's my book?” emails. Jo: Yes, exactly. Pros and cons of everything, basically. Suzanne: I have very clear rights to get it back. If I want it back, I can get it back and I don't have to give a reason. They're lovely. They have been really very wonderful. When I went up there a month or so ago, they gave me this book bag, and it's got on it, “I'm published by Penguin,” and I burst into tears. Jo: Aw. That's nice. Suzanne: I don't know, it just seemed like such a big deal. Because up until then I was just being all very lawyerly and task-orientated. Then I thought, “Oh my goodness,” and then it dawned on me. So I'm now in this interim period where I've taken it off Amazon and off my Shopify store, and I feel very maternalistic towards the book because, you know, it took me two and a half years, which is longer than a pregnancy. Obviously it's not a child, but it's like my book child. I've sent it off with a backpack and a drink and some snacks, and I hope that they look after him, my book. The day I took it off Amazon it was still number one. And a big shout-out to Publisher Rocket, by the way. Jo: Yes. Very, very useful for niche publishing. Suzanne: Very. It helped me choose the right niche categories. So it was number one on at least one category, often six, all the way through. I thought, “Well, it's over to them now.” They're very lovely people. They've given me some marketing assets, as they call it, some swanky graphics and things to use. We'll have to see what we do in terms of marketing. I don't mind doing marketing. I'm on LinkedIn quite a bit, and my whole blog is marketing. What I've been doing is updating my blog to include one of these graphics and to mention the book, and I got Claude to help me draft the code so it looked right. So I've been going through all of my blog posts and sending people to Amazon rather than to my Shopify store. It is mixed feelings, because I care about my book. I put a lot of effort, a lot of love, a lot of tears. No, not tears, but I put a lot of effort into it, and it's out of my control now. Jo: Yes, you said it's over to them, but obviously you will still be creating content around this topic, so you'll probably still be the biggest driver of book sales. Suzanne: Yes. Jo: Are they also suggesting, for example, a podcast tour, like pitching for podcasts? Are they going to assign you some PR? Because, also if people don't know, as we are recording this, we have a new prime minister who wants to do various things. You said no politics, but this is obviously a political thing. So you have the potential to go on a lot of different podcasts, media, talking about this, becoming almost a talking head in this kind of area. So are you angling for all that, and is that in your contract, or is it literally just going to be whatever you want to do? Suzanne: That's not in the contract. What's in the contract is very minimal. I think I've already done what I'm supposed to do. They are pitching for me to go on podcasts and things. I'll tell you a really funny coincidence. So we now have a new Prime Minister, Andy Burnham, and when he was Mayor of Greater Manchester, he set up something called the Good Landlord Charter. I actually talk about it in the book, and I quote him in my book saying that good landlords mean people trying to do the right thing, or something like that. And I coincidentally came up with the same name, The Good Landlord Handbook. I'd already had the book title for a long time. So this idea of good and landlord coming together, the adjective good as opposed to criminal or rogue, and the cover being green. I'm wanting to change the narrative so it's the norm to have a good landlord, and to help people become good landlords. Or if they're good landlords, help them to understand the new rules, because the new rules are very complicated. So what I don't get involved in is this right or wrong. Is it right that landlords can't do this or have to do this? Because as an in-house lawyer, it doesn't really matter what I think about the law. GDPR, goodness me. Jo: Oh, dear. Let's not start on GDPR. Suzanne: No, exactly. Because we've just got to suck it up. I liken it to the grief cycle, that people have been going through so much change and you have the anger, the depression— Jo: Denial. Suzanne: Bargaining, the denial, and then you get to acceptance. For some people, the acceptance means they want to stop doing it. If you want to accept it and stay, you need to understand the rules. So I've deliberately just kept very practical and have kept out of all the politics of it. I have, funnily enough, become involved because I'm now seen as an expert on the Renters' Rights Act. I've worked behind the scenes with the government to help, and give comment on government guidance for landlords. I was even invited to a reception to mark the passing of the Renters' Rights Act at Downing Street with the previous prime minister, all whilst staying apolitical. I won't let anyone make me be a mouthpiece for their political view. It's more, we just have to do this if we want to continue doing it. I've been very clear on that. Jo: It's interesting you mention the grief cycle there, and you've also mentioned Claude and ChatGPT. I wonder if you might also just comment on use of AI for authors and for marketing and all this. Also with legal stuff, because for me now, if I'm looking at a particular legal thing, I tend to ask Claude. I'm like, “Can you just explain this?” or upload a contract or whatever. Although it is not legal advice, it can be quite useful. So give us your thoughts on using AI as a sidekick in your author business and also for wider life. Suzanne: I now struggle to think what life would be like without Claude. I don't use Claude to write, at all, because I have a very particular voice and a turn of phrase, and if ever Claude writes something for me, it doesn't sound like me. It flattens me, and it makes me sound a bit American. So I don't do that. I've used it in the back end of the business. For instance, my blog was down, and there was something called a recursive bot, which I don't even know what it was, and Claude helped me fix it for free. I went through, I did screenshots. When I did an ElevenLabs audiobook and did it all myself, I was literally, for every screenshot, showing it to Claude. Claude said, “Do this, press this, press that.” So I have all these different projects set up. One is the control room, where it's for my strategic thinking. If I have an idea, I want to think about something, I put it in there. I have the engine room, which is for everything techy. Like when I had the recursive bot, or if I'm wanting to have some code on the website to make it look a particular way. Then I have other things for different subjects, and I put all the resources in there, and I use it a lot as a thinking partner. I've noticed that Fable doesn't hallucinate as much, but the Opus used to. There's something called rental discrimination, and it was proofreading and said, “No, it's not rental discrimination, it's rental income discrimination,” and that was just a load of rubbish. So I would never let it go and change things without me looking at it. I went on one of your webinars a month or so ago about MCPs and all the connectors, which is fantastic. It can go into my community and pull out all the questions for one of my live streams and put it into a document in order, by theme, for instance. It can look at my MailerLite, because that's where my newsletter is with, and analyse the different open rates and click rates and things. It's so good for analysing everything, all the book sales. It helped me with my negotiation with Penguin, and it is pretty good on law. It has sometimes hallucinated things, but not so much now. I think with anything, you've always got to go back to the primary source, and this is what we learn in academia: you have to check the primary source yourself. I have a bit of a magpie brain. I'm very much a discovery writer, like you, and things occur to me as I'm doing it. I think that Claude, at the moment, is incredible. I've been quite open about it on social media that I have Claude as a business partner. I'm a solopreneur, or whatever the word is. I have quite a big business now, and lots of different things, and it's just me doing it, because I can ask Claude how to do this, and how to do that. Claude can go and check my emails and tell me, is there somebody I've not replied to, which helps a lot. Jo: Yes. I think it's empowering as a solopreneur as such. You talk there about the fixing the tech stuff. I have my web host come to me and say, “Look, you're getting so much traffic and bot stuff, and we need to put this thing in, and it's going to be $120 extra a month.” I was like, “Can you just give me an hour? I'll get back to you.” And then I just had Claude code up, and I was like, “Analyse this and tell me what we can do.” It was like, “No, you just need to flip this switch and do that.” And I'm like, “Okay, fair enough.” Then the guy said, “Oh, no, okay, actually you don't need it.” Just stuff like that. As a solopreneur, you're either going to pay somebody technically quite a lot of money, or you can get Claude or ChatGPT. We should say, the ChatGPT Sol is very good, like the Claude Fable, for example. So, yes, using it as a sidekick. I love your control room and your engine room projects as well. That's a great way of doing it. Suzanne: I wouldn't be without it now, and I would have published the book a lot later without Claude, because Claude was helping me with the Shopify store and all the many steps of things. It saved me real time. It is just fantastic. I think, like now when I'm updating my blog, I have a connection between Claude and my blog. Claude can go in, I can give it my Google Search Console results for the page: what should I change, are the headings right? All this kind of thing. And it will give me a view on every single page, which is incredible. Jo: And YouTube, and just everything. Just super useful for that business sidekick. That's what I want authors to think. I feel like authors get so obsessed with the creative side with AI, whereas actually, people like you and me, we're using it as that engine room for the solo business, which is what I love. So we're out of time. I did want to ask one more thing, which is, one of the biggest issues with a specific book like yours is when they change the law again. So do you have a plan in place for if, say, a new government changes the law again? Will you just be updating the book over time? Suzanne: I think that there'll need to be a new edition of the book in three years' time, and I've spoken to Penguin about it. Not all of this new law has been implemented, and there's going to be case law and things. So I expect that I will update the book every few years. I have some other ideas for books as well, but for the moment, I'm just taking a bit of a break. You always say we've got to refill our creative well. I really feel like that at the moment. Recently I've just got myself a personal mobile phone so that I can turn off my work one when I'm on holiday and actually take time off. Because for all the time that I was doing the book, basically from Christmas until May, I didn't have one day off. That is not good. So I'm just trying to be a bit more balanced. I had an idea to write another book for summer, but I've just decided not to, and I'm going to leave it until I feel the urge again. Jo: Oh, well done. Suzanne: Which will come. Jo: Yes, well done. Suzanne: I think there's nothing wrong with that. We just need to think what's right for us. I'm 58. So I want to be able to have time to enjoy things and not be working all the time. Jo: No, that's great. It's a sustainable business. So where can people find you and the book and your community online? Suzanne: The easiest way to find me is theindependentlandlord.com. Or if you put Suzanne Smith and landlord into Google, you'll find me as well, and there's a link on there to the book, The Good Landlord Handbook. In the community, there's a link to that on my website as well. Jo: Brilliant. Well, thanks so much for your time, Suzanne. That was great. Suzanne: Thank you.The post From Blog To Community To Book: A Non-Fiction Author's Journey With Suzanne Smith first appeared on The Creative Penn.

R. Greg Adams built a career out of turning niche ideas into national brands, self-publishing Firehouse Cooking three decades ago and landing on Good Morning America, QVC, and Random House along the way. Now he's turning his pen toward something far more personal: a memoir about surviving a 2015 sexual assault by his own doctor, and the years he spent watching police, a district attorney, and a hospital system look away.In this episode he walks through what happened, why the Brighton Police Department, Rochester Police Department, and Monroe County's then-district attorney declined to act, and how a recorded admission from Dr. Gareth Warren eventually helped him win in court and expose that his doctor was never actually board certified. He also talks candidly about the data on male sexual assault survivors, and why he sees survival as a lifelong process rather than a finish line.CONNECT Strong Survivor (preorder) → https://thestrongsurvivor.comSalvatore's Pizza → https://salvatores.comROC Vox → https://rocvox.comNew episodes every Tuesday.Recorded at ROC Vox Recording & Production in Bushnell's Basin, NY.Learn more at https://rocvox.com

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Karen reviews Sex Diaries, the new collection of erotic anonymous week-long diaries focusing on nonmonogamous adventures, based on the popular New York Magazine column.In this episode:Sex Diaries, edited by Alyssa Shelasky Host, sex educator, and writer Karen Yates Get Say It Better in Bed, Karen's free guide to upping your intimacy pleasure. Download here!Show your love for Wild & Sublime: Leave a tip!The Afterglow, our Patreon membership group, brings you regular bonus content, early alerts, and discounts to live shows! Be Wild & Sublime out in the world!  Check out our tees and accessories for maximum visibility. Support the showFollow Wild & Sublime on Instagram and Facebook!

Esmeralda Ruiz y Ayanta Barilli hablan del libro del Premio Nobel de Literatura 2023 de la editorial Random House.

Piensa en algo que siempre quisiste hacer pero en algún momento te dijiste que no era para ti. Tal vez tocar un instrumento, aprender un idioma, cambiar de carrera, emprender algo nuevo. Seguro hay algo. Y seguro lo dijiste con tanta convicción que dejó de sentirse como creencia y empezó a sentirse como identidad.En este capítulo revisamos el trabajo de Carol Dweck, psicóloga de Stanford que lleva más de treinta años estudiando cómo nuestras creencias sobre nuestras capacidades determinan lo que hacemos con ellas, y de Adam Grant, psicólogo organizacional de Wharton y autor de Hidden Potential — El potencial escondido.Hablamos de:— El experimento con niños que cambió todo lo que sabemos sobre cómo elogiamos (y el dato que incomoda: el 40% mintió)— Por qué los que aprenden lento muchas veces llegan más lejos que los que empiezan con ventaja— Qué nos enseña el budismo zen y la mente de principiante sobre soltar la necesidad de ser expertasPreguntas para reflexionar:¿Cuántas cosas has dejado de intentar porque te convenciste de que no eras buena para eso? ¿Y cuándo fue la última vez que cuestionaste esa convicción?¿Alguna vez te has sentido "lenta" aprendiendo algo y por eso concluiste que no era lo tuyo?¿Qué "limitación" tuya podría ser, en realidad, tu forma diferente de llegar?¿Tienes a alguien con quien puedas estar incómoda, equivocarte, no saber, y seguir aprendiendo juntas?¿En qué área de tu vida te has convertido en "experta" de lo que no puedes? ¿Qué pasaría si volvieras a ser principiante en eso?Referencias: Dweck, C. (2006). Mindset: The New Psychology of Success. Random House. · Grant, A. (2023). Hidden Potential: The Science of Achieving Greater Things. Viking. · Shunryu Suzuki — Zen Mind, Beginner's Mind. ·Me encuentras en Instagram como @marisalazo.oficialKeywords: mentalidad de crecimiento, talento, potencial, Carol Dweck, Adam Grant, mindset, esfuerzo, mente de principiante, budismo zen, perseverancia, Marisa Lazo, Compartiendo con Marisa Lazo

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Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. This episode was originally produced in July of 2015. Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* The opening loop is from Mr. Knight from Coltrane Plays the Blues, which you should own. * The violin piece is Occam II for Violin, a piece by Silvia Tarozzi, played by Pauline Oliveros.* Next up is Mikuro's Blues from the mighty David S. Ware' mighty Go See the World.* The amazing orchestral pieces is Triumph by Miguel Atwood-Ferguson and Carlos Nino from Fill the Heart- Shaped Cup * Finally, there's 13 Ghosts II by Nine Inch Nails from Ghosts I-IV Learn about your ad choices: dovetail.prx.org/ad-choices

At just 15 years old, Jarvis Cocker wrote a manifesto that laid out his vision for a band he hoped would take over the music industry.Jarvis discovered the document while sorting through the boxes of stuff from his early life that he'd stashed away in his attic.It was in an an old school exercise book from when he was a fifteen-year-old schoolboy in Sheffield.He'd filled it with detailed plans to form a band called Pulp that would storm the music industry.But it took fourteen years for his 'Pulp Masterplan' to come to fruition, when his song ‘Common People' went to the top of the UK charts.This interview was first broadcast in 2023 Further informationThis interview was recorded at the 2023 Melbourne Writers Festival Good Pop Bad Pop is published by Random House

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

La madrileña Ayesha L. Rubio nos presenta su primer libro de cuentos, Volverán como fuego (Ed. Random House), una colección de estampas que ofrece un retrato demoledor de EEUU, país que conoce bien y por el que siente tanta fascinación como reparos. Con ella hablamos de su experiencia allí, de la violencia como forma de control social y de las trampas del sueño americano. Luego, Javier Lostalé abre su ventanita poética a Los latidos contados (Ed. Mahalta), el nuevo poemario del prolífico Federico Gallego Ripoll. En su sección, Sergio C. Fanjul nos habla Galleteras. La otra memoria de la galleta maría (Ed. La Caja Books), libro a medio camino entre el ensayo y la novela en el que la poeta y antropóloga Laura Sanz reivindica a las obreras de la fábrica Fontaneda de Aguilar de Campoo, su pueblo, para invitarnos a reflexionar sobre el trabajo feminizado y la importancia de la organización sindical. Terminamos Desmontando el poema con la ayuda de Mariano Peyrou, que esta vez nos recomienda Interna/Llanuras sucesiones (Ed. La uña rota), volumen que reúne las traducciones al español de dos poemarios de la autora gallega Oriana Méndez con prólogo de su paisana Chus Pato.Escuchar audio

Dos hombres se conocen en un chat gay buscando sexo. Uno de ellos es un bugchaser, una práctica sexual en la que la persona busca activamente infectarse con el VIH. Esa es la premisa que ha elegido el escritor y periodista Marcos Augusto Lladó para su primera novela, “Te hice dios”, publicada por Random House. Sobre impulsos, deseos, miedos y culpas en la comunidad de hombres que tienen sexo con otros hombres conversamos con Marcos Augusto.Escuchar audio

Click Here to ask your book writing and publishing questions!TV writer, screenwriter, and author Eric Garcia has published six books (so far). He sold three of them to Hollywood and somehow still managed to write his latest novel entirely by accident. He set out to write a short story. Then it got longer. Then it was a novella. Then it was 80,000 words and he had to admit he'd written a whole book, mostly at night, while still juggling film and TV work. We also talk about what's  changed in publishing since his Random House days (Hint: mid-list used to mean stable; now everyone's terrified of it), why chasing trends is a losing game when a book takes years to reach shelves, and why there are no rules for how long a chapter should be, except the one that matters: Don't make me want to stop reading.We also bond hard over the Oxford comma as well as the correct use of "less" and "fewer." I nearly combust with joy over our shared grammar rage. 

In Molly Fader's latest novel, Lady X: A Novel (Random House, 2026), the search for a notorious vigilante exposes the secrets between three generations of women in this propulsive novel of female resistance and rage, sweeping from contemporary L.A. to gritty, 1970s New York. Los Angeles, 2024. After learning that her A-List actor husband sent explicit photos to multiple girls on social media, Margot Cooper runs away from the world—and the paparazzi—by fleeing to her childhood home with her teenage daughter in tow. But home isn't the sanctuary Margot was hoping for. In a cardboard box in the corner of the attic, she finds damning evidence of an infamous urban legend, the mysterious vigilante “Lady X”—including a blurry newspaper photo of a woman who looks an awful lot like Margot's mother. New York City, 1977. In the midst of an infamous summer, Ginger Daughtry and her two beloved roommates are able to shield each other from the chaos—until one of them is assaulted. Astounded by the lack of response from police, the young women decide to engage in some light payback, signing their handiwork as “Lady X.” Soon copycats appear, and a movement inspired by acts of vandalism against terrible men spirals out of control, with criminals running amok under the guise of the enigmatic “Lady X.” When a body is found fallen—or pushed—from five stories high, the hunt reaches a boiling point. But Lady X has vanished into thin air. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Molly Fader's latest novel, Lady X: A Novel (Random House, 2026), the search for a notorious vigilante exposes the secrets between three generations of women in this propulsive novel of female resistance and rage, sweeping from contemporary L.A. to gritty, 1970s New York. Los Angeles, 2024. After learning that her A-List actor husband sent explicit photos to multiple girls on social media, Margot Cooper runs away from the world—and the paparazzi—by fleeing to her childhood home with her teenage daughter in tow. But home isn't the sanctuary Margot was hoping for. In a cardboard box in the corner of the attic, she finds damning evidence of an infamous urban legend, the mysterious vigilante “Lady X”—including a blurry newspaper photo of a woman who looks an awful lot like Margot's mother. New York City, 1977. In the midst of an infamous summer, Ginger Daughtry and her two beloved roommates are able to shield each other from the chaos—until one of them is assaulted. Astounded by the lack of response from police, the young women decide to engage in some light payback, signing their handiwork as “Lady X.” Soon copycats appear, and a movement inspired by acts of vandalism against terrible men spirals out of control, with criminals running amok under the guise of the enigmatic “Lady X.” When a body is found fallen—or pushed—from five stories high, the hunt reaches a boiling point. But Lady X has vanished into thin air. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Welcome!

Gayle Feldman is a journalist who has covered the book publishing industry for decades for Publishers Weekly and The Bookseller, among many other publications. Her new book is Nothing Random: Bennett Cerf and the Publishing House He Built, published by Random House with legendary editor Bob Loomis. In this episode, Gayle traces Bennett Cerf's improbable arc from Jewish Harlem to Columbia University to Wall Street and finally to the founding of Random House.She tells the stories behind some of the most consequential moments in American publishing history: the legal battle to publish James Joyce's Ulysses, the creation of The Cat in the Hat and Beginner Books, the publication of Portnoy's Complaint, and more from the early days of Random House.Photo credit: Michael Lionstar

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

This is a special episode commissioned by Aspen Ideas: Health and originally performed at the 2026 festival in Aspen, Colorado. Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. MusicThe Barr Brothers play Static Orphans Learn about your ad choices: dovetail.prx.org/ad-choices

This week, as we head to the 4th of July weekend, we are bringing you a special two-part episode that provides a capstone for our month-long collaboration with Random House about the books that have shaped American history.Over almost two hours, we took a 250-year-tour of the books that shaped this country's history. Niki, Kellie and Jody were joined by Pulitzer-prize winning presidential historian Jon Meacham, who is also Niki's fellow Vanderbilt professor.We tried to touch on a lot of books, and also group them into basic schools of thought that we could use to trace how the story of American history shifted over time.For a full list of the books discussed, check out our newsletter.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode, we're stepping back to the golden age of natural history podcasting by resurrecting the format of the classic show Wild Ideas: The Podcast. Joining us on the trail is one of the OG hosts: the man himself, Gordon Maupin. It's a 3-way team-up where each of us brings a heavy-hitting seasonal mystery to the table.First, Steve unravels the rule-breaking world of the Ambystoma polyploid salamander complex, where unisexual lineages are mixing up DNA from different species and blurring the lines of what makes a species a species. Then, Gordon shrinks things down to look at the world of duckweed ecology, a group that includes the smallest flowering plants in the world. Finally, Bill turns our eyes to the skies over the marsh to pull back the curtain on dragonfly migration, looking into the recent science that shows some dragonfly species are multi-generational continental travelers (as well as badass predators).Come listen in as Gordon and the guys answer the question, “What's going on outside?” (Wild Ideas fans, that's for you)This episode was reecorded at the Iroquois National Wildlife Refuge in Alabama, NY on May 13, 2026.Episode LinksCheck out the Iroquois National Wildlife Refige and their Bald Eagle Cam.Here's the New York Times article about 7 Podcasts About the Joys of Bird Watching that includes a mention of our show.Episode NotesGetting The Great Egret's Latin Name RightDuring a quick aside this episode, Gordon spotted a Great Egret and Steve tried to recall its scientific name, tentatively going with Erodea alba. He wasn't entirely wrong! The correct name is Ardea alba.While alba means "white," Ardea is Latin for "heron." It also ties back to the ancient myth by everyone's favorite Roman poet Ovid, who wrote about a bird rising directly from the ashes of the burned city of Ardea. What's the Deal With Axolotls?We wondered if the axolotl is in the same genus as the Jefferson and blue spotted salamander (Ambystoma) and yes they are!Species: A. mexicanum (Axolotl) Unlike most members of Ambystomatidae—which typically metamorphose into terrestrial adults—the axolotl exhibits a trait called neoteny (or paedomorphosis). This is where an organism retains juvenile or larval traits into adulthood. Axolotls retains its aquatic, larval features (like its signature feathery external gills) into adulthood and spends its entire life in the water Bill's Hard Claim on ID'ing Jefferson Salamanders Bill said there is no way we could tell if it was a Jefferson salamander: is that true? Bill was basically right if we're talking about visually confirming a female-looking salamander in a blue-spotted/Jefferson overlap zone. Many unisexual individuals cannot be confidently identified by sight, and genetic testing is the clean answer. But during the breeding season, a male with a swollen cloaca is not part of the all-female unisexual lineage, so that can help narrow things down. So, a male in breeding condition can sometimes be identified much more confidently than a female/unisexual-looking animal, but you need to have serious knowledge about species location, morphology, and breeding-season characteristics. The Jefferson Complex vs. the Bigger Unisexual Salamander SituationDuring the episode, Bill had a “wait, what are we even talking about?” moment while Steve was explaining the huge all-female/unisexual Ambystoma salamander lineage.Steve was talking about the big-picture version: a bizarre evolutionary group that can involve genomes from several mole salamander species, including Blue-spotted, Jefferson, Small-mouthed, Streamside, and Tiger Salamanders.Bill, though, was thinking what we hear more about in the Northeast and Great Lakes region: the “Jefferson complex,” or the Blue-spotted/Jefferson Salamander mess. Around here, that usually means you can't usually ID a Jefferson Salamanders or a Blue-spotted Salamander down to species because the sally in front of you may belong to the all-female, polyploid lineage that can't be confidently sorted out just by looking at them.So Bill's question was basically: “Hold on. Is this identification nightmare only a Jefferson/Blue-spotted thing, or does it happen with the other species too?”And the answer is: yep. It can happen with the others too.The narrower Jefferson complex usually refers to the Blue-spotted/Jefferson part of the story, especially in places where those are the main overlapping species. But when scientists zoom out and include the other players (Small-mouthed, Streamside, and Eastern Tiger Salamanders) they usually refer to the whole thing as the unisexual Ambystoma lineage.So the practical field takeaway is this: in places where these species overlap, a female-looking Ambystoma salamander may be impossible to identify with confidence by appearance alone. Even experts may only be making an educated guess unless they use genetic testing. Measuring red blood cell size can help estimate ploidy (basically, whether the animal has extra chromosome sets) but DNA testing is the real way to know which genomes are actually in there. Is Duckweed the Smallest Flowering Plant? Yes, but specifically a microscopic type of it. The world's smallest flowering plants belong to the genus Wolffia - Often referred to as "rootless duckweed" or "watermeal," they are the tiniest members of the duckweed family (Lemnaceae) Individual Wolffia plants are usually less than 1 mm long, roughly the size of a pinhead or cornmeal, and the flowers are correspondingly microscopic.Unlike standard duckweed (Lemna), Wolffia plants do not have roots and appear simply as tiny floating green spheres or oval seeds.The plant produces the world's smallest flower, which forms in a tiny depression on the plant's top surface.Because they are so small and have highly efficient asexual budding, they can easily cover a pond in dense mats before you ever notice an individual plant. Can be found across temperate and tropical regions of North, Central, and South America Correction: Ed Yong's An Immense World (UV, not Infrared)During the episode, Bill mentioned Ed Yong's phenomenal book, An Immense World, and noted that researchers are increasingly discovering how many animals can see in the infrared spectrum. His memory slipped slightly on this one! Yong actually discusses the growing scientific realization that many animals see in the ultraviolet (UV) spectrum, not infrared. (Though as you'll see below, dragonflies do have a few tricks up their sleeves on the other end of the spectrum). Gordon's Question: Infrared Vision & Dragonfly MatingBill's misremembering of what was in An Immense World was prompted by Gordon asking a fantastic question during the recording: Can dragonflies see in the infrared spectrum, and if they can, are they using it to navigate during migration?First, a quick clarification: when most of us hear “infrared,” we immediately picture thermal imaging — animals glowing in the dark, Predator vision, that whole thing. That is not what we're talking about here. Dragonflies do not appear to see heat signatures.What they may be able to see is near-infrared — light just beyond the deepest red wavelengths visible to humans. Near-infrared is not heat vision. It is more like an invisible extension of red.According to a recent study published in January 2026 by researchers in Osaka, Japan, some dragonfly species have visual pigments that are sensitive to extremely long red wavelengths, possibly reaching into the near-infrared edge of the spectrum. That alone is pretty wild. But the discovery also highlights a striking example of parallel evolution between insects and primates. Millions of years ago, the ancestors of humans and other primates evolved molecular changes that helped produce red-sensitive vision. This new research suggests that some dragonflies may have independently evolved a similar molecular tuning mechanism for detecting red light. However, while primate red vision operates within the visible spectrum, some dragonflies appear to have pushed that sensitivity even farther, toward the boundary between deep red and near-infrared.So what are they doing with this ability? Probably not navigating migration, at least as far as we know.The better-supported idea is that this long-wavelength vision helps dragonflies identify mates quickly in flight. Male and female dragonflies can reflect red and near-infrared light differently, especially against green vegetation. So for an animal making split-second decisions while zipping around at high speed, that extra visual contrast could be a big deal. So to answer Gordon's question, dragonflies may be seeing farther into the red/near-infrared edge of the spectrum than we can, but based on what researchers currently know, they're probably using that ability for rapid sex recognition, not long-distance navigation. It's more of a high-speed dragonfly dating filter than infrared GPS.The Missing Piece: Visual Cues and "Leading Lines" in MigrationOne big element Bill neglected to mention in covering how dragonfies navigate during migration is the VISUAL piece – that they also use what they're seeing! That is a crucial piece of the puzzle. Dragonflies are also extremely visual animals. Those huge compound eyes are not just for decoration. So, what they're seeing is likely a key piece in their migration toolbox. Migrating dragonflies are often observed moving along major landscape features: coastlines, mountain ridges, river valleys, and other long, continuous edges. Biologists sometimes refer to these kinds of features as leading lines, because they can help guide or funnel migrating animals across the landscape.That doesn't mean a dragonfly is looking down and thinking, “Ah yes, the Susquehanna River. I'll take this south.” But these landscape features can still matter in several ways.Coastlines can keep migrants from drifting too far over open water, which is risky for an insect that eventually needs to land, rest, and feed.Mountain ridges and long hillsides can create useful air currents and updrafts, allowing dragonflies to ride favorable winds and conserve energy.River corridors can provide both a visual pathway and good stopover habitat, with water, vegetation, and plenty of small flying insects to eat when they need to refuel.The overall migration story for dragonflies probably isn't “dragonflies have one magic compass.” It's more like they are combining a bunch of cues at once: the visual structure of the landscape below them, as well as the elements covered during the episode. Steve's Questions: Resident vs. Migratory Green Darners & The Thermal Genetic SwitchDuring the episode, Steve asked two really good questions about Common Green Darners: if some are migratory and some are resident, how do they know which group to mate with? And could temperature be the thing that nudges a young darner down one path or the other?The first answer is surprisingly simple: they probably don't know, and they probably don't care.For a long time, researchers assumed these groups were reproductively isolated, believing residents emerged and died before the migratory cohort reached adulthood, but modern research has overturned this idea. According to a comprehensive review by Michael L. May and John H. Matthews, adult flight periods absolutely overlap in mid-summer, and genetic testing reveals zero genetic differentiation between the groups. The entire continental population belongs to a single, randomly mating gene pool. So when a Common Green Darner is ready to mate, it is probably not checking whether the other darner is from the “resident” or “migratory” team. It is just mating with another mature Common Green Darner in the same airspace. Very romantic. Very dragonfly.Steve's second question gets at something even more interesting: what makes one generation migrate while another stays put?This is where temperature, day length, and seasonal timing seem to matter a lot. A Green Darner nymph developing in warm water during long summer days may be pushed toward faster development. That can produce adults that emerge, feed heavily, build up energy reserves, and migrate south in late summer or fall.But if nymphs are developing as temperatures drop and days get shorter, their development can slow down. Instead of rushing to become adults, they may overwinter as aquatic nymphs and emerge the following year. Those individuals can then become part of the resident breeding population in northern ponds.So Steve's instinct was basically right: environmental conditions appear to play a huge role in shaping whether a darner develops quickly and migrates, or slows down and overwinters.The only thing to be careful about is the phrase “genetic switch.” There probably are changes in gene expression involved. Temperature and day length can absolutely affect how insects develop, but in Common Green Darners, we should probably think of it less as a single switch being flipped and more as a whole developmental pathway being shaped by the environment.The short version: migratory and resident Green Darners are not separate species or rival dragonfly factions. They appear to be part of one big, mixed population whose life cycle can play out in different ways depending on timing, temperature, and local conditions.Sponsors and Ways to Support UsThank you to Always Wandering Art (Website and Etsy Shop) for providing the artwork for many of our episodes.Support us on Patreon.Works CitedHallworth, M. T., Marra, P. P., McFarland, K. P., Zahendra, S., & Studds, C. E. (2018). Tracking dragons: stable isotopes reveal the annual cycle of a long-distance migratory insect. Biology Letters, 14(12), 20180741. doi: 10.1098/rsbl.2018.0741.Hu, G., Lim, K. S., Horvitz, N., Clark, S. J., Reynolds, D. R., Sapir, N., & Chapman, J. W. (2016). Mass seasonal bioflows of high-flying insect migrants. Science, 354(6319), 1584–1587. doi: 10.1126/science.aah4379.Knight, S. M., Pitman, G. M., Flockhart, D. T. T., & Norris, D. R. (2019). Radio-tracking reveals how wind and temperature influence the pace of daytime insect migration. Biology Letters, 15(6), 20190327. doi: 10.1098/rsbl.2019.0327.Lancaster, L. T., Dudaniec, R. Y., Chauhan, P., Wellenreuther, M., Svensson, E. I., & Hansson, B. (2016). Gene expression under thermal stress varies across a geographic range expansion front. Molecular Ecology, 25(5), 1141–1156. doi: 10.1111/mec.13548.May, M. L. (2013). A critical overview of progress in studies of migration of dragonflies (Odonata: Anisoptera), with emphasis on North America. Journal of Insect Conservation, 17(1), 1–15.May, M. L., & Matthews, J. H. (2008). Migration in Odonata: a case study of Anax junius. In A. Córdoba-Aguilar (Ed.), Dragonflies and Damselflies: Model Organisms for Ecological and Evolutionary Research (pp. 63–77). Oxford University Press.Sato, R., Terakita, A., & Koyanagi, M. (2026). Dragonfly red opsins share a common tuning mechanism with mammalian red opsins and further enhancement of near-infrared sensitivity. Cellular and Molecular Life Sciences.Trottier, R. (1971). Effect of Temperature on the Life-Cycle of Anax junius (Odonata: Aeshnidae) in Canada. The Canadian Entomologist, 103(12), 1671–1683.Wikelski, M., Moskowitz, D., Adelman, J. S., Cochran, J., Wilcove, D. S., & May, M. L. (2006). Simple rules guide dragonfly migration. Biology Letters, 2(3), 325–329.Yong, E. (2022). An Immense World: How Animal Senses Reveal the Hidden Realms Around Us. Random House.

Hanif Abdurraqib and Javier Zamora both float between poetry, memoir, essay, spoken word and more -- finding the right form to explore their personal experience within American history. They join Jody Avirgan to discuss their work and its impact.For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

A conversation about finding historical inspiration in all sorts of unique places, with Tiya Miles, author of "All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake" and Kathleen DuVal, author of "Native Nations: A Millennium in North America"For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

Nate DiMeo, host of "The Memory Palace" podcast and author of "The Memory Palace" book, on the small details that shape the work of history.For the past 250 years of America's existence, books have been fundamental instruments through which we preserve, interpret, and engage in history as an ongoing practice of free expression.  At “This Day”, we're partnering with Random House, the legendary book publisher, to bring you a special, month-long series called “A Nation of Readers.” In this series, we'll be talking to an all-star cast of authors -- all published by Random House --- about how books and the act of distributing ideas through publishing shape and reshape American history.We'll have new episodes every Sunday in the This Day feed, and a special two-part episode in the final week of June.Find out more about A Nation Of Readers here.Join our America250 newsletter community! Subscribe for free to get the latest news and analysis of how America250 is playing out. Paying subscribers get access to early, ad-free versions of the show. Plus bonus features throughout the year. To support our work and get access to everything, subscribe now.This Day is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode was originally released in 2016 in the days after the shooting at the Pulse nightclub in Orlando. It is re-released every year on the anniversary of the incident.Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate.  Learn about your ad choices: dovetail.prx.org/ad-choices

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Music The Barr Brothers play Static Orphans Resavoir plays Facets We hear Le mort de l'enfant from Hikaru Hayashi's score to The Naked Island. South Seas by David Pike Trust in Me from Sould Flutes Flowering Jasmine from Gidon Kremer Tesko Mi Je Zabrovit Tebe from Branko Mataja.  Learn about your ad choices: dovetail.prx.org/ad-choices

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. MusicTwo (Duvet and Correspondences) from Laurie Torres' gorgeous album, Après coup.NotesI implore you to get lost in the interactive map at livingnewdeal.org. And then go out in the woods. Learn about your ad choices: dovetail.prx.org/ad-choices