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In 1982, the Jane Fonda Workout became the best-selling home video of all time. Over decades, it and its 22 follow ups would spawn a fitness empire, sell more than 17 million copies, and transform Fonda into a leg-warmer-clad exercise guru. And 40 years after its initial release, when the COVID pandemic hit, the workout had a moment yet again. People began doing it alone and on Zoom, tweeting about it, writing about it. So when Jane Fonda agreed to talk to us, we set out to do an episode about it—but it did not go as planned. On Part 1 of a special two-part Decoder Ring, originally released in 2020, we explore the decades-long relationship of Jane Fonda and Leni Cazden, a fraught friendship that birthed the VHS workout that changed the world. It's a story of creation, fame, forgiveness, trauma, betrayal, survival, politics, and exercise. You'll hear from Jane Fonda and Leni Cazden, the brain behind the workout, and Shelly McKenzie, author of Getting Physical: The Rise of Fitness Culture in America. In two weeks we'll return with Part 2: the nitty gritty story of the bestselling VHS tape of all time. This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Sources for This Episode Burke, Carol. Camp All-American, Hanoi Jane, and the High-and-Tight, Beacon Press, 2005. Fonda, Jane. My Life So Far, Random House, 2005. Hershberger, Mary. Jane Fonda's War: A Political Biography of an Antiwar Icon, The New Press, 2005. Lembcke, Jerry. Hanoi Jane: War, Sex, and Fantasies of Betrayal, University of Massachusetts Press, 2010. McKenzie, Shelly. Getting Physical: The Rise of Fitness Culture in America, University Press of Kansas, 2013. Perlstein, Rick. Nixonland, Scribner, 2009. Rafferty, James Michael. “Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982,” Queen Mary University of London Dissertation, 2010. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1982, the Jane Fonda Workout became the best-selling home video of all time. Over decades, it and its 22 follow ups would spawn a fitness empire, sell more than 17 million copies, and transform Fonda into a leg-warmer-clad exercise guru. And 40 years after its initial release, when the COVID pandemic hit, the workout had a moment yet again. People began doing it alone and on Zoom, tweeting about it, writing about it. So when Jane Fonda agreed to talk to us, we set out to do an episode about it—but it did not go as planned. On Part 1 of a special two-part Decoder Ring, originally released in 2020, we explore the decades-long relationship of Jane Fonda and Leni Cazden, a fraught friendship that birthed the VHS workout that changed the world. It's a story of creation, fame, forgiveness, trauma, betrayal, survival, politics, and exercise. You'll hear from Jane Fonda and Leni Cazden, the brain behind the workout, and Shelly McKenzie, author of Getting Physical: The Rise of Fitness Culture in America. In two weeks we'll return with Part 2: the nitty gritty story of the bestselling VHS tape of all time. This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Sources for This Episode Burke, Carol. Camp All-American, Hanoi Jane, and the High-and-Tight, Beacon Press, 2005. Fonda, Jane. My Life So Far, Random House, 2005. Hershberger, Mary. Jane Fonda's War: A Political Biography of an Antiwar Icon, The New Press, 2005. Lembcke, Jerry. Hanoi Jane: War, Sex, and Fantasies of Betrayal, University of Massachusetts Press, 2010. McKenzie, Shelly. Getting Physical: The Rise of Fitness Culture in America, University Press of Kansas, 2013. Perlstein, Rick. Nixonland, Scribner, 2009. Rafferty, James Michael. “Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982,” Queen Mary University of London Dissertation, 2010. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1982, the Jane Fonda Workout became the best-selling home video of all time. Over decades, it and its 22 follow ups would spawn a fitness empire, sell more than 17 million copies, and transform Fonda into a leg-warmer-clad exercise guru. And 40 years after its initial release, when the COVID pandemic hit, the workout had a moment yet again. People began doing it alone and on Zoom, tweeting about it, writing about it. So when Jane Fonda agreed to talk to us, we set out to do an episode about it—but it did not go as planned. On Part 1 of a special two-part Decoder Ring, originally released in 2020, we explore the decades-long relationship of Jane Fonda and Leni Cazden, a fraught friendship that birthed the VHS workout that changed the world. It's a story of creation, fame, forgiveness, trauma, betrayal, survival, politics, and exercise. You'll hear from Jane Fonda and Leni Cazden, the brain behind the workout, and Shelly McKenzie, author of Getting Physical: The Rise of Fitness Culture in America. In two weeks we'll return with Part 2: the nitty gritty story of the bestselling VHS tape of all time. This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Sources for This Episode Burke, Carol. Camp All-American, Hanoi Jane, and the High-and-Tight, Beacon Press, 2005. Fonda, Jane. My Life So Far, Random House, 2005. Hershberger, Mary. Jane Fonda's War: A Political Biography of an Antiwar Icon, The New Press, 2005. Lembcke, Jerry. Hanoi Jane: War, Sex, and Fantasies of Betrayal, University of Massachusetts Press, 2010. McKenzie, Shelly. Getting Physical: The Rise of Fitness Culture in America, University Press of Kansas, 2013. Perlstein, Rick. Nixonland, Scribner, 2009. Rafferty, James Michael. “Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982,” Queen Mary University of London Dissertation, 2010. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1982, the Jane Fonda Workout became the best-selling home video of all time. Over decades, it and its 22 follow ups would spawn a fitness empire, sell more than 17 million copies, and transform Fonda into a leg-warmer-clad exercise guru. And 40 years after its initial release, when the COVID pandemic hit, the workout had a moment yet again. People began doing it alone and on Zoom, tweeting about it, writing about it. So when Jane Fonda agreed to talk to us, we set out to do an episode about it—but it did not go as planned. On Part 1 of a special two-part Decoder Ring, originally released in 2020, we explore the decades-long relationship of Jane Fonda and Leni Cazden, a fraught friendship that birthed the VHS workout that changed the world. It's a story of creation, fame, forgiveness, trauma, betrayal, survival, politics, and exercise. You'll hear from Jane Fonda and Leni Cazden, the brain behind the workout, and Shelly McKenzie, author of Getting Physical: The Rise of Fitness Culture in America. In two weeks we'll return with Part 2: the nitty gritty story of the bestselling VHS tape of all time. This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Sources for This Episode Burke, Carol. Camp All-American, Hanoi Jane, and the High-and-Tight, Beacon Press, 2005. Fonda, Jane. My Life So Far, Random House, 2005. Hershberger, Mary. Jane Fonda's War: A Political Biography of an Antiwar Icon, The New Press, 2005. Lembcke, Jerry. Hanoi Jane: War, Sex, and Fantasies of Betrayal, University of Massachusetts Press, 2010. McKenzie, Shelly. Getting Physical: The Rise of Fitness Culture in America, University Press of Kansas, 2013. Perlstein, Rick. Nixonland, Scribner, 2009. Rafferty, James Michael. “Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982,” Queen Mary University of London Dissertation, 2010. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of The Unfolding: Presented by The Loveland Foundation Podcast, host Rachel Keener sits down with Jamia Wilson—activist, writer, editor, and Vice President at Random House—for a conversation about the transformative power of storytelling. Jamia speaks to how stories can liberate, build empathy, and reimagine power, while she and Rachel reflect on the wisdom passed down from their parents and ancestors—encouragement, community-mindedness, and joy.Jamia also shares her perspective on self-care: setting boundaries as a way of honoring personal limits, embracing intentional rest, and creating rituals that replenish the spirit. Joy becomes a central thread throughout their discussion—not as something fleeting, but as resistance, healing, and connection.The conversation touches on Jamia's books A Year of Black Joy, which offers 52 practices for cultivating joy, and Make Good Trouble, inspired by John Lewis and the idea of activism rooted in joy. Together, Rachel and Jamia explore how curiosity, gratitude, and joyful defiance can shape not just personal growth, but collective empowerment.This episode is an invitation to rethink the role of joy in your life—not as an afterthought, but as a force for resilience and community.More about Jamia Wilson:Jamia is an award-winning feminist activist, writer, speaker, and podcaster. She joined Random House as vice president and executive editor in 2021. As the former director of the Feminist Press at the City University of New York and the former VP of programs at the Women's Media Center, Jamia has been a leading voice on women's rights issues for over a decade. Her work has appeared in numerous outlets, including the New York Times, the Today Show, CNN, Elle, BBC, Rookie, Refinery 29, Glamour, Teen Vogue, and The Washington Post. She is the author of This Book Is Feminist, Young, Gifted, and Black, Young, Gifted and Black Too, the introduction and oral history in Together We Rise: Behind the Scenes at the Protest Heard Around the World, Step Into Your Power: 23 Lessons on How to Live Your Best Life, Big Ideas for Young Thinkers, ABC's of AOC, and the co-author of Roadmap for Revolutionaries: Resistance, Advocacy, and Activism for All. Jamia is passionate about mission-driven organizations and serves on the Omega Institute, Feminist.com, and Center for Reproductive Rights boards. She is also the co-host of the second season of the Anthem Award-winning podcast, Ordinary Equality.–The Unfolding: Presented by The Loveland Foundation podcast is an additional resource not only to the public but also to our therapy fund cohort members. The Loveland Foundation therapy fund and resources are only made possible through support from our community. At The Loveland Foundation, we are committed to showing up for communities of color in unique and powerful ways, with a particular focus on Black women and girls. Our resources and initiatives are collaborative and they prioritize opportunity, access, validation, and healing. Since our founding, the Therapy Fund has provided financial support for therapy to over 13,000 Black women, girls, and non-binary individuals across the country.Links:Support the show: https://give.thelovelandfoundation.org/give/436656/#!/donation/checkoutVisit Jamia Wilson's website: https://www.jamiawilson.org/Follow The Loveland Foundation on Instagram: https://www.instagram.com/thelovelandfoundation/Visit the website: https:Support the show
Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. While Nate takes a little summer break, he reads you two poems. Learn about your ad choices: dovetail.prx.org/ad-choices
Listen to journalist Erica Wagner in conversation with writer Aria Aber about “Good Girl”, her first novel published by Hogarth Press and shortlisted for the Women's Prize for Fiction 2025. Through the story of the character Nila—from her Berliner childhood to her adulthood—this book reveals the metamorphosis of both a character from the Afghan diaspora and of a writing process at a crossroads between different languages and literary genres. As the conversation unfolds, the novelist and poet evokes how her readings influence her life, her writing and her inspirations.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast “les Rencontres” highlights the birth of a writer in a series created by CHANEL and House ambassador and spokesperson Charlotte Casiraghi. (00 : 00) : Introduction(00 : 56) : Presentation of Aria Aber by Erica Wagner (04 : 07) : On the author's vocation as a writer(05 : 30) : On choosing to write in English(07 : 27) : On her debut poetry collection and the choice of writing a novel(09 : 37) : An original take on girlhood(11 : 26) : On photography and literature(13 : 28) : On the publication process(15 : 13) : Reading an extract of “Good Girl” by Aria Aber (17 : 19) : On her writing process(20 : 03) : The writers that inspire her(24 : 21) : A main character torn between shame and desire(26 : 54) : Exploring new ways of literary creation (28 : 35) : On the reception of the book (33 : 20) : The ending questionnaire of “les Rencontres”© Aria Aber, 2025, Good Girl, Bloomsbury Publishing PLCGood Girl : A Novel by Aria Aber. Copyright © 2025 by Aria Aber. Published by Hogarth, an imprint of Random House, a division of Penguin Random House LLCThe Ungrateful Refugee © Dina Nayeri, courtesy of Canongate Books LtdAria Aber, Hard Damage © Aria Aber, 2019. Published by the University of Nebraska PressAnna Karenina © Leo Tolstoy, 1877
There is a hidden addiction plaguing humanity right now: revenge. Researchers have identified retaliation in response to real and imagined grievances as the root cause of most forms of human aggression and violence. From vicious tweets to road rage, murder-suicide, and armed insurrection, perpetrators almost always see themselves as victims seeking justice. Chillingly, recent behavioral and neuroimaging studies of the human brain show that harboring a personal grievance triggers revenge desires and activates the neural pleasure and reward circuitry of addiction.Although this behavior is ancient and seems inevitable, by understanding retaliation and violence as an addictive brain-biological process, we can control deadly revenge cravings and save lives. In The Science of Revenge: Understanding the World's Deadliest Addiction—and How to Overcome It (Random House, 2025), Yale violence researcher and psychiatry lecturer James Kimmel, Jr., JD, uncovers the truth behind why we want to hurt the people who hurt us, what happens when it gets out of hand, and how to stop it.Weaving neuroscience, psychology, sociology, law, and human history with captivating storytelling, Dr. Kimmel reveals the neurological mechanisms and prevalence of revenge addiction. He shines an unsparing light on humanity's pathological obsession with revenge throughout history; his own struggle with revenge addiction that almost led him to commit a mass shooting; America's growing addiction to revenge as a special brand of justice; and the startlingly similar addictive behaviors and motivations of childhood bullies, abusive partners, aggrieved employees, sparring politicians, street gang members, violent extremists, mass killers, and tyrannical dictators. He also reveals the amazing, healing changes that take place inside your brain and body when you practice forgiveness. Emphasizing the necessity of proven public health approaches and personal solutions for every level of revenge addiction, he offers urgent, actionable information and novel methods for preventing and treating violence. James Kimmel, Jr. is an assistant clinical professor in psychiatry at the Yale School of Medicine, a lawyer, and the founder and co-director of the Yale Collaborative for Motive Control Studies. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This week, I argue that we must have some degree of artifice to organize our thoughts and recognize the things we see in our world.---Click here to support the Wednesday Blog: https://www.patreon.com/sthosdkane---Sources:[1] For my recent essays referring to this current historiographic project see “On Sources,” Wednesday Blog 6.22, “On Writing,” Ibid., 6.27, and “On Knowledge,” Ibid., 6.29.[2] Lee Alan Dugatkin, Mr. Jefferson and the Giant Moose, (University of Chicago Press, 2009).[3] Staffan Müller-Wille, “Linnean Lens | Linnaeus' Lapland Journey Diary (1732),“ moderated by Isabelle Charmantier, virtual lecture, 12 May 2025, by the Linnean Society of London, YouTube, 1:04:18, link here.[4] Jason Roberts, Every Living Thing: The Great and Deadly Race to Know All Life, (Random House, 2024), 45–49.[5] Roberts, 20.[6] Roberts, 115–125.[7] Roberts, 109.[8] André Thevet, Les Singularitez de la France Antarctique, (Antwerp, 1558), 16r–16v. The translation is my own.[9] Roberts, 109.[10] Damião de Góis, Chronica do Felicissimo Rei Dom Emanuel, 4 vols., (Lisbon, 1566–1567).[11] Geraldine Heng, The Invention of Race in the European Middle Ages, (Cambridge University Press, 2018), 190.[12] Roberts, 110.[13] Michael Wintroub, A Savage Mirror: Power, Identity, and Knowledge in Early Modern France, (Stanford University Press, 2006), 42.[14] Roberts, xii.[15] Roberts, 107.[16] Roberts, 96–98.[17] Michael Allin, Zarafa: A Giraffe's True Story, from Deep in Africa to the Heart of Paris, (Delta, 1998).
Author of best selling 'Practical Kabbalah' (Random House) available on Amazon.Rabbi's Wolf's work has been lauded by spiritual leaders including Rabbi Lord Sir Jonathan Sacks OBM, the Dalai Lama, and Rabbi Mordechai Eliyahu OBM, the Chief Rabbi of Israel from whom Rabbi Wolf received his Rabbinical ordination.
Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Music Joy, by Jeffrey Cantu-Ledesma The Cradle by Frederico Albanese Learn about your ad choices: dovetail.prx.org/ad-choices
El dibujante José Luis Munuera nos acerca a Su olor después de la lluvia, editado por Astiberri. Se trata de la adaptación de la novela francesa homónima de Cédric Sapin-Defour que fue el libro de no ficción más vendido de 2023.Con Laura Fernández hacemos un recorrido por las novelas de viajes en carretera con la biografía de Carolyn Cassady, Fuera de la carretera; Héroes de la frontera, de Dave Eggers, publicada por Random House, y A cuatro patas, de Miranda July, editada por Random House.De la mano de Ángela Núñez entramos al Museo del Traje, que en su centenario recupera en la colección permanente algunas de las piezas más icónicas.Cerramos acercándonos al Festival Sierra Sonora en La Rioja. Un encuentro que busca a través de la cultura dinamizar la España vaciada y que este año cumple su quinto aniversario como explica su fundador, Álvaro Sainz.Escuchar audio
What are you hopeful about? Is it okay to drive a semi-truck? Do you dare me to read Merchants of Doubt in a week? In this very special episode, Rollie and Nicole answer these questions and also other questions from our super cool and fun Patreon community. BONUS EPISODES available on Patreon (https://www.patreon.com/deniersplaybook) SOCIALS & MORE (https://linktr.ee/deniersplaybook) WANT TO ADVERTISE WITH US? Please contact sponsors@multitude.productions CREDITS Created by: Rollie Williams, Nicole Conlan & Ben BoultHosts: Rollie Williams & Nicole ConlanExecutive Producer: Ben Boult Editors: Paul Ramsdell & Laura ConteProducers: Daniella Philipson, Irene PlagianosFact Checking: Canute HaroldsonMusic: Tony Domenick Art: Jordan Doll Special Thanks: The Civil Liberties Defense CenterSOURCESAhmed, N., & Harlan, C. (2025, April 12). Paris said au revoir to cars. Air pollution maps reveal a dramatic change. The Washington Post.Climate Town. (2023, July 17). Parking Laws Are Strangling America | Climate Town. Www.youtube.com.Edwards, B. (2025, July 12). The A-list passengers who have swapped luxury travel for humble public transport as Dua Lipa was pictured travelling via Kings Cross. Mail Online; Daily Mail.Ekin Karasin. (2025, June 4). Noel Gallagher stuns London commuters as Oasis star spotted on Tube. The Standard; Evening Standard.Grabar, H. (2023). Paved Paradise. Penguin.Jacobs, J. (1961). The Death and Life of Great American Cities. Random House.Kenner, R. (2014). Merchants of Doubt. Www.documentaryarea.com.Mau, V. (2025, March 14). Domestic Market Penetration Rate for New EV Cars Exceeded 50% for Seven Consecutive Months - Climate Scorecard. Climate Scorecard.Nolan, H. (2025, July 15). When Do You Need to Quit Your Job? Hamiltonnolan.com; How Things Work.Oreskes, N., & Conway, E. M. (2010). Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming. Bloomsbury.Romm, J. (2022). Climate Change: What Everyone Needs to Know. New York: Oxford University Press.Shoup, D. C. (2017). The High Cost of Free Parking. London and New York: Routledge.Singh, A. (2025, June 29). Viral Map Shows Paris' Pollution Drop As City Trades Cars For Bike Lanes. NDTV.Taylor, A. (2025, July 10). The Atlantic. The Atlantic; theatlantic.Ulin, D. L. (2015). Sidewalking: Coming to Terms with Los Angeles. University of California Press.Valente, D. (2024, November 7). NYC Subway Ridership Reaches A Record One Billion In 2024. Secret NYC.William Rosales, D. (2025, February 26). Why California High-Speed Rail is Over Budget And Delayed — And What We Should Do About It. David William Rosales.Woodruff, C. (2025). X (Formerly Twitter).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this conversation, writer and author of The Mother Code, Ruthie Ackerman, shares her personal journey from being childfree to becoming a mother, exploring the complexities of motherhood, societal expectations, and the emotional struggles that accompany the decision to have children. You'll hear Ruthie and Keltie discuss: How Ruthie decided to pursue motherhood in spite of her ambivalence, and being only 55% confident in her choice to have kids. How being from a long lineage of women who left their children, meant Ruthie was scared she would do the same. Why a difference of opinion about kids meant the end of her marriage, and how Ruthie navigated dating while pursuing motherhood. Ruthie's experiences with egg freezing, IVF, and egg donation. How Ruthie's book, The Mother Code, seeks to dismantle traditional notions of motherhood, while highlighting the ambivalence many women feel about motherhood. Why those who become mothers need to identify and create their own version of motherhood, rather than the versions that have been given to them. As mentioned in the show: Find Ruthie online at www.ruthieackerman.com You can find her book, The Mother Code, all places that books are sold: ruthieackerman.com/the-mother-code And on Instagram: www.instagram.com/ruackerman/ About Ruthie: Ruthie began her writing career with a promise: to shine a light on the people, places, and ideas that are too often ignored. After a stint at the New York Times and a few years reporting on the economy for Forbes, she was awarded journalism fellowships to war-torn Liberia and Lebanon to showcase young people in both countries who were rebuilding their lives out of the ashes of destruction—and finding the resilience to push forward. In the decade since, she has profiled game-changing entrepreneurs and social activists and written extensively about the professional and financial advancement of women. Ruthie wrote a piece for the New York Times Modern Love column about her own failed egg freezing. “Don't Put All Your (Frozen) Eggs in One Basket,” which became the launching point for her memoir, The Mother Code: My Story of Love, Loss, And The Myths That Shape Us (May 2025, Penguin Random House), and shifted her focus from traditional reporting to personal stories. She started Ignite Writers Collective in 2019 as a way to work with other writers at all stages of their careers, sharing her insights from years as an editor and writer. Her clients have gotten book deals, published essays, and found the bravery to share their stories with the world. Ruthie's writing has been published in Vogue, Glamour, O Magazine, The New York Times, The Atlantic, The Wall Street Journal, Forbes, Salon, Slate, Newsweek, and more. Most recently, she was the Deputy Editor at ForbesWomen. She has a Master's in Journalism from NYU and lives in Brooklyn with her husband and their daughter. Ruthie's forthcoming memoir, The Mother Code, will be released in 2025 by Random House. __ Get details on an upcoming Kids or Childfree Workshop: kidsorchildfree.com/workshop Check out our free resources here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree
Donovan X. Ramsey, author of When Crack Was King: A People's History of a Misunderstood Era joins the Four Degrees to the Streets Podcast to explore the relationship between the crack era and urban planning. The crack epidemic, more commonly known as the crack era, was the decade between 1985-1995 of high crack-cocaine use and distribution in U.S. cities and urban areas. The period birthed the “War on Drugs”, a series of laws that gave police permission to patrol and harass everyone in any neighborhood associated with the substance, created mandatory sentencing terms for drug-related offenses, punished users more severely than dealers, and did very little for substance abuse treatment for addicts. Popular media told the story of the crack epidemic through caricatures of “crackheads”, “crack babies”, and “super predators” to describe people, mostly Black people living in cities, impacted or associated with the substance. The Four Degrees to the Streets Podcast invited Donovan X. Ramsey to the show to discuss the complex relationships between the crack epidemic, the war on drugs, urban policy, and the Black lived experience. Together, Donovan and Jasmine, explore the synergy between the war on drugs and urban renewal, Hope IV, the Federal Highway Act, and other urban planning policies. Ramsey shares his thoughts on how America heals from the crack epidemic. The conversation pulls back the curtain on the lies, stereotypes, and misunderstandings about the crack epidemic to enlighten listeners and champion the voices of those forgotten due to their association with the substance: crack-cocaine. When Crack Was King: A People's History Of A Misunderstood Era is dedicated to “the misunderstood, the marginalized, and the maligned”. The goal of the Four Degrees to the Streets Podcast is “to empower and provide tools to overcome structural and institutional barriers”. Download the episode to hear how these two missions collide. And listen till the end for an exclusive on Ramsey's next project. The special guest for this episode is Donovan X. Ramsey, his full bio is written below: Donovan X. Ramsey is an indispensable voice on issues of identity, culture, and patterns of power in America. His reporting has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among other outlets. He has been a staff reporter at the Los Angeles Times, NewsOne, and theGrio. He has served as an editor at The Marshall Project and Complex. Ramsey is the author of When Crack Was King: A People's History of a Misunderstood Era, a work of narrative nonfiction exploring how Black America survived the crack epidemic for One World, an imprint of Random House, a division of Penguin Random House. He holds degrees from the Columbia University Graduate School of Journalism and Morehouse College.
What actually keeps weight loss on track? Spoiler: it's not a meal plan, a fitness app, or a smoothie in a mason jar. This episode cuts through recycled advice and spotlights the one thing that makes change stick: your reason. Ditch the borrowed goals and find the motivation that survives real life, cravings, and every Monday morning.Important Points CoveredYour reason for change matters more than any diet or workout.Borrowed motivation—doctor's orders, family nudges, or influencer trends—fades quickly.The strongest “why” comes from within and connects to your real life, not someone else's expectations.Five motivators actually move you: health, mobility, mental wellbeing, relationships, and self-mastery.When your motivation wobbles, check in, recalibrate, and let your reason grow with you.Visible, honest reminders of your “why” help you stick with healthy habits when life gets messy.Resources MentionedDeci, E.L., & Ryan, R.M. (2000). The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior. Psychological Inquiry, 11(4), 227-268.Clear, James. Atomic Habits. Penguin Random House.Duhigg, Charles. The Power of Habit. Random House.“Physical Activity and Depression: Harvard Health Publishing.” Harvard Health“Association Between Physical Activity and Risk of Depression: JAMA Psychiatry.” JAMA PsychiatryActionable Steps for ListenersWrite down your real reason for wanting to make a change—the one you'd share with a friend, not just the one you'd post online.Set a weekly reminder to check in with your motivation. If it feels stale, update it so it matches your life right now.Choose an accountability partner who asks the tough questions and keeps you honest about your progress.Make your “why” visible—stick a note on your fridge, mirror, or phone.Celebrate small wins to build confidence and momentum.Relevant Links and CitationsDeci & Ryan (2000) - Self-Determination Theory ArticleHarvard Health - Exercise and DepressionJAMA Psychiatry - Physical Activity and Depression RiskJames Clear - Atomic HabitsCharles Duhigg - The Power of Habit
In Against Identity, philosopher Alexander Douglas seeks an alternative wisdom. Searching the work of three thinkers – ancient Chinese philosopher Zhuangzi, Dutch Enlightenment thinker Benedict de Spinoza, and 20th Century French theorist René Girard – he explores how identity can be a spiritual violence that leads us away from truth. Through their worlds and radically different cultures, we discover how, at moments of historical rupture, our hunger for being grows: and yet, it is exactly these times when we should make peace with our indeterminacy and discover the freedom of escaping our selves. Alexander Douglas was born in Canberra, Australia where he studied music and philosophy. He now teaches the history of philosophy and the philosophy of economics at the University of St Andrews. He has published two books on the philosophy of Benedict de Spinoza and one on the philosophy of debt. He has grown increasingly interested in combining ideas from Western and East Asian philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Author of best selling 'Practical Kabbalah' (Random House) available on Amazon.Rabbi's Wolf's work has been lauded by spiritual leaders including Rabbi Lord Sir Jonathan Sacks OBM, the Dalai Lama, and Rabbi Mordechai Eliyahu OBM, the Chief Rabbi of Israel from whom Rabbi Wolf received his Rabbinical ordination.
More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Against Identity, philosopher Alexander Douglas seeks an alternative wisdom. Searching the work of three thinkers – ancient Chinese philosopher Zhuangzi, Dutch Enlightenment thinker Benedict de Spinoza, and 20th Century French theorist René Girard – he explores how identity can be a spiritual violence that leads us away from truth. Through their worlds and radically different cultures, we discover how, at moments of historical rupture, our hunger for being grows: and yet, it is exactly these times when we should make peace with our indeterminacy and discover the freedom of escaping our selves. Alexander Douglas was born in Canberra, Australia where he studied music and philosophy. He now teaches the history of philosophy and the philosophy of economics at the University of St Andrews. He has published two books on the philosophy of Benedict de Spinoza and one on the philosophy of debt. He has grown increasingly interested in combining ideas from Western and East Asian philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In Against Identity, philosopher Alexander Douglas seeks an alternative wisdom. Searching the work of three thinkers – ancient Chinese philosopher Zhuangzi, Dutch Enlightenment thinker Benedict de Spinoza, and 20th Century French theorist René Girard – he explores how identity can be a spiritual violence that leads us away from truth. Through their worlds and radically different cultures, we discover how, at moments of historical rupture, our hunger for being grows: and yet, it is exactly these times when we should make peace with our indeterminacy and discover the freedom of escaping our selves. Alexander Douglas was born in Canberra, Australia where he studied music and philosophy. He now teaches the history of philosophy and the philosophy of economics at the University of St Andrews. He has published two books on the philosophy of Benedict de Spinoza and one on the philosophy of debt. He has grown increasingly interested in combining ideas from Western and East Asian philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness
More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Against Identity, philosopher Alexander Douglas seeks an alternative wisdom. Searching the work of three thinkers – ancient Chinese philosopher Zhuangzi, Dutch Enlightenment thinker Benedict de Spinoza, and 20th Century French theorist René Girard – he explores how identity can be a spiritual violence that leads us away from truth. Through their worlds and radically different cultures, we discover how, at moments of historical rupture, our hunger for being grows: and yet, it is exactly these times when we should make peace with our indeterminacy and discover the freedom of escaping our selves. Alexander Douglas was born in Canberra, Australia where he studied music and philosophy. He now teaches the history of philosophy and the philosophy of economics at the University of St Andrews. He has published two books on the philosophy of Benedict de Spinoza and one on the philosophy of debt. He has grown increasingly interested in combining ideas from Western and East Asian philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices
✦ 61 years ago, racial minorities had no legally protected right to vote. A new documentary film “Harmony of Freedom” reminds us of this unsettling fact while celebrating the 60th anniversary of the Voting Rights Act, through the power of music. WABE has partnered with Georgia State student conductor and filmmaker Jackson Allred to air “Harmony of Freedom” on August 4th. The film showcases orchestras from all over the state of Georgia performing composer Margaret Bonds’ “Montgomery Variations.” City Lights Collective co-host Kim Drobes recently sat down with Jackson Allred to learn more. ✦ Atlanta Pride, Georgia's oldest nonprofit organization serving our city’s local LGBTQ+ community, turns 55 this year. To celebrate, they’ve partnered with Out on Film and are showcasing queer resistance in the South - through a film screening and community summit. WABE arts reporter Summer Evans shares more. ✦ For nearly three decades, Dad's Garage has been become synonymous with improv comedy in Atlanta. And as their fans have put down roots and grown families here in Atlanta, so to has Dad's expanded their offerings to appeal to the next generation of comedy lovers. Performing Saturday matinee shows, Wowie Zowie is a playful and engaging experience for audiences of all ages. Kids get to let loose and see their creative ideas come to life on stage, while parents can enjoy an afternoon out of the house without suffering the oppressive summer heat. City Lights Engineer Matt McWilliams recently caught up with Dad's Garage ensemble player Avery Sharpe-Steele after a sold-out Wowie Zowie show. ✦ . You may be familiar with Toni Morrison, the Pulitzer and Nobel Prize-winning author of novels “Beloved,” “The Bluest Eye,” and more. But did you know that Morrison was also one of the first Black editors for a major publishing company? A new book, “Toni at Random,” examines Morrison’s years as an editor at Random House and the book’s author, Dana Williams, will celebrate her new release tomorrow, with a discussion at Atlanta’s Auburn Avenue Research Library. City Lights Collective member Alison Law recently caught up with Willams to talk about “Toni at Random” ahead of tomorrow’s event. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, “GULCH”, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: prints galore at the Black Art in America Print Fair, love and care in a group show at the historical Haugabrooks Gallery on Auburn Avenue, and thoughtful textile explorations at Gallery Chimera.See omnystudio.com/listener for privacy information.
Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. Notes Go to adoptastation.org and pitch in. Listen to the incredible documentaries by Lloyd Newman, LeAlan Jones, and David Isay, at David's (Corporation for Public Broadcasting funded) Storycorps.org Music Herbert's Story from Mark Orton's score to Nebraska. Kyu from Sylvain Chaveau Smygkatt by Shida Shahabi Roedelius plays Rolling Learn about your ad choices: dovetail.prx.org/ad-choices
In this compelling episode, we sit down with literary scholar and author Dana A. Williams to explore her new book, Toni at Random. Best known as a Nobel Prize-winning novelist, Toni Morrison also spent over a decade as a formidable editor at Random House—amplifying Black voices, shaping cultural memory, and changing the face of American publishing. Williams reveals how Morrison championed iconic figures like Angela Davis, Muhammad Ali, and Toni Cade Bambara, and how her behind-the-scenes work helped lay the foundation for a more inclusive literary canon. Tweet us at @podcastcolors. Check out our partner program on international affairs, Global with JJ Green on Substack. Please subscribe. Email us at colors@the colorspodcast.com.
Author of best selling 'Practical Kabbalah' (Random House) available on Amazon.Rabbi's Wolf's work has been lauded by spiritual leaders including Rabbi Lord Sir Jonathan Sacks OBM, the Dalai Lama, and Rabbi Mordechai Eliyahu OBM, the Chief Rabbi of Israel from whom Rabbi Wolf received his Rabbinical ordination.
Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader's road trip companion to the world of Black books. Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography. Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader's road trip companion to the world of Black books. Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography. Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader's road trip companion to the world of Black books. Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography. Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Nicky Gonzalez joins us to discuss her Gothic debut novel, Mayra (2025, Random House), a story about two friends who reunite in a mysterious house in the Florida Everglades and uncover a hidden history. It's a book that Karen Thompson Walker describes as "part coming-of-age story, part Twilight Zone episode, part thoughtful meditation on all of the ways that memory is itself a haunted house." Gonzalez hails from Hialeah, Florida. She earned her MFA from the University of Oregon, where she also taught fiction and composition. Her work has appeared in McSweeney's Quarterly Concern, BOMB Magazine, Kenyon Review Online, and Taco Bell Quarterly, among other publications. In 2021 she was a finalist for the Granum Foundation Prize.Host: Davin MalasarnThe Artist's Statement is brought to you by The Granum Foundation.
En este episodio de Paredro conversamos con Antonio García Ángel sobre su más reciente novela, Que pase lo peor, publicada por Random House. Después de casi una década sin publicar ficción, García Ángel regresa con una obra que mezcla humor, crítica social y autoficción, y que logra algo poco común: hacer reír sin perder profundidad.Hablamos del humor como lente para mirar el mundo, de los peligros de tomarse la literatura demasiado en serio, de su paso por el programa Rolex Mentor & Protégé junto a Mario Vargas Llosa, y de cómo la ficción puede ser a la vez un refugio y una trampa.Que pase lo peor es una novela sobre un escritor desempleado, un pasado glorioso que ya no pesa, y una ciudad que se parece demasiado a nosotros mismos. Pero sobre todo, es una carcajada incómoda que termina revelando verdades dolorosas.
When Sarina found Stephanie Pao on social media, she knew she had to interview her. Stephanie has the job we all want—she owns a bookstore on wheels. La Fleuria is L.A.'s first mobile romance bookstore, and we are here for it. Tune in to hear our interview with Stephanie. We're discussing how she got this idea, where she turned for advice, and how she figures out what to stock and where to park La Fleuria!Show links include: #YouAndYourBookstore episode with Mary Laura PhilpottLa Fleuria book truckStephanie on InstagramStephanie's LinktreeLa Fleuria's popup schedule Thrown for a Loop, Sarina's upcoming release (pub date 11/4/25)TropeTruck, a book truck whose owner generously contributed knowledgeIngram, the wholesale bookseller we discuss in some detail (because Jess needed to understand how this bookseller access to indie authors works!)Books Stephanie recommends and loves to sell at La Fleuria:Yes No Maybe by Jessica Sherry (La Fleuria's #2 bestseller!)Atmosphere by Taylor Jenkins Reid All Rhodes Lead Here by Mariana ZapataHey, Jess here to talk to you about a new series I have created just for supporters of the #AmWriting Podcast.I met an aspiring author and speaker who has an idea for a book that just knocked me over. I said, please, please write that book. This is someone who had an idea that has a place in the market. It's timely. She's the perfect person to write it, and I asked her, I begged her, if I could please mentor her through this process publicly on the podcast.So while we're not giving her full name and we're not giving the actual title of the book, because we don't want to hand those things away, I am coaching her through the entire process, from preparing her book proposal to querying an agent. I'm going through the whole thing with her. She knows nothing about the publishing industry, she knows very little about how one goes about writing a book—so essentially, this is as I mentioned before, from soup to nuts, From Authority to Author, and hopefully we'll get her there.But really, whether or not this book ends up selling, whether after this book she ends up having a speaking career, this is about the process of preparing to do that. I hope you'll join us.This series is for supporters only, so if you are a free subscriber right now, consider upgrading. Remember, if you upgrade, you'll also get the ability to submit for our First Pages Booklab, and lots of other fun stuff that we put out just for supporters—So come join us. It's a lot of fun.Transcript below!EPISODE 457 - TRANSCRIPTJess LaheyHey, Jess here to talk to you about a new series I have created just for supporters of the Hashtag AmWriting podcast. I met an aspiring author and speaker who has an idea for a book that just knocked me over. I said, please, please write that book. This is someone who had an idea that it has a place in the market. It's timely. She's the perfect person to write it, and I asked her—I begged her—if I could please mentor her through this process publicly on the podcast. So, while we're not giving her full name and we're not giving the actual title of the book, because we don't want to hand those things away, I am coaching her through the entire process—from preparing her book proposal to querying an agent. I'm going through the whole thing with her. She knows nothing about the publishing industry. She knows very little about how, you know, one goes about writing a book. And so she essentially—this is, as I mentioned before from soup to nuts, From Authority to Author, and hopefully we'll get her there. But really, whether or not this book ends up selling, whether this book—she ends up having a speaking career—this is about the process of preparing to do that. How do you write a book? How do you prepare to become a speaker on the back of that book? So I hope you join us. This is a series for supporters only. So if you are a free supporter, or if you're a free subscriber right now, consider upgrading. Remember, if you upgrade, you'll also get access to the ability to submit for our First Pages Book Lab and lots of other fun stuff that we put out just for supporters. So come join us. It's a lot of fun.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.Jess LaheyWelcome to the Hashtag AmWriting podcast. This is the podcast about, oh, writing all the things—the short things, the long things, the nonfiction, the fiction, the poetry, the book proposals, the agent queries—all the things. In reality, though, this podcast is about two things. It is about getting the work done, and flattening the learning curve for other writers. I'm Jess Lahey. I am co-hosting today. I am the author of The Gift of Failure and The Addiction Inoculation, and you can find my journalism at The New York Times, The Washington Post, and The Atlantic.Sarina BowenAnd I'm Sarina Bowen. I am the author of many romance novels. My next one is called Thrown for a Loop and it's coming from Forever in November, and I could not be more excited. And it is in the vein of romance, publishing, and readership that I have invited a guest to talk to us today because she has done something so outrageously cool that I needed to hear more in person. So please welcome Stephanie Pao, who has started Los Angeles' first romance book truck. She's become a bookseller, and I am here to hear all about it. Welcome, Stephanie.Stephanie PaoHi, thank you so much for having me.Sarina BowenMy pleasure. If you wouldn't mind, I would love to hear—how did this happen? Like, how did you decide that the world needed a book truck? Because that is just a cool idea and I never thought of it. And like, so how did you decide to actually make it a thing? And what did you do?Stephanie PaoYes, okay. The idea actually came to me—I lived by the beach, so I was walking by the beach and I saw a vintage Volkswagen truck for sale, and I just couldn't get it out of my mind. It isn't the truck that I have now, but I kept thinking, what could I do with it? And I've always loved books—romance in particular—and I've been looking for something that I could do that kind of took my previous experience, which is marketing, but melded it with something I really enjoyed. And I just thought maybe I could start a book truck. And I started to do research and I saw that there are many book trucks across the country. At the time, I think maybe there was just one or two romance ones and I was lucky enough to be able to speak with someone who had a romance book bus called Trope. She has a bookshop now and she really gave me a lot of confidence that I could probably do this too. I ended up taking a course on bookselling and started looking for a truck. The truck I ended up finding was actually the first truck I found on Facebook Marketplace. The man who was selling it had completely restored it. And he was so excited that I wanted to do this book shop in a truck idea, that he actually helped me and designed all the shelves, and he built it, and he didn't charge me for it.Sarina BowenOh my goodness!Stephanie PaoYeah. So it felt very serendipitous and almost meant to be. And now it's been like two months and I'm having so much fun.Sarina BowenWow. Wow. Oh my goodness. I feel like you should be teaching a class on how to live, right? You're like, "I'm good at this thing, but I'm really interested in this other thing, and I'm going to stick them together and it's going to be great."Stephanie PaoYeah, I feel like it was a little bit of like manifesting, I guess.Sarina BowenWell, wow, that's so great. So how many books does your truck hold at once? Like, what is the size of your store?Stephanie PaoYeah, so it holds about 350 books, and I've taken to also stacking books on top to display my favorite books. So I think it might hold almost 400.Sarina BowenOkay. And so of course, when we think about the bookstores that we grew up going to—you know, there are these giant cavernous Barnes & Nobles, there are smaller independent bookstores—and they're all numbering in the thousands. But by specializing in a category that you really love, like suddenly 400 is you know, it's a workable amount for what romance readers might be looking for on any given day. So, but still, there's a lot of good books in the world. How do you choose?Stephanie PaoYeah, I do a mix of like books that I've read and loved. I have been a voracious reader—I've read my whole life—but I've been a voracious reader for a couple of years. I also do a lot of books that I get recommendations from friends or that I just see are very popular online. So I think people will want to find those, but I think it is hard. I'm still figuring out the right balance of what types of romance to carry.Sarina BowenRight. Right. Because we all have our favorite you know, parts of the genre and they might not be the ones that are killing it.Jess LaheyBut the thing that I'm really excited to hear about is the thing that I love so much about independent booksellers. I get a sense for the bookseller when I go to the bookstore. Like, there are certain bookstores I rave about not necessarily because they're huge, not necessarily because they're beautiful—but because I can tell that when the bookseller recommends something to me; I know who that person is. Or I know the sense of the curation at the store. And that excites me because I feel like I'm in capable hands. So I'm really curious—especially to hear about your curation, and how you decide what you're going to carry—and then I'm also, and I know Sarina is going to ask this question, but in my head, I'm like, how do you find your readers? That's the part I'm so excited to hear about. Like, how do you know where to go? How do the people find you? Because I think that's the magic—is connecting the people with the books. And that's what I feel like a really great curation does. It says, "If you like this, try this," or, "Oh, you're new to this genre? Let me tell you where you should start with this genre." That's what's magic to me about independent booksellers, and the idea of you getting to do it in a very concentrated way with a particular genre is just—it makes me so happy. I'm just so happy you're out there doing this, Stephanie.Stephanie PaoThank you.Sarina BowenSo one time I was reading the listing of a literary agent, I think, and somebody had said, "What do you like about this job?" And the agent said, "I get to invest in my own taste." And I thought that was a really interesting way of looking at her job—but also of your job as well. And before we get to “How do you find the readers?”—because that is a really important chapter of this conversation—I just, from the listener standpoint: are you constantly deluged by authors who are like, “Pick me, pick me”? Like, what would you tell an author who is trying to navigate the bookselling world? What have you learned about your end of being a bookseller that an author might need to hear?Stephanie PaoYes. Okay. So first I want to say, like the curation part—My like number two best seller is actually an indie author's book who I love, and I can see from the book selling, like software that I use, that I'm the only bookstore of the 200 plus bookstores that carry her book, and it's the second best seller for me. Like. I've sold over 30 copies in like two months. So I think it really is like the passion of the bookseller, and I have had quite a few authors reach out to me, and they'll come to events. And I feel like it's, I don't have a good process on how I'm vetting all the authors, but I think it's like, if we make a personal connection, I will try to go out of my way to like read their book, because we've connected in some way, and I love reading, and I just feel like because we've like, either met in person or we've exchanged nice messages on social media, it does make me want to read someone's book more, because I have that personal connection, which is probably how people feel when they go shop at an indie books, or they have the personal connection with, like, a bookseller. So I think that's very similar. Um, I had people like, bring me their books, which does make it easier for me to, like, already have it ready. I don't have to look it up to read it or remember to look it up as well, but I know that, like, probably has a cost to it as well. But I had someone just bring me an F1 romance book yesterday at one of my pop ups, and I've been on an f1 kick. I don't know if she noticed that from my personal social but, like, I am very intrigued already, and now I have itSarina BowenThat's so lovely.Jess LaheyFor the listeners out there who are interested in this very specific topic, in our show notes I'm going to link to an episode we did with Mary Laura Philpott, who used to be at Parnassus, about making connections with booksellers. Because there are things you can do to go out of your way—before your book comes out, or when your book is coming out—to say, “Hey, I have this book coming out, would you be interested at all in getting a copy?” So it's something that can happen that authors can work on. And I'm going to definitely drop the link to that episode in the show notes.Sarina BowenYeah. I had this earlier this year. I was noticing—I started keeping track of how many romance bookstores are in the world. And now I have a list of 60, more than 60. And for a little while, when one just sort of popped up in my social, I was writing an email—because authors get a lot of publisher copies, you know, and sometimes after the launch of the book we end up with a box of like 15 copies still sitting here—and I was sending an email like, “Congratulations on your new store! That's amazing. Can I send you a signed author copy? Because I just have them here. It's a gift.” And the uptake of that is, you know, almost 100%. But I don't ever want to presume that a bookseller wants a copy, you know, unless I check first, because that just seems cheesy. You know, it's, it's, it's hard for authors to know, like, how to be a good partner and not irritating. And anyway, I just thought, you know what your thoughts about that are?Stephanie PaoYeah. I mean, I think for me, like, I am a new store and, like, a single-person business. So anyone that reaches out to me, I'm like, “Oh my gosh, what do you mean? How do you know about me? Why would you want to send me something?” So I'm sure, like, the like, weariness goes both ways, where we are, like, we're also—a lot of people are, like women—or maybe like, not used to promoting themselves more. So I think, like, just shoot your shot. I have an event coming up at like, a big, like, kind of mall, and they said they don't really do things like that with partners like this, but they were impressed that I shot my shot. So I have like, a summer series with them, and I think it's the same for, like, promoting your own book.Sarina BowenYeah, I guess this whole conversation is an exercise in trying.Stephanie PaoYeah, like the worst that could happen is, I think probably they would maybe say no or not respond to your request—which I do feel like I am guilty of that, because I get a lot and I don't know how to best, like, manage the flow of people saying that they want to send books. But that isn't because I don't want to reply. It's more like, I don't have a good system.Sarina BowenIt's hard. So I definitely want to hear how you figure out where to go. Like, where does the truck go? How do you know who to ask? Like, is that a lot of asking and hoping for the, for the best as well. Like, how does it come together?Stephanie PaoYeah, that has been a trial and error process. I think I started off applying to more markets, because they're looking for vendors anyways. But those usually have costs. And I found a few markets that I really enjoy going to, so I go to them monthly now. And…Sarina BowenWhat kind of markets, can I ask?Stephanie PaoYeah, they're like, one is like a night market. They do it like, a couple times a month in a city of LA called Lakewood, and there's like food, there's usually, like a theme, so like, there was an AAPI night, or they had— I don't know if you know those, like toys called Labubu — but the last event I did was a Labubu themed one. And then I do another market that is in Culver City, and it is similar—like, there's food and drinks and then there's, like, people selling different like, a lot of artisan-made things,Sarina BowenOkay.Stephanie PaoYeah, um, and then I reach out to local businesses as well. And I found, like, right away, I reached out to so many, and I didn't hear back from that many, because I was just starting out. I didn't have that many followers at the time. But the people who I found, and I did pop up set, they were so kind, and they let me dictate, like a day where I come back monthly, so I just have like places that I will go monthly, which makes it a lot easier to, like, have it like a set schedule, and then I just try to test new places and add on.Sarina BowenLike, what kind of business? What? What makes a good what's a good sort of connection?Stephanie PaoYeah, well, so the first place that said yes to me was another women-owned business. And I do feel like they are, like, more inclined to, like; take a chance on another woman-owned business. So she actually has a flower shop, and she does like high tea on the days that I go. So she has people going there for like, high tea— but it's on a very visible Street. It's on the Pacific Coast Highway, so I think it's—I'm not sure it's benefiting her in any way, because I'm not sure my customers are going to buy flowers, um, but she has a space for me to pop up, and it doesn't like detract from her business, and it adds something fun to her guests. And I also go to coffee shops and breweries, and I do want to start reaching out to restaurants as well.Jess LaheyI'm actually looking at her pop-up schedule on her site right now, and there's also—I wouldn't have even occurred to me—but these silent readings that I see every once in a while on social media that I'm like, "Oh, if I lived in a city, I would be going to those all the time," where people just get together to read together. I've also seen them—people getting together just to write together—and those? That's brilliant. Showing up for something like that is such a wonderful idea, and your pop-up schedule looks fantastic. I'll definitely be dropping that into the show notes as well.Sarina BowenWell, I just want to push back on the idea that the flower shop isn't getting anything out of you stopping there, because, like—so she runs a flower shop. I'm just certain she has a tiny core number of people who come every week and get fresh flowers because, you know, money is no object, and why not.But then there are other people who are on her list, maybe, who are only there when it's somebody's birthday three times a year. But if you're coming on a certain day, and she can tell her following, you know, that, "Oh, stop by on Tuesday because La Fleuria is going to be here, and it's, you know, the romance book truck, and you definitely want to check it out," it gives her a timely thing she can tell the people that do like flowers. And, you know, she's going to maybe have more foot traffic on that day than she otherwise might not have had.Stephanie PaoYeah, I think it's more maybe imposter syndrome, because she has like 800,000 followers.Sarina BowenWow!Stephanie PaoSo I'm like drop in your bucket.Sarina BowenWow. Well, maybe we should all be in the flower business.Stephanie PaoYeah.Jess LaheyWell, what did you have to sort of overcome with your own resistance in order to try this new thing? Because when writers have this same problem, we have an idea. It's a little glimmer, a sparkle, of an idea. It's so appealing in our minds. But, like, the commitment to actually, like, set aside six months of your life and write an entire book because you had this glimmer of an idea is a process, and that is why there aren't as many people who write complete books as you have ideas for them. So how did you convince yourself that, um, that this risky thing was—was something you ought to commit to? And how did you make that decision?Stephanie PaoYeah, I think I'm still convincing myself that...Jess LaheyOkay, fair, fair.Stephanie PaoUm, I think it's actually really—it's really hard, because I think we're really programmed, or at least I was, on, like, this typical metric of success, which is, like: go to college, get a job, keep climbing the corporate ladder. And so I just kind of thought I would be doing that my whole life. But I never once thought, like, does that make me happy? Like, I was in a marketing job, and I was like—I climbed up to, like, VP, but I didn't enjoy it at all. And I just thought that's what we were supposed to do. So I think for me, I have been freelancing for three years because I got really burnt out, and I've just slowly come to terms with, like, maybe what I build for myself, or what I want for my life, is different than what all my friends have. Because I still talk to my friends that I've had for a long time, and I don't think they understand what I'm doing. And I feel like you will get a lot of resistance from people that you know, because they just want you to do the thing that feels safe to them, which is not venturing and doing something completely unknown. So I think it's, like, being really comfortable with the idea yourself and that not everyone's going to get it—but that's okay, because the people who do will, like, really support you. And then, of course, like, I'm not going to sugarcoat it—it is like a big financial risk. I think if you're setting aside time to write and not doing, like, other work, like—it is a risk either way. So I am lucky enough to have support, and I think that's, like, really important to share; that, like, my parents supported me so that I could take this on. And I—I started taking less and less clients from my, like, freelancing work to prepare to do this. And, like, I am still not, like, super profitable, but I know that I can, like, push back into freelancing if I really need to. So I think it's—I'm comfortable knowing that there are other means of, like, income if I really need it. But I really want to give myself time to see where this goes.Sarina BowenRight, I love that. So, of course, you knew that freelancing was—that you had some connections there, which helps, so you have, like, a little bit of a cushion for yourself, which is amazing. You—you mentioned earlier that you took a course in bookselling, and I just wonder how you found that, and how—how you felt. Was it information that you already had? Did it just give you confidence? Or did you really learn a lot from that course?Stephanie PaoWell, I found it through the American Booksellers Association. It was, like, a linked course that they had on, like, how to get started with opening your own bookstore. And I did learn a lot. I think at the time, I was really debating whether I should do a bookstore or do something more mobile. And that course actually made me feel like—when we did all the calculations—the rent is so much in LA that it just seemed, like, much, much too risky to do a store first. Like, maybe building up a customer base before investing in a shop. So I think I did learn a lot. I also—there's—I get a lot of the same questions from people who want to start something similar. And I got all of that information through this course. Like, a lot of people ask me where you buy books from, and things that have to do with bookselling that aren't very well known. And I think the course provides that information.Jess LaheyNice. Do you do you use Ingram [Ingram Content Group], and so you have like a special account as a bookseller?Stephanie PaoYes. And I just started opening, like, accounts with the publishers, because I wasn't sure how much I was going to order, and you have to meet minimums to order through the publishers. I was like, I don't know how quickly my inventory is going to go, but now I think it will be more worth it, because you get a better, like, discount through the publishers.Jess LaheyAs someone who's not involved in the bookselling community or the independent publishing community—just for my knowledge—one of the things that I, you know, often lament is if I like an author that is an independent bookseller and their print books are hard to come by. How do you—is Ingram someone who helps you bridge that? Does Ingram do this, like, print on demand? Sorry, there—my husband's home. Could you explain how this works a little bit to me?Stephanie PaoSo I also—well, I'm not 100% sure—but yes, Ingram does the print-on-demand books, and they have books from a lot of independent authors on there. I have a friend who is an indie author, and she said that she first listed her book on Amazon, but then the bookstores couldn't buy it, so she had to do something to get it on Ingram. So I'm not sure how that works, but I've also bought directly from a few authors, like the author I mentioned, who is, like, my second best seller. I buy directly from her, and I'm not sure where she gets her copies, but it is a much better deal than through Ingram.Jess LaheyYeah. So, Ingram—their first and primary business was as a wholesaler for traditionally published books. So, you know, in the '90s, when I briefly worked at Random House, Ingram was—you know, when a new book is published, Ingram buys a certain amount of them, and Baker and Taylor buy a certain amount of them, and they stand as a middleman who is ready to wholesale those books to booksellers. And then, of course, they created their print-on-demand service so that, probably, when you log into Ingram, you can see indie titles and traditional titles sort of all together in their offered database. But I did learn something recently about indies and Ingram that was a real eye-opener for me, which is that an author who opens an IngramSpark account and uploads their files there—like, like an indie author that you buy from probably does—has to set a discount amount. And unfortunately, the number that the bookseller gets is not the same as what the author sets. So the author can set a discount to retail in a band between, I don't know, 40 and 60 or something like that. But, um, in order for a bookseller to get their maximum discount, I have to put 53% discount or greater—like 53 or 55—and if I put 52 instead, then the bookseller gets, often, a very bad discount that is not 52%; it's more like 30%. So there's this magic that happens at the 53% author discount that allows you and your colleagues to get the max discount in your Ingram account. And it took me only, like, eight years to learn this magic.Jess LaheySo Stephanie, this is why we keep Sarina around, because she knows how this stuff works.Stephanie PaoI figured it was there was something, because the range in discounts I see from indie offers is so wide from like 20 to 40% and at 20% it's almost not even worth it to carry.Sarina BowenRight. I bet it isn't.Stephanie PaoYeah.Sarina BowenSo you if somebody Well, but, and that's where the confusion comes in, because here's an author, and she's putting 45% in that box, and then you're seeing it at 20 and going, this isn't worth it. And of course, like both of you, could be frustrated because…Jess LaheyExactly!Sarina BowenBecause that doesn't make a whole lot of sense. So um, but I have learned that 53 is the magic number, and that if an author puts 53 and then you will get your max discount. And it took me way, way too long to understand this.Jess LaheyThis is like… this is, this is—these little random things that come up occasionally—are, you know, why I talk about flattening the learning curve for other authors or booksellers or whomever that listen to this podcast. Because how on earth would you know that? And then you're frustrated because you can't carry a book, because you can't make money on it. The author's incredibly frustrated because you can't—won't—carry the book, and then that piece of information never gets across. So thank you for diving into that dorky detail for me, because, again, I think that's such an important piece of information that no one would ever know unless someone somewhere is discussing it. So thank you.Sarina BowenUm…you're welcome. It's really just inside baseball—like picky junk that takes up my week. But here we are.Jess LaheyI know. But the people who listen to this podcast—in particular, the people who are fans of Sarina Bowen—are often people who are also writing within the indie space. And so how, you know—how are they going to find this stuff out?Sarina BowenWell okay.Jess LaheyOkay.Sarina BowenEven if it's not as you know, as joyful as the following your dreams and the flower shop stuff, but we're here to do all of it.Jess LaheyWell… But the big—this is also a big part of it, because there are also going to be people out there who are like, Oh, I don't want to open a brick-and-mortar store, but Oh, a truck? I mean, like, for me, that's the entry point. That's very, very exciting to me. So, the other reason I wanted to be on this podcast today is because I want to understand how that works, and is it a way into something that would really feed your soul and your heart—and not to mention your book… sell—your, your bookshelves.Sarina BowenOf course. So, Stephanie, before we go, I would love—since you're the expert here—I would love for you to recommend a couple romances that you're excited about right now. And if you wouldn't mind, I would be super thrilled to hear what your number two bestseller is—that you, that you are her best bookseller.Stephanie PaoYeah, okay. It's Yes No Maybe by Jessica Sherry, and it is a story of a woman who has, um, scars on her face from, like, an accident from when she was younger. And she's, like, always felt not worthy of, like, all the good things in life, and she's settling. And she moves next door to a romance writer who has writer's block, and she becomes basically his muse. And it's, like, very sweet but very emotional. Some other books I love—I recently finished Atmosphere by Taylor Jenkins Reid, and I've never cried so hard in a book. And it's, like, also such a beautiful love story. I, like, have chills thinking about it.Sarina BowenWow.Stephanie PaoYeah. And then, just like a favorite that I always recommend is All Rhodes Lead Here by Mariana Zapata. I'm in my late 30s, so I feel like I love when characters are in their 30s and still figuring things out, and I love a slow burn romance.Sarina BowenAll right. Thank you so much. I, um—I love those choices. Um, we've all walked into bookstores and seen, like, the same five books on the front table that we've seen in every other bookstore we've walked into that month. And it's really lovely to hear some different recommendations from you, and we really appreciate it. Thank you so much for spending some time with us today to talk about this super fun project that—that Jess and I are like, Ooh, we could just quit everything and get a...Jess LaheyYeah. Well, no. The other thing is, I'm like, Okay, when's my next speaking engagement in Los Angeles, and can I make it coincide with one of your pop-up dates so that I could come by?Stephanie PaoI will drive the truck to you.Jess LaheyThat… actually, we'll figure it out. Because I just, I'm dying to see your truck, dying to see how it works. I just, I'm loving the selections. And I'm just really happy for more than anything else, I'm really happy for someone who has found a way to turn something they love into a business that can work. So I'm just so happy for you.Stephanie PaoThank you. Thank you so much for having me. This was really fun.Sarina BowenIt was entirely our pleasure. And thank you listeners for tuning in once again to the am writing podcast, and until next week, keep your heads in the game and your butt's in the chair.Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
Apostles of Development: Six Economists and the World They Made (Oxford University Press and Penguin RandomHouse South Asia, 2025) by Dr. David Engerman recounts the work of six individuals, all former classmates at Cambridge University, who helped make international development--the effort to reduce poverty and inequality around the world--into a juggernaut of the second half of the twentieth century. International development employed millions, affected billions, and spent trillions; it held the hopes of the former colonies to create an economic independence to match their newfound political one, and the plans of wealthy counties to build an enduring economic order.The six Apostles in this book include some of South Asia's best-known names, like Nobel Laureate Amartya Sen and long-serving Indian Prime Minister Manmohan Singh, as well as leading academics (Jagdish Bhagwati) and key policy-makers in both national and international circles. Taken together, this group both reflected and shaped the growing enterprise of international development from the time they left Cambridge in the mid-1950s well into the 2010s.For many years, the second half of the twentieth century was understood primarily through the lens of the Cold War. And yet, for the majority of the world, living in what was then called the Third World (and which is now called the Global South), development was a constant, while American-Soviet geopolitics only occasionally impinged upon their lives. And these six, as much as any other group, changed the way economists theorized development and aid officials practiced it. Their biographies, then, are the history of development.Based on newly available archival documents from 10 countries, and on interviews with four of the subjects, the widows of the other two, and almost 100 of their colleagues, friends, classmates, and rivals, this book combines riveting personal accounts with a sweeping history of one of the enduring human activities of the late 20th century and early 21st centuries: creating a more prosperous and equitable world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Apostles of Development: Six Economists and the World They Made (Oxford University Press and Penguin RandomHouse South Asia, 2025) by Dr. David Engerman recounts the work of six individuals, all former classmates at Cambridge University, who helped make international development--the effort to reduce poverty and inequality around the world--into a juggernaut of the second half of the twentieth century. International development employed millions, affected billions, and spent trillions; it held the hopes of the former colonies to create an economic independence to match their newfound political one, and the plans of wealthy counties to build an enduring economic order.The six Apostles in this book include some of South Asia's best-known names, like Nobel Laureate Amartya Sen and long-serving Indian Prime Minister Manmohan Singh, as well as leading academics (Jagdish Bhagwati) and key policy-makers in both national and international circles. Taken together, this group both reflected and shaped the growing enterprise of international development from the time they left Cambridge in the mid-1950s well into the 2010s.For many years, the second half of the twentieth century was understood primarily through the lens of the Cold War. And yet, for the majority of the world, living in what was then called the Third World (and which is now called the Global South), development was a constant, while American-Soviet geopolitics only occasionally impinged upon their lives. And these six, as much as any other group, changed the way economists theorized development and aid officials practiced it. Their biographies, then, are the history of development.Based on newly available archival documents from 10 countries, and on interviews with four of the subjects, the widows of the other two, and almost 100 of their colleagues, friends, classmates, and rivals, this book combines riveting personal accounts with a sweeping history of one of the enduring human activities of the late 20th century and early 21st centuries: creating a more prosperous and equitable world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Ghost Riders unite in Spirits of Violence. IDW's Beneath the Trees gets a hot sauce. Random House is expanding its WEBTOON partnership.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. Music Jobs, Winter Memory, and Slow Flood by Dark Dark Dark Carla et Roger aux sports l'hiver from the score to Le bel age by Georges Delareau Mt Baker by Kaitlyn Aurelia Smith All Creatures will Drink Joy by American Cream Band Every High (Piano Solo) by Kyson Vals Efter Lasse I Lyby by Lofoten Cello Duo NotesYou can read The President's Daughter here. Learn about your ad choices: dovetail.prx.org/ad-choices
On this episode, Jessie brings the story of the extraordinary life and tragic death of musical genius, activist and visionary Sam Cooke. This Episode Brought To You By:Shopify - The Platform Commerce is Built On - $1 per month trial https://shopify.com/lovemurderSources:1. Guralnick, Peter. Dream Boogie. Little, Brown, 2014 https://www.amazon.com/Dream-Boogie-Triumph-Sam-Cooke/dp/03160132932. “Dorothy Miller Obituary - Midlothian, VA.” Dignity Memorial, https://www.dignitymemorial.com/obituaries/midlothian-va/dorothy-miller-10946050. Accessed 14 June 2025.3. ReMastered: The Two Killings of Sam Cooke. Netflix, 2019.Rhule, BG. Sam Cooke: The Truth. 2021.“Sam Cooke (1931-1964) - Find a Grave Memorial.” Find a Grave - Millions of Cemetery Records, https://www.findagrave.com/memorial/1900/sam-cooke. Accessed 8 June 2025.Wolff, Daniel, et al. You Send Me. Random House, 2011.7. South Bend Tribune, 28 Apr. 2019, https://www.southbendtribune.com/story/entertainment/music/2019/08/28/sam-cookes-daughter-carla-pays-tribute-at-the-acorn-in-three-oaks/46361367/.8. Desert Dispatch, 18 June 1963.9. New York Amsterdam News, 26 Dec. 1964.10. Lady, You Shot Me: The Life and Death of Sam Cooke, 2017.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week on the Stacks, we are joined by author and African-American literature professor, Dana A. Williams. She has written a brand new book called Toni at Random: The Iconic Writer's Legendary Editorship, which chronicles Morrison's time as an editor at Random House. Dana shares with us the behind the scenes story of how her book title came to be, her favorite Morrison book, and why she chose God Help the Child for our July Book Club Pick.The Stacks Book Club pick for July is God Help the Child by Toni Morrison. We will discuss on Wednesday, June 30th with Dana A. Williams returning as our guest.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/7/2/ep-378-dana-williamsConnect with Dana: Instagram | Bluesky | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This Father's Day, we're re-airing the beautiful eulogy which was the inspiration for Thanks For Being Here and was the very first episode we aired. It was written by Kelly's editor at Random House, Andy Ward, to honor his father. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices