Podcast appearances and mentions of suzan lori parks

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Amy Bloom: Award-Winning Literary Novelist, 2007 Amy Bloom, award-winning novelist and short-story writer, in conversation with Richard Wolinsky in the KPFA studios, on October 4, 2007 while on tour for her second novel, “Away.” Amy Bloom, says the New Yorker, gets more meaning into individual sentences than most authors manage in whole books. The author of five short story collections and two works of non-fiction, including a memoir, she has only written five novels since she debuted in 1997 with Love Invents Us.  She would be interviewed again on Bookwaves for her third novel, Lucky Us,  Her most recent novel, I'll Be Right Here, was published in June 2025.     John Banville: Irish Literary Master John Banville, Booker Prize winning novelist, in conversation with host Richard Wolinsky in the KPFA studios, on March 19, 2007 while on tour for the novel, “Christine Falls,” written under the pseudonym Benjamin Black. John Banville is a giant of Irish literature, winner of the Booker Prize for his novel, The Sea, and the Franz Kafka Prize in 2011. A literary novelist of the first order, he took a turn in 2007 with a mystery novel, Christine Falls, featuring a detective named Quirke, under the pseudonym Benjamin Black. Since that time there have been ten Quirke mysteries, three written under his own name, and four novels under the pseudonym. He continues to write literary and noir fiction. His most recent novel is “Venetian Vespers,” published in October, 2025.   Review of “A Driving Beat” at TheatreWorks Mountain View Center for the Performing Arts Second Stage, through November 23, 2025.   Review of “Sally and Tom” at Marin Theatre through November 23, 2025   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Kinky Boots, Nov. 28-30. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  See website for upcoming productions. Hillbarn Theatre: Rogers & Hammerstein's Cinderella, December 4 – 28. Lorraine Hansberry Theatre. Soulful Christmas, December 19-21, Magic Theatre. Los Altos Stage Company. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Spanish Stew by Marga Gomez, October 17 – November 23. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Into the Woods. November 30 – January 17, 2026. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  The Break-Up written and performed by Tina D'Elia, November 6-23. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post November 13, 2025: Amy Bloom – John Banville appeared first on KPFA.

KPFA Theatre critic Richard Wolinsky reviews “Sally and Tom” by Suzan Lori-Parks at Marin Theatre through November 23, 2025.           Text of Review: All Men Are Created Equal. Or so Thomas Jefferson wrote in the Declaration of Independence. It's kind of weird then, to know that Jefferson owned slaves. And it's even weirder to realize that one of them, Sally Hemings, was his mistress. What was that about? Which doesn't stop playwrights and screenwriters and novelists from trying to figure it out. Thomas Jefferson took to his bed a child, fourteen years old, a human child he owned. The Merchant Ivory film, Jefferson in Paris, presented the 22 year old Thandwe Newton as Hemings. Thomas and Selly, a play produced at Marin Theatre in 2017 showed Hemings as in her late teens, and perhaps a bit of a seductress. That one didn't go over well in the age of me too. What Suzan Lori-Parks does in her play, Sally and Tom, first presented in 2022 at the Guthrie,  and now through November 23rd at Marin Theatre, is find a way to tell the story without fantasizing one way of another. By incorporating the story of Sally and Tom within the framework of an acting company on the verge of bankruptcy, the playwright can present the narrative and comment on it at the same time. The troupe is putting on a play set right after Jefferson returns to Monticello from Paris.  Tom, in the play within the play, is performed by Mike, the director, and Sally by Luce, the playwright. Mike and Luce are themselves an item, grappling with their own issues as well as how, exactly, to tell the story. Luce won't give an inch when it comes to her play's discussion of racism and sexism. Mike just wants to keep the company going, and his ex wants to finance the show. Along the way, we learn about James, Sally's brother, as well as his performer, Kwame, Luce's ex, and about the other members of the cast.A two-timeline play is a tough one to pull off, but Parks is successful in making it work, with help from director Lance Gardner keeping confusion at a minimum. The ensemble is at the top of its game, particularly the two leads, Emily Newsome and Adam Kuveniemann, as well as Titus Vanhook as Kwame. Michael Phillis, as one of the actors, is always entertaining. Too many speeches that go on too long and repeat themselves, especially toward the end, dampen the play's power, and a gay subplot seems unnecessary. But Sally and Tom is a gem, puncturing the myth, presenting Jefferson as a bastard as well as an enigma. Sally and Tom by Suzan-Lori Parks, plays at Marin Theatre through November 23rd. For more information you can go to marintheatre.org. I'm Richard Woiinsky on Bay Area theatre for KPFA. The post Review: “Sally and Tom” at Marin Theatre appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Chelsea Quinn Yarbro (1942-2025) Tanith Lee (1947-2015) This program honors two master practitioners of horror, fantasy and science fiction, Chelsea Quinn Yarbro and Tanith Lee, with two interviews back to back. In the first, in 1983, Tanith Lee is interviewed by Chelsea Quinn Yarbro. In the second, in 1979, Chelsea Quinn Yarbro is interviewed by Richard Wolinsky.  Chelsea Quinn Yarbro, who died on August 31, 2025 at the age of 82, was best known for her historical horror novels featuring the vampire the Count Saint.-Germain. Along the way, she wrote in several genres, including science fiction and westerns, and wrote over seventy novels, along with several short stories. Along with her writing, which includes a series of books about a channeler,  titled Messages from Michael, she was a cartographer, palm reader, and composer. In 2009, she received the Bram Stoker Lifetime Achievement Award from the Horror Writers Association. She also wrote novels under several pseudonyms. In this podcast, Chelsea Quinn Yarbro joins Richard A. Lupoff to speak with Tanith Lee. In the second interview, she talks about her vampire hero. Count Saint-Germain, and about writing historical horror fiction. It was recorded shortly after her second San Germain novel, The Palace, was published, which would put it in late 1978 or early 1979..   Tanith Lee, who died of breast cancer in 2015 at the age of 67, also wrote fantasy, science fiction and horror, and her work is considered to be similar and a forerunner of the work of Neil Gaiman. She received a lifetime achievement award from the World Horror Convention in 2013. Nominated for several awards for her novels and short stories, she won the 1980 British Fantasy Award for her novel, Death's Master. In this first undated tnterview from Probabilities, most likely recorded at BayCon in San Jose in November 1983, Tanith Lee is interviewed by Chelsea Quinn Yarbro and Richard A. Lupoff. This is the only interview conducted by Quinn Yarbro for Probabilities. Tanith Lee's novel set during the French Revolution was eventually retitled The Gods Are Thirsty, and was finally published in 1996. You've been listening to an interview with Tanith Lee, conducted by Chelsea Quinn Yarbro and Richard A. Lupoff for the Probabilities radio program on KPFA. It was digitized, remastered and edited on September 24. 2025. Review of “Stereophonic” at BroadwaySFCurran Theatre through November 23, 2025   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company The Tempest, Oct. 24 – Nov. 2,  Immersive theatre. Point Montara Lighthouse. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Kinky Boots, Nov. 28-30. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  Pilgrimage by Humaira Ghilzal and Bridgette Dutta Portman, a co-production with Z Space, October 24 – November 8, Z Space's Steindler Stage. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Freaky Friday, The Musical. October 24 – November 2. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Spanish Stew by Marga Gomez, October 17 – November 23. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: The Rocky Horror Show. October 9 – November 1, The Oasis. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Noises Off by Michael Frayn. September 25 – November 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  The Break-Up written and performed by Tina D'Elia, November 6-23. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   The post November 6, 2025: Tanith Lee & Chelsea Quinn Yabro, Virtuosos of Horror and Fantasy appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Susan Hill: Master of Ghost Stories and Noir Susan Hill, author of “The Woman in Black” and other novels, in conversation by phone with host Richard Wolinsky, recorded November 29, 2021. The Woman in Black, a play by Stephen Mallatratt and directed by Robin Herford is playing in Walnut Creek at The Lesher Center under the auspices of CenterREP from November 5th through November 23, 2025. Susan Hill has written over thirty novels, most of them stand-alones in the gothic ghost story genre, and eleven crime novels featuring her detective Simon Serrailer, the most recent being The Benefit of Hindsight, published in 2020, with A Change of Circumstance published in March 2022. She's also written six collections of short stories, an autobiography among nine non-fiction works, five plays, and 13 Children's Books. She became a Dame of the British Empire in 2020. Complete 48-minute interview.   Rita Moreno: Broadway and Hollywood Legend Richard Wolinsky and Rita Moreno, Sept. 16, 2011 at KPFA. Rita Moreno, legendary Hollywood star, actress, dancer and singer, in conversation about her career and her one-woman show, “Rita Moreno: Life Without Make-up,” recorded September 16, 2011 in the KPFA studios. Hosted by Richard Wolinsky. The talented winner of the big four awards, Oscar, Emmy, Grammy and Tony, Rita Moreno continues to work in film and television. In this interview recorded during previews of her one-woman show at Berkeley Rep ten years ago, she discusses not only her work on the show, but her time in Hollywood, her five year relationship with Marlon Brando, her work on the film The King and I, working with Morgan Freeman on PBS, and other stories. Complete 35-minute interview. Review of “Suffs” at BroadwaySF Orpheum Theatre through November 9, 2025   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company The Tempest, Oct. 24 – Nov. 2,  Immersive theatre. Point Montara Lighthouse. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Kinky Boots, Nov. 28-30. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  Pilgrimage by Humaira Ghilzal and Bridgette Dutta Portman, a co-production with Z Space, October 24 – November 8, Z Space's Steindler Stage. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Freaky Friday, The Musical. October 24 – November 2. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Spanish Stew by Marga Gomez, October 17 – November 23. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: The Rocky Horror Show. October 9 – November 1, The Oasis. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Noises Off by Michael Frayn. September 25 – November 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  The Break-Up written and performed by Tina D'Elia, November 6-23. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   The post October 30, 2025: Susan Hill – Rita Moreno appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Richard Powers: Playground, a novel about Big Tech and AI Richard Powers discusses his latest novel, “Playground” with host Richard Wolinsky, recorded in the KPFA studios October 31, 2024. Richard Powers won the Pulitzer Prize i 2019 for “The Overstory,” and the National Book Award in 2006 for “The Echo Maker.” He is also the author of “The Time Of Our Singing,” “Orfeo,” and “Bewilderment.” He has been a Booker Prize and National Book Critics Circle Award finalist multiple times. “Playground” brings together the history of Silicon Valley and the growth of A.I. with a look at deep ocean diving and the notion of floating cities in a story that circles back on itself, and was possibly written by an artificial intelligence. Complete interview     Bebe Moore Campbell (1950-2025), Best Selling Novelist Bebe Moore Campbell (1950-2006), in conversation with Richard Wolinsky, recorded August 23, 2001 while on tour for her novel, “What You Owe Me.” In her books, she explored racial justice, childhood obesity and the tensions in friendships between Black and white people; she shared the stigma of mental illness and memories of the summers she spent with her father in North Carolina. Bebe Moore Campbell died of brain cancer on November 27, 2006 at the age of 56,  and was on the verge of recognition as a major African American novelist and journalist at the time of her death. Her first novel, published in 1992, Your Blues Ain't Like Mine, won the NAACP Image Award for Literature that year, and was a notable book in both the New York Times and Los Angeles Times. Her second novel, Brothers and Sisters, hit the New York Times best seller list after two weeks. Along the way, she became a regular commentator on NPR's Morning Edition. I interviewed Bebe Moore Campbell on August 23, 2001 while she was on the publicity tour for her fourth novel, What You Owe Me. Most of the interview focuses on that book. Bebe Moore Campbell would only write one more novel before her untimely death 72 Hour Hold. As for October, 2025, none of her works have been adapted for film or television. This was one of the final Bookwaves interviews recorded on analog tape, and was digitized and edited on October 20, 2025. This interview has not aired since 2002. . Bebe Moore Campbell Wikipedia page   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company The Tempest, Oct. 24 – Nov. 2,  Immersive theatre. Point Montara Lighthouse. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Some Like It Hot, Oct. 21-26. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  Pilgrimage by Humaira Ghilzal and Bridgette Dutta Portman, a co-production with Z Space, October 24 – November 8, Z Space's Steindler Stage. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Freaky Friday, The Musical. October 24 – November 2. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Spanish Stew by Marga Gomez, October 17 – November 23. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. Disney's Moana JR., Oct 17-19; Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: The Rocky Horror Show. October 9 – November 1, The Oasis. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Noises Off by Michael Frayn. September 25 – November 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21,Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  The Break-Up written and performed by Tina D'Elia, November 6-23. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   The post October 23, 2025: Richard Powers – Bebe Moore Campbell appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Thomas Perry (1947-2025), Award Winning Mystery Novelist Thomas Perry (1947-2025) who died on September 15, 2025 at the age of 78, in conversation with Richard Wolinsky, recorded on June 21, 2006 in the KPFA studios while promoting Nightlife in hardover and Pursuit and Dead Aim in trade paperback. In the career of Thomas Perry, which began in 1982 with the novel The Butcher's Boy, which won the Edgar Award that year for Best First novel, thirty two books have been published, nine in the Jane Whitfield series, four in the Butcher's Boy series and two in the Jack Till series. A final novel in the Jane Whitfield series will be published in February 2026. Vanishing Act, in the Whitfield series, published in 1995, was voted one of the hundred favorite mysteries of the 20th century by the Independent Mystery Booksellers Association. The TV series The Old Man with Jeff Bridges was based on his novel of the same name, published in 2017, and ran for two seasons on Hulu. The upcoming Russell Crowe film, Bear Country, was based on Thomas Perry's 2010 novel, Strip.   Edmund White (1940-2025), Patron Saint of Gay Literature Edmund White (1940-2025), who died on June 3, 2025, in conversation with Richard Wolinsky, recorded while on tour for “The Farewell Symphony,” the third volume of his autobiographical trilogy, recorded September 15, 1997. Digitized, remastered and edited on October 10, 2025 and heard for the first time in over a quarter century. Edmund White wrote novels, memoirs, plays, essays, biographies, and various hybrids. He was the co-author of The Joy of Gay Sex, and worked extensively in the gay community during the AIDS crisis and later. This interview, the second of four conducted with Edmund White between 1993 and 2014, was recorded on September 15, 1997 while he was on tour for “The Farewell Symphony” the third volume of his semi-autobiographical trilogy about his early year and the effect of the AIDS crisis. Complete Edmund White Interview   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Stereophonic (in association with BroadwaySF, at the Curran), Oct 28 – Nov 23. Awesome Theatre Company. See website for information. Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 32, Peets Theatre. Berkeley Shakespeare Company The Tempest, Oct. 24 – Nov. 2,  Immersive theatre. Point Montara Lighthouse. Brava Theatre Center: See calendar for events listings. BroadwaySF: Stereophonic (in association with ACT), Oct 28 – Nov 23, Curran. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Some Like It Hot, Oct. 21-26. See website for other events. Center REP: The Woman in Black, U.S. Tour, November 5-23.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Dada Teen Musical: The Play by Maury Zeff, Oct. 18 – Nov. 16, Cinnabar Theatre. Young Rep: Disney's The Little Mermaid, November 14-23, Studio Space, Petaluma Outlet Mall. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  Pilgrimage by Humaira Ghilzal and Bridgette Dutta Portman, a co-production with Z Space, October 24 – November 8, Z Space's Steindler Stage. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Freaky Friday, The Musical. October 24 – November 2. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: Sally and Tom by Suzan-Lori Parks. October 30 – November 23. The Lightning Thief, MSC Teen Company, November 7 -9. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  The Hot Wing King by Katori Hall, September 19 – October 19. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. The Art of Murder by Joe DiPietro, October 3-19. See website for staged readings and other events. Playful People Productions. Disney's Moana JR., Oct 17-19; Newsies, November 8-16. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: The Rocky Horror Show. October 9 – November 1, The Oasis. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Noises Off by Michael Frayn. September 25 – November 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Motion by Christopher Chen, September 13 – October 18 (extended) South Bay Musical Theatre:  The Sound of Music, September 27 – October 18. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Frankenstein, October 11 – November 2. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. A Driving Beat by Jordan Ramirez Puckett, Oct 29 – Nov. 23, . Mountain View Center for the Performing Arts Second Stage.Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   The post October 16, 2025: Thomas Perry – Edmund White appeared first on KPFA.

Journalist Mary McCarthy has been avoiding motorways for years, even planning her life around how to dodge them. She tells Kylie Pentelow how she discovered it's a far more common problem than you might think, especially among women in mid-life.England are through to the Rugby World Cup final. They face Canada next Saturday but who will we see lift the trophy? Former player Kat Merchant gives her view.Who is Erika Kirk? Kylie speaks to Anne McElvoy, executive editor at Politico and host of the Sam and Anne political podcast, about the wife of Charlie Kirk, American activist and influencer, who was shot dead on 10 September. Pulitzer Prize-winning playwright Suzan-Lori Parks discusses her new adaptation of The Harder They Come, based on the classic 1972 film whose legendary soundtrack brought reggae to the world. She joins Kylie to explain her process for adapting classic stories and how she rewrote the rules for language and structure in theatre.The UK's first ever exhibition dedicated to the life of the French Queen Marie Antoinette has just opened at the Victoria and Albert Museum in London. Marie Antoinette Style explores the lasting influence of the fashionable icon, showcasing more than 250 objects, some of which have never been seen outside of Versailles. So, who was this ill-fated queen and how does her style still resonate with us today?

Send us a textAfter finishing a run of 'Stalled' earlier this year at the King's Head Theatre, Josie Benson is now about to appear another UK musical theatre premiere: 'The Harder They Come' at Theatre Royal Stratford East. The show is an adaptation of the cult classic film of the same name and brings together a top tier creative team including director Matthew Xia and writer Suzan-Lori Parks. The production also marks a welcome return to Stratford East for Josie Benson who first worked at the audience-favourite theatre 25 years ago in 'Make Some Noise'. Since then, she's performed in some of the West End's biggest shows including 'Phantom of the Opera' and 'Mamma Mia!'. The show will also reunite Josie with Jason Pennycook with whom she worked with on 'Porgy and Bess' in the West End.In this new interview, Josie Benson sat down with us to talk about this eagerly anticipated new musical which promises to transport audiences to Kingston, Jamaica. The film is famously credited for bringing Reggae to the music and Josie tells us how the music that features in this new production will dazzle audiences looking for a great night out. With tickets selling fast, Josie urges our listeners to book quickly before the run sells out. Over the course of the conversation, we also reflect on how the theatre industry has evolved to become more diverse and inclusive of professionals from different backgrounds. It seems like the perfect time to be revisiting the story of 'The Harder They Come' and it looks like audiences will be treated to an excellent evening of theatre when they see the show.The Harder They Come runs at Theatre Royal Stratford East from 13 September - 25 October with tickets on sale now!Support the show

Bienvenue dans la seconde partie de notre conversation sur la Blanchité, qui a eu lieu entre notre invitée Kathinka, Agata et Lirëza. Kathinka est là car elle est l'autrice d'une thèse sur le travail de Suzan-Lori Parks, écrivaine de théâtre afro-américain. Durant cette thèse Kathinka a œuvré pour traduire sa pièce la plus connue "Topdog Underdog" ce qui l'a menée dans des méandres de réflexions sur sa position de blanche et sur son passé au Rwanda. C'est ce dont on a parlé lors de la première partie, même si on a également nerd out sur la littérature traduite et un peu sur la musique.Habituellement dans une posture de personnes opprimées dans un système patriarcal, ici nous avons été dans une posture de dominantes dans un système blanc. Ça a évidemment modifié la démarche qui fut lourde d'importance. D'ailleurs c'est à dessein que nous l'avons diffusée la veille de la grève féministe suisse du 14 juin qui se veut intersectionnelle.Dans la première partie, nous avons abordé la question de l'appropriation culturelle et comment aimer responsablement quand des liens de domination dont nous héritons et que nous risquons inévitablement de perpétuer se mêlent. Nous avons discuté du devoir d'information en tant que blanches, de la façon réflexive dont nous devons nous positionner, et enfin, de la volonté, excusez-nous l'expression androcentrée, de "rendre à César ce qui est à César" culturellement mais aussi économiquement.Dans cette seconde partie, nous allons plus en profondeur sur notre vécu intime de personnes blanches et sur la prise de conscience de notre blanchité. Nous abordons également des aspects de notre racisme intégré, le tout en posant un cadre théorique pour définir des notions importantes telles que la blanchité, la culpabilité blanche ou le white guilt, la réparation, la race, la racialisation et peut-être d'autres. Ce fut une longue conversation à laquelle nous avons donné beaucoup d'énergie, mais qui nous a offert beaucoup en retour également.  Merci pour votre écoute qui, nous espérons éveillera des réflexions et des remises en questions comme ça a été pour nous.Les poissons.Abonnez-vous ou suivez-nous sur :https://www.patreon.com/lespoissonssansbicycletteshttps://www.instagram.com/lespoissonssansbicycletteshttps://shows.acast.com/les-poissons-sans-bicycletteshttps://www.youtube.com/channel/UCqd_tdQuItJJT0HQ_Tri5xg Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans cette mini-série de deux épisodes, Lirëza et Agata ont invité Kathinka, autrice d'une thèse sur le travail de Suzan-Lori Parks, écrivaine de théâtre afro-américain. Durant cette thèse Kathinka a oeuvré pour traduire sa pièce la plus connue "Topdog Underdog" et cette traduction l'a menée dans des méandres de réflexions sur sa position de blanche et son passé au Rwanda. C'est surtout de ça qu'on parle lors de cet échange, même si on nerd out sur la littérature traduite et un peu sur la musique. Cet un épisode particulier pour Les Poissons. Habituellement dans une posture de personnes opprimées dans un système patriarcal, ici nous sommes dans une posture de dominantes dans un système blanc. Ça modifie évidemment la démarche. Cette dernière fut lourde d'importance pour nous et d'ailleurs ce n'est pas un hasard que nous diffusons le résultat la veille de la grève féministe suisse du 14 juin, qui se veut intersectionnelle. Dans ce premier épisode, nous abordons la question de l'appropriation culturelle, de ce que c'est d'aimer profondément une œuvre, une artiste, et comment aimer responsablement quand des liens de domination dont nous héritons et que nous risquons inévitablement de perpétuer se mêlent. Nous travaillons sur le devoir d'information en tant que blanches, la façon réflexive dont nous devons nous positionner, et enfin, la volonté de "rendre à César ce qui est à César" culturellement mais aussi économiquement.Merci pour votre écoute qui, nous espérons aura éveillé des réflexions et des remises en questions comme ça a été pour nous.Bonne grève à touxtes!Les poissonsAbonnez-vous ou suivez-nous sur :https://www.patreon.com/lespoissonssansbicycletteshttps://www.instagram.com/lespoissonssansbicycletteshttps://shows.acast.com/les-poissons-sans-bicycletteshttps://www.youtube.com/channel/UCqd_tdQuItJJT0HQ_Tri5xg Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome back to another bite-sized episode of Look Behind the Look. Today, we're back with another obscure cinema excavation exploring Spike Lee's 1996 film, Girl 6. The film offers a unique take on the world of phone sex operators through the eyes of an aspiring actress in New York City and, of course, so much more than that. We'll explore how this film fell into obscurity...and the layered messages on race and female exploitation.Despite its ambitious narrative, the film received mixed reviews upon release and was a commercial disappointment, grossing approximately $4.9 million against a $12 million budget. Girl 6 was dismissed so hard when it came out; it's like it just vanished from Spike Lee's filmography. Reviewers like The Washington Post's Rita Kempley described it as "little more than a profane litany punctuated by Oscar-caliber orgasms," while the Post's Desson Howe stated that "it's enough to reduce expectations over him forever."Even when discussing He Got Game two years later, Spike wouldn't mention Girl 6…That's how much people sidelined it. It's wild because after Girl 6, Spike didn't make another film centered on a female perspective until Chi-Raq in 2015, almost 20 years later. You have to wonder if the reception to Girl 6 made Spike pull back from telling stories about women, especially Black women, navigating systems that weren't built for them. Girl 6 is one of Spike's most overlooked films, but also one of the most fascinating. That's exactly why it deserves a closer look behind the look.A Cultural ReassessmentIn 1996, people didn't know what to do with Girl 6. It barely made a dent at the box office, critics were lukewarm at best, and ultimately, it faded into obscurity. But here's the thing—Girl 6 wasn't a failure. It was a film about performance, sex, race, capitalism, and identity. It didn't fit the mold Hollywood—or even Spike Lee fans—wanted it to fit.This was Spike's first time directing a script he didn't write. The screenplay came from Pulitzer Prize-winner Suzan-Lori Parks, and what they created together was something totally different from the more straightforward sociopolitical narratives people had come to expect from Spike. Instead of overt protest, Girl 6 gives us a quiet, messy rebellion in the form of one Black woman trying to survive the film industry without selling her soul.Theresa Randle plays Judy, a struggling actress who ends up working as a phone sex operator to make ends meet. And that premise could've easily become male-gazey or exploitative in the wrong hands. But it doesn't. This is a story about the male gaze, not one that indulges it. The camera doesn't leer. It's observant. It's empathetic. It's watching Judy navigate objectification. Beyond general objectification, it shows how she manages which specific forms of objectification she subjugates herself to, like being told by her boss, Lil played by a perfectly cast, Hollywood legend, Jenifer Lewis, she needs to sound “Caucasian” on the phone, because that's what “the client likes.”The film also drops in these surreal, meta moments that throw you off, especially the interspersed news storyline of the young black girl who survived falling down the elevator shaft in her building, but that's the point. It draws a direct line from girlhood to adulthood—how young Black girls are burdened from the start with invisibility, impossible standards, and stereotypes they're expected to navigate alone just to survive. We see Judy auditioning for roles where she's told to be more "urban," more "real," while directors like Quentin Tarantino, in his now-infamous cameo, barks at Judy with lines laced in microaggressions that escalate—into full-blown aggression, unchecked racism, and flat-out exploitation as he demands she take her top off on camera. It's violent in its familiarity. And that's the point. Girl 6 doesn't flinch—it forces us to sit in the discomfort, to confront how easily Black women are dehumanized under the guise of “opportunity.” This isn't just a scene. It's a reckoning that begins Judy's arc. It's Spike and Suzan-Lori Parks holding up a mirror and asking, ‘How many times has this happened—and how many times did we call it art?' or better yet "This is what you do to Black women when you 'give them a chance.'"And that's why the ending hits so hard. Because after everything—after all that growth and pain and disillusionment—it's gutting to see Judy go back to Shoplifter. It's framed like a reunion, maybe even a resolution—but it isn't. It's a return to something familiar. Something that once had control over her.And when she heads to L.A. for her so-called fresh start, she walks right into the same kind of exploitative audition that launched this whole journey. The loop restarts. But this time—she doesn't freeze. She doesn't stay quiet. She doesn't submit. She assertively leaves. That moment shifts everything. Because even though the circumstances haven't evolved, she has. It's not loud. It's not celebrated. But it's powerful. It's self-possession. It's Judy refusing to play the part again, even if the script is exactly the same.So no, the ending isn't tied up in a bow. But it's not hopeless either. Girl 6 isn't offering a fantasy of escape—it's showing us what resistance looks like when the world and the people around you won't meet you halfway. Quiet, deliberate, exhausted… but still yours.So why did Girl 6 flop? Because audiences weren't ready for a Black feminist art film disguised as a phone-sex dramedy. It didn't check the boxes. It wasn't "important" in how people expected a Spike Lee joint to be. The film's portrayal of Judy's experiences resonates with contemporary discussions about the empowerment and exploitation inherent in everything we've come to understand about performance, labor, and digital sex work (hello, OnlyFans), Girl 6 feels prophetic. In recent years, Girl 6 has been reassessed for its ahead-of-its-time commentary on sex work and female agency.It's time we stop calling it a misstep. Girl 6 didn't fail. We did—for not seeing what it was trying to show us. With all that said, I do still think it's worth critiquing how a man directing the film despite having a female screenwriter is a statement and impression in and of itself that is left upon this film, and that's something we're still unpacking today.The wigs, costuming, and futuristic sets are all intentional and impeccably designed. Judy is a chameleon, adapting to the fantasies projected onto her. She tries never to lose herself, but as the film progresses, it becomes a hard line to walk. And Randle does it brilliantly. Her performance is nuanced, internal, and often quiet—maybe that's why it got overlooked. People expected something louder. But Judy's strength is in her stillness. I paused the film so many times in awe, wondering - how we didn't get Theresa Randle leading dozens of films post-Girl 6. Her performance has always stuck with me. She is the film.Girl 6 is a wig-lover's dream. Theresa Randle wears over 20 different wigs and styles throughout the film, and each one feels like a window into her state of mind or her persona at that moment. Her hair isn't just flair—it's fashion, character, power, and commentary all in one.There's the long honey-blonde crop she rocks in the phone booth—classic "sex symbol" vibes and we see everything from her an ode to Dorothy Dandridge, bantu knots, finger waves, a full-on Foxy Brown afro—it's a whiplash of transformations that, if you blink, you might miss one. Her hair becomes armor, a mask, a performance. And what's genius is that the wigs and styling reflect the emotional tone of each scene without her having to say a word.It also speaks to the fantasy that phone sex work sells. Every call, every client, is a role she steps into. And Theresa's ever-changing look mirrors that idea—who she is depends entirely on who's on the other end of the line and what they're paying for.Plus, let's give some flowers to the hairstyling team. There is not much information out there about who exactly was responsible. I tried to get in touch with Lisa Hazell, but could not reach her for an interview. The hair designs gave Theresa an entire visual vocabulary of Black femininity, expression, power, seduction, and identity.Theresa Randle played Judy, the lead role. Before this, Randle had appeared in supporting roles in Lee's "Jungle Fever" and "Malcolm X." Her performance as Judy marked her first leading role, showcasing her range and depth as an actress.And while a lot of this film wasn't exactly the norm for Spike, he still had a role, as he often does—but this time, it feels especially personal. He plays Judy's cousin and best friend, Jimmy, a comic book nerd obsessed with blaxploitation and sports memorabilia. It's sweet and totally feels like a little bit of an opportunity for Spike to get all his Brooklyn Dodgers gear into the production design. He's one of the only people in her life who doesn't sexualize Judy, who just wants to hang out and talk about old-school movies. It's giving Letterboxd boyfriend energy… uh if your boyfriend was your cousin and just wanted to debate Pam Grier films over pizza. Their friendship grounds the film, a reminder of who Judy is underneath all the wigs and roleplay.The opposite of Jimmy is Isaiah Washington's character—Judy's ex, known only as “Shoplifter.” And that name alone tells you everything. He's not even given the dignity of a real identity—just a label, a behavior, a red flag. He's controlling in the way so many men are: smiling, supportive on the surface, but constantly trying to reshape her into someone more manageable. He pushes her to get a “real job,” but what he really wants is her dependence. He wants her small.The tension between them is always there—quiet, but constant. And the way Spike shoots those scenes, you can feel the power imbalance. It's intimate, but it's not safe. These aren't just moments between two people with history. These are scenes about how easily women—especially Black women—are asked to compromise themselves in exchange for stability, approval, or love that's conditional.Both of these male characters exist to show us different versions of masculinity—Jimmy is supportive, if a little clueless, and Isaiah's character is the opposite: demanding, judgmental, and ultimately part of the reason Judy needs to reclaim her voice in the first place.The film is peppered with notable cameos, adding layers of meta-commentary. As mentioned previously, Quentin Tarantino appears as the self-absorbed director, and this collaboration, interestingly enough, occurred before the well-documented disagreements between Lee and Tarantino over the use of racial slurs in cinema.We also get Halle Berry, Debi Mazar, John Turturro, Ron Silver, John Cameron Mitchell, and Michael Imperioli giving their best, if not strangest, character acting bits to the film.Other notable appearances include Madonna as the competing strip club owner. She looked insanely good—possibly the best she's ever looked, and that's saying a lot for someone who literally invented iconic beauty in the 80s and 90s—and, of course, supermodel Naomi Campbell as a fellow phone sex operator, taking on a more demure and reserved role.Pete Travers at Rolling Stone called Girl 6 "the worst movie Spike Lee has ever made," one that "[resorts] to all-star cameos to disguise structural shortcomings." Still, I believe these cameos contribute to the film's commentary on fame, exploitation, and the blurred lines between reality and performance.The PRINCE SoundtrackI could never go without mentioning one of the film's most essential elements, being its soundtrack, composed entirely of songs by Prince. You can't say that about any other film outside of Purple Rain. The entire soundtrack is Prince. Yup. Not just a song or two—the whole thing. And it's not a greatest-hits situation either; We're talking deep cuts, unreleased tracks, B-sides, and songs he gave just to this movie. "She Spoke 2 Me"? Unreal. "Don't Talk 2 Strangers"? Are you kidding? These weren't just throwaways—he curated a whole vibe for Judy's world, and I can't even believe we aren't talking about this every day.Prince was famously selective about who he worked with, and it says a lot that he said yes to this film. You get the sense that he understood what the story was about—performance, femininity, identity, power. And that's all over his music, too. Prince elevates the whole damn film. That's the kind of creative alignment that doesn't happen often. Honestly, the Girl 6 soundtrack is one of the most slept-on parts of Prince's catalog—and of 90s cinema in general.How this happened still blows my mind and definitely leads me to believe that, aside from Spike distancing himself from the film, the complexity of continuing to secure rights to Prince's catalog may be why we haven't been able to stream the film. That's a whooooole other can of worms to dive into for another day…But I will get to the bottom of it.Girl 6's unique collaborations, themes, and the conversations it continues to inspire about representation, exploitation, and agency for Black women and in the entertainment industry are why it remains a fascinating entry in Spike Lee's filmography. Although its approach to these themes may have been clunky, convoluted—dare I say, disjointed—it's 1000% worth watching, studying, and taking the time to understand the story beyond traditional narrative form.Unless you own a VHS or DVD copy, it's a shame you can only find it for $100+ on eBay right now. Kelli and I mailed the DVD back and forth like it was 2006 to study and put this episode together. So, grab a friend or two and create an old-school Netflix sisterhood of the traveling DVD and watch for yourselves. If you do track down a copy, tag me @lookbehindthelook—I want to see your setups. As always, we love hearing your thoughts, what you want to hear more about, and what films you'd like us to dive into next.Thank you for joining me on another bite-sized episode of Look Behind the Look. Until next time...**At the time that I recorded this, the DVDs were $80-$100 on ebay but now it looks like it jumped to $225-$350! Keep your eyes on those DVD bins at the vintage stores, people!Girl 6 on eBaywritten by Kelli Reilly Get full access to Look Behind The Look's Substack at lookbehindthelook.substack.com/subscribe

This week on No Script, Jackson and Jacob discuss a play described as a "companion" to "Topdog/Underdog." Suzan-Lori Parks' "The Book of Grace" is about borders... both those on land and the ones we place, intentionally and fearfully, in our hearts. Listen in.   ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

Named one of TIME magazine's “100 Innovators for the Next New Wave,” Suzan-Lori Parks is the first African American woman to receive the Pulitzer Prize for Drama for Topdog/Underdog. She joins to discuss her long and illustrious career as a playwright, musician, and novelist. Hosted on Acast. See acast.com/privacy for more information.

“You'd be amazed at how far you can get in life having no idea what the subjunctive mood is,” writes Benjamin Dreyer, retired managing editor and copy chief of the Random House division of Penguin Random House. “As if it's not bad enough that English has rules, it also has moods.” Yes, it does. Happily, the mood of the room for writers in Benjamin's good hands as a copyeditor was cheerful and patient and winning… and, for the most part, grammatically correct. Over the course of his 30+ years in publishing, he helped to shepherd the work of writers such as Michael Chabon, Edmund Morris, Suzan-Lori Parks, E.L. Doctorow, Elizabeth Strout, and Shirley Jackson into print. Somewhere in there, he also found time to write a book of his own: The New York Times best-selling stylebook Dreyer's English: An Utterly Correct Guide to Clarity and Style—a “brilliant, pithy, incandescently intelligent book [that] is to contemporary writing what Geoffrey Chaucer's poetry was to medieval English,” according to Pulitzer Prize-winning author Jon Meacham, another Random House author who benefited from our guest's unseen hand.   Join us as Benjamin reflects on the collaborative role of the copyeditor in the publishing process, on the joys of creative footnoting, on the particularly lovely frustration of working with Isabella Rossellini, on a writer's lifetime allotment of exclamation points, and the excesses to be pruned from phrases like “assless chaps,” “slightly ajar,” and “passing fad.”   (Note the ever-popular serial comma in the previous sentence, and the expenditure of one of those allotted exclamation points in this parenthetical aside!)   Learn more about Benjamin Dreyer:  Website Blue Sky Facebook Instagram Substack Please support the sponsors who support our show: Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

My library finally re-opened post-pandemic and I went in for a celebratory look around. Though it supposedly had been re-modeled, it seemed to look exactly the same. (Except now there seemed to be no way to access the card catalogue? WTF?) I took a look at the theatre section because, you know, Theatre Nerd, and was struck by how much the selection of plays resembled the selection of plays that were in the library when I was growing up. It struck me that the accepted literary canon of theatrical greatness has not really been updated since the 1950s. When I was growing up, the theatre section looked like Arthur Miller and Tennessee Williams. And today, the theatre section looks like mostly Arthur Miller and Tennessee Williams. This doesn't mean that theatre folk only read Miller and Williams but I think it does mean that the culture as a whole still only considers Miller and Williams worth keeping in the collection. There may be a scattered addition from a contemporary writer – maybe if it's a library that's really trying to expand, you'll see some August Wilson or Suzan Lori Parks or an Anna Deavere Smith. My library had an Annie Baker, even. But for the most part, in libraries and bookstores across America, the bulk of a theatre section will be Arthur Miller and Tennessee Williams – maybe, on occasion, some Mamet, Albee, Simon or Durang – but most shelves will be the Miller and Williams collection. I'm curious about this. To keep reading The Canon Is Stuck visit the Songs for the Struggling Artist blog. This is Episode 426 Song: Love Me Tender Image of the Queens Public Library play shelf by ⁠⁠⁠⁠⁠⁠⁠⁠⁠me, Emily Rainbow Davis To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Or on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Me on Mastodon - @erainbowd@podvibes.co Me on Bsky - @erainbowd.bsky.social Me on Hive - @erainbowd ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tell a friend! Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can support them via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As ever, I am yours, Emily Rainbow Davis

I am thrilled to announce that our new book, the Kindness Daily Reader: Season One, is now available on Amazon. (See Link Below)  Secondly, we are embarking on a new chapter with Season Three of the One Kind Moment podcast. In Season One, we primarily focused on broad topics of kindness and compassion, while in Season Two, we explored areas such as self-compassion, self-help, and self-care. Now, in Season Three, we're shifting our focus to a specific area of self-care that we call Practical Spirituality for Everyone. We'll be delving into topics like spirituality in nature, spiritual intelligence, everyday mindfulness, the science of consciousness, the mystery of life, the science of awe, and managing uncertainty. We're excited to take this new direction and are grateful for your continued support and interest in the One Kind Moment podcast. EXPLORE OUR NEW BOOK! Kindness Daily Reader: Season One https://a.co/d/04RvXldy #onekindmoment #spirituality Yesterday by John Hobart - Music Design by Jason Inc. https://brucewaynemclellan.com/  

Joining John to answer the questions on this episode of The Saturday Quiz is the director Bert LaBonté and one of the actors Ras-Samuel from the Pulitzer Prize winning play Topdog/Underdog, which is playing right now in the Lawler at Melbourne Theatre Company's Southbank Theatre. The Suzan-Lori Parks play tells the story of Lincoln and Booth, two down-on-their-luck brothers wrestling with the realities of the American Dream. The first play by an African-American woman to win the Pulitzer Prize for Drama, it is playing right now until the 21st of September.Get your tickets to Topdog/Underdog here:https://www.mtc.com.au/plays-and-tickets/whats-on/season-2024/topdogunderdog/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Taking its title from the mythical Egyptian afterlife, The Duat is a psychological portrait of Cornelius Johnson, a FBI counterintelligence officer played by Philadelphia favorite Frank X, in a battle for his very soul. Using spoken word, North African drumming, and gorgeous choreography, this thrilling world premiere is a poetic and virtuosic story of redemption.Roger Q. Mason (they/them) is a writer and performer who uses the lens of history to disrupt the biases that divide rather than unite us. Their playwriting has been seen on Broadway (Circle in the Square Reading Series); Off and Off-Off-Broadway; and regionally. Mason's World Premiere of Lavender Men was lauded by the Los Angeles Times as “evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris and Michael R. Jackson.” They are a recipient of the inaugural Catalyst Fellowship, awarded by the Dramatists Guild Foundation, in celebrations of theatre makers whose work impacts social justice and civic change through art. FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/the-duat

Named one of TIME magazine's “100 Innovators for the Next New Wave,” Suzan-Lori Parks is the first African American woman to receive the Pulitzer Prize for Drama for Topdog/Underdog. She joins to discuss her long and illustrious career as a playwright, musician, and novelist.

In her latest play, Sally & Tom, Pulitzer Prize-winning playwright Suzan-Lori Parks tackles what is, arguably, one of the most complicated and personal chapters in American history: the relationship between Thomas Jefferson and Sally Hemings, the enslaved woman who gave birth to at least six of his children. Kara and Parks discuss the play in the context of her past work, as well as our nation's trend of revising history to sand down its rough edges, and why wrestling with our nation's past is a sign of love. Sally & Tom is now playing at the Public Theater. You can buy tickets at: https://publictheater.org/productions/season/2324/sally--tom/  Questions? Comments? Email us at on@voxmedia.com or find Kara on Threads/Instagram as @karaswisher  Learn more about your ad choices. Visit podcastchoices.com/adchoices

MacArthur Fellow and 2002 Pulitzer-Prize Winner in Drama for “Topdog/Underdog, ” Suzan-Lori Parks tells us about her current play ”Sally and Tom”* now having its NY premier at the Public Theater. It's a play within a play about Sally Hemings and Thomas Jefferson and combines Parks' love of  American history and theater. We discuss the play's exploration of fraught subjects such as enslavement, sexual coercion, Black and white families living under the same roof under very different circumstances, and the paradoxes within Jefferson's life as a figure of enlightenment who owned slaves. Parks discusses how "Sally & Tom" invites audiences to engage in tough yet essential conversations about America's history and its echoes in the present-- reflected in the meta-theatrical structure of "Sally & Tom", which allows for a layered examination of history, storytelling, and the act of creation itself. She shares that her writing is not just as a form of artistic expression but is also a spiritual practice which allows her to engage with historical figures and narratives in a way that transcends traditional storytelling, inviting both creators and audiences into a space of reflection and transformation that fosters both nuanced conversations and broader implications for understanding American history. Parks also discusses her relationship with music and its intersections with her theatrical work and her personal and professional journey, from her upbringing in a military family to her initial reluctance towards theater, and how encouragement from James Baldwin led her to embrace playwriting.  She reflects on the evolution of theater over the past two decades, emphasizing the essential importance of inclusivity and diversity, and the continued need for spaces that offer both entertainment and nourishing content. And she discusses her residency at the Public Theater, her artistic home that supports her experimental and innovative approach to storytelling exemplified with her on-going project Watch Me Work. Finally,  I also want to say that I have been privileged -- to use, with great sincerity, an overused word-- to speak with the people I do for this podcast—I have been moved, taught, had my heart expanded and my mind stimulated by these interviews. But I have never spoken with anyone as vital or present as Suzan-Lori Parks nor with anyone who made me feel so enlivened by the conversation. It's a pleasure to share this. *“Sally and Tom” has been extended and will run at Public Theater through May 5.

MacArthur Fellow and 2002 Pulitzer-Prize Winner in Drama for “Topdog/Underdog, ” Suzan-Lori Parks tells us about her current play ”Sally and Tom”* now having its NY premier at the Public Theater. It's a play within a play about Sally Hemings and Thomas Jefferson and combines Parks' love of  American history and theater. We discuss the play's exploration of fraught subjects such as enslavement, sexual coercion, Black and white families living under the same roof under very different circumstances, and the paradoxes within Jefferson's life as a figure of enlightenment who owned slaves. Parks discusses how "Sally & Tom" invites audiences to engage in tough yet essential conversations about America's history and its echoes in the present-- reflected in the meta-theatrical structure of "Sally & Tom", which allows for a layered examination of history, storytelling, and the act of creation itself. She shares that her writing is not just as a form of artistic expression but is also a spiritual practice which allows her to engage with historical figures and narratives in a way that transcends traditional storytelling, inviting both creators and audiences into a space of reflection and transformation that fosters both nuanced conversations and broader implications for understanding American history. Parks also discusses her relationship with music and its intersections with her theatrical work and her personal and professional journey, from her upbringing in a military family to her initial reluctance towards theater, and how encouragement from James Baldwin led her to embrace playwriting.  She reflects on the evolution of theater over the past two decades, emphasizing the essential importance of inclusivity and diversity, and the continued need for spaces that offer both entertainment and nourishing content. And she discusses her residency at the Public Theater, her artistic home that supports her experimental and innovative approach to storytelling exemplified with her on-going project Watch Me Work. Finally,  I also want to say that I have been privileged -- to use, with great sincerity, an overused word-- to speak with the people I do for this podcast—I have been moved, taught, had my heart expanded and my mind stimulated by these interviews. But I have never spoken with anyone as vital or present as Suzan-Lori Parks nor with anyone who made me feel so enlivened by the conversation. It's a pleasure to share this. *“Sally and Tom” has been extended and will run at Public Theater through May 5.

Get ready for a new season of fearless conversations that reveal the extraordinary in all of us.Critically acclaimed actress, singer, writer and composer Helga Davis returns for a new season of soulful conversations with artists and thinkers from a variety of disciplines, including Brittany Howard, Whitney White, Tremaine Emory, Enongo Lumumba-Kasongo, Suzan-Lori Parks, Noliwe Rooks and Sampha. In each episode, Davis and her guest share stories of struggle and resilience, challenges and victories along their creative journeys, providing inspiration and hope to listeners. Unique in the audio landscape for the depth of inquiry and emotional vulnerability, HELGA's thought-provoking conversations offer to expand our collective perspective on the human condition and the daily stressors of the world today. And each episode leaves listeners with something practical and practice-able: an idea for something they can do everyday to help them stay in touch with their own humanity and creativity, whatever form it may take. Season six is the second season co-produced by WNYC Studios, WQXR and the Brown Arts Institute at Brown University.

This weekend, "In The Blood," a play by Suzan-Lori Parks, will be performed at The Harbinger Theatre. It is a modern take on The Scarlet Letter, where the main character, Hester, is unhoused with five children, and the same actors also play the societal forces pitted against her. Director TJ Collins, Monet Thompson, who plays one of the children and a social worker, and Nicole DamaPoleto, who plays Hester spoke with Vinny DamaPoleto about this play. https://www.eventbrite.com/e/in-the-blood-by-suzan-lori-parks-tickets-803423831307

Today, on the Hudson Mohawk Magazine: First, Blaise Bryant hosts a weekly disability trivia segment with guest Shawn Fultz. Then, Roaming Labor Correspondent Willie Terry continues his coverage of the 2024 "SOMOS" New York State Conference of the New York State Assembly/Senate Puerto Rican & Hispanic Task Force. Later on, we will have a live interview with TJ Collins, Monet Thompson, and Nicole DamaPoleto, about In The Blood by Suzan-Lori Parks, the play they are performing at the Harbinger Theatre at St. Rose. After that, KP Holler talks with More Trees Arborist Collective, who are hosting a workshop in the urban forest at Freedom Square where participants can learn to identify common opportunistic species of urban trees, discuss the different techniques and so much more! Finally, Brea Barthel and Carol Roberts, head of young people's services at Troy Public Library, highlight some books for Women's History Month.

WAM Theatre (Where Arts and Activism Meet) aims to produce theatrical events for everyone, with a focus on women theatre artists and/or stories of women and girls while donating a portion of proceeds from those theatrical events to organizations that work to benefit the lives of women and girls in our communities and worldwide. Genée Coreno has just taken over as Artistic Director (only the 2nd AD in the company's history). We chat to her about WAM's powerful work and what she envisions for the future. https://www.wamtheatre.com/ This episode is sponsored by Harbinger Theatre's production of "In The Blood" by Pulitzer winner, Suzan-Lori Parks running March 15-24 at the Saint Rose Theatre.

Actor Kristen Ariza has made a name for herself in every lane of the industry from stage to commercials to voice over to television and film. You've seen her in some of TV's most beloved projects of all time including "Friends," "Grey's Anatomy," "Parks and Recreation," "Lie to Me," and nearly every procedural under the sun. In this jam-packed episode, she walks us through numerous audition stories and covers the nuances between guest star roles, transitional characters in pilots, book narration, and more. Be sure to take notes as Kristen shares how she navigated a theater audition over Zoom, the kind of character prep she does for emotional scenes, and the importance of maintaining multiple income streams as an actor. CREDITS:  StartUp All Rise Bosch The Fosters Resurrected Confirmation Big Shot American Horror Story Parks and Recreation Bones Lie to Me Friends The Tomorrow People GUEST LINKS: IMDB: Kristen Ariza INSTAGRAM: @kristenariza THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition WHAT TYPE OF ACTOR ARE YOU: Quiz !!! THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Harbinger Theatre's third season opener is "In the Blood" by the Pulitzer Prize winning playwright of “Topdog/Underdog,” Suzan-Lori Parks – the production will be the last play performed in the St. Rose Theatre. Harbinger Theatre presents “In the Blood” by Suzan-Lori Parks at The St. Rose Theatre Friday, Saturday, and Sunday this weekend and next. March 15-24.

Franklin Trapp, Producing Artistic Director of Forestburgh Playhouse, joins us to talk about the excitement and challenges of producing 7 mainstage shows in the summer on top of presenting cabarets, theater for young audiences programming, and a new play festival. https://www.fbplayhouse.org/ This episode is sponsored by Harbinger Theatre's production of "In The Blood" by Pulitzer winner, Suzan-Lori Parks. Performances: March 15-24 at the Saint Rose Theatre

Hosts Leticia Ridley and Jordan Ealey dig into the dramaturgies and theories of Suzan-Lori Parks and discuss Canadian Stage's production of Parks's Topdog/Underdog.

Pasadena Playhouse Producing Artistic Director Danny Feldman joins The Art of Kindness with Robert Peterpaul to discuss what makes his Tony-winning theatre so special, the power and future of regional theatre, artistic communities and more. Pasadena Playhouse, the official State Theater of California and recipient of the 2023 Regional Theatre Tony Award, is one of the most prolific theaters in the country. The Playhouse has staged thousands of original productions since its founding in 1917 including premieres of works by Tennessee Williams, Eugene O'Neill, Suzan Lori Parks and hundreds more. For decades, its pioneering School for Theater Arts was a training ground for actors and theatermakers who went on to make significant contributions to the entertainment industry. Under the leadership of Producing Artistic Director Danny Feldman since 2016, Pasadena Playhouse's productions and community programs are centered on its founding idea of being a living force in its community, making theater for everyone. Find out more on Pasadena Playhouse: www.pasadenaplayhouse.org Follow us: @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

A riff on The Scarlet Letter, Suzan-Lori Parks' play In the Blood is as harrowing as it is rich and poignant. Jackson and Jacob discuss Parks' deliberate doubling and mastery of image. Listen in!   ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

Pasadena Playhouse, the official State Theater of California, is internationally recognized for its significant role in the development of American theater. One of the most prolific theaters in the country, the Playhouse has staged thousands of original productions since its founding in 1917 including premieres of works by Tennessee Williams, Eugene O'Neill, Suzan Lori Parks and hundreds more.Under the leadership of Producing Artistic Director Danny Feldman since 2016, Pasadena Playhouse's productions and community programs are centered on its founding idea of being a living force in its community, making theater for everyone. Today, the Playhouse continues to advance the American theater and serves as a hub for the top theatermakers of our time.In this episode, we chat about the theater's upcoming season, dive into Danny's own creative journey, and dig deeper into important matters of diversity, accessibility, creative living, and more.For more information about Pasadena Playhouse, or to book tickets, visit https://www.pasadenaplayhouse.org/ Support the showSo grateful for all the listeners! Check the links below from charities, subscriptions, merch, reading list, and more. Love the show?You can now support the show with a subscription! Click here for all the details.**Want to write a review? Click here for details.** Donate Dachshund Rescue of Houston hereBlog https://tstakaishi.wixsite.com/musicInsta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire Merch https://www.bonfire.com/store/creative-peacemeal/Redbubble Merch CPPodcast.redbubble.comCreative Peacemeal READING list hereInterested in Corrie Legge's content planner? Click here to order!

Is it too soon to explore the pandemic through art? Not if you're Suzan-Lori Parks, who wrote a short play a day while sitting at home for 13 months and has now turned those into a full-length performance at New York's Public Theater. It's part of a very big year for one of the country's most acclaimed playwrights. Jeffrey Brown has the story for our arts and culture series, CANVAS. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

This week, Lilah speaks to Pulitzer prize-winning playwright Suzan-Lori Parks, whose new show Plays for the Plague Year asks us to remember, process and grieve the pandemic. Suzan-Lori is best known for her 2001 play Topdog/Underdog, which was reprised on Broadway in the autumn. But her new show is different: she wrote one short play a day through the pandemic, and collected them into a lively, music-filled theatrical event. Suzan-Lori and Lilah talk through big questions: when is the right time to look back? What does ‘back to normal' mean? What can and should we do with our memories? And how do you create complex art about difficult things?--------------Want to say hi? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap. --------------Links:– Plays for the Plague Year by Suzan-Lori Parks is running at Joe's Pub at the Public Theater until April 30 https://publictheater.org/productions/season/2223/plays-for-the-plague-year2/ – Suzan-Lori's Pulitzer-Prize winning play is Topdog/Underdog: https://bookshop.org/p/books/topdog-underdog-suzan-lori-parks/10486222?ean=9781559362016 – The FT interviewed Suzan-Lori and Cynthia Erivo on the alchemy of Aretha Franklin (2021): https://on.ft.com/3V120Jt–Suzan-Lori is the playwright in residence at the Public, and does a regular virtual ‘watch me work' session over zoom for people to get writing done together, and ask her questions: https://publictheater.org/productions/season/2122/watch-me-work/--------------Our US edition of the FTWeekend Festival is back! Join Jamie Lee Curtis, Ta-Nehisi Coates, Alice Waters, your favourite FT writers, and more on May 20 in Washington, DC, and online. Register now and save $20 using the promo code weekendpodcast at ft.com/festival-usSpecial offers for Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial are here: http://ft.com/weekendpodcast.--------------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco. Clips in this episode courtesy of The Public TheaterRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Is it too soon to explore the pandemic through art? Not if you're Suzan-Lori Parks, who wrote a short play a day while sitting at home for 13 months and has now turned those into a full-length performance at New York's Public Theater. It's part of a very big year for one of the country's most acclaimed playwrights. Jeffrey Brown has the story for our arts and culture series, CANVAS. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Actor Yahya Abdul-Mateen II is one of the busiest people in Hollywood. His recent films include “Aquaman,” “The Matrix Resurrections,” “Ambulance,” and “Candyman.” But most recently, he made his Broadway debut in "Topdog/Underdog."  In this episode, Abdul-Mateen II gives a masterclass on his acting process. The graduate of the Yale School of Drama describes how he prepared for his critically acclaimed performance in Suzan-Lori Parks' Pulitzer Prize-winning play. He reveals the physical and mental challenges of this work, which are ultimately in service of his pursuit of “absolute truth.”

This week, host Isaac Butler talks to Suzan-Lori Parks, a Pulitzer Prize-winning playwright whose most recent project is a musical theater adaptation of the 1972 Jamaican crime film The Harder They Come. In the interview, Suzan-Lori shares her flexible approach to adaptation and, more specifically, how she was able to deepen the original story of The Harder They Come while honoring the original. She also talks about the unique challenges of adapting a movie into a stage musical.  After the interview, Isaac and co-host Karen Han talk about the ubiquity of adaptations and reboots and what it means to make a whole new piece of work out of old material.  In the exclusive Slate Plus segment, Isaac asks Suzan-Lori about her project 365 Days/365 Plays in which she wrote a play a day for an entire year. Isaac also asks about a unique playwriting convention that Suzan-Lori pioneered.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Suzan-Lori Parks, a Pulitzer Prize-winning playwright whose most recent project is a musical theater adaptation of the 1972 Jamaican crime film The Harder They Come. In the interview, Suzan-Lori shares her flexible approach to adaptation and, more specifically, how she was able to deepen the original story of The Harder They Come while honoring the original. She also talks about the unique challenges of adapting a movie into a stage musical.  After the interview, Isaac and co-host Karen Han talk about the ubiquity of adaptations and reboots and what it means to make a whole new piece of work out of old material.  In the exclusive Slate Plus segment, Isaac asks Suzan-Lori about her project 365 Days/365 Plays in which she wrote a play a day for an entire year. Isaac also asks about a unique playwriting convention that Suzan-Lori pioneered.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Suzan-Lori Parks, a Pulitzer Prize-winning playwright whose most recent project is a musical theater adaptation of the 1972 Jamaican crime film The Harder They Come. In the interview, Suzan-Lori shares her flexible approach to adaptation and, more specifically, how she was able to deepen the original story of The Harder They Come while honoring the original. She also talks about the unique challenges of adapting a movie into a stage musical.  After the interview, Isaac and co-host Karen Han talk about the ubiquity of adaptations and reboots and what it means to make a whole new piece of work out of old material.  In the exclusive Slate Plus segment, Isaac asks Suzan-Lori about her project 365 Days/365 Plays in which she wrote a play a day for an entire year. Isaac also asks about a unique playwriting convention that Suzan-Lori pioneered.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Suzan-Lori Parks, a Pulitzer Prize-winning playwright whose most recent project is a musical theater adaptation of the 1972 Jamaican crime film The Harder They Come. In the interview, Suzan-Lori shares her flexible approach to adaptation and, more specifically, how she was able to deepen the original story of The Harder They Come while honoring the original. She also talks about the unique challenges of adapting a movie into a stage musical.  After the interview, Isaac and co-host Karen Han talk about the ubiquity of adaptations and reboots and what it means to make a whole new piece of work out of old material.  In the exclusive Slate Plus segment, Isaac asks Suzan-Lori about her project 365 Days/365 Plays in which she wrote a play a day for an entire year. Isaac also asks about a unique playwriting convention that Suzan-Lori pioneered.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Jamaican cult classic film "The Harder They Come" is celebrating its 50th anniversary. The story follows Ivan, a singer who leaves his hometown to try to make it as an artist in Kingston. He soon discovers that the music business is not what he thought. Pulitzer-prize winning playwright Suzan-Lori Parks wrote the book for a new musical adaptation of the film, which opens tomorrow at Newman Theater. She joins us to talk about "The Harder They Come," and preview her upcoming project, "Plays for the Plague Year," which opens on April 5.

[REBROADCAST FROM October 25, 2022] The Broadway revival of Suzan-Lori Parks' "Topdog/Underdog" stars Corey Hawkins and Yahya Abdul-Mateen II as brothers Lincoln and Booth, engaged in constant conflict with each other and perform a strange and disturbing reenactment of Lincoln's assassination. The New York Times calls the revival "hilarious, harrowing, and superbly acted." Parks, Hawkins, and Abdul-Mateen II join us to discuss the show, running now at Golden Theatre through January 15.

Topdog/Underdog, the first Broadway Revival of Suzan-Lori Parks' Pulitzer Prize-winning Drama has arrived on Broadway. In this episode, Jeff and Richie discuss how impactful this play was 20 years ago and how meaningful it is 20 years later as well. From discussions on the superb acting of Corey Hawkins and Yahya Abdul-Mateen II, to how the text resonates with audiences, Jeff and Richie take you on a journey through the piece to discover how this play resonates with audiences of today.If you liked this episode don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com

This year's New Yorker Festival featured two conversations with renowned playwrights: Suzan-Lori Parks and Martin McDonagh. Parks, the first African American woman to receive the Pulitzer Prize for drama, sat down with the staff writer Vinson Cunningham. “The marketplace is telling us that Black joy is what sells,” she said. “I'm very suspicious about what the marketplace wants me to create because I know in my experience where real Black joy resides—and sometimes that's in the place where there might be some traumatic thing that also happened.” A revival of Parks's groundbreaking play, “Topdog/Underdog,” just opened on Broadway.  And McDonagh, who is out with a new film, “The Banshees of Inisherin,” spoke with Patrick Radden Keefe. “The Banshees of Inisherin” traces the story of a friendship breaking apart in the beautiful, remote hills of western Ireland. “I just wanted this [movie] to be sort of plotless in a way,” McDonagh said. “Just to have the unravelling of this breakup be what the whole story was about.”

The Broadway revival of Suzan-Lori Parks' "Topdog/Underdog" stars Corey Hawkins and Yahya Abdul-Mateen II as brothers Lincoln and Booth, engaged in constant conflict with each other and perform a strange and disturbing reenactment of Lincoln's assassination. The New York Times calls the revival "hilarious, harrowing, and superbly acted." Parks, Hawkins, and Abdul-Mateen II join us to discuss the show, running now at Golden Theatre.

 Things You Should Stop Worrying About This WeekThe mysterious moans on American Airlines flightsAdult happy mealsThe New Jersey shoppers who ran for their lives from an active shooter that turned out to be a popcorn machine Floating skyscraper apartments coming to San FranciscoThis episode is sponsored by…Microdose GummiesMicrodose Gummies deliver perfect, entry-level doses of THC that help you feel just the right amount of good. To get free shipping & 30% off your first order, go to Microdose.com, and use code TINYDo YOU have a tiny victory to share? Call the Tiny Victories Hotline: (323) 285-1675We want folks to share their tiny victories on our hotline because, frankly, we'll assume we're just talking into the void every week and nothing matters. Prove us wrong. Did you finally do that thing you were putting off? Tiny victory! Reconnect with someone you haven't been in touch with for ages? Victory! We only ask that you try to keep messages to under a minute so we're able to play it on the show.If you prefer, you can record a tiny victory on your phone and then email us the audio. Email: TinyVictories@maximumfun.orgHOW TO @ USTwitter@GetTinyPod@LAGurwitch@ImLauraHouse@Swish (producer Laura Swisher)Instagram@GetTinyPod

We are excited to bring you this podcast series, Choreographers in Conversation. This series will allow choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Sam Pinkleton interviews Annie-B Parson. The two discuss the experience of choreographing for musicians and opera, being a choreographer not a dancer, and how one collaborates or doesn't with dancers and musicians. Sam asks Annie-B about how she prepares for a project, who she makes dance pieces for, and how she thinks teaching influences her work. Additionally, the two talk about Annie-B Parson's new book called The Choreography of Everyday Life that was published on October 11th, 2022. They also reiterate that choreographers are for more than carrying a couch across the stage.  Annie-B Parson: Annie-B Parson is a choreographer. She has made choreography for rock shows, marching bands, movies, museums, objects, television, augmented reality, opera, ballet, theater, symphony orchestras, string quartets, and a chorus of 1,000 amateur singers. She has made dance and stagings for the work of David Byrne, David Bowie, Lorde, St. Vincent, Mikhail Baryshnikov, Wendy Whelan, Laurie Anderson, Suzan Lori Parks, Spike Lee, Jonathan Demme, Salt ‘n Pepa, Esperanza Spalding, David Lang, Anne Carson, and the Martha Graham Dance Co. Annie-B is the artistic director of Big Dance Theater. Annie-B just published a new book on October 11, 2022 called The Choreography of Everyday Life. https://www.bigdancetheater.org/founders-directors/ Sam Pinkleton:  Sam Pinkleton is a Tony Award-nominated theater and dance maker. His work on Broadway includes Natasha, Pierre, and the Great Comet of 1812, Machinal, Heisenberg, Significant Other, Amélie, and Macbeth. His recent work includes Jeanine Tesori and David Henry Hwang's Soft Power, the youth-led civic spectacular Runaways in Central Park and collaborations with the Dutch National Opera, Carnegie Hall, BAM, Virgin Voyages, The Civilians, Swing Left, and Cirque du Soleil. He is currently directing the world premiere of Noah Diaz' You Will Get Sick for Roundabout Theater Company. He does not own any dance shoes. sampinkleton.com Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

This episode is inspired by recent and current events regarding Roe v. Wade and their potential impact on birthing people. We think about the representation of reproductive justice (things such as abortion, contraception, and anything regarding decisions to birth or plan a family) especially from Black women playwrights. We discuss plays such as They That Sit in Darkness by Mary Burrill, Rachel by Angelina Weld Grimke, Come Down Burning by Kia Corthron, In the Blood by Suzan-Lori Parks, and Abortion Road Trip by Rachel Lynett.

This week James, Jerah, and Jonathan review “The United States vs. Billie Holiday.” The film follows Billie Holiday, the singer, as the FBI targets her for narcotics, led by Jimmy Fletcher, with whom she had an affair. The film stars Andra Day and Trevante Rhodes, is directed by Lee Daniels, with a screenplay by Suzan-Lori Parks. Produced by Melisa D. Monts Executive produced by Brett Boham, Joe Cilio and Alex Ramsey Listen to Black Men Can't Jump [In Hollywood] Ad-Free on Forever Dog Plus: http://foreverdogpodcasts.com/plus FOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]: https://twitter.com/blackmenpodcast https://www.instagram.com/blackmenpodcast BUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH: https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywood SUPPORT BLACK MEN CAN'T JUMP [IN HOLLYWOOD] ON PATREON: https://www.patreon.com/BMCJ BLACK MEN CAN'T JUMP [IN HOLLYWOOD] IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/black-men-cant-jump-in-hollywood Learn more about your ad choices. Visit megaphone.fm/adchoices