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Sintonía: "Para ustedes" - The New Swing Sextet"Monkey See, Monkey Doo" - "Coquero" - "Honeybee" - "A Taste Of Spanish Harlem" - "Soul Walk" - "You Better Watch It Now" - "Belinda" - "Think Drink" (D. Bowell)" - "Son Sabroson" - "My Favorite Things" (Rogers/Hammerstein) - "Revolucionando" - "The Monster" - "Mira Mama" Todas las músicas compuestas por The New Swing Sextet mientras no se diga lo contrarioTodas las músicas interpretadas por The New Swing SextetTodas las músicas extraídas de la recopilación (1xCD/2xLP) "The New Swing Sextet: Monkey See, Monkey Do; Groovy Latin Swingers From Harlem´s Best Combo 1967-71" (Cotique Records/Vampisoul, Vampi CD 049)Escuchar audio
Berkshire Theatre Group's Summer 2024 Season includes Rogers & Hammerstein's “Pipe Dream,” a musical tale of love and hope from John Steinbeck's Cannery Row & Sweet Thursday; “The Weir,” a haunting tale of Irish folklore and revelation; “Abe Lincoln in Illinois,” Robert E. Sherwood's Pulitzer Prize-winning masterpiece tells the tale of the remarkable journey of Abraham Lincoln; Mel Brooks' “Young Frankenstein;” and Disney's “Frozen JR,” adapted from the original Oscar Award-winning movie and featuring youth actors from Berkshire County and beyond. BTG presents shows in Stockbridge and Pittsfield, Massachusetts and we are joined by Artistic Director and CEO Kate Maguire.
Theatre First Episode 334Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Rodgers + Hammerstein's Cinderella – Regent Theatre - Melbourne Australia This lush production features incredible orchestrations, jaw-dropping transformations and all the moments you love—the pumpkin, the glass slipper, the masked ball and more—plus some surprising new twists! Be transported as you rediscover some of Rodgers & Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It's Possible” and “Ten Minutes Ago” in this hilarious and romantic experience for anyone who's ever had a dream.For more information https://marrinergroup.com.au/shows/rodgers-hammersteins-cinderella For more Theatre reviews from Alex, visit https://www.bitesz.com/show/theatre-first/ Subscribe, rate and review Theatre First at all good podcast apps, including Apple Podcasts, Spotify, Google Podcasts, Stitcher, Pocket Casts, CastBox.FM, Podbean, Spreaker etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.Theatre First RSS feed: https://www.spreaker.com/show/4988589/episodes/feed For more podcasts visit our HQ at https://bitesz.com #theatre #stage #reviews #melbourne #australia #cinderellareview #rogers+hammersteinscinderella #regenttheatremelbourne #theatrereview #musicalreview
John and John talk about one of John M's favorite properties in "Pal Joey". The duo talks about the comparisons between the Rogers/Hart collaboration and the Rogers/Hammerstein team, the idea of how music history doesn't ever fit in neat boxes, and look at the staying power of this show. Music by Richard Rodgers Lyrics by Lorenz Hart Book by John O'Hara Find the episode on your favorite podcast app or by going to https://anchor.fm/musicalminutes Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes
This show was sponsored by Sue Matsuki Productions For Video Edition, Please Click and Subscribe Here: https://youtu.be/mh0E3gRCU7A After winning Broadway's “Most Promising Newcomer” Award at the age of 17, in the Broadway production 110 In the Shade, Lesley Ann Warren found stardom on the small screen in the title role of the legendary Rogers & Hammerstein's musical adaptation of Cinderella. Warren's film debut was in Disney's The Happiest Millionaire, but it was her brilliant performance in Blake Edwards' comic masterpiece, Victor/Victoria, that won her nominations for an Academy Award, and a Golden Globe, as well as winning a New York Film Critics Award and a People's Choice Award. Warren's television credits include a Golden Globe Award performance for Best Actress in the miniseries 79 Park Avenue. She also was nominated for a Golden Globe and an Emmy for her role in the CBS miniseries Family of Spies. Further television credits include leading roles in the NBC telefilm Evergreen, and the Emmy winning TNT miniseries Joseph (opposite Ben Kingsley). Warren's recurring roles in television include a comedic tour de force opposite Sydney Pollack on NBC's hit comedy Will & Grace, the ABC series Desperate Housewives and most recently, five seasons in the USA Network drama, In Plain Sight, as well as the 100th episode of Psych, a tribute to the movie Clue, COMMUNITY for Yahoo, GIGI DOES IT for IFC, GIRLFRIENDS' GUIDE TO DIVORCE for Bravo, BLUNT TALK for Starz, DAREDEVIL for Netflix, Jenji Kohan's AMERICAN PRINCESS for Lifetime and BROKE for CBS. Warren's recently released ECHO BOOMERS starring opposite Michael Shannon is currently streaming and her film 3 DAYS WITH DAD is also streaming starring opposite J.K. Simmons.
This show was sponsored by Sue Matsuki Productions For Video Edition, Please Click and Subscribe Here: https://youtu.be/mh0E3gRCU7A After winning Broadway's “Most Promising Newcomer” Award at the age of 17, in the Broadway production 110 In the Shade, Lesley Ann Warren found stardom on the small screen in the title role of the legendary Rogers & Hammerstein's musical adaptation of Cinderella. Warren's film debut was in Disney's The Happiest Millionaire, but it was her brilliant performance in Blake Edwards' comic masterpiece, Victor/Victoria, that won her nominations for an Academy Award, and a Golden Globe, as well as winning a New York Film Critics Award and a People's Choice Award. Warren's television credits include a Golden Globe Award performance for Best Actress in the miniseries 79 Park Avenue. She also was nominated for a Golden Globe and an Emmy for her role in the CBS miniseries Family of Spies. Further television credits include leading roles in the NBC telefilm Evergreen, and the Emmy winning TNT miniseries Joseph (opposite Ben Kingsley). Warren's recurring roles in television include a comedic tour de force opposite Sydney Pollack on NBC's hit comedy Will & Grace, the ABC series Desperate Housewives and most recently, five seasons in the USA Network drama, In Plain Sight, as well as the 100th episode of Psych, a tribute to the movie Clue, COMMUNITY for Yahoo, GIGI DOES IT for IFC, GIRLFRIENDS' GUIDE TO DIVORCE for Bravo, BLUNT TALK for Starz, DAREDEVIL for Netflix, Jenji Kohan's AMERICAN PRINCESS for Lifetime and BROKE for CBS. Warren's recently released ECHO BOOMERS starring opposite Michael Shannon is currently streaming and her film 3 DAYS WITH DAD is also streaming starring opposite J.K. Simmons.
On Episode 65, we speak with the amazingly talented actress, Lesley Ann Warren. After winning Broadway's “Most Promising Newcomer” Award at the age of 17, in the Broadway production 110 In the Shade, Lesley Ann Warren found stardom on the small screen in the title role of the legendary Rogers & Hammerstein's musical adaptation of Cinderella. It was her brilliant performance in Blake Edwards' comic masterpiece, Victor/Victoria, that won her nominations for an Academy Award, and a Golden Globe, as well as winning a New York Film Critics Award and a People's Choice Award. Additionally, Warren received nominations for a Golden Globe for Songwriter, and a People's Choice Award for Choose Me Warren's recurring roles in television include a comedic tour de force opposite Sydney Pollack on NBC's hit comedy Will & Grace, the ABC series Desperate Housewives and most recently, five seasons in the USA Network drama, In Plain Sight. Warren's recently released ECHO BOOMERS starring opposite Michael Shannon is currently streaming and her film 3 DAYS WITH DAD is also streaming starring opposite J.K. Simmons. Lesley Ann Warren has a beautiful way of accepting the aging process in Hollywood and hopes that more complex roles will become available for women in midlife and beyond. www.hotflashescooltopics.com
Introducing... The Gospel of Musical Theatre: a priestly (and sometimes profane) look at some of your favorite musicals, hosted by two cathedral deans and musical theatre queens, Nathan LeRud and Peter Elliott! In Season 1, we're diving into the works of Rogers & Hammerstein, talking about culture, race, sexuality, spirituality... and so much more. Episode 1 drops Friday, May 7, so be sure to hit subscribe wherever you get your podcasts! Continue the conversation on Twitter and Instagram @gospelofmt, and find all of Trinity Cathedral's podcasts at trinity-episcopal.org/podcasts.
Rogers & Hammerstein were two of the first to incorporate messages in the shows. From Hair to Rent to Hamilton, you will find messages.
Nathan and Daniel dive into Rogers & Hammerstein's Cinderella featuring Whitney Huston! Donate to the drink fund on VENMO! @nathan-brown-142 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
There was a "Broadway Album"-sized hole in Alex and Daisha’s heart after ending the Barbra season last week, so they filled it. Join the Broadway Babies in a continuation of their already drawn-out season. Is this the actual conclusion to their Barbra season or will they keep making episodes about the rest of her 36 studio albums? Stay tuned and find out next week!! Where to listen: YouTube | Spotify Music by omg Sondheim, Rogers & Hammerstein, Bernstein, Frank Loesser, The Gershwins, Jerome Kern, Tim Rice, Benny Andersson, and Björn Ulvaeus Distributed by Columbia Show Notes: If you like the genre/style shifts in this, opera star Joyce DiDonato recently made an album doing this very same thing with musical theatre, opera, and art song. Here's all the Barbra Archives stuff on the album! Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast
Join as as we talk about the iconic Rogers & Hammerstein musical. And shirtless Hugh Jackman of course. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
I Die: You Die kick the new year off with an extended discussion of Laibach's new record: a representation of tunes from "The Sound Of Music" for their tour of North Korea. All of the bugbears and thorns which come with Slovenia's most stoic cultural product are in the mix, along with consideration of socialist realism, Anschluss, and Rogers & Hammerstein schmaltz. Get 2019 started with the latest episode of We Have A Technical!
In this episode, we explore the Broadway revival of Rogers & Hammerstein's classic, "Carousel". Easy invents a word, The Critic exposes her unambiguous girl-crush on Jessie Mueller and we achieve some of our finest mispronouncing. Also, sorry for the background noise...forgot to turn the fan off. Enjoy!
In this episode, we explore the Broadway revival of Rogers & Hammerstein's classic, "Carousel". Easy invents a word, The Critic exposes her unambiguous girl-crush on Jessie Mueller and we achieve some of our finest mispronouncing. Also, sorry for the background noise...forgot to turn the fan off. Enjoy!
"Carousel," the second musical created by the legendary Rogers & Hammerstein, is noted today for two major things. One - it’s the show from which we gained the songs "June is Bustin’ Out All Over," and "You'll Never Walk Alone," sometimes alternately known as "When You Walk Through a Storm," a song without which funerals, church services, graduations, and high school music recitals would have been a very different experience over the last 70 years. The SECOND Thing "Carousel" is usually noted for is, well, the plot of the 1945 musical is kinda weird and sort of unsettling, But Hey, at least it’s got that 'Storm' song. And didn’t Elvis have a huge hit with that song? Yes, he did. In truth, "Carousel," a huge hit when it first spun onto Broadway with John Raitt and Jan Clayton in the leads, has a LOT of great songs, some of which you might even have heard before. "June is Bustin’ Out All Over," for what it’s worth, has been bustin‘ into movies, Bugs Bunny cartoons, and major league baseball commercials ever since it first hit the stage. Then there’s, "If You Loved Me," covered on record albums hundreds of times by everyone from Bing Crosby, Frank Sinatra and Perry Como to Art Garfunkel, Chad & Jeremy and Sammy Davis Jr. And of course, though it has no lyrics and almost no one knows its name, this piece of music, "The Carousel Waltz," is one of the most famous pieces of circus music ever written, gracing zillions of music boxes for seven decades. Less famous, but worth noting is "Real Nice Clambake," which gave us the indelible lyric, "This was a real nice clambake/we're mighty glad we came/the vittles we et/were good, you bet/the company was the same." Man, that’s poetry. Actually, all kidding aside, that IS poetry. Rogers & Hammerstein’s commitment to capturing the vernacular of their characters was unheard of on the Broadway musical stage before R&H arrived with "Oklahoma," "South Pacific," "The King & I," and "Carousel." Oh, by the way, the reason I’m talking about it is that Spreckels Performing Arts Center is currently presenting a delightfully stripped down production of "Carousel," putting the music front and center along with the orchestra, which is right there on stage with musical director Janis Wilson. Billed as a staged concert, it’s more of a fully staged musical with minimal sets, and an orchestra you can actually look at during the show if you want to. But with gorgeous costumes, snappy choreography, and some truly magnificent singers and actors, you'll soon stop noticing the musicians and be pulled into the story. Or not. The truth is, "Carousel" DOES have a kind of a weird, conspicuously dated story, in which the residents of a turn of the century New England mill town deal with everyday problems: love, poverty, death, spousal abuse, class divisions, what to do when you've died with unfinished business, and timeless issue of finding a suitable rhyme to the word ‘vittles.’ The music is lovely, and it weaves in and out of the dialogue like a river along a gentle mountainside. Directed with fondness and a staunch refusal to ‘fix’ any of the stories outdated ideas, this "Carousel" but putting focus on it’s most notable attribute, the music, is as pleasant and laidback as a lazy ride on a merry-go-round - or a summertime clambake amongst friends. "Carousel" runs through March first at Spreckels Performing Arts Center - spreckelsonline.com