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"It's Rodgers & Hammerstein having a second chance"
This latest episode is all things CINDERELLA, the West Linn High School 2024 Fall musical. Join hosts Serenity Drorbaugh, Elliot Sherman, and Myles Tichenor to find out who’s who, and […]
Rewind Episode : This week's episode is special as two icons join Chief and Malik in Hollywood for an in-depth conversation about their come-ups, careers and the successes that mean the most to them. This conversation spans both Keke and Tricky's careers, the experiences that have shaped them, their visions for the future and enjoying life. This week's episode is special as two icons join Chief and Malik in Hollywood for an in-depth conversation about their come-ups, careers and the successes that mean the most to them. Keke Palmer is the Emmy and NAACP Image Award winning actress, singer, TV personality and entrepreneur known as one of the hardest working stars in entertainment. From True Jackson VP on Nickelodeon to Jordan Peele's critical darling NOPE, with numerous talk shows, singles and even a Broadway run in Rodgers + Hammerstein's Cinderella, there's a reason why TIME Magazine listed Keke as one of the most influential people in the world... Tricky Stewart is responsible for over 50 million records sold, and some of the biggest artists in music history. He has produced songs including Rihanna's Umbrella, Beyoncé's Single Ladies (Put A Ring On It), Mariah Carey's Touch My Body, Justin Bieber's One Time among many others. He also served as President of Epic Records and in 2022 is nominated for multiple GRAMMYs as one of the producers on Beyoncé's chart-topping Renaissance. https://asuitelife.lnk.to/listen This conversation spans both Keke and Tricky's careers, the experiences that have shaped them, their visions for the future and enjoying life. Follow A Suite Life: Instagram: https://www.instagram.com/asuitelifepod/ TikTok: https://www.tiktok.com/@asuitelifepod YouTube: https://www.youtube.com/channel/UCgdnIhfgBv2bBKwwn5qLQBw Facebook: https://www.facebook.com/ASUITELIFEPOD/
Rodgers + Hammerstein's "Cinderella" Thursday through Sunday August 1st through 3rd evenings at 7:30 pm August 4th at 2:00 pm
Hannah Levin is playing Cinderella in the Springfield Muni's upcoming production of "Rodgers & Hammerstein's Cinderella." She spoke to Community Voices about the show as well as her experiences in the Springfield area theatre community.
Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!! An enormously beloved, powerfully presented, and gloriously musical version of the fairy tale on this week's show as Jeannine and Morgan celebrate Whitney Houston's return to MHS as the Fairy Godmother alongside Brandy as Cinderella and a wonderful supporting ensemble in RODGERS & HAMMERSTEIN'S CINDERELLA (1997)! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
After bursting onto the West End musical theatre scene in 2019 as the title character in Joseph and the Amazing Technicolour Dreamcoat in Laurence Connor's acclaimed revival at the London Palladium, Jac Yarrow has become one of the West End's fastest rising stars. After recently concluding a Toronto run of Joseph and a critically acclaimed run of Stephen Sondheim's Old Friends in the West End, Jac Yarrow is heading to Theatre Royal, Drury Lane to lead the 50th anniversary concerts of Pippin, taking on the title role. Joining him will be a star-studded cast that includes Tony Award winner Alex Newell as the Leading Player and Olivier Award winner Patricia Hodge as Berthe; with Hodge previously playing Catherine in the original West End production of Pippin. In the upcoming concerts, Catherine will now be played by West End star Lucie Jones, with the cast supported by the London Musical Theatre Orchestra and a 50 member choir.In this brand new interview with Jac Yarrow, we take a deep dive into his career so far, looking back at highlights like Joseph but also At Last, It's Summer at the Palladium last year and Rodgers + Hammerstein's Cinderella at Cadogan Hall in 2019, also with the London Musical Theatre Orchestra. During our interview, Jac also talks candidly about his experience at ArtsEd following recent allegations into bullying and misconduct at the elite drama school. Although he admits he himself didn't experience anything abusive during his time, he acknowledges that other's experience may be different and entirely valid too. As he now approaches a new challenge with Pippin, he reflects on his time so far within the industry and shares his advice for emerging and graduate performers too.Pippin - 50th Anniversary Concert run at Theatre Royal, Drury Lane on 29th and 30th April. Tickets on sale NOW!
Every Version Ever - Film Adaptations of Classic Literature!
Finishing up our series on Rodgers & Hammerstein's Cinderella, today we are talking about the 1965 version starring Lesley Ann Warren! Follow Lisa online! Podcast: http://www.whichwasbetter.com Instagram: https://www.instagram.com/whichwasbetter Every Version Ever - Episode 125 For bonus episodes, extended episodes, and more, sign up for the I Heart Movies Podcast Network Patreon! https://www.patreon.com For links to my latest episodes & videos, social media, and more, check out my Link Tree! https://linktr.ee/jonjnorth --- Support this podcast: https://podcasters.spotify.com/pod/show/everyversionever/support
Finishing up our series on Rodgers & Hammerstein's Cinderella, today we are talking about the 1965 version starring Lesley Ann Warren! Follow Lisa online! Podcast: http://www.whichwasbetter.com Instagram: https://www.instagram.com/whichwasbetter Every Version Ever - Episode 125 I Heart Movies - Episode 188 For bonus episodes, extended episodes, and more, sign up for the I Heart Movies Podcast Network Patreon! https://www.patreon.com For links to my latest episodes & videos, social media, and more, check out my Link Tree! https://linktr.ee/jonjnorth --- Send in a voice message: https://podcasters.spotify.com/pod/show/iheartpodcast/message
Every Version Ever - Film Adaptations of Classic Literature!
Continuing our miniseries on Rodgers & Hammerstein's Cinderella, today Lisa and I are talking about the original film from 1957 starring Julie Andrews! Follow Lisa online! Podcast: http://www.whichwasbetter.com Instagram: https://www.instagram.com/whichwasbetter Every Version Ever - Episode 124 For bonus episodes, extended episodes, and more, sign up for the I Heart Movies Podcast Network Patreon! https://www.patreon.com For links to my latest episodes & videos, social media, and more, check out my Link Tree! https://linktr.ee/jonjnorth --- Support this podcast: https://podcasters.spotify.com/pod/show/everyversionever/support
Continuing our miniseries on Rodgers & Hammerstein's Cinderella, today Lisa and I are talking about the original film from 1957 starring Julie Andrews! Follow Lisa online! Podcast: http://www.whichwasbetter.com Instagram: https://www.instagram.com/whichwasbetter Every Version Ever - Episode 124 I Heart Movies - Episode 187 For bonus episodes, extended episodes, and more, sign up for the I Heart Movies Podcast Network Patreon! https://www.patreon.com For links to my latest episodes & videos, social media, and more, check out my Link Tree! https://linktr.ee/jonjnorth --- Send in a voice message: https://podcasters.spotify.com/pod/show/iheartpodcast/message
Continuing our series on Cinderella, this month we're looking at all three versions of Rodgers & Hammerstein's Cinderella! Follow Lisa online! Podcast: http://www.whichwasbetter.com Instagram: https://www.instagram.com/whichwasbetter Every Version Ever - Episode 123 I Heart Movies - Episode 186 For bonus episodes, extended episodes, and more, sign up for the I Heart Movies Podcast Network Patreon! https://www.patreon.com/jonjnorth For links to my latest episodes & videos, social media, and more, check out my Link Tree! https://linktr.ee/jonjnorth --- Send in a voice message: https://podcasters.spotify.com/pod/show/iheartpodcast/message
Every Version Ever - Film Adaptations of Classic Literature!
Continuing our series on Cinderella, this month we're looking at all three versions of Rodgers & Hammerstein's Cinderella! Follow Lisa online! Podcast: http://www.whichwasbetter.com Instagram: https://www.instagram.com/whichwasbetter Every Version Ever - Episode 123 For bonus episodes, extended episodes, and more, sign up for the I Heart Movies Podcast Network Patreon! https://www.patreon.com/jonjnorth For links to my latest episodes & videos, social media, and more, check out my Link Tree! https://linktr.ee/jonjnorth --- Support this podcast: https://podcasters.spotify.com/pod/show/everyversionever/support
We're back with a new miniseries! We're tackling title songs over the course of the next four episodes, and we're starting with the one that you're probably thinking of already. We're back to Rodgers & Hammerstein, but we're starting with their first show together. It's the beginning of the Golden Age of musicals, and the moment everything changed for the art form: it's time for 1943's Oklahoma!. All clips are from soundtrack to the 1955 film version of Oklahoma! featuring Gordon MacRae as Curly, Shirley Jones as Laurey, and the ensembles and are used in accordance with the Fair Use Exemption for criticism and commentary. Buy/listen to the musical on Amazon! Listen to the SMSTS playlist on Spotify. Follow the show on Twitter: @somuchstuffpod Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com
Live Action Disney Remakes Month stays in the 90s with the made-for-tv adaptation of "Rodgers & Hammerstein's Cinderella" starring Brandy and Whitney Houston!
Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly! Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.
Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly! Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.
This week's episode is special as two icons join Chief and Malik in Hollywood for an in-depth conversation about their come-ups, careers and the successes that mean the most to them. Keke Palmer is the Emmy and NAACP Image Award winning actress, singer, TV personality and entrepreneur known as one of the hardest working stars in entertainment. From True Jackson VP on Nickelodeon to Jordan Peele's critical darling NOPE, with numerous talk shows, singles and even a Broadway run in Rodgers + Hammerstein's Cinderella, there's a reason why TIME Magazine listed Keke as one of the most influential people in the world... Tricky Stewart is responsible for over 50 million records sold, and some of the biggest artists in music history. He has produced songs including Rihanna's Umbrella, Beyoncé's Single Ladies (Put A Ring On It), Mariah Carey's Touch My Body, Justin Bieber's One Time among many others. He also served as President of Epic Records and in 2022 is nominated for multiple GRAMMYs as one of the producers on Beyoncé's chart-topping Renaissance. This conversation spans both Keke and Tricky's careers, the experiences that have shaped them, their visions for the future and enjoying life. Follow A Suite Life: Instagram: https://www.instagram.com/asuitelifepod/ TikTok: https://www.tiktok.com/@asuitelifepod YouTube: https://www.youtube.com/channel/UCgdnIhfgBv2bBKwwn5qLQBw Facebook: https://www.facebook.com/ASUITELIFEPOD/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to 2023! As we enter a new year, we could all do with some inspiration, so we're starting the year off with a miniseries of inspirational songs. First up, we look at The Sound of Music for the first time, with "Climb Ev'ry Mountain." The last Rodgers & Hammerstein collaboration, this 1959 musical is one of the best known and best loved of all Broadway -- and film -- musicals. All clips are from 2103's The Sound of Music: Music from the NBC Television Event and are used in accordance with the Fair Use Exemption for criticism and commentary. Buy/stream the album on Amazon! Listen to the SMSTS playlist on Spotify. Follow the show on Twitter: @somuchstuffpod Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com
We have a chat to actor and musical theatre performer, Ainsley Melham about his last 2 weeks in Rodgers & Hammerstein's Cinderella and what to expect from his upcoming concert, To Barbara with Love. Buy your tickets here: www.livenation.com.au Go to the RaveItUpTV YouTube channel to check out the video of our interview. Shoutout to our Patreons: Irene Kigais, Bev Butler & Michael Dowling. Sign up to be Patreon here and support Rave It Up: www.patreon.com/raveitup. You can have access to Behind The Scenes content, as well as Free Stuff for as little as $4 a month.
The stages of Carnegie Hall, Lincoln Center, and Broadway were home to Laura Osnes for 15 years until 2021. Laura rose to stardom after winning NBC's reality TV competition Grease: You're The One That I Want, earning her the role of Sandy in the Broadway revival of Grease at the age of 21. She earned Tony Award nominations for Bonnie Parker in Bonnie & Clyde, Cinderella in Rodgers & Hammerstein's Cinderella. And starred in five Hallmark Channel movies as well as releasing two albums. And that's just the short version of her accomplishments. A tabloid published a false narrative that fueled a cyber storm of accusations, and in an instant, Laura's reputation and the trajectory of her career were changed forever. Refusing to be a victim of cancel culture, Laura Osnes is finding her voice again. Laura's debut EP, “On the Other Side, Part 1”, chronicles this past year's journey of standing up, starting over, building strength, and finding hope on the other side of cancellation. Today, Laura and her husband Nathan are here with us to tell their story and the release of her new EP “On the Other Side, Part 1”.
The stages of Carnegie Hall, Lincoln Center, and Broadway were home to Laura Osnes for 15 years until 2021. Laura rose to stardom after winning NBC's reality TV competition Grease: You're The One That I Want, earning her the role of Sandy in the Broadway revival of Grease at the age of 21. She earned Tony Award nominations for Bonnie Parker in Bonnie & Clyde, Cinderella in Rodgers & Hammerstein's Cinderella. And starred in five Hallmark Channel movies as well as releasing two albums. And that's just the short version of her accomplishments. A tabloid published a false narrative that fueled a cyber storm of accusations, and in an instant, Laura's reputation and the trajectory of her career were changed forever. Refusing to be a victim of cancel culture, Laura Osnes is finding her voice again. Laura's debut EP, “On the Other Side, Part 1”, chronicles this past year's journey of standing up, starting over, building strength, and finding hope on the other side of cancellation. Today, Laura and her husband Nathan are here with us to tell their story and the release of her new EP “On the Other Side, Part 1”.
Welcome to The Smart Human Podcast, today I have the pleasure of chatting with actor Fran Drescher! Yes, you may know her as the star of the TV show The Nanny, but she's also an author, an activist and an educator. Today we're talking about her work in health education, her history as a cancer survivor, her plans as new president of The Screen Actors Guild and much much more. Fran Drescher was elected president of SAG-AFTRA in September 2021. A 20-year cancer survivor, Drescher has a reputation for passion and commitment. She is Founder and Visionary of the Cancer Schmancer Movement; dedicated to educating, motivating, and activating patients into medical consumers by connecting lifestyle to disease with her Master Class Health Summit and teen-targeted education video, Be The Change, starring Jamie Foxx. Fran received two Emmy and two Golden Globe nominations for her portrayal as the lovable “Miss Fine'' on CBS's hit series, The Nanny, which she both created and executive produced. She also created, executive produced and starred in the groundbreaking TV Land sitcom, Happily Divorced, which was inspired by her real-life relationship with her gay ex-husband, Peter Marc Jacobson. Fran recently starred in the new NBC sitcom, Indebted, about a Baby Boomer couple who go broke and have to move in with their adult son and his young family. She has worked with many great directors in films such as Rob Reiner's This is Spinal Tap, to which Fran won Esquire Magazine's One Minute Oscar, Milos Forman's Rag Time, and Francis Ford Coppola's Jack. She also starred in Beautician and the Beast opposite Timothy Dalton. Her famous voice is currently featured in the top-grossing SONY animated feature franchise film, Hotel Transylvania: In her role as Eunice, the wife of Frank Stein. In 2019, Fran starred in two indie films, The Creatress and After Class. An accomplished author, Fran received the prestigious NCCS writer's award for Cancer Schmancer, which, along with Enter Whining, were New York Times Best Sellers. She also penned the celebrated children's book, Being Wendy. Furthermore, Fran made her Broadway debut as “Madame” in Rodgers + Hammerstein's Tony-Award winning, Cinderella. Fran has won countless awards for her leadership in the health space, including the John Wayne Institute Woman of Achievement Award, the Gilda Award, City of Hope Woman of the Year Award, The Albert Einstein Medical School Lifetime Achievement Award, Queens College Lifetime Achievement Award, and the Citizen Artist Award.
Capitulating. We may have technological superiority when it comes to our military. But are our enlisted men and women willing to fight a protracted war with Russia and China? We can't contain the violence in our own cities so how can we do it in foreign countries? We're living in perilous times. We should never have built a system that demanded more. It bred distrust, avarice, and envy. We should have been asking for less thereby understanding what was important. We've abdicated thinking for ourselves and now we must capitulate to save ourselves. MUSIC Max Steiner, Rodgers & Hammerstein, Marni Nixon & Rex Harrison, Joel Grey, Bernard Herrmann, Michael Small
As noted in the previous episode, auditions are the backbone of this industry. It is the fundamental job of every actor to do as many jobs as we can and do each one to the best of our ability. But there is an important gatekeeper when it comes to submitting our self tapes or actually getting in the audition room, and that is the casting Director. You've heard from Actors and their experiences in front of the audition table. Well, now it's time to hear from the other side of that proverbial table and what goes in to casting, and the vital role they play in the production for the stage or screen. Daryl Eisenberg, along with fellow casting director Ally Beans, works to create a comfortable space for actors, so they can take risks and really show their full potential as artists. You'll hear Daryl's thoughts on how actors can make their mark in the audition room or on a self-tape, and then you'll get an in-depth, behind-the-scenes look at how she uses her position and expertise to make the audition process enjoyable and inclusive for artists on both sides of the table. Learn more about WINMI Podcast at whyillnevermakeit.com Subscribe to WINMI and get access to Bonus Episodes on Supercast Donate to the production efforts that make this podcast possible Follow Why I'll Never Make It on Instagram or Twitter Watch interviews on WINMI's YouTube channel Read the Final Five with Daryl Eisenberg on the WINMI Blog ---------- Why I'll Never Make It is an award-winning, top 25 theater podcast and is hosted by Off-Broadway actor and singer Patrick Oliver Jones. It is a production of WINMI Media, LLC. and is also a part of Helium Radio Network and a member of the Broadway Makers Alliance. Background music in the episode is by John Bartmann (Public Domain) and Blue Dot Sessions (Creative Commons Attribution-NonCommercial 4.0 International License). Audition Stories of Diversity and Inclusion Covid certainly has changed the way we now audition, with self-tapes and Zoom auditions becoming the norm. But the summer of 2020 also changed the way we think about who is coming to the auditions and what that creative team looks like. In this week's bonus episode, Daryl shares a few of her own experiences as she advocates for more diversity on both sides of the table. You'll also hear how she works with fellow casting director Ally Beans, who is both partner and collaborator in the casting process. Bonus episodes like these are only available to monthly supporters of Why I'll Never Make It. So if you'd like to help this podcast as well, then please consider a monthly subscription and get access to bonus episodes like the Audition Stories. CASTING OFFICES IN NYC Some of the biggest casting offices for stage and screen (like Eisenberg/Beans) reside in New York City, and at the top of the list is... The Telsey Office Formerly known as Telsey + Company, The Telsey Office is perhaps the best known casting office for commercials, film, television, and course, theatre. The company has bases in both New York City and Los Angeles. Recent Broadway: Waitress, MJ the Musical, Flying Over Sunset, Mrs. Doubtfire, Diana, West Side Story, Tina, The Sound Inside, Beetlejuice, Gary, Oklahoma!, Be More Chill, To Kill a Mockingbird, Network, The Cher Show, The Prom. Website: www.thetelseyoffice.com Contact: info@thetelseyoffice.com | 917-277-7520 Tara Rubin Casting Rubin began her company in 2001 after working for 15 years as a Casting Director at Johnson-Liff Associates. She is a graduate of Boston University and serves on the board of the Casting Society of America. Recent Broadway: Six, Ain't Too Proud, Summer, The Band's Visit, Prince of Broadway, Bandstand, Indecent, Miss Saigon, Dear Evan Hansen, A Bronx Tale, Cats, Disaster! Website: www.tararubincasting.com Contact: tararubincasting.info@gmail.com | 212-302-3011 Binder Casting Binder Casting was founded nearly 40 years ago by Jay Binder, who passed away in April 2022, and has been a part of RWS Entertainment Group since 2016. The office has cast 150+ Broadway, Off-Broadway, and National Touring productions, in addition to countless national and international projects spanning both stage and screen. Recent Broadway: The Lion King, In Transit, Dames at Sea, It Shoulda Been You, A Gentleman's Guide to Love and Murder, Nice Work if You Can Get It, Born Yesterday, White Christmas, Finian's Rainbow. Website: bindercasting.com Contact: info@bindercasting.com | 212-586-6777 Stewart/Whitley An award-winning office in New York City that delivers excellence and innovation in casting. Respect for the creative process: the artistic teams, actors and all who collaborate in it is paramount. Connecting creativity is at the cornerstone of what they do. Recent Broadway: Hadestown, The Lightning Thief, Natasha, Pierre and the Great Comet of 1812, Pippin, Chicago Website: www.stewartwhitley.com Contact: info@stewartwhitley.com | 212-635-2153 Wojcik Casting Team Wojcik/Seay Casting opened its doors in January of 2009 with the national non-union tour of Joseph and the Amazing Technicolor Dreamcoat and has also been featured in Season 2 of the podcast. But Gayle Seay has since gone to become Artistic Director of Stages St. Louis, while Scott Wojcik continues to cast shows in and out of New York. Recent Broadway: Jesus Christ Superstar, Motown Website: wscasting.com Contact: info@wscasting.com Jim Carnahan, CSA Recent Broadway: Moulin Rouge!, Kiss Me, Kate, Tootsie, Burn This, The Ferryman, Head Over Heels, Travesties, Harry Potter and the Cursed Child, Angels in America, Farinelli and the King, Time and the Conways, 1984, Groundhog Day, The Price, The Cherry Orchard, Long Day's Journey Into Night, She Loves Me, Noises Off, Fun Home. Stephen Kopel, CSA Recent Broadway: Moulin Rouge!, Jagged Little Pill; Kiss Me, Kate; The Play That Goes Wrong; Beautiful; Sunday in the Park with George; Amélie; She Loves Me; Noises Off; Violet; The Glass Menagerie; Harvey; Once; Anything Goes Caparelliotis Casting Recent Broadway: The Minutes, Who's Afraid of Virginia Woolf, In the Height of the Storm, Ink, Hillary and Clinton, King Lear, The Waverly Gallery, The Nap, The Boys in the Band, Saint Joan. Daniel Swee, CSA Recent Broadway: Pass Over, The Great Society, To Kill a Mockingbird, Six Degrees of Separation, Oslo, The Present, The Heidi Chronicles, The Audience Cindy Tolan, CSA Recent Broadway: Company, The Curious Incident of the Dog in the Night-Time, Betrayal, Macbeth, Rodgers + Hammerstein's Cinderella. Other standouts on the theatre scene: Bass/Valle Casting Bob Cline Casting Franck Casting HBD Casting Jamibeth Margolis Casting Klapper Casting Laura Stanczyk Casting Michael Cassara Casting
Here on Nom Watch Review we review the latest film drop or a throwback celebrating a milestone while eating & drinking our favorite movie snacks & drinks. Tonight we are reviewing 1997 film "Cinderella" Hosted by Jordyn Orozco Guests: Erric Ramirez, Hanako & Toni Sanchez Join us LIVE at 8pm PST on www.twitch.tv/nomtalknetwork Jordyn Orozco: https://www.instagram.com/cityofstars13/ Toni Sanchez: http://instagram.com/thetonisanchez https://www.youtube.com/c/TheToniSanchez/videos https://twitter.com/thetonisanchez https://www.facebook.com/TheToniSanchez/ https://thetonisanchez.com/ Erric Ramirez: https://www.instagram.com/hartl3ss7/ https://www.tiktok.com/@hartl3ss7 Hanako https://www.instagram.com/hana.daccha https://www.tiktok.com/@hana.daccha Don't forget to show Nom Talk some love https://www.instagram.com/nomtalknetwork/ https://twitter.com/NomTalkNetwork https://www.youtube.com/c/NomTalkNetwork --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nomtalknetwork/support
Pair up, couple down, and unite the twain... this week, Alec and Goggs from Movie the Podcast are back to talk about DUOS. We dig into Rodgers & Hammerstein, Lord & Miller, B.J. and the Bear and more! Plus, we play TAG TEAM OR NOT and I SEE WHAT YOU DID THERE! Two men enter, and two men will leave... Duos! Listen to Movie the Podcast on Spotify, please: https://open.spotify.com/show/7LpWNiSBRwsWTsyUnZSdymCheck out Spaceboy Books: www.readspaceboy.comAnd the music of Michael J. O'Connor: michaeljoconnor.bandcamp.com
In the latest episode of #OriginalBroadwayCast, Gus Gordon welcomes entertainment legend Bill Hayes. Gus had the chance to meet Bill when they both appeared in a concert version of the Stephen Sondheim musical Follies at The Little Theatre on the Square back in 2007. Bill Hayes burst onto the early national television scene in Olsen & Johnson's 1949 madcap series Fire-Ball Fun-for-All. From there he was tapped by producer Max Liebman to be a featured singer on Your Show of Shows starring Sid Caesar and Imogene Coca (1950-1954). Bill made his Broadway debut in Rodgers & Hammerstein's Me and Juliet, and followed with a gold record for “The Ballad of Davy Crockett” (over 4,000,000 sold). Bill headlined the first national tour of Bye, Bye Birdie as Albert Peterson, and has headlined musicals in major theatres across the country. He is best known for playing Doug Williams on Days of Our Lives opposite his lovely wife Susan Seaforth Hayes. Bill joined the show in 1970, and still makes regular appearances to this day to the delight of his countless fans. We hope you enjoy this conversation between Gus and Bill.
Theatre First Episode 334Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Rodgers + Hammerstein's Cinderella – Regent Theatre - Melbourne Australia This lush production features incredible orchestrations, jaw-dropping transformations and all the moments you love—the pumpkin, the glass slipper, the masked ball and more—plus some surprising new twists! Be transported as you rediscover some of Rodgers & Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It's Possible” and “Ten Minutes Ago” in this hilarious and romantic experience for anyone who's ever had a dream.For more information https://marrinergroup.com.au/shows/rodgers-hammersteins-cinderella For more Theatre reviews from Alex, visit https://www.bitesz.com/show/theatre-first/ Subscribe, rate and review Theatre First at all good podcast apps, including Apple Podcasts, Spotify, Google Podcasts, Stitcher, Pocket Casts, CastBox.FM, Podbean, Spreaker etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.Theatre First RSS feed: https://www.spreaker.com/show/4988589/episodes/feed For more podcasts visit our HQ at https://bitesz.com #theatre #stage #reviews #melbourne #australia #cinderellareview #rogers+hammersteinscinderella #regenttheatremelbourne #theatrereview #musicalreview
Peter Dutton to be Liberal leader; Power price shock to hit Anthony Albanese; Catholic School Staff Strike; Power prices to surge as energy market turmoil flows through to households; Finance Update with Scott Phillips; Gun reforms; Mould damage not covered by insurance for many in Brisbane; Flu jabs; Sports Update with Brett Thomas; Biloela Family; Election; Energy prices; Rodgers + Hammerstein's Cinderella at Melbourne's Regent Theatre; UFOs 'are out there, could be national security threat. See omnystudio.com/listener for privacy information.
Jaygee Macapugay is a proud Filipino American actress & artist, originally from Chicago, currently residing in Brooklyn. Upcoming: SUFFS by Shaina Taub at The Public. Broadway: School Of Rock (OBC, cast album). Selected Off-Broadway: Public Theater - Soft Power, Here Lies Love, Wild Goose Dreams. National Asian Artists Project: Irene Molloy, Hello, Dolly!, and Gabrielle, Rodgers & Hammerstein's Cinderella. Prospect Theater Company: Honor, The Rockae. Philanthropic/Activist Causes: Asian American representation in the arts, Broadway Barkada
Justin, Bec and Olivia's discussion on Elvis's 1969 live album "In Person at the International" concludes this week as they dig into the back half of the album, where Elvis focused largely on more contemporary material. While Bec has words about "Words," Justin brings to light a possible new insight/discovery about the single version of "Suspicious Minds," inspired by hearing the lengthy live version here. Then, for Song of the Week, Olivia waves a flag for "School Days," the Chuck Berry classic that Elvis & the Joe Guercio Orchestra often featured during band introductions between 1975-1977. Bec confesses that Elvis's mournful 1966 ballad singing has got her feeling "Indescribably Blue." Lastly, inspired by the inclusion of "Unchained Melody" in the Baz Luhrmann trailer, Justin close out with Elvis's home recording of Roy Hamilton's version of "If I Loved You," originally from the Rodgers & Hammerstein musical "Carousel." Timestamps: 0:00 Start & Main Topic, Part 2 39:30: SotW: School Days 56:25 SotW: Indescribably Blue 1:08:45 SotW: If I Loved You
It's possible! Yes, it's very possible that we are revisiting the iconic and groundbreaking Rodgers & Hammerstein's Cinderella (1997). Who could forget Brandy's debut as the first African American Cinderella in this mesmerizing film? Or the incredible amount of casting diversity and big name talent who showed up to create one of the most successful TV movies in history? As we travel back to one of our childhood staples and revisit the music, costumes, and unsettling fairy godmother jump scares, we have to ask: does the glass slipper still fit after all of these years? Or should we stick this VHS back in its own little corner? Let's find out together!
In honor of Black History Month, this episode's movie review is of a film that showcases Black Excellence without black trauma! The scriptures I read during this episode: Proverbs 13:12 Romans 8:18-25 Psalms 139:1-12 Deuteronomy 31:8 Luke 18: 23-27 Ephesians 3:20-21 Listen and enjoy! Let me know what you think! Subscribe to my YouTube Channel- Can I Be Real? Podcast Follow me on Instagram- @raee.michele Join the South of Gaza Community Facebook Group to receive daily Bible scriptures and encouragement on your Facebook timeline! RATE, REVIEW, & SUBSCRIBE! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/rachel398/message
Welcome to Season 2: Lerner & Loewe! Today, we begin a series of episodes on the musicals of Alan Jay Lerner (1918-86) and Frederick Lowe (1901-88), second only to Rodgers & Hammerstein as creators midcentury musicals that continue to speak to 21st century audiences. We talk about: - The origins of the partnership between Lerner and Lowe and their early flop era. - Why a musical about two American boys falling into a mythical/fantasy version of the Scotland Highlands was so appealing for post-WWII audiences. - The interplay between fantasy & reality that Brigadoon illustrates, how that tension represents the tension of musical theatre itself – and the dangers of nostalgia. - Lerner & Loewe's career-long interest in men's loneliness – and the potential of theatre (and love) as a means of connecting men to their emotional core and to the people in their lives. - The tension between individual & communal salvation, and how mythical Brigadoon might illustrate an image of the Kingdom of God. You'll hear: - Kelli O'Hara and Patrick Wilson singing “Reprise” from the 2017 Broadway Revival Cast recording - Patrick Wilson singing “There But For You Go I” from the 2017 Broadway Revival Cast recording Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and join the conversation at the Gospel of Musical Theatre!
Join Ryan, Dylan, and Chelsea as the deep dive into the pilot episode of the seminal TV show of their high school years, The OC. Were the Coopers Sound of Music purists, or did the other works of Rodgers & Hammerstein tickle their fancy? Was Caitlin interested in Johnny *at all* or was he merely a tool in her wicked games? Hypothetically, would Sandy be upset with Seth for experimenting with the devil's lettuce or would he bond over the shared recreational hobby of his youth? How on earth did Johnny scale that cliff like a billy goat with a bottle of whiskey in his hand...and how was Ryan so easily able to run up the side of it? Tune in for this and more as we go back in time to the height of Razr phones, ironic graphic tees, teeny tiny Louis Vuitton purses, and of course the DVD box sets that started it all. Welcome to the Podcast, bitch. Reach us at cohenspod@gmail.com Instagram @cohenspod Find the gang: Twitter at @Rayke, @dylnrwn, and @triniwoodstock Instagram at @rayked, @dylnrwn, and @triniwoodstock Leave us a review and mash that subscribe button. You know it's what Sandy would do.
Current Productions (1:48) Made some progress on the Granny Square Couch Blanket Finished the plying (and re-plying) of the Test Skein Spinning Project, now just have to decide on a pattern and math it out in terms of how much fiber to spin. Frogged the sleeves of my Paloma Pullover, will reknit the sleeves on US5 and add shaping to the forearm. Finished the first sleeve of my Hearthstone Pullover, cast on for the second sleeve. Finished the Siren's CAL socks! Cast on a new pair of Vanilla is the New Black Socks in Viv Sock from The Black Squirrel in “ ‘Sup, Witches “ Mention of Jasmin from the Knitmore Girls Podcast My Strongest Suit (16:42) Mussleburgh Hat Events (17:39) September Playlist: Broadway Covered! Kevin's Profile link for Spotify! Bay Area Fiber Fair June 25 – September 23, 2021 Stitches at Home: September 11 & 12, 18 &19, 2021 Indie Untangled October 15, 2021 Rhinebeck 2021 October 16-17, 2021 Stitches West 2022 in Sacramento, CA March 3-6, 2022 Hey Look Me Over (20:37) Cinderella starring Camila Cabello and Billy Porter Mention of Rodgers & Hammerstein's Cinderella starring Whitney Houston and Brandi Little Known Facts (37:56) Check your fuses first It's De-Lovely (42:16) Quality time with a friend I haven't seen since Stitches West 2020
Ted Chapin is the former president of the Rodgers & Hammerstein Organization. He has lead Broadway productions and revivals, including “South Pacific” Broadway revival, “The King and I,” “Oklahoma!” and “Carousel.” He also approved television productions such as “The Sound of Music Live!” on NBC and “Cinderella,” starring Whitney Houston and Brandy, on ABC. We talk about how he got the job, the importance of these shows today, how Ariana Grande's "7 Rings" came together and so much more. We also talk about "Annie Get You Gun" which is celebrating its 75th anniversary and how Rodgers & Hammerstein were involved in the iconic show.
On this week's episode of Out and About, Chris Ennis joins Jenn Gordon for a conversation about “The Musical of Musicals: The Musical,” now playing at Corn Stock Theatre under the Big Tent in Upper Bradley Park.This laugh-out-loud musical satire has been described as a comic valentine paying homage to Broadway legends Rodgers & Hammerstein, Kander & Ebb, Andrew Lloyd Webber, Jerry Herman, and Stephen Sondheim. The show runs Thursdays thru Sundays from Aug. 19 thru Sept. 5.For more information or to purchase tickets visit Corn Stock Theatre.
Today, we wrap up our first season deep dive into Rodgers & Hammerstein with one of their lesser-known (and less successful...) work - the 1947 musical Allegro, a show that was ahead of its time but that hasn't been produced much since its original run. We talk about: - Rodgers and Hammerstein as commercial Broadway producers and as a creative team - The rise of the “concept musical” and Allegro's role in that tradition (and its influence on subsequent composers... like a kid named Stephen Sondheim, whose first Broadway job was as an assistant on Allegro!). - Learning to love people by investing in their thriving and the power of vulnerability. - Moments of epiphany in which everything seems to fall into place, why we might look for those moments on stage because we rarely in day-to-day life – and what it means to find your “true self”. You'll hear: - Gloria Willis singing “We Have Nothing to Remember So Far” from the 1947 Original Broadway Cast Recording. - Lisa Kirk singing “The Gentlemen is a Dope” from the 1947 Original Broadway Cast Recording. You may want to check out: - Episode 19 of Porchlight Music Theatre's podcast Classic Musicals From the Golden Age of Radio with Michael Weber. It contains the full 1951 radio broadcast of Allegro - and a great introduction by Anika Chapin of Goodspeed Opera Company in CT! Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter and join the conversation at the Gospel of Musical Theatre.
We're still diving into the musicals of Rodgers & Hammerstein - and today's episode is a good one... We're talking about The Sound of Music! Join us for this chat about both the 1959 stage version and the iconic 1965 film staring the incomparable Julie Andrews. We talk about: - How the “marriage trope” (symbolic differences reconciled in the courtship & marriage of two main characters) intersects a political story about fascism and resistance - Maria von Trapp as both a redemptive figure and a prototypical “good German” - The theology of “Something Good,” and Catholic versus Protestant understandings of love and human worthiness You'll hear: - Laura Benanti and Christian Boyle singing “No Way To Stop It” and “How Can Love Survive” from the 2013 NBC Soundtrack Recording - Julie Andrews singing “I Have Confidence” and “Something Good” from the 1965 film soundtrack - Peggy Wood singing “Climb Every Mountain” from the 1965 film. Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter and join the conversation at the Gospel of Musical Theatre.
On this episode, soprano Anna Christy and baritone Steven LaBrie talk about their roles of Julie Jordan and Billy Bigelow in CAROUSEL. Steven and Anna discuss the big question most of us think when watching this show – why does Billy treat Julie the way that he does, and why does Julie stay? Anna also shares how the roles she's played on the Central City Opera House stage have shaped her as an artist, and Steven goes into how his first big role with a lot of spoken dialogue has been both challenging and immensely rewarding. They also share what they'd like audiences to take away from this summer's production of Rodgers & Hammerstein's CAROUSEL. Read the show notes for this episode here. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org.
On this first episode of season six of the Central City Opera Podcast, we hear from stage director Ken Cazan. Ken is back this summer in Central City for his 19th season to direct Rodgers & Hammerstein's musical CAROUSEL. Ken dives deep into the story and themes of this beloved musical, how he and conductor Christopher Zemliauskas made the adjustments for our special outdoor production, and how he connects with the story of CAROUSEL on a personal level. Read the show notes for this episode here. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org.
In our continued exploration of the musicals of Rodgers & Hammerstein, we explore The King & I (1951), a complicated and beautiful show about cultural imperialism, gender emancipation and the dangers of the white savior complex. We talk about: - The rise of the “star vehicle” for a diva actor, and the interesting racial & cultural background of Anna Leonowens (and Gertrude Lawrence, the actor who played her). - The intersection of colonialism with Western values of equality, and when a “liberating” culture becomes an imposed culture that does violence in the name of greater freedom. - The nature of forgiveness, and the possibility of real relationship across cultural, gender and ideological difference. You'll hear: - Gertrude Lawrence singing “Getting to Know You” from the Original Broadway Cast recording. - Lea Salonga and Peabo Bryson singing “We Kiss In A Shadow” from the 1993 Studio recording. - Ruthie Ann Miles singing “Something Wonderful” from the 2015 Broadway Revival Cast Recording. Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and follow the Gospel of Musical Theatre on Instagram or Twitter @gospelofmt!
This week, we continue with our deep dive into Rodgers & Hammerstein with South Pacific (1949), their first “big hit” and a pioneering (but problematic) look at the deeply-embedded racism of white Americans during the Second World War. We talk about: Mary Martin, Enzo Pinza, and how Rodgers and Hammerstein created a love story where two characters never have to sing together. The phenomenon of the Second World War and how Rodgers and Hammerstein began to craft a new mythology out the American experience of that war. What it means for white Americans to be "carefully taught" to fear and discriminate against those who are not white. Oscar Hammerstein's social agenda, his early training in faith and religion, and how South Pacific embodies his theology of social change. You'll hear: Mary Martin and Ezio Pinza in the Original Broadway Cast Recording (1949) singing "Twin Soliloquies" and "Some Enchanted Evening." Matthew Morrison singing "You've Got To Be Carefully Taught" from the 2008 Broadway Revival recording Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and follow the Gospel of Musical Theatre on Instagram or Twitter @gospelofmt!
Trollwood Performing Arts School is putting on Rodgers + Hammerstein's Cinderella next month and tickets are on sale and going fast. Bonnie and Doug chat with Amy Norstedt of Fargo Public Schools to get more details on the production, which is July 14-17, July 21-24 and July 28-31. (Listen to Bonnie and Doug every Monday through Friday from 5-8 am on the “KFGO Morning Crew” and be part of our morning show by getting involved in our "Question of the Day" or by calling in weather and traffic information. Also make sure you like our KFGO Morning Crew Facebook page). See omnystudio.com/listener for privacy information.
Episode Summary Two time Tony Award nominee Laura Osnes, is in our “Performer Spotlight” and she talks to us about auditioning for Sandy, her Broadway debut, in front of millions of people in the NBC reality show Grease: You're The One That I Want, as well as the critically acclaimed South Pacific at the Lincoln Center Theater. Intro to this Episode In this episode of “In The Holding Room” Princess Month continues with the performer Laura Osnes. She rose to stardom after winning NBC's reality tv competition Grease: You're The One That I Want, earning her the role of Sandy in the Broadway revival of Grease at the age of 21. She quickly became the go-to ingenue of the Great White Way, starring as Nellie Forbush in South Pacific, Hope Harcourt in Anything Goes, Bonnie Parker in Bonnie & Clyde (Tony-Award nomination), Cinderella in Rodgers & Hammerstein's Cinderella (Tony-Award nomination), and most recently, Julia Trojan in Bandstand, which was professionally filmed and released in movie theaters via Fathom Events. Osnes has charmed audiences across the nation in three Hallmark Channel original movies, One Royal Holiday (2020), A Homecoming For The Holidays (2019), and In The Key Of Love (2019). She has also been seen on television in Fosse/Verdon (F/ X), Dynasty (CW), and Elementary (CBS). Her crystal clear and powerful soprano regularly graces symphony halls and cabaret venues around the globe, including filmed performances with the Mormon Tabernacle Choir, Live from Lincoln Center (PBS), A Capitol Fourth (PBS), and The Kennedy Center Honors (CBS). She co-created and performs in the popular concert series, Broadway Princess Party, which has toured over 25 cities and garnered over 20 million views on YouTube. In addition to hearing her voice on several original Broadway cast recordings, Laura has two solo albums, “Dream A Little Dream” and “If I Tell You.” Resources: For all your audition needs including sheet music, tracks, monologues, advice and so much more visit: PerformerStuff.com Engage with the show: Facebook: Facebook.com/InTheHoldingRoom Instagram: @in_the_holding_room Website: intheholdingroom.com Laura Osnes: Website: www.LauraOsnes.com Disney Princess The Concert Info & Tickets: www.DisneyPrincessConcert.com
Episode Summary Two time Tony Award nominee Laura Osnes, is in our “Performer Spotlight” and she talks to us about auditioning for Sandy, her Broadway debut, in front of millions of people in the NBC reality show Grease: You're The One That I Want, as well as the critically acclaimed South Pacific at the Lincoln Center Theater. Intro to this Episode In this episode of “In The Holding Room” Princess Month continues with the performer Laura Osnes. She rose to stardom after winning NBC's reality tv competition Grease: You're The One That I Want, earning her the role of Sandy in the Broadway revival of Grease at the age of 21. She quickly became the go-to ingenue of the Great White Way, starring as Nellie Forbush in South Pacific, Hope Harcourt in Anything Goes, Bonnie Parker in Bonnie & Clyde (Tony-Award nomination), Cinderella in Rodgers & Hammerstein's Cinderella (Tony-Award nomination), and most recently, Julia Trojan in Bandstand, which was professionally filmed and released in movie theaters via Fathom Events. Osnes has charmed audiences across the nation in three Hallmark Channel original movies, One Royal Holiday (2020), A Homecoming For The Holidays (2019), and In The Key Of Love (2019). She has also been seen on television in Fosse/Verdon (F/ X), Dynasty (CW), and Elementary (CBS). Her crystal clear and powerful soprano regularly graces symphony halls and cabaret venues around the globe, including filmed performances with the Mormon Tabernacle Choir, Live from Lincoln Center (PBS), A Capitol Fourth (PBS), and The Kennedy Center Honors (CBS). She co-created and performs in the popular concert series, Broadway Princess Party, which has toured over 25 cities and garnered over 20 million views on YouTube. In addition to hearing her voice on several original Broadway cast recordings, Laura has two solo albums, “Dream A Little Dream” and “If I Tell You.” Resources: For all your audition needs including sheet music, tracks, monologues, advice and so much more visit: PerformerStuff.com Engage with the show: Facebook: Facebook.com/InTheHoldingRoom Instagram: @in_the_holding_room Website: intheholdingroom.com Laura Osnes: Website: www.LauraOsnes.com Disney Princess The Concert Info & Tickets: www.DisneyPrincessConcert.com
Coming to you from Kansas City, where everything's up to date and where we've gone about as “fur” as we can go, is episode 11 of The Movie Shelf. Eric and Sannah visit the Rodgers & Hammerstein classic “Oklahoma!”, directed by Fred Zinnemann, where the corn grows as high as an elephant's eye, and a simple backdrop of a country dance gives way to an exploration of naivety, optimism, romance, and morality in the face of changing times. And all that in a family musical! We begin by discussing the blu-ray release and its differing Todd-AO and CinemaScope versions, and its release on Disney+. Then we talk about the movie, its characters, and its themes, and why it deserves a revisit. Eric is on Twitter at @confilmbuff and Sannah is @SannahMcDonough. Thanks for listening!
We begin a new miniseries, focusing on character songs -- those moments when the spotlight falls on a single character and we get a chance to look inside their heart and soul. Fittingly enough, we're beginning with "Soliloquy," the centerpiece aria from Rodgers & Hammerstein's classic Carousel. All clips are from the 2018 revival recording featuring Joshua Henry as Billy Bigelow and are used in accordance with the Fair Use Exemption for criticism and commentary. Listen to and buy the album on Amazon! Listen to the SMSTS playlist on Spotify. Follow the show on Twitter: @somuchstuffpod Email the show: somuchstufftosing@gmail.com
Current Productions (1:34) Chartreuse Spinning Project Boxy Chevrons (Ravelry Link) Herbivore Shawl (Ravelry Link) Hearthstone Pullover (Ravelry Link) Mom's Looped Loop Cowl (Ravelry Link) Mention of Paloma Pullover (Ravelry Link) Mention of Dad's Socks (Ravelry Link) Mention of Dexter's Sweater (Ravelry Link) My Strongest Suit (11:48) Worsted Boxy Aumangea Tectonic Events (13:13) May Playlist: For May! is now LIVE! Stash Dash 2021 hosted by the KnitGirllls Stitches at Home – May 15 & 16, 22 & 23, 2021 Tour de Fleece - June 26 - July 18, 2021 #teamsasquatch 2020 Olympic Games July 23 - August 8, 2021 Stitches West 2022 in Sacramento, CA March 3-6, 2022 Nightly Met Opera Streams Hey Look Me Over (19:56) 2013 Lincoln Center Production of Rodgers & Hammerstein's Carousel in Concert Mention of Liliom by Ferenc Molnár Mention of Green Grow the Lilacs by Lynn Riggs Mention of the 2018 Revival Cast Recording of Carousel Mention of Oklahoma! Mention of State Fair Mention of Flower Drum Song Mention of The King and I Mention of The Sound of Music Mention of the 23rd Psalm It's De-Lovely (43:02) Extended weekend in San Francisco
Eva Price is a Tony Award-winning producer for her work spearheading the recent Broadway revival of Rodgers + Hammerstein’s Oklahoma! Originally conceived for a cast of principals and chorus, this revival directed by Daniel Fish did away with the show’s traditional chorus and made an ensemble of twelve leading characters. Eva is also one of the lead producers of Jagged Little Pill, a musical with a chorus of 13 performers that work as the conscious of the show’s leading characters. She recently joined me to talk about these two different kinds of ensemble - and how in the commercial Broadway theatre, awards for performances are the kind of thing that can make or break a show’s life. Here’s our conversation... Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode, we review one of our favorite childhood movies: Cinderella (1997) starring Brandy and Whitney Houston. We discuss Whitney Houston’s star power, globalism in the 90s, and our love of the soundtrack! Plus, at the top of the show, we unpack the latest movie news. We run through the list of the Oscar nominations, share our picks for winners, and more—tune in to find out who we’re rooting for! Content Warning: On this episode, we discuss updates on the allegations against Armie Hammer. Time Stamps: What are we watching: 1:18 Movie News: 4:25 Cinderella Review: 23:40 Connect with us on social media: twitter.com/movietimepod instagram.com/movietime_pod movietimepod.contact@gmail.com Intro music by Dodo from the Applied Anime podcast. You can find more on his podcast here: Podcast: anchor.fm/applied-anime Twitter: twitter.com/appliedanime
Our guest Rob Shapiro (@thatrobshapiro) joins us to help us decide on Rodgers & Hammerstein's Magnum Opus: Oklahoma! or South Pacific. We talk a lot about historical contexts, nostalgia, and play a new game called Obfuscated Acronym! And maybe we come up with a better sign off? (No we don't) You should check out Ruin My Life
Glass slippers, fairy godmothers, and charming princes - Cinderella is a simply timeless fairytale. With the 1997 movie newly released on Disney+, Tara and Stefania deep dive into Rodgers & Hammerstein's on stage production, as well as the live action film. Hop in the pumpkin carriage, we promise we'll have you home by midnight! . . . "Overture" - Cinderella (Original 2013 Broadway Cast Recording) "Falling in Love With Love" - Cinderella (1997 TV Movie) "The Sweetest Sounds" - Cinderella (1997 TV Movie) "Bad Cinderella" - Andrew Lloyd Webber's Cinderella (Youtube) "In My Own Little Corner" - Cinderella (1997 TV Movie) "Impossible" - Cinderella (1997 TV Movie) "Ten Minutes Ago" - Cinderella (1997 TV Movie) "Do I Love You Because You're Beautiful" - Cinderella (Original 2013 Broadway Cast Recording) "Do I Love You Because You're Beautiful" - Cinderella (1997 TV Movie) "Step Sister's Lament" - Cinderella (Original 2013 Broadway Cast Recording) "There's Music in You" - Cinderella (1997 TV Movie) "Killing Time" - American Psycho (Original London Cast Recording) "Thin Air" - Amélie - A New Musical (Original Broadway Cast Recording) All music tracks used for educational and entertainment purposes only.
What can we say? This week, Clancy gets introduced to the unquestionable excellence of Disney's made-for-TV classic, Rodgers & Hammerstein's Cinderella. It seems impossible that he's never seen it, but you know what the lady says. Whitney, Brandy, Whoopi, and Bernadette. The ‘97 spin on the Rodgers & Hammerstein classic Cinderella was a cornerstone for many, a triumph for the network, and a straight up bop. It's hard not to enjoy this one. Especially if you're a young drag-queen-to-be looking for inspiration. Winga Myfancy, shante you stay! Poppycock and Twoddle! Ms. Marvel casting updates from Hollywood Reporter: https://www.hollywoodreporter.com/heat-vision/ms-marvel-enlists-laurel-marsden-exclusive Todrick Hall Cinderella Medley celebrating the release: https://www.youtube.com/watch?v=hFjX5iOQjKQ Coming to Disney+ in March: https://www.cnet.com/news/everything-coming-to-disney-plus-in-march-2021/ All other research and references completed using Wikipedia, IMDb, and Rotten Tomatoes. ----- Remember to head to LootCrate and use the code NONPLUSSED at checkout for 15% off your first order. -- We're a part of the Mischief Media podcast network now! To check out their full slate of shows, search for the network name in your podcast app of choice or visit mischiefmedia.com. -- And if you like what you hear and want more, check out the Mischief Media Patreon at patreon.com/makingmischief! ----- Drop us a line! Email: submissions@nonplussedpod.com Twitter/Facebook/Instagram: @nonplussedpod Produced and hosted by Clancy Canto and Josh Wittge in conjunction with Mischief Media. Edited by Josh Wittge. Theme Music: "Quirky Dog" by Kevin MacLeod. Check out more tunes at https://incompetech.com.
There are many versions of Cinderella, but few are as beloved as Disney's production of the Rodgers & Hammerstein musical, starring Brandy as the titular character and Whitney Houston as her fairy godmother.
This week Jordan and Kelley discuss the spectacle that is, "Rodgers & Hammerstein's Cinderella." In this episode Kelley almost forgets the movie we're doing, they refuse to talk about the wig, but end up talking about the wig, Jordan makes a jingle for Cerave, and they reminisce about old episodes they recorded. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Rodney Hicks is a New York actor/playwright, originally from Philly, who makes his home in Denver, CO with his husband and two dogs. He is currently working on a new project with some really special people. Hicks is an Award-winning Black Gay Male Artist. His play FLAME BROILED. or the ugly play had its World Premiere at Local Theater Company in Boulder, CO in the Fall of 2019. The play was awarded the 2019 Eulipions Fund on behalf of The Denver Foundation. His other plays, JUST PRESS SAVE and MS. PEARL'S CABARET was a 2018 and 2019 Semi-Finalist for the Eugene O’Neill Theater Conference. JUST PRESS SAVE had a successful workshop presentation via Zoom in a private industry reading as part of the PRIDE Plays Festival of New Plays on June 20, 2020. It was directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT). The cast included: Tony Award Nominee Hailey Kilgore as Jocelyn Baxter, Taylor Trensch as Curtis Miller, Kenny Tran as Bolin Hsu, Wyatt Gray as Damon Webster, Rafael Molina as Carter Alvarez, and Rocky Vega as Monica Alvarez. What an AWESOME time we all had. Rodney has co-starred on Broadway as part of the Original Cast of the now International Hit Musical, COME FROM AWAY, by Irene Sankoff and David Hein. Rodney Originated the role of Bob & Others. Directed by Tony Award winner Christopher Ashley with Musical Staging by Olivier Award winner Kelly Devine. (Rodney was nominated for a Helen Hayes Award for Outstanding Supporting Actor in a Musical -Ford’s Theater & a Gypsy Rose Lee nomination for Outstanding Supporting Actor in a Musical -Seattle Rep); Rodney Originated the role of Clarence Norris in John Kander & Fred Ebb's The Scottsboro Boys. Directed and Choreographed by Tony Award winner Susan Stroman; Rodney Revived the role of Peter in Jesus Christ Superstar (2000 Revival). Directed by Gayle Edwards with Choreography by Anthony Van Laast; Rodney Originated the role of Paul, a Cop and Others in the multiple Tony Award/Pulitzer Prize honored Landmark Musical RENT. Directed by Tony Award nominee Michael Greif with Choreography by Tony Award nominee Marlies Yearby. Rodney had a once in a lifetime opportunity to come full circle with RENT, coming back to the show in its final year on Broadway as Benjamin Coffin III. He plays Benny on the RENT: Live on Broadway DVD/ also available on streaming services. Some of his Off-Broadway credits include Originating the role of Philly in Lee Summers, Ty Stephens, and Herbert Rawlings, Jr’s R&B Musical, FROM MY HOMETOWN. Directed by Kevin Ramsey with Choreography by Leslie Dockery. (Audelco Award Outstanding Leading Actor in a Musical nomination); He Originated the role of Rodney in the 2006 revival of Jacques Brel is Alive and Well and Living in Paris. Directed by Gordon Greenberg with choreography by Mark Dendy. Rodney has a host of National/International tours and Prominent Regional theatre credits to his name. Rodney has the distinction of being the first African-American to portray the role of Curly in the first professional all-Black production of Rodgers & Hammerstein’s Oklahoma! at Portland Center Stage. Directed by his now-husband, Chris Coleman. Choreographed by Joel Ferrell. Rodney was awarded the Barrymore Award for Outstanding Leading Actor in a Musical for his turn as Haywood Patterson in the first post- Broadway Regional Premiere of The Scottsboro Boys at The Philadelphia Theatre Company. Susan Stroman’s Tony-nominated Direction and Choreography were reproduced by Jeff Whiting, Associate Director of the Broadway company. The Choreography was reproduced by Eric Santagata, Associate Choreographer of the Broadway company. Rodney and Chris are now based in Denver, CO where Chris is the Artistic Director of The Denver Center for the Performing Arts. They have two dogs, Trevor and Logan. Rodney enjoys traveling with work when not spending quality time at home with his husband, keeping himself busy writing, hiking, and meditating. Original Cast Recordings: COME FROM AWAY, The Scottsboro Boys, Jacques Brel is Alive and Well and Living in Paris, The New Picasso (concept recording), and RENT. Directing credits include Flame Broiled. or the ugly play (World Premiere); Runaways: In concert (reworked book by Rodney Hicks) at Joe's Pub/Public Theatre 2007 to benefit Joey Dipaolo AIDS Foundation. Jamie McGonnigal, producer -featuring Tony Award nominee Alex Brightman, Ezra Miller, Max Jenkins, Karla Mosley, Idara Victor, Eric Anthony, Shaun Taylor Corbett, Karen DiConcetto, Garrett Zercher, among others; Guess Who's Coming for Chitlins' at The Triad in NYC 1997. Book, Music & Lyrics by Jerry Dixon. The cast included Kevin R. Free, Kathy Deitch, J. Cameron Barnett, Welly Yang, JoLyn Burks, and Danielle Lee Greaves. Nancy Gilsenan’s Ordinary People at St. Thomas Aquinas Players.
Join us on our island getaway as we discuss another Rodgers & Hammerstein classic, the 1958 film adaptation of South Pacific! Cody & Paul talk about weird color filters, the long list of Italian dudes who played a French character and a man named Stewpot. Follow us on Twitter & Facebook @moviemusicalpod! Follow Cody @CodyPasby Follow Paul @ThePaulPonte
Oh, what a beautiful podcast! This month we discuss Rodgers & Hammerstein musicals starting with the grandaddy of them all, Oklahoma! Cody & Paul talk about the 1955 film adaptation of this classic musical and discuss how the stage version changed Broadway forever, which iconic actor nearly played Curly and why Paul had an out of body experience while watching the movie. Follow us on Twitter & Facebook @moviemusicalpod Follow Cody on Twitter @CodyPasby Follow Paul on Twitter @ThePaulPonte
Ted is President of the Rodgers & Hammerstein Organization, co-founder of Encores!, and many other things. But his biggest claim to fame came while he was in college and got a job as a gopher on the original Broadway production of Follies. He wrote a book about it. It’s a great book. You should buy Ted’s book. Buy Ted’s book about Follies: Everything Was Possible. Topics Include: making a musical about banking, the break-up of Bock & Harnick, out-of-town in Detroit, taking notes for Hal Prince, and caring for the Rodgers & Hammerstein canon. The Rodgers & Hammerstein Organization Subscribe to What is Love Actually? all episodes out 11/27/20!! Featured Recordings: The Rothschilds - Original Cast Recording (1970) MERCH! T-shirts! Totes bags! BASEBALL SHIRTS! ETCETERA! DO YOU LIKE MOVIE MUSICALS? Join us on PATREON to get our patrons-only podcast The Original Cast at the Movies! This month we’ve got a dystopian musical about the dark future of 1994 made in 1980. Anything else I type here would make it make less sense. It’s The Apple! Patreon • Twitter • Facebook • Email
On this week's episode, our guest is acclaimed Broadway performer Darius Barnes, former dancer with the New York City Ballet, Suzanne Farrell Ballet, and Dance Theater of Harlem! In addition to performing in Mean Girls on Broadway, Darius has appeared in the 2019 Broadway revival of Kiss Me Kate, made his Broadway & Principal debut in the Tony Award-winning musical, Memphis, and has been seen in Charlie and the Chocolate Factory, Spider-Man: Turn off the Dark, and Rodgers + Hammerstein’s Cinderella, to name a few. Darius is an accomplished choreographer—currently assistant choreographer on the Michael Jackson Musical developmental labs--and alumnus of the New York Choreographic Institute. In 2010, he was invited to choreograph a piece for the New York City Ballet. On top of his impressive resume of experience within the classical ballet community, and his credits in Broadway and Off-Broadway productions, Darius has also branched out into working as a producer. We are so thrilled to have him on the show today to discuss his journey from Baltimore School of the Arts, to SAB, NYCB, the Suzanne Farrell Ballet, DTH, Broadway, and beyond! For more information, as well as any links, see the blog post for this episode: http://www.margaretmullin.com/episodes/episode-31-darius-barnes Follow Beyond The Barre: https://www.instagram.com/beyondthebarrepodcast/ Darius Barnes: http://www.dariusbarnes.com/ https://www.instagram.com/dblexicon/ Host: Margaret Mullin http://www.margaretmullin.com/ https://www.instagram.com/margaretmullin/ Producer: Sarena Fishman Jimenez http://www.sarenafishman.com/ http://instagram.com/sarenafishman Music: William Lin-Yee https://soundcloud.com/williamlinyee
The boys talk Cardi B's lunch order, Miley Cyrus' clap back, and Selena Gomez' humming ability with special guest Charles Barksdale who steps into the ring to defend Brandy's riffs in Rodgers & Hammerstein's Cinderella and spill the tea on her #Verzuz battle with Monica.
Fol-de-rol and fiddledy dee; fiddledy, faddledy fodcast - Jimi and Tommy are fin’ly doing a ‘Cinderella’ podcast! Yes indeed, we are talking all about Rodgers and Hammerstein’s foray into television broadcasting and the eventual Broadway output, stopping for some Whitney along the way of course. We get down and dirty about the future of musical theatre, how this musical has developed over the years and discover Tommy’s magnum opus. Rodgers + Hammerstein’s Cinderella (Original Broadway Cast Recording) Amazon / iTunes / Spotify Support the Show ➤ SHOW NOTES Is Chance the Rapper tied to the R+H’s Cinderella through destiny? It’s certainly looking that way. Here’s the song from the quiz question! See if you can spot the Cinderella references. It’s always a good time for Jeremy Jordan. Even if it’s in these particularly peculiar R+H goes pop videos… If you’re interested in how the CBS recording came together then have a read of this great coverage from Playbill. What do you think about the idea of musical theatre changing how it’s portrayed? Would you be up for the first VR musical? Jimi’s favourite musical theatre author also has a podcast called Stage Grok (although it doesn’t appear to be active anymore - but hey who are we to talk!) There’s a great episode talking about licensing with composer Georgia Stitt if that’s your jam! Speaking of VR, how do we feel about this Beetlejuice clip from Good Morning America? If you fancy some great Whitney and Bernadette behind-the-scenes moments from 1997 TV movie, check this documentary out! Tracking the history of all the updates for Cinderella is a minefield but thankfully this article ties it all up together in a nice little bow! The self-proclaimed Magnum Opus of Musical Theatre Mash: him watching Cinderella with friends. Please tell Jimi that he’s not alone in loving the original 1986 ‘My Little Pony’ movie? Don’t you think the Stepsisters from 1997 would be amazing as these gals in the inevitable live action version we should be getting any day now? Remember you can come chat to us about the episode on Twitter and Instagram @jimandtomic! Or if you wanna pop OFF then jump into our email inbox at jimandtomic@gmail.com! A Religious Quiz Question Our next episode features the latest outing of a composer* who has been referred to as God in their past. What could it be? *The composer is not Stephen Sondheim. Learn more about your ad choices. Visit megaphone.fm/adchoices
Les hablo de cómo funciona el componente sonoro del lenguaje: cómo producimos sonidos, qué tipos de sonidos existen y cómo se combinan unos con otros. Música utilizada: “Máquina”, de Annia Linares; “Everybody Talks”, de Neon Trees; “Come Together”, comp. The Beatles; y “The Sound of Music”, comp. Rodgers & Hammerstein.
New miniseries time! This time, we're covering a quartet of songs from Pulitzer Prize-winning musicals, starting with one of the few Broadway songs of the 1940s about racism: "You've Got to Be Carefully" taught from 1949's South Pacific. All that, plus it's the first song by Rodgers & Hammerstein covered on the show, so there's plenty to discuss! The main clip is from the 1949 Original Broadway Cast Recording. All clips are used in accordance with the Fair Use Exemption for criticism and commentary. Buy/Listen on Amazon. Listen to the SMSTS playlist on Spotify. Follow the show on Twitter: @somuchstuffpod Email the show: somuchstufftosing@gmail.com
Will Andy love Rodgers & Hammerstein's CINDERELLA? Hope you know Cinderella because we jump right into it! (i.e. No spoiler free section) 01:03:53 Best/Worst 01:15:02 Beyond The Credits 01:24:41 Love What I Love? Music & Sound Effects by David Simon Podcast art by AJ Raponi
Cody and Paul continue to discuss their personal favorite musicals, and this week the guys discuss the 1956 film adaptation of Rodgers & Hammerstein's "Carousel". Follow us on Twitter @moviemusicalpod! Follow Cody @CodyPasby Follow Paul @ThePaulPonte
Trinity Wheeler IG(@trinityonbroadway)Executive Producer. Broadway: Les Misérables (Production Stage Manager). National Tours: Executive Producer credits include Rodgers & Hammerstein’s The Sound of Music, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast; The Phantom of the Opera (Supervisory Production Stage Manager), Les Misérables (Production Stage Manager), Mary Poppins (Production Stage Manager); Young Frankenstein starring Roger Bart and Rent starring Adam Pascal and Anthony Rapp. Trinity currently works on the national tours of Les Misérables, Once On This Island, Waitress, The SpongeBob Musical, Chicago and the upcoming Diane Paulus-helmed 1776. He is the host of Rhapsody Radio available on Apple Podcasts and Spotify.
We are so pleased to have The Screens on Tuesday's Show.See what all the fuss is about by picking up a limited edition signed CD at www.thescreens.org or stream and download at https://thescreens1.bandcamp.com/…/the-boy-who-waved-at-tra…We will explore their brilliant new album 'The Boy Who Waved At Trains'The Screens Influences are The Kinks, The Beatles, Rodgers & Hammerstein, The Walker Brothers, Dusty Springfield, John Barry.We should be in for a great night of chat and music.
Actress known for her roles as Christmas Eve in Avenue Q and stepsister Charlotte in Rodgers+ Hammerstein’s Cinderella; Currently starring in Emojiland.
In this episode Tim and George discuss the evolution of Rodgers & Hammerstein; from their works apart to the prime of their careers. Furthermore, they discuss the evolution of R&H musicals and what the future may hold for their works.
Julianne Boyd is the Artistic Director of Barrington Stage Company, which she co-founded and where she’s directed acclaimed productions of WEST SIDE STORY, THE GLASS MENAGERIE, COMPANY, CABARET, SWEENEY TODD and FOLLIES, among many others. She also conceived and directed the Broadway musical revue EUBIE!, which earned three Tony nominations. And this summer, Boyd will direct a new production of Rodgers + Hammerstein’s SOUTH PACIFIC at BSC in downtown Pittsfield, MA.Hosted by Beth Stevens, Paul Wontorek, and Ryan Lee Gilbert
KPFA theatre critic Richard Wolinsky reviews the 42nd Street Moon production of “Scrooge in Love” starring Jason Graae, at the Gateway in San Francisco through December 22, 2019. 42nd Street Moon website Text of review (differs slightly from audio version). Often remembered and revived, the big hit musicals of the fifties and sixties will never leave us. But there were other shows, minor hits and flops on Broadway, and television musicals that never went that far. These shows had weak books, and usually undistinguished scores with one exceptional song that survives. Cole Porter's Aladdin, Rodgers & Hammerstein's Me and Juliet, The Adventures of Marco Polo. The shows served as a backdrop to the bigger ones, the ones we sing today. So when you're going to the Gateway Theatre to see “Scrooge in Love,” a sequel to A Christmas Carol, starring Jason Graae with music by Broadway veteran Larry Grossman and lyrics by Kellen Blair, it's easy to imagine this show, first written and produced in 2015, being a revival of one of those shows from long ago, an imaginary black and white telecast on Kraft TV Theatre. Jason Graae, Scrooge in the production (actuality) It's hard to hang anything heavy on a clothesline made of tinsel. When we last left Dickens' Scrooge, his plate was full, with Tiny Tim and Bob Cratchit, with making up for years of greed. So does he need a mate? Not really. But if you accept the premise, then Scrooge does what it needs to do, in a 1958 kind of way. It's all kind of creaky, but not in a bad way. Jason Graae, coming off a year and a half as the Wizard in the national tour of Wicked, dominates the stage, not only with his talent, but with his energy. And there is that one song, a lament sung by Scrooge in Act Two when his old love rejects him, A Kitchen Built for Twenty, which Graae knocks out of the park. Broadway vet Larry Grossman thrives on the old style. No melisma, no rock or rap, nothing contemporary, a slight taste of jazz. In an era of throwing shade, Presidential tweeting, Facebook trolling, televised f-bombs and internet porn, sometimes you just need a little comfort food. Scrooge in Love, starring Jason Graae, directed by Dyan McBride, plays at the Gateway in San Francsico through December 22nd. For more information go to 42nd Street Moon dot org. That's 42ndStMoon.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: Scrooge in Love, at the Gateway (42nd St. Moon) appeared first on KPFA.
The Broadway Babies are dusting off our VHS tapes and pulling out our Lisa Frank gel pens to tackle this iconic production: The Wonderful World of Disney’s “Rodgers & Hammerstein’s Cinderella”! Starring Brandy “sittin up in her cellar” Norwood, Whitney “I am your actual boss” Houston, and Bernadette “how can I make this power dynamic less problematic” Peters! Join Alex and Daisha as they sift through this fairy tale's long production history, the behind-the-scenes drama and the optics of color-blind casting, and discuss whether or not this movie was as progressive as it wanted to be at its inception. Cast recording: ¯_(ツ)_/¯ Film: Amazon Songs: "Impossible," performed by Whitney Houston “My Own Little Corner,” by Brandy Norwood “Falling in Love With Love,” by Bernadette Peters "Stepsisters' Lament," by Natalie Deselle and Veanne Cox "It's Possible," by Brandy and Whitney Houston Music by Richard Rodgers and lyrics by Oscar Hammerstein II Show Notes: Shondaland.com's 20th anniversary herstory of the Cinderella film has all the tea, listeners. WHY ARE YOU DOWN THERE: This behind-the-scenes video special on Brandy and Whitney's relationship shows more than just the memes. Like night and day: Brandy's take on "Roxie" was just bursting with personality, no wonder they waited outside in lights to see her! Audra McDonald and Mary Testa's own version of the "Stepsisters' Lament" is its own level of iconic. Speaking of the Stepsisters, Veanne Cox might also just have one of the best renditions of "Getting Married Today." Veanne has the range: Here she is getting destroyed by Julia Roberts for having two wrong feet with ugly shoes. The 1965 version with Ginger Rogers is free via YouTube TV! If you would just like the entire movie retold in GIFs Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast
Ann Harada captured our hearts in Avenue Q, where she played the insightful and hilarious Christmas Eve. She has been on Broadway since 1988, making her debut in M. Butterfly. She has played various roles in shows such as Seussical, Les Miserables, 9 to 5, Rodgers + Hammerstein’s Cinderella, and more. On this episode, Ann discusses her long career, including becoming a mom while being a working actor. We also talk about her new streaming musical “No One Called Ahead” (which was filmed for a brand new streaming media format) and how film and the internet is changing the theatre industry. Interview content begins at 3:33. Closing standards begin at 46:05. Connect with Ann online:Twitter: @annharadaInstagram: @iamannharadaNo One Called Ahead:noonecalledahead.comStreamingMusicals.com Connect with The Theatre Podcast:Support us on Patreon: Patreon.com/TheTheatrePodcastTwitter & Instagram: @theatre_podcastFacebook.com/OfficialTheatrePodcastTheTheatrePodcast.comAlan’s personal Instagram: @alansealesJillian’s personal Instagram: @jillianhochmanEmail us at feedback@thetheatrepodcast.com. We want to know what you think.Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.
In this very special Mother’s Day episode of Adapt or Perish, we discuss Mary Rodgers’ mother-daughter body-swap classic, Freaky Friday! For this episode, we read and watched: Mary Rodgers’ original 1972 novel. The 1976 movie, directed by Gary Nelson, written by Rodgers, and starring Jodie Foster and Barbara Harris. Watch it on iTunes and Amazon. The 1995 TV movie, directed by Melanie Mayron, and starring Gaby Hoffman and Shelley Long. Watch it on YouTube. The 2003 movie, directed by Mark Waters, written by Heather Hach and Leslie Dixon, and starring Lindsay Lohan and Jamie Lee Curtis. Watch it on iTunes and Amazon. Footnotes: Body swap appearances in media Vice Versa: A Lesson to Fathers by Thomas Anstey Guthrie The Freaky Friday musical, 2016, adapted into a TV movie for the Disney Channel in 2018 Richard Rodgers (of Rodgers & Hammerstein) and Adam Guettel Once Upon a Mattress Taylor Negron Heather Hach and the Legally Blonde musical Rosalind Chao You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.
Let me Soothe you 2 Sleep as we listen to this lullaby, “Goodnight, My Someone”, written by Rodgers & Hammerstein. This melody is sung by yours truly. Blessings
Every so often we get the opportunity to catch a musical coming through Boston and then sit with the actors or musicians for a chat. We were especially lucky to have a conversation with the lovely Zina Ellis who plays the Fairy Godmother in Rodgers & Hammerstein’s CINDERELLA at the beautifully restored Emerson Colonial Theatre. We saw the show the night before talking with Zina and had a fantastic time. The show is a fresh new take on the beloved tale of a young woman who is transformed from a chambermaid into a princess. Hilarious and romantic, CINDERELLA combines the story’s classic elements – glass slippers, a pumpkin and a beautiful ball along with some surprising twists. But we aren’t going to give anything more away – you’ll just have to catch the show before it moves on to another town. Cinderella runs in Boston through December 30th and you can get your tickets at www.emersoncolonialtheatre.com
Hemos preparado una selección de temas relacionados con la Navidad para que escuches durante estas fiestas, como música de fondo en tus celebraciones, o para que te acompañen en estos días que ponen fin a un año más, este 2018 en el que hemos empezado juntos esta aventura de los podcast. Lo hemos dividido en tres tramos, uno en el que hemos incluido los temas escritos por autores de musicales teatrales o bandas sonoras, unos relacionados con las mismas y otros escritos específicamente para celebrar la Navidad. Encontrareis temas de compositores clásicos como Rodgers & Hammerstein, Irving Berlin, Jule Styne, Frank Loesser, Jay Livingston, Meredith Wilson o más actuales como Alan Menken, Stephen Sondheim, Andrew Lloyd Webber, Stephen Flaherthy, Hans Zimmer o Jonathan Larson, interpretados por un buen puñado de cantantes que conoceréis del teatro musical o de las listas de éxito. Los otros bloques son uno para reflexionar en tiempos de Navidad y otro más alegre y pop para afrontar el año nuevo con fuerza y alegría. Y por cierto....... ¡FELIZ NAVIDAD! 00h 00'00" Presentación 00h 00'25" Cabecera 00h01'01" Presentación bloque teatro y cine 00h 01'57" The Christmas Overture 00h 07'32" Silver Bells (Livingston & Evans) 00h 09'53" Happy Christmas, little friend (Rodgers & Hammerstein) 00h 13'38" The most wonderful birthday of all (Davis & Newell) - Stephanie Lawrence 00h 17'41" Let's pretend (Schönberg & Boublil) - Michael Crawford 00h 20'47" White Christmas (Berlin) 00h 24'56" I watch you sleeping (Batt) - Frances Ruffelle 00h 29'48" Walking in the air (Blake) - Aled Jones 00h 33'07" I remember (Sondheim) - Barbra Streisand 00h 37'55" It's beginning to look at Christmas (Wilson) - Michael Bubble 00h 41'16" The Christmas Waltz (Styne & Cahn) - Carpenters 00h 43'23" Cold enough to snow (Menken & Schwartz) - Susan Egan 00h 45'48" Baby, it's cold outside (Loesser) - Vanessa Williams & Bobby Caldwell 00h 50'21" My favourite things (Rodgers & Hammerstein) - Barbra Streisand 00h 53'23" A winter's tale (Batt & Rice) - Elaine Paige 00h 57'14" Have yourself a merry little Christmas (Martin & Blane) - Michael Buble 01h 01'01" When you wish upon a star (Harline & Washington) - Mary J. Blidge, Barbra Streisand 01h 04'37" Winter light (Menken & Schwartz) - Adam Pascal 01h 08'54" All those Christmas cliches (Flaherthy & Ahrens) - Susan Egan 01h 12'15" What are you doing New Year's Eve? (Loesser) - Rod Stewart, Ella Fitzgerald & Chris Botti 01h 15'52" Let it snow (Styne & Cahn) - Trijntje Oosterhuis 01h 18'11" As long as there's Christmas (Portman & Black) - Michaell Ball & Elaine Paige 01h 21'49" The closing of the year (Zimmer & Horn) - Wendy & Lisa 01h 25'45" Christmas dream (Lloyd Webber & Rice) - Perry Como 01h 28'30" Do you know how Christmas trees are grown? (Barry & David) - Nina 01h 31'48" Seasons of love (Larson) - Stevie Wonder & Rent Cast 01h 36'09" Thank you very much / I'll begin again (Bricusse) - Anthony Newley 01h 39'42" Presentación bloque para reflexionar 01h 41'10" 7 O'Clock News / Silent night (Gruber & Mohr) - Simon & Garfunkel 01h 43'03" Happy Christmas (War is over) (Lennon) - John & Yoko 01h 46'32" In my life (Lennon & McCartney) - Sean Connery & George Martin 01h 48'55" Save the children (MackIntosh & Newell) - Casts London & Broadway 01h 53'00" Do they know it's Christmas? (Geldof & Ure) - Band Aid 01h 56'48" Presentación bloque pop 01h 57'27" Christmas (Baby, please come home) (Spector) - Mariah Carey 01h 59'50" Driving home for Christmas (Rea) - Chris Rea 02h 03'44" Thank God it's Christmas (Taylor & May) - Queen 02h 07'55" Last Christmas (Michael) - Wham! 02h 12'18" Step into Christmas (John & Taupin) - Elton John 02h 16'27" Wonderful Christmas time (McCartney) - Paul McCartney 02h 20'11" All I want for Christmas it's you (Carey & Afanasieff) - Mariah Carey 02h 24'03" You make me feel like Christmas (Diamond) - Neil Diamond 02h 27'36" Please come home for Christmas (Brown & Redd) - Eagles 02h 30'28" Happy New Year (Andersson & Ulvaeus) - Michael Ball Y nos vemos vemos, nos leemos y nos escuchamos en 2019!.
Hemos preparado una selección de temas relacionados con la Navidad para que escuches durante estas fiestas, como música de fondo en tus celebraciones, o para que te acompañen en estos días que ponen fin a un año más, este 2018 en el que hemos empezado juntos esta aventura de los podcast. Lo hemos dividido en tres tramos, uno en el que hemos incluido los temas escritos por autores de musicales teatrales o bandas sonoras, unos relacionados con las mismas y otros escritos específicamente para celebrar la Navidad. Encontrareis temas de compositores clásicos como Rodgers & Hammerstein, Irving Berlin, Jule Styne, Frank Loesser, Jay Livingston, Meredith Wilson o más actuales como Alan Menken, Stephen Sondheim, Andrew Lloyd Webber, Stephen Flaherthy, Hans Zimmer o Jonathan Larson, interpretados por un buen puñado de cantantes que conoceréis del teatro musical o de las listas de éxito. Los otros bloques son uno para reflexionar en tiempos de Navidad y otro más alegre y pop para afrontar el año nuevo con fuerza y alegría. Y por cierto....... ¡FELIZ NAVIDAD! 00h 00'00" Presentación 00h 00'25" Cabecera 00h01'01" Presentación bloque teatro y cine 00h 01'57" The Christmas Overture 00h 07'32" Silver Bells (Livingston & Evans) 00h 09'53" Happy Christmas, little friend (Rodgers & Hammerstein) 00h 13'38" The most wonderful birthday of all (Davis & Newell) - Stephanie Lawrence 00h 17'41" Let's pretend (Schönberg & Boublil) - Michael Crawford 00h 20'47" White Christmas (Berlin) 00h 24'56" I watch you sleeping (Batt) - Frances Ruffelle 00h 29'48" Walking in the air (Blake) - Aled Jones 00h 33'07" I remember (Sondheim) - Barbra Streisand 00h 37'55" It's beginning to look at Christmas (Wilson) - Michael Bubble 00h 41'16" The Christmas Waltz (Styne & Cahn) - Carpenters 00h 43'23" Cold enough to snow (Menken & Schwartz) - Susan Egan 00h 45'48" Baby, it's cold outside (Loesser) - Vanessa Williams & Bobby Caldwell 00h 50'21" My favourite things (Rodgers & Hammerstein) - Barbra Streisand 00h 53'23" A winter's tale (Batt & Rice) - Elaine Paige 00h 57'14" Have yourself a merry little Christmas (Martin & Blane) - Michael Buble 01h 01'01" When you wish upon a star (Harline & Washington) - Mary J. Blidge, Barbra Streisand 01h 04'37" Winter light (Menken & Schwartz) - Adam Pascal 01h 08'54" All those Christmas cliches (Flaherthy & Ahrens) - Susan Egan 01h 12'15" What are you doing New Year's Eve? (Loesser) - Rod Stewart, Ella Fitzgerald & Chris Botti 01h 15'52" Let it snow (Styne & Cahn) - Trijntje Oosterhuis 01h 18'11" As long as there's Christmas (Portman & Black) - Michaell Ball & Elaine Paige 01h 21'49" The closing of the year (Zimmer & Horn) - Wendy & Lisa 01h 25'45" Christmas dream (Lloyd Webber & Rice) - Perry Como 01h 28'30" Do you know how Christmas trees are grown? (Barry & David) - Nina 01h 31'48" Seasons of love (Larson) - Stevie Wonder & Rent Cast 01h 36'09" Thank you very much / I'll begin again (Bricusse) - Anthony Newley 01h 39'42" Presentación bloque para reflexionar 01h 41'10" 7 O'Clock News / Silent night (Gruber & Mohr) - Simon & Garfunkel 01h 43'03" Happy Christmas (War is over) (Lennon) - John & Yoko 01h 46'32" In my life (Lennon & McCartney) - Sean Connery & George Martin 01h 48'55" Save the children (MackIntosh & Newell) - Casts London & Broadway 01h 53'00" Do they know it's Christmas? (Geldof & Ure) - Band Aid 01h 56'48" Presentación bloque pop 01h 57'27" Christmas (Baby, please come home) (Spector) - Mariah Carey 01h 59'50" Driving home for Christmas (Rea) - Chris Rea 02h 03'44" Thank God it's Christmas (Taylor & May) - Queen 02h 07'55" Last Christmas (Michael) - Wham! 02h 12'18" Step into Christmas (John & Taupin) - Elton John 02h 16'27" Wonderful Christmas time (McCartney) - Paul McCartney 02h 20'11" All I want for Christmas it's you (Carey & Afanasieff) - Mariah Carey 02h 24'03" You make me feel like Christmas (Diamond) - Neil Diamond 02h 27'36" Please come home for Christmas (Brown & Redd) - Eagles 02h 30'28" Happy New Year (Andersson & Ulvaeus) - Michael Ball Y nos vemos vemos, nos leemos y nos escuchamos en 2019!.
Historian Ethan Mordden, author of “All That Jazz: The Life and Times of the Musical CHICAGO" and many works including the "Rodgers & Hammerstein" book, shares his considerable knowledge & insights into the classic musicals "Chicago" and "Carousel."
Como complemento al podcast de "Cuéntame un musical: Carousel" en el que hablamos de este musical de Rodgers & Hammerstein, presentamos una selección de canciones escritas por este compositor, con sus dos letristas más famosos Oscar Hammerstein y Lorenz Hart, en versiones muy variadas, huyendo de incluir en lo posible las de algún reparto teatral, para que veáis cómo la música no tiene edad y han recurrido a estos temas de Richard Rodgers cantantes de todo tipo de géneros. Es una playlist en la que hemos enlazado más de cuarentena de temas de este inspirado y prolífico compositor que esperamos os guste Aquí dejamos el track list con los temas e intérpretes 0h 00'00" Presentación 0h 00'52" Cabecera 0h 01'28" If I loved you - Barbra Streisand 0h 04'14" I whistle a happy tune - Frank Sinatra 0h 06'48" There's a small hotel - Ella Fitzgerald 0h 09'34" Bali H'ai - Gary Wilmot 0h 12'25" Out of my dreams - Bernadette Peters 0h 15'52" We kiss in a shadow - Peabo Bryson & Lea Salonga 0h 20'22" Something good - Seth MacFarlane 0h 24'43" My funny Valentine - Ella Fitzgerald 0h 28'47" My favorite things - Barbra Streisand 0h 31'32" I'm gonna wash that man right out of my head - Liz Callaway 0h 35'03" The lady is a tramp - Tony Bennett & Lady Gaga 0h 38'25" Edelweiss - Linda Eder 0h 42'19" Isn't it romantic - Ella Fitzgerald 0h 45'08" Climb every mountain - Barbra Streisand & Jamie Foxx 0h 48'18" Blue moon - Rod Stewart & Eric Clapton 0h 52'25" My romance - Ella Fitzgerald 0h 55'46" This nearly was mine - Seth MacFarlane 0h 59'34" A wonderful guy - Lisa Vroman 1h 02'37" The sound of music - Julie Andrews 1h 07'34" Some enchanted evening - Bernadette Peters 1h 11'14" Waltz Medley - Julie Andrews 1h 26'00" People will say we're in love - Hugh Jackman & Josefina Gabrielle 1h 29'33" Getting to know you - Kelli O'Hara 1h 33'06" Younger than springtime - Plácido Domingo 1h 36'08" Oh what a beautiful morning - Ron Raines 1h 38'47" With a song in my heart - Ella Fitzgerald 1h 41'21" Manhattan - Rod Stewart & Bette Midler 1h 44'12" Where or when - George Michael 1h 47'02" Bewitched, bothered & bewilder - Rod Stewart & Cher 1h 50'53" You'll never walk alone - Barbra Streisand 1h 55'36" It's a grand night for singing - Bernadette Peters 1h 57'57" There is nothin' like a dame - Soundtrack from the movie 2h 01'43" Soliloquy - Ron Raines 2h 09'06" Cock-eyed optimist - Susan Egan 2h 12'17" Hello young lovers - Kelli O'Hara 2h 15'23" Shall we dance - Julie Andrews & Beng Kingsley 2h 19'26" March of the siamese children - Instrumental 2h 21'50" I have confidence - Sierra Bogges 2h 25'40" I have dreamed - Peabo Bryson & Lea Salonga 2h 28'45" Oklahoma - John Wilson Orchestra & Singers 2h 31'48" So long, farewell - 2006 London Cast Nos despedimos hasta nuestro próximo podcast el 1 de Abril de 2018 con "Cuéntame un musical: Dear Evan Hansen"
Como complemento al podcast de "Cuéntame un musical: Carousel" en el que hablamos de este musical de Rodgers & Hammerstein, presentamos una selección de canciones escritas por este compositor, con sus dos letristas más famosos Oscar Hammerstein y Lorenz Hart, en versiones muy variadas, huyendo de incluir en lo posible las de algún reparto teatral, para que veáis cómo la música no tiene edad y han recurrido a estos temas de Richard Rodgers cantantes de todo tipo de géneros. Es una playlist en la que hemos enlazado más de cuarentena de temas de este inspirado y prolífico compositor que esperamos os guste Aquí dejamos el track list con los temas e intérpretes 0h 00'00" Presentación 0h 00'52" Cabecera 0h 01'28" If I loved you - Barbra Streisand 0h 04'14" I whistle a happy tune - Frank Sinatra 0h 06'48" There's a small hotel - Ella Fitzgerald 0h 09'34" Bali H'ai - Gary Wilmot 0h 12'25" Out of my dreams - Bernadette Peters 0h 15'52" We kiss in a shadow - Peabo Bryson & Lea Salonga 0h 20'22" Something good - Seth MacFarlane 0h 24'43" My funny Valentine - Ella Fitzgerald 0h 28'47" My favorite things - Barbra Streisand 0h 31'32" I'm gonna wash that man right out of my head - Liz Callaway 0h 35'03" The lady is a tramp - Tony Bennett & Lady Gaga 0h 38'25" Edelweiss - Linda Eder 0h 42'19" Isn't it romantic - Ella Fitzgerald 0h 45'08" Climb every mountain - Barbra Streisand & Jamie Foxx 0h 48'18" Blue moon - Rod Stewart & Eric Clapton 0h 52'25" My romance - Ella Fitzgerald 0h 55'46" This nearly was mine - Seth MacFarlane 0h 59'34" A wonderful guy - Lisa Vroman 1h 02'37" The sound of music - Julie Andrews 1h 07'34" Some enchanted evening - Bernadette Peters 1h 11'14" Waltz Medley - Julie Andrews 1h 26'00" People will say we're in love - Hugh Jackman & Josefina Gabrielle 1h 29'33" Getting to know you - Kelli O'Hara 1h 33'06" Younger than springtime - Plácido Domingo 1h 36'08" Oh what a beautiful morning - Ron Raines 1h 38'47" With a song in my heart - Ella Fitzgerald 1h 41'21" Manhattan - Rod Stewart & Bette Midler 1h 44'12" Where or when - George Michael 1h 47'02" Bewitched, bothered & bewilder - Rod Stewart & Cher 1h 50'53" You'll never walk alone - Barbra Streisand 1h 55'36" It's a grand night for singing - Bernadette Peters 1h 57'57" There is nothin' like a dame - Soundtrack from the movie 2h 01'43" Soliloquy - Ron Raines 2h 09'06" Cock-eyed optimist - Susan Egan 2h 12'17" Hello young lovers - Kelli O'Hara 2h 15'23" Shall we dance - Julie Andrews & Beng Kingsley 2h 19'26" March of the siamese children - Instrumental 2h 21'50" I have confidence - Sierra Bogges 2h 25'40" I have dreamed - Peabo Bryson & Lea Salonga 2h 28'45" Oklahoma - John Wilson Orchestra & Singers 2h 31'48" So long, farewell - 2006 London Cast Nos despedimos hasta nuestro próximo podcast el 1 de Abril de 2018 con "Cuéntame un musical: Dear Evan Hansen"
Rodgers + Hammerstein’s Cinderella is the Tony Award®-winning Broadway musical that’s delighting audiences with its contemporary take on the classic tale and it will be at State Theatre New Jersey Feb 9-10. We chat with Joanna Johnson about the five rounds of auditions it took her to land the role as well as how she takes on famous comedic roles in her profession.
Warning: If you usually listen to this podcast at a faster speed, singing will be used and this might be a good time to slow your podcast player down. If you've been with me from the very beginning, you know every so often I like to thrown in a little singing now and then. I try to deny being a theater person, but I secretly am. The theater bug bites me every so often and I want to be in a show again. And not just any show. I was brought up listening to Rodgers & Hammerstein, singing along with Julie Andrews and Bernadette Peters, and had it not been for my lack of grace when it comes to dancing, I probably would have pursued it more. But, now that I have a podcast, and I wanted to celebrate the 100 episodes by doing something special, and no one has to see my bad coordination. I'm your host, Emily Prokop, and this is The Story Behind: The Musical! Originally, I had a song for this episode's promo, but I decided to record this straight instead. I just wanted to thank everyone who has supported the show. I'm really proud of not only making it to 100 episodes, but also the one year anniversary of The Story Behind. And many of you have been there from the beginning. Thank you for joining the The Story Behind Facebook Group, Liking the Story Behind Facebook page, following @storybehindpod on Twitter and Instagram, becoming executive producers by supporting the show on Patreon.com, sending notes, emails, DMs of encouragement, retweeting, commenting, telling your friends … really, you guys are the lifeblood of this podcast to keep it going. There's going to be some exciting things planned for this podcast and myself and I can't wait to share it with you all. So here's to another 100 and another year of The Story Behind. Oh, and if you're an executive producer of The Story Behind, you can hear the original song I recorded for the promo by going to Patreon.com/TheStoryBehind. LYRICS This is the story all about the modern major musical The history's quite large and certain facts might be disputable It started back in Greece where many theaters were acoustical The middle ages brought them back with church and tra-ve-ling minstrels The 17- and 18-hundreds' shows were quite satirical Though op-er-a quite serious the musicals were comical The views expressed may not have always suited those imperial But entertainment wins and they continued to be fash'niable. With names like Strauss and Offenbach they spread fast geographical They hit the U.S.A. and folks enjoyed a bit of Vaud-eh-ville The history's quite large and certain facts might be disputable This is the story all about the modern major musical Burlesque, we will not cover because this podcast is for all ears But just to note this was a part of musicals for several years Extravaganzas, Pantomimes and farces were all met with cheers The theater thrived and fattened wallets of investing financiers Broadway emerged as the grand force to rule all things theatrical And stage revues like Zeigfeild's Follies drew crowds international In 1919 unions forced their contracts with a picket line The ‘20s saw Cole Porter, Hart and Rodgers and then Hammerstein The Great Depression didn't keep the musicals from going down But actors moved out west to Hollywood for movies now with sound The history's quite large and certain facts might be disputable This is the story all about the modern major musical The people went to movies to escape thoughts of the second war The musicals were loved and records flew off shelves at music stores The decades passed and rock and roll soon stepped on music theater's toes But Sondheim came and introduced the people to his concept shows The trend revived and musicals came back strong like they were before The audiences clamored for Andrew Lloyd Webber's epic scores And now our favorite movies-turned-to-musicals all do quite well And history has sold out crowds with R&B by Lin-Manuel. For episode 100 I came up with doing musicals I hope you learned a bit and all my rhymes weren't inexcusable The history's quite large and certain facts might be disputable This is the story all about the modern major musical! *** Join The Story Behind Discussion Group on Facebook! Learn about Podcast Share at PodcastShare.net or by following @PodcastShare on Twitter. Follow The Story Behind: Twitter | Facebook | Instagram | Pinterest *NEW* | Website This episode was brought to you by The Story Behind Executive Producers who support the show through the Patreon Page at patreon.com/thestorybehind: Stargate Pioneer from GonnaGeek.com, Mat from the One Word, Go! Show, Sam Dunn, Diane and Denise from History Goes Bump, Scott Smith from Recovering from Religion, Dan Brenic from Netflix N' Swill, Jarrod Dunham from TheHistoryphile.net, Heather Welch from Sunshine and PowerCuts, and Jason Bryant from Mat Talk Online, Gerald and Andy from Two Peas on a Podcast, Bandrew Scott from The Bandrew Says Podcast and Podcastage YouTube Channel, Adam from Everyone Has a Podcast. and Barry G, Nick and Justin from Epic Film Guys, and newest Executive Producer, Jeremy Collins from Podcasts We Listen To. Click here to support this podcast on Patreon. Proud supporter of #PodernFamily, #HumanitiesPodcasts & #LadyPodSquad on Twitter. Media: Music for Makers Sources: Musicals On Stage: A Capsule History - Musicals101.com Broadway & Hollywood - PBS.org Screen 1940's I: Warners, Goldwyn & Paramount - Musicals101.com History of The Musical Stage The 1930s I: Great Songwriting Teams - Musicals101.com A History of The Musical European Operetta: 1850-1880 - Musicals101.com History of The Musical Stage 1920s: "Keep the Sun Smilin' Through" - Musicals101.com Modern Major General Lyrics - ThoughtCo.com
An extortion plot, a controversial rendition of a Rodgers & Hammerstein classic and the first appearance of THE little black book highlights episode 15, “Father Knows Last”. Just like a debate on how to properly spice a Bloody Mary, George and Randy come to differing conclusions regarding Carla Tortelli's first pregnancy announcement. Grab a seat and decide who was correct! (Review starts - 9:44)
Actor Patricia Hurley Carpenter comes fresh from Olney Theatre productions of MARY POPPINS and SWEENEY TODD to talk about Rodgers & Hammerstein's Pulitzer Prize-winning effort. Topics include: racism, hilarity, and the conquering of other countries and peoples based on flags. Featured recordings: SOUTH PACIFIC - Original Broadway Cast (1949) Twitter.com/OriginalCastPodFacebook.com/OriginalCastPodEmail: OriginalCastPod@gmail.com
We were joined in the studio today by Celeste Brooks, Director of Public Relations for Randolph-Macon Academy to talk about their upcoming Open House with guided tours of their campus at 2pm on Sunday, November 6th. We also talked about R-MA drama department's FREE production of Rodgers & Hammerstein's *Cinderella, The Enchanted Edition*. Open showings, no reservation required, will take place Thursday, November 10th and Friday, November 11th at 7:30 p.m. at Melton Memorial Gymnasium. A special matinee for school groups and homeschool students will be held on Thursday, November 10th at 1:30 p.m. Reservations are required for this special matinee. Admission for all performances is free. For more information or to reserve seats at the matinee, email academics@rma.edu or call 540-636-5200. Celeste is also a board member for the Front Royal branch of the Salvation Army and brought with her Lts. Matthew & Laura Tidman. We talked about the upcoming deadline (today at 3:30pm) for families to apply to become recipients of the Angel Tree donations as well as their need for paid and volunteer bell ringers for the holiday season. Their Kettle Kick-Off will be held on Thursday, November 10th at 11am at Rural King. For more information about the Front Royal Salvation Army, visit their website: http://virginiasalvationarmy.org/frontroyalva/ or their Facebook page: https://www.facebook.com/salvationarmyfrontroyal. They are also scheduled to be returning guests on The Valley Today on Monday, December 5th.
Happy holidays, listeners! It's episode 74. This time around, we chat about some more musicals, specifically those written by Rodgers & Hammerstein. We also checked out the latest movie in the Rocky franchise, despite not being particularly familiar with its predecessors. Enjoy! IN THEATERS Creed: It seems Michael B. Jordan may, in fact, be perfect. THEME MOVIES The King and I (1956): Shall we dance? Why, yes, we shall. South Pacific (1958): Some enchanted evening, you may see strange colors. The Sound of Music (1965): The first three notes just happen to be pretty great. Cinderella (1997): Impossible! (As in nearly impossible to sit through.) E-mail us at flickyeahpodcast@gmail.com, follow us on Twitter and Instagram @flickyeahcast, like us on facebook at facebook.com/flickyeahpodcast, and subscribe/write a review on iTunes!Intro music by Andre Kennedy. Like him on facebook and check him out on SoundCloud!
The BarristerThis was ruminating for a while, as the BroneCast regulars Jeff (@Jambrones) and Jon (@Boner_Shorts) had been discussing their mutual love of musicals with me for a while .... a love I, of course, dorkily share. So, since the guys had successfully started a music podcast it made sense to devote and episode to this genre sooner or later.And then Jason Collins came out and we made the potentially offensive and easy leap to "hey let's get on that showtunes episode to celebrate the gay guy!!" The Bone Man, aka Jon, picked a couple of beauties this week: "You Have to Be Carefully Taught" from South Pacific and "You'll Never Walk Alone" from Carousel. Quite the pair of great Rodgers & Hammerstein tunes, replete with great inspirational messages to pay seems-like-snark-but-is-really-genuine tribute to Mr. Collins and all people who have struggled to publicly come out as their true selves.
Wednesday, August 22nd, 3 pm ET, The Halli Casser-Jayne Show will be talking raindrops on roses and whiskers on kittens, oh what a beautiful mornin', you've got to be carefully taught and so much more, when we celebrate truly something wonderful: the genius of the most influential lyricist of the American theater, Oscar Hammerstein II. Together with collaborator Richard Rodgers, Hammerstein helped define the modern musical, winning eight Tonys and two Academy Awards. From Showboat to Oklahoma!, South Pacific to The King and I, and, of course, The Sound of Music, Hammerstein taught us all to whistle a happy tune. Joining Halli to celebrate the genius of his grandfather and the influence of the entire Hammerstein family is Oscar Hammerstein II's grandson, author and painter, Oscar Andrew Hammerstein; currently starring on Broadway in Jersey Boys, Russell Fischer; President and Executive Director of Rodgers & Hammerstein, Ted Chapin; and author and vaudeville historian, Trav S.D. It'll be 90 minutes of sheer musical pleasure. So pour yourselves something cool and refreshing, kick back, and listen to The Halli Casser-Jayne Show, Talk Radio for Fine Minds and Broadway musical lovers.
Conductor, James Holmes discusses Opera North's stunning new production of Rodgers & Hammerstein's timeless musical, Carousel.
This Week on Big Band Serenade Storms,Rain and Thunger Songs and Big Bands Tunes from 1910-1945. The music played on this Big Band Serenade are1)It Might As Well Be Spring-Dick Haymes-Victory Young-1945,2)Peaches In The Springtime-Memphis Jug Band-1928,3)Sping Song-Xavier Cugat and His Orchestra-1941,4)When It's Springtime In Alaska-Johnny Horton,5)Santa Claus Came In The Spring-Putney Dandridge-1935,6)It Might As Well Be Spring-Clooney and James,Rodgers-Hammerstein-1952,7)When It's Springtime In The Rockies-Hilo Hawaiian Orchestra-1930,8)Big Spring Poker-Mississippi Sheiks-Lester Carter-1931,9)It Might As Well Be Spring-Sarah Vaughan, 10)It Might As Well Be Spring-Paul Weston Orchestra-Margaret Whiting
On the eve of her solo concert at Carnegie Hall, Lea Salonga chronicles her journey from the Philippines to the West End to Broadway with "Miss Saigon", the experience of being in a "new" Rodgers & Hammerstein show with the revised "Flower Drum Song", and the challenges for Asian performers in America. Original airdate - November 4, 2005.