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Will Grace get SCHOOLED by Hannah today?
Diane chats with IKE BARINHOLTZ about THE STUDIO, the sharp, funny, inside Hollywood comedy on AppleTV+. Then Andy and Diane discuss MIDCENTURY MODERN, the new Hulu comedy from the creators of WILL & GRACE, THE PITT's super-emo episode, and murder mysteries LONG BRIGHT RIVER and HAPPY FACE.
This week's entertainment lineup is stacked! A24's Death of a Unicorn with Jenn Ortega and Paul Rudd, Jason Statham stars in A Working Man, and the creators of Will & Grace bring us Mid-Century Modern. Plus, Mikey Madison from Anora is set to host SNL! The Hunger Games is bigger than ever with Sunrise on the Reaping. A surprising partnership between MrBeast and James Patterson. Our thoughts on an emotional episode of Survivor. Why are generations so competitive? Gen Z is listening. Brene Brown introduces us to "floodlighting" - but whatever you do, don't listen to Vinnie.
You might recognize actress Megan Mullally from her Emmy Award-winning stint on the NBC sitcom Will & Grace, or her many other comedic roles. What you MIGHT not know is that she's also an accomplished singer, releasing three albums with her band Supreme Music Program. This week's guest, Patron, visual artist and self-described potential drag disciple Motelle Codeen brings us Megan Mullally & Supreme Music Program's wonderfully eclectic 2007 release: 'Free Again!' "Honey, tact is for people who aren't witty enough to be sarcastic." - Karen Walker Songs discussed in this episode: Are You Lonesome Tonight? - Megan Mullally; Will & Grace Theme - Jonathan Wolff; Ruby's Arms - Megan Mullally & Supreme Music Program; Please, Mr Jailer - Nancy and Beth; Pa Pa Power - Dead Man's Bones; You Took Advantage of Me - Megan Mullally; Up A Lazy River - Megan Mullally & Supreme Music Program; Up A Lazy River - Leon Redbone; Down By The Water - Megan Mullally & Supreme Music Program; Down By The Water - PJ Harvey; St James Infirmary - Louis Armstrong; St James Infirmary Blues - Cab Calloway; St James Infirmary, I Cannot Justify - Megan Mullally & Supreme Music Program; I Cannot Justify - Adrienne Young; Two Sisters - Tom Waits; Wind and Rain, Shakedown On 9th St. - Megan Mullally & Supreme Music Program; Talk To Me - Frogpond, Talk To Me - Megan Mullally & Supreme Music Program; Awaiting You - Adam Guettel, Billy Porter; Awaiting You, For The Good Times, You Took Advantage Of Me - Megan Mullally & Supreme Music Program; You Took Advantage Of Me - Elaine Stritch; Ave Maria - Megan Mullally & Supreme Music Program
Will Grace get SCHOOLED by Hannah today?
Will Grace get SCHOOLED by Hannah today?
“Pilot” (October 1, 2003) Even NBC tried to replicate the success of America's first popular gay sitcom, and this week we're joined once again by Steven Capsuto to discuss an attempt to bring same-sex parents to prime time. It's All Relative only lasted a season, but that's actually longer than most LGBTQ-inclusive sitcoms that followed in Will & Grace's wake, and for what it's worth, its pilot shows a lot of promise. Read GEE's write-up in Emmy magazine, which is basically the same thing as actually winning an Emmy. Buy the revised edition of Steven's book, Alternate Channels: Queer Images on 20th-Century TV. Listen to Steven's previous episode, about Tony Randall's Love, Sidney. Drew is pulling quotes from the following articles: “The gaying of TV / Advertisers step up as more shows step out” (SFGate, Aug. 24, 2003) “Review: It's All Relative” (Variety, Sep. 28, 2003) “It's profitable to be a little bit gay” (LA TImes, Aug. 27, 2003) “Gays on TV: Hardly a Trend” (Chicago Tribune, Aug. 12, 2003)
Imagine the intense pleasure you could be enjoying right now by grabbing your copy of the Sensual Awakening App on the Apple Store, or downloading the very unofficial and unapproved Android version from WyldeInBed.com Tease your senses with this sizzling romance as Grace, a determined young athlete, takes center stage in an erotic tale of empowerment and desire. In just a few short days, Grace will embark on a new chapter as she leaves for Marine Boot Camp. But before her departure, she finds herself in the spotlight of a local sports tournament, where her prowess knows no bounds. Among the competitors is Lance, a former school bully who once made her life miserable. As the tournament intensifies, Grace's focus sharpens, and one by one, she defeats her rivals. The ultimate showdown arrives when she faces Lance in a gripping wrestling match. With every move, she overpowers him, and as the victor, Grace unleashes her pent-up emotions, transforming the rivalry into a captivating dance of dominance and desire.This standalone erotic audio story explores the fine line between love and hate as Grace's victory ignites a passionate encounter. Lance, once the tormentor, becomes the object of her sexual domination, and in this moment of triumph, Grace discovers a new realm of pleasure and control. Will Grace's dominance heal old wounds or ignite a fiery relationship?Find out in this steamy romance that will keep listeners enthralled until the very end. Perfect for fans of BDSM and enemies-to-lovers tropes, 'Grace's Domination' promises an unforgettable journey where sports and desire collide. Get ready to surrender to the power of Grace's story, where every touch becomes a battle for control and every victory leads to a sensual surrender.
“Homo for the Holidays” (November 25, 1999) What? An episode of Will & Grace that Drew actually likes? Kind of! This season two episode has Jack coming out to his mother over Thanksgiving dinner, and it's basically the gayest Thanksgiving episode of any sitcom ever. And it's a good piece of TV with some thoughtful dialogue, even if a lot of the jokes are very representative of that Will & Grace style, which you either like or you don't. Also: Is Jack McFarland responsible for popularizing the phrase “platinum gay”? Listen to previous Will & Grace episodes here.
Will Grace get SCHOOLED by Hannah today?
Introducing Brian Jordan Alvarez on “English Teacher” from The New Yorker Radio Hour.Follow the show: The New Yorker Radio HourBetween book bans, the movement for parental rights, the fight over cellphones, and budgets being slashed, life in a public school is stressful—and a fertile ground for comedy. Brian Jordan Alvarez created and stars in “English Teacher,” débuting this season on FX. Alvarez has been an actor for many years, with a role on the reboot of “Will & Grace,” among many others, but he burst into viral fame on TikTok with a goofy song about the virtues of sitting, sung in a strange accent. Suddenly everybody was talking about him—including the staff writer Vinson Cunningham, who spoke with Alvarez recently. The new show is a much more conventional kind of social comedy, focussed on a gay Latino English teacher in Texas. “Evan wants to be, and is, in so many ways, essentially an out, proud gay guy,” Alvarez explained to Cunningham. “But how does that feel in this school with all these different forces coming at him?” DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.
Between book bans, the movement for parental rights, the fight over cellphones, and budgets being slashed, life in a public school is stressful—and a fertile ground for comedy. Brian Jordan Alvarez created and stars in “English Teacher,” débuting this season on FX. Alvarez has been an actor for many years, with a role on the reboot of “Will & Grace,” among many others, but he burst into viral fame on TikTok with a goofy song about the virtues of sitting, sung in a strange accent. Suddenly everybody was talking about him—including the staff writer Vinson Cunningham, who spoke with Alvarez recently. The new show is a much more conventional kind of social comedy, focussed on a gay Latino English teacher in Texas. “Evan wants to be, and is, in so many ways, essentially an out, proud gay guy,” Alvarez explained to Cunningham. “But how does that feel in this school with all these different forces coming at him?”
Get ready for another thrilling episode of As the Bong Turns! The whole gang is back, and the drama is at an all-time high. Will Grace's fate finally be revealed? And what will Phoebe do about the crooked doctor's surprising marriage proposal? Tune in to find out—this episode is packed with twists, turns, and everything you've been waiting for! --- Find us: www.stonerchickspodcast.com Become a Patron! patreon.com/stonerchicks Grace Penzell (@gracepenzell), Phoebe Richards (@27phoebe27), Kayla Teel (@kayla_teel), and Stephani Thompson (@fannytragic). Instagram: @stonerchickspodcast Facebook: Stoner Chicks Podcast TikTok: @broccolibroads Email: stonerchickspodcast@gmail.com Snail Mail: PO Box 80586, Seattle, WA 98108 --- Edited by German at YPEditor.com; Theme Song by Jessica DiMari; Cover Art by Ben Redder, AJ Dent, and Kayla Teel
Will Grace get SCHOOLED by Hannah today?
In this profound episode of Candid Conversations, Jonathan Youssef sits down with Becket Cook, author of "A Change of Affection: A Gay Man's Incredible Story of Redemption" and host of The Becket Cook Show. Becket shares his powerful testimony of living a homosexual lifestyle until a radical encounter with Jesus transformed his life. Raised in a conservative Christian family in Dallas, Texas, Becket navigated the complexities of his identity and faith, eventually finding his true calling in Christ.Join us as Becket recounts his journey from Hollywood's elite circles to a devoted follower of Jesus. He offers insight into how the church can compassionately and truthfully engage with issues of sexuality. Becket's story is a testament to the redemptive power of God's love and the importance of unwavering faith.Don't miss this inspiring conversation, a story of transformation and a guide for churches and individuals to navigate conversations about sexuality with grace and truth.Connect with Jonathan and the Candid community:Facebook: https://www.facebook.com/candidpodInstagram: https://www.instagram.com/candidpodTwitter: https://twitter.com/thecandidpodTranscript:This transcript recounts Candid Conversations with Jonathan Youssef Episode 261: A Gay Man's Incredible Story of Redemption: Becket Cook[00:02] JMY: Today's guest is a very special guest. It is Becket Cook. Becket has written a book called A Change of Affection: A Gay Man's Incredible Story of Redemption. He is the host of The Becket Cook Show, which can be found on YouTube. Raised in Dallas, Texas, Becket attended a Jesuit college preparatory school, lived the homosexual lifestyle until the Lord radically called him and drew him to Himself. And now Becket is out to help churches have the conversation about sexuality and help the church navigate. Becket, thank you so much for taking the time to be on Candid Conversations.[01:13] Becket: Thank you, Jonathan. Good to be here.[01:17] JMY: We've got to start with your story. It's profound and amazing. All salvation stories are amazing; yours is unique. I'd love it if you'd just give us a few minutes and navigate us through your testimony.[01:39] Becket: Yeah, I mean, I'm still in shock. I'm still in shock that this is my story after fifteen years. So, when I was very young I started to notice that I was attracted to the same sex, which was very a disorienting thing, especially at that time when it was very much taboo in Dallas and in my family. My family were Christians and of course, all of my peers and my schoolmates unanimously believed that, I mean, we didn't even have to say it; it was known that homosexuality was just wrong or bad or weird or sinful. And so I had this kind of dark secret. But I was very social in school. I even went steady with girls in seventh and eighth grade, and in high school, I dated three girls, seriously dated them. But it was all the while I knew I wasn't attracted to the girls. It was just like a social thing for me. And so in my junior year at Jesuit, I met a sophomore, and he was dealing with the same thing. He was dealing with the same-sex attraction. So when that happened, the floodgates opened because we became friends, and then like three months or six months, I can't remember how long into our friendship, we basically came out to each other one night at this club.And when that happened, we just started exploring gay life and gay culture in Dallas and going to gay bars. I was 15, he was 14. I don't know where my parents were, but by the time I was in high school, my parents were so checked out that I could be gone for three days, and they didn't even notice. God bless them, they're in heaven now.So we were going to gay bars in Dallas, not sure how we got into these bars, but we did, and then we were going to this one nightclub called the Stark Club. I mention this because it was such a seminal moment in my life. The Starck Club was very famous in Dallas, and it was designed by Philippe Starck, the French designer, and it was beautiful. It was just so, for lack of a better word, it was very chic. And so we started going to the Starck Club, and the first time I walked in, it was just very grand. There was this grand staircase with a red carpet that went up to these giant doors, and you walked into this beautiful space. And I walked in, and there were gay people, straight people, artists, trans people, drag queens—it's a whole mix of kind of the subculture, and the whole mix of artists.And so I walked in and it was like, ah, these are my people![05:28] JMY: You felt like you belonged.[05:29] Becket: Yeah, I belong here. And I started going. And we would go to Starck Club—it was open Thursday through Sunday, and we would go every night, Thursday night, Friday night, Saturday night, Sunday night we would go. And sometimes I wouldn't get home until 5:00 in the morning. And one time my dad was up. My dad was a lawyer. He was up at 5:00 in the morning (he would always get up at 5:00), and I walked in the front door, and he walked past me and kind of looked at me, and I was like, “Hi, Dad.” He didn't even say anything like “Where have you been?” My childhood was very permissive, for better or worse.So then, when I went away to college, the same thing happened. I met someone at college who was same sex attracted and then we eventually came out to each other and again I had a confidant, I had someone to talk to because I still wasn't out, but at this point in my life, I wouldn't have described myself as “gay” because I just thought this was a phase. This was a phase that will probably go away and I'll probably get married to a woman and have kids.It wasn't really my identity for this whole time in high school and college until after college I moved to Tokyo with my best friend from college. And we moved to Tokyo because we didn't really know what we wanted to do with our lives. I was premed in college, and then I realized I didn't want to be a doctor, which was bad after four years of studying.[07:23] JMY: A lot of investment.[07:25] Becket: You know it was really upsetting. And so I applied to law school, and actually, then, as kind of a backup, I applied to dental school. And so I got into law school and dental school. I was kind of like, “I don't know if I want to do any of this.” So both of us moved to Tokyo to kind of have a gap year, basically, to figure out what we wanted to do. And it was when I was in Tokyo that his friend from Texas came to stay with us, we'll call him “Adam.” Adam was part of the Christo exhibition in Japan. Christo was a very famous artist who recently died, a French artist, but he and his wife used to do these dramatic art projects like covering the Reichstadt in fabric. And they did this thing in Japan where they lined parts of Japan with umbrellas, like yellow and blue umbrellas. They did it in California and Japan.And so anyway, this guy Adam was part of that exhibition. So he stayed with us for like a week in Tokyo. And it was weird, because when I first met Adam, I had no interest and didn't think anything of it, but by the time he left, we had fallen in love, quote unquote. And so that was the first time I'd experienced that rush of emotion, that romantic feeling. And then we got into a relationship, and it was my first real relationship with a guy.And so that was a game-changer, too, because that's when it became my identity, homosexuality became my identity. And I was happy to be gay. I was like, “This is who I am. This is immutable.” I was thrilled. And while I was in Japan, my sister wrote me a letter asking if I was gay because she had had her suspicions for a long time. And so I wrote her back and I said yes and blah, blah, blah, blah, blah. By the way, p.s., don't tell Mom and Dad. I'll tell them when I get back home. And, of course, she told them immediately when she got my letter, which I was happy about because she did all the heavy lifting for me.[10:03] JMY: Softened the blow.[10:04] Becket: Yeah. So by the time I got home, my whole family knew. My family is very conservative, all believers, and so they, especially my siblings, were not happy about this. And my parents weren't either, but my parents' reaction was so loving and gracious. My mother, whom I was very close to, of course, was quite surprised, gay son, close mother, surprise, surprise. My mother cried. I walked into the kitchen that first night after I got back from Tokyo, and my mother just started crying, and I knew why she was crying.And I said, “Mom, what's wrong?” And she said, “I heard you're a homosexual.”And that's when AIDS was still kind of a death sentence, and so she was terrified, I was terrified about it, and so I just tried to calm her down.I said, “Mom, this is not a big deal. Don't worry about me.”The next day, my dad came up to me, and my dad is such a man's man; it surprised him to respond. Because he came up to me and he said, “Hey Beck, I heard you're a homosexual, and you know”—[11:32] JMY: Like he read it in the newspaper or something.[11:36] Becket: Yeah, and so he said, “Is there anything I did wrong as a father? Are you angry at me for this?” He listed three things, and it was basically—I can't remember what they were—did I not spend enough time with you? Did your brother beat you up or whatever, and I didn't intervene? Are you angry about that?And I was like, “Dad, no. This is not your fault. This is just who I am. It's not a big deal.”And that was kind of the end of the conversation with my parents. They never brought it up again. And what they did was so genius. Because I moved to L.A. So, when I got back from Tokyo, I realized I was not going to grad school; I was moving to Los Angeles because a lot of my friends moved here, and I was like, “I'm going to pursue writing and acting. And so I moved to L.A. My dad was so confused when I told him. It was like a couple of weeks before law school. I was enrolled in law school, and I was like, “Dad, I'm moving to L.A. tomorrow.”And he was like, “Huh?” He was so confused. And so I moved to L.A. and I had this group of friends that were brilliant in L.A. When I got here, I had this built-in group of friends because several of my friends from high school already lived here, and they all came from Brown and Princeton and moved with all their friends to the West Coast and to L.A. to work in Hollywood, in showbiz. My group of friends were so smart and funny and brilliant and ambitious. And they all were movers and shakers. All those people, guys, girls, straight, gay, the whole mix, the same people run this town now; they run Hollywood. So whatever you're watching on Netflix or whatever–[13:51] JMY: They're behind it.[13:52] Becket: And in fact, the Jeffrey Epstein whatever, Filthy Rich, was produced by one of my dear friends from back in that time. Anyway, so I had this great group of friends, I was out, and we all wanted to make it in Hollywood, which they were all—my friends were becoming huge stars or becoming huge directors or writers overnight. I mean, it was wild to see how quickly they became successful. Minnie Driver was a dear friend, and she did Good Will Hunting with Matt Damon. Suddenly, she was a movie star, and this was happening to all of my friends. Like Mariska Hargitay was Jayne Mansfield's daughter, but nobody really knew her, but then she got—I drove her to her audition for Law & Order: Special Victims Unit, and she's still on the show twenty-three years later. She's made a fortune on that show. Well, I won't tell that part about Mariska, but we're still friends.But this was happening to all of my friends. We all wanted to make it in Hollywood; we all wanted to find true love, and I cycled through five serious, serious boyfriends over the years in L.A., live-in boyfriends. And then we all wanted to have extraordinary experiences, which we were doing in spades because my friends were all in the business. And the guy I just talked about was Diane Keaton's producing partner. So we were always invited to everything—the Grammys the Oscars, the Emmys, the Golden Globes, the afterparties, to movie premiers every week. I was kind of in the mix.I met everyone in this town, literally everyone. I mean, name the person. I had dinner with Tom Hanks, Meryl Streep and many, many other people. Hung out at Drew Barrymore's, went to Prince's house where he performed a concert in his backyard for three hours, hung out with Paris Hilton at her house, and went to her wedding engagement. For years, this was my life.And then I was successful a little bit, and I acted. I was successful at commercial acting, and I did a couple of indie films, one was at Sundance, and that wasn't really taking off. The writing was difficult. I sold a couple of projects that didn't make it to series, so then I ended up becoming a production designer in the fashion world. I just fell into it with The New York Times Magazine because my friend was the editor for it. And so that became my career, doing fashion shoots, these super-high-end fashion shoots. And I did that for a very long time, probably twenty years, seventeen years, I'm not sure.And so after the years of all of this and years of going to all of these fun things and experiencing all these things, I just started to feel the law of diminishing returns and I just felt like, What is this all about? I can't keep going to these dinner parties and going to these events. And it all came to a head at Paris Fashion Week in March of 2009. I used to go to Fashion Week in New York and Paris and that particular week I had gone to a bunch of the runway shows and a lot of them had afterparties, and I was at this one afterparty in this club called Regine, in the middle of Paris, a legendary place. The owner just died recently. But I was there, and everyone from the fashion world was there.I was sitting with Rachel Zoe, who's a fashion girl and has a TV show, and her husband, Roger, and I just remember drinking champagne and looking out over the crowd, and everyone was dancing and having the best time of their life, and I just felt such an overwhelming sense of emptiness. I was like, whoa, where did that come from? So, I ghosted the party and went back to the apartment I'd rented in [unintelligible] and I was up all night in a panic about my future. I was like, what am I going to do for the rest of my life? This isn't satisfying me anymore. I can't just keep going to parties and fabulous things and traveling the world. Yeah, it was fun for a long time, but it's not doing it for me anymore. And I knew that Christianity was not an option because I was gay, so I can't pursue that, so what am I going to do? So I was very, very troubled.[20:07] JMY: Can I ask, did that thought enter your mind, the pursuit of faith? Was that a cognizant thought or was that just sort of part of the narrative? Did you sit there and take an account and think perhaps ...?[20:26] Becket: Well, no. I knew that from my entire life.[20:31] JMY: It was always there as a separation.[20:33] Becket: God's not an option for me. And by that time in my life I was a practical atheist. All of my friends were atheists (they still are, most of them, my old friends). And I just, by that time in my life, I really just believed or felt like the Bible was an ancient myth, like any other ancient myth. God was not real. It was weird. It was a weird kind of disconnect because I believed my family's faith was real, which was interesting. So when I would go home to Dallas, it was weird. They would talk about their faith, they would pray, and I could sense that it was real, but I just felt like it could never be something for me because—[21:21 JMY: It's like a compartmentalization, right? This works for you; that won't work for me. Interesting.[21:28] Becket: And so six months later in L.A. I was at a coffee shop with my best friend, who still is gay, although we're not nearly as close, in fact, we barely see each other, if ever, because of this. But I was with my best friend, and we were chatting, hanging out at our favorite coffee shop in Silverlake, and we looked over, and there was a group of young people with Bibles on the table. There were five physical Bibles on the table, which is a shocking sight to see in L.A. But not only L.A. but Silverlake, which is a super progressive part of L.A.We were stunned because my friend was an atheist as well. He was culturally Jewish, a secular Jew from New York, and it was just like we were shocked. But I was intrigued because of that night in Paris six months before. I was kind of intrigued about what this Christian thing was, and I wanted to explore it.So my friend said, “Talk to them. See what they're doing.”And I was like, “No, I don't want to talk to them!”And anyway, I ended up turning to them, and I always say this, it's like a Christian's fantasy come true when a gay atheist turns to you and says, “Tell me all about Christianity.” And so we got into this conversation for like an hour or two. It was a long conversation. And I said, “What is your faith? Like what do you believe? I don't remember. Just tell me what you believe.”And they were very competent with the Scriptures, and they knew what the Gospel was and were very knowledgeable. And they said they went to a church in Hollywood called Reality L.A., an evangelical church. And with my friends back in the day, evangelicals were the enemy. They were somewhere to the right of Atilla the Hun. But it didn't bother me. So I, of course, get to the question and I ask them, “What does your church believe about homosexuality?”And I kind of expected this answer, so it wasn't shocking. They said, “Well, we believe it's a sin.” Of course, that was 2009. Now, who knows what people will say.[24:27] JMY: It's a grab bag now.[24:29] Becket: I wasn't surprised by their response, but I was surprised by mine because I just kind of accepted that, and I didn't protest. And it's because of that night in Paris. I was open to hearing something different. I was just open at that point. God, obviously, was working with me.So they invited me to their church the following Sunday and I said, “I don't know. Just give me the address and I'll think about it.”So I had a whole week to think about it. And it was kind of a big deal because if any of my other friends, all my other atheist, Hollywood friends, found out that I'd gone to an evangelical church, it would have been super embarrassing, and they would have thought I was crazy. So I was debating all week: Should I do this? What if nothing happens? What if it's just fake and what if it's not real?But that following Sunday I woke up and I just was like, I'm going to do this. And I got in my car, drove to this high school auditorium where it meets on Sunset Boulevard, and I walked in. Before I walked in, I put the idea of homosexuality as my identity in this imaginary white box and put it on an imaginary shelf before I walked in. It was kind of weird. I don't know how that happened.And then I heard the worship music, which kind of freaked me out a little bit a first because I was like, Oh my gosh, Christian music, because I just saw this True Blood episode where (it was an HBO show that was disgusting, but anyway they satirized evangelical Christian worship music. And so I was like, Oh, this is weird.[26:38] JMY: That's not hard to do.[26:39] Becket: Yeah, exactly. But then it was actually nice, the music's nice. And I sat down by myself, I found a seat by myself, and the pastor came out and started preaching on Romans chapter 7 for an hour, and that's when everything started happening. Everything he was saying, every word he was saying, every sentence he was saying was resonating as truth in my mind and my heart and I didn't know why. I was literally on the edge of my seat, totally riveted to the sermon and to him, his speaking. And I was just like, What? This is true. What is he saying? I remember thinking, “This is the Gospel? This is good news!”And then after the sermon there were people on the sides of the auditorium on the prayer ministry that you could go get prayed with, and after his sermon there's another thirty minutes of worship time. So I walked over to this guy, which I reluctantly walked over to this guy on the side because, again, I was embarrassed to do this because I knew the people who had invited me there were probably watching me. And so I walked over to this guy and I said, “Hey, I don't know what I believe, but I'm here.” And he said, “Okay, let me pray for you.”And he prayed for me, and it was so loving and caring, and I was like, How does this random straight dude care about me so much?[28:14] JMY: Right.[28:16] Becket: Anyway, I went back to my seat and everyone else in the auditorium (there were a thousand people in the auditorium) everyone else was standing and singing and worshiping. And I sat down because I was just so overwhelmed by the sermon, by the music, by the prayer, and as soon as I sat down, the Holy Spirit just flooded me. I mean, it was like a Road to Damascus moment. God revealed Himself to me in the most powerful way. It was like God said, in my mind, God said, “I'm God. Jesus is my Son. Heaven is real, hell is real, the Bible is true. Welcome to my kingdom.”And I just burst into tears. I was doubled over, heaving and crying and crying for twenty-five minutes. And it was the most cathartic cry I've ever had. Everything came out. I was crying over the conviction of sin, but also the joy of meeting the king of the universe, Jesus Christ. And then I got home after the service. I don't really know how I made it home because I was such a wreck, and I got into bed to take a nap. And again, God did it again. God was like, “Here, here's some more Bible.”And I just, again, I just immediately, it was so real. It was like God's presence was right—it was there. And I burst into tears again and I was bawling in my bedroom, jumped out of my bed and was like, “God, you have my whole life, I'm yours. I'm done.”In that moment I knew that homosexual behavior was a sin. I knew that it was wrong. I knew that dating guys was not my identity anymore and I knew that dating guys was not a part of my future. But I didn't care at all, because I had just met Jesus. And I'm like, I'm going with that guy, forget those guys.And that was September 20, 2009, and I've never looked back. And I've never felt like life is unfair. Because I'm single and chaste, and I've never felt like life is unfair for me or like I'm being cheated out of something. I just feel like I can't believe that God had mercy on me and I'm in the Kingdom of God. And I have, by the way, eternal life, which is cool to have. So yeah, that's the story.[31:09] JMY: Oh, it's such a wonderful story, just even the way you give us the snapshots of those moments of what you thought you knew what you wanted and you know now the Spirit was preparing you and doing the work of tilling the soil of your heart to culminate in that moment. But as we know, that's not the end of the story. Your story continues on. And so I wonder if we could just talk a little bit about your family, how your family interacted with you. So a number of our listeners will be people who have family members, friends who are near to them who are living this lifestyle and they don't know what to do, they don't know what to say. Do I say a lot? Do I say a little? Do I say nothing? Where do I go?And I know some of that will be kind of case by case, but I think it will be helpful to hear what was it that the interactions of your friends and family who were believers? How did they sort of walk this out with you?[32:35] Becket: Yeah. My family ... Well, first of all, you know, because I moved to L.A. I was very disconnected from my family. But my parents, I was very close with my mother. We talked on the phone all the time. She came out and visited many times. My family was just kind of very hands-off because there was really nothing they could do. I was an adult, I lived in L.A. What would they do, come hunt me down and drive me to church?My parents were just brilliant. I just loved how they responded to and dealt with it. Because I did this episode on my show where I recently discovered a typed prayer that my mother did. My sister-in-law sent me a text, saying, “Hey, I just found this prayer that your mother typed to God basically, and I found it in an old box from some of your mother's things.” And she sent me this prayer. And that's what my parents did. They just loved me and prayed for me.My mother and this prayer are amazing; it's like twenty-four points. And the first point, because my mother knew, I guess, which was shocking to me, she just knew instinctively that she wasn't going to convince me not to be gay. So, she went straight to the throne room of the grace of God. She knew it was a spiritual battle. I wish I had the prayer with me right now. She said, “In the all-powerful name of the Lord Jesus Christ, we come against the enemy with the sword of the Spirit, the Word of God.”And when I read this prayer recently when I got it, I was stunned because my mother was praying for me all this time, but she never told me. Because if she had told me, “Hey Becket, I'm praying for you,” it would have been a disaster because I would have been like, “Why are you praying for me? I don't need prayer. This is who I am. Stop praying.” It would have upset me, so she never said that. My dad never said that.My sister-in-law, who is in my book, Kim, the way she dealt with it was brilliant, too, because whenever I would go to Dallas for the holidays, she would call me. She's an evangelical Christian, and I knew where she stood on this issue, too, but she would call me all the time, which I was kind of like, Why is Kim calling me? Why does she want to hang out with me? She knows I'm gay and she's a super-conservative Christian. She would call me and invite me to coffee, and we would hang out. And I would talk about my boyfriends, she would talk about God and what was going on in her life, and she never once pulled out the Bible and said, “Hey Becket, you know in Leviticus 18 …” She never, ever once did that. She just loved me.And then she prayed, unbeknownst to me, she was praying this verse over me for twenty years. In Acts 26:18, when Paul is in front of King Agrippa, and he's talking about how God sent him to preach to the Gentiles, he says, “to open their eyes so that they may be turned from darkness to light and from the power of Satan to God. That they may receive forgiveness of sins and a place among those sanctified by faith in Me.”So she was praying for me, my family members were praying for me, I get the impulse for parents, family members, friends, the immediate impulse is “I want to fix this. I want to fix the problem.” That rarely, if ever, works. However, there is an exception, a caveat I'll get to. But the best thing you can do is just be diligent in prayer and go straight to God. Because it has to be a supernatural thing. The Holy Spirit has to convict a person. There's no other way. Otherwise, it's just behavior modification.[37:31] JMY: Praise the Lord. Praise God that it's His work and not ours because we'd screw it all up.[37:37] Becket: Yeah, exactly. However, because of this new sort of generation of social contagion of LGBTQ+, you know, Brown University 40 percent of the student body—this just makes me laugh—40 percent of the student body identifies as LGBTQ. I mean, that is laughable. When I was in college, it was about 1 percent.[38:05] JMY: Now everyone is.[38:06] Becket: Yeah, now it's super popular. So I came out as gay at the wrong time, and now I came out as Christian at the wrong time. [unintelligible]. But anyway, so with that aspect of it, when you're a teenager just suddenly claims, “I'm LGBTQ,” or “I'm pansexual,” or “I'm nonbinary,” “I'm queer,” I think in those cases there should be, there could be some pushback from the parents in terms of saying, “Look …” Because this happened with me with a young woman, a teenage girl who came up to me at a conference and said, “I'm pansexual and nonbinary.”And I said, “Why? Why are you?” She didn't have an answer for me, and I said, “Are you that way because you want attention, popularity, street cred? Why do you think you're... because when I was your age, there was no such thing, so why do you think you're this way?”And she just started welling up with tears, and she needed, I just sensed in that moment she needed to be pushed back on. And later that day she ended up breaking down, getting prayed for my somebody, and she came to Christ.[39:39] JMY: It was a crisis moment for her, not a … it had not become a true identity where she had been encapsulated in something. She seemed confused more than anything. I mean, obviously, you could make that argument for anyone.[39:55] Becket: Yeah, this young teenage boy was like, “Oh, and I'm asexual.” And I was like, “You haven't even gone through puberty yet.”So yeah, I do think that when it is this kind of contagion aspect, I've done episodes on this, and I talk about this. You can trace exactly how we got to where we are in the culture from obviously from if you've read Carl Truman, you can go back to Jean-Jacques Rousseau, but even going back to the sexual revolution in the Sixties or the gay movement that started in 1969 at the Stonewall Inn, you can trace so clearly how we've become indoctrinated into believing the lies of the world. And it's just so obvious to me, and it's like, just the TV shows, Will & Grace and Queer Eye for the Straight Guy and Brokeback Mountain and all these gay-themed shows and movies were so powerful in the culture, and it changed so many people's minds on this issue.Of course, I was thrilled at the time. When I was living that life, I was thrilled. I was friends with Sean Hayes on Will & Grace, and I was friends with many of the people who created these shows.[41:33] JMY: They were changing the narrative.[41:34] Becket: Yeah. And it was like Madsen and Kirk, the book After the Ball, they published. These two Harvard guys, graduates, published a book called After the Ball, and I wish I had it right here. Where's my copy? Anyway, the book was published in 1989, and basically, it was about how to normalize homosexuality in America. It was the subtitle of the book. And everything in that book has come true. Everything they said in that book has come true. Basically, it was like talking about homosexuality until it was thoroughly tiresome. That was one of their points. Another one of their points was to make heterosexuals feel like you are a victim, and they'll come to your side and to your aid.And so all these things have come to pass, and that's why, even in the church, people are falling for this and caving to it, caving to the culture and buying this lie. And again, I challenge people to, okay, would you be … would you be thinking this way fifty years ago? Would you be thinking this way a hundred years ago? So obviously, the culture—[43:16] JMY: Not critically thinking.[43:117] Becket: Obviously, like the culture has influenced you. Because some of my friends, some of my high school—I say this all the time—in my high school, everyone believed it was a sin, it was wrong, in the girls' school, in the boys' school. Now some of those same people are like allies, LGBTQ allies, and it's like, gee, I wonder what's happened over the last thirty years? Maybe it's the power of persuasion from movies and TV, which I get. It is very powerful.And so yeah, that's why I think with some cases, in some cases it is good to say, “Hey, why don't we walk through the last fifty years and see how it has shaped what we believe?” And so that can be helpful, too.[44:17] JMY: You're uniquely gifted, coming out of that world and into the Christian world, to have a voice to the church. We even laughed about the fact that some churches wouldn't even have you to come and speak because you're kind of against them.What are the things that you're putting in front of churches and trying to coach them through or equip them with? How do we deal with the culture? How do we deal with our young people who are falling into it or our children who maybe are saying and asking these questions? It sounds like there's a level of asking good questions and pushing back, as you've just given us examples. But what are some ways you're helping the church navigate all this?[45:27] Becket: There are so many different ways. But like Jesus was the master at balancing grace and truth publicly. I read through all four Gospels, not often, in one sitting, and I just watch what Jesus does and how He interacts with tax collectors, prostitutes, and sinners. And at the woman at the well, first of all, He's talking to a Samaritan woman, which is crazy for a Jewish man to do, and He's so loving and kind to her. And she, you know, He's like, “Oh, go get your husband.” And she's like, “Oh, I don't have a husband.” And He's like, “Yeah, you were married five times.”[46:17] JMY: “The one you're with now isn't your husband.”[46:19] Becket: “And the one you're with now isn't your husband.” So Jesus doesn't compromise the truth, but He also is super gracious and grace-full. That's what I see in the church is I see this happen all the time where parents when their kids come out, they love their kids—and I get it—like they love their kids so much that they suddenly change their theology and become [Overlapping voices] in their theology. And it's like, no, that's not the answer, because if my parents had affirmed and said, “Oh, Becket, you're fine,” I would not have respected them, number one.And my family when I got saved, the first people I contacted were my family because they never lied to me. I talk about this in my book, Shadrach, Meshach, and Abednego; they refused to compromise God's Word by one iota. And they knew that they were going to go into a fiery furnace. They were not willing to compromise God's Word. And so that's my main thrust to the church is don't ever give up your convictions on this issue, but love your neighbor, your child as generously as you can, love them, love them. And the real key is to pray for them.The worst thing you can do is affirm them and say, “Oh, I don't think it's a sin anymore,” because that is leading them down a path of eternal destruction. That is the meanest, cruelest thing you can ever do to a child or anyone is say that to them. And so that's partly what I try to convey to churches. Also, I try to, sometimes, talk about what I go through; I spend a very long time going through every turning point in the history of the gay movement and how it has affected the culture and affected us.[48:48] JMY: I mean, just quickly if you've given that talk enough times, what kind of the high points of that? If you had to kind of—maybe you haven't prepped for that, but if you could just hit a couple of those high points for us.[49:02] Becket: The first high point was the Stonewall Inn in 1969, when police raided it. Because it was illegal to be gay in 1969 in the country. And so police raided the Stonewall Inn, which was a gay bar in the West Village in New York, and then there were riots, like three nights after that there were three nights of riots. That was June 28th. That's why Pride Month is in June. It used to be just one day, but now it's a whole month. Pretty soon it'll be all year, but that's a whole thing.[49:39] JMY: Perpetuity.[49:40] Becket: Yeah. And so that was a huge turning point because the year following, San Francisco, L.A., New York, I think Chicago had gay pride marches. That's when the pride marches started. They used to be called marches and now they're parades.[49:59] JMY: Like a protest.[50:00] Becket: Exactly, and that was a huge turning point of the gay movement. Then the AIDS crisis was a huge turning point because that's when the culture, right or wrong, the culture started to see gay men as victims, and so that was a huge, huge turning point. And there were so many movies, like Philadelphia, with Tom Hanks in that, and there were so many movies about that issue. And, interestingly, AIDS was something that propelled the gay movement forward. You would think it would do the reverse, but it propelled it forward. And so that was a big deal.And then in the Nineties—I mean, I'm skipping ahead of a bunch of stuff—but the Nineties, Will & Grace, Ellen, the sitcom with Ellen DeGeneres, she came out as a lesbian on the show, her character came out as a lesbian. And Will & Grace, it's like these guys are hilarious. I mean, what could be wrong with this? So—[51:22] JMY: Yeah, they're approachable,[51:23] Becket: They're cool. What could be wrong with this? And then a significant turning point was—oh, and then Sex and the City was a big deal in the Nineties. There was a gay character on that show. And Sex and the City was created by Darren Starr. I know Darren. And a lot of the writers on the show, the showrunner, is gay. Anyway, so what was interesting about Sex and the City is there were a lot of gay male writers on that show, and they were turning these women into gay men. The way these women had one-night stands and all this stuff. My friends and I would joke about it, like these are gay guys but in women's bodies. This is crazy. It's hilarious. So that show was a big game-changer.And then Queer Eye for the Straight Guy, that was major because that was the first time—I remember when that came out in 2003, I think, and it was five gay guys giving clueless straight guys makeovers. And that's when not only women and gay guys were watching, but that's when straight guys started watching because their girlfriends were like, “Oh my gosh, honey, you've got to watch this show; it's brilliant!”I remember telling a good friend of mine at the time, “This is going to change everything. This show is going to change everything.” And it did.And then you can skip to the, I mean, there were a lot of things, but you can skip to the legalization of gay marriage in 2015.[53:18] JMY: Yeah, Obergfell, sure.[53:19] Becket: That, of course, that's where we are now. And then now, of course, every city—So I lived right next to Beverly Hills, and Beverly Hills is very conservative because it's mostly Persian Jews who live in Beverly Hills. They're a very conservative group of people. They are very family oriented. And I was riding my bike the other day, and there was a pride flag painted on the sidewalk, in the middle of the street, an intersection, a pride, yeah, just like a pride thing. And I was shocked because I was like, wow, that's interesting that Beverly Hills would do this, because I know the mayor is conservative.But what I subsequently found out is that just like corporations have these rating systems where you have to be [Overlapping voices] you support—[54:24] JMY: Cities have them as well. Wow.[54:25] Becket: They get rated by I think it's the Human Rights Campaign, HRC. They get rated, so Beverly Hills doesn't want to lose tourism, so they will go along with it and put a pride flag on the street. And so now it's so ubiquitous, and I don't even know it at this point. I don't even know at this point how an unbeliever, or even some believers, can even believe that homosexual behavior is still a sin after all that's going on in the culture now. It's a rare thing, even for Christians now, to believe that it's still a sin.[55:15] JMY: it's almost like going back to first-century Christianity, where we're just so countercultural and so bizarre. How could you think there's only one God in Rome? And it's like we have all this plethora of gods? It is a sense of returning to thinking you're so backward and all this sort of thing.But the Lord's in control, and He knows what He's doing, and He's raised individuals such as yourself, and as we mentioned before, Rosaria and others, who are helping the church think critically and think helpfully and equipping and we're so grateful for the work that the Lord's doing in you. And so I want to say, Becket Cook, I'm so grateful for our time together and pray the Lord would bless your ministry.[56:24] Becket: Thank you, Jonathan. I appreciate it. And I'm really looking forward to coming to Atlanta and meeting you guys in person.[56:33] JMY: Absolutely.
Let me introduce my acting coach Christopher Chwee to you, my friends. This conversation is jam-packed with ideas on how developing acting skills can help public speakers. Tune in and learn: Why public speakers are creators and artists How to take your audience on a journey using stories Why acting classes are so helpful for developing presentation skills How to get out of your head and be present when speaking How to deal with nervousness when going to auditions or before speaking How to connect to your emotions and sit with your feeling Why preparation and practice are essential for success How memorization works in acting and public speaking How acting classes help you get to know new sides of yourself As an Actor in New York, Christopher has worked for numerous theatre companies including ESPA @ Primary Stages, 59 E59 Street, NYC Fringe, and The Workshop Theatre. Some Favorite Off Broadway Credits include Four Dogs & A Bone, Titus Andronicus, & Tartuffe. When he is not acting or coaching he can be seen hosting & performing at comedy clubs such as Carolines (RIP), Gotham, Greenwich Village, & Broadway Comedy. Film/TV credits include Men in Black III, Vish Merrick on Amazon Prime, and Rare Birds of Fashion. Commercially he has shot print work for Zara, Ugg Boots, Target, and BMW/Mini Cooper and his voice can also be heard on Diet Coke, Colgate Education, and numerous US Mall commercials. In 2017 Christopher was nominated at the Indie Series Awards for Best Supporting Actor in a Comedy Series for his work in the series Rare Birds of Fashion. As an acting coach his students can be seen on Broadway, National Tours as well as the Disney Channel, Nickelodeon, Law & Order, Will & Grace, Marvel, HBO, CBS, ABC, Hulu and Netflix. Connect with Christopher: https://www.actfirststudios.com/ https://www.instagram.com/actfirststudios https://www.instagram.com/christopherchwee
Sponsored by Surfshark! Get a deal at https://get.surfshark.net/SH3q3 Kirk Baltz is a film, theater and television actor who has worked with such noted film directors as Chantal Akerman, Warren Beatty, Oliver Stone, John Woo, Kevin Costner, Quentin Tarantino, Taylor Hackford and Deniz Gamez Erguven to name a few. Kirk has appeared in such noted films as Reservoir Dogs, Bulworth, Natural Born Killers, Face/Off, and Dances With Wolves. In recent years, he's appeared in Taylor Hackford's Parker, Deniz Erguven's Kings, and the critically acclaimed short films The Armoire by Evan Cooper, and Demon by Caleb Slain. His TV appearances include Snowfall, NCIS:Los Angeles, 24, The Fugitive, Will & Grace, The Shield, Without A Trace, and NYPD Blue. Kirk teaches acting classes in-person and virtually, and regularly leads acting workshops in major cities throughout the U.S. and abroad. Listen to the conversations, get some good news, and have some laughs with the guys on Good Things Are Happening. Visit us on the web at https://www.goodthingspod.com/ Patreon: https://www.patreon.com/goodthingsarehappeningpodcast/
En este cuarto episodio y último sobre el monográfico dedicado al arte y la visibilidad del colectivo LGTBI+, exploramos cómo la televisión y la cultura pop han jugado un papel crucial en la visibilidad y aceptación de las personas LGTBI+. Empezamos con una retrospectiva desde las primeras apariciones de personajes LGTBI+ en sit-coms de los años 80, como "Las Chicas de Oro" y "Dinastía". Seguimos con los 90, destacando momentos históricos como la salida del armario de Ellen DeGeneres en su sit-com "Ellen", y el impacto cultural de "Will & Grace". En los 2000, series como "Queer as Folk" y "The L Word" pusieron a personajes LGTBI+ en el centro de la narrativa, explorando sus vidas con una franqueza sin precedentes. En la década de 2010, shows como "Glee", "Orange Is the New Black", "Transparent" y "Pose" ampliaron la diversidad y profundidad de las historias LGTBI+ en la televisión. También analizamos el impacto de realities como "RuPaul's Drag Race" y "Queer Eye", que llevaron las experiencias LGTBI+ al mainstream, fomentando la empatía y desafiando estereotipos. Y con esto y un bizcocho, nos vemos en octubre! Ah, y la playlist de esta semana: https://open.spotify.com/playlist/093Dl6DLWOl6RemJk4dd1T?si=90a1bc2b298d44f6
This is Still Here Hollywood. I'm Steve Kmetko. Join me with today's guest, actor Eric McCormack of "Will & Grace".Every once in a while a show comes along that not only entertains, but also opens viewer minds to a world that they knew nothing about, and maybe were a little afraid of.Staring in the late 1990's and again recently, one of the funniest shows on TV went a long way in easing some preconceived notions about how some people in our world live their lives... Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian SanyshynTranscription: Mushtaq Hussain https://stillherehollywood.comSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com
HAPPY PRIDE MONTH! Today we have an EXTRA special episode of the GateCrashers Podcast. Patrick and Amanda finally convince Bernadette to join the Pod to talk about all things queer media! This special episode covers a range of media types with LGBT+ characters and themes, both textual and subtextual, including Rent, Glee, A Shot at Love with Tila Tequila, the RuPaul's Drag Race franchise, Adventure Time, Moonlight, Steven Universe, The Owl House, Gravity Falls, The Little Mermaid, Yu Yu Hakusho: Ghost Files, Inuyasha, Will & Grace, the slate of shows on Dropout, and more! The hosts dive into some important moments in their own consumption of queer media, including the first shows they remember seeing growing up with explicitly LGBT+ characters. They discuss how some historically groundbreaking queer media, despite its importance at the time, aren't necessarily perfect representations of queer folk. Amanda, Bernadette, and Patrick also have a discussion about the history of queer-coded villains (and discover that Ursula in The Little Mermaid was inspired by none other than the iconic Drag Queen Divine). They go on to talk about fanfiction/fanart and the role it shaped in both their own lives as queer folks consuming media (including today), as well as how it can help bring new life and complexity to characters from existing franchises. Bernadette, Patrick, and Amanda also talk about the current state of media (are shows being canceled because of diverse representation or because Hollywood just sucks now?); the risks to LGBT+ content from big, soul-sucking media companies; the role that smaller, independent media plays in this new landscape; and what they think the future of queer media looks like. All-in-all just three queer folks talking about gay stuff. Patrick and Amanda even argue in this one! So come join us and give a listen as we celebrate some of our favorite queer media this Pride Month! As always, we here at GateCrashers hope that we can kick open the door to your next favorite thing, and hopefully, this time that new thing is a little gay! Remember, never stop fighting for queer liberation and for the liberation of all of our siblings across the world.
When I found out that S. F. Baumgartner writes suspense/thriller but not romantic suspense, I knew I'd have to check out her books. Well, I did. And while I'm not quite done with the prequel, Buried Secrets (previously published as The Secret) to her Mirror Estate series, I'm enjoying it and totally lost (in all the best ways). Listen in to learn more about this series. note: links may be affiliate links that provide me with a small commission at no extra expense to you. Lovers of romantic suspense will love to learn Sylvia's publishing story, why she writes suspense (and without a strong romantic element! YAY!) and why her books are set in Florida! Tangled Secrets by S. F. Baumgartner Two women. One targeted by an unknown enemy. One accused of murder. Will they overcome their obstacles? Twenty-five-year-old schoolteacher Grace Benson lives a quiet life until she receives a threatening note. But when the FBI becomes involved, her world really turns upside down. Middle-aged wedding planner Sheila Mitchell suspects her husband's up to something, but she never expects to find him dead—and be knocked unconscious near his corpse. When she comes to, the murder weapon in her hand. Will Grace survive? And will Sheila's ex-husband, an FBI agent, clear her name? Who is targeting these women? Learn more about Sylvia on her WEBSITE and follow her on GoodReads and BookBub. Like to listen on the go? You can find Because Fiction Podcast at: Apple Castbox Google Play Libsyn RSS Spotify Amazon and more!
I wasn't in Speed! It's Pride and we're proud to be here with Veronica Cartwright. You Might Know Her From Alien, The Witches of Eastwick, The Birds, The Children's Hour, Will & Grace, The Right Stuff, Invasion of the Body Snatchers, Inserts, and The X-Files. Veronica talked to us about her proper role in the queer canon byway of the Scissor Sisters, Jerry Herman, and StraightJacket; the trans retcon via James Cameron of Lambert in Alien; and her performance in the old Hollywood lesbian film The Children's House opposite Audrey Hepburn and Shirley MacLaine. And that's just the beginning! We also got to dig into her iconic roles on The X-Files as an abductee in one of the scariest arcs of all time, her rubber-faced scene-stealing scenes in The Witches of Eastwick, working with Alfred Hitchock...multiple times, and her criminally underseen performance in Inserts. What a goddamn treat. And no, she wasn't in Speed. Happy Pride, queerdos, we love you! Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Liza Minnelli documentary out at Tribeca Film Festival: LIZA: A Truly Terrific Absolutely True Story A House Is Not a Disco, Fire Island documentary Andrea McArdle's daughter is Alexis Kalehoff Find our special episode with Barrie Kreinik who wrote a plays, The Queen of 14th Street about Eva Le Gallienne Mary Pickford was NOT in the relationship with William Randolph Hearst. That was Marion Davies. The Cat's Meow was about Marion Davies Peg “something” Entwisle who killed herself on the Hollywood sign Damian wouldn't have made it to the talkies. Anne would have been a Mary Wickes type. Or a Marjorie Main, who was in a relationship with Spring Byington Veronica Cartwright is in too many iconic films to name but we will: The Birds, The Children's Hour, Alien, The Witches of Eastwick Stole scenes from Cher, Michelle Pfeifer and Susan Sarandon in The Witches of Eastwick: CHERRY SCENE Character in Alien is apparently NOT “canonically queer” Got the buzz cut because Sigourney wouldn't Invasion of the Body Snatchers (1978, dir: Philip Kauffman) is SO good please go watch Donald Sutherland finally got a perm instead of curlers Is so good in Inserts opposite Richard Dreyfuss Goin' South with Jack Nicholson Appeared on ER, Six Feet Under, Nip/Tuck Hitchcock Presents The Twilight Zone Colleen Dewhurst auditioned for The Witches of Eastwick role that eventually went to Veronica Sang opera in Man Trouble with Ellen Barkin Cassandra Spencer in The X-Files Emmy nominated for The X-Files and ER Won Emmy at 15 for Tell me Not in Mournful Numbers Who Has Seen the Wind about refugees Sings “Hello Dolly” in Scary Movie 2 The Scissor Sisters album cover Is NOT in Speed despite listed as Bag Lag Uncredited in Speed Is only voiceover for a radio scene on In the Bedroom Gotta watch Clipped with the “silly rabbit” Cleopatra Coleman and Jacki Weaver Who will we cast as a sister opposite the play we need: Harriet Sansom Harris and Veanne Cox and is it Marcia Cross Judith Ivey is STILL ALIVE I'm sorry Birthday Candles with Debra Messing a life highlight
September 19-26, 1998 This week Ken welcomes BACK to the show author of the new book "99 Episodes That Defined the '90s: Television Milestones from Arsenio to Homer to Yada Yada Yada, Chris Morgan" Ken and Chris discuss his book, Detroit, Tim Allen, Jack Kavorkian's lawyer, Cigarette ads, Heidi Klum, Spin City, French Stewart, 3rd Rock from the Sun, Sex with Cindy Crawford, reality TV, the classic SNICK line up, Celebrity Death Match, Mad TV, Baywatch, Night Man, the frequency of Evil, Rising Star Barbie Alan Jackson, commemorative plates, Will & Grace, That 70s Show, Monday Night Football, Holding the Baby, The Marriage Fool, King of Queens, Brian Benben Show, Say What MTV, Superman II, King of the Hill, the greatness of Clueless: The Series, Newhart, Working, Hyperion Bay, Hey Arnold!, The Drew Carey Show, the impact of Phil Hartman's Death, comedy vs drama, Two Guys a Girl and a Pizza Place, Ryan Reynolds, the decline of Must-See TV, Newsradio, the odd pairing of crystal meth and Seinfeld, ER, the hammock spot, the rise of Keith Oberman, Beetlejuice, the underappreciated gem that is Buddy Faro, the decline of CBS, Nash Bridges, and Chris' future book topics.
Jess welcomes TWO of the stars of the groundbreaking Showtime series QUEER AS FOLK -- PETER PAIGE (Emmett Honeycutt) & SCOTT LOWELL (Ted Schmidt)! We discuss the infamous Larry King interview where they were grilled on their sexuality, how QAF changed the way sex & sexuality was depicted on cable, why The L Word was able to break into the mainstream zeitgeist in a way QAF was unable to, the Brian Kinney/Gale Harold enigma, lack of diversity on the show, BILLY PORTER up for the role of Emmett, Peter Paige nearly cast as Jack on WILL & GRACE and more! IG: @jessxnyc
It used to be that we all tuned in at 8 pm on Thursdays to watch Cosby, Friends, Will & Grace, etc. Now, streaming video is everywhere and on-demand, making it harder for marketers to maintain the same reach on a single channel. This shift is partly what makes the Super Bowl so interesting—it's one of the few remaining events that have a global reach of 115 million Americans. This week, we welcome Angela Voss, CEO of Marketing Architects, to discuss the current digital age. With streaming services on the rise, marketers face the challenge of adapting their strategies to stay relevant in both linear and streaming TV formats. We also delve into unique insights, debunk myths, and explore what the future holds. This is a great episode, and we hope you enjoy it! Our Guest: Angela Voss - Chief Executive Officer at Marketing Architects https://www.linkedin.com/in/angelamvoss/ Follow our updates here: https://www.linkedin.com/company/sleeping-barber/ Get in touch with our hosts: Marc Binkley: https://www.linkedin.com/in/marcbinkley/ Vassilis Douros: https://www.linkedin.com/in/vassilisdouros/ Timestamps 0:44 - Introducing Angela Voss 2:30 - The benefits of linear and connected TV 4:53 - Fragmentation is not the death of 6:41 - Tips on TV media planning 9:44 - TV as a building channel is outdated thinking 11:54 - Digital complexity is pushing people back to TV 13:50 - Pretesting TV creative 16:15 - The correlation between pretesting and business impact 18:04 - Super bowl Alcohol Ads Test Results 21:12 - Why Budweiser's Clydesdale ads was so successful 22:32 - Super bowl Delivery Ads - Doordash vs. Uber Eats Test Results 26:55 - How pretesting can help your ad creative 27:58 - Super bowl Gambling Ads - Fanduel vs. Bet MGM Test Results 31:55 - How science can improve the art of ad creative 34:37 - 3 ways to measure TV impact - micro, macro and business 39:52 - The myths of media buying 42:39 - Why the most effective frequency is 1 48:10 - The most effective CTV strategy 50:51 - The future of media buying 53:30 - Advice for marketers and advertisers buying TV 56:34 - the small business opportunity with CTV 57:40 - How to find out more about Angela 58:59 - The post-pod with V and Marc Where to Listen: Apple Podcasts: https://podcasts.apple.com/ca/podcast/the-sleeping-barber-a-business-and-marketing-podcast/id1609811324 Spotify: https://open.spotify.com/show/4v0kaM350zEY7X2VBuyfrF?si=7083317d5afd488b Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy84MWVjYWJhNC9wb2RjYXN0L3Jzcw?sa=X&ved=2ahUKEwji_oSOopP-AhXnlo4IHTZKBgYQ9sEGegQIARAC Youtube: https://www.youtube.com/@sleepingbarberpodcast © 2024 Sleeping Barber
On this week's episode, I have Writer/Showrunner Max Mutchnick from Will & Grace, The Wonder Years, and many many more. Tune in as we talk about his journey as a writer and what some of his creative goals and hopes are for the future.Show NotesMax Mutchnick on IMDB: https://www.imdb.com/name/nm0616083/Max Mutchnick on Instagram: https://www.instagram.com/maxmutchnick/?hl=enMax Mutchnick on Twitter: https://twitter.com/MaxMutchnickMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMax Mutchnick:By the way, I think Miley Cyrus is the only sitcom actor who is able to move the needle. They push you during sweeps. Can you get a Shatner? If we could get Shatner on Big Bang. I know we'll write, that's probably not a good example because it probably worked. But for the most part, shows just get what they get. They always get what they get. It doesn't matter. These co-stars and these, none of that mattered,Michael Jamin:Right?Max Mutchnick:Is it funny? And do you like the people? Do you like the people? Do you like what? They like the world of it?Michael Jamin:You're listening to, what the Hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity. I'm talking about writing, and I'm talking about reinventing yourself through the arts.Hey everyone, welcome back to another episode. Today, I have a wonderful guest that no one deserves to hear. And yet, as a gift, if you're driving your car, pull over, you're going to want to hear this guy, this man and his writing partner, they are responsible for literally one of the biggest hits in the modern era. I'm talking about Will and Grace. This is the co-creator of Will and Grace Max. Much Nick, but lemme tell you what else he's done. All right. It's not just that. I'm going to run through his profile for a second and then I promise I'll let him get a word in edgewise. One word's Dennis Miller show. He was right around the Dennis Miller Show, the Wonder Years Good advice, the single Guy Dream on co-creator of Boston Common Co-creator of Good Morning, Miami Co-creator of Twins, co-creator of Four Kings. This guy's got a lot of work done. Shit, my dad says. Co-creator, partners co-Creator clipped, co-creator, and of course Will and Grace Max, welcome to the show. And let me tell you why this is so meaningful to me to have you hereMax Mutchnick:And me too, just to get an award in.Michael Jamin:Okay? I wonder if,Max Mutchnick:And by the way, those credits were in no particular order.Michael Jamin:Well, it is the IMDB order.Max Mutchnick:It's a weird order, but I'm still thrilled to be here. So I'm going to let you keep going because I like all this.Michael Jamin:Everyone loves having smoked Blunt.Max Mutchnick:It's fantastic.Michael Jamin:Let me tell you why it's so meaningful, because one of the very first jobs I had in Hollywood, I was a PA on a show called Hearts of Fire a max, and his partner writing partner David, were, I don't know if you guys were staff writers or story editors,Max Mutchnick:I think on Hearts of Fire, we were staff writers. I think we were staff writers. Yeah.Michael Jamin:So I'd get you lunch. That's basically it. But you guys were, you guys were so kind. You always let me in. I come into your office, you'd invite me into your office, which to me felt like a big deal. And you guys were both, to me, you were the epitome of what a comedy writer is supposed to be like larger than life, charismatic, funny, ball busting, but also just, I don't know, just energetic and enthusiastic and bursting with creativity and to be around you guys threeMax Mutchnick:Seconds away from tears at all times.Michael Jamin:Yeah. Oh yeah, thatMax Mutchnick:Too. But I mean, we maybe didn't show that to you, but again, I hate to interrupt you when you're saying all this nice stuff.Michael Jamin:Well, I do remember one time, David, I was sitting with you and he's like, what have you heard? I'm like, what have I heard? What do you hear? I'm like, dude, you guys are the only people who talk to me. What have I heard? Nothing.Max Mutchnick:That's so good. What have I heard? And I was listening to you, and by the way, it gives me nothing but joy to be here, and I have to do full disclosure. So I start watching you and listening to you, and this is what happens when you get to be 40 57. I said, I'm like, I know him. I have a feeling of love for him. I do not know how we know each other. It's so funny. I couldn't remember the show that we worked on. I couldn't remember the show we worked on. And then I heard you talking about Mike and Maddie. Yes. The other day. And it was, which isn't on my IMDB page.Michael Jamin:It is. I skipped over it. I didn't want to embarrassMax Mutchnick:You. Yeah, no, I'm glad that we can talk about that too. But it all started at Hearts of Fire.I mean, it's just unbelievable. And that was such an incredibly formative time, and it's so interesting to me that you had this experience of us is mean, and by and large, that's what we are. I mean, I always look back on life and I reflect on it, and I'm always happy when I look back on the things that I've done and where I've been and where I'm going and all that stuff. But today, not so much. What do you mean? Well, it's like I'm saying, when I'm in the moment of today, a lot of times I really can get wrapped up in being depressed about the business and where things are. And I am starting to say things that like old people say, and I don't want to, because I always thought I would never do that. I would never say the business isn't like it used to be. But I'mMichael Jamin:Surprised you even feel that way. You've already accomplished so much. I don't think I would ever get to your level of success. I would've stopped long before.Max Mutchnick:I mean, that's nice. And I know that there are people who are in my position who feel like they've done it. And definitely the collision of a career and social justice, which kind of took place with Will and Grace, the idea that we did this thing and that it had a reverberation on another level should be enough. But I am still a guy with ambition and drive, and I still feel like I have more to say, and I'm not spoiled in that sense. I really don't want to be done at this age. And if anything, my ego is in a better place because I can even fantasize about the idea of being in a room that I wasn't running, which is crazy because that's in the middle of my career when it's at that really hot space. It's like, oh no, I could never be in a room that I wasn't in charge of. But that's not how I feel so much. But theMichael Jamin:Hours are so long and exhausting and you're like, sure, I'll work till two in the morning every night. Well,Max Mutchnick:I couldn't. That's the one thing I would don't feel like that is something that ever needs to be the case. I'm way into having dinner with my family, and I feel like it's after 10:00 PM it's diminishing returns. I actually think after 8:00 PM it's diminishing returns because emotionally you get so your skin starts to break out. You're eating out of styrofoam, and it's just not, it's so bad for where you are. You have to just love the fucking show you're on. Can I say bad word? YouMichael Jamin:Can say, sure. You can say show.Max Mutchnick:You have to love where you are so much to be working late or own. ButMichael Jamin:How did you keep, were the hours good on Will and Grace?Max Mutchnick:Yes. Because we've run a meritocracy and we always have, and that is the best idea will out. So I don't care if it comes from a LB like Michael Jamin or if it comes from John Acquaintance, wherever the best idea and wherever the most honest idea that's organic to the characters comes, and that's the one we're going with. And I'm very, I think one of the things you master or you have to master to be a showrunner that works well and runs a tight ship is the ability to say no quickly and without a lot of ting. So I'm going to say no, and I'm going to say it quickly, and it's going to feel like it hits you hard, and maybe it does. But in order for us to run a tight ship, that's just the way that it has to go. Famously, one of the best showrunners of all time, David Crane, I guess really, it was very democratic and everybody got to talk and pitch, and he didn't cut things off fast. I mean, sometimes there's a German there and you've got to find it and tease it out and stuff like that. But for the most part, immediately, no, that's not the way that we're going. And no, that's not the way the character.Michael Jamin:And they had long hours in that show,Max Mutchnick:Very, very long hours. They famously worked really late. And I was also listening to you the other day talk about those schools of,Michael Jamin:And that's what I was going to get to.Max Mutchnick:Yeah. And you could say that you talked about, there's the Friends school. I think there's also the Diane English strain. Did you mention that one?Michael Jamin:No, I did. I only really mentioned the one that I thought I came from, I think I came from, which was Frazier. Cheers Taxi. Right.Max Mutchnick:And I call that that's the David Lloyd's, I mean,Michael Jamin:And Chris Lloyd, yeah. Okay. What would you say your lineage would be then? And do you agree with that?Max Mutchnick:Yes, I did. I agreed with everything you said. I mean, my lineage is actually, it's a must see TV sound. It's an NBC, it comes down, but that's really the friend sound. And I come from that because my first real job was on Dream on which Martin David created. And then I came in late. David and I came in late on that show, but I also come from the Diane English School because Michael Patrick King was such a giant influence in my sound,Michael Jamin:And that was good advice or whatMax Mutchnick:Good advice. But he had come from Murphy Brown. Right, of course. So if you worked at Murphy Brown, you prayed at the altar and English. I mean, but those friends people, they just spawned so much, soMichael Jamin:Much. But you don't run the show the way they did, though.Max Mutchnick:Not at all. No, not at all. Yeah. We learned as much on shows from what not to do than from what to do. The benefit of being on shows where there, it's just, and I'm not using David Crane as an example because I've never been in a room with him, but we have been in rooms where either we weren't used or there was just endless talk that went absolutely nowhere and the decisions weren't made to just, that's good. That's it. Put it up on the board. You can get there very fast and not like there is a famous school that I don't want to talk about that it's good enough. It's good enough. It's good. Enough's not what I'm talking about. I don't do, it's good enough. But there is a world of shows that's run with that ethos.Michael Jamin:See, I thought one of the first, the advice that we got when we started running shows was I think it was Steve Levitan who said, just pick away, even if it's wrong, pick away. Yes. Or you lose the room.Max Mutchnick:Yes. I mean, it's like you can fu around forever about, oh, what you want to do with your life. I don't necessarily know that this was what I was going to do, but it happened and I went for it, and I got rewarded at a certain point. I feel like if you get rewarded in something that you're doing within six months to 12 months, stay there.Michael Jamin:Were you running a show that wasn't your own, it was your first job at, or No,Max Mutchnick:I'm I'm rare. I'm rare in that regard that I was at Emerson in college, and my dear friend was a comic named Anthony Clark. And Anthony called me and said, they're making shows now in la and there's a company that's very focused on writers who have strong relationships with standup comics. And the company was Castle Rock. And Larry David was just making Seinfeld at that time. And the guy that ran the company with Rob Reiner was a wonderful man named Glenn Paddick. And he gave us our first break, but we had to go into Warren Littlefields office as these young guys and argue for why would I ever give a show on this golden network to two guys that have never done the job before? You've never run a show.Excuse me. I was on single guy. So I mean, I had worked, but I had never run a show. The first time I ran a show and I wasn't even close to running a show. I was a co-producer. And I went in there and I said to him after I got David Cohan a white shirt with a collar like, you have no idea. The Prince of a collar and a what? The difference that it makes put on a goddamn buttoned up shirt. And we go and we sit in there and I say to Mr. Littlefield, who I owe a great deal to, if you give me the keys to the car, I promise not to scratch the car. And if I scratch the car, you can take the keys away. You can bring in whoever you want. They can oversee me, but just give me, literally give me a week, give me a show, and I already know what to do and not to do, and I'll run this thing the right way.Michael Jamin:Wait, this was before you wrote the pilot? This was just to get the chance to,Max Mutchnick:We had written the pilot and they wanted to make it. Oh, okay. And then they said to our agents, or they said to Glenn Pad, Nick, these guys have no experience. You've got to go get showrunners. And I was just so anti the idea that someone was going to creatively be open, and I asked for the meeting and I begged him, and I kind of tell that story. And the whole truth of that story is a day or two before he went to our agent and said, I want someone at that table read who runs a show. I want an experienced showrunner in case at the pilot table read, they fall apart. And God bless the writing team of Roberto, Roberto Bebe and Carl Fink, even Fink, I think. And I could be getting that wrong, and I hope someone calls us out on it. But anyway, those guys were so cool. And they sat at the table read, and we got our notes, and then they walked up to us on the stage where we were shooting the show on Radford, and they were like, you got this boys, we'll see you later. And we never saw again. Really. And then we were show running.Michael Jamin:Did you bring top heavy writers to the firstMax Mutchnick:David's sister who wasn't the superstar,Michael Jamin:Right. That she's nowMax Mutchnick:WasMichael Jamin:I'm talking about your first staff I'm talking about.Max Mutchnick:Yes, I know. Yes. Really. And I don't know who the third one was. I remember there being, it was a mini room before. It was self-imposed before it was imposed on us. And it was just this very tiny group because David and I didn't know how to ate and do all that. And we figured we would do all of the heavy lifting, which was not possible. And we eventually brought in Carrie Lizer, but we started with a very, very tiny group of writers and just crawled our way through.Michael Jamin:Wow. Yes. It's cool. Should we spend the next 59 minutes talking about the single guy, or should we continue talking aboutMax Mutchnick:Your No, no. Can't talk about that show. But it was really cool to work with Ernest Borgne, and I'll just put it to you. Yes. What is the, I'm going to ask you a trivia question.Michael Jamin:JohnnyMax Mutchnick:What?Michael Jamin:Johnny was his name?Max Mutchnick:Yes. Wasn't it? Yes. I went to high school with him, so that's not, and his dad was Johnny Silverman's father was David Cohen's rabbi in real life. Oh, wow. But I mean, we lived in an industry town. That's what it was. But no, Ernest Borg nine, in addition to having a wife that was a cosmetics had of cosmetics Dynasty, Tova nine was the name of all the lotions and potions. Earnest Hemmingway, little known Borg. What?Michael Jamin:Borgnine, not Hemmingway. Not Hemmingway.Max Mutchnick:Shit, that would be so bad. Ernest Borgne had the best collection of what? Does anybody knowMichael Jamin:Doug?Max Mutchnick:No, no, no. He had a good one though.But moving on, he had the best collection of Abraham Lincoln memorabilia because on the weekends, he used to go to Beacons moving and he would sell off the dregs of whatever was left in a truck that people didn't pick up. And one time he went and he bought a painting, and it was of Abraham Lincoln, and he takes it to wherever, Sotheby's or Heritage, whatever he did. And it turns out to be one of only two portraits ever painted of Abraham Lincoln while he was in office. Wow. That started this epic collection. We've digressed into such boring stuff. And I blame you. IMichael Jamin:Blame you. I brought up,Max Mutchnick:You're running this room. You could cut me off at any point.Michael Jamin:No, I could not. But let me ask you this, though. You've created so many shows, and obviously the writers are the same. So what is it, why was Will Grace, why that one not the other ones? Why was that one that blew up?Max Mutchnick:Well, I think I have a glitch in my casting programming. I didn't know to second guess myself in the way that I did after Will and Grace. I mean, it's a great question because it is the thing that, if anything, it could be a regret in my life. It's that I haven't made great decisions at crunch time andMichael Jamin:Wait, so you think it was casting decisions, you think, but you don't get to catch.Max Mutchnick:You put it on the page, and then it's these brilliant actors that have to operate in a medium that's not respected, but possibly the hardest form of acting. And there are very, very few people that can do it as well as the ones that we know. And Jim Burrows always says it's lightning in a bottle.Michael Jamin:Yeah, it is.Max Mutchnick:So it's that, and it's less Moonves also being not great to me.Michael Jamin:Well, I mean, I was going to say, every casting decision has been approved by a million other people. It's not like you could, right?Max Mutchnick:I know. And you want to believe it at the time, and you get in there and you sell, and you do your thing. And then sometimes you don't believe in a person that's going into a cast, but Les has got a thing for that person, so they go in there. But by the way, that man gave me a lot of breaks, and he was good to me for a period in my life, but I also think he did some super fucked up things to our shows too. Partners should have stayed on the air, and he took partners off the air too quickly, and no one had done anything like that. And they should have explored a gay guy and a straight guy being best friends. That's an interesting area.Michael Jamin:What is it? But you guys mostly work in sitcom. I know you did some movie work, but is that just the form you wanted to be in? Is there any other itch you have?Max Mutchnick:No, not really. It just kept, I mean, we kept every few years when they say it's back, we want them, let's go to people that know how to make on that list. And I mean, I'm doing it again, by the way, since this strike is over, and I hope that they work.Michael Jamin:What you're taking outMax Mutchnick:Multicam Ideas couple. Yeah. Yeah. We're working on a couple of Multicam right now that I'm really excited about, but I would love to not do it anymore. I would love to not do it anymore.Michael Jamin:What do you mean you'd love to not do it? I don't understand. IMax Mutchnick:Would love to write what I think single camera comedies are, which is a beautiful, when it's done exquisitely. I think it's, if you write Fleabag, that's like the masterpiece.Michael Jamin:It was a masterpiece, but it was a play. I remember watching you go, this is a play.Max Mutchnick:Yeah, but you can't, I don't know. You can't knock it like that. It doesn't, oh,Michael Jamin:It's not a knock. I mean, it's a compliment. I mean, these long monologues, and it's just not done. ButMax Mutchnick:She still was so brilliant that she figured out, she figured something out about how to make great fuckingMichael Jamin:Episodes. Oh, listen, we're on the same page. I was a masterpiece fricking masterpiece. And what I like about it is that it does feel like a play to me. It's really, it's conversational and it's intimate and brave. It's courageous, man. Man.Max Mutchnick:I think it's the final 20 minutes of the second season. I think that it, it'd be hard pressed to find a better single camera comedy ever written. Yeah, I agree. From the moment the priest shows up at her apartment to sleep with her. And I think that goes straight to the end. I don't know. Beat for beat where I've ever seen it, where I've ever watched a better script.Michael Jamin:How do you feel when you watch something like that? What does that do to you? Because you're a professional writer with a huge, great track record. How does that make you feel?Max Mutchnick:I only have that attitude of the more, the merrier. It's only good to me if you're asking me in a coded way, am I ever jealous of somethingMichael Jamin:A little? Yeah.Max Mutchnick:I mean, yeah. Would I like to have created the bear? Sure. Yes. But I'm more proud of Chris store and impressed that I know him, and I love, and I love that that happens. I mean, I get more offended by the bad stuff. I just can't stand the bad stuff, the good stuff. I'm like, God damn, that's exciting. That got made, and somebody left that writer alone and their vision was carried through to the end.Michael Jamin:Hey, it's Michael. If you like my content, and I know you do because listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michael jamin.com and now back to What the hell is Michael Jamin talking aboutWill and Grace, you could tune in an episode, and you knew you were in for some big, big laughs every episode. And I don't know, you were inviting these friends into your home every week. That's what it felt like. You were inviting your friends over. And there's an art to that.Max Mutchnick:Yes. And there's an art to picking the best writers that money can buy, which is what Will and Grace always had. I mean, the star power in the writing room at Will and Grace was spectacular. And I mean, to a person, it had the best run of writers, but the only time it went off the rails is if the heart got taken out of a story. And if the heart wasn't there, then the thing didn't hold up. That's right. And so you have to lay a foundation in the first act and make sure that all that stuff is true and real at the beginning. And then you can go kind of wherever you want in the second act. Then you can get nuts and then resolve in a very real way. But if you don't actually start from a true place of, oh my God, I cannot believe you are sleeping with my brother, that hurts me so much. Why? Because you're mine. Whatever that story is, you want to just hit those notes that everybody understands.Michael Jamin:Now, when you rebooted Will and Grace, did you bring back the entire writing stuff?Max Mutchnick:We didn't bring back everybody, but brought back most everybody.Michael Jamin:And what's shocking about that you had this amazing writing staff and that they were available.Max Mutchnick:We had to be patient. We had to work a little bit of magic. And I also think, I mean, it's embarrassing for NBC, but David and I had out of pocket some fees.Michael Jamin:Oh, really? You wanted them that bad?Max Mutchnick:But it's worth it. It's worth it. It's like, oh, you, you're going to stop at 25 k an episode for this wildly talented person and for their integrity, and they need it to be 27 5. It's like, take it out of mine.Michael Jamin:Right.Max Mutchnick:And we had to give you the full truth on that. It was more with crew. With Crew that we did that.Michael Jamin:Did you want your old crew?Max Mutchnick:Yeah. I mean, there are people that you want, you want the show to sound the same and you want,Michael Jamin:What was it like bringing it back though, for you as a creator? ItMax Mutchnick:Was incredible, honestly. It was such an incredible thing. I mean, we brought it back thinking that Hillary Clinton was going to be president. And the twisted irony is that the game show host won the office, but it ended up really giving us stuff to write to, because if you're just preaching to the third that you have, it's like, what's fun about that? ButMichael Jamin:To me, I guess I'm interested in your characters are now much older. And now I wouldn't have thought when Will Grace ended? I'm not really thinking about where they're going to be years from now. I'm just done thinking about them.Max Mutchnick:I know, and it kind of did have a finality to it, but I mean, I've told the story, but the set was at Emerson. How was it? And it was done, and they were done with the installation, and it was getting moved back on a flatbed to la. And my husband and I were in London, and I was bereft about the way the election was going and sitting in the back of a cab, I said to him, if I had the show, I would have Karen training Rosario on a rock climbing wall. I would do a story about, you're going to go back to Mexico, but then you're going to climb back in after you go back. Right. And I just wanted that to see that visual of Shelly Morrison on a rock climbing wall and caring training her, and in response to him, those horrible policies. And Eric said to me, well, honey, why don't you just go do something about it and make it the set's where it is? All the actors are where they are, and they were amenable. Thank God, God bless them for doing that, because it didn't have to go that way. It wasMichael Jamin:Easy.Max Mutchnick:It was much easier than you would think to bring it all back together.Michael Jamin:Right. That's with the rebuilding. That's so interesting. When you guys are coming up with show ideas, I mean, are they just coming to you? Are you always coming up with ideas or is it like, okay, we got to come up with an idea?Max Mutchnick:No, I mean, I'm coming up with ideas all the time until someone pays me and then all of a suddenMichael Jamin:Nothing. Can't thinkMax Mutchnick:Of anything. Yeah. It's like, I don't know. I can't sleep. I mean, do you sleep? I don't turn. My brain doesn't shut off. And so I'm always kind of thinking about stuff. And by the way, we've written some of the things that I love the most that we've ever done. They've never seen the light of day. And I think that one of the little twisted crimes of our industry is the fact that agents and studios, if they have any sense that you've written something ago, that you wrote it back when they don't want to, it's like a loaf of bread or something like that, as opposed to a piece of art that it is still relevant. It still makes sense. These characters are vibrant and exist, but it feels like used goods even if it's never anywhere.Michael Jamin:And so you guys, your partner, you meet every day and you're coming up with ideas, or even when you're not,Max Mutchnick:I'm very good that way. I don't feel like I can stop and I don't want to stop. Dave is arguably a happier person, and he doesn't feel the same desire to beat himself to death. That's what it's, yeah. But we've had a dynamic for mean our daughters are very, very close, which Oh, really? A gift of life for both of us. But always, I mean, I say this in front of him and behind his back, our relationship has that lovely Jerry Lewis and Dean Martin, sort of one of us is in love with the other one, and one of us doesn't care. And Dave's just like, but he's my brother. So he's not like he's going anywhere. But it's just like, stop trying so fucking hard. I get a little sweaty when I don't need to.Michael Jamin:Well, yeah, you've had so much success. It occurred to me. I just remember one time I was over at your place once, I don't remember where you were living, but I remember you had Enya on.Max Mutchnick:It's so crazy. So wait, I'm going to make my relationship to Enya. I'm going to bring it back to writing sitcoms because Okay. My anxiety has always been a present part of who I am and what you referred to as the fun of coming into my office. Yeah, you're right. But it's driven by a kind of anxiety and on, I guess it would've been good advice for Michael Patrick King. I was having such heavy, crazy anxiety. Anxiety to the point of passing out anxiety that I had to go every time we had a break down to my car and listen to Anya on AC cd.Michael Jamin:Is it because you're worried you're going to be fired? Is that whyMax Mutchnick:I just didn't have that? There's a, that very scary moment of existing in a writing room of what your output is. Like Jeff Astrof, by the way, such an incredible writer in a room, such a good room person. But he lives by the thing. If I don't put a joke into that script today, I can't go to bed tonight. And that drives a person. And I just was in these, so you have to get, but Michael Petra king got me a little bit more comfortable with, I listen to you sometimes and I watch you construct comedy on the fly, and I am impressed with it. And I think, what the fuck? Can't I still do that? But I tap into something different. I tap into a different thing because I think life just across the board, other than rape and cancer and Israel is pretty much, everything is funny. And I feel really good about exploring the most uncomfortable truths of my life, and that's where I get the stuff from. But I wasn't there. I wasn't there, and certainly not at the beginning. And Dave Cohan comes from such a pedigree family that it was second nature to him to just construct really clever wordplay and stuff like that. And I was really panicked about that at the beginning.Michael Jamin:Interesting. Because you know that in the room of writers, if I'm going to choose a team of writers and I have eight picks, the first eight are story people, not joke people.Max Mutchnick:And that's that generic question you ask a writer when you interview them. So what do you think you're best at story or, well, really good at story, right? They're really good at story.Michael Jamin:You're good at stories.Max Mutchnick:You can tell a fucking story.Michael Jamin:None of you'reMax Mutchnick:Good. It's crazy. It's crazy how many people can't tell a story or the joke thing of you want to say to people and you don't. It's like, okay, close your eyes. Go to the table, put that joke in the actor's mouth and tell me the response that you hear. Do you actually hear people laughing at those words? Because that's how I always do it. I'm like, and then it becomes second nature. Yeah, that sounds right. They will make ew. She'll make ew funny. That will get a laugh. That will get a laugh. But it's always shocking to me like the clunkiness sometimes that's pitched and it's like, that's not going toMichael Jamin:Work. Yeah. Yeah. How funny. How funny.Max Mutchnick:And if I'm calm and you got time, it's like you can try to get it, but you want a Michael Jamin in your room to just give it to you. Done.Michael Jamin:Oh, give it to me. Done. It's so interesting. Go starting out. I was just a joke guy. And then you won't keep your job long if that's all you understand, right?Max Mutchnick:No, you have to be able to, because you go to that run through and the entire back half of that story falls apart. So you have to be a technician to say, if you do this and you do that, the back half will, as we say, it's an F 12, it will write itself. It never does that, unfortunately. But I will tell you this, speaking of that, during all of this AI and the strike, and my writer's assistant that's been with me for a very long time, and I won't say his name because he hates that he's a writer's assistant, but he's incredible. A friend gave him a Will and Grace, an AI written Will and Grace.Michael Jamin:Oh, andMax Mutchnick:I mean, this is the upsetting part.Michael Jamin:No, don't go there. Don't say any of this. What isMax Mutchnick:It? I know. I mean, but the truth is, it's like, well, if this is what came to me, if I sent a team off, if I sent a group off and I said, Karen and Jack are going to have a garage sale, bring me back that story. I want two, I mean, I'd break the scenes with them, but two scenes of the first act, two scenes in the second act, it's AB story. Bring that back to me. It wasn't like it was so far off.Michael Jamin:Wasn't so far off. So better than staff writer.Max Mutchnick:This isMichael Jamin:Scary.Max Mutchnick:Yeah, no, I know. I mean, I don't know. It's like if it was in front of me, we could even read it, but I don't have it. I don't want to give any credit to that, but I'm going to name drop. But I told that story to Norman Lear at dinner not too long ago, and he told me that someone had done it for him too on, I think it was on all of the Family. And I believe that we agreed that it wasn't an abomination.Michael Jamin:This makes me sick a little bit.Max Mutchnick:Oh, it's sickening. Yeah, completely sickening. Because it calls 246 episodes of Will and Grace. It figures out what those people sound like. I mean, look, if I delivered, I wouldn't deliver it at a table read. It would still, it would be that thing that I was talking about. There wouldn't be laughs. It didn't have, it didn't have heart construction. Yeah, but good enough. Yeah, but it could go right. That's a callback number 56 onMichael Jamin:Callback. Good enough. I posted about James Burrows yesterday about what he said. I dunno if you saw,Max Mutchnick:Oh, I did. And we should talk about that.Michael Jamin:Yeah. What's, because he basically said, and I think it was misinterpreted a little, that there are, there's only about 30 great writers to do sitcoms. And what I think he meant was 30 great showrunners or potential showrunners, not writers. ButMax Mutchnick:Yeah, I absolutely didn't agree with him. And you started to talk about it, and then always, I kind of turn you off about five minutes, but I will say this, it's like you hit on exactly what it is. The reason why we like it is because Multicam are the comfort Food of America. I mean, that is the show. You want your kid, when they come home from school, turn on an episode of friends and watch that thing, and then dinner will be ready and it goes down easy and you love it. You even can know where it's going, and it's still satisfying. But I didn't agree with Jim, and I hope that he was misquoted because I am not sure that it's over because of how much it's actually liked by Go ahead and create. Everybody loves Raymond and I dare America to not want to watch it.Michael Jamin:Well, okay, growing up, there was a show called Small Wonder. It was one of these syndicated whatever. And I would watch that. And I said to my partner recently, I was like, how come we can't get on small wonder? Where are those shows put on Small wonder? I'd rather be happy working on Small Wonder. But they don't exist.Max Mutchnick:Well, no one programs that way anymore. I still believe if someone made the commitment, I mean, they must have papered this out somewhere, but I always think, shit, if I ran a network, I would ask the higher ups. Can I please develop sitcoms from eight to 10, put them on the air, and will you give me a guarantee that I get to put them on the air for two years straight, all four of them? Because it doesn't happen like a movie. It doesn't happen. I mean, you try really hard, but it's a fluke to get anybody to get a pilot off the ground in that a scene. They don't know anybody. Right. It's the hardest thing in the world. But I believe that if Multicam, I believe that they weren't driven by star casting because star casting always fucks up a multicam. Of course, there are examples of big stars that have made shows work like Charlie and Julia even. But I mean, there's that list of names that if we weren't being recorded, I would just say it's all these fucking famous people that aren't funny. AndMichael Jamin:Wait, is it because you think they get executive producer and they give notes and they change it? They make the show what they want it to be, you mean?Max Mutchnick:Yeah. I mean, I don't give a shit about that, but that's all bad. Jim Burrows, though, won't allow that, which is a gift, though. The world is so changed that if Miley Cyrus wants to do a sitcom, by the way, I think Miley Cyrus is the only sitcom actor who is able to move the needle. They push you during sweeps. Can you get a Shatner? If we could get Shatner on Big Bang, I know we'll write, that's probably not a good example because it probably worked. But for the most part, shows just get what they get. They always get what they get. It doesn't matter. These co-stars and these, none of that matters,Michael Jamin:Right? No.Max Mutchnick:Is it funny? And do you like the people? Do you like the people? And do you like the world that they're in?Michael Jamin:That's what actually, and that is a good segue to what I wanted to talk about as well. Shit, my dad says, you guys were on the forefront. That was a Twitter popular What? ItMax Mutchnick:Was the first one.Michael Jamin:Right? The first ones. So I'm saying you were on the forefront. You were the first ones who did that. And I remembering because it was based on the Twitter feed, I remember thinking, is this what's going on now? And yes. Yes, it is.Max Mutchnick:I know. I mean, it's funny. I remember when I was a kid and all of a sudden in the music scene, there was punk rock. And I remember being a worried Jewish boy saying to my mother, ma, I think punk rock's going to ruin the world. I think punk rock's going to ruin the world. And it was like all of a sudden, Twitter, a Twitter account, a tweet for Justin Alper. Brilliant. I mean, creator Elementary with Pat Schumacher, and this was Justin's, it was his account, but at a beginning, middle to an end, when you heard it, it was just like, shit, my dad says, it's just like, well, inside that line, speaking of Hemmingway, the best story, the shortest story ever written.Michael Jamin:Yeah. What is it?Max Mutchnick:Baby Shoes for Sale, never Worn.Michael Jamin:Right? Right.Max Mutchnick:They might be out of order, but those are the words I think, and shit my dad says was like, oh my God. You know exactly what that is. That's a son with being embarrassed by a father that he loves. So it was all there. It was there. Yeah.Michael Jamin:But if, I don't know, was there ever a moment like now, sure. Oh, this guy, this person has a big Twitter feed. Yes, bring him in. Let's talk with them. Right. But was there a moment when you were doing this? Are we really basing a show on a Twitter feed? I mean, I know you saw more, but I would've been worried.Max Mutchnick:Yeah, yeah. But it was literary. I mean, I don't know. Justin was just so sharp and smart, and there were ideas immediately, so it didn't feel hacky at all. But by the way, I will say this, it was one of the handful of terrible, deadly fatal casting mistakes that I made in giving the job of the Sun to the actor that we did when the actor of the hundreds of people that we read for that part, there was only one guy who came in and he was a slam dunk, and he was the one, and he was the only one of all the 500 men that read for the part that Bill Shatner said, that's the guy. And that guy was David Rum, HoltzMichael Jamin:Rum,Max Mutchnick:David m, it was so there in the room. Yeah. I forgot it was him. He understood everything. And I brought some of my own bullshit to it, and so did everybody else. David didn't, he didn't look like we wanted it. Look, we wanted a cuter person and all kind of stuff.Michael Jamin:Pretty, it's so funny. We did a show with him years later. Crummy Sweet kid, sweet guy. Interesting.Max Mutchnick:Wow. Forgot about that. Yeah. Such a talented guy. Such talentedMichael Jamin:Guy. Yeah. Interesting.Max Mutchnick:And a brother in neurosis.Michael Jamin:Yeah. Yeah. Well, let me talk about that, because you tend to put yourself into the characters you write. And how hard is that is difficult for you? Does everyone know that it's you, IMax Mutchnick:Guess? I think so. I mean, well, I only tell the stories in first person. I mean, I don't say, I have a friend who had sex with a Chauffeur for Music Express. I tell the story about what I did and how embarrassing it was and what I did and what I did to recover from it. And I got very comfortable with that. And it's made it possible to tell a lot of stories because that's what I have.Michael Jamin:But on the flip side, are you sometimes protective of the character when someone else pitches an idea and Well, I wouldn't do that. Well, it's not you. It's,Max Mutchnick:Oh my God. No. If it feels true, and it sounds true, I completely, I mean, I'm not going to go back on what I said. If your story is fantastic and it's not nuts, I mean, I want to tell that I want tell that story. Right? I mean, those are the ones that I, the ones that really like are like, oh, Jesus Christ, that's so uncomfortable. That's so uncomfortable and so awkward. And we have to do that. We have to tell that story.Michael Jamin:Did you start on your shows that you run, do you start every morning with like, Hey, what's everybody up to? Are you trying to pull stories out of people, personal storiesMax Mutchnick:We call a host chat?Michael Jamin:Is that what you called it? Yeah,Max Mutchnick:We call a host chat, because when I first started out, I knew I had a rundown of, I think Regis. Regis and who is Frank ER's wife?Michael Jamin:Kathy Lee.Max Mutchnick:Kathy Lee. Kathy Lee. And it's called Host Chat, by the way. It might've been on,Michael Jamin:Mike Madia was called that as well. Yeah. Yeah.Max Mutchnick:I mean, that's where it comes from. It doesn't come from Regis, it comes from that. And David, and I mean, it's arguably sometimes the best part of the day.Michael Jamin:Well, yeah, it's funny. You guys set up Mike and Maddie, and then you bounced off that show probably in a matter of months. And then I took, I took the job that you vacated and I was thrilled. And with you was, I dunno. For me, it was like, oh my God, this is this giant opportunity. And you guys, this is your temporary gig.Max Mutchnick:Oh, well, it wasn't a temporary gig. It was a fall from Grace. I mean, I think we had already been working, something was going on in our career, either we were in between agents or something, but that was an absolute blight. I mean, it was terrible. That experience.Michael Jamin:And why, what was it For me,Max Mutchnick:We were WGA primetime,Michael Jamin:And that was not all ofMax Mutchnick:Sudden we're writing a strip bullshit show with two hosts that hate each other. And I mean, a great thing came out of it though, the first week of the run of those shows, David Cohan is in all of the sketches.Michael Jamin:Oh, I didn't know that.Max Mutchnick:Yeah, David, we wrote him into the sketches. He played kind of this dumb PA character, and we would do these cold opens that they could never make them work. They could never make work because Maddie couldn't act. And Mike was always frustrated. But Dave's in them, they're online, I believe, and they're pretty funny.Michael Jamin:Oh my God. HowMax Mutchnick:Funny. Yeah, it's incredible.Michael Jamin:And so I guess going forward, as I take up a lot of your time here, what do you see going forward with the industry? I don't know. What does it lookMax Mutchnick:Like to you? That's one thing I won't do. It's the more I realize how little I know kind of thing. I believe this. I believe that good shows always will out. They will always happen. And even in spite of the system. So I think that that can happen. But I don't know. I'll tell you, in six months, I can come back and we'll talk about whether the multicam that I have in the hopper right now, if they work and if they get on the schedule, because things just, it just doesn't happen anymore.Michael Jamin:People think, yeah, people, when you're in it, you're made well, your next job is never guaranteed.Max Mutchnick:I don't like that 50 something year old guy that doesn't work anymore. I don't want to be that. I don't that person and I can be okay. I guess reflecting, looking back on, I tried really hard and I kind of want to, this might be embarrassing, but I really would like to show myself that I have not disconnected from the popular culture that I can tap into the way people feel still. And I'm not just a guy making dad jokes. I mean, I'm not that guy anyway. My daughters, that's not their experience. So it is just a matter of can I get the system to work on my behalf?Michael Jamin:What do you tell young writers trying to break in then giveMax Mutchnick:Advice that there's always room for one more. I mean, I still feel that way, but I feel like you've got to be, if you get on a show, I think the goal is to parrot the showrunner.Yes. Make the sound that he's making. Don't make some other weird Crispin Glover sound. Make the sound that he's making, and then improve upon that act. It's like actors that you hire to do a guest spot on a show, and they kill it, and you hire them, and then they get on the floor and they give you something else. It's like, no, no, no. Do exactly the thing that we hired you for. So a writer, it's like, I read your spec script. I love it. I love your tone. I loved talking to you. And by the way, in that meeting, I'm thinking as much about what's it going to be like to do post chat with this person and do anything else? Because I don't know that I should say this, but I will because I don't stop myself. A lot of times when we meet writers, we read them after we met them,Michael Jamin:You read 'em afterMax Mutchnick:They have a thing. If they're in the system to the point that the studio and the network are saying, oh yeah, we love this person. We think this person is great. This person's just come out of NYU. We think you'll help this person. Right? You've got to meet this guy, or you've got to meet this woman, this human. I sit down with them and then it's like, okay, you are,Michael Jamin:I wouldn't trust anything they say, though. That's the thing. Why? What do you mean? Well, because you got to meet this writer, and they're like, but I don't think they know what I'm looking for in a writer. That's the thing.Max Mutchnick:But it's like both have equal power in the hiring. So it's like you meet them, do I like them? You can read a script and then all of a sudden you imbue all the stuff that, and they're just like, Ugh. They're a drip. And they're not cool. And they're not easy to talk to. I mean, by the way, mean if the script's brilliant, you're going to hire them. But well,Michael Jamin:Also, I imagine we're also intimidated by your success too. It's not easy to sit opposite you guys,Max Mutchnick:But we try really hard to pull that out of the room as fast as we can because it gets in the way. And like I said, it's like I won't really comment on our position in the world and that kind of stuff. I just can't even think about that. If someone's coming in to talk to us, I feel as much want them to. I'm still the same as my husband says, everybody has diarrhea. It's like, I want them to like me.Michael Jamin:You still sob to Enya?Max Mutchnick:Yes. That I don't do anymore. I do. I'm a little bit my spine's illustrator. I don't have one way of doing anything is really the moral of the whole.Michael Jamin:Wow, max, I'm so appreciative that you took the time. I don't know, just to talk because oh my God, you have so much wisdom to share. It's just so interesting to hear your journey, and I don't know.Max Mutchnick:It is a joy to talk to you, and I don't usually enjoy these things as much as I have that says everything about you, andMichael Jamin:It's atMax Mutchnick:Ease. Yeah. I mean, you're just easy and good and smart and everything. A lot. I mean, your commentary throughout the strike was just fantastic and on point. And you were putting yourself out there in a way. AndMichael Jamin:Ballsy is what IMax Mutchnick:Ballsy. Ballsy. Yes, that's right. I mean, one gets scared making things when you have, I guess you don't have that much to lose.Michael Jamin:That's pretty much it. That's pretty much it. Yeah.Max Mutchnick:So can you just tell me before we say goodbye? Yeah. What are you working on?Michael Jamin:Well, we're going to talk more. We're done talking. Okay.Max Mutchnick:Okay. So do you want to wrap it up? Do we sing or what do we do?Michael Jamin:Yeah. We hug virtually and we tell everyone to be their best creative versions of themselves.Max Mutchnick:That's exactly right.Michael Jamin:Encourage people. There's roomMax Mutchnick:For one more.Michael Jamin:I love that. There's room for one more. So if you're listening always. Yeah.Max Mutchnick:No matter what it is. And God damn, I wish I could sing the theme for, I mean, if you have your sound engineer, why don't you just have your sound engineer fade in the theme from the Mike and Maddie show written by Charles Luman.Michael Jamin:MicMax Mutchnick:Shine. It's a beautiful day in America.Michael Jamin:I'm not paying for that needle drop. I got my own music. HeMax Mutchnick:Doesn't need the money.Michael Jamin:I'll talk to him. Okay. All right. Thank you again, max. I really appreciate it, Janet. Yeah. Okay. And don't go anywhere. Alright everyone, we got another more great episodes. Wasn't that interesting talk? He's a great guy. Go watch him. Go watch Will and Grace again. It's ageless. Alright, thanks so much everyone, until next week.So now we all know what the hell Michael Jamin is talking about. If you're interested in learning more about writing, make sure you register for my free monthly webinars @michaeljamin.com /webinar. And if you found this podcast helpful or entertaining, please share it with a friend and consider leaving us a five star review on iTunes that really, really helps. For more of this, whatever the hell this is, follow Michael Jamin on social media @MichaelJaminwriter. And you can follow Phil Hudson on social media @PhilaHudson. This podcast was produced by Phil Hudson. It was edited by Dallas Crane and music was composed by Anthony Rizzo. And remember, you can have excuses or you can have a creative life, but you can't have both. See you next week.
Grace has already dated a guy with a girlfriend, but it's time to take things up a notch. In this episode, Grace's date has no less than FIVE girlfriends. Will Grace become proud partner number six? Fingers crossed! 28 Dates Later is produced by Novel for iHeartRadio. For more from Novel visit novel.audio See omnystudio.com/listener for privacy information.
Will Grace get SCHOOLED by Hannah today?
Steve Shenbaum is the founder of Game On Nation, a nationally recognized communication firm that employs game dynamics and improvisation to teach high-performance teamwork as well as communication, story-telling, public-speaking and presentation skills. Game On Nation provides authentic and down-to-earth courses, keynotes, and custom training programs that are widely accessible and extremely successful. For over 27 years, Steve and his company have helped people at the highest level of every sphere in the country, including leaders at Fortune 100 companies, college and professional sports teams, all branches of the military, NASA, and the U.S. House of Representatives. Steve gained notoriety for his early acting career, with featured roles in popular comedy films and shows such as Space Jam, Will & Grace, and American Pie 2. He understands the immense power of positive humor, and his professional success allows access to high-level audiences and clients.Notable clients Steve has worked with include Yao Ming, Dale Earnhardt Jr., Carmelo Anthony, Sydney Crosby, Abby Wambach, and the U.S. Women's National Soccer Team, to name a few. https://www.gameonnation.com Read the show notes here: https://www.voiceofinfluence.net/289 Give and receive feedback that makes a difference! Register for our 20 minute Deep Impact Method video course here: www.voiceofinfluence.net/deepimpact
Will Grace get SCHOOLED by Hannah today?
What to watch during COVID: Lisa watched Friends because she never watched an episode. Natalie watched Will & Grace. Bonus watches: Everyone needs a refresher from It's Complicated. And Natalie recommends Phrogging. Follow Natalie's Podcast, Put Your Books Down: https://podcasts.apple.com/us/podcast/put-your-books-down/id1630463592 Find Natalie on Instagram: @natalie.sanderson.18 SHOWS MENTIONED: The Curious Case of Natalia Grace on ID channel Shiny Happy People Amazon Prime. Based on a True Story. PeacockTV. Flamin' Hot. Hulu. Take Care of Maya - Netflix. Hijack. Apple TV +. Lincoln Lawyer season 2 Netflix Murders in the Building season 3 The Beanie Bubble. Apple TV+ Silo Apple TV + EPISODE SPOSOR: https://www.lasercareskinclinic.com/ EPISODE SPONSOR: https://www.ralstonfamilyfarms.com/ EPISODE SPONSOR: https://dogtalktv.com/ EPISODE SPONSOR: https://osteostrong501.com/ LISA'S LINKS: Lisa Fischer Said Academy: https://lisafischersaid.com/academy/ Website: lisafischersaid.com For more information on group intermittent fasting coaching with Lisa, email fasting@lisafischersaid.com For more information on one-on-one or group health coaching with Lisa, email healthcoaching@lisafischersaid.com Podcast produced by clantoncreative.com
Kelly sits down with comedy television writer, producer and NYTimes bestselling author, Gary Janetti. They take a deep dive into the horrors of high school, his mom's reaction to a throuple, his love of soap operas, his summer at Oxford with David Schwimmer and their hilarious interaction years later. Gary tells Kelly about his years being a bellman and how he finally became a writer for hits like "Family Guy" and "Will & Grace". And you won't want to miss Gary talking about his popular satire of Prince George, the Royal Family and their reaction to it! NOTE: This episode was recorded prior to the writer's strike.
Roll that bouncy piano opening, listeners! Erika and Paul are really luxuriating in TV September and taking on another classic sitcom foursome as they get into the first season of Will & Grace. The show obviously has a legacy, but how do these early episodes hold up? That Aged Well is here to try and figure that out for you! You can follow That Aged Well on Twitter (@ThatAgedWellPod), Instagram (@ThatAgedWell), Threads (@ThatAgedWell), and Spoutible (@ThatAgedWell)! SUPPORT US ON PATREON FOR BONUS CONTENT! THAT AGED WELL MERCH! Hosts: Paul Caiola & Erika Villalba Producer & Editor: Paul Caiola
This week, Les chats with actor, comedian and writer Sam Pancake (yes, it's his real name!) who has been performing on stage and acting in television, movies and commercials for decades. He has had recurring roles on the TV shows “Friends,” “Will & Grace,” “Curb Your Enthusiasm,” “Arrested Development,” “Gilmore Girls: A Year in the Life,” and many more. Sam Pancake will perform “Samboyant!” on Saturday, September 9 at 7:00 PM at The Green Room 42 (570 Tenth Avenue at 42nd Street, on the 4th Floor of Yotel). The cover charge ranges from $20-$50. A livestream option is available for $20. For tickets, please visit www.TheGreenRoom42.com.
#AlishaEdwards wins the Knockout battle royal. In addition, she faces off with #Trinity at #VictoryRoad next Friday! #DeonnaPurrazzo calls out #JordynneGrace. Will Grace accept the challenge of #TheVirtuosa? Let us know in the comments! You are tuned into the #1 #IMPACTonAXSTV post-show in the world! Hosts: https://twitter.com/heelistic https://twitter.com/nickiebooshie HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [https://twitter.com/wwtalkpod] Like us on Facebook - [https://www.facebook.com/wwtalkpod] Follow us on Instagram - [http://instagram.com/wwtalkpod] Check Out Our Merch! : https://forurwear.com/womens-wrestlin... ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message
What's in this episode:Thinking about making a move to your next chapter?It's a tough one. When you're ready to move on to a new project, role, or business that looks very different from the one you're in now, it can feel impossible. Every fear in the world crawls into your mind and you stay put because doing anything else seems that much harder.But it doesn't have to be so scary. Let's make it easier on you.Oh, and I'm roping my good friend Sean Hayes into this episode to show you how moving from one chapter to the next can be done. He's the expert.Folks + things mentioned in this episode:* Sean Hayes* watch Jack's Coffee Addiction Gets Out of Hand from Will & Grace* the Smartless podcast* previous Why Are We Shouting? episode, Emily's Subtle Smackdown* Good Night, Oscar* join The Founding Moms here* need some summer reading? Try The Best Business Book In The World* (*According to my Mom) hereOur Sensational Sponsor:* What Your Mom Forgot To Tell You is your newest favorite podcast. Hosted by Claire Calfo, Season 2 is out now where Claire has in-depth conversations with thought-provoking guests and experts alike. From mental health and wellness to social justice, personal growth, and beyond, she explores the topics that matter and provides insights and inspiration to help you live your best life. Subscribe here or wherever you listen to podcasts.Got Q's? Jill's Got A's.* Wanna get your Q's A'd in a future episode?* Perhaps you wanna sponsor an episode?Talk to me! Text or call (708) 872-7878 so that we can make your dreams come true.Got thoughts, comments, or questions about the episode you just heard? Leave a comment below.See you soon,jill This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jillsalzman.substack.com
Tom Skerritt, Emmy winner (Outstanding Lead Actor in a Drama Series) for his series PICKET FENCES, is one of the most versatile and acclaimed American actors in movies and TV. At UCLA Film School, he acted in theatre and began writing for screen as a means to understand the full embrace of his primary interest, directing film. While acting on stage, he was seen and hired to be in a small film where he met Robert Redford and Sydney Pollack. Soon after, he met director Robert Altman, with whom he mentored as a filmmaker, which led Tom to be cast in the movie version of M*A*S*H. This led to a distinguished and decades-long career, starring in such acclaimed films as TURNING POINT (for which Tom won the National Board of Review's Best Supporting Actor Award), ALIEN, TOP GUN, STEEL MAGNOLAS, A RIVER RUNS THROUGH IT, CONTACT, TEARS OF THE SUN and THE DEAD ZONE. The recipient of UCLA's Lifetime Achievement Honor in 1994, Tom is also a veteran of may television programs, including appearances on MADAM SECRETARY, THE WEST WING, LAW & ORDER: SPECIAL VICTIMS UNIT, CHEERS, WILL & GRACE and THE GOOD WIFE. In 2007, Tom received a Life Achievement Award from Wayne State University, which was followed with a Laureate Award from The Rainier Club in Seattle. In 2011, he received the Saturn Best Guest Actor Award - TV.Legendary film actress Veronica Cartwright began her career as a child actress in the classic films THE CHILDREN'S HOUR (directed by William Wyler), Alfred Hitchcock's THE BIRDS and SPENCER'S MOUNTAIN. A veteran of many beloved films, Veronica has appeared in over 50 movies and her resume includes two science fiction classics in the 1970's, Philip Kaufman's remake of INVASION OF THE BODY SNATCHERS and Ridley Scott's masterpiece thriller, ALIEN. Veronica starred as Betty Grissom in the epic dramatization of NASA's space program based on Tom Wolfe's novel, THE RIGHT STUFF, also directed by Kaufman. She made an indelible impression on moviegoers in 1987 with her standout performance in THE WITCHES OF EASTWICK. Among Veronica's many television credits are the hit shows CRIMINAL MINDS, CSI CYBER, BOSCH, RESURRECTION, GREY'S ANATOMY, WILL & GRACE, LEAVE IT TO BEAVER, THE TWILIGHT ZONE, GOTHAM KNIGHTS, ALFRED HITCHCOCK PRESENTS, THE GOOD DOCTOR and THE X FILES. Veronica has been nominated four times for an Emmy Award with one win. At age 15 she won an Emmy for Best Actress in a television movie called TELL ME NOT IN MOURNFUL NUMBERS. She was nominated again in 1997 for her guest starring role of Mrs. Huston in two widely acclaimed episodes of ER. In 1998 and 1999 the Television Academy nominated her twice for her pivotal role of Cassandra Spender on Fox's THE X FILES.
Actress Jennifer Elise Cox (The Brady Bunch Movie, A Very Brady Sequel, Will & Grace, 2 Broke Girls) joins Joss to talk about Season 3 Episode 5: Helen's Rendezvous! Together, they talk about how Chrissy Snow played an inspiration for Jennifer's iconic portrayal of Jan Brady in The Brady Bunch Movie, the undeniable chemistry between the cast, and who Jennifer would play in a reboot. Follow us on Instagram : @threescompanyrewatchpodFollow us on TikTok: @threescompanyrewatchpodFollow Joss: @joss.richardCouch Artwork: Morgan Gesell
This week, we're joined by Matt Baume, author of the new book Hi Honey, I'm Homo, about the history of LGBTQ representation on American TV. Instead of a single episode, we're talking about several, including some we've covered previously on GEE and some we have not! All in the Family, “Judging Books by Covers” (February 9, 1971) Soap, “Episode 1.8” (November 8, 1977) The Golden Girls, “Isn't It Romantic?” (November 8, 1986) and “Sister of the Bride” (January 12, 1991) Ellen, “The Puppy Episode” (April 30, 1997) Will & Grace, “Homo for the Holidays” (November 25, 1999) Schitt's Creek, “Honeymoon” (April 15, 2015) Go buy Matt's book, Hi Honey, I'm Homo! Watch the Carol Burnette clip with Jim Nabors and Rock Hudson that Drew mentions. Watch the Ellen DeGeners appearance on Rosie O'Donnell that Matt mentions. And here is that Australian marriage equality ad. Listen to that deep dive about Cool World that Drew mentions. There are a lot of references to episodes we've covered previously, and check them all out here: Archie Bunker Meets a Homo Alice Dates a Gay Guy Gomer Pyle Writes Gay Love Letters Taxi Does a Bisexual Episode We Finally Do Soap Dorothy's Friend Is a Lesbian Blanche's Gay Brother Wants to Get Gay Married The Other Two Finds a Daddy Ellen Comes Out* Give us a rate and review on Apple Podcasts — and on Spotify too, if you can.
An iconic duo is back! Sean Hayes and Eric McCormack return to host the ultimate Will & Grace re-watch podcast. Each week on JUST JACK & WILL, Sean, who has never seen it before, and Eric, who may have seen it too much, break down an episode of Will & Grace with charm and chemistry. They revisit jokes, share never before heard stories, reunite with their fellow cast members and fabulous guest stars, and showcase the team who helped Will & Grace win an astounding 18 Emmy Awards.
In this episode, Joe interviews Priyanka Wali, MD: board-certified practicing physician in Internal Medicine, MAPS-trained psychedelic facilitator, comedian, and co-host (with Sean Hayes of "Will & Grace" fame) of the HypochondriActor podcast, where they discuss interesting medical issues in a funny (and hopefully uplifting) way. She talks about recognizing and protecting the humanity of healthcare professionals, and how medical school is creating a cycle of hurt people trying to help other hurt people. She believes we need to become more holistic, especially in embracing Indigenous ways of thinking, as their frameworks may be the only way to explain phenomena with which Western science can't come to terms. They talk a lot about ancient psychedelic use: the use of a soma described in the Rigveda; Egyptian culture and mushrooms observed in statues; Plato; the work of Brian Muraresku and Graham Hancock; and Vedic chants, Kashmiri Bhajans, and how singing (especially in a group) can be especially healing to the nervous system. And as Wali experienced first-hand the Kashmiri Pandit genocide of 1990, she discusses how much colonialism has changed cultures, and how much our cycles of oppression relate to our collective inability to experience pain and fear. They discuss the psychological impact of living through major catastrophes; the special and hard-to-describe feeling of returning to your home (especially in a world changed by colonization and constant conflict); the sad case of Ignaz Semmelweis and hand washing; ghosts of Japan's 2011 tsunami, the concept of ‘future primitive,' and more. www.psychedelicstoday.com
Finding your passion, embracing delayed gratification and becoming a master at your craft – on this episode of THINK Business Exclusives. Douglas Sills can currently be seen in the HBO original series “The Gilded Age.” He received Tony & Drama Desk Award nominations for his performance in The Scarlet Pimpernel on Broadway. Other Broadway/New York: War Paint; Living on Love; Little Shop of Horrors (Drama League Award); Nantucket Sleighride; Mack & Mabel, Hey Look Me Over, Lady Be Good, Music in the Air, Carnival (Encores). National Tour: The Addams Family; The Secret Garden; Into the Woods. Regional: starring roles at La Jolla, Long Wharf, Westport, Kennedy Center, South Coast Rep, Reprise, California Shakespeare Festival. Other TV/Film: “Christmas on the Square” for Netflix, “Katy Keene”, “Chicago Justice,” “CSI,” “The Closer,” “Numb3rs,” “Will & Grace,” “Erotic Fire of the Unattainable,” “Deuce Bigelow: European Gigolo.” Connect with Jon Dwoskin: Twitter: @jdwoskin Facebook: https://www.facebook.com/jonathan.dwoskin Instagram: https://www.instagram.com/thejondwoskinexperience/ Website: https://jondwoskin.com/ LinkedIn: https://www.linkedin.com/in/jondwoskin/ Email: jon@jondwoskin.com Get Jon's Book: The Think Big Movement: Grow your business big. Very Big!
“Caught on Tape” (November 15, 2000) John Goodman's follow-up sitcom to Roseanne was Normal, Ohio, which only lasted seven episodes before Fox yanked it from its schedule in late 2000. Unfortunately, the take-away from its failure was that audiences wouldn't buy a guy like Goodman playing gay, which is perhaps not one of the problems this show needed to fix? This week, special guest / homosexual academic Hollis Griffin joins us to discuss why this show didn't work and why it's still worth discussing as a failed imitator to Will & Grace. You can now watch Glen's movie, Being Frank, on Freevee via Amazon Prime. WATCH IT NOW! Watch the episode we're discussing on YouTube. Also watch Don't Ask, the unaired pilot that eventually became this show. Go shop at our TeePublic store! Follow: GEE on Facebook • GEE's Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter Listen: Apple Podcasts • Spotify • Stitcher • Google Podcasts • Himalaya • TuneIn And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode's art was designed by Ian O'Phelan. This is a TableCakes podcast.
You know, I usually record these conversations from my fancy podcast studio/office in downtown Seattle, but this time I actually called our guest, Joel McHale, from my home on Mercer Island—a fitting venue for our conversation because Joel also happens to hail from this very same Seattle suburb. Now, as many of you probably know, Joel has gone on to have a very successful acting career in Hollywood. He's largely known for his sarcastic pop culture commentary on The Soup or his snarky self-centered character Jeff Winger in the critically acclaimed series Community. But long before his face ever broadcast through the glowing pixels of your television screen, Joel had a childhood that wasn't too far removed from my own. We both played sports through high school and college and happened to know a lot of the same people. Joel, like me, even went to the University of Washington. Now that may be where the similarities end, but while his college experience was tainted by the unorthodox hazing rituals of the rowing team and a questionable sense of brotherhood at the Theta Chi fraternity, Joel always knew that his real family waited for him on stage. Since the seventh grade he loved the theater and looked for every opportunity to meet with like-minded adolescent thespians who inspired and challenged each other creatively. Determined to make a career out of this passion, Joel completed a Master of Fine Arts at the University of Washington and figured that the best place to test out his merits was the entertainment mecca, Los Angeles. And while it took him a few years to get going, Joel is a hustler. Saying yes to everything offered, he's shown up in television shows and movies in nearly every genre. From bit parts in blockbuster films like Spider Man or starring in the dark romantic comedy Happily, to sitcoms like Will & Grace and the sci-fi phenomenon The X-Files. But despite the breadth of his impressive IMDb page, Joel still worries that each job is bound to be his last. Well Joel, from all of us on the outside, I think you can relax. It seems like you're doing alright. After my conversation with Joel, you'll hear my chat with a relatively new country music artist by the name of Austin Burke. But it's not actually Austin's music that brings him to The Nordy Pod. He's here as a customer to share a story which took place at our Rack store in Scottsdale, Arizona. The experience moved him so much that he pulled out his phone and started recording as it was happening. He then posted the video for his nearly one million followers on social media. It got shared around enough that we eventually caught wind and loved the story so much that we called him up, and the Nordstrom employees who made Austin's visit so memorable. Thanks for tuning in to episode 32. We hope you enjoy it! Did you know that YOU can be on The Nordy Pod? This show isn't just a one-way conversation. We want to hear about what Nordstrom looks like through your eyes. Share your Nordstrom experience, good or bad, by giving us a call and leaving a voicemail at: 206.594.0526, or send an email to nordypodcast@nordstrom.com to be a part of the conversation!
"New Girl" is a show about a bubbly and quirky teacher in her early 30s named Jess who finds herself living in a loft with three men she found in an ad due to abruptly moving out of her old apartment after catching her boyfriend cheating. The show was inspired by its creator, Elizabeth Meriwether's experiences bouncing from Craigslist sublet to Craigslist sublet, for four years in L.A. when she was in her twenties. Originally working under the title "Chicks & Dicks" the show originally was meant to be more of a "Will & Grace" style comedy before evolving into the more socially oriented version that it became. After an impressive seven season run does revisiting the show's pilot episode help us see why this show was such a huge hit with a loyal following or are we left leaving comments that will force us to feed the Douchebag Jar. Listen and find out. www.S1E1POD.com Starring: Zooey Deschanel, Jake Johnson, Max Greenfield, Damon Wayans Jr., Hannah Simone, & Mary Elizabeth Ellis Instagram and Twitter: @S1E1POD
Will Grace become a gamblin' woman now that sports betting is legal in the Bay State? Tune in to find out her opinion on the new laws that'll introduce a whole new scene to casinos. Or...have people in Massachusetts been betting on sports this whole time? Then, Grace talks the huge victory for Pro-Lifer Mark Houck in court yesterday that's making national news.
Welcome to Day 3 of Speaker Season, where the House doesn't have a point-person yet for the Republicans. Grace has notoriously flip-flopped from Yes McCarthy to No McCarthy in the first two days, but Day 3 sees even more indecisiveness. Will Grace get called a "traitor" on air again? Tune in to find out!
“Jingle Balls” (December 13, 2001) We are closing out the year by returning to the only sitcom whose every Christmas episode is also gay: Will & Grace. It's not great, people. And while this Laura Kightlinger-penned season for ep shows promise, it ultimately pulls back from exploring subjects that it could have done interesting work with: Will's apparent embarrassment at dating a more effeminate man and Jack's misguided belief that being gay means he can do design work. At least Parker Posey saves the day with unrestrained homophobia. Got a question you want to ask Drew? Ask anonymously here. Details for how to watch the answering session to follow. Will & Grace, previously: Will and Jack Kiss on Live TV Will and Jack Embrace Every Gay Stereotype It's a Will & Grace Christmas! BTW, the neurological condition Drew mentions in this episode is real and is called witzelsucht. Check out our sponsor, Spaces! And join our spaces for Gayest Episode Ever and Cartoons That Made Us Gay. And yes, it's now available for Android! Go shop at our TeePublic store! Talk to other GEE listeners on the GEE Discord! Follow: GEE on Facebook • GEE's Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter Listen: Apple Podcasts • Spotify • Stitcher • Google Podcasts • Himalaya • TuneIn And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode's art was designed by Ian O'Phelan. This is a TableCakes podcast.
We discuss the death of Queen Elizabeth II and the good and bad that she represented. We learn about the Telling the Bees tradition, why the Queen's death was announced to her bees, but also why this is not a practice reserved for monarchs. Susie tries to convince Sarah that cats have a very important advantage over dogs. We talk about the Choose Your Own Adventure book series, why the publisher wanted all the protagonists to be boys, and how the series teaches children a lot about life, virtue, risk, and regrets. Plus, and most importantly!, Susie interviews her hero, James Burrows about his incredible career in television. He directed Taxi, Cheers, Friends, Fraiser, Will & Grace, and hundreds of pilots of television that have changed American culture, television, and comedy. He is a giant of pop culture, and it was the honor of Susie's life to speak with him about his book, Directed By James Burrows. Join our book club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: Connect with us on social media: BCP Instagram: Susie's Instagram: Sarah's Instagram: BCP Twitter: Susie's Twitter: Sarah's Twitter: Get an extended 30 day free trial when you go to Get 25% off when you go to and use code: CANDY at checkout! Join the conversation at More podcasts at WAVE:
MSNBC's Ari Melber hosts "The Beat" on Tuesday, August 23, 2022 and reports on dramatic new details from the New York Times revealing that the government found Trump had 300+ classified documents at Mar-A-Lago, and he “went through the boxes himself.” The government saying some of the material included the US's most closely guarded secrets. Civil rights activist Maya Wiley and retired NYPD detective Marq Claxton join. Plus, acclaimed director James Burrows reflects on “Will & Grace” and “Cheers.”
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