Podcasts about Laibach

Den 1:a juni 1980, några veckor efter att Jugoslaviens ledare Josip Broz Tito och Joy Divisions sångare Ian Curtis avlidit, bildades Laibach i den slovenska gruvstaden Trbovlje. "Vårt arbete är industriellt, vårt språk är politiskt", skrev gruppen i det första av många manifest. Deras totalitära estetik gjorde dem kontroversiella i det kommunistiska Jugoslavien och under några år tilläts de inte uppträda. En gång ringde till och med Serbiens president Slobodan Milošević till den slovenske kommunistledaren Milan Kučan och krävde att han skulle sätta stopp för Laibach. De fick sin största publik utomlands tack vare hotfullt mullrande tolkningar av rockhits som Opus "Live is life" och Rolling Stones "Sympathy for the devil". "Vi är den mänskliga själens ingenjörer", säger bandets grundare och språkrör Ivan Novak när han hälsar på hemma hos Strage. Han pratar om deras nya discopoppiga album "Musick", om att inspireras av musikalen "The sound of music", om den beryktade turnén till Nordkorea, om förebilderna Tito, Toto, Tati & Tutu, om vad Paul McCartney tyckte om deras version av Beatles album "Let it be" och om Laibachs kopplingar till Sloveniens mest kända person: Melania Trump. Hosted on Acast. See acast.com/privacy for more information.

...y más nuevas canciones de Fat Dog, Kneecao, Soulwax, Boards Of Canada, Rey Don Perro, Broken Social Scene y Snail Mail.Escuchar audio

Neue Slowenische Kunst utropade sig till stat och utfärdade pass. Patricia Lorenzoni reflekterar över ett kusligt konstprojekt som sprängde gränser. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Det tidiga 1990-talet var de nya och nygamla statsbildningarnas tid. Sovjetunionen hade upplösts och flera forna sovjetrepubliker förklarat sig självständiga. På Balkan bröt den jugoslaviska federationen samman i uppslitande krig. Ur konflikterna reste sig sju nya stater: Bosnien/Hercegovina, Kroatien, Montenegro, Nordmakedonien, Serbien, Slovenien och så småningom också Kosovo.Eller är det åtta? 1992 öppnade i Moskva staten NSK sin första utländska beskickning. NSK står för Neue Slowenische Kunst, ”ny slovensk konst” på tyska, och bildades 1984 av tre slovenska kulturgrupper. Det var teatern Sester Scipion Nasice, bildkonstnärerna i IRWIN och industrisynthbandet Laibach. Dessa sades vara kollektivet NSKs religiösa, kulturellt-historiska samt ideologiska avdelning. Sju år efter sitt bildande tog så NSK steget att utropa sig till stat.Som konstprojekt är det inte unikt. Andra exempel är Lars Vilks Ladonien eller Carl Michael von Hausswolffs och Leif Elggrens Elgaland-Vargaland. Men någonting ger NSK-staten en särställning bredvid liknande statsbildningar, och väcker både oro och en särskild fascination.Den mest kända delen av NSK i Sverige är sannolikt Laibach, och inte självklart positivt. Bandet framträder gärna i uniform, scenestetiken är kraftigt inspirerad av både nazism och stalinism. I 1980-talets Slovenien väckte de skandal. Namnet ”Laibach” är den tyska beteckningen på huvudstaden Ljubljana, och minner om både nazistisk ockupation och slovenskt medlöperi. Under flera år var bandet rent av förbjudet att använda sitt eget namn. I en berömd tv-intervju 1983 får gruppen frågor om sina politiska ståndpunkter. Vid tillfället bär de uniformer och armbindlar prydda med svarta kors, deras svar är kryptiska meningar tonlöst reciterade från ett papper, blickarna stela och uttryckslösa. Effekten är kuslig.Ett ofta citerat uttalande från NSK säger: ”Endast den konst som talar den politiska manipulationens språk kan undkomma manipulation.” Några år innan självständighetsförklaringen vann konstkollektivet en tävling om den officiella affischen till den jugoslaviska ”ungdomens dag”, ett firande kopplat till den store ledaren Titos födelsedag. Först efter att vinnarbidraget offentliggjorts uppmärksammades att affischen var en re-make på en nazitysk propagandabild. Den nazistiska fanan hade bara ersatts med en jugoslavisk, och den tyska örnen med en duva. Händelsen blottade en oroande likhet i estetisk sensibilitet mellan den nazistiska staten och Titos specifikt jugoslaviska form av statssocialism. NSK och Laibach iscensatte en dyrkan av den totalitaristiska staten. När de utropade sig själva till stat var det därför svårtolkat. Var det ett politiskt eller ett konstnärligt projekt? Totalitärt eller frihetligt? Var det ironi eller faktisk fascism? Den slovenske filosofen och psykoanalytiske teoretikern Slavoj Žižek talar om ”överidentifikation” som en strategi bland dissidenter i den europeiska realsocialismens slutfas. Genom att ta realsocialismen på större allvar än den tog sig själv kunde man, säger han, synliggöra systemets förnekade premisser. I detta sammanhang förstår han också NSK och Laibach. Deras iscensättningar är inte parodi, de opererar inte genom förlöjligande. Vad NSK frambesvärjde och har fortsatt att frambesvärja är den moderna statens bortträngda sida, dess spöklika tvilling.Freud beskrev det kusliga som vad som borde ha varit dött, men som likväl rör på sig. Om Laibach och NSK mött frågan om fascism med ett överslätande skratt och en försäkran om att allt bara var spel, hade ordningen återställts och monstret åter motats ner i källaren. Men det var en lugnande gest man vägrade.När NSK-staten utropade sig själv, började den emellertid med entusiastisk generositet dela ut passhandlingar. En retrofuturistisk pastisch på affischen ”Uncle Sam wants you” lockar med medborgarskap i ”universums första globala stat”. En stat utan land, transnationell och placerad i tiden snarare än i rummet. Till en början framställde NSK faktiskt sina pass i samarbete med det unga slovenska inrikesministeriet. Tillverkningsprocessen var alltså identisk. NSK-passen uppfattades lätt som ”autentiska”, det vill säga, som dokument som knöt bäraren till ett visst territorium. Och i krigets kaos, där ett pass över en natt kunde visa sig värdelöst, skedde med just dessa pass någonting förunderligt. Som 1995 när Nationalteatern i det då belägrade Sarajevo under ett två dagar långt evenemang förklarades vara NSK-territorium. Mängder av pass och diplomatpass utfärdades, och med hjälp av dessa lyckades sedan flera Sarajevobor ta sig ut ur staden.En vän med rötter på Balkan påpekar att människor under kriget hjälpte varandra över gränser hela tiden; ibland altruistiskt, ibland mot betalning. Att utgå ifrån att gränsvakterna tog NSK-passen för ”äkta” blir därför förenklande. Lika troligt är att de erbjöd vakten en förevändning, ett verktyg för att öppna gränsen. Men kanske lät sig detta göras just för att passet stod fritt från etniska lojaliteter och gränskonflikter. Här glimrar en utopisk möjlighet; just det pass som inte refererar till ett territorium, blir vad som möjliggör de belägrades väg ut.Kulturteoretikern Alexei Monroe ser i NSK och Laibach också en delförklaring till den slovenska nationalismens relativa avsaknad av militaristisk chauvinism. Hos NSK blev nationen kitsch; en överdådig yta, lika tömd på politiskt innehåll som NSK-staten är tom på territoriella anspråk. På så vis, menar han, föregrep de den paramilitära appropriering av nationen som skedde i andra delar av forna Jugoslavien.Och sannerligen, att betrakta Laibach musikvideor är att bjudas in att frossa i totalitär estetik. Det är varken ironi eller satir, utan något annat och mer. Fascismen dras till sin konsekvens som just blott estetik, tömd på de våldsamma implikationerna av ett territoriellt och biopolitiskt projekt. Ställd invid detta estetiska överdåd måste varje politisk fascism framstå som en blek och menlös kopia.Men fungerar denna överidentifikationens strategi på 2000-talet? Den fascism som opererade i det 1980-tal som födde fram NSK tog sig sannerligen på allvar. Hur skulle den då kunna tåla mer allvar än vad den själv var förmögen till? Under 2000-talet har vi istället sett framväxten av en fascism som gjort det hotfulla pajaseriet till sin paradgren.Kanske är NSK ett delvis föråldrat projekt. Ändå finner jag ett märkligt hopp i detta formulerande av den totala statens totala frihet i det allomfattande medborgarskapet. NSK blåser upp nationalstatens idé tills den sprängs. Det är inte vad som en gång var Jugoslavien som omfattar NSK-staten. Det är NSK-staten som omfattar allt.Patricia Lorenzoniidéhistoriker och författareLitteratur:IRWIN (red): State in Time. Minor Compositions 2014.Alexei Monroe: Interrogation Machine: Laibach and NSK. MIT Press 2005.

Kultur kan spela stor roll i ett krig varför är den så betydelsefull i Ukraina och hur överlever kulturlivet i Libanon? Och: en älskvärd roman från Quebec och ny fotoutställning! Lyssna på alla avsnitt i Sveriges Radios app. Kulturens roll i krig är mångfacetterad: den kan ena och trösta, förströ eller bearbeta, skapa gemenskap och stärka försvarsviljan. Sedan i mars pågår nya stridigheter mellan Israel och Hizbollah i Libanon och trots att vapenvila utlystes i april, pågår Israels attacker i södra delen av landet. Sedan i mars har drygt 3000 människor mist livet och en miljon beräknas vara på flykt. Samtidigt fortgår kulturlivet och kampen för det för landets rika kulturarv, frilansjournalist Lina Malers rapporterar från Beirut. Och, i Ukraina är kulturen numera till och med en del av försvaret med den så kallade Kulturbrigaden. Den består av 300 musiker, komiker, skådespelare, författare och konstnärer och Lubna El-Shanti, Sveriges Radios Ukraina-korrespondent, medverkar om varför kulturen har haft en så framträdande och mobiliserande roll sedan Ryssland inledde den fullskaliga invasionen för fyra år sedan.FÄRGSTARKT PÅ FOTOGRAFISKA MED MARTIN PARRDen engelska fotografen Martin Parr, som gick bort 2025, ses idag som den person som fick in färgfotografiet i finrummet. Samtidigt var han en kontroversiell figur i foto-världen och nu har en utställning med bilder från hans flera decennier långa karriär, öppnat Fotografiska i Stockholm. ”Short and sweet” heter utställningen och P1 Kulturs reporter Rasmus Grosin har varit där.LISE TREMBLAYS ROMAN "JUDITHS SYSTER" FASCINERARÅrets Bokmässa i Göteborg öppnar i slutet av september och i år är den franskspråkiga provinsen Québec i Kanada hedersgäst. Besökarna kommer bland annat att kunna möta författare som KimThúy, men också populära Lise Tremblay, som är aktuell på svenska med "Judiths syster" i översättning av Elin Svahn. På svenska finns också till exempel "Hägern" och "Djur". Lina Kalmteg, kulturredaktionens litteraturredaktör, har läst en stark, till formatet liten roman, om klass och kvinnors villkor i 1960-talets Québec.ESSÄ: PATRICIA LORENZONI OM NSK – NEUE SLOWENISCHE KUNSTNeue slowenische kunst, "ny slovensk konst, bildades 1984 av tre slovenska kulturgrupper: teatern Sester Scipion Nasice, bildkonstnärerna i IRWIN och industrisynthbandet Laibach och de beskrevs som kolllektivets religiösa, kulturellt-historiska samt ideologiska avdelning. 1992 bestämde de sig för att utropa sig till stat och i dagens OBS reflekterar idéhistorikern Patricia Lorenzoni över ett konstprojekt som väcker både oro och fascinationKULTUREN OCH VINCENT BOLLORÉS MAKTANSPRÅKMed stora uppköp av medier, bok-koncerner och filmkanaler, har den franska konservativa miljardären Vincent Bolloré skaffat sig stort inflytande över kulturen och opinionen i Frankrike. Många franska analytiker menar att ambitionen är tydligt politisk och kritikstormen mot honom verkar inte avta. I dagarna har författaren Vanessa Springora varit gästredaktör för tidningen Libérations special om Vincent Bolloré, berättar Sveriges Radios Sydeuropa-korrespondent Cecilia Blomberg i dagens P1 Kultur.Programledare Lisa BergströmProducent Maria Götselius

The annual Dark Nation Radio GOTHIC BEACH PARTY broadcast can now be streamed! Memorial Day weekend is considered the “unofficial start of summer” in the US and, to mark the occasion, I'm pleased to present my friskiest show of the year—I throw out all the rules for this one to bring you an eclectic mix of rockabilly, electronica, New Wave, punk, and, of course, satanic doo-wop. Anything goes as long as its devilishly fun—I mean, where else are you going to find a show that includes Evil Elvis, Red Elvises, Dead Elvi, and Dread Zeppelin? Also in the mix this year are My Life with the Thrill Kill Kult, Wanda Jackson, The Clash, Laibach (!), Twin Temple, Santigold, The Ramones, Genesis Owusu, and, of course, The Cramps—plus a lot more. The show pairs well with evil tiki drinks and cursed idols, so pass the moon-tan lotion and turn it! DJ cypher's Dark Nation Radio Playlist 24 May 2026 GOTHIC BEACH PARTY 2026 HorrorPops, “Horror Beach” The Cramps, “Aloha from Hell” My Life w/ the Thrill Kill Kult, “Hit & Run Holiday” Kat Robichaud, “Break My Heart” Klack, “Good Luck Babe (1982 Cassette version)” Diechotomy, “Blood Beach” Wanda Jackson, “Shakin' All Over” Tiger Army, “The Devil That You Don't Know” Karen O, “Love is Strange” Genesis Owusu, “Leaving the Light” The Clash, “London's Burning” Mister Monster, “Science Fiction Double Feature” The Interrupters, “Broken World” The B-52s, “Private Idaho” Flesh for Lulu, “Sleeping Dogs” Teddybears, “Punk Rocker” The Brick Bats, “Na Na Na Na (The Creature)” Dead Elvi, “The Creature Stole My Surfboard” Red Elvises, “I Wanna See You Bellydance” Evil Elvis, “I Wanna Wed (the Undead)” Dead Elvis + Thee Gravemen, “Munster Boogie Woogie” Dread Zeppelin, “Whole Lotta Love” Twin Temple, “Let's Have a Satanic Orgy” Imelda May, “It's Your Voodoo Working” Devil Doll, “Liquor Store” The Creepshow, “Cherry Hill” Voltaire, “Captains All” The Ramones, “Rockaway Beach” Emi Pop, “Amigos Vampiros” Meat Loaf / Rocky Horror, “Hot Patootie” Sweet, “Ballroom Blitz” The Young Werewolves, “Zombie Prom” The Tomb Tones, “Hex Girl” The Damned, “Black is the Night” Laibach, “Allgorythm” Chris Harms, “Lunamor” Volbeat, “Lola Montez” Tiffany Hadish, “Evil Queen” The Beastie Boys, “Shake Your Rump” THOT Squad, “Pound Cake” Tunde Adebimpe, “Magnetic” Book of Love, “Boy (Dave Audé remix)” Kite, “Ways to Dance” The Cars, “You Might Think” Emilie Autumn, “Girls Just Wanna Have Fun” Cyndi Lauper, “I Drove All Night” The Rosedales, “Stars are Falling” The Hillbilly Moon Explosion, “1979” Santigold, “The Keepers” Social Distortion, “The Way Things Were” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

The latest album from Slovenian old gods Laibach is an abrupt shift from the sterner and harsher work they've been releasing for the past half decade or so, and turns to the recent history of pop music to comment on, well, pop music. Musick bears many of the hallmarks of Laibach's satirizing of popular culture and its intersection with politics and the world at large, but what precisely are they saying this time out? That's the question we delve into on this week's podcast.

... Y más novedades de La Jvnta, Basanta, Zara Larsson y MaiteQuiero. VICTOR PARTIDO - That Inner SparkARLO PARKS - Senses (ft Sampha)NITA - MilagroLA JVNTA - NomeolvidesMY NEW BAND BELIEVE - Opposite TeacherBASANTA - AmaneceMETRIC - Crush ForeverLAIBACH - Fluid EmancipationEDITORS - Call It InJAMES - LaidIVÁN FERREIRO - Turnado (live mix)MaiteQuiero - Fotos y PostalesZAHARA - Era esto la vidaMADONNA, SABRINA CARPENTER - Bring Your LoveZARA LARSSON - Midnight Sun (ft Pink Pantheress)PinkPantheress- Illegal + AnittaEscuchar audio

Communion After Dark - features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Diorama, De/Vision Redux, Duophonic Noise Construct, Beyond Border, Laibach, and many more artists from around the world.

Episode 787: April 19, 2026 playlist: Laibach, "Musick (feat. Wiyaala)" (Musick) 2026 Mute M.C. Schmidt and John Berndt, "Gecko Lazzaro" (Cloud Machines) 2026 Thrill Jockey Alvarius B., "The Multiple Hallucinations of an Assassin - Part 2" (Malarial Dream) 2026 Adbduction Loraine James, "Flatline ft. Miho Hatori" (Detached From The Rest OF You) 2026 Hyperdub John Tilbury, "Palais de Mari (Radio edit)" (Palais de Mari) 2026 True Blanking Alison Cotton, "I Am!" (The Gods Laugh) 2026 Glitterbeat soultek, "she dubs me out [7inch extraction]" (burning dubs [volume two]) 2004 echospace Theresa Loibl, Timm Cornelius, Markus Rom, Simon Popp and Micha Acher, "LOOP D" (Henry And The Ghosts Songbook) 2026 Alien Transistor Art Ensemble of Chicago, "Side 1 - Excerpt" (People in Sorrow) 2026 Play Loud! Celer, "Ploughs Of The Double-Sided" (Poulaine) 2026 Room40 Heavenly, "Scene Stealing" (Highway To Heavenly) 2026 Skep Wax Meat Beat Manifesto, "Transmission (Single Version)" (Transmission) 1996 Play It Again Sam Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

This week's Dark Nation Radio is a bit perkier than usual and includes a new 40th anniversary mix of Book of Love's “Boy”; new Lords of Acid x Princess Superstar; some club classics from Seabound, Depeche Mode, and VNV Nation; a trinity of “devotional music” for Easter from Laibach, TKK, and Ministry; the latest from Kate Robichaud; industrial bangers from Aesthetic Perfection and Ruined Conflict; and new tracks from Mesh, Demonwarp, Hunter as a Horse, and Chalice Sect. If you need something to put a smile on your face and a bit of bounce in your step, I hope you'll give this one a spin! DJ cypher's Dark Nation Radio Playlist 5 April 2026 Book of Love, “Boy (Dave Audé 40th anniversary mix)” Dead on a Sunday, “The Promise” Leathers, “Daydream Trash” Blue Images, “Her Light” For All the Emptiness, “Prayers (Icon of Coil mix)” Seabound, “Hooked” Solar Fake, “Nothing's Wrong” VNV Nation, “The Farthest Star” The Galan Pixs, “Use the Flashlight” Depeche Mode, “Pleasure, Little Treasure” Laibach, “Jesus Christ Superstar” My Life with the Thrill Kill Kult, “Kooler Than Jesus” Ministry, “Jesus Built My Hotrod” Kat Robichaud, “Break My Heart” The Lords of Acid x Princess Superstar, “Karaoke Superstar” Aesthetic Perfection, “Into the Void” Demonwarp, “Protocol Obey” Ruined Conflict, “War is Coming” Hemlock for Socrates, “You're Not Here” Mesh, “Exile” Hunter as a Horse, “Lighthouse” Death Valley Fight Club, “This Feeling” Faith & the Muse, “Soverign” And It Was Night, “What's Beyond the Light” Chalice Sect, “Silent Fever” Shanx FM, “Yesterday” French Police, “Neptune” Undertheskin, “Done” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Communion After Dark - features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Laibach, Hocico, In Strict Confidence, Faderhead, Blaklight, and many more artists from around the world.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Major Stars, "Blackout" (More Colors of Sound) 2025 Drag City 2. Softcult, "Naive" (Naive) 2025 [self-released] 3. Nobukazu Takemura, "ladder of meaning" (knot of meanings) 2025 Thrill Jockey 4. The Stargazer Lilies, "Perfect World" (Love Pedals) 2025 Little Cloud 5. Triple Five Sol, "But A Freak" (75 Racks) 2025 Dark Entries 6. Lifeguard, "It Will Get Worse" (Ripped and Torn) 2025 Matador 7. Laibach, "Die Kanone (feat. Bjelo Dugme)" (Die Kanone) 2025 Mute 8. The Colour Of Madness, "A Recurring Dream in Which We are Swifts, and We Sleep and Make Love in the Air" (Sundowning) 2025 Cruel Nature 9. The Egyptian Lover, "In the Limo" (1987) 2025 [self-released] 10. Dale Cornish, "New Chest" (Altruism) 2025 The Death of Rave 11. BlankFor.ms, "Formed By The Slide" (After The Town Was Swept Away) 2025 Leaving 12. Erik Griswold, "Reverse With Piano Chords" (Next Level Avoidance) 2025 Room40 * Eine Sendung vom 23. August 2025. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Episode 776: February 14, 2026 playlist: Laibach, "Allgorhythm (feat. Wiyaala)" (Musick) 2026 Mute Drop Nineteens, "Fools" (Fools) 2025 Wharf Cat Pan American, "Death Cleaning" (Fly the Ocean in a Silver Plane) 2026 Kranky Insides, "Nobody Could Love You more" (Nobody Could Love You more) 2026 [self-released] Dizzy Fae, "Cupid's Call" (Cupid's Call) 2026 Pulse Kim Gordon, "Not Today" (Play Me) 2026 Matador Greater Than One, "Control Freak" (Groove Is In The Dark) 2026 Dataflow Yin Yin, "Lecker Song" (Yatta!) 2026 Glitterbeat Eli Keszler, "When I Sleep (Tim Hecker Remix)" (Eli Keszler Remixes) 2025 Lucky Me Tommy Peltier, "Flight of the Dancer" (Echo Park (The 70's Sessions)) 2026 Drag City K.A. Posse, "Imported Taste" (Strikes Again) 2026 Dark Entries Klein, "rich dad poor dad" (sleep with a cane) 2025 [self-released] Adey Omotade, "Oori : Ogbe" (Eero : Eecu) 2026 Afrosynth Joshua Abrams, "Music for Pulse Meridian Foliation (brief immersion)" (Music for Pulse Meridian Foliation) 2026 Drag City Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Gost epizode je Ivan Novak, ustanovni član in dolgoletni nosilec koncepta skupine Laibach. =================== V epizodi se dotakneva naslednjih tematik: Otroštvo in kulturno ozadje Industrijski vplivi in zgodnja umetniška izpostavljenost Nastanek skupine in zgodnji vplivi Incident na Zagrebškem bienalu Manifest in umetniška filozofija Pogledi na svobodo govora in medije Razprava o globalni politiki in religiji Izkušnja v Severni Koreji

Wir beenden 2025 mit unseren Empfehlungen des Jahres. Insgesamt acht Tipps bzw. Neuentdeckungen haben wir für euch. Neue Bands, neue Alben, neue Songs. Da ist von Minimal-Electro über Post-Punk, Dub, Singer-Songwriter jede Menge Zeug dabei, das wir euch ans Herz legen möchten.Als da wären: Big Special, Motten, Adrian Sherwood, Raskolnikov, John Maus, Die Anstalt, David Byrne, Laibach, Automatic. Hier könnt ihr uns kontaktieren: prost-punk@web.deAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. James Blackshaw, "Dexter" (Unraveling In Your Hands) 2024 [self-released] 2. FACS, "Wish Defense" (Wish Defense) 2025 Trouble In Mind 3. Laibach, "Strange Fruit" (Strange Fruit) 2024 Mute 4. La Sécurité, "Detour" (Detour) 2024 Bella Union 5. Good Sad Happy Bad, "Find My Way" (All Kinds of Days) 2024 Textile 6. Eramus Hall, "Determination" (Lost and Found) 2024 Westbound 7. Nonconnah, "You're Too Old To Be Killing Rabbits, Beatrice" (Nonconnah vs. the Spring of Deception) 2024 Absolutely Kosher 8. The Rollies, "Disco" (Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88)) 2024 Soundway 9. Jabu, "Ashes Over Shute Shelve ft. Daniela Dyson & memotone" (A Soft and Gatherable Star) 2024 Do You Have Peace? 10. Freckle, "Taraval" (Freckle) 2025 Drag City 11. Evan Chapman, "Reveries" (Reveries) 2024 Better Company 12. diane barbé, "les marécageuses" (musiques tourbes) 2024 forms of minutiae 13. Tuxedomoon, "Lowlands Tone Poem" (Ship of Fools) 1986 Crammed Discs / Restless 14. Mark McGuire, "And Away We Go" (Anhedonia) 2024 [self-released] * Eine Sendung vom 14. November 2024. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Piše Jože Štucin, bereta Eva Longyka Mrušič in Igor Velše. Peter Mlakar je filozof, rojen v Ljubljani, pri njegovem opisu pa vedno najdemo tudi podatek, da je pisatelj, pesnik, esejist, performer in glasbenik. Širša slovenska javnost ga pozna kot "pridigarja", ki je v devetdesetih letih z ekrana Televizije Slovenija dramatično bral svoje kolumne, počasi in jasno, skorajda kot kakšen duhoven, ki v rokah drži resnico in jo blagodejno ponuja ljudstvu (vernikom) v premislek. Te oddaje so bile vedno polne provokacij, predvsem zaradi povezav erotike oziroma seksualnosti, Boga, smrti in nasilja. Nekako je širil javni diskurz, mu dodajal cinično-filozofsko intenco in vrhunsko provokacijo, ki je poslušalca pribila v fotelj. Neposredni govori o ničevosti, nihilizmu in telesnosti so ljudi provocirali: nekateri so se tisto minuto ali dve z zgražanjem "odzrli" proč, druge je navduševal z drznostjo in so zrli vanj kot v "odrešenika" sicer puhlih in praznih javnih medijev, polnih splošnosti, konformizma in povprečnosti. Ne čudi, da je bila povezava z Neue Slowenische Kunstom naravna valenca, skorajda biblično-biološka vraščenost v koncept, ki ga je sam dograjeval in razlagal kot uvodničar in govorec na koncertih skupine Laibach. Bil je kot nekakšen politkomisar gibanja, ideološki kvantum, razlagalec in pridigar na mnogih projektih, predvsem pa na Laibachovih koncertih ali video spotih. V prvi vrsti je seveda vedno šlo za umetnost, art(efakte) duhovne presnove, kot umetniške strategije, ki je pogosto izhajala iz ironije, cinizma, navidezne ideološke konstrukcije, ki je s časoma postala prav to – ekskluzivna paradigma "novega sveta", ki gradi "novo akropolo" s predpostavko, da svet nima objektivnega smisla, saj od vekomaj prevladujejo samo moč, volja in fikcija. Nekoliko daljša predstavitev avtorja se zdi potrebna, saj ga v knjigi O neskončnem spoznamo na bolj profilirani ravni, kot misleca, filozofa in umetnika. Knjiga ima dvanajst poglavij, nekakšnih esejev, filozofskih insertov, delno samostojnih, v ideološkem in filozofskem smislu pa povezanih v skupinsko dinamiko enega samega duhovnega sveta: "Vse se torej stavi na imanenco, tudi najbolj abstraktne teorije se na koncu, ko je treba povleči najsplošnejšo misel, torej kak "metafizični" sklep, končajo pri ugotovitvi, samo ta svet je, samo to življenje je in kar obstaja, tudi popolnoma abstraktnega, je samo znotraj tega sveta, tega življenja, tega vesolja." V tem duhu nekako vsa knjiga diskutira z večnim vprašanjem: Zakaj vse je, če bi bilo lahko tudi nič. Mlakar nadaljuje to misel, če poenostavljeno repliciramo, in opozori na formalno napako v razmišljanju. Lahko je samo vse, ker edino v vsem se lahko nahaja tudi nič, kajti brez niča ni ničesar. Nasprotna postavka ni mogoča – v niču ne more biti "vse". Idejno na tej točki sestopimo v nihilizem, iz spomina pa se prikaže nekdanji bizarni očitek Dušanu Pirjevcu, da mladino (svoje študente) navaja k samomoru, kajti misel je že v svojem času izpeljal do sintagme: vse je nič. Seveda se je Pirjevec opiral na Heideggerja, čeprav v nekoliko drugačni konstelaciji, in tudi Mlakar po svoje nadaljuje z "ničem" do sklepa: Ker ni višjega smisla, ostanejo telesnost, ekstaza, trpljenje in poželenje kot edina "resničnost". Knjiga je filozofsko-umetniški "komplot" zoper vsakršno ideologijo. Za svoje orožje pa si prisvaja prav simbole in estetiko totalitarnih režimov, religije in trde erotike. V duhovnem smislu se filozofska misel približuje literaturi, sploh v poglavju Hecna igra dialektike med koncem in ne-koncem, med užitkom in smrtjo, med ničem in njegovo negacijo, ko iz analitične prehaja na umetniško raven, na pripovedniško dikcijo, na metaforiko, na nivo dramatičnega govora in religiozne pridige. Duhovna štorija za slasten použitek! Prav na tej točki Mlakar drzno provocira formalno filozofsko znanost, ji nastavlja ogledalo z nekakšnimi "čudnimi" sklepi, akademiki pa mu očitajo pomanjkanje sistematičnosti in ga pogosto dobrohotno obravnavajo kot performerja in esejista, kjer je provokacija pred argumentacijo, tetralnost pred filozofsko analizo. Ampak branje nam razkriva tudi Mlakarjev lucidni pristop, kjer v bistvu čisto filozofsko misel nadgrajuje z umetnostjo, s prehodom na raven, ki se zajeda v formalnost akademske filozofije, v njeno sterilnost, in skuša povezati dva niča: tistega, ki je bil pred vsem, in tistega, ki bo za vsem: "Preden je kaj, je Nekaj, kar ni ne nič ne kaj. Iz njega je Vse in bo Ono, ko ne bo več nič." Knjiga Petra Mlakarja O neskončnem se začne s paradoksom in konča z razodetjem, "apokalipso", v bistvu humanistično kritiko človekove volje do moči, oblasti in kar je še teh nečednosti, gre pa nekako tako, citirano iz nagovora na Festivalu danger: We forge the future (Francija 2022): "Narava narave je končnost. Z nastopom smrti ali niča se dopolni. Mrtvaški nič je njena zadnja resnica in meja. Nedosegljiv v najhujšem zločinu je zato konec tega konca: to je Nadsmrt. Ko smrt postane cilj, ko je zadnje dejanje svojega smotra, je že izgubila igro. Usmrti jo Neskončnost. (...) Neskončnost je Nadnič."

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. The Legendary Pink Dots, "A Message from the C.E.O" (The Legendary Pink Hallowe'en Special 2024) 2024 [self-released] 2. Throbbing Gristle, "Scabs & Saws (Single Version)" (Scabs & Saws) 3:29 Mute 3. Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhisa Yamamoto, "III" (Album I) 2024 Bureau B 4. Ladytron, "Misery Remember Me - Shiny Toy Guns Remix" (Time's Arrow Remixed) 2024 Cooking Vinyl 5. Cate Brooks, "Blue Chip Fever" (Prismatics) 2024 Belbury Music 6. Bill Callahan, "Beautiful Child (Peel Session)" (The Holy Grail: Bill Callahan's "Smog" Dec. 20, 2001 Peel Session) 2024 Drag City 7. Jill Fraser, "Amen 2" (Earthly Pleasures) 2024 Drag City 8. Angelo Harmsworth, "Trauma Arbitrage" (Without Blinking) 2024 Warm Winters 9. Laibach, "Leben heißt Leben (Opus Dei Revisited 2024)" (Opus Dei Revisited) 2024 Mute 10. Mike Cooper, "The Spider Of Dawn Had Appended And The Moon Had Far Descended" (Slow Motion Lightning) 2024 Room40 * Eine Sendung vom 29. Oktober 2024. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Laibach, "Fedayeen (feat. RTV Slovenia Symphony Orchestra, Gallina Vocal Group, Navid Gohari)" (Alamut) 2025 Mute 2. Joy Guidry, "Hold and Be Held" (Five Prayers) 2025 Jaid 3. Immersion & Suss, "In The Far Away" (Nanocluster Vol. 3) 2025 ~Swim 4. Cold Specks, "Venus in Pisces" (Light for the Midnight) 2025 Mute 5. The Ex, "In The Rain" (If Your Mirror Breaks) 2025 [self-released] 6. Miki Berenyi Trio, "Big I Am" (Tripla) 2025 Bella Union 7. Mark Van Hoen, "Multiplex" (The Eternal Present) 2025 Dell'Orso 8. Michael Hurley, "Tea" (Blue Hills) 2010 Mississippi 9. VÍZ, "Hyperálom" (Danse des Larmes) 2025 Heat Crimes 10. Eva Fernández Suárez & Thomas Barrière, "Agua" (Adela) 2025 Morc Tapes 11. House of Harm, "Can't Fight the Feeling" (Can't Fight the Feeling) 2025 [self-released] 12. Pierre Bastien & Michel Banabila, "Le Système Déraille" (Nuits Sans Nuit) 2025 Pingipung * Eine Sendung vom 18. April 2025. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Laibach, "Fedayeen (feat. RTV Slovenia Symphony Orchestra, Gallina Vocal Group, Navid Gohari)" (Alamut) 2025 Mute 2. Joy Guidry, "Hold and Be Held" (Five Prayers) 2025 Jaid 3. Immersion & Suss, "In The Far Away" (Nanocluster Vol. 3) 2025 ~Swim 4. Cold Specks, "Venus in Pisces" (Light for the Midnight) 2025 Mute 5. The Ex, "In The Rain" (If Your Mirror Breaks) 2025 [self-released] 6. Miki Berenyi Trio, "Big I Am" (Tripla) 2025 Bella Union 7. Mark Van Hoen, "Multiplex" (The Eternal Present) 2025 Dell'Orso 8. Michael Hurley, "Tea" (Blue Hills) 2010 Mississippi 9. VÍZ, "Hyperálom" (Danse des Larmes) 2025 Heat Crimes 10. Eva Fernández Suárez & Thomas Barrière, "Agua" (Adela) 2025 Morc Tapes 11. House of Harm, "Can't Fight the Feeling" (Can't Fight the Feeling) 2025 [self-released] 12. Pierre Bastien & Michel Banabila, "Le Système Déraille" (Nuits Sans Nuit) 2025 Pingipung * Eine Sendung vom 18. April 2025. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. *

As is our custom when there's a new record from industrial legends Laibach, we're taking to the podcast to discuss it rather than simply knocking out a review. A deeply collaborative record between Slovenian and Iranian musicians, Alamut is a record steeped in history and which draws together diverse strands of Laibach's own musical past and future as well as contemporary art music composition from around the world.

Dirk Laibach, global senior product manager for water mist at Johnson Controls, covers potential fire risks associated with industrial fryers, the differences between CO2 and water mist technologies, and the role detection plays in fire suppression systems. Headshot courtesy of Laibach

Send us comments, suggestions and ideas here! Click hear to hear the FULL episode on our Patreon FOR FREE. In this week's episode we address, in real time, the unfolding calamity that Ye (the artist formerly known as Kanye West) has unleashed upon the world with his new controversial single “He*l H*tler” from his upcoming album “Cuck.” As of recording this episode it has been banned on nearly every platform on the internet but has gone viral anyway and has evolved into a cultural phenomena that has left the majority of us confused, offended and, if we're honest, uncomfortably amused. While burying our heads in the sand is a good enough solution for some, we hope to apply our god given gifts of discernment to meet this cultural phenomena head on,  dissect exactly how fascist movements form and how art is used to either fuel or foil it. We discuss not just the historical context of Ye's new single but unpack some of the esoteric symbolism therein to help us weigh out not just its hidden messages how much of this stunt is satire and how much is serious. What we discover is deep, dark and full of enough nuance to promise that anyone daring enough to take a glimpse will have plenty to consider when making up their own damn minds. It's ok to let people do that sometimes, you know… Thank you and enjoy the show! On this week's episode we discuss:The Fall of Kanye West“White Lives Matter”Nice Try DiddyDrink Champs and the Harley Pasternak Text Ye Embraces NaziismThe “Heil Hitler” SingleThe Banned Lyrics14/88 Dog WhisleThe Hitler QuoteBombing Pearl HarborIn the second half of this episode available for free at www.patreon.com/TheWholeRabbit we go further down the rabbit hole to discuss: Animal Symbolism and Roman VelitesBlack Volkish Movement?The Koryos and the Mannerbund The HooligansGematria of 35The Temple of Set & The Order of the TrapezoidIs Ye Just The King of Trolls?Slavjo Zizek Explains LaibachThe Kabbalah of the UltrasPointy Hants & PornographyEach host is responsible for writing and creating the content they present.Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitSources: Gematria 35https://www.ridingthebeast.com/numbers/nu35.phpADL 14/88https://www.adl.org/resources/hate-symbol/1488Slavoj Zizeck on Laibach:https://www.youtube.com/watch?v=dRvT3_8VctISupport the show

Piše Bojan Sedmak, bere Igro Velše. Teodor Lorenčič je pisec z neobičajno bio- in bibliografijo. Na pragu svojega osmega desetletja iz življenjskih rokavov vleče močne karte za igro, ki jo vztrajno preizkuša po svojih pravilih. Ta zastavlja iz vitalizma v javnih in zasebnih prizadevanjih za svojevrsten individualizem, zaradi katerega nemalokrat prihaja v konflikte z različnimi družbenimi omejitvami. Bodisi kot univerzitetni tajnik, županski kandidat, domiselni vstajnik, strankarski posrednik, diplomiran filozof, obrtnik stolar, kolumnist, karateist … Še največ svobode je imel in ima kot pesnik, a tudi ob vstopanju v poetsko areno pred več kot pol stoletja je bil sankcioniran kot sporen za takratne družbene zapovedi, čeprav so se o njegovem prvencu O stenah in vijolicah (1975) pohvalno izražali člani znamenite mariborske peterice z Dragom Jančarjem na čelu. Šele izdaja vseh njegovih petih pesniških zbirk s skupnim naslovom O ljubezni (2017) v redakciji Boruta Gombača je celostno povzela vrednosti Lorenčičeve poetike. Njegov prozni prvenec, doživeto napisan družinski roman Anonimni (2017) je naletel na polemične odzive zaradi dodanega pamfleta o dogajanju na mariborski univerzi, v katero je bil vpleten kot njen uradnik. Po pregretih medijskih in pravnih kolobocijah ter posledični razrešitvi z delovnega mesta se je preselil v Beograd, kjer se je odločil, da bo pisal v srbskem jeziku in se kot tak razglasil za poslednjega jugoslovanskega pesnika. Najprej je izdal odmevno monografijo Laibach (2022) s svojimi fotografijami in refleksijami kronista na prvi evropski turneji znamenite skupine. Sledile so zbirke novih pesmi, napisane v srbščini ter izdane v knjigi U tišinama ljubavi (2023). V srbskem jeziku je začel pisati in izdajati tudi serijo kriminalk in se že v prvem tovrstnem romanu (2025) preizkusil s prevračanjem zakonitosti žanra, med katerimi je krivec, ki ni razkrinkan v racionalnem koncu, bolj izjema kot pravilo. Roman Margo – prvotno napisan v srbščini in kmalu preveden v angleščino in nato v avtorjevi redakciji tudi v slovenščino – je samosvoj slavospev erotiki in ljubezni. Čeprav je prvoosebni pripovedovalec uvodoma povit v filtre zapiskov, ki jih je fiktivno prejel od nekega priletnega, seksualno aktivnega gospoda, in četudi se ženska v besedilu imenuje včasih Hana, včasih Pupa, včasih Margo, je iz posvetila razvidno, da je protagonistka zdajšnja pisateljeva žena Maraja. V tem smislu tudi Margo potrjuje misel Henryja Millerja in podobnih pisateljev, da so vsi romani v nekem smislu avtobiografije. Silovita erotična in ljubezenska zveza ter poročna zaveza glavnega lika z mnogo mlajšo junakinjo romana je namreč avtorjevo življenjsko dejstvo. Morda je redkost takšnega odnosa odvrnila nekaj založb od objave in najbrž je urednike zbegalo omenjanje Nabokova, ki je v svoji znani klasiki postavil za žrtev pedofilovih obsesij trinajstletnico – povsem brez potrebe, kajti moški lik v romanu Margo, približno okoli svojega sedemdesetega, ima samo dvainštirideset let mlajšo izbranko. Moški v čaščenju izvoljene ženske po navadi skoraj klišejsko govori bolj o sebi kot o osebi svojih projekcij, a tej pasti idealizacije se Teodor Lorenčič spretno izmika. Strani polni s stvarnim, energetsko nabitim posvečanjem partnerki v polnokrvni duhovni in telesni predaji, predstavljeni brez moralističnih in jezikovnih zadržkov. Seveda o dlaki na jeziku obstajajo tudi bolj vulgarne opazke, a opisovanje spolnosti v romanu Margo jim ne podleže; stil ostaja na ravni silovitosti, ki si daje duška z neženirano strastjo, porojeno iz prvobitnih človeških gonov. Od bralcev je odvisno, koliko so dojemljivi za tovrstne elemente dogajanja; po navadi se površni radi zapičijo v kakšen detajl, čeprav je za pravi estetski učinek pomemben celovit kontekst; tako kot je na primer tudi v filmu Zadnji tango v Parizu nasploh dobro vedeti nekaj o maslu, ki ga ima ljubezenski par na glavi, ne zgolj kje drugje. Dogajanje v romanu Margo je seveda drugače posebno kot v Bertoluccijevi uspešnici, zgodba je bolj enostavna v dobrem pomenu besede. Preprosto sporoča, da je starostna razlika med ljubimcema večji problem za kulturo okolja, nikakor pa ne za njuno zadovoljstvo. Romaneskni par na netivo in gorivo vzajemnega oplajanja nanaša mehanizme, s katerimi se običajno kljubuje običajnosti; ona z mladostno energijo, ki se pogumno levi iz vsiljivih predsodkov, on z ostrim umom za razreze splošne hipokrizije. Pripovedovalec si ob tem vzame prostor in čas tudi za prodorne analize prejšnjih, minulih razmerij z ženskami in ženami; od gimnazijske izgube nedolžnosti s starejšo tovarniško delavko prek viharne avanture v pariškem slogu do neusmiljenih psihoanaliz svojih poročenih in ločenih žena. Ti zgoščeni povzetki odnosov dokazujejo veščino pisca za portretiranje žensk različnih starosti, zaznamovanih predvsem z lastnimi seksualnimi in čustvenimi fantazmami. Pisec spremne besede psihiater Miran Pustoslemšek je iz romana izpostavil t. i. Elektrin kompleks, Jungov pendant Freudovemu Ojdipovemu. Oba sta si za analizo družinske patologije pomagala z grško mitologijo; Elektra naj bi bila pretirano navezana na očeta in zato noro zavzeta za skrajno odstranitev lastne matere. Tozadevno Lorenčičev roman vsebuje ne nepomemben paradoks: v grškem mitu sta bolj kot Elektrina ljubezen do umorjenega očeta Agamemnona izpostavljena njena zavist do materinega, torej Klitajmnestrinega uživanja z ljubimcem Egistom ter posledična maščevalnost, ki jo z bratom Orestom uresničita z dvojnim pobojem. V romanu Margo pa prav mladenkina mama tako rekoč edina razume in podpira hčerino odločitev za zvezo z moškim, ki bi ji bil lahko ded, ter ji z njim privošči srečo. V izrazito patriarhalnem okolju to deluje bodrilno in osvobodilno in v tej domeni Hanino-Pupino sorodstvo doživi zaslužen pretres, ko zaljubljena protagonista na neki drugi, kulturno sprejemljivejši poroki škandalozno razglasita nedavno svojo. Poleg osrednje tematike, učinkovito podajane v jedrnatih dialogih, besedilo vsebuje kratke odstavke o dogodkih in idejah iz obče kulture, kakor jih vrednoti izobražen in toleranten ateist. Bralstvo se med izkušenim epikurejstvom lahko mimogrede poduči o zgodovinskih zdrahah Obrenovićev in Karadjordjevićev ali Descartesovih stikih z Elizabeto Češko, o socioloških zablodah permisivne vzgoje ali o sodobnih krajah otrok. Prikazi Hanine-Pupine družine in pripovedovalčevih beograjskih prijateljev, s katerimi se druži ob sotočju Donave in Save, kljub popitemu in pokajenemu delujejo precizno kritično in sveže nabrito. In množica vzporednih motivov ter priložnostnih asociacij je kozmopolitsko pestra – Hana-Pupa na primer modro upošteva babičin tipično srbski nasvet: »… če želiš obdržati moškega, potem se mu ne vtikaj v krčmo in njegovo gostilniško družbo.« Za narodnostni kontrast avtor bolj frivolnim Francozom – še posebej svoji tamkajšnji kratkotrajni snobovski ljubici, imenovani Hudičevka – nameni duhovitost Charlesa de Gaulla o tem, kako težko je vladati naciji, ki prideluje osemsto vrst sirov. »Resnici na ljubo, niso problem samo siri, gre za mentaliteto naroda, ki zgodovinsko gledano ljubi revolucije in giljotino.« Tako imenovano slovensko zavednost Teodorja Lorenčiča pa je mogoče dojeti iz njegovega Beogradskega manifesta, prologa v srbski pesniški opus U tišinama ljubavi, kjer je zapisal (v prevodu): »Marca 2018 sem prenehal pisati pesmi in romane v maternem jeziku. Stihov in besed ne slišim več v slovenščini, ki je izredno bogat in lep jezik in ga nikoli ne bom nehal ljubiti.« Nabokova lolita je prešla v obči pojem kot kokakola; Lorenčičeva Margo najbrž ne bo. Bo pa in je že opazno zaznamovala aktualno romanopisje z neko le na videz bizarno, v bistvu pa zelo stvarno formulo ljubezenske sreče. Ta je načeloma kratka kot življenje, ki teče, a – hvala dobrim realističnim piscem – kdaj pa kdaj kaj dolgotrajnega in lepega reče.

This week's Dark Nation Radio features some devotional music for Easter from Depeche Mode, Wumpscut, Laibach, Ministry, Clan of Xymox, My Life With the Thrill Kill Kult, Christian Death, Psycho Mutants, and MC 900 Ft. Jesus, as well as new tracks from bands including Black Angel, SYZYGYX, The Saint Paul, White Ritual, Centhron, Autodafeh, Hasswut, Fractal Age, and Vampyros Lesbos. I hope you'll come spend some time in my church! As always, if you like what you hear, I hope you will support the bands and consider following me on your preferred platform. Reposts of the show so that others can find out about it are particularly appreciated. Questions and promo materials may be directed to darknationradio@gmail.com. Thanks for your support! DJ cypher's Dark Nation Radio Playlist 20 April 2025 Laibach, “Jesus Christ Superstar” Alabama 3, “Woke Up This Morning” My Life with the Thrill Kill Kult, “Days of Swine and Roses” Legend, “Scars” Christian Death, “Jesus, Where's the Sugar” Depeche Mode, “Personal Jesus” DSTRTD SGNL, “Not Part of DSTRTD SGNL” Treasvre, “Runaway (Stabbing Westward remix)” Autodafeh, “Fastline” Clan of Xymox, “Blood of Christ (DSTR mix)” Ministry, “Jesus Built My Hotrod” Black Angel, “Queen of the Night (Striplight remix)” SYZYGYX, “Climax” The Saint Paul, “Infinite” White Ritual, “Head on Fire (White Ritual remix)” Fractal Age, “Final” Centhron, “Liebe ist Krieg” Hasswut, “Les Morts” Vampyros Lesbos, “Sinnlichkeit” Christ vs. Warhol, “Welcome Home” Wumpscut, “Wreath of Barbs” Lovelorn Dolls, “Dancing at Your Funeral” 40 Octaves Below, “Serketre (DJ underminer remix)” The Cure, “A Fragile Thing” Skinny Puppy, “Worlock” MC 900 Ft. Jesus, “Falling Elevators” Psycho Mutants, “Jesus on the Moon” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Episode 741: April 18, 2025 playlist: Laibach, "Fedayeen (feat. RTV Slovenia Symphony Orchestra, Gallina Vocal Group, Navid Gohari)" (Alamut) 2025 Mute Joy Guidry, "Hold and Be Held" (Five Prayers) 2025 Jaid Immersion and Suss, "In The Far Away" (Nanocluster Vol. 3) 2025 ~Swim Cold Specks, "Venus in Pisces" (Light for the Midnight) 2025 Mute The Ex, "In The Rain" (If Your Mirror Breaks) 2025 [self-released] Miki Berenyi Trio, "Big I Am" (Tripla) 2025 Bella Union Mark Van Hoen, "Multiplex" (The Eternal Present) 2025 Dell'Orso Michael Hurley, "Tea" (Blue Hills) 2010 Mississippi Viz, "Hyperalom" (Danse des Larmes) 2025 Heat Crimes Eva Fernandez Suarez and Thomas Barriere, "Agua" (Adela) 2025 Morc Tapes House of Harm, "Can't Fight the Feeling" (Can't Fight the Feeling) 2025 [self-released] Pierre Bastien and Michel Banabila, "Le Système Déraille" (Nuits Sans Nuit) 2025 Pingipung Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 731: January 19, 2025 playlist: Bob Mould, "Here We Go Crazy" (Here We Go Crazy) 2025 Granary Tim Hecker, "Morning (Piano Version)" (Shards) 2025 Kranky Miki Berenyi Trio, "8th Deadly Sin" (Tripla) 2025 Bella Union Mess Esque, "Take Me To Your Infinite Garden" (Jay Marie, Comfort Me) 2025 Drag City Mark McGuire, "South for the Winter" (South for the Winter) 2025 [self-released] Whatever The Weather, "12 C" (Whatever the Weather II) 2025 Ghostly Pavel Milyakov and Lucas Dupuy, "air X" (Heal) 2025 Psy X Karen y los Remedios, "Las Muchachas (Mexican Institute of Sound Remix)" (Silencio Remixes) 2025 ZZK Peter Rehberg, "Liminal States (Excerpt)" (Liminal States) 2025 Editions Mego Charlemagne Palestine and Seppe Gebruers, "Beyondddddd the Notessssss" (Beyondddddd The Notessssss) 2025 Konnekt Modus Pitch, "Rainbow (Modeselektor - Remix)" (Re:Polyism) 2025 Altin Village and Mine Jules Reidy, "Breaks" (Ghost/Spirit) 2025 Thrill Jockey serpentwithfeet, "Writhing in the Wind" (Grip Sequel) 2025 Secretly Canadian Laibach, "I Want To Know What Love Is (Distorted Love Mix)" (I Want To Know What Love Is) 2024 Mute Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Welcome to Live From Progzilla Towers Edition 545. In this Cover Versions special edition we heard music by Ally The Fiddle, Robert Wyatt, Large Plants, Earth, Wind & Fire, Kim Carnes, Anubis Gate, Pacifico, The Prog Collective, Body Count, D12, Cheeto's Magazine, Cary Grace, Laibach, Barock Project, Tom Tom Club, Hideki Togi, Kevin Gilbert, Brownout Presents Brown Sabbath, Kopilott, Dirty Loops, Carmine Appice & Fernando Perdomo, Pussy Riot, Fates Warning, Michel St. Pere, Zzebra, Exploring Birdsong, Birdeatsbaby and Jeff Beck.

Communion After Dark - features the latest and best in Dark Alternative-Electronic Music - This week's show features music from Mesh, Laibach, Ruined Conflict, Shiv-R, and Leaether Strip. And new music from many more artists worldwide

Episode 725: December 9, 2024 playlist: Godflesh, "Cursed By You All" (A World Lit Only By Dub) 2024 Flesh Liza Padliza, "Everything That Happens Around" (Bridge Over Poroznecha River) 2024 Klikerklub Soft as Snow, "Metal.wet" (Metal.wet) 2024 Beacon Sound Edvard Graham Lewis, "Last Scene" (Alreet?) 2025 Upp Alvin Curran, "Le Serra (excerpt)" (Archeology - Archeologia) 2024 Room40 claire rousay, "ily2 (Maral remix)" (sentiment remix) 2024 Thrill Jockey The Last Poets and Tony Allen Ft Egypt 80, "This Is Madness" (Africanism) 2024 Africa Seven Songs: Ohia, "Haunt Me Forever" (The Lamb and Flag) 2024 Secretly Canadian unkle G, "unkle G" (an honest meal) 2023 Equinoxx Prison, "Eyes for Keys" (Downstate) 2025 Drag City Nathan Amundson, "Threes (excerpt)" (Threes) 2024 [self-released] Laibach and Silence, "Silence Night" (White Christmas) 2024 Mute Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 722: November 14, 2024 playlist: James Blackshaw, "Dexter" (Unraveling In Your Hands) 2024 [self-released] FACS, "Wish Defense" (Wish Defense) 2025 Trouble In Mind Laibach, "Strange Fruit" (Strange Fruit) 2024 Mute La Securite, "Detour" (Detour) 2024 Bella Union Good Sad Happy Bad, "Find My Way" (All Kinds of Days) 2024 Textile Eramus Hall, "Determination" (Lost and Found) 2024 Westbound Nonconnah, "You're Too Old To Be Killing Rabbits, Beatrice" (Nonconnah vs. the Spring of Deception) 2024 Absolutely Kosher The Rollies, "Disco" (Ayo Ke Disco: Boogie, Pop and Funk from the South China Sea (1974-88)) 2024 Soundway Jabu, "Ashes Over Shute Shelve ft. Daniela Dyson and memotone" (A Soft and Gatherable Star) 2024 Do You Have Peace? Freckle, "Taraval" (Freckle) 2025 Drag City Evan Chapman, "Reveries" (Reveries) 2024 Better Company diane barbe, "les marecageuses" (musiques tourbes) 2024 forms of minutiae Tuxedomoon, "Lowlands Tone Poem" (Ship of Fools) 1986 Crammed Discs / Restless Mark McGuire, "And Away We Go" (Anhedonia) 2024 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 718: October 29, 2024 playlist: The Legendary Pink Dots, "A Message from the C.E.O" (The Legendary Pink Hallowe'en Special 2024) 2024 [self-released] Throbbing Gristle, "Scabs and Saws (Single Version)" (Scabs and Saws) 3:29 Mute Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhisa Yamamoto, "III" (Album I) 2024 Bureau B Ladytron, "Misery Remember Me - Shiny Toy Guns Remix" (Time's Arrow Remixed) 2024 Cooking Vinyl Cate Brooks, "Blue Chip Fever" (Prismatics) 2024 Belbury Music Bill Callahan, "Beautiful Child (Peel Session)" (The Holy Grail: Bill Callahan's "Smog" Dec. 20, 2001 Peel Session) 2024 Drag City Jill Fraser, "Amen 2" (Earthly Pleasures) 2024 Drag City Angelo Harmsworth, "Trauma Arbitrage" (Without Blinking) 2024 Warm Winters Laibach, "Leben heisst Leben (Opus Dei Revisited 2024)" (Opus Dei Revisited) 2024 Mute Mike Cooper, "The Spider Of Dawn Had Appended And The Moon Had Far Descended" (Slow Motion Lightning) 2024 Room40 Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Slovenska glasba in njeni ustvarjalci so zanimivi tudi za tuje trge. Kar je v preteklosti uspelo Ansamblu bratov Avsenik in skupini Laibach, kar danes na primer uspeva skupinama freekind. in Joker Out, bi lahko kmalu uspelo tudi drugim, najti je treba le pravi recept za dobro glasbo in dobiti ustrezno podporo. Izvažanje slovenske glasbe doslej ni bilo sistemsko urejeno, spremembe pa se obetajo v prihodnjem letu, ko bo s podporo ministrstva za kulturo zaživela slovenska glasbenoizvozna pisarna. Zakaj jo potrebujemo, komu in kako naj bi pomagala ter kako doseči, da prava glasba pride v prava ušesa v bližnjih in daljnih kotičkih sveta? Gostje bodo: Primož Kristan, generalni sekretar Slovenskega glasbenoinformacijskega centra SIGIC; Andraž Kajzer, umetniški direktor in vodja festivala MENT; Maša Pavokovič, glasbena menedžerka in predstavnica za odnose z javnostmi; Rok Košir, glasbeni agent in direktor glasbene agencije Most.

We revisit the blockbuster movie saga that is Speed. You've already heard endless trivia, praise for the original, disdain for the sequel & more so what's left?   Like every franchise before, it's just time to sum up our favorite moments: what makes these stunts, characters, concept & scenarios so much fun to watch?   "D" is for Detail and we shall do just that!     Follow Our Guests:   Beau Maddox (from Collateral Cinema): ⁠https://www.amazon.com/Collateral-Cinema-Movie-Podcast/dp/B08K581VX2⁠   Josh Hansen (from Action Movie Book Club): ⁠https://www.facebook.com/actionmoviebookclub/⁠       Clips/Music Used: DVD Menu Music Siskel & Ebert's review of the original film "Speed" by Billy Idol instrumental (from the OST) "A Million Miles Away" by the Plimsouls (from the OST) "Kapital" by Laibach (from the trailer) "Like a Motorway" by Saint Etienne (from the OST) "Soul Deep" by Gin Blossoms (from the OST) "Speed 2 Main Theme Remix" by Tetsuya Komuro         MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠ Blind Knowledge Podcast Network: ⁠https://www.blindknowledge.com/⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

Episode 702: June 30, 2024 playlist: Laibach, "Geburt Einer Nation (One Vision) (Eine Richtung Und Ein Volk Version, 2024 Remaster)" (Opus Dei (Remastered)) 2024 Mute Melt-Banana, "Flipside" (3+5) 2024 A-Zap Chuck Johnson, "Teleos" (Sun Glories) 2024 Western Vinyl X, "Big Black X" (Smoke and Fiction) 2024 Fat Possum K. Yoshimatsu, "Violet" (Fossil Cocoon: The Music of K. Yoshimatsu) 2024 Phantom Limb Dorothy Carter, "The King of Glory" (Troubadour) 1976 Celeste / 2024 Drag City Pavel Milyakov, "tesco (feat. Richie Culver)" (Enthropic Vision) 2024 Psy X Violence Gratuite, "Baleine a Boss" (Baleine a Boss) 2024 Hakuna Kulala Mark Templeton, "Closing/Scene" (Two Verses) 2024 Faitiche Dummy, "Nullspace" (Free Energy) 2024 Trouble In Mind Endon, "Time Does Not Heal" (Fall of Spring) 2024 Thrill Jockey body / negative, "everett (feat. Midwife)" (everett) 2023 Track Number Alberto Boccardi, "Apnea II" (Apnea) 2024 Room40 Divine, "Born To Be Cheap" (Born To Be Cheap) 1981 WaxTrax! Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Tedensko izkazovanje nezadovoljstva z našim premierjem je pretekle dni prineslo zanimivo epizodo, ki je nekoliko drugačna od običajnih. Ob že nekoliko dolgočasnih očitkih o nesposobnosti se je tokrat ob Golobovem ravnanju pojavila dilema, ki je zaradi kompleksnih okoliščin vzbudila zanimanje tudi pri vaši najbolj priljubljeni analitični oddaji.Okoliščine so sicer na prvi pogled preproste in prav tako na prvi pogled je premier ponovno ustrelil kozla. Šlo pa je tako. Švicarji so priredili mirovno konferenco za Ukrajino, Golob pa je šel raje gledat Dončića v Dallas. V svojo obrambo je pojasnil, da se je za pot čez lužo odločil šele zatem, ko se je prepričal, da gre Ruse in Ukrajince mirit gospa predsednica. Ampak javnost je šla v strelske jarke, ker: kaj se pa to pravi, vprašanja o življenju in smrti, geopolitični prihodnosti, svetovnem redu, nevarnosti tretje svetovne vojne in podobno zamenjati z veseljem ob gledanju uspešnega metanja žoge skozi obroč! Na prvi pogled ima javnost seveda prav, kajti v opisu del in nalog predsednika vlade so mirovne konference mnogo višje na lestvici od košarkarskih tekem. Ampak ko javnost enoglasno linča vsakokratnega slovenskega premiera, je vedno pametno pogledati problem od blizu. Kot to storimo v naslednjih nekaj minutah. Najprej bodimo realistični glede udeležbe Slovenije na mirovnih konferencah. Niso nas pogosto vabili. Oziroma, sploh nas niso vabili. Še ko smo bili znotraj katere druge večnacionalne tvorbe, so nas odganjali od mize. Če kongres Svete alianse v Ljubljani leta 1821 obravnavamo vsaj na simbolni ravni kot mirovno konferenco, so celo pri Tavčarju Rusi omenjeni večkrat kot Slovenci. Pa je bil kongres pri nas doma! V povojnem Parizu so med debato o naši zahodni meji iz sobe poslali celo jugoslovansko delegacijo – kaj bi šele storili samo s slovensko … Hočemo povedati, da je naš geopolitični vpliv omejen zaradi preprostega dejstva, ki se je v teh zadnjih nekaj stoletjih neštetokrat izkazalo kot pravilno: "Ker smo majhni in neznatni, smo tudi neupoštevani." Če povsem odstranimo nacionalni ponos in samopoveličevanje – tudi če bi Golob sedel v Švici, bi bilo njegovo mnenje, mnenje naše vlade in s tem mnenje našega naroda – nepomembno. Za zastopanje nepomembnih mnenj pa imamo na srečo v Sloveniji institut predsednika države. Tisti bolj poduhovljeni na tem mestu dvignejo pravičniški prst, češ da ne gre samo za geopolitično merjenje moči in da lahko tudi majhne države znotraj mednarodnih odnosov s svojo držo, nastopom, ali vzorom opozarjajo na etične standarde in posledične zdrse. Res je, a zavzeti moralno utemeljeno stališče glede konflikta na evropskem vzhodu je, kot smo se v teh preteklih dveh letih naučili, Sizifovo delo. Vsaki, še tako globoki človeški tragediji sčasoma poteče rok trajanja in na koncu jo zamenja cinizem politike in orožarske industrije. Ob tem pa obstaja še ena plat mirovne konference v Švici. Še preden se je začela, je bilo z izjavama predsednikov obeh vojskujočih se strani jasno, da bo neuspešna. Vsaj glede miru. Sedeti tam v veri, da se kuje kakršna koli oblika miru ali vsaj majhna možnost za prekinitev ognja, bi bilo naivno. Tako je konferenca bila namenjena samo za nekaj splošnih izjav in kot nabirka novih milijard za vojaško pomoč Ukrajini. Sklepati orožarske posle na konferenci o miru pa je vsaj toliko smešno, kot je tudi tragično. Obstaja sicer majhna možnost, da se je premier vsega tega zavedal ter je z neudeležbo na konferenci poslal svetu glasnejše sporočilo, kot bi ga z udeležbo. Večja možnost pa je, da premier tako daleč ni razmišljal in si je samo želel videti igrati Dončića. Glede na rezultat tekme, ki se je je udeležil, je bilo zagotovo bolj zanimivo v Dallasu kot v Švici. In zdaj k političnim konotacijam obiska v Ameriki. Skrb za prepoznavnost in dobro podobo Slovenije v tujini je v opisu nalog prvega ministra pomembna kategorija. In če smo ugotovili, da bi bil v Švici praktično neviden, je nekaj besed z Luko Dončićem pred tekmo zaleglo za celoletne napore polovice diplomatskega zbora slovenskega zunanjega ministrstva. Naključno te dni pri nas proslavljamo, ker smo se po zaslugi ruskih vohunov z novičko znašli na straneh Wall Street Journala. Na straneh vseh športnih in večine ostalih medijev v Združenih državah pa se dnevno znajdemo po zaslugi Luke Dončića. Če vzamemo samo mantro zadnjih tridesetih let razvoja naše dežele, ki se glasi: "prepoznavnost, prepoznavnost in še enkrat prepoznavnost", ni niti približno ne objekta in ne subjekta, ki bi za prepoznavnost Slovenije naredil toliko, kot naredi Luka Dončić. Melanija bi lahko bila blizu, če ne bi slovenstva skrivala kot kača nog, uspešno nas promovira še kakšen športnik, pa recimo Laibach, potem pa se konča. Meriti vrednost posameznika glede na njegov prispevek k prepoznavnosti domače dežele je sicer bizarno, a korelacijo med uspešnostjo države in njeno prepoznavnostjo v tujini smo vzredili sami. Kaj je torej pomembnejša udeležba predsednika slovenske vlade: na brezupno načelni ravni podpreti mir, ki praktično ni mogoč, ali pa podpreti športnika, ki nedvoumno prispeva h globalnemu vedenju in zavedanju o Slovencih kot narodu in Sloveniji kot državi.

Musician and former member of the Fat White Family Saul Adamczewski and another lowly Brit join the show to finally settle their score with Adam and America OSTSaul Adamscewski "Gulag"Syd Barrett "Rats" Insecure Men "All Women Love Me" Laibach "Brat Moj" Country Teasers "Country Fag"

603 Laibach - Opus Dei

Policija bo od jutri na hrvaški in madžarski meji zaradi povečane varnostne grožnje znova izvajala mejni nadzor. Najmanj 10 dni bo stalno prisotna na 12-ih prehodih s Hrvaško in dveh z Madžarsko, na ostalih le občasno. V Bruslju pa opozarjajo, da se je treba nadzoru na notranjih mejah schengna, četudi je upravičen, izogibati, saj ovira prost pretok ljudi. Druge teme: - V Gazo naj bi danes pripeljali prve tovornjake s pomočjo. Izrael nakazal pripravljenost na začetek kopenske ofenzive - Slovenija pošilja v Bruselj vlogo za sredstva popoplavne obnove. Še letos si obeta 100 milijonov evrov - Na Frankurtskem knjižnem sejmu sinoči največji dogodek slovenskega častnega gostovanja - glasbeni spektakel skupine Laibach

In this episode John Paul Kleiner (GDR Objectified blog) speaks with Attila the Stockbroker, an English poet, musician and songwriter with roots in the punk movement and socialist politics. During his forty year career as independent artist, Attila has produced numerous albums and books and performed more than 3,800 shows including many in the GDR and, after unification, eastern Germany. In this conversation, Attila vividly recalls his visits to the East, the people whom he met there and aspects of the Workers and Peasants State which were an inspiration and other which left him disgusted. Find Attila's active Facebook page by clicking here. Learn more about his books and albums on Bandcamp There's a great mini-doc of Attila done a few years back by filmmaker Farouq Suleiman that gives a great sense of his energy and art on YouTube here. You can hear poem and song “This is Free Europe” inspired by Attila's experiences at a 1992 gig in Hoyerswerda here. Glossary of terms Laibach: a Slovenian based music group / avant-garde art project which incorporates totalitarian aesthetics into a variety of musical styles to unsettling effect. A-Levels: university qualifying exams for British secondary school students John Peel was a DJ for the BBC between 1967 and 2004 during which time he helped popularize a number of musical genres including psychedelic and progressive rock as well as punk. New Town Neurotics are an English melodic punk band formed in 1979 and whose work took a decidedly political turn with the advent of Thatcherism in the U.K. It was through his connections to this group that Attila first made his way to the GDR. In the 1980s, the multiethnic London neighbourhood of Brixton was best known as a site of great social unrest due to widespread poverty and strained relations between residents and police. In more recent years, the area has undergone considerable gentrification, but echoes of Buna and Leuna: in the GDR-era, these two large-scale chemical combines were essential economic drivers and creators of truly appalling environmental degradation. Read more on the impact these facilities had on the East German environment in this post from the GDR Objectified blog. Bündnis 90 / Alternative Linke: Alliance '90 and Alternative Left were left-oriented political movements which emerged from the foment of anti-SED protests in the mid- to late-1980s in the GDR. Die Skeptiker (The Sceptics) are a German punk band originally formed in East Berlin in 1986. While critical of the realities of ‘real-existing socialism', the band were keen to carve out a place for themselves in the GDR music scene and used opportunities open to them within the system (incl. officially sanctioned live shows and appearances on GDR radio and new music compilation albums) to present their music to as wide an audience as possible. Our ability to bring you stories from behind the Berlin Wall is dependent on monthly donors like you. Visit us at https://www.eastgermanypodcast.com/p/support-the-podcast/ to contribute. For the price of a Berliner Pilsner, you can feel good you are contributing to preserve one of the most important pieces of Cold War history. If you feel more comfortable leaving us a review to help us get more listeners, we appreciate it very much and encourage you to do so wherever you get your podcasts or at https://www.eastgermanypodcast.com/reviews/new/. For discussions about podcast episodes and GDR history, please do join our Facebook discussion group. Just search Radio GDR in Facebook. Vielen dank for being a listener!

Episode 636: June 4, 2023 playlist: Loraine James, "2003" (Gentle Confrontation) 2023 Hyperdub James Blackshaw, "Why Keep Still?" (New Album 2023) 2023 self-released Godflesh, "Land Lord" (Purge) 2023 Avalanche Gary Wilson, "I Married A Girl From Outer Space" (The Marshmallow Man) 2023 Cleopatra Janette King, "Breaking a Bond" (How Sad) 2023 Hot Tramp The Residents, "Amber" (Commercial Album) 1980 Ralph / 2023 Cherry Red Laibach, "Lepo - krasno" (Sketches Of The Red Districts) 2023 Mute V/Z, "Habadash feat. Cathy Lucas" (Suono Assente) 2023 AD93 Bardo Pond, "Isle" (Peel Sessions) 2023 Fire Minhwi Lee, "Borrowed Tongue" (Borrowed Tongue) 2016 self-released / 2023 Alien Transistor Roxy Gordon, "Flying into Ann Arbor (Holding)" (Crazy Horse Never Died) 1988 Sunstorm / 2023 Paradise of Bachelors Goatsnake, "Another River to Cross" (Black Age Blues) 2015 Southern Lord Images Of Goo, "Image 6" (Images Of Goo) 2023 Un je-ne-sais-quoi Kruder and Dorfmeister, "King Size" (1995) 2020 G-Stone Adam Badí Donoval, "Birdsong In The Car Park" (Sometimes Life Is Hard And So We Should Help Each Other) 2022 The Trilogy Tapes / 2023 Maple Death Surya Botofasina, "Everyone's Moment (Within)" (Everyone's Moment (Within)) 2023 Spiritmuse Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

As Arcane Machine has evolved over the years, it's been fun discovering what kinds of moods and themes emerge based on Justin and Ed's selections. A very strong one emerged this Chapter, revolving around religion and the end of the world. You'll explore a “Dead Planet” from Front Line Assembly and wander “Cities in Dust” from Siouxsie and the Banshees. You'll pray for salvation with E Nomine's “Vater Unser.” And finally, you'll be treated to an in-depth examination of both Juno Reactor and Laibach's interpretations of “God is God.” Send your listener submissions/ suggestions to arcanemachinepodcast@gmail.com! The Arcane Machine is a monthly show with supplemental content on Facebook, Twitter, and Discord throughout each month. If you like what you hear, please visit the artists' pages linked below and buy some music! Social Media: The Belfry: A Home for Dark Culture: The Belfry is the home of excellent podcast Cemetery Confessions, plus interviews, art, and other podcasts rooted deeply in dark/ alternative lifestyles. Join our Facebook group for discussion and bonus content: https://www.facebook.com/groups/TheArcaneMachine/ Follow The Arcane Machine on Twitter: @arcane_machine Follow The Arcane Machine on Instagram: @the_arcane_machine The Tracklist:   1 – “Cities in Dust” by Siouxsie and the Banshees from the album Tinderbox (1986) (Website) 2 – “More” by Odonis Odonis from the album Spectrums (2021) (Bandcamp) 3 – “Dead Planet” by Front Line Assembly from the album Epitaph (2001) (Bandcamp) 4 – “Regenerate” by A Projection from the album In A Different Light (2022) (Bandcamp) 5 – “Vater Unser” by E Nomine from the album Das Testament (1999) (Discogs) 6 – “Ultra Heavy Black” by SKOLD from the album The Undoing [Deluxe] (2016) (Bandcamp) 7 – “God is God” by Juno Reactor from the album Bible of Dreams (1997) (Website) 8 – “God is God” by Laibach from the album Jesus Christ Superstars (1996) (Website)

We're joined this week by two of our Patreon backers, Stuart White and Richard Gould, to talk about albums they've each chosen: Bloodline, the reunion LP from formative UK goth-punk act 1919 which found them tackling resurgent political and economic crises, and the self-titled record from France's Les Clopes, which puts a bemused indie spin on some classic French coldwave and minimal wave sounds. We're also talking recent Laibach and festival news, plus some talk about a recent Moor Mother and Saul Williams show.

Episode 618: February 24, 2023 playlist: FACS, "When You Say" (Still Life In Decay) 2023 Trouble In Mind Angel Bat Dawid, "RECORDARE-Recall the Joy" (Requiem for Jazz) 2023 International Anthem Dry Cleaning, "Swampy" (Swampy EP) 2023 4AD serpentwithfeet, "Gonna Go" (Gonna Go) 2023 Secretly Canadian Razen, "A Postcard From Jehan" (Postcards From Hereafter) 2023 Cassauna Less Bells, "Scheele's Green" (The Drowned Ground) 2023 Meadows Heavy Recorders Cruel Diagonals, "Reconciliation" (Fractured Whole) 2023 Beacon Sound Chasms, "Another Dream" (Glimpse of Heaven) 2023 Felte Casa Ukrania and Lu Joyce, "Orchids" (Orchids) 2023 self-released loscil // lawrence english, "Violet" (Colours of Air) 2023 Kranky Holsen and Cassiers, "Time Is" (Walking in Circles) 2023 Stroom Laibach, "Love Is Still Alive I (Moon, Euphoria)" (Love is Still Alive) 2023 Mute Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

While both of the records we're talking about are from nominal side-projects, you couldn't get much further from one another in sound (and perhaps quality?) on the industrial spectrum than Santa Hates You's Crucifix Powerbomb and Anima Nostra's Atraments. We're also talking about the cost of live shows, Laibach's just-announced show in Kyiv, and a solid “goth for metalheads” list. 

The new LP by industrial legends Laibach is the subject of this week's podcast. The band has perhaps never been more active, releasing a slew of soundtracks and other releases, but Sketches Of The Red Districts finds the band returning to both tWe're also talking about the new single from (occasional labelmates of Laibach) Depeche Mode.

Media Monarchy plays Satan's Pilgrims, Laibach, Federale and more on #PumpUpThaVolume for October 20, 2022. ♬

Slovenian avant-gardists Laibach reboot the writings of one of the most significant German playwrights, Heiner Müller, into a theatrical production of his work. Epic in scope, “Ich wil ein Deutscher sein” translates to “I Want to Be a German.”