Podcasts about Perry Como

"I've been an ardent fan of the big bands all my life. As a child growing up in New Jersey, I set my radio dial to WNEW, where "Make Believe Ballroom" featured a constant stream of recordings by big bands and their vocalists. Swing music went into hibernation for a while, as vocalists like Frank Sinatra, Ella Fitzgerald, Rosemary Clooney, and Perry Como stole the spotlight away. Determined to keep the old sound alive, I accumulated a collection of over 9,000 recordings. With such a rich resource at my fingertips, it was a natural next step to inaugurate a weekly radio program, which went on the air in 1983 and is now carried by over 40 National Public Radio stations."

As you will learn, our guest this time, Walden Hughes, is blind and has a speech issue. However, as you also will discover none of this has stopped Walden from doing what he wants and likes. I would not say Walden is driven. Instead, I would describe Walden as a man of vision who works calmly to accomplish whatever task he wishes to undertake. Walden grew up in Southern California including attending and graduating from the University of California at Irvine. Walden also received his Master's degree from UCI. Walden's professional life has been in the financial arena where he has proven quite successful. However, Walden also had other plans for his life. He has had a love of vintage radio programs since he was a child. For him, however, it wasn't enough to listen to programs. He found ways to meet hundreds of people who were involved in radio and early television. His interviews air regularly on www.yesterdayusa.net which he now directs. Walden is one of those people who works to make life better for others through the various entertainment projects he undertakes and helps manage. I hope you find Walden's life attitude stimulating and inspiring. About the Guest: With deep roots in U.S. history and a lifelong passion for nostalgic entertainment, Walden Hughes has built an impressive career as an entertainment consultant, producer, and historian of old-time radio. Since beginning his collection in 1976, he has amassed over 50,000 shows and has gone on to produce live events, conventions, and radio recreations across the country, interviewing over 200 celebrities along the way. A graduate of UC Irvine with both a BA in Economics and Political Science and an MBA in Accounting/Finance, he also spent a decade in the investment field before fully embracing his love of entertainment history. His leadership includes serving as Lions Club President, President of Radio Enthusiasts of Puget Sound, and long-time board member of SPERDVAC, earning numerous honors such as the Eagle Scout rank, Herb Ellis Award, and the Dick Beals Award. Today, he continues to preserve and celebrate the legacy of radio and entertainment through Yesterday USA and beyond. Ways to connect with Walden: SPERDVAC: https://m.facebook.com/sperdvacconvention/ Yesterday USA: https://www.facebook.com/share/16jHW7NdCZ/?mibextid=wwXIfr REPS: https://www.facebook.com/share/197TW27jRi/?mibextid=wwXIfr About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset, where inclusion, diversity and the unexpected meet. We're going to deal with all of that today. We have a guest who I've known for a while. I didn't know I knew him as long as I did, but yeah, but we'll get to that. His name is Walden Hughes, and he is, among other things, the person who is the driving force now behind a website yesterday USA that plays 24 hours a day old radio shows. What I didn't know until he told me once is that he happened to listen to my show back on K UCI in Irvine when I was doing the Radio Hall of Fame between 1969 and 1976 but I only learned that relatively recently, and I didn't actually meet Walden until a few years ago, when we moved down to Victorville and we we started connecting more, and I started listening more to yesterday, USA. We'll talk about some of that. But as you can tell, we're talking, once again, about radio and vintage radio programs, old radio programs from the 30s, 40s and 50s, like we did a few weeks ago with Carl Amari. We're going to have some other people on. Walden is helping us get some other people onto unstoppable mindset, like, in a few weeks, we're going to introduce and talk with Zuzu. Now, who knows who Zuzu is? I know Walden knows, but I'll bet most of you don't. Here's a clue. Whenever a bell rings, an angel gets his wingsu was the little girl on. It's a Wonderful Life. The movie played by Carol from Yeah, and she the star was Carolyn Grimes, and we've met Carolyn. Well, we'll get to all that. I've talked enough. Walden, welcome to unstoppable mindset. We're glad you're   Walden Hughes ** 03:19 here. Hello, Michael boy, I mean, you, you had John Roy on years ago, and now you finally got to me that's pretty amazing.   Michael Hingson ** 03:25 Well, you know, we should have done it earlier, but that's okay, but, but you know what they say, the best is always saved for last.   Walden Hughes ** 03:34 Hey. Well, you know, considering you've been amazing with this show on Friday night for the last year. So here yesterday, USA, so we you and I definitely know our ins and outs. So this should be an easy our place talk.   Michael Hingson ** 03:47 Yes. Is this the time to tell people that Walden has the record of having 42 tootsie rolls in his mouth at once?   Walden Hughes ** 03:52 That's what they say. I think we could do more, though, you know. But yeah, yeah. Well, we won't ask, miss, yeah, we won't ask you to do that here. Why not?   Michael Hingson ** 04:03 Yeah, we want you to be able to talk. Well, I'm really glad you're here. Tell us a little about the early Walden growing up and all that.   Walden Hughes ** 04:12 I'm my mom and dad are from Nebraska, so I have a lot of Midwestern Nebraska ties. They moved out here for jobs in 65 and I was born in 1966 and I was the first baby to ever survive the world Pierre syndrome, which means I was born with a cleft palate, being extremely near sighted and and a cup and a recession. So I was the first baby through my mom and dad debt by $10,000 in 17 days, and it was a struggle for my folks. You know, in those early days, without insurance, without any. Thing like that. You know, people really didn't think about medical insurance and things like that in those days, that was not an issue. So, um, so I've always had extremely loving family. Then I went through five retina detachments, and starting when I was seven years old, up to I was nine, and I finally woke up one morning seeing white half circle so the retina detached. Sometime in the middle of the night, went to the most famous eye doctor the world at times, Dr Robert macchermer, who was the one who invented the cataract surgery and everything. Later, he wound up being the head of Duke Medical that was down in Florida, and they took one last ditch effort to save my sight, but it was a 2% chance, and it didn't work out. So they went blind in November 75 and went into school for people who may or may not know California pretty aggressive in terms of education, and so when I wear hearing aids, so I parted a hard of hearing class. Newport school. Mesa took care of the kids who were hard of hearing and the blind children went up to Garden Grove. So when I walked my site, went up to Garden Grove. And so that was my dedication. I was always a driven person. So and I also had a family that supported me everything I ever did. They didn't it just they were ultimately supporting me in education, all sorts of stuff. So I wound up in the Boy Scout Program. Wound up being an Eagle Scout like you, wound up being visual honoring the OA. And this was always side of kids. I was sort of the organizer all decided kid, and there was Walden that was right, I was that way in my entire life, which is interesting that the most kids are all hanging out. We were sighted and and even the school district, which was pretty amazing to think about it, Newport, they told my mom and dad, hey, when Wong ready to come back to his home school district, we'll cover the bill. We'll do it. And so my freshman year, after my freshman year in high school, we thought, yeah, it's time to come back. And so the Newport school, Mesa picked up the tab, and so did very well. Went up, applied to seven colleges, Harvard, a Yale Stanford turned me down, but everybody else took me   Michael Hingson ** 07:53 so, but you went to the best school anyway.   Walden Hughes ** 07:57 So I mean, either like Michael Troy went to UCI and I graduated in three years and two quarters with a degree in economics, a degree in politics, a minor in management, and then I went to work as a financial planner with American Express and then a stockbroker. I always wanted to go back get my MBA. So I got my MBA at UCI, and I graduated with my MBA in accounting and finance in 1995 so that's sort of the academic part Wow of my life.   Michael Hingson ** 08:32 How did your parents handle when it was first discovered that you were blind? So that would have been in what 75 how do they handle that?   Walden Hughes ** 08:42 They handle it really well. I think my dad was wonderful. My dad was the one that took, took me my birth, to all the doctor appointments, you know, such a traumatic thing for my mom. So my dad took that responsibility. My mom just clean house. But they, they My dad always thought if I were going to make it through life, it was going to be between my ears. It could be my brain and I, I was gifted and academically in terms of my analytical abilities are really off the chart. They tested me like in 160 and that mean I could take a very complicated scenario, break it down and give you a quick answer how to solve it within seconds. And that that that paid off. So no, I think, and they they had complete and so they put in the time.   Michael Hingson ** 09:47 What kind of work did your dad do? My dad   Walden Hughes ** 09:51 wound up being a real estate agent, okay, and so that gave him flexibility time. My mom wound up working for the Irvine camp. Attorney, which is the big agriculture at that time, now, apartments and commercial real estate here in oil County and so. So with their support and with the emphasis on education, and so they helped me great. They helped my brother a great deal. So I think in my case, having two really actively involved parents paid off, you know, in terms of, they knew where to support me and they knew the one to give me my give me my head, you know, because I would a classic example of this. After I graduated from college at UCI, I was looking for work, and mom said, my mom's saying, oh, keep go to rehab. Talk to them. They're both to help you out, give it. I really wasn't interested, so I sat down and met with them and had several interviews, and they said we're not going to fund you because either A, you're gonna be so successful on your own you pay for your own stuff, or B, you'll completely fail. So when I, and that's when they flat out, told me at rehab, so I I had more more luck in the private sector finding work than I did ever in the public sector, which was interesting.   Michael Hingson ** 11:39 I know that when I was in high school, and they it's still around today, of course, they had a program called SSI through the Department of Social Security, and then that there, there was also another program aid of the potentially self supporting blind, and we applied for those. And when I went to UC Irvine, I had met, actually, in 1964 a gentleman while I was up getting my guide dog. He was getting a guide dog. His name was Howard Mackey, and when I went to college, my parents also explored me getting some services and assistance from the Department of Rehabilitation, and I was accepted, and then Howard Mackey ended up becoming my counselor. And the neat thing about it was he was extremely supportive and really helped in finding transcribers to put physics books in braille, paid for whatever the state did it at the time, readers and other things like that that I needed provided equipment. It was really cool. He was extremely supportive, which I was very grateful for. But yeah, I can understand sometimes the rehabilitation world can be a little bit wonky. Of course, you went into it some 18 to 20 years later than that. I, in a sense, started it because I started in 6869 Yeah. And I think over time, just the state got cheaper, everything got cheaper. And of course, now it's really a lot different than it used to be, and it's a lot more challenging to get services from a lot of the agencies. And of course, in our current administration, a lot of things are being cut, and nobody knows exactly what's going to happen. And that's pretty   Walden Hughes ** 13:30 scary, actually. When I went to UCI, the school picked it up the pic, the school picked up my transcribing. They picked up my readers and all that. So interesting. How?   Michael Hingson ** 13:39 But did they let you hire your own readers and so on? Or do they do that?   Walden Hughes ** 13:43 They just put out the word, and people came up and and they paid them. So they just, they were just looking for volunteer, looking for people on the campus to do all the work. And, yeah, in fact, in fact, I had one gal who read pretty much all my years. She was waiting to get a job in the museum. And the job she wanted, you basically had to die to get it open. And so she for a full time employee with the read, can I be taking 20 units a quarter? Yeah. So I was, I was cranking it out. And in those days, everybody, you were lucky they I was lucky to get the material a week or two before midterm. Yeah, so I would speed up the tape and do a couple all nighters just to get through, because I really didn't want to delay, delay by examinations. I wanted to get it, get it through. But, uh, but, you know, but also, I guess I was going four times just throughout the quarter, set them into the summer. Okay, I wanted to get it done. Yeah, so that's, that's how I   Michael Hingson ** 14:50 did it. I didn't do summer school, but I did 16 to 20 units a quarter as well, and kept readers pretty busy and was never questioned. And even though we have some pretty hefty reader bills, but it it worked, no and and I hired my own readers, we put out the word, but I hired my own readers. And now I think that's really important. If a school pays for the readers, but lets you hire the readers, that's good, because I think that people need to learn how to hire and fire and how to learn what's necessary and how to get the things that they need. And if the agency or the school does it all and they don't learn how to do it, that's a problem.   Walden Hughes ** 15:36 If fashioning is just a sidebar issue, computer really became a big part. And with my hearing loss, TSI was really, yeah, telesensory, the one Incorporated, right? And they were upscale, everybody. It was, you know, $2,500 a pop. And for my hearing, it was the was for the card, the actual card that fits into the slot that would read, oh, okay, okay, right. And eventually they went with software with me, a lot cheaper, yes, and so, so my folks paid for that in the early days, the mid 80s, the computers and the software and a lot of that were trial and error terms of there was not any customer support from the from the computer company that were making special products like that, you were pretty much left on your own to figure it out. Yeah, and so time I went to graduate in 1990 we figured, in the business world, financial planning, I'm gonna need a whole complete setup at work, and we're gonna cost me 20 grand, yeah, and of course, when we have saying, We biking it, we're gonna finance it. What happened was, and this has helped with the scouting program. I knew the vice president of the local bank. And in those days, if it was, if it was still a small bank, he just went, he gave me a personal loan, hmm, and he, I didn't have to get any code centers or anything. No, we're gonna be the first one to finance you. You get your own computer set up. And so they, they, they financed it for me, and then also Boyle kicked in for 7500 but that was, that's how I was able to swing my first really complicated $20,000 units in 1990   Michael Hingson ** 17:33 the Braille Institute had a program. I don't know whether they still do or not they, they had a program where they would pay for, I don't know whether the top was 7500 I know they paid for half the cost of technology, but that may have been the upper limit. I know I used the program to get in when we moved, when we moved to New Jersey. I was able to get one of the, at that time, $15,000 Kurzweil Reading machines that was in 1996 and Braille Institute paid for half that. So it was pretty cool. But you mentioned TSI, which is telesensory Systems, Inc, for those who who wouldn't know that telesensory was a very innovative company that developed a lot of technologies that blind and low vision people use. For example, they developed something called the optic on which was a box that had a place where you could put a finger, and then there was attached to it a camera that you could run over a printed page, and it would display in the box a vibrating image of each character as the camera scanned across the page. It wasn't a really fast reading program. I think there were a few people who could read up to 80 words a minute, but it was still originally one of the first ways that blind people had access to print.   Walden Hughes ** 18:59 And the first guinea pig for the program. Can I just walk my site in 75 and they, they wanted me to be on there. I was really the first one that the school supply the optic on and has special training, because they knew I knew what site looked like for everybody, what Mike's describing. It was dB, the electronic waves, but it'd be in regular print letters, not, not broil waters, right? What   Michael Hingson ** 19:25 you felt were actually images of the print letters, yeah.   Walden Hughes ** 19:30 And the thing got me about it, my hand tingled after a while,   Michael Hingson ** 19:35 yeah, mine   Walden Hughes ** 19:36 to last forever,   Michael Hingson ** 19:38 you know. So it was, it wasn't something that you could use for incredibly long periods of time. Again, I think a few people could. But basically, print letters are made to be seen, not felt, and so that also limited the speed. Of course, technology is a whole lot different today, and the optic on has has faded away. And as Walden said, the card that would. Used to plug into computer slots that would verbalize whatever came across the screen has now given way to software and a whole lot more that makes it a lot more usable. But still, there's a lot of advances to be made. But yeah, we we both well, and another thing that TSI did was they made probably the first real talking calculator, the view, plus, remember   Walden Hughes ** 20:25 that? Yep, I know a good sound quality.   Michael Hingson ** 20:28 Though it was good sound quality. It was $395 and it was really a four function calculator. It wasn't scientific or anything like that, but it still was the first calculator that gave us an opportunity to have something that would at least at a simple level, compete with what sighted people did. And yes, you could plug your phone so they couldn't so sighted people, if you were taking a test, couldn't hear what what the calculator was saying. But at that time, calculators weren't really allowed in the classroom anyway, so   Walden Hughes ** 21:00 my downside was, time I bought the equipment was during the DOS mode, and just like that, window came over, and that pretty much made all my equipment obsolete, yeah, fairly quickly, because I love my boil display. That was terrific for for when you learn with computers. If you're blind, you didn't really get a feel what the screen looked like everybody. And with a Braille display, which mine was half the screen underneath my keyboard, I could get a visual feel how things laid out on the computer. It was easier for me to communicate with somebody. I knew what they were talking   Michael Hingson ** 21:42 about, yeah. And of course, it's gotten so much better over time. But yeah, I remember good old MS DOS. I still love to play some of the old MS DOS games, like adventure and all that, though, and Zork and some of those fun games.   Walden Hughes ** 21:57 But my understanding dos is still there. It's just windows on top of it, basically,   Michael Hingson ** 22:02 if you open a command prompt in Windows that actually takes you to dos. So dos is still there. It is attached to the whole system. And sometimes you can go in and enter commands through dos to get things done a little bit easier than you might be able to with the normal graphic user interface, right? Well, so you, you got your master's degree in 1995 and so you then continue to work in the financial world, or what did   Walden Hughes ** 22:35 it for 10 years, but five years earlier? Well, maybe I should back it up this way. After I lost my site in 1976 I really gravitated to the radio, and my generation fell in love with talk radio, so I and we were really blessed here in the LA market with really terrific hosts at KBC, and it wasn't all the same thing over and over and beating the drum. And so listening to Ray Breen, Michael Jackson, IRA for still kill Hemingway, that was a great opportunity for somebody who was 10 years old.   Michael Hingson ** 23:18 Really, they were all different shows. And yes, I remember once we were listening to, I think it was Michael Jackson. It was on Sunday night, and we heard this guy talking about submarines, and it just attracted Karen's and my attention. And it turns out what it was was Tom Clancy talking about Hunt for Red October. Wow. And that's where we first heard about it, and then went and found the book.   Walden Hughes ** 23:45 But So I grew up in the talk radio, and then that, and I fell in love with country music at the time on koec, and then Jim Healy and sports, yep, and then, and then we were blessed in the LA market have a lot of old time radio played, and it was host like Mike was here at K UCI, John Roy, eventually over KPCC, Bob line. And so my relatives said you should listen to this marathon KPFK, which was a Pacific did an all day marathon. I fell in love with that. Jay Lacher, then one night, after I walked my site, I tuned in. Ray bream took the night off, and Bill balance had frankly sit in. And the first thing they played was Jack Armstrong, and this is where Jack, Jack and Billy get caught up in a snow storm and a bone down the hill. And Brett Morrison came in during the one o'clock two o'clock hour to talk about the shadow. And so my dad took me to, oh, I'm trying to think of the name of the record. Or if they gave away licorice, licorice at the at the record store tower, yeah, not Tower Records. Um, anyway, so we bought two eight track tapes in 1976 the shadow and Superman, and I started my long life of collecting and so. So here we up to 1990 after collecting for 15 years. Going to spill back conventional meetings. I knew Ray bream was going to have kitty Cowan at the guest. Kitty Cowan was a big band singer of the 40s who later the fifth little things mean a lot. And I figured nobody was going to act about her days on the Danny Kaye radio show. And so I called in. They realized I had the stuff. I had the radio shows, they took me off the air, and Kitty's husband, but grand off called me the next day, and we struck up a friendship. And so they were really connected in Hollywood, and so they opened so many doors for me. Mike I Katie's best friend with Nancy Lacher, SR bud with the one of the most powerful agents in town, the game show hosting, who could come up with a TV ideas, but did not know how to run a organization. So that was Chuck Paris, hmm, and Gong Show, yeah, so I wound up, they wound up giving me, hire me to find the old TV shows, the music, all that stuff around the country. And so I started to do that for the Sinatra family, everybody else. So I would, while we do the financial planning, my internet consulting thing really took off. So that wound up being more fun and trying to sell disability insurance, yeah. So one wound up doing that until the internet took over. So that would that. So my whole life would really reshape through kitty Carolyn and Ben granoff through that. So I really connected in the Hollywood industry from that point on, starting 1990 so that that really opened up, that really sure reshaped my entire life, just because of that   Michael Hingson ** 27:28 and you've done over the years, one of the other things that you started to do was to interview a lot of these people, a lot of the radio stars, The radio actors   Walden Hughes ** 27:39 and music and TV, music,   Michael Hingson ** 27:44 yeah.   Walden Hughes ** 27:45 And I think when Bill Bragg asked me to interview kitty Carol, and I did that in 2000 and Bill said, Well, could you do more? And so one of Kitty friends, but test Russell. Test was Gene Autry Girl Friday. He she ran kmpc for him. And I think everybody in the music industry owed her a favor. I mean, I had Joe Stafford to Pat Boone to everybody you could think of from the from that big band, 3040s, and 60s on the show. Let's go   Michael Hingson ** 28:24 back. Let's go back. Tell us about Bill Bragg.   Walden Hughes ** 28:29 Bill Bragg was an interesting character all by himself. Born in 1946 he was a TV camera man for CBS in Dallas. He was also a local music jockey, nothing, nothing, big, big claims of fame boys working for channel two. And then he in Dallas, he was at a press conference with LBJ, and LBJ got done speaking, and the camera crew decided that they were going to pack up and go to lunch. And Bill thought it'd be fun to mark what camera, what microphone the President used for his address, and the guys were in a rush door in the box, let's go have lunch. So Bill lost track, and that bothered him. So he started the largest communication Museum in 1979 and he collected and was donated. And so he had the biggest museum. He had a film exchanger. So in those early days of cable TVs, you know, we had a lot of TV stations specializing in programming, and there were channels, I think this was called a nostalgic channel, wanted to run old TV shows and films. They had the film, but they didn't. Have the equipment. And they got hold of Bill. He said, Okay, I'll do it for you. But what you're going to give me is games. Bill was a wheel and dealer, yeah. And Charlie said, We'll give you your own satellite channel. And I was talking to Bill friend later, John women in those days, in the 1983 when Bill got it, the value of those satellite channels was a million dollars a year, and he got it for free. And Bill would try and figure out, What in the world I'm going to do with this, and that's when he decided to start playing with old time radio, because really nobody was playing that on a national basis. You had different people playing it on a local basis, but not really on a national basis. So Bill was sort of the first one before I play old time radio. I became aware of him because of bur back, so I was trying to get the service on my cable TV company. Was unsuccessful.   Michael Hingson ** 30:58 So what he did is he broadcast through the satellite channel, and then different television stations or companies could if they chose to pick up the feed and broadcast it. Did, they broadcast it on a TV channel or   Walden Hughes ** 31:13 on radio public asset channel. Okay, so remember note day a lot of public it would have the bulletin boards with the local news of right community, and lot of them would play Bill can't   Michael Hingson ** 31:28 play Bill's channel because the only because what they were doing was showing everything on the screen, which didn't help us. But right they would show things on the screen, and they would play music or something in the background. So Bill's programs were a natural thing to play,   Walden Hughes ** 31:44 yeah, and so Bill wound up on a stout then he wound up being the audio shop Troyer for WGN, which was a nice break and so. And then Bill got it to be played in 2000 nursing homes and hospitals, and then local AMFM stations would pick us up. They were looking for overnight programming, so local throughout the country would pick it up. And so Bill, Bill was a go getter. He was a great engineer, and knew how to build things on the cheap. He was not a businessman, you know, he couldn't take it to the next level, but, but at least he was able to come up with a way to run a station, 24 hours a day. It was all the tapes were sent down to Nash, down to Tennessee, to be uploaded to play into the system. Eventually, he built a studio and everything in Dallas. And so,   Michael Hingson ** 32:38 of course, what what Weldon is saying is that that everything was on tape, whether it was cassette or reel to reel, well, reel to reel, and they would play the tapes through a tape machine, a player or recorder, and put it out on the satellite channels, which was how they had to do it. And that's how we did it at kuci, we had tape, and I would record on Sunday nights, all the shows that we were going to play on a given night on a reel of tape. We would take it in and we would play it.   Walden Hughes ** 33:13 And so that's how it's done in the 80s. Eventually built bill, built a studio, and then started to do a live show once a week. Eventually, they grew up to four days a week. And so here is about 1999 or so, and they were playing Musa from kitty cat, and did not know who she was. I would quickly, I would quickly give a couple background from AIM hang up. I didn't really they had no idea who I was yet. I didn't talk about what I would do and things like that. I was just supplying information. And eventually, after two years, they asked me to bring kitty on the show, which I did, and then I started to book guests on a regular basis for them, and then eventually, the guy who I enjoyed all time radio shows listening to Frank Percy 1976 built decided that I should be his producer, and so I wound up producing the Friday Night Live show with Frankie, and eventually we got it up and running, 2002 So Frank and I did it together for 16 years and so that so Bill built a studio in Texas, mailed it all to my House. My dad didn't have any engineering ability. So he and my bill got on the phone and built me a whole studio in six hours, and I was up and running with my own studio here in my bedroom, in 2002 and so overhead, I'm in my bedroom ever since Michael, you know, there you go.   Michael Hingson ** 34:58 Well and to tell people about. Frank Bresee Frank, probably the biggest claim to fame is that he had a program called the golden days of radio, and it was mainly something that was aired in the Armed Forces Radio and Television Service on the radio, where he would every show play excerpts of different radio programs and so on. And one of the neat things that's fascinating for Frank was that because he was doing so much with armed forces, and doing that, he had access to all of the libraries around the world that the Armed Forces Radio and Television Service had, so he could go in and oftentimes get shows and get things that no one else really had because they were only available in at least initially, in these military libraries. But he would put them on the air, and did a great job with it for many, many years. Yeah, Frank   Walden Hughes ** 35:53 was an interesting character, a pure entrepreneur. He invented a game called pass out, which was a drinking game, board game, and he for 20 years, he spent six months in Europe, six months in United States. And he was making so much money in Europe, he would rent out castles and lived in them, and he would and he would spend months at a time in Germany, which was the main headquarter of art, and just sit there in the archives and make copies of things he wanted to play on his show, yeah. And so that's how he built that. And then he he started collecting transcriptions when he would to 10 he was a radio actor, and so he had one of the largest collection, collection, and he his house, his family house was in Hancock Park, which was the, it was Beverly Hills before Beverly Hills, basically, what did he play on radio? Well, when he was, he was he was deceptive. He was the backup little beaver. When someone Tommy, writer, yeah, when, when Tommy Cook had another project, it was Frank be was a substitute. And so that was a short coin of fame. He did bit parts on other shows, but, but that's what he did as a kid. Eventually, I think Frank came from a very wealthy family. He wound up owning the first radio station when he was 19 years old on Catalina Island in 1949 and then he wound up being a record producer. He worked with Walter Winchell, created albums on without about Al Jolson worked on Eddie Cantor and Jimmy Durante and anyway, Frank, Frank had a career with game with creating board games, doing radio and having an advertising company. Frank was responsible for giving all the game shows, the prices for TV and the way he would do it, he would call an advertise, he would call a company. He said, you want your product. Beyond on this section, go to say, yes, okay, give us, give us the product, and give me 150 bucks. And so Frank would keep the cash, and he would give the project to the TV shows,   Michael Hingson ** 38:17 Dicker and Dicker of Beverly Hills. I remember that on so many shows   Walden Hughes ** 38:23 so So Frank was a wheeling dealer, and he loved radio. That was his passion project. He probably made less money doing that, but he just loved doing it, and he was just hit his second house. The family house was 8400 square feet, and so it was pretty much a storage unit for Frank hobbies, right? And we and he had 30,000 transcriptions in one time. But when he was Europe, he had a couple of floods, so he lost about 10 to 20,000 of them. Okay? Folks did not know how to keep them dry, but he had his professional studio built. And so I would book guests. I arranged for art link writer to come over, and other people, Catherine Crosby, to come over, and Frank would do the interviews. And so I was a big job for me to keep the Friday night show going and get Frankie's guess boy shows. I would have been. He died,   Michael Hingson ** 39:22 and he was a really good interviewer. Yeah, I remember especially he did an interview that we in, that you played on yesterday USA. And I was listening to it with Mel Blanc, which is, which is very fascinating. But he was a great interviewer. I think it was 1969 that he started the golden days of radio, starting 49 actually, or 49 not 69 Yeah, 49 that was directly local, on,   Walden Hughes ** 39:49 on Carolina, and K, I, G, l, which was a station I think heard out in the valley, pretty much, yeah, we could pick it up. And then, and then he started with on. Forces around 65   Michael Hingson ** 40:02 that's what I was thinking of. I thought it was 69 but,   Walden Hughes ** 40:06 and well, he was, on those days there were armed forces Europe picked them up. And also, there was also the international Armed Forces served around the far eastern network, right? Yeah. And so by 67 he was pretty much full on 400 stations throughout the whole world. And I that's probably how you guys picked him up, you know, through that capability.   Michael Hingson ** 40:30 Well, that's where I first heard of him and and the only thing for me was I like to hear whole shows, and he played excerpts so much that was a little frustrating. But he was such a neat guy, you couldn't help but love all the history that he brought to it   Walden Hughes ** 40:46 and and then he would produce live Christmas shows with with the radio. He would interview the guest he, you know, so he had access to people that nobody generally had, you know. He worked for Bob Hope, right? So he was able to get to Jack Benny and Bing Crosby and yes, people like that, Groucho Marx. So he was, he had connections that were beyond the average Old Time Radio buff. He was truly a great guy to help the hobby out, and loved radio very much.   Michael Hingson ** 41:21 Well, going back to Bill Bragg a little bit, so he had the satellite channel, and then, of course, we got the internet, which opened so many things for for Frank or Frank for, well, for everybody but for Bill. And he started the program yesterday, usa.net, on the radio through the internet,   Walden Hughes ** 41:44 which he was the first one in 1996 right? There's a great story about that. There was a company called broadcast.com I bet you remember that company, Mike. Anyway, it was founded by a guy who loved college basketball, and he was a big Hoosier fan, and he was living in Texas, and so he would generally call long distance to his buddy, and they would put up the radio. He could went to the basketball games. And eventually he decided, well, maybe I could come up and stream it on my computer, and all these equipment breaking down, eventually he came up with the idea of, well, if I had a satellite dish, I could pick up the feed and put and stream it on the computer, that way people could hear it right. And he hired bill to do that, and he offered bill a full time job installing satellites and working Bill turned them down, and the guy wound up being Mark Cuban. Yeah, and Mark Cuban gave every every employee, when he sold broadcast.com to Yahoo, a million dollar bonus. So Bill missed out on that, but, but in exchange, Mike Cuban gave him broadcast.com While USA channel for free. So Bill never had to pay in the early days, until about 2002 so when Yahoo decided to get out of the streaming business for a while, then that's when we had to find and we found life 365 eventually, and we were paying pretty good. We're paying a really good rate with like 265 Bill was used to paying free, and we were paying, I think, under $100 and I knew guys later a couple years, were paying over $500 a month. And we were, we were, but there was such a willing deal able to get those things for really dope less   Michael Hingson ** 43:45 money, yeah. Now I remember being in New Jersey and I started hearing ads for an internet radio station. This was in the very late 90s, maybe even into 2000 W, A, B, y. It was a company, a show that a station that played a lot of old songs from the 50s and 60s and so on. And it was, it was, if you tuned on to it, you could listen. And after four or five hours, things would start to repeat, and then eventually it disappeared. But I started looking around, and I don't even remember how I found it, but one day I heard about this radio station, www, dot yesterday, usa.net. Right, yep.net.com,   Walden Hughes ** 44:31 yep, and yeah. And   Michael Hingson ** 44:33 I said, Well, oh, I think I actually heard an ad for it on W, A, B, y, when it was still around. Anyway, I went to it, and they were playing old radio shows, and they had a number of people who would come on and play shows. Everyone had an hour and a half show, and every two weeks you would have to send in a new show. But they. They played old radio shows, 24 hours a day and seven days a week, except they also had some live talk shows. And I remember listening one day and heard Bill Bragg talking about the fact that he was going to have his standard Friday night show with Walden Hughes, it would start at nine o'clock. I had no idea who Walden was at the time. And the problem is, nine o'clock was on the in Pacific Time, and it was, I think, Midnight in New Jersey time, as I recall the way it went anyway, it was way too late for me to be up. And so I never did hear Walden on yesterday USA, or I may have actually listened. Just stayed up to listen to one and fell asleep, but the show, the whole innovative process of playing radio all the time on the internet, was intriguing and just opened so many opportunities, I think. And of course, the internet brought all that around. And now there are any number of stations that stream all the time. And Bill Bragg passed away. What in 2016   Walden Hughes ** 46:15 2018   Michael Hingson ** 46:18 1819 2019 Yeah. And Walden now is the person who directs, operates, and is the manager of yesterday USA. And so when I go ahead,   Walden Hughes ** 46:30 it's fascinating. In the height of the station, there was 15,000 internet radio stations out there in 2000 they did a survey yesterday, USA was number three in the world, behind the BBC and CNN, which I thought was a pretty nice number to be concerned. We had no budget to promote, right? And the last time I saw the numbers been a couple years, we were number 44 in the world, which I don't think of, 15,000 radio stations. Not bad. No, not at all. You know, really not bad. But now there is more talk than there used to be, because Walden and the gasmans, who we had on years ago on this podcast, but   Michael Hingson ** 47:16 have interviewed a lot of people, and continue to interview people. And of course, so many people are passing on that. We're trying to talk to people as much as we can, as they can, and all of us now, because I've started to come a little bit and become a little bit involved in yesterday USA. And as Walden said on Friday night at 730 Pacific Time, see it's earlier, we we do a talk show. Bob Lyons, who did a lot of radio out here, and for 50 years, had a program called Don't touch that dial. And John and Larry and Walden and I get on the air and we talk about, Gosh, any number of different things. We've talked about Braille, we've talked about sometimes, everything but radio. But we talk about a lot of different things, which is, which is a lot of fun.   Walden Hughes ** 48:04 And I think it probably is, you know, in the old days, it would pretty much no entertainment, and Bill telling some stories and things like that. But with me, I always had a focus in interviews, but it's so much more fun to do radio as a co host. And that's when Patricia and I connected back in the 2007 I knew was in 2005 she's my co host. And Patricia didn't grow up with whole town radio. She became a fan after she found yesterday, USA into 2000 but she's a very articulate person, and so through the shows, what she and I did on Saturday night, the audience grab it and just we should talk about everything, and I just generate calls. I mean, when she and I were doing eight hours a night, we would average about 18 calls a night, which was pretty amazing, but we would cover the gamut, and I think a really good talk show host had to know a little bit about a lot of things. Yes, he got it. You got to be flexible. And Patricia and I compliment each other that way, that we're able to cover history and politics and music and just everything. And so when I do a show with her, you never know what direction we go with where. When I'm with John Roy, it's more radio centric. So it depends on what night a week people tune in, is what you're going to   Michael Hingson ** 49:40 get. And Walden has Patricia on now Tuesdays, Thursdays and Saturdays, but we know why she's really on there, because she likes hearing Perry Como song Patricia that starts out every show Walden plays that he's in love with Patricia. One of these days, there's still the possibility. But anyway, we. We, he, we love it when he, he has Patricia on, and it's every week. So, so it is really cool. And they do, they talk about everything under the sun, which is so fascinating. Tell us about Johnny and Helen Holmes.   Walden Hughes ** 50:15 Ah, well, it's an interesting story. I I say the second biggest old time radio station in the country, after yesterday USA. It's about half the size in terms of audience basis. Radio once more, and you can find them at Radio once more.com and they do a good job. No else with probably yesterday USA branch offers own internet radio station, and he found he would go to the east coast to the nostalgic convention, and he connected with Johnny and Helen. Holmes and Johnny and Helen are people who love to attend nostalgic convention and get autographs and things. And they became really friends. So Neil convinced them, why don't you come on? Just come on radio once more. And so after a while, they do the presentation the coffee shop. Neil convinced them to take it, take it to the air, and they started to have their own show, and I was aware of them, and I produced the spirback convention, 2017 in Las Vegas. So Johnny helm came to the convention, and Johnny wanted to say hi to me. I said, I know who you are. I think he was for by that that I knew who he was, but I invited Johnny and Helen to come on with Patricia and I one night to talk about their coffee shop presentation and their show on Radio once more. And we just bonded very quickly and easy to bond with Johnny. They really are really fabulous people. He's really a generous guy, and so over the last six, seven years, we have developed a great friendship on you, and almost have created a whole subculture by itself, playing trivia with them. Every time they come on,   Michael Hingson ** 52:17 they do a lot of trivia stuff, and Johnny produces it very well. He really does a great job. And he'll put sound bites and clips and music, and it's gotten me such a major production with Johnny and Helen. And people look forward to it. I sometimes count the interaction people hanging out in the chat room, on the phone, email, about 18 to 20 people will get and get an answer question, was it amazing that that many people will be interested in trivia like that? But and, and Johnny also collects, well, I guess in Helen collect a lot of old television shows as well. Yep. So we won't hold it against him too much, but, but he does television and, well, I like old TV shows too, you bet. Well, so you know, you are, obviously, are doing a lot of different things. You mentioned spurred vac oop. They're after you. We'll wait. We'll wait till the phone die. You mentioned, well, I'll just ask this while that's going on. You mentioned spurred back. Tell us a little bit about what spurred vac is and what they've been doing and what they bring to radio.   Walden Hughes ** 53:23 Sprint vac started in 1974 it's the largest full time radio group in the country, called the society to preserve and encourage radio drama, variety and comedy. John Roy Gasman were two of the main driving force behind the club. It reached up to a membership of 1800 people, and they've honored over 500 people who worked in the golden days of radio and to speak at their meeting, come to the special conventions. And so I attended some dinners at the Brown Derby, which was a great thrill. I started attending their conventions, and it was just, it was wonderful. So I so I really got to meet a lot of the old time radio personality and become friends with Janet Waldo and June for a and people like that. And so I eventually got on the board. I eventually became one young, somewhat retired. I wound up being the activity person to book guests, and started producing conventions. And so that became a major part of my life, just producing those things for spur back and in other places, and I first started to do that for reps. Was it the Old Time Radio Group in Seattle in 2007 so they were actually the first convention I produced.   Michael Hingson ** 54:54 And rep says radio enthusiasts of Puget Sound,   Walden Hughes ** 54:57 right? Reps online.org, G and so I would produce new convention. I was helping super vac, and I also helping the Friends of all time radio back in New Jersey and so. And it probably helped my contact, which is 300 pages long, so, and I would book it. I would also contact celebrities via the mail, and my batting average was 20% which I thought were pretty good. I got Margaret. I got Margaret Truman. She called me, said, Walden, I got your order, and I forgot that I did the show with Jimmy Stewart. I'd be happy to come on talk about my memory. You know, she talked about Fred Allen on the big show, and how, how Mike Wallace had a temper, had a temper. She was a co host. Was among weekdays, which with the weekday version of monitor. Monitor was weekend and weekday, we see NBC. And so she was just fabulous, you know, so and I would get people like that 20% bad average, which was incredible. So I met, that's how it's up to two, my guess was, so I, I was sort of go to guy, find celebrities and booking them and and so in that help yesterday, USA helped the different conventions. And so it and so you're so you're booking the panels, and then you're coming up with ideas for radio recreations. And so I produce 37 of them, ranging from one day to four days. And I get counted, over the last 18 years, I've produced 226 audio theater plays with it. A lot at least, have an idea of how those things   Michael Hingson ** 56:55 work. So right now, speaking of recreations, and we're both involved in radio enthusiasts of Puget Sound, and for the last couple of years, I've participated in this. Walden has done radio recreations, and twice a year up in the Washington State area, where we bring in both some some amateurs and some professionals like Carolyn Grimes Zuzu and so many others who come in and we actually recreate old radio shows, both before a live audience, and we broadcast them on yesterday USA and other people like Margaret O'Brien who won   Walden Hughes ** 57:46 Gigi Powell coming this year. Phil Proctor. David Osmond from fire sign theater. Chuck Dougherty from Sergeant Preston. John Provo from Timmy from Lassie, Bill Johnson, who does a one man show on Bob Hope. Bill Ratner from GI Joe. Bill Owen, the who might have had he is the author of The Big broadcast, Ivan Troy who Bobby Benson, Tommy cook from the life O'Reilly Gigi parole, a movie actress of the 50s, as you mentioned, Carolyn grime, Beverly Washburn and others, and it's just the radio folks are really down to earth, really nice people, and you get to break bread with them, talk to them and reminisce about what was it like doing that radio show, this movie, or that TV show, and then They still got it, and they can perform on stage,   Michael Hingson ** 58:43 and they love to talk about it, and they love to interact with people who treat them as people. And so yeah, it is a lot of fun to be able to do it. In fact, I was on Carolyn Grimes podcast, which will be coming out at some point in the next little while, and Carolyn is going to be on unstoppable mindset. So keep an eye out for that. Bill Owens program is coming out soon. Bill and I did a conversation for unstoppable mindset, and we're going to be doing Bill Johnson will be coming on, and other people will be coming on. Walden has been very helpful at finding some of these folks who are willing to come on and talk about what they did, and to help us celebrate this medium that is just as much a part of history as anything in America and is just as worth listening to as it ever was. There is more to life than television, no matter what they think.   Walden Hughes ** 59:40 And also, we do a Christmas thing too. And hopefully Mike, if his speaking engagement allow him, will be with us up at Christmas saying, Well, I will. I'm planning on it. We're gonna do, It's a Wonderful Life. Keith Scott, coming over from Australia, who's a he's the rich little of Australia. And we'll do, It's a Wonderful Life. We'll do. The Christmas Carol, milk on 34th Street film again, Molly Jack Benny will have a great time.   Michael Hingson ** 1:00:07 These are all going to be recreations using the the original scripts from the shows, and that's what makes them fun. And for those of us who don't read print, we do have our scripts in Braille, absolutely so that's kind of fun. Well, Walden, this has been absolutely wonderful. We're going to have to do it some more. Maybe we need to get you, John and Larry all together on that. That might be kind of fun. But I really, I don't think we need a host if you that. No, no, we just, you know, just go on. But this has been really fun. I really enjoy it. If people want to reach out to you, how do they do that?   Walden Hughes ** 1:00:45 Oh, I think they can call my studio number 714-545-2071, I'm in California, or they can email me at Walden shoes at yesterday, usa.com, W, A, l, D, E, N, H, U, C, H, E, S at, y, E, S T, E, R, D, A, y, u, s a.com, I'm the president of radio enthusiast sound, that's reps online.org or on the board of Sper back, which is S, P, E, R, D, V, A, c.com, so while waiting shakes me down, when   Michael Hingson ** 1:01:25 will the showcase actually occur up in Bellevue in Washington?   Walden Hughes ** 1:01:30 That will be September 18, 19 20/21, and then our Christmas one is will be Friday, December five, and Saturday, December the sixth. And then we're also going back and spir back, and I bet we'll see you there. We're going to go back to the Troy Blossom Festival next April, 23 to 26 and we'll know, are we set up to do that now? Yep, looks like that gonna happen? Yeah? Oh, good, yeah. So kick out the phone with Nicholas here a few days ago. So everything's gonna go for that, so that will be good.   Michael Hingson ** 1:02:03 Yeah, we will do that. That's cool. Well, thank you for being here, and I want to thank you all for listening. I hope you had fun. This is a little different than a lot of the episodes that we've done, but it's, I think, important and enlightening to hear about this medium into to meet people from it. So thank you for listening wherever you are. We hope that you'll give us a five star review of unstoppable mindset wherever you're listening or watching. Please do that. We'd love to hear from you. You can reach me at Michael H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, and you can also go to our podcast page if you don't find podcasts any other way. Michael hingson.com/podcast, that's m, I C, H, A, E, L, H, I N, G, s, O, n.com/podcast, singular. So thanks again for being here and for listening to the show, and Walden, once again, I want to thank you for being here. This has been great.   Walden Hughes ** 1:03:01 Thank you, Michael,   Michael Hingson ** 1:03:07 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

A collection of some of the best moments from actor and writer William McInnes — celebrating 20 years of Conversations.The voice of actor William McInnes is unmistakable, whether in larger than life TV roles; or as himself, telling true stories. A firm favourite of Conversations' listeners, this episode is a collection of highlights from his many appearances on the program.You'll enjoy William's rendition of a Perry Como classic; hear him wax lyrical about the mayhem and magic of family life in Australian suburbia, circa the mid-to-late 20th Century; and be drawn in by his hilarious and heartfelt shaggy dog stories about raising his children as a single dad, after the death of his wife Sarah Watts. Listen to William's full episodes on fatherhood, Australianisms and Christmas.This episode of Conversations was produced by Nicola Harrison and Michelle Ransom-Hughes. The Executive Producer was Carmel Rooney.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

====Sign up for the Ron & Don Newsletter to get more information at⁠⁠www.ronanddonradio.com⁠⁠ (http://www.ronanddonradio.com/)====To schedule a Ron & Don Sit Down to talk about your Real Estate journey, go to⁠⁠www.ronanddonsitdown.com⁠⁠ (http://www.ronanddonsitdown.com/) ====Thanks to everyone that has become an Individual Sponsor of the Ron & Don Show. If you'd like to learn more about how that works:Just click the link and enter your amount at⁠⁠https://glow.fm/ronanddonradio/⁠⁠⁠⁠RonandDonRadio.com⁠⁠ (https://anchor.fm/dashboard/episode/ea5ecu/metadata/RonandDonRadio.com)Episodes are free and drop on Monday's , Wednesday's & Thursday's and a bonus Real Estate Only episode on Fridays.From Seattle's own radio personalities, Ron Upshaw and Don O'Neill.Connect with us on Facebook⁠⁠Ron's Facebook Page⁠⁠ (https://www.facebook.com/ron.upshaw/)⁠⁠Don's Facebook Page⁠⁠ (https://www.facebook.com/theronanddonshow

This episode was originally released on 1/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 87, we spotlight some New Year's Day radio programming from the Golden Age of radio, specifically beginning in 1946 after the end of World War II and television's post-war rise. Highlights: • Skelton • Casey Crime Photographer and the Invasion of TV • Radio City Playhouse and Our Miss Brooks • The Railroad Hour and NBC's Monday Night of Music • Memories from the 1939-40 World's Fair • On Stage with Mr. and Mrs. Radio • The Greatest Western • Radio Drama's Demise The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers The reading material used in today's episode was: • On The Air: The Encyclopedia of Old-Time Radio - by John Dunning • Network Radio Ratings, 1932-1953 - by Jim Ramsburg • And Edison Research's June 2018 Podcast Consumer Statistics www.podcastinsights.com/podcast-statistics/ On the interview front: • John Gibson, Tony Marvin and Jan Miner were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. The full interviews can be heard at GoldenAge-WTIC.org • Jack Benny, Harriet Nelson, Elliott Lewis, Eve Arden, and Parley Baer were with Chuck Schaden. His interviews from an over 39-year career can be listened to at SpeakingofRadio.com • Elliott Lewis, E. Jack Neuman, and Eve Arden were with John Dunning for his 1980s 71K Newstalk Radio program from Denver. Some of his interviews can be found at OTRRLibrary.org • Al Lewis was with SPERDVAC's Larry Gassman in 1998. For more information, please go to SPERDVAC.com • And Norman Macdonnell, Bill Conrad, and WIlliam N. Robson were interviewed for a 5-part audio documentary on Gunsmoke in the early 1970s. Selected music featured in today's episode was: • Voodoo Dreams, and Pyramid of the Sun by Les Baxter • Exotique Bossa Nova by Martin Denny • I'll Be Seeing You, by Harry James • Auld Lang Syne by the Manhattan Strings • And Catch a Falling Star by Perry Como

Fibber McGee and Molly. October 11, 1937. Red net. Sponsored by: Johnson's Wax. Chicago origination. A fun visit to the Wistful Vista auto show. Possibly Harold Peary's first appearance on the program. Jim Jordan, Marian Jordan, Harlow Wilcox (announcer), Ted Weems and His Orchestra, Elmo Tanner (whistler), Perry Como (vocal), Bill Thompson, Harold Peary, Hugh Studebaker.  The Columbia Workshop. May 04, 1941. CBS net. "Radio Primer". Sustaining. A funny look at the radio industry from A to Z. The first program of "Twenty-Six By Corwin.". Norman Corwin (writer), Everett Sloane, Frank Gallop.Mr. and Mrs. Blandings. May 13, 1951. NBC net. Sponsored by: Trans World Airlines. Mr. Blandings tries so hard not to forget his anniversary, that he remembers it a week too soon. Part of one of the commercials has been deleted. Cary Grant, Betsy Drake (performer, writer as "M. Winkle"), Warren Lewis (director), Don Stanley (announcer), Alan Reed, Eric Hodgins (creator).Barrie Craig, Confidential Investigator. October 17, 1951. NBC net. "The Judge and The Champ". Sustaining. Al White, a crusading columnist, is murdered after threatening to expose a fixed fight and political corruption. William Gargan, Santos Ortega, Don Pardo (announcer), Frank Kane (writer), Edward King (director). The Black Museum. 1952. Program #6. Syndicated, WRVR-FM, New York aircheck. "The Blue .22". Sponsored by: Participating sponsors. Vivian is a woman scorned, and she has a little blue pistol. The date is approximate. Syndicated rebroadcast date: October 23, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 2000 Plus. October 10, 1951. Mutual net. "The Rocket and The Skull". Sustaining. The most important man in the country's race to the Moon is wounded in a plane crash...and starts to hear strange messages to Mars! This program has also been dated September 6, 1950. Arnold Robertson, Emerson Buckley and His Orchestra, William Griffis, Sherman H. Dreyer (creator, producer), Robert Weenolsen (producer), Gregory Morton, Nat Polen, Merril E. Joels, Elliot Jacoby (composer), Walt Shaver (sound), Adrian Penner (sound), Bob Albright (engineer), Ken Marvin (announcer). TOTAL TIME: 2:52:41.832SOURCES: Wikipedia and The RadioGoldindex.com

National No dirty dishes day.  Entertainment from 1958.  Bath school massacre, Mt. St. Helens erupted, 1st female pilot to break the sound barrier.  Todays birthdays - Seth Wheeler, Big Joe Turner, Perry Como, Pope John Paul II, Pernell Roberts, Mark Mothersbaugh, George Strait, Tina Fey. Jill Ireland died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/ Too many dirty dishes - Albert CollinsAll I have to do is dream - The Everly BrothersOh lonesome me - Don GibsonBirthdays - in da club - 50 Cent    http://50cent.com/Shake rattle & roll - Big Joe TurnerPrisoner of love - Perry ComoBananza TV themeWhip it - DevoUnwound - George StraitExit - God did good - Dianna Corcoran  https://www.diannacorcoran.com/  countryundergroundradio.comcooolmedia.com

Helen and Gavin chat about Thunderbolts*, The Surfer, and Sinners and it's the Week 1 of the list of Grammy Record of the Year Winners from Spring 1959, which will be picked from Catch a Falling Star by Perry Como, Fever by Peggy Lee, Nel Blu Dipinto Di Blu (Volare) by Domenico Modugno, The Chipmunk Song (Christmas Don't Be Late) by David Seville, and Witchcraft by Frank SInatra.

Diana and I discuss The Bellinis; Lenny (Luca Brasi) Montana; Hollywood High; auditioning for Marni Nixon Feast, Ozzie's Girls; guest starring in a memorable Happy Days, Chico and the Man, Medical Story, The First Nudie Musical, Starsky & Hutch; Paul Michael Glaser; The Love Boat pilot; Soap; audition; cast becomes family; Hollywood Squares, Dinah!; Perry Como's Early American Christmas; Barney Miller; Steve Landesburg; I'm A Big Girl Now; Danny Thomas; Martin Short; People's Choice Award; American Bandstand "Who You Foolin'?"; All Star Salute to Mother's Day; Bob Hope; Bobbie Gentry; Don Rickles; finding out her show got cancelled while On Broadway; Peking Encounter; A Foot in the Door, Night Partners; Yvette Mimieux; Patti Davis Reagan; Hotel; No Complaints; Harold Gould, Murder She Wrote and friendship with Angela Lansbury; Trapper John, MD ; St. Elsewhere; Throb playing Paul Walker's Mom; success in Germany; The Bruce Diet; Home Free; Matthew Perry, Marian Mercer; Maggie Roswell, and teaching at Manhattanville College

This episode was originally released on 6/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ Question? What do starlets Marlene Dietrich, Kay Thompson, Margaret Sullivan, and Loretta Young have in common? How about writers and directors Norman Corwin, Helen Deutsch, and Bill Spier. How about Danny Kaye, Mel Allen, Gerald Mohr, Elliot Lewis, Byron Kane, Lurene Tuttle, Paula Winslowe, Joseph Kearns, and Arthur Q. Bryan? Answer: They guest-starred, grew, or launched their careers on CBS's Forecast! Forecast was a summer replacement series for the Lux Radio Theatre which ran for two seasons in 1940 and 1941. It ushered in an era of show pilots for public viewing and helped give rise to countless actors, writers, and directors, as well as two huge shows: Suspense & Duffy's Tavern. On Breaking Walls Episode 80, we present an in-depth look at Forecast featuring interviews, insights, and episode moments. Highlights: • Why would Forecast have come to the airwaves in the first place? • Hear CBS head William S. Paley's insights on programming • How Alfred Hitchcock helped launch the famed mystery show, Suspense • Bill Spier: Music critic, turned producer and director of mystery • How Elliott Lewis got his start on Forecast • Mel Allen & Duffy's Tavern: Where the Elite Meet To Eat • Norman Corwin's Two pieces for Forecast that helped catapult his career • How radio actor Byron Kane got his first role on Forecast • Jim Backus & the Class of 1941 * Hopalong Cassidy • The Country Lawyer: One of the most experimental radio broadcasts of its time • An all african-american jubilee to close Forecast The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. Featured in today's episode were interviews with: • Bill Spier and Mel Allen for Dick Bertel & Ed Corcoran's WTIC Golden Age of Radio program, who's episodes can be found at GoldenAge-Wtic.org • Elliott Lewis and Byron Kane, for the Society to Preserve and Encourage Radio Drama, Variety, and Comedy, which can be found at SPERDVAC.com • and Jim Backus and Norman Corwin with Chuck Schaden, who's interviews can be streamed for free at SpeakingofRadio.com. Norman Corwin was also interviewed by Michael James Kacey for his DVD The Poet Laureate of Radio: An Interview with Norman Corwin, which you can pick up on Amazon. Selected Music featured in today's Episode was: • My Blue Heaven by Glenn Miller • Begin the Beguine & Stardust by Artie Shaw • Alcolba Azul, by Elliot Goldenthal The Battle Cry for Freedom by Jaqueline Schwab for the Civil War, by Ken Burns Falling played by Michael Silvermann • Catch a Falling Star, by Perry Como

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Drama on a FridayFirst a look at the events of the dayThen Richard Diamond Private Detective staring Dick Powell, originally broadcast April 4, 1952, 73 years ago, The Enigma of Big Ed.   "Big Ed" hires Diamond to find out why a series of fatal accidents have been plaguing his factory. Followed by Murder at Midnight, originally broadcast April 4, 1947, 78 years ago, Trigger Man.  The story of Charlie Nix, known as "Chicken Charlie." Charlie is told that he only has six months to live, so he becomes a ruthless killer! Then The Mysterious Traveler, originally broadcast April 4, 1950, 75 years ago, The Man from Singapore.  Two schemers kill their ex-partner in Hawaii, planning the perfect crime. Followed by I Want a Divorce, originally broadcast April 4, 1941, 84 years ago, Farmer and Artist. A woman farmer and an artist from the city get married, even though they obviously come from different worlds. It sometimes takes a tragedy to awaken us to a true perspective on our lives.Finally, Guest Star, originally broadcast April 4, 1948, 77 years ago, guest star Perry Como. A quarter hour of good music with Ben Grauer as Master of Ceremonies with nice music from Perry Como, Lloyd Schaefer and the orchestra, Helen Carroll and the Satisfiers. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

GGACP celebrates the birthday of Emmy and Tony-winning actor-singer Hal Linden (b. March 20) by revisiting this interview from 2016. In this episode, Hal joins Gilbert and Frank for a look back at his long and varied career (including work in sitcoms, on Broadway and in nightclubs) and reveals why “Barney Miller” was considered the most authentic of all cop shows. Also, Hal covers Benny Goodman, backs up Perry Como, shares the screen with Harry Morgan and cuts the rug with Donald O'Connor. PLUS: Cab Calloway! Eddie “The Old Philosopher” Lawrence! “Godzilla vs. the Sea Monster”! The Chinese Bing Crosby! And Hal salutes the late, great Abe Vigoda! Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Songs include: When I Fall In Love by Jeri Southern, My Foolish heart by Billy Ecksteine, Moon and Sand by Xavier Cugat, Some Enchanted Evening by Jo Stafford and Goodbye Sue by Perry Como. 

Episode 319, More Signature Songs, presents the most-remembered recordings by iconic mid-century performers including Elvis Presley, The Ink Spots, Kitty Wells, Jerry Lee Lewis, Frank Sinatra, Johnny Mathis, Fats Domino, Perry Como, Dean Martin, and... Read More The post Episode 319, More Signature Songs appeared first on Sam Waldron.

Pennsylvania music historian Bill Trousdale presents holiday tunes both new and familiar, all with connections to the Keystone state. Relax with some egg nog and enjoy Perry Como, the Philadelphia Brass Ensemble, "Nuttin for Christmas" and more!

Antiphon:  "O come, divine Messiah" Scripture:   Psalm 46                     Romans 12:10Reflector:  Sr. KaraMusic:  "Veni, Jesu, Amor Mi" by The Cathedral Singers                 "O Holy Night" by Perry Como

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: This Christmas by Donny Hathaway (1970)Song 1: The Christmas Guest by Johnny Cash (1980)Song 2: (There's No Place Like) Home for the Holidays by Perry Como (1954)Song 3: Deck the Halls by Mannheim Steamroller (1984)Song 4: Someday at Christmas by Jack Johnson (2008)Song 5: What Christmas Means to Me by Stevie Wonder (1967)Song 6: God Rest Ye Merry Gentlemen by Glee Cast (2010)Song 7: O Holy Night by *NSYNC (1998)Song 8: Rudolph the Red Nosed Reindeer (1964)Song 9: Our Love is Like a Holiday by Michael Bolton (2001)Song 10: O Come, O Come Emmanuel by William Shatner (2018)

Songs about dreams and dreaming by Frank Sinatra, Patti Page, Woody Herman, Glenn Miller, Perry Como and Harry James. 

Why does Christmas feel like a time capsule from the 1940s and '50s? From Bing Crosby's *White Christmas* to Gene Autry's *Rudolph the Red-Nosed Reindeer*, this episode dives into the iconic songs that define the holiday season. Discover the stories behind these beloved tunes, their historical context, and the magical nostalgia they continue to inspire. Highlights: How wartime longing shaped White Christmas. Gene Autry's parade-inspired Here Comes Santa Claus. Judy Garland's message of light in Have Yourself a Merry Little Christmas. How personal tragedy helped make Rudolph the Red-Nosed Reindeer a story of resilience and hope. Nat "King" Cole's holiday-defining Christmas Song and groundbreaking contributions to music and racial unity. Perry Como's heartfelt Home for the Holidays. How Leroy Anderson captured the magic moments of a whimsical and enchanting winter Sleigh Ride. Join Jayme and Steve as they explore how these musical tales create the soundtrack of our holidays—and why Christmas music should be an important part of your story reservoir. Sing along with us in a live Instagram caroling event on December 23rd.

In this special episode we celebrate Christmas music from the 1930's, 1940's and 1950's. We listen to some timeless holiday favorites from Bing Crosby, Martha Tilton, Perry Como and more. We also learn who made the best eggnog back in the day.  (Previously Released in 2021). Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

What's that sound? It's the angelic voice of Clay Aiken. The 'American Idol' favorite has returned with a new Christmas album. 'Christmas Bells Are Ringing' is a collection of holiday standards inspired by the golden era that gave us classics by Perry Como, Brenda Lee, Andy Williams, and Darlene Love.Jordan and Demi talk to Aiken about recording the album, his favorite holiday foods (hot takes!), and his rise to fame on 'Idol."

A Funny FridayFirst a look at this day in History.Then The Fred Allen Show, originally broadcast November 8, 1939, 85 years ago, The Doughnut King.  Fred analyzes the statutes for pedestrians in New York. The program's guest is the man in charge of merchandising research for the doughnut industry. He analyzes dunking techniques. Round table discussion topic: "Do you think women drivers operate their cars as efficiently as men?" The Mighty Allen Art Players perform "The Sound Man's Revenge."Followed by Take It or Leave it starring Bill Baker, originally broadcast November 8, 1942, 82 years ago with guest Jack Benny. The first category is "Football Teams." Phil plays "Dinah" on his accordion. The third contestant is Jack Benny, whose category is "Musical History." After answering the $1 question, Jack tries to quit and take the dollar!Then Fibber McGee and Molly, originally broadcast November 8, 1937, 87 years ago, Introducing Clark Dennis. The Combined and Amalgamated Newspaper Association is going to interview Fibber and Molly. The last appearance of Marian Jordan on the show for 18 months, due to illness. The show eventually changes its name to, "Fibber McGee and Company." The first appearance of Clark Dennis as the program's vocalist,replacing Perry Como. Finally Claudia, originally broadcast November 8, 1948, 76 years ago.  David and Claudia go for a walk during the night.Thanks to Debbie for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://jfk.artifacts.archives.gov/objects/18804/the-family-fallout-shelter

3:38:05 – Frank in New Jersey, plus the Other Side. Topics include: Cannon, Yazoo (aka Wizzle Falls), Johnny Carson, La Roux, The Peppercorn Puppets, “Dolly” A Down Home Country Christmas (TV Episode 1987), Perry Como’s Christmas in New York (1983), The Rocky Horror Picture Show (1975), Shock Treatment (1981), Election Day, mind control, “The Most Mysterious Song […]

3:38:05 – Frank in New Jersey, plus the Other Side. Topics include: Cannon, Yazoo (aka Wizzle Falls), Johnny Carson, La Roux, The Peppercorn Puppets, “Dolly” A Down Home Country Christmas (TV Episode 1987), Perry Como’s Christmas in New York (1983), The Rocky Horror Picture Show (1975), Shock Treatment (1981), Election Day, mind control, “The Most Mysterious Song […]

Musicians include: Perry Como, Lightnin Hopkins, Lydia Mendoza, Peggy Lee, Bo Diddley, Slim Whitman, Charley Parker, Dinah Washington and Horace Silver.  Music includes: Mal Hombre, Solo Flight, Bandera Waltz, Hank's Tune, Bloomdido, Riders In the Sky and You don't Know What Love Is. 

TVC 658.5: From June 2018: Peter Marshall (The Hollywood Squares, Wait for Your Laugh, Perry Como Classics: 'Til the End of Time) shares a few more thoughts on the music legacy of Perry Como. Also in this segment: A clip from the Hollywood Museum's tribute to Barbara Eden in August 2019 in which Peter Marshall shares a few memories of working with Larry Hagman and Bill Daily. Peter co-starred with Barbara Eden in the 1961 comedy Swingin' Along. Peter Marshall passed Thursday, Aug. 15, 2024 at the age of ninety-eight. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 658.4: From June 2018: Peter Marshall (The Hollywood Squares, Wait for Your Laugh, Perry Como Classics: 'Til the End of Time) joins Ed for a conversation about the music career of Perry Como. Topics this segment include why Como was such a perfect fit for television, why Peter believes there's not much difference between a "singer" and a "crooner," and why part of Como's versatility stems from his ability to perform novelty songs. Peter Marshall passed Thursday, Aug. 15, 2024 at the age of ninety-eight. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us for an entertaining and heartfelt episode of the Italian American Podcast as John Viola, Patrick O'Boyle, and special guest Mark Rotella bring you into the heart of Little Italy from their newly set up studio. Listen in as we banter everything from mismatched attire to the nostalgia of simpler times when we enjoyed French pastries during recordings. Despite the challenges, we preview upcoming guest segments and maintain our unique blend of humor and Italian American culture. In this episode, we explore the evolution of Italian American food culture and the significant impact of globalization on traditional Italian and Italian American cuisine. We share personal anecdotes about the cultural importance of red sauce restaurants and highlight efforts to document and celebrate this culinary heritage through a new documentary series. The conversation transitions into the Italian American Foodways Project, which aims to trace the history of Italian cuisine in America and foster connections through communal dining experiences. We emphasize the importance of authenticity and reflect on the critical nature of Italian culture. The journey continues as we delve into Italian American cultural artifacts and the influence of Italian and Italian American artists from the 1950s to the 1960s. The discussion covers the rich cultural insights from translating Lou Monte's songs and the crossover impact of entertainers like Perry Como and Dean Martin. Wrapping up, we explore the creative process behind our Italian American Christmas music projects and the fluid nature of identity, especially for the next generation of Italian Americans. Tune in for an episode filled with laughter, nostalgia, and a deep appreciation for Italian American heritage. --- Support this podcast: https://podcasters.spotify.com/pod/show/italianamerican/support

Folks, on this week's episode we hear about why boneless wings are allowed to have bones, how a broken salsa jar led to $20k in damages at a pool, how an endangered bird was killed on a reality show, how a picture of Perry Como was mistaken for Jeffrey Epstein, and why the T Rex may have been 70% larger than we thought Become a patron for weekly bonus eps and more stuff! :www.patreon.com/whatatimepod Check out our YouTube channel: https://www.youtube.com/c/whatatimetobealive Get one of our t-shirts, or other merch, using this link! https://whatatimepod.bigcartel.com/whatatimepod.com Join our Discord chat here:discord.gg/jx7rB7J @pattymo // @kathbarbadoro // @eliyudin// @whatatimepod ©2024 What A Time LLC

Send us a Text Message. From an early age, Harry Tuft was involved in piano and clarinet lessons. Through a summer camp counselor, he learned about the ukulele and became interested in playing that instrument. From there, he moved to a baritone ukulele, and then a six-string guitar. His father loved classical music and opera and would often play traditional classical during dinner. After dinner, Tuft would listen to the pop and R&B stations of the day and sing along with the likes of Nat King Cole, Jo Stafford, and Perry Como. From John McEuen: "With the airing of Ken Burns Country Music, [John] McEuen has brought acoustic music to many new fans, taking part in 4 episodes of the series. Episode 6 is called Will The Circle Be Unbroken and John closes that one. A co-founding member of Nitty Gritty Dirt Band (1966, with a dream ‘to be on the radio').  October 2017, after [the] 50th anniversary tour, John left the band to pursue his own tour dates and projects, and stepped off the bus." From a very young age, inspired by a piano inherited from his grandparents, Howard Dlugasch took piano lessons of his own volition. By his early teens, he started playing a multitude of instruments, such as guitar, drums, bass, and vocals. He jokes that he is mediocre at all of them, but only because he is a musician who wants to focus on a multitude of instruments at once rather than completely on one specific instrument.  Thank you for listening to The Mountain-Ear podcast featuring the news and culture from peak to peak. If you would like to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the COUPON CODE PODCAST FOR A 10% Discount for ALL NEW SUBSCRIBERS https://www.themtnear.com/subscribe/ You can find us online by visiting https://www.themtnear.com/Find us on Facebook @mtnearYou can contact our editor at info@themountainear.com.Thank you for listening.

Send us a Text Message.Grammy award winning pianist Bill Charlap has performed with many of the leading artists of our time including Phil Woods, Tony Bennett, Gerry Mulligan, Wynton Marsalis, Freddy Cole and Houston Person. Born in New York City, Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, and was a regular on the Perry Como show. She earned a 1963 Grammy nomination for her recording of “My Coloring Book." In 2005, Charlap and Stewart released the acclaimed CD, Love Is Here To Stay (Blue Note).In 1997, Charlap formed his trio with bassist Peter Washington and drummer Kenny Washington, now recognized as one of the leading groups in jazz. In 2000, he was signed to Blue Note Records and received two Grammy Award nominations, for Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard. He is known for his interpretations of American popular song.. Time magazine wrote, “Bill Charlap approaches a song the way a lover approaches his beloved…no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence.” In 2016, Tony Bennett & Bill Charlap: The Silver Lining, The Songs of Jerome Kern, was awarded a Grammy for Best Traditional Pop Album. In April, the Bill Charlap Trio released, Notes from New York, their debut recording for the Impulse label. Alan Morrison's five-star review in Down Beat stated that the new recording is "a masterclass in class." In 2019, Charlap will be celebrating his 15th year as Artistic Director of New York City's Jazz in July Festival at 92Y. He has produced concerts for Jazz at Lincoln Center, New Jersey Performing Arts Center, Chicago Symphony Center and the Hollywood Bowl. Charlap is married to renowned jazz pianist and composer Renee Rosnes, and the two artists often collaborate in a duo piano setting. In 2010 Charlap and Rosnes released Double Portrait (Blue Note). Bill Charlap is currently the Director of Jazz Studies at William Paterson University in Wayne, New Jersey. https://www.billcharlap.com/ This Summer, Edna Golandsky, renowned pedagogue and leading expert on the Taubman Approach will release her first book with Amplify Publishing Group. Entitled ‘The Taubman Approach To Piano Technique: A Comprehensive Guide To Overcome Physical Limitations and Unlock Your Full Pianistic Potential.' Visit: www.ednagolandsky.com to learn more.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

Don McLean III is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8.5-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation (US #1 for four weeks in 1972 and UK #2). Though some of his early musical influences included Frank Sinatra and Buddy Holly, as a teenager, Don became interested in folk music, particularly the Weavers' 1955 recording At Carnegie Hall. He often missed long periods of school because of childhood asthma, particularly music lessons, and although Don slipped back in his studies, his parents allowed his love of music to flourish. By age 16, he had bought his first guitar and began making contacts in the music business, becoming friends with the folk singers Erik Darling and Fred Hellerman of the Weavers. Don recorded his first album, Tapestry in 1969 in Berkeley, California during the student riots. After being rejected 72 times by labels, the album was finally picked up and released. Don worked on the album for a couple of years before putting it out. It attracted good reviews but little notice outside the folk community, although on the Easy Listening chart "Castles in the Air" was a success, and in 1973 "And I Love You So" also became a number 1 Adult Contemporary hit for crooner, Perry Como. Don's major break came when the record company he was with was taken over by United Artists Records, which gave him major label promotion for his second album, American Pie. The album launched two number one hits - the title song and "Vincent". American Pie's success made Don an international star overnight and piqued interest in his first album, which charted more than two years after its initial release. In 2004, he was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively. His composition "And I Love You So" has been sung by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". His other hit singles include "Vincent" , "Dreidel" , a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You" , and "Wonderful Baby". Recently, the Grammy-award honoree and BBC Lifetime Achievement Award recipient has released his latest studio album, "American Boys" which pays tribute to his rock and roll heroes. As always, if you'd like to request a music guest for the show, please get in touch with me sandy@abreathoffreshair.com.au --- Send in a voice message: https://podcasters.spotify.com/pod/show/sandy-kaye3/message

Episode 301, Favorite 1950s Love Songs, presents 18 love songs that are among Sam Waldron's most treasured. Artists include Perry Como, Elvis Presley, Doris Day, Jerry Vale, The Platters, Betty Ann Blake, Pat Boone ,... Read More The post Episode 301, Favorite 1950s Love Songs appeared first on Sam Waldron.

Somewhere between Radio Hall of Famer Barry “Dr. Demento” Hansen and Billie “Glinda” Burke, queer activist and audio producer David Fradkin found “Nurse Pimento” and her pop culture novelty treasures in the late 1970s. Featuring: Carroll O'Connor, Jack Lemon and Joe E. Brown, Groucho Marx, Stan Laurel and Oliver Hardy, Noel Coward, Sandy Dennis and George Segal, Carl Reiner and Mel Brooks; music by Bing Crosby, Danny Kaye, Judy Garland, Perry Como, Edie Gorme, Tommy Smothers and Martin Mull. “Are you better off today than you were four years ago?” Emma's Revolution reminds us what life “From a (Social) Distance” was like. And in NewsWrap: Uganda's Constitutional Court declines to nullify the “Kill the Gays” Anti-Homosexuality Act in its entirety, the owner of Orenburg, Russia's queer-friendly Pose nightclub is now in jail with two staffers being held on charges of “extremism,” the United Nations Human Rights Council specifically addresses the rights of intersex people for the first time, Wisconsin's Democratic Governor Tony Evers refuses to deny trans student the right to compete in high school sports based on their gender identity, Florida Republican state Representative Fabiбn Basabe sues Miami Pride for disinviting him due to his hypocritical record and need for massive police protection, and more international LGBTQ news reported this week by Ava Davis and Michael Taylor Gray (produced by Brian DeShazor).  All this on the April 8, 2024 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

Songs include: Wild Horses, His Rocking Horse Ran Away, Black Horse Blues, Empty Saddles, Riders In the Sky, Horses Don't Bet On People and The Ride of the Valkeries.  Performers include: Betty Hutton, Bing Crosby, Burl Ives, Kay Kyser and Perry Como. 

Songs include: I Love You Because You're You, Because of Once Upon a Time, Just Because, Because Of You and Because it's Love. Performers include: Thomas "Fats" Waller, Tony Bennett, Nat King Cole, Perry Como, Leon Payne and Johnny Mercer. 

Live and early recorded jazz from Cleveland, OH. Featuring Andy Kirk, Woody Herman, Bix Beiderbecke, Will Marion Cook, Noble Sissle, Artie Shaw, Art Tatum, Perry Como, Tad Dameron, Sarah Vaughan,

(2o. domingo de febrero: Día Mundial del Matrimonio) Se conocieron en la adolescencia, en la década de 1930. Él acababa de salir de la iglesia a la que asistía cuando se dio cuenta de que dos señoritas desconocidas necesitaban que alguien les indicara cómo llegar a casa. Pero en lugar de limitarse a darles instrucciones, las acompañó hasta donde se encaminaban. «Íbamos a caminar juntos un rato nada más, pero resultó que fuimos hasta llegar a su destino», recordó Donald Hart. ¿Quién hubiera pensado que con la joven que conoció ese día, llamada Vivian, Donald habría de casarse poco después en 1937, y que su matrimonio sería tan largo que el siguiente siglo, habiendo ya cumplido ambos los noventa y nueve años, llegarían a celebrar su octogésimo aniversario? ¡Ochenta años casados con el mismo cónyuge, un solo año antes de cumplir los cien! En la fiesta de aniversario del 25 de junio de 2017 los dos disfrutaron al máximo del pastel junto con sus familiares y amigos más cercanos, y recordaron el día de su boda, ocho décadas de memorias maravillosas —momentos de sacrificios y de ver cómo crecían sus hijos, sus nietos y sus bisnietos— y una de las canciones que cantaba Perry Como titulada: «Cuando haya encanecido tu cabello». «Ahora hemos cumplido la letra de esa canción que hemos estado cantando. Pareciera que este aniversario hubiera llegado de repente», le dijo Donald Hart al noticiero ABC acerca de la letra romántica: «Cuando haya encanecido tu cabello, te amaré igual que siempre». «¿Ahora sí está canoso mi cabello?», preguntó bromeando Vivian Hart mientras se tocaba la cabeza. Su bisnieta de veintiocho años, Andi Ripley, dijo que era muy especial poder honrar a sus bisabuelos en este gran aniversario después de todo lo que habían hecho por la familia. «Es especial por lo mucho que han invertido en la vida de la familia —dijo ella—. Cada vez que tenemos una reunión familiar, mi abuela dice: “Esto es como un poquito del cielo.”» Según los esposos Hart, ¿cuál es el secreto del éxito de un matrimonio? «Asegúrense de que sea sincera la relación que tienen. Traten de hacer lo correcto a los ojos de Dios —dijo Donald—. Conviene que rían juntos. Diviértanse, pero no bromeen el uno a costa del otro.» «Siempre asegúrense de poner a Dios en primer lugar en su vida —añadió Vivian—. Estén siempre dispuestos a ayudar a su cónyuge y a cuidarlo. Nosotros oramos juntos todos los días por la mañana y por la noche. No nos concentramos en nuestros problemas.»1 Lo cierto es que si les hacemos caso a Donald y a Vivian, y dejamos que Dios ocupe el primer lugar en nuestra vida, Él se encargará de ayudarnos a reír juntos y a disfrutar del matrimonio tal y como lo diseñó. Porque desde que creó a nuestros primeros padres Dios ha querido que todo matrimonio sea como un solo cuerpo, que los dos se fundan en un solo ser,2 y que lleguen a tener una familia piadosa que, cuando se reúna, haga que sientan un poquito del cielo en la tierra. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Eliza Murphy, «Michigan couple, both 99, celebrates 80th wedding anniversary» (Pareja de Michigan, ambos 99, celebran octogésimo aniversario de bodas), ABC News, 28 junio 2017 En línea 30 junio 2017; Kara Sutyak, «This couple married 80 years can teach us all something about love» (Pareja casada 80 años puede enseñarnos algo a todos acerca del amor), Fox 8 Cleveland, 28 junio 2017 En línea 30 junio 2017. 2 Gn 2:24; Mt 19:4-5; Mr 10:6-7; Ef 5:31

L. Russell Brown writes hit songs. He is one of the greatest songwriters of the rock era. His catalogue includes two massive hits for Tony Orlando and Dawn - “Tie A Yellow Ribbon” and “Knock Three Times”. “Yellow Ribbon” is one of the most recorded songs of all time and has taken on another life as a song of hope for returning veterans and others. He also wrote “C'mon Marianne” for The Four Seasons, “Sock It To Me Baby” for Mitch Ryder and the Detroit Wheels, and many others. His songs have been recorded by Frank Sinatra, Bing Crosby, Perry Como, Lesley Gore, Johnny Mathis and Donny Osmond. And at 83 he's got a hit record on the charts with “Every Chance I Get I Want You In The Flesh” by Dan Auerbach. My featured song is “Right Now”. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest)Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Our guest today is Lisë Davis, she is the wife of the late legendary singer-songwriter Mac Davis. As the founder of Mac Davis Enterprises, she plays a crucial role in preserving and promoting her late husband's legacy for new generations. Her commitment to the art of songwriting is evident in her leadership of "Song Painter: The Mac Davis Fund for the Art of Songwriting," an initiative dedicated to the growth and development of emerging songwriters. As a songwriter, Mac Davis rivals the likes of Lennon and McCarthy, Simon and Garfunkel, and rightly so. Mac became famous as a songwriter and wrote the hit songs "In the Ghetto", "Memories", and “A Little Less Conversation” which were all recorded by Elvis Presley. The list of notables who recorded his songs are Nancy Sinatra, B. J. Thomas, Perry Como and Linda Anderson to name a few. In 2010, Mac Davis co-wrote the song “Time Flies” with Rivers Cuomo, which appeared on Weezer's Hurley album. In 2013 he was part of the Los Angeles writing and producing team that created the hit "Young Girls" for Bruno Mars. Mac Davis also wrote and collaborated with the late Swedish D.J. and music producer Avicii, penning the song “Addicted to You” for Avicii's debut studio album True. They performed the song “Black and Blue” together at the Ultra Music Festival in Miami in 2013.  By now, you have to know Mac Davis' songwriting and singing is legendary. And we haven't even touched on his acting career. #countrymusic #popmusic #singersongwriter #singer #songwriter #songwriting #elvispresley #elvis #avicii #brunomars #dollyparton #halloffame #musiclegend #songpainter 

Our guest today is Lisë Davis, she is the wife of the late legendary singer-songwriter Mac Davis. As the founder of Mac Davis Enterprises, she plays a crucial role in preserving and promoting her late husband's legacy for new generations. Her commitment to the art of songwriting is evident in her leadership of "Song Painter: The Mac Davis Fund for the Art of Songwriting," an initiative dedicated to the growth and development of emerging songwriters. As a songwriter, Mac Davis rivals the likes of Lennon and McCarthy, Simon and Garfunkel, and rightly so. Mac became famous as a songwriter and wrote the hit songs "In the Ghetto", "Memories", and “A Little Less Conversation” which were all recorded by Elvis Presley. The list of notables who recorded his songs are Nancy Sinatra, B. J. Thomas, Perry Como and Linda Anderson to name a few. In 2010, Mac Davis co-wrote the song “Time Flies” with Rivers Cuomo, which appeared on Weezer's Hurley album. In 2013 he was part of the Los Angeles writing and producing team that created the hit "Young Girls" for Bruno Mars. Mac Davis also wrote and collaborated with the late Swedish D.J. and music producer Avicii, penning the song “Addicted to You” for Avicii's debut studio album True. They performed the song “Black and Blue” together at the Ultra Music Festival in Miami in 2013.  By now, you have to know Mac Davis' songwriting and singing is legendary. And we haven't even touched on his acting career. #countrymusic #popmusic #singersongwriter #singer #songwriter #songwriting #elvispresley #elvis #avicii #brunomars #dollyparton #halloffame #musiclegend #songpainter 

[TRANSCRIPT] [click, static] Harry was right. Santa Fe is gorgeous.  You know, being here, thinking about it being Harry's favorite, thinking about the fact that she could be here, right now, with me, and she's not… (sighs) It wasn't…it wasn't all bad. That's what I've been thinking about. Since I arrived, since going to the art museum, it's like I see her around every corner, and I imagine what she'd look like going through the galleries, or pointing out the unique architecture, or insisting we find ingredients to make one of her favorite Santa Fe meals, whatever that might be.  It's—it's made me—I've been remembering the good times, I guess is how you'd put it. There was this one time, before everything happened actually, before that last job, way before— Richie had this unbelievably shitty loft in Alphabet City. Barely any heat, exposed wires, groaning pipes, warped glass in the old windows, just the whole thing. He was the only one of us who lived on the East side—even me of the unpermanent address tended to stick West—but he was also the only one who owned his place. Well, and Pete. We were all pretty sure that Pete owned a whole fucking brownstone in Brooklyn, but we were never able to confirm it. He was pretty secretive about his personal life.  But, anyway, Richie would sometimes let me crash at his loft and he had us all over with some degree of regularity—the place was huge, so great for big parties. The crew wasn't big of course, but he'd invite all his weird beatnik friends and Harry would bring her art friends and Don would bring the guys he grew up with who'd always have some kind of Italian fruitcake with them and Pete and I would stand in the corner friendless and drinking heavily.  And one night, we'd all been there for hours and the crowd had dwindled and it was really just us and Don was doing his truly awful Perry Como impression and Harry and I were on the couch just…in stitches. And I think both of us were pretty sauced by that point, because once Don took mercy on all of us and stopped, someone had the brilliant idea of doing a game of charades. Harry and I were on the same team and we just…I don't know, it was fun. It was really fun. We kicked everyone's asses, it was…we were so in sync, it was strange. But Harry didn't make fun of me for my pedestrian choices of what to act out and she didn't pick anything that she knew I wouldn't get and it was like… “Oh. This is what it could be like if we were nice to each other. I didn't expect it to feel this wonderful” Anyway, then we sobered up and everyone went home and I passed out on Richie's couch and then I didn't see Harry again until our next job nearly two months later. And it was like that night had never happened. She was just as cold and condescending as ever. And I was just as snide as I always was.  But for that one night…I don't know, it felt good. It felt like how things were supposed to be.  With your mysterious job and all, I wonder if you had any friends in it. If you ever goofed around with them. Or if it was all serious, all the time.  It must have been, right? If it went as badly as you say, hurt people, it must have been serious right?  I mean, I dn't know why I'm even asking, I— [click, static] I still don't trust you, but not talking to you is worse.  [click, static] [beeps] .. - / ... - .. .-.. .-.. / -- .- - - . .-. ... It still matters

Songs include: No Strings, No Arms Can Ever Hold You, No Moon At All, No Other Love, Time Waits For No One and No Can Do. Performers include: Ella Mae Morse, Perry Como, Fred Astaire, Helen Forrest, Guy Lombardo and Pat Boone. 

In this episode, ⁠⁠⁠⁠Eric⁠⁠⁠⁠ and ⁠⁠⁠⁠Danny⁠⁠⁠⁠ begin counting down each of their Top 10 Desert Island Christmas Artists. Basically, you're stranded on an island, and you can only listen to one artist's Christmas music catalogue. Who do you go with? The guys chat about why they picked each artist, then share a story about each of their picks, from 10 down to 6. Who will make their lists? Michael Buble, Pentatonix, Mariah Carey, Perry Como, Frank Sinatra, Tony Bennett? You gotta listen to find out! Plus, the guys chat about the latest Christmas news, play a holly jolly Christmas themed game, and share what's been going on lately in their respective lives. Do you want to have access to ⁠⁠⁠⁠⁠even more⁠⁠⁠⁠⁠ massively merry exclusive ⁠⁠⁠⁠⁠bonus episodes⁠⁠⁠⁠⁠, be a part of a private group of ⁠⁠⁠⁠⁠Christmas obsessed peeps⁠⁠⁠⁠⁠ just like YOU, and chat directly with Eric and Danny? It's super simple! ⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠ to join our Patreon Family! You can also ⁠⁠⁠⁠⁠⁠⁠SUBSCRIBE ON SPOTIFY⁠⁠⁠⁠⁠⁠⁠ or Apple to get exclusive episodes delivered directly to your feed every week. Check out our merch shop ⁠⁠⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠⁠⁠! Patreon supporters get 10% off all purchases, so ⁠⁠⁠⁠⁠⁠⁠join now⁠⁠⁠⁠⁠⁠⁠ to get a fantastically festive discount code. Follow us on the socials ⁠⁠⁠⁠⁠⁠⁠@christmascountdownshow

In part two we reminisce John Wayne's movies made from 1952 to 1976- ending with his big screen goodbye- the Shootist. We'll talk about his appearance on 'A Colonial Christmas in Williamsburg with Perry Como" in the months before his death, his two battles with cancer, and the backstory on 'The High and The Mighty', 'The Shootist', and 'The Cowboys'- plus I'll name my 8 favorite John Wayne Movies. I also do my best to explain why I believe boys benefit much more from outdoor contact with other boys than indoor computer games- using the simple reasoning that the challenges they face trying to get to the next level in a computer game don't prepare them for the challenges, large and small, that they face in real life- such as getting along with friends, dealing with bullies, choosing the right friends, learning the values of honesty, integrity, interacting with girls, learning that practice makes perfect in any kind of sports, showing gameness and courage- and the list goes on. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kim has type 1 diabetes and was diagnosed as an adult. Try delicious AG1 from Athletic Greens Use code JUICEBOX to save 35% at Cozy Earth  Get the Gvoke HypoPen CONTOUR NEXTONE smart meter and CONTOUR DIABETES app Learn about the Dexcom G6 and G7 CGM Go tubeless with Omnipod 5 or Omnipod DASH  Get your supplies from US MED  or call 888-721-1514 Learn about Touched By Type 1 Take the T1DExchange survey A full list of our sponsors  How to listen, disclaimer and more Apple Podcasts> Subscribe to the podcast today! The podcast is available on Spotify, Google Play, iHeartRadio, Radio Public, Amazon Music and all Android devices The show is now available as an Alexa skill. My type 1 diabetes parenting blog Arden's Day Listen to the Juicebox Podcast online Read my award winning memoir: Life Is Short, Laundry Is Eternal: Confessions of a Stay-At-Home Dad The Juicebox Podcast is a free show, but if you'd like to support the podcast directly, you can make a gift here or buy me a coffee. Thank you! Follow Scott on Social Media @ArdensDay @JuiceboxPodcast Disclaimer - Nothing you hear on the Juicebox Podcast or read on Arden's Day is intended as medical advice. You should always consult a physician before making changes to your health plan.  If the podcast has helped you to live better with type 1 please tell someone else how to find the show and consider leaving a rating and review on iTunes. Thank you! Arden's Day and The Juicebox Podcast are not charitable organizations.