Podcasts about Bugs Bunny

Mickey Mouse, Bugs Bunny, and Tom and Jerry are 3 cartoon titans that have dominated childhoods and cartoon slots for generations. But what if I told you that all three of these cartoons got their starts by degrading Black people? Access the full script to this episode for FREE on our patreon: https://patreon.com/redactedhistory?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkc Shop "Something Black Made" : https://somethingblackmade.com/collections/all Learn more about your ad choices. Visit megaphone.fm/adchoices

It's fun questions on all things fruits in vegetables! This episode's topic: SUMMER PRODUCE THIS MONTH TRIVIA WITH BUDDS IS BROUGHT TO YOU BY ZERO SLOPE EVENTS! For the ultimate events-hosting company, look no further than www.ZeroSlopeEvents.com  Fact of the Day: Mary Ann Franco in 1993 lost her vision after being in a severe car accident and suffered a stroke as well. 23 years later she tripped and fell over her home tiles and had to get surgery on her spine. When she woke up she could fully see, and no one fully knows why. Triple Connections: Animal, Birthmark, Spy THE FIRST TRIVIA QUESTION STARTS AT 01:58 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Grymes Industries Mark Kloppenburg Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week's podcast is all about gambling and how it has infiltrated our daily lives thanks to mobile gaming, betting apps and the accessibility of casino like games targeted toward kids.  Together with author, Anita Ondine Smith, we traverse the tricky landscape of the gambling world with Bugs Bunny as our guide and his run-ins with gambling throughout the franchise. It was such a privilege to host Anita in this conversation around her book and journey.  Buy her book on Amazon: Follow our guest on Linkedin and Instagram at Anita Ondine Smith. And as always, that's NOT all folks!  

Fire up for the weekend with another 20 family friendly questions on Car Trip Trivia. Plus - a Friday Funny with Rudy. Facebook PatreonSee omnystudio.com/listener for privacy information.

We are knee deep in diapers during this ep, as we talk The Mandalorian and Grogu along with Raising Arizona.  Mark our words, one day Mando is going to find Grogu in the bathroom with a bag of credits, tattoos on his arm and shaving, just like Bugs Bunny and Baby Finster!  #starwars #mandalorianandgrogu #mandalorian #grogu #raisingarizona #nicolascage

Episode 228: The Bugs Bunny DefenseIn 2007, Linda Duffy placed a frantic call to 9-1-1 claiming she'd accidentally shot her husband. Patrick and Linda had been married 18 years, and according to Linda, they often joked and played acting out some Looney Tunes skits. She claimed while she was joking, she aimed a gun at him, pulled the trigger, and to her surprise, it fired. Her defense became known as the Bugs Bunny defense. Tune in to this episode to learn more!Email us at: abouttime4tc@gmail.comFollow us on IG: @about.time.for.true.crime.pod LinktreeDon't forget to rate, follow, download, and tell a friend!Sources48 Hours https://www.cbsnews.com/news/48-hours-the-bugs-bunny-defense-48-hours-investigates-the-shooting-death-of-patrick-duffey/https://da.lacounty.gov/sites/default/files/press/042415_Woman_Sentenced_to_Prison_for_Fatally_Shooting_Husband_in_2007.pdfhttps://mynewsla.com/life/2025/11/06/appeal-dismissed-in-case-of-woman-convicted-of-husbands-shooting-death/https://www.casemine.com/judgement/us/690e2bb5330422c04f8a8b1ahttps://patch.com/california/baldwinpark/conviction-upheld-husbands-shooting-deathhttps://moviedelic.com/patrick-albert-duffey/

This week on Oooh They Funny, the crew takes a hilarious trip back to their childhood to discuss whether Looney Tunes was way more unhinged than we realized. From Pepe Le Pew's questionable behavior to Bugs Bunny's low-key bullying and Yosemite Sam's anger issues, they break down which characters would survive today's culture and which ones would be canceled immediately.Then the conversation turns to school as the hosts share stories about the best and worst teachers they ever had. They discuss the educators who changed lives, the ones who clearly hated their jobs, favoritism in the classroom, and whether those tough teachers everyone hated actually prepared us the most for adulthood.To wrap things up, the crew imagines what warning labels people should come with before you become friends with them, date them, marry them, or hire them. From people who never answer their phones to sports fanatics, gym addicts, and chronic procrastinators, everybody catches a stray in this one. It's a funny, nostalgic episode full of laughs, stories, and a little self-reflection along the way.

The Looney Tunes animated anthology series premiered in 1930, and in its nearly 100 years has become a pop-culture juggernaut, conquering movie theaters, television, video games, theme parks, and more. The franchise launched entertainment icons like Bugs Bunny, Daffy Duck, Porky Pig, and others that have entertained generations, won a slew of accolades including five Academy Awards, and has generated an estimated $17 billion. While entertainment industry mergers and misfortunes have bruised the property's prestige in recent years, the characters retain incredible cultural cache, and the classic shorts remain outrageously entertaining. So join the Great Pop Culture Debate as we attempt to name the best Looney Tunes character.Characters discussed: Bugs Bunny, Granny, Foghorn Leghorn, Sylvester the Cat, Yosemite Sam, Pepe LePew Penelope Pussycat, Elmer Fudd, Marvin the Martian, Daffy Duck, Michigan J. Frog, Tasmanian Devil, Road Runner, Wile E. Coyote, Speedy Gonzales, Tweety Bird, Porky Pig Join host Eric Rezsnyak, GPCD panelists Andrea Guerrero, Joelle Boedecker, and Steven Salvatore, as they discuss and debate 16 of the most beloved Looney Tunes characters of all time.For the warm-up to this episode, in which we discuss Looney Tunes characters that didn't make the bracket, along with other Looney Tunes-related properties, become a Patreon supporter of the podcast today. IG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebateEpisode CreditsHost: Eric RezsnyakPanelists: Andrea Guerrero, Joelle Boedecker, Steven SalvatoreProducer: Curtis CreekmoreEditor: Bob ErlenbackTheme Music: “Dance to My Tune” by Marc Torch#looneytunes #looneytoons #bugsbunny #daffyduck #marvinthemartian #tasmaniandevil #wileecoyote #roadrunner #speedygonzales #sylvesterthecat #tweetybird #yosemitesam #pepelepew #porkypig #michiganjfrog #cartoons #spacejam #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatestSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Die heutige Archiv-Folge beschäftigt sich wieder mit allerlei popkulturellen Themen. Unter anderem sprechen wir über The Batman, wir haben wieder Figurenthemen und auch den einen oder anderen Filmklassiker am Start. Kommt also mit auf eine gute Stunde Unterhaltung, die von keinem geringeren als Sven Plate alias Bugs Bunny eröffnet wird.

“Will young, freewheeling American boys take the iron discipline of wartime? … In my judgment the answer is Yes! ... if the answers they get are worth fighting and dying for.” This is the story of propaganda on the home front.  The word “propaganda” has some messy connotations, but it's fundamentally about pushing a narrative, which can be good or evil. Leaders on all sides of the war thought about how to spur the populace to join in the war effort, and in America, it fell to entertainers and artists to really rally the nation to war.  They utilized every form imaginable: films, comics, cartoons, posters, anything. Movie and comedy stars put on road shows for soldiers. Animation studios enlisted beloved cartoon figures like Donald Duck and Bugs Bunny to sell war bonds, and even invented the hilariously inept Private Snafu to teach soldiers what NOT to do. Captain America, on the other hand, was born ready to punch Hitler's lights out. We'll also cover that unassailable masterpiece, Casablanca, as well as some propaganda aimed at US soldiers from the other side: the siren known as “Tokyo Rose.”  ____ Connect with us on HTDSpodcast.com and preorder Prof. Jackson's new book go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette  come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of Audacy media network. Interested in advertising on the History That Doesn't Suck? Contact Audacyinc.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Chaos in Tokyo when two Gargantuas battle for the soul of a nation. Or at least dibs on dessert. Because that's right - the BAD Gargantua EATS people and the GOOD Gargantua tries to stop him. And guess what else? They're BROTHERS! AND they're technically mutated bits of Frankenstein DNA! AND... AND... you'll just have to see for yourself in this kaiju flick featuring the combined powers of Honda, Tsuburaya, and Ifukube. BUT IS IT WORTH THE OVERUSE OF ALL-CAPS?! That's the battle right there. Plus, Russ Tamblyn vs. Nick Adams, the International vs. the U.S. dub, Gargantuas vs. Frankensteins, Peter Lorre, the Answering Machine Zone, Bugs Bunny, and much more in this gargantuan episode!Thank you all for listening. Follow us on patreon.com/campkaiju, leave a rating and review, follow on Instagram, send an email at campkaiju@gmail.com, or enter the ANSWERING MACHINE ZONE at ⁠⁠⁠(612) 470-2612⁠⁠⁠.We'll see you next time for The War of the Worlds (1953)TRAILERS AND CLIPS The War of the Gargantuas (1966); Invasion of Astro-Monster (1965); Gidorah, the Three-Headed Monster (1964); Frankenstein Conquers the World (1965); Hair-Raising Hare (1946); Yog, a.k.a. Space Amoeba (1970)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. Hannam⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ishiro Honda: A Life in Film from Godzilla to Kurosawa by Steve Ryfle and Ed GodziszewskiMothra Day & FestivalGFest 2026Camp Kaiju: Monster Movie Podcast. The War of the Gargantuas (1966) Movie Review. Hosted by Vincent Hannam, Matthew Cole Levine © 2026 Vincent S. Hannam, All Rights Reserved.

In this episode we discuss the era of life where you'd seek out sadness, breaking the fourth wall with yourself, how May is liminal space, not caring about comfy clothes in the 90s, the origin story of this movie, how cute the lil evil guys are, bball players giving it their all, which tune are you, if Tweety bird and the mouse are too little to play in the NBA, and SO MUCH MORE!!! Thanks for listening and we'll catch you on the flip-phone!

 M has an unsettling vision, Saza gives her minions a quest, and M asks Kingsdale for assistance.   Intro/outro music: Western Adventures (Without Orchestra) from https://www.FesliyanStudios.com   Haunted Memories from https://www.FesliyanStudios.com   Pre Apocalypse by Alexander Nakarada (www.creatorchords.com) Licensed under Creative Commons BY Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/    Western Saloon by Bugs Bunny from Pixabay   Follow us on: Instagram: @thewanderinggamernetwork Youtube: https://www.youtube.com/channel/UCYgJnrAWDkXzoi6FqmlAhUg Twitch: wandering_gamers Website: https://wanderinggamer.wixsite.com/wanderinggamer Thanks for listening, and keep wandering! #urbanshadows2e #actualplay #ttrpg  

This week on Guys we had our good friend Jesse Farrar from Your Kickstarter Sucks and Go Off Kings on to talk about Cartoons Guys. Raise your hand if you watch cartoons. No I am not talking about adult animation we are talking cartoons. Who is the hottest cartoon character? Why is everyone so mean to Robin and why is Teen Titans Go always on? Why does the wabbit hate Bugs Bunny? and we read some reviews from common sense media! There are still some tickets left for our live show in Toronto on 6/5 The Guysery There is more Chris at https://www.patreon.com/notevenashow Not Even a Show is back (temporarily) https://www.youtube.com/c/notevenashow And for more Guys content, streams and SHOCKTOBER: a deep dive into shock jocks you can click patreon.com/guyspodcast, Join us on the Sunday Night Stream every Sunday night at 8:00 EST at twitch.tv/notevenashowand I am on https://bsky.app/profile/murderxbryan.bsky.social  Guys is on Instagram! https://www.instagram.com/guys.pod Guys has a Post Office Box now! PO Box 10769 Columbus Ohio 43201

Send us Fan MailWhat happens when you take cartoon chaos and drop it into a gritty detective story that actually works? Who Framed Roger Rabbit might be one of the boldest movie swings of the last 40 years, blending slapstick cartoon madness with a noir mystery in a way that still feels surprisingly smart. We head to Maroon Studios and Cloverleaf Studios to break down why this 1988 classic still feels like a technical achievement, even in a world packed with CGI.We talk about what makes the illusion so convincing, from the practical effects and real-world interactions to the tiny details like shadows, dust trails, and the way the camera treats animated characters like actual actors on a physical set. We also dive into the performances, especially Eddie Valiant's dry frustration playing perfectly against Roger's nonstop chaos. On top of that, we explore how Robert Zemeckis's direction and Alan Silvestri's score give the movie that classic old Hollywood feel while keeping the energy moving.Beyond the filmmaking, we get into the movie's cultural impact. Seeing Mickey Mouse and Bugs Bunny share the screen feels like a once in a lifetime moment, and we talk about why something like that feels almost impossible today. We also explore the darker side of the film, from Judge Doom and the nightmare fuel of the dip to Eddie's alcoholism and the freeway conspiracy that feels way more relevant than you might expect. By the end, we're asking a bigger question: if you didn't grow up on Looney Tunes or classic Disney cartoons, does Who Framed Roger Rabbit still land the same in the streaming era?If you enjoyed the episode, subscribe, share it with a movie-loving friend, and leave us a five star review to help more people discover the show.Apologies, there is a static sound during some of Anthony's parts.Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbASupport the show

When aliens invade Looney Toons land, they challenge Bugs Bunny and his friends to a game of basketball with high stakes.  The aliens then steal the talent from the top NBA players to make their team unstoppable! With no hope in sight, Bugs Bunny and team kidnap the greatest of all time, Michael Jordan, to help their Toon Squad!  But Michael is now a baseball player and does he still have what it takes to win the biggest game of his life?  We discuss the classic 1996 film Space Jam this week! We also talk some things we watched this week such as Chainsaw Man The Movie and more.  We start moving towards 500 episodes and the usual pop culture talk!  Next week: Wayne's World!

Full show - Thursday | GMD - She doesn't want to be a legal guardian | News or Nope - Taylor Swift and Bugs Bunny | Do other parents have this struggle with school events? | Weirdest thing you've ever eaten | Love Bomb Your Mom - T. Hack's letter to his mom | A crime was committed against Slacker | Is Erica unprofessional? | Stupid stories www.instagram.com/theslackershow www.instagram.com/askslacker www.instagram.com/ericasheaaa www.instagram.com/thackiswack www.instagram.com/radioerin Yi!

We discuss $10 per push-up, the Pistons, cartoon characters, and more!

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Missed this morning's Prospector Show on ROCK 107? Catch up with Prospector's Prime Cuts, your daily recap of the funniest moments from NEPA's morning radio show. On today's episode: • Office 5K inspiration for Kait — getting ready for the Scranton run inspired by The Office • Replace “Night” with “Nap” in song titles — and somehow it makes everything better • It's Bugs Bunny Day — celebrating Saturday morning cartoon greatness • Prospector's prank call — calling an office and refusing to stop calling the administrative assistant “the secretary” • Prospector's Yambag of the Day • Plus more weird, funny, and completely unnecessary moments from the show Stay caught up on Northeast PA radio, listener games, prank calls, and the daily nonsense you might have missed on the Prospector Show.

Is Bugs Bunny the smartest cartoon character?

Hugh Douglas and Joe Giglio analyze the mysterious absence of Mike Vrabel and how his potential departure from the Patriots could derail an A.J. Brown trade. They debate the future of the Phillies following a 9-19 start and whether Rob Thomson is the right manager to lead a turnaround. The crew also critiques Joel Embiid's performance and shares a laugh over Bugs Bunny's acting legacy. 01:50 - Sixers and Flyers Struggles 04:36 - Vrabel and AJ Brown Trade Rumors 08:55 - Speculating on Vrabel Stepping Down 14:48 - Eagles Draft and Bugs Bunny 20:12 - Phillies Slump and Topper Watch 28:25 - Speculating on Shocking Phillies Move 35:15 - Alex Cora and Cheating Scandals 41:00 - Critiquing Rob Thomson and Embiid 47:25 - Eagles Defensive Line Nicknames

So going back more than 30 years, I was involved in work on childhood obesity. It was a prevalent problem at the time, but little attention was being devoted to children and weight issues. And it was fair to say that the field, as it were, was an academic backwater. Little was known about short and long-term effects of childhood obesity. The social and emotional lives experienced by the children hadn't really been documented or studied much. There was very little known about treatment or strategies for parents, but thankfully, things are different now. Thanks in part to the work of a number of really innovative people in the field, and one of the most innovative is our guest today, Dr. Joseph Skelton. He's a professor of pediatrics and founder and director of Brenner Fit. FIT stands for Families in Training, which is the family-based pediatric obesity program at Wake Forest University School of Medicine. He's also editor of the Journal of Childhood Obesity is involved in clinical care, research, education, and community outreach. Dr. Skelton has just published what I think is a really important book through the American Academy of Pediatrics, entitled Your Child Is Not Their Weight: Parenting in a Size Obsessed World. I was asked to review the book and was delighted to see it before it was published and just was so happy to see that such a book existed at all, but such a good quality book at entering the picture. Really a very important advance in our field. Interview Transcript There have been some books about pediatric weight issues in the past. Who is this book for and how is it different than what's been out there? I feel overall the big audience for this book is any parent, especially of my generation, that were raised during some really toxic diet culture in the '70s, '80s, and '90s. And so, I think the main folks that that's for is that parent: I want my kids to eat healthy, to be active, to lead healthy lives. But I don't want them to become concerned about their weight to feed into our culture's focus on the ideal body image. I don't want to feed into that. But you know I do want to pay attention to the health habits. How can I do this in a healthy way? How can I focus on health habits with my kid that's not a focus on weight and do it in a way that's backed up by science. You know, that's what parents always want to know. Am I doing this right? Am I causing harm? And it is actually who the book is dedicated to, you know, all those parents that were raised in a toxic diet culture and want to do things differently with their children. So, in modern day America, what is life like for a child whose weight exceeds the standards that we know might be healthy, and for the parents who are raising those children? From personal experience and 20 years of running a program, as well as what the research shows, it can be kind of rough. Despite a lot of the advances that we've made around weight bias we're still in a place that kids are trying to live up to this idealized body image. And then they have all these toxic messages when it comes to nutrition and body image. I think it's rough. We know that kids in bigger bodies tend to have a lower quality life. They tend to have more symptoms of depression, anxiety; and it's because of this world that we live in. You mentioned messages that they might be getting from places like the media, but what are interactions like with peers and teachers and doctors and others in their lives that are affecting how they feel? Yes. So, the adults in their life were raised in that toxic culture. They're my generation and the generation behind me that was raised in that. You know, there's the myth that a smaller body is healthier than a bigger body. And I think we can't break away from that. And I think that still sort of comes through. We still see this as a lifestyle issue, and everyone has an opinion. Everyone has a thought of, you know, well, I did this... and I lowered my cholesterol... I did this and I lost weight, you need to do it too. And I think in the medical profession, because of a lack of understanding, a lack of training - I think that still occurs. I don't do a ton of medical education. I'm getting more and more into it, especially when it comes to areas around nutrition. But that's what I'm trying to avoid in the next generation of healthcare providers and even actually a lot of our community collaborators, teachers, and stuff like that. To get away from that. This is not a simple issue, so don't share advice because sometimes that advice can be damaging or could be wrong. You know, good lord how much I hear about carbs on a weekly basis. And not the carbs I like to talk about, which is around dessert and Carolina Gold rice and all these other food stuff. But it tends to be around sort of demonizing certain foods and just really bad messages that still are floating around out there. Let's dive in a little deeper about what you refer to as toxic diet culture that was especially pronounced in previous generations. What does that mean? Does it affect standards for what the ideal body looks like? What about messages about how much control you have over that yourself, and how responsible you are for your weight? How your self-image should be influenced by how you look? But tell us more about what you mean by that. We wanted this to be a book that didn't necessarily dwell on weight so much, but actually one of the first chapters is to say let's cover how complex weight really is. We know that 50% or more of someone's weight is heavily, heavily influenced by their genetics. Where they live, you know. The amount that our lifestyle affects that is much, much smaller. It's the minority of what goes into our body size. And even that, our habits are so influenced by the world around us. But it's, you know, trying to get people to understand that, hey, body sizes are just different. I love this picture from the Olympics and it was a medalist in gymnastics- it was Simone Biles; you know, the huge media personality of Ilona Maher who is a bronze medalist in rugby; and then one of the women's basketball players. You're talking 4'9", 5'10" and pure muscle and six foot seven, all people at the top of their game. And not only different heights, different body types. And, you know, body type is a hard thing to talk about because there's not standard body types. We're all just built differently. And starting that message at a young age that people are just oftentimes built differently. There's very little control that we have over our weight. And even though there are things that we can do about weight, what you can do is you can focus on your habits for health. And that has just gotten lost. We talk about in the book the, we call it veiled weight talk, and it's basically where you're just substituting the word health for the word weight. And kids pick up on that. They know when their parents and others are talking about weight. And so, a really big thing we want to accomplish is like, Hey, you know, eating for health is important. Being active for health is important. In my world, and I did one part of my early research in this, and we always try to have that message as there's so much more to health than weight. In our medical world right now, our primary outcome on these lifestyle changes that people are making is weight. You mentioned genetics as a contributing factor to who is affected by the problem. Tell me how you look at the food environment out there that people are exposed to now, and things like food marketing and the processing of foods. The availability of all these foods that are contributing to obesity and things. And the reason I ask is, you know, there was a time in our country when the prevalence of childhood obesity was probably close to zero. And there are plenty of countries around the world where that's still the case. But now in many countries there's large amounts of childhood obesity. And it's not as if the genetics have changed. When people move from other countries to the United States, their weight tends to go up. Their genes obviously don't change. There's something pretty toxic about the food environment that's driving this. So, thinking about things that way, does that help parents by shifting some of the blame from them and their children to an environment that they might be able to manage in some way? Absolutely. Because parents…they blame themselves oftentimes. You know, how did I let this happen? What did I do to sort of cause it happen and it's not. So, we do try to shift that of looking at ourselves as the reason blame. But you can kind of look at the - and I'm just going to focus on nutrition as the focus - the broader food environment and how that impacts. We tend to get a lot of buy-in or understanding when you talk about how they are trying to market to kids. And so, for any parent, all you have to do is bring up the checkout line at a grocery store, you know? And all the things that are at the kids' level that is just made to make your life as a parent hard when you're trying to feed your kids well-balanced regular meals but you're just kind of constantly walking through this landmine. It's the same thing with electronics and social media. There are so many things that they have a lot more money than you do to market to you than you do to protect yourself against it. And it absolutely influences it. And the way I talk about this is really when it comes down to snack foods, and using the parenting language that snacks get you between long periods of time between meals, but that got co-opted by companies marketing snack foods. And when you see food, smell food or hear about food, you kind of want that food. And that's what parents have every day to now the point is. Snacks always have to be crunchy, salty, and sweet, and we're supposed to give kids snacks when they ask for it, because that's what these companies tell us about hunger. You know, hunger hits us every time and you have got to have this bar to sort of get through that. Parenting is hard enough and then trying to parent through this when they're directly marketing kids... you know, in most European countries, they're not allowed to market to kids. In some countries it's age eight. Some countries it's age 12 because they don't quite recognize this is marketing, they're want you to buy this. It makes it a lot harder for parents. You know, when I was on the faculty at Yale, I got to know a political scientist. A very impressive person named Jacob Hacker. And he'd written a book called The Great Risk Shift. What he talked about was how government and American businesses have systematically shifted the responsibility for overcoming harm from products from themselves onto the consumer. And that's really true in a way here, isn't it? Because the problem is created by corporations who are marketing unhealthy foods in such high levels. It's not the only cause, but it's certainly an important one. But the responsibility for solving the problem then falls to the parents and the children who have it. And one party has way more resources than the other. As you said, it's really not a fair fight and parents have a very tough battle dealing with these things. Yes. There was a marketing study called The Nag Factor, and I'm an old Simpsons fan, you know. You imagine the people behind the one-way mirror watching things and trying to manipulate. And that's what the nag factor was. How can we get kids to nag their parents more effectively? And what they found is parents that were immune to nagging tended to be the more educated, higher-income parents. And so, they literally had this plan of we need to change how we're getting these kids to nag. We need to give them reasons to nag. And that's when you started seeing vitamin C, high in protein. So, you think the checkout at the grocery store is bad, but then the signage in the commercials each and every day are giving kids reasons they can go to their parents to tell them get me this. Because nagging is not going to be enough for the high-income parents. They have to have some purpose behind it. You know, when I was growing up, the only way I saw advertisements for food was on Saturday morning cartoon television. And there were three channels showing it. Well, it shows how old I am, but now it's just an avalanche of messages on social media, built into gaming, and it's just everywhere. And it's probably pretty hard for parents to control that. Wouldn't you say? Well, now that you've said that, that's what my phone's going to start doing. The next time I open up my Facebook, there's going to be an ad for some sort of food camp because it's listening to us. Absolutely. Oh yeah. There's just no comparison. And I think that's also something very hard for parents, regardless of the topic, is what worked for me that my parents used is different than for my kids. And even between your kids. You know, my 24-year-old and my 20-year-old are completely different kids. You wouldn't even know they're related and different personalities. And so, what worked for one, you can't necessarily apply to the other. And whereas we love the idea of multi-generation households and, you know, being involved and being there to give advice. And you should take the advice of your parents, but it doesn't always apply. It's just a different world. I feel like I need to give credit to my East Tennessee farming roots. There are two stories I always remember my dad talking about when they would go to a car hop. Maybe some of your listeners know what a car hop is maybe they don't. It's like a Sonic, you know, it's the old school drive up. Or for you Atlanta folks, like the varsity drive up. My grandparents would make my dad put on his Sunday clothes. You know, that was how rare they went out is they would actually get dressed up driving into town to go try these hamburgers and these French fries. Versus now you can you DoorDash that 24/7. I mean just what a different world and concept. And I still have to share this other story for my grandfather, who my oldest son is named after, he was a tobacco and sustenance his farmer in East Tennessee. And every time I have a med student that's a vegetarian in my cooking class, I always tell the story of he came home one day, and he was talking to my aunt. He says, you know what? The county agent said one day people are going to be eating soybeans. That's so funny. Soybeans were fed to cattle back then. It's really just how drastically we change and now it's changing even faster. I mean, my grandchildren will be light years different than what my children are. Let's dive back into your book. Tell me about the collaboration with the American Academy of Pediatrics and how did the book come about? They have had two books in the past that were sort of geared towards parents, you know, how to address weight in your kids if your child has a problem with their weight, what can you do about it? Well-written books. They had done well. But they were looking to try to do something different. It was kind of time to sort of update that. And the last book was great by Natalie Muth. It was a fantastic book. So, a lot of my friends were on the 2023 clinical practice guidelines. And when that came out, there was a huge blowback from the eating disorder community. And, again, it's sort of the polarization of our country right now. And, they had asked me to speak at a conference saying, hey, can you try to do something in the middle? They knew that we included elements of the body positivity movement in what we do. We're big adherents and teachers of authoritative parenting. And they said could you try to give a talk that kind of goes in between what we're trying to do with the treatment of obesity that's affecting children's health as well as the body positivity movement. It's kind of, again, speaking of the Saturday morning cartoons, it was kind of those things that everyone stepped back, and Bugs Bunny was still in the front and got volunteered. It was sort of one of those situations. And so, I gave this presentation and they said, hey, well, what do you think about turning this into a book? Would you be interested in writing a book? And I said, absolutely not. I don't have time. And never in a million years would I do it. But this needed to be out there. So, first of all, the AAP asks, as a pediatrician, you do it. And second of all, I feel like this book needs to be out there. Both for who I talked about earlier, those parents that don't want to hurt the kids' feelings, make them hate their bodies, feel like something's wrong with them, which is what a lot of kids say. But it's also for those parents that are wanting to do something. These are the parents that, you know, they want to put their kid on a diet or make a comment to them of you sure you need to have seconds on that? You know, which we know can do damage. And of course, parents, you know, they don't want to hurt their kids and get in the way. And so, it was kind of geared toward those parents that were starting down an avenue that may not have been safe. You know, they don't have access to a good evidence-based program. And so, it's also for those parents that says, hey, your kids aren't little adults. Don't take these weight loss approaches to kids. It's just a different beast. We'll come back in a minute and talk about specific parenting strategy, but you alluded to this blowback from the eating disorders fields and the clinical guidelines. Tell us a little bit more about that, because it's one of the key features that would drive the need for a book like yours. I'm not an eating disorder specialist, but there was a big concern that one of the big recommendations that was new was that you can't have watchful waiting anymore. It used to be, you know, if younger children were starting to gain weight, before you intervene or start into treatment or start to change a lot that maybe just wait to see if, you know kind of the old-fashioned thing, are they going to outgrow it? Are they going to go through a growth spurt? So that was a part of the recommendations. The evidence says that watchful waiting in today's world, you're unlikely to see a kid outgrow it anymore, including bariatric surgery, use of medications and things like that. And so, they felt like this increased focus that this was going to cause pediatricians and parents to focus even more on weight and therefore lead to eating disorders. And then that was coinciding over the previous five years, a lot of studies were coming out and then it got put into a couple of systematic reviews of meta-analyses that showed that kids in bigger bodies, kids with overweight and obesity, had a two to three times higher prevalence of eating disorders. Because typically eating disorders are always thought to occur in underweight or thinner children. But it actually is much higher risk of these in children in bigger bodies. And so, we use that term threading the needle, how do you help families who want to do something about their child's weight for health reasons but not worsening disorders. And so that blowback was really saying, hey, by increasing focus on this, you're going to make things worse with that. And it was kind of surprising. A lot of my good friends were on that practice guidelines and they're kind of taken aback because these are experts in the field. Well-meaning people that for 10, 15, 20 years had dedicated their careers to helping these kids looking for help. And I think any care provider to be accused of causing harm is always, always jarring. Tell us how you navigate that and what sort of advice do you give parents in this book? Yeah, so one is that I call weight literacy. It's sort of understanding this is a complex issue. It's not something you did. This is something that happens. We can't always explain it. There are still things, this is where you read too much of this science, it gets you really paranoid about microplastics and things like that. There are some legitimate arguments to me be made there in endocrine disrupting chemicals and stuff like that. We can't always explain why kids are growing bigger than other kids or at a heavier weight. So, the weight literacy, sort of, understanding this is a complex issue, this is not a lifestyle issue. And the second thing is it's worthwhile to focus on healthy eating and physical activity for health. Sometimes that will see improvements in weight, sometimes it won't. But it's still important to do. That's the idea of getting away from that weight being the primary outcome. We feel like this is a great adjunct for someone who might be pursuing bariatric surgery or medications, because it does give us the opportunity to not keep pushing kids harder on nutrition and physical activity, which could lead to that disorder eating. And I think the final thing is sometimes parents and kids are aligned. You know, give me a 15-year-old girl that wants to lose weight. A 15-year-old girl that wants to lose weight, that is unfortunately a child that's very high risk of developing disordered eating. And maybe the parents really wanted to help. But what oftentimes we see a lot is tension brewing between the parent and child. The parent making efforts to help the child with their health and their weight, and the child interpreting those efforts as you think I'm fat, you think I'm ugly, you think something's wrong with me. And it's causing that tension: you know, you can't eat too much of that. Taking Food away. That movie Spanglish with Adam Sandler, several scenes in that sort of reflect that of just small comments that parents can make. You know, actually wanting to help and how that can hurt children. And what we would hope for a lot of parents is to say how can you do this in a way that can be helpful. And one of our chapters is called how to not talk to your children about their weight. You know, the idea that parents don't need to feel that pressure to bring that up. Now, if their child wants to talk about it, absolutely they need to be there, and we give a lot of tips for that. But, you know, your job as the parent, you don't really have control of your child's weight, but there's lots that you can control and lots that you can do to promote the healthy development of your child. You know there's a heavy dose of compassion in your book. That was one thing that appealed to me about it and impressed me. Because if one thinks about a book for parents on dealing with their overweight children, you sort of default to, oh, this book is probably a diet or an exercise program, or things like that about how the child can change their weight. And you're talking much more here about understanding the psychological world of the child. Being sensitive to possible risks of talking to them in ways that are unhelpful or lead to eating disorders and things like that. It's wonderful that you pay so much attention to those issues. And it's very affirming because you're saying that there are some things parents can do about this in ways that affirm their children, accept them as individuals. It's built into the title of your book that your child is not their weight. And that just means so much, I think. Oh, thank you. That is what we had hoped. I mean, you know, parents love their children and in endless, endless ways. And the parents are the key to their children and their children's health. And I feel like sometimes we push too hard. Now we're doing it for good reasons. We want this child to be healthy. We want to help make some improvements. And we put a lot on the parents' back. And I think sometimes then that pressure then is extended to the children. And a lot of this is trying to get parents some insights of, we know you love your children. Here's how to make sure that your child is being loved. You know, the old parenting typology, and I kind of go through some of that history in there, really kind of gets at that. But sometimes we do or say things that doesn't make their children feel loved by accident of course. And it sort of highlights that, not to make parents feel bad, just so they're aware. I've been guilty of it. None of us are perfect parents. And you know, making sure that our kids are feeling, loved by us. Family-based treatment is obviously the key. And I always think of one of your, one of your hypertension studies, I think from 1983. I still quote it to this day. You know, the idea that even though we talk about family-based treatment, we're usually dealing with a parent and a child. The dyad. Now they're representative of the family and I've always felt like something was, sort of, missing there. And two things really influenced me. One of that is one of my co-authors, Dara Gardner-Edwards, who is a licensed clinical social worker. And they are all about the family. They know how to do family assessments. And so, recognizing there's more than just those parents and the child in the clinic with you. In addition to that, working the whole field, I didn't know about human development and family studies. Didn't know that was a field and actually came from the University of Minnesota. I was one of the early. Strong program. So, UNC-Greensboro, our neighbor over there. I started working with a professor over there, Cheryl Buehler, and we would go meet over sushi and she essentially taught me a four-hour freshman-focused family studies course. And just this whole other world, social science world of family dynamics and recognizing when you're working with that child and parent. You may or may not be affecting the family dynamics in the household, of that family system. And so being able to extend differently and having some more appreciation of the complexity of families and the relationships with families. Hopefully we're helping people understand making changes in health habits, relationships matter. We have a project going right now, led by one of my medical students. She was always impressed, in shadowing with us, of how many siblings were picky eaters. And I brought this up to my team, like, oh yeah, this is a huge stress. You know, this parent is obviously wants to change the habits of the entire family but is obviously focused on this child we have in clinic. But the struggle of having this other kid that's a picky eater really throws off those dynamics. And being able to account for that and that stress that that puts on families, and what can we do around that? Oh, that's so interesting. You know, the more aggressive, dramatic treatments that are being used for adults like bariatric surgery and the GLP one drugs, how do they fit into this picture? Yeah, so we feel like it's a perfect adjunct if someone is pursuing with this with their child, because it still is talking about that parenting approach. And it's not really going to change anything with how you're parenting around these things. You know, bariatric surgery for many years has been done safely and effectively in children. Not that it's always perfect, but again, because of the cost, the idea that it's not reversible and typically you want that done in a center that's very experienced with working with kids. So, access issues tend to be really big with that. It can be very effective for some kids but is not available to everyone. We're in the same situation with the medicines with GLP1s. There's one that has been approved for use down to age 12, and overall, they tend to work very well with kids. But we're in the real world now. We're learning a lot about that. It can be miraculous for some children because it gives them success with their weight. It takes pressure off themselves. We're always trying to prevent that restriction, both in hearing that from another adult or the child doing it themselves, trying to tell themselves to eat less. It's always going to backfire. It's going to increase your hunger and things like that. And having that GLP1 is going to help with that. It's actually going to lower that pressure. And oftentimes they can get in that healthy routine much quicker. In others, it's causing some problems. We are seeing some kids that it is absolutely wiping out their appetite. And we're figuring out now the kids are sort of at risk for that. And you can't do that. The kids gotta eat. But for some kids, they just lose all appetite whatsoever. And they can't not eat. And so, we're still figuring out through the real world. But I think, what we're also finding is the job that we do in these multidisciplinary teams, it's just as important if not more important when you're using medications than when you're not. Let me ask you a big picture question and let me see how optimistic you might feel about how, where things are going. So, think of a physician who is treating people with lung cancer. So, the lung cancer is caused by this terrible environmental influence: cigarettes. And the physician then is in the position of having to treat the people who have that really unfortunate problem. And thank God there are physicians who do that, and there's research showing how to treat it effectively. But of course, it would be better if the environmental insult that's causing the problem in the first place didn't exist. That would make everybody happier, except for the companies that sell the product. So, do you think you and colleagues who are doing similar work are faced with a similar kind of a problem? There are all these environmental things that are helping push this problem in the first place. Thankfully, there's kindness, compassion and effective care available and your book helps push that forward even further. But are you hopeful at all that the environmental situation, you know, all the bad foods and stuff out there is changing in a positive way so that there might be less of the problem, or it might be easier on the children now who deal with the problem? Some people think it's getting worse. Others think we might see some progress. But what do you think about that? My brother is an HR guy and he kind of talks about these different typologies with that. And, I forget, I'm called something like the mad scientist, which is you're very pessimistic in complaining, but you have enthusiasm. I don't really know how to take that. But I think, you know, I'm enthusiastic obviously about this topic and what we can do to help parents. But I'm a little pessimistic when it comes to the broader world. I think there's enough, and not saying that every for-profit company's bad, but I think a lot of history is on my side with that. I don't get paid more the more kids I see and the better success I have. I don't get paid more. My job is to be here to help. But, you know, companies, every time I see a for-profit company that comes out and says safety is our number one priority. Or, you know, your satisfaction is number priority, I'm like, no, it's not. Your number priority are your shareholders. And I think that's a very, you know, jaded way to say, I don't quite trust companies right now because of that. Are there some positives that you see, and do you see some changes being made in some menus? Do you see some different products out there that are really trying to get it healthy? But it's hard. I think I have some trust issues and I think that's well founded. Maybe that's my Appalachian background. I tend to be very distrustful of the large mining companies coming in. That, speaking of your lung analogy, that I think I have some healthy distrust that is well founded. So, I think trying to help, and that's obviously a big movement that we have, of trying to help people be more discerning parents, more discerning consumers. But it's hard because they, like you said earlier, they have a whole lot more marketing dollars to convince you to buy their product than we have trying to convince them to make smarter choices about it. BIO Joseph A. "Joey" Skelton, MD, MS, FAAP, FTOS, DABOM is a Professor of Pediatrics, and of Epidemiology and Prevention, at Wake Forest University School of Medicine. He is the Founder and Director of Brenner FIT® (Families In Training), an interdisciplinary pediatric obesity treatment, prevention, research, and educational program. He serves as the Director of the Center for Prevention Science in Child and Family Health, Vice Chair of Research for the Department of Pediatrics, Associate Leader of Community and Stakeholder Engagement at Wake Forest University School of Medicine. He is the Editor-in-Chief of the journal Childhood Obesity. He is board certified in Pediatrics and Obesity Medicine. His research and clinical work has focused on the treatment of children with obesity. He has secured nearly $10 million in funding over the past 15 years, has given over 50 national and international presentations, and has over 130 peer-reviewed publications. He enjoys teaching cooking classes that are both fun and informative to anyone who will listen.

Kirby returns for the sixteenth episode of Zoo Crew Revue. He is here to talk Captain Carrot and His Amazing Zoo Crew 15 the Zoo Crew and the Just'a Lotta Animals save their worlds in Crisis on Earth-C-Minus!  Plus the Looney Tunes short "Baseball Bugs" starring Bugs Bunny. #DCComics #CaptainCarrot #PigIron #AmazingZooCrew #YankeePoodle #AlleyKatAbra #Rubberduck #Fastback #JustaLottaAnimals #RoyThomas #ScottShaw #LooneyTunes #BugsBunny #FrizFreleng

Welcome to RetroLogic! I'm Sam Wagers here with Shannon Eno and John Cummins   But RetroLogic isn't just a podcast. It's a community of retro gamers! - We've got an active, friendly, and free discord. - Giveaways - Contests - AND Dive into our family of Retro podcasts! Like RetroGroove, a music history podcast, and On Topic Retro, a podcast dedicated to 1 video game per episode hosted by our very own John Cummins. - you can find everything at our website retrologic.games Tell me one thing that happened this week!   Housekeeping   Sam: Streaming Armored Core Master of Arena (Mon) and Path of Radiance Saturday!   On Topic Retro: Zelda Skyward Sword Retro Rewind Super Castlevania IV   FilmLogic: Tubi Decided: Redline (2009) The Price Is Retro - 20 If this is your first time playing Price Is Retro, here's how we play. I'm going to list off 4 or 5 games and everyone has to guess how much the lot is worth in total. Whoever is closest to the actual value wins that round! Everyone has a list and everyone guesses on each other's list. At the end, the player that won the most rounds wins the episode! But watch out for the robot Deus Guess Machina! He averages all of our guesses together for his own guess Dinosaur - Leonard - adds up original costs, retail value Ghost - Polterguest - always guesses 300 Shan's list Sam's list John's List Spot the fake Trivia Show Topic - 30:54 Rentals! Favorite rentals Sam: (Kirby Super Star, Joe and Mac, Paper Mario, Vigilante 8, Rogue Squadron, Chameleon Twist, PLOK) Bullets dodged (glad I didn't purchase fully) Sam: Balls 3D, Mega Man 64, Quest 64 The place of rentals Games expensive Not allowed in japan (this affected some games!) Alternatives new and old Libraries Gamefly redbox Digital demos Gamepass and NSO free trials Free to play/Free to start games     Community Couch Eric Plunk [nDAD], nDAD — 4/19/2026 9:30 AMSunday, April 19, 2026 9:30 AM The small town I grew up in had one gas station and in it you could rent VHS tapes and video games. Just roaming the isles and looking at cover art was a joy in and of itself. There was no way to have a bad weekend when you went home with Fievel Goes West, Bugs Bunny's Crazy Castle, and a bottle of Yoo-Hoo. If I had to guess I'd say my most rented games were Ducktales and A Link to the Past. I inherited a copy of Back to the Future II & III for the NES from a friend that passed that still has rental sticker on it from the gas station. I'll never get rid of it. (edited)Sunday, April 19, 2026 9:42 AM   Drex1981 [ARC], ARC — 4/19/2026 9:34 AMSunday, April 19, 2026 9:34 AM I remember waiting at my local Hollywood Video  for Mortal Kombat 4. I went back and forth to store throughout the day and when I got it the game was terrible lol SchonerTod [TINK], TINK — 4/19/2026 9:54 AMSunday, April 19, 2026 9:54 AM i didnt get into renting game until the N64. When I was a kid video games were always a side thing we did on the weekends and typically it was a sleep over. so friday evening my buddies and i would ride our bikes down to the local blockbuster and rented a couple games then hit up the local store for sodas and pizza before going back to my place and playing an all nighter. Typically it was stuff like 007, mario kart, perfect dark nfl blitz and such.   Xomber — 4/19/2026 10:01 AMSunday, April 19, 2026 10:01 AM My first rentals were N64 games as well. I think they forced me to get better at the games, since I knew I had to give them back or some such. I remember being unable to finish OOT the first time(couldn't get out of the forest) and the second time I made it to the Water Temple. After that, I was good at the game I think. Eric Plunk [nDAD], nDAD — 4/19/2026 11:07 AMSunday, April 19, 2026 11:07 AM I don't have many memories of renting N64 games other than Paper Mario from Blockbuster which I beat in two 5-day rental periods (edited)Sunday, April 19, 2026 11:08 AM   @Solo Growing up I would rent from one, not sure if it was across the nation in the 80's, that was called National Home Video.  I would rent NES games weekly as games back then were pricey so parents only bought me like 4.  Point being here that one time we went out of town for 2 weeks to Myrtle Beach vacation.  When we got back my parents laughed as the recording had a message from the store asking if I was ok as they have not heard from me wanting to know what game to reserve for me to make sure it was not rented out before me.   Your Wallet's Defense Attorney — 4/19/2026 4:08 PMSunday, April 19, 2026 4:08 PM I never rented.  But I did take some games out at the library.  The only one I really remember is Super Mario Galaxy.  I remember erasing my save file for the next person, because I was under the impression it was stored on the disc...   DoubleD — 4/19/2026 5:46 PMSunday, April 19, 2026 5:46 PM Renting movies and games was a regular occurrence in my house growing up, probably every other weekend or so. We rented games mainly from NES, SNES, and N64, but I have the fondest memories of the SNES era. I remember renting Final Fantasy 3 for a couple weeks when it first released, knowing full well that I was about to get it for my birthday a couple months afterwards. Well, I got to a point in the game where it seems like it's the end, but it's really just the mid-point, but I remember being so mad thinking I was about to beat the game right before I get it for my birthday. After opening up the second half of the game, I was so happy that there was more to it, that I stupidly rented the game for another week, but still didn't beat it. I then got it for my birthday and tried to trade my copy for the rental store's, but they wouldn't do it, so I spent the entire Christmas break playing through my new copy and beat it in 2 weeks.   Thanks for listening to the RetroLogic Podcast! We are proudly part of the Nintendo Dads family of podcasts. If you like what you hear, check me out on Bluesky at @retrologicgames.bsky.social. You're also welcome to jump into our friendly and 100% non-toxic Discord Community! The link to that is in my Blusky bio. You can also find everything on our website Retrologic.games  

STREAMING MAKING OF THE JOHN BATCHELOR SHOW, FEATURING BILL ROGGIO AND JANATYN SAYEH, 4-20-26.  1688 PERSIA GULFThe Levant and Eurasia are currently gripped by what analysts describe as the "fog of peace," a state where a ceasefire is technically in place but characterized by profound distrust and a lack of transparency. While the conflict between the United States, Israel, and Iran originally centered on Iran's nuclear weapons program, the focus has shifted toward an intractable struggle over the Strait of Hormuz.The Strait has become a primary flashpoint of "open/closed" chaos, likened to a "Bugs Bunny and Elmer Fudd" hunting season metaphor. The US has established a naval blockade, recently using a destroyer's main gun to disable the engine room of an Iranian cargo ship that attempted to run the blockade. Iran counters this by creating confusion, such as firing on an Indian tanker that reportedly had clearance from the IRGC to pass, a tactic designed to make international shipping reconsider the route entirely.Diplomatically, the situation is stalled. Planned talks in Islamabad between US representatives and the Islamic Republicare not moving forward. This deadlock is exacerbated by a structural shift in Iranian leadership. Following the assassination of the Supreme Leader and other top officials, decision-making has fallen to a five-man council of dedicated revolutionaries. These individuals, often categorized as "hardliners" rather than "pragmatists," view compromise under pressure as a sign of weakness and are wary of suffering the same fate as Muammar Gaddafi. This new leadership is believed to be radical and intractable, with many members rising from the younger, hardcore ranks of the regime.Internally, the regime is employing brutal measures to maintain control. There are chilling reports that Iran has developed aerosol fentanyl — a chemical weapon capable of killing large populations — and may have experimentally used it against domestic protesters as early as 2022. The regime's fear of internal unrest is further evidenced by the deployment of checkpoints staffed by non-Iranian proxies to suppress a population demoralized by economic exasperation and a perceived lack of external backing. Precursors for these chemical experiments are reportedly provided by China.The geopolitical timeline appears to favor Tehran. Iranian leaders believe they can "run out the clock" on the Trumpadministration. The US faces significant domestic constraints, including low presidential poll numbers and the impending 2026 midterm elections, which could return the House of Representatives to Democratic control and trigger a return to the "age of impeachment." Additionally, Russia and China have strategic incentives to keep the Islamic Republic afloat, viewing the conflict as a test of whether their partner can withstand prolonged US and Israeli military pressure. Consequently, the "fog of peace" remains thick, with both sides acting on distrust rather than a genuine path toward a treaty.

We get it: As Timothée Chalamet said, "no one cares" about opera. But you should listen, instead, to former college linebacker Brandon Jovanovich — whose impossible rise from cater waiter to Captain Ahab proves that the artform that used to rule the world has way more in common with sports than you realize. (And that's even before you realize what he's been playing through, onstage.) Also: what a castrato is, Bugs Bunny, actual divas, Modell's and monster trucks.Further content:• "Inhabiting Ahab" (Patrick J. Sauer)• Vote for PTFO at The Webby Awards: Best Sports Podcast + Experimental & Innovation Hosted on Acast. See acast.com/privacy for more information.

Patrick answers questions about Catholic traditions, from consecrating homes, the boundaries of interfaith participation, and why priesthood is restricted to men, all while weaving in audience reflections about the effects of violence in media and games, personal anecdotes, and advice for gently inviting friends back to faith. Jordin - How does a common person consecrate themselves to St. Joseph? (00:32) Lucy (11-years-old) - What is your opinion on violence in video games? (02:42) Gianna (10-years-old) - Why can’t girls be priests? (07:16) Sarah - If someone asks you to be a Godparent for a non-Catholic Christian religion, is that ok? Can Catholics celebrate Hanukkah? (12:13) George - What can I write to my friends about the Woman at the well? I am trying to motivate Catholic friends who are not practicing. (17:01) *Elena (email) - We were surrounded by violent shows, but I don't recall anyone freaking out about it. It was normal. And no one (or at least not many) turned out to be violent. What's the difference today? (21:56) Patrick and Cyrus talk about the dangers of violent video games and movies (25:16) Rae – We grew up respecting guns. These days, children don’t have that training. (34:38) David – We watched Bugs Bunny cartoons where there was violence and we turned out ok. (37:22) Heidi - I have a friend who was raised Catholic and not been to Church for several years. How can I convince her she does need to go to Confession? (38:08) Tom - I am seeking wisdom and insight. Is it a legitimate motivation to seek these things to avoid misery? (43:15) Originally Aired on 03-05-26 during the 2nd hour

Kirby returns for the fifteenth episode of Zoo Crew Revue. He is here to talk Captain Carrot and His Amazing Zoo Crew 14 the Zoo Crew meet their parallel Earth counter parts the Just'a Lotta Animals in time for Crisis on Earth-C!  Plus the Looney Tunes short "Stupor Duck" starring Bugs Bunny. #DCComics #CaptainCarrot #PigIron #AmazingZooCrew #YankeePoodle #AlleyKatAbra #Rubberduck #Fastback #JustaLottaAnimals #RoyThomas #ScottShaw #LooneyTunes #DaffyDuck #RobertMcKimsonsT

Seanbaby kicks off Martin Kove Month with Brockway and guest, Dirk Marshall. We're talking about Judge & Jury, the one where Martin Kove fights a satanic Bugs Bunny because he didn't murder his wife. It'll make more sense when you watch it. Sorry we lied to you last sentence. ----------------------------------------------------------------------------------- Robert is going to jail because you didn't buy his book. But it's not too late to help him win some creature comforts in prison. Every copy goes toward the commissary fund! https://linktr.ee/killyourimaginaryfriend

Looney Tunes and basketball, two things that had nothing in common, until Michael Jordan teamed with Bugs Bunny for a Nike commercial. Then, spun from that, came an ambitious project named Space Jam. Every kid of the 90s knows this movie and the soundtrack that came with.  This week we revisit 1996's Space Jam, does it hold up? Find out now.   Thanks for listening. Please support us other places by clicking the links below. TikTok and Facebook are where we are currently monetized so supporting us there is extremely helpful.  Follow Emily on Letterboxd: https://letterboxd.com/ladyemily11/ Follow Adam on Letterboxd: https://letterboxd.com/adamant625/ Follow us on Instagram: https://www.instagram.com/doesitholdu... Follow us on TikTok: https://www.tiktok.com/@does_it_hold_up Follow us on Facebook: https://www.facebook.com/doesitholdup13/ Subscribe to our YouTube for new movie revies and a weekly box office show: https://www.youtube.com/@DIHUpodcast

Send us Fan MailJoin us as we celebrate the release of the Looney Tunes Collector's Vault Volume 2 Blu-ray, with Warner Archive's George Feltenstein and animation historian Jerry Beck. George and Jerry share their stories of curating this set, the restoration and remaster details, and we all share our reviews and highlights. And stick around as George previews if we will be getting a volume 3. Order your copy from MoviezyngOrder your copy from AmazonHighlights: • suppressed cartoons finally available to own on physical media • why A Lad In His Lamp opens Disc One • how 4K scans from original negatives change everything • Disc One highlights including Daffy Duckaroo and black-and-white gems • Tweety and Sylvester craft, plus why Friz Freleng deserves more credit • oddball shorts and experimental art styles that expand the library beyond the box-cover stars • Disc Two - familiar classics upgraded to high definition • Road Runner cartoons as a masterclass in evolving design and direction • context around controversial gags, reissues, and why credits got stripped • Speedy Gonzales and Pepe Le Pew in modern conversations • what it takes to get Volume 3 approved The Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  tim@theextras.tv

There's a lot happening in the Marvel universe right now. Ryan and David are on it. This month on Puny Pod, the MCU rewatch podcast that covers the Marvel Cinematic Universe in release order, Ryan and David are back with the March 2026 Bugle — their monthly Marvel news roundup. First up: a full review of Wonder Man, the Marvel Spotlight series that nobody saw coming and most people quietly really liked. Think struggling actor, a scene-stealing Trevor Slattery, and a surprisingly sharp send-up of Hollywood — all in eight very digestible episodes. Then it's on to the news: Daredevil: Born Again Season 2 is almost here and Ryan is very excited. There's fresh set intel on Spider-Man: No Way Home including a certain big green surprise. X-Men '97 Season 2 finally has some details and Apocalypse is taking center stage. And Nicolas Cage is playing Spider-Man in a 1930s noir series — 70% Humphrey Bogart, 30% Bugs Bunny, by his own description — and David has opinions about Ryan's level of enthusiasm for it. Next up on Puny Pod: Spider-Man: No Way Home. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠Analytic Dreamz reacts to the official launch trailer for Fortnite Chapter 7 Season 2: Showdown, which dropped ahead of its March 19, 2026, release—marking the end of the extended Chapter 7 Season 1 and ushering in a high-stakes rivalry theme.In this segment of Notorious Mass Effect, Analytic Dreamz dissects the cinematic trailer that pits players in a choice-driven conflict: side with The Foundation or The Ice King to settle scores and shape the island's fate. The footage teases intense rivalries, new weapons, items, and loot pool shifts, alongside iconic crossovers including Looney Tunes elements like Bugs Bunny and Daffy Duck—highlighted in the trailer with humorous nods like "Rabbit season" and "Duck season."The season introduces faction-based progression: align with one side, compete in battles, and unlock exclusive rewards, with the winning team's outcome determining final Battle Pass cosmetics (Frost-Ready Foundation or Exalted Ice King). The trailer showcases dynamic gameplay, frozen environments, returning characters like Jones and Hope, and hints at drivable Battle Buses and fresh mechanics amid heated showdowns.Released just before launch after a two-week delay from early March, the trailer builds massive hype with its high-production visuals, voice lines, and cross-platform appeal across PC, consoles, mobile, and Nintendo Switch 2. Player reactions in comments praise the return to form, fresh collaborations, and potential for epic team-based action.Analytic Dreamz breaks down the trailer's key moments, lore implications for the ongoing Fortnite storyline, crossover excitement, Battle Pass incentives (800 V-Bucks or Crew instant unlocks), and what this means for Fortnite's competitive edge in 2026—whether Showdown delivers on its promise of rivalries heating up the battle royale landscape.Privacy & Opt-Out: https://redcircle.com/privacy

Freddy kicks the Bugs Bunny into high gear, but I still love it. Come hear why.

Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction2:15 - Bigfoot is in Ohio. Will Jon follow?17:55 - Timothy Chalamet could use some Bugs Bunny32:15 - The Brady Bunch house is now a landmark42:45 - The hardest arcade games are from the 1980s1:02:20 - A Wonder Years star has an interesting palate1:11:25 - Wrap Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snow

Per approfondire gli argomenti della puntata: Storia della Medicina : https://www.youtube.com/watch?v=dJ6f-sfParI&list=PLpMrMjMIcOkk1xq8OpOWyLbxJO00AytS2&index=1&ab_channel=LaBibliotecadiAlessandria Altre pillole di medicina : https://www.youtube.com/watch?v=kIsBBIgQ1yo&list=PLpMrMjMIcOkns2J6ttZwvwDn2I5Yq3zRx&index=2&t=0s Altre pillole dal 45 a oggi : https://www.youtube.com/watch?v=gNGzCF04vi4&list=PLpMrMjMIcOkkDwQQVtLtYa1BczFWc-R5f&index=1&ab_channel=LaBibliotecadiAlessandria Learn more about your ad choices. Visit megaphone.fm/adchoices

Title: Navigating the Latest in Sci-Fi: Insights from Episode 503 of the Podcast4Sci-Fi In the latest episode of the Podcast4Sci-Fi, hosts Moose and Gamegod dive into a range of exciting topics, from the latest developments in streaming to the intriguing world of comic book adaptations. This episode is packed with insights and entertaining banter that sci-fi fans won’t want to miss. IntroductionAs the landscape of entertainment continues to evolve, the Podcast4Sci-Fi keeps listeners updated with the latest news and opinions in the world of science fiction and fantasy. In episode 503, Moose and Gamegod tackle everything from corporate maneuvers in streaming to the unique takes on iconic characters like Spider-Man. If you’re a lover of all things sci-fi, this episode is sure to resonate with your interests. Corporate Drama in StreamingOne of the major topics discussed is Paramount’s aggressive strategy in acquiring Warner Bros. properties. Gamegod shares insights about the staggering $108.4 billion cash deal, along with additional fees that have raised eyebrows across the industry. “They’re paying everything. There’s something here. Paramount might be onto something,” he remarks, highlighting the urgency and scale of this acquisition. Moose agrees, emphasizing that Netflix’s reluctance to accept such a deal is puzzling. The conversation reveals not only the financial stakes involved but also the competitive nature of the streaming wars. The hosts dissect what this could mean for future content and subscriber engagement, providing a vivid picture of the current state of the industry. Nicholas Cage’s Unique Take on Spider-Man NoirThe episode takes a fascinating turn as the hosts discuss Nicholas Cage’s upcoming role in the live-action adaptation of Spider-Man Noir. Cage describes his character as a blend of “70% Bogart and 30% Bugs Bunny,” which raises eyebrows from both Moose and Gamegod. Moose questions the effectiveness of such a unique combination, stating, “I mean, if that’s how he sees it and that’s how he’s portraying it, okay. But do you see Spider-Man Noir as like that?” Gamegod expresses skepticism, wondering if this direction will resonate with fans who are more accustomed to traditional superhero narratives. The hosts collectively contemplate the challenges of translating animated styles into live-action formats, making this discussion not only relevant but also thought-provoking for listeners who are keen on superhero films. Steam Machine TroublesShifting gears, the duo discusses the challenges faced by Valve’s Steam Machine, a new gaming console that aims to bridge the gap between PC gaming and console accessibility. Gamegod shares his enthusiasm for the Steam Deck, while Moose admits his device has become more of a bookshelf accessory than a gaming console. Their light-hearted banter about their experiences with the Steam Deck adds a relatable touch to the conversation, reminding listeners that not all tech innovations fulfill their promises. Conclusion and Key TakeawaysIn episode 503 of the Podcast for Sci-Fi, Moose and Gamegod provide an engaging blend of industry analysis, character exploration, and personal anecdotes. Key takeaways from this episode include: The intense competition in the streaming industry, as exemplified by Paramount’s aggressive financial strategies. The potential challenges faced by adaptations of beloved characters and how creative interpretations can sometimes lead to skepticism. The ongoing evolution of gaming technology and its reception by consumers. Listeners are left with plenty to ponder, making this episode a must-listen for sci-fi enthusiasts who want to stay informed about the latest trends and discussions in their favorite genre. SEO Tags: Podcast for Sci-Fi, Streaming News, Nicholas Cage, Spider-Man Noir, Steam Machine, Sci-Fi Podcast, Entertainment Industry Insights, Paramount, Warner Bros, Gaming Technology. The post Episode 503 – More Stranger Things, Mando and Grogu, Steam Machine, Spiderman Noir appeared first on Podcast4Scifi.

Patrick answers questions about Catholic traditions, from consecrating homes, the boundaries of interfaith participation, and why priesthood is restricted to men, all while weaving in audience reflections about the effects of violence in media and games, personal anecdotes, and advice for gently inviting friends back to faith. Jordin - How does a common person consecrate themselves to St. Joseph? (00:32) Lucy (11-years-old) - What is your opinion on violence in video games? (02:42) Gianna (10-years-old) - Why can’t girls be priests? (07:16) Sarah - If someone asks you to be a Godparent for a non-Catholic Christian religion, is that ok? Can Catholics celebrate Hanukkah? (12:13) George - What can I write to my friends about the Woman at the well? I am trying to motivate Catholic friends who are not practicing. (17:01) *Elena (email) - We were surrounded by violent shows, but I don't recall anyone freaking out about it. It was normal. And no one (or at least not many) turned out to be violent. What's the difference today? (21:56) Patrick and Cyrus talk about the dangers of violent video games and movies (25:16) Rae – We grew up respecting guns. These days, children don’t have that training. (34:38) David – We watched Bugs Bunny cartoons where there was violence and we turned out ok. (37:22) Heidi - I have a friend who was raised Catholic and not been to Church for several years. How can I convince her she does need to go to Confession? (38:08) Tom - I am seeking wisdom and insight. Is it a legitimate motivation to seek these things to avoid misery? (43:15)

We've had bad luck with FMV to Book games. Is this one better?(No.)https://nogamesforgenocide.comOur Socials Follow us at patreon.com/pixellitpod and hop into our Discord! Blue Sky: https://bsky.app/profile/pixellitpod.com Instagram: https://instagram.com/pixellitpod

In Part 2, we pick up where we left off in Part 1, with Sonia's life right after her stint at community college. She left the Bay Area to attend college up north at Chico State. Widely known as a party school (perhaps rightly so?), they also had a reputable journalism department and an award-winning newspaper. This attracted Sonia, of course. But some friends also attended, and that didn't hurt. Once in Chico, Sonia joined said college paper and got a job (where else?) at a movie theater. It was her first time to move out of her parents' house. She lived with a couple of roommates in Chico. That was one culture shock. Another was that, well, Chico isn't The Bay. And then there's those foothills winters. It also gets hotter in the summer there than it does in Concord. Sonia wrote for every section of the school paper, and even did some online writing, thanks to Chico State's early adoption of the internet. She even developed a little campus fan base. Sometimes walking around, she'd get shout-outs. There was even a Sonia character in one of the local comic strips. It was another phase of finding her people. She thinks that because all her roommates in Chico were men, she got really exciting to hang out with young women. She graduated after three years, in 1996. That Bay Area magnet snatched her back after that, and she moved in with her parents again in Concord. That gave way to an apartment she shared with her sister. Sonia got a job at the Martinez News-Gazette around this time, a three-day-a-week paper where she earned $213 per week. Anywhere she could find free food, she pounced. At the newspaper, she more or less did it all—cops, local and community news, school board meetings, and, of course, a humor column. I ask Sonia who her humor influences and inspirations are, and she immediately cites George Carlin (this is probably a big part of why we're friends). Her dad loved Carlin, too, and Sonia says the old man also has a wicked sense of humor that rubbed off on her. Another source of jokes was none other than Bugs Bunny. And lastly, Alan Alda's Hawkeye in M•A•S•H is another humor muse. That newspaper job led to her time at the San Francisco Independent, a paper owned by the Fang family. Sonia did a neighborhood beat on that job, reporting on school board, planning commission, and other community meetings. We rewind for a minute so Sonia can share early memories and impressions of San Francisco, having grown up across The Bay. When she was a kid, her grandma would take her to see The Nutcracker. She'd visit on other special occasions, but it wasn't until she was an adult that The City really grabbed hold of her heart. There's a hilarious story about showing up to dance at The Palladium wearing a "Ross Perot for President" T-shirt. Years later, with that job at the Independent, Sonia found herself in San Francisco most days. Though she had to write only three stories, the money was better and the circulation bigger than her previous job in Martinez. The beat was familiar—school board and planning commission meetings. She and her sister had bought a house for themselves in Concord, where they lived with her young niece. Eventually, the paper transferred Sonia to its Burlingame office, but it was to start writing movie reviews. Eventually, she even convinced the Independent to let her write TV show reviews. When the Fangs bought the San Francisco Examiner, they kept Sonia on to be their TV critic and moved her back to The City, to an office above the Warfield. She'll be the first to admit that when you're getting paid to watch TV, it's not so fun anymore. The paper cut Sonia, but brought her back three weeks later, this time to be the A&E editor. The Examiner was a slimmed-down, tabloid version of its former self. That's how it was a few years later when, fresh out of journalism school at SF State, I got a job there as a copy editor. I distinctly remember one of my favorite daily tasks was editing Sonia's celebrity gossip column—Scoop, which happened early in my shifts, around 4 p.m. or so. In the episode, I riff about how much I loved reading Scoop every day, even though I've never been good at or cared much for celebrity news. I also let Sonia know that I also appreciated her presence off the page, in the newsroom. She describes her time at The Examiner as something she loved, but it was also hard. She shares that, after working long days for little pay, she'd go home and play The Sims. Once, around 3 a.m., playing the game, her character was going to a party. And it clicked: Sonia couldn't remember the last time she went to a party. She needed to make some changes, and one was leaving The Examiner. First up was an HR temp job where her mom worked, in Vallejo. Next was a job writing press releases for a real estate company. Then she found work at a printing company in Oakland called PS Print. (Our lives intersected again around this time, but that's another story.) She helped them create a social media presence. Outside of work, Sonia had a blog (which she still has) called The Sonia Show. Check back tomorrow for Part 3 with Sonia. We recorded this episode at Rosamunde in The Mission in January 2026. Photography by Jeff Hunt

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

FEBRUARY 8TH, 1993 - An escaped mental patient stalks the beach and it's not long before there's a full-blown hostage situation! With Stephanie and Summer both captives of the madman, he spices things up with a ticking time bomb! It's a race against time that will need the full force of the Los Angeles Police Department and Mitch Buchannon to take the psycho down! And just how do Hobie2's budding voyeuristic tendencies help save the day??It's the episode that inspired Hot Red Shorts - A Gay Watch of Baywatch and implied there'd be a lot more explosions than we've gotten so far! There's still plenty of peril and even a bit of peeping in this latest turn, a simple story that zips along! Everybody gets their turn to mug dramatically in the camera, even favorites Jackie Quinn and surfer stud Slade! Plus Mitch gets to demonstrate his latest super power, this one taken straight from Bugs Bunny -- no wonder Germany loves him!https://linktr.ee/hotredshortspodcast

A plot twist in Hollywood has taken place in the last 24 hours, but in the spreadsheets rather than on the screens, as Netflix decides it's not willing to counter Paramount–Skydance's US$111bn bid for Warner Bros Discovery. We discuss what this means for the studio house that brought Bugs Bunny, the Looney Tunes, Harry Potter and the DC Universe to audiences worldwide. Vishala Sri-Pathma hears how US President Donald Trump has directed every federal agency to immediately stop using technology from Anthropic, as the row between the White House and the AI developer continues. Meanwhile, with the United States oil blockage of Cuba continuing for nearly a month, Will Grant reports on the economic and humanitarian crisis engulfing the Caribbean country. And as Pokémon celebrates turning 30 with its first ever theme park in Japan - we find out how a kids' craze become a cultural heavyweight. Global business news, with live guests and contributions from Asia, Latin America and the USA. (Picture: The Warner Bros. Studios water tower in Burbank, California, on 11 September 2025. Credit: Allison Dinner / EPA / Shutterstock).

The one thing that always brings Stugotz, Sal, Taylor and Mikey A joy is Christopher Mad Dog Russo. Especially when he goes on an epic rant of mispronounces someone's name. Plus, should Taylor do a heel turn when it comes to Covino and Rich and Colin Cowherd?See omnystudio.com/listener for privacy information.

Joe takes on the "boring" Super Bowl and its Spanish-heavy halftime show, featuring Donald Trump's hilarious review of Bad Bunny vs. Bugs Bunny. We dig up a vintage clip of a "coherent" Joe Biden arguing for English proficiency and roast Don Lemon for comparing himself to Rosa Parks. Plus, a brutal contrast between JD Vance's gratitude and Michelle Obama's complaints, Wesley Hunt dismantles the voter ID narrative, and Joe sounds off on the "insanity" of transitioning toddlers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 1: Is another Stranger Things episode dropping today? Let's talk about Conformity Gate. Plus, Sarah shares why Prince's Purple Rain was chosen for Eleven and Mike's final moment. Vinnie is reporting the weather in Caracas, apples live a shockingly long time, and Bugs Bunny was surprisingly educational. Plus, if you missed National take down your christmas tree down day - get to it! Hour 2: “Tron: Ares” is now streaming on Disney+. Ben Affleck and Matt Damon star in a new Netflix movie, premiering January 16th. A former NFL player is suing his ex-wife for talking about his two Coke cans, and the gang is divided. The Winter Olympics is coming, and our first phone call of 2026 is here! Stuff our kids do that make us say, “Oh, it's genetic!” Scott Budman is reporting on a new electric vehicle charger that might be a game changer for the future of EVs. Plus, Uber unveils their Robotaxi design at CES. (47:51) Hour 3: Let's bring those generations closer together. Steiny is back to defend his seat. Can he beat newcomer Lindsey from Sales and take home the winner's robe? San Francisco is having a super flu season - Don't go to work sick, please! Vinnie is updating us on the world's oldest Twinkie. The first GLP-1 pill is launching in the US. What's the worst pain you've ever felt? (1:29:16) Hour 4: We're thinking a little too much about Vinnie's moves, on and off screen. Mariah Carey is out, Taylor Swift is back on top of the charts. DJO is having a moment as well. Netflix is bringing Star Search back LIVE later this month. Jelly Roll, Sarah Michelle Gellar, and Crissy Teigan set to judge. Let's revisit some ridiculously wrong predictions from the 1950s. The kids aren't drinking in January or any other month. Time changes things: remember these luxury items? A listener calls in with a great idea for picking up chicks in the modern era. And, how old is that guy? (2:02:28)

Is another Stranger Things episode dropping today? Let's talk about Conformity Gate. Plus, Sarah shares why Prince's Purple Rain was chosen for Eleven and Mike's final moment. Vinnie is reporting the weather in Caracas, apples live a shockingly long time, and Bugs Bunny was surprisingly educational. Plus, if you missed National take down your Christmas tree down day - get to it!

On the eve of Netflix shoveling a fourish-hour chunk of Stranger Things onto Christmas Day, we visit the past, present, and future of binge-dropped television shows. The strategy of releasing an entire season at the same time has been key to taking Netflix from a little startup that used to lend us DVDs in the mail … to a company so big and powerful, it is maybe going to buy Warner Brothers and own Bugs Bunny and Tony Soprano and the Harry Potter movies.But even Netflix may be flirting with some slightly less binge-y models of content release. Are we entering … the end of the binge drop?On our latest: what data tells us about binge watching. Was it the greatest business decision, and who does binge watching really benefit? Here's some of the research. Pre-order the Planet Money book and get a free gift. / Subscribe to Planet Money+Listen free: Apple Podcasts, Spotify, the NPR app or anywhere you get podcasts.Facebook / Instagram / TikTok / Our weekly Newsletter.This episode was produced by Willa Rubin and edited by Meg Cramer. It was fact-checked by Dania Suleman and engineered by Maggie Luthar. Alex Goldmark is our executive producer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy