Podcasts about Desperate Housewives

In this intimate BONUS episode of I Choose Me, Julie Benz returns to talk with Jennie about the emotional journey of letting go of motherhood and embracing a new vision for her life. From IVF and old eggs to paparazzi tears and healing workouts, Julie shares with raw honesty what it took to process the grief, find peace and ultimately choose joy. AND, tune in to hear the story of a “Desperate Housewives” TV icon who completely changed how Julie advocates for herself as an actor. Follow the "I Choose Me" Podcast on Instagram and TikTok Follow Jennie on Instagram, TikTok, and FacebookSee omnystudio.com/listener for privacy information.

In this intimate BONUS episode of I Choose Me, Julie Benz returns to talk with Jennie about the emotional journey of letting go of motherhood and embracing a new vision for her life. From IVF and old eggs to paparazzi tears and healing workouts, Julie shares with raw honesty what it took to process the grief, find peace and ultimately choose joy. AND, tune in to hear the story of a “Desperate Housewives” TV icon who completely changed how Julie advocates for herself as an actor. Follow the "I Choose Me" Podcast on Instagram and TikTok Follow Jennie on Instagram, TikTok, and FacebookSee omnystudio.com/listener for privacy information.

As a recording artist, Vanessa Williams has earned 13 Grammy nominations and racked up over 212 million digital streams over the course of her eight albums. Her most popular hit, Save The Best For Last, was Number 1 for five weeks in 1992. She is also a highly successful stage and screen actor, appearing in Desperate Housewives and Ugly Betty. She is currently starring on the West End stage as Miranda Priestly in the musical adaptation of The Devil Wears Prada. It's all a long way from her historic crowning as the first African-American Miss America in 1983 - she was later forced to resign after unauthorised photos taken when she was a student were leaked without her consent.  Vanessa joins us for an honest, hilarious and no-holds-barred conversation about her childhood, her romantic relationships, and - in a How To Fail first - why she regrets sending her daughter to boarding school. Elizabeth and Vanessa answer YOUR questions in our subscriber series, Failing with Friends. Join our community of subscribers here: https://howtofail.supportingcast.fm/#content Have a failure you're trying to work through for Elizabeth to discuss? Click here to get in touch: howtofailpod.com  I have an upcoming one-off show at Cadogan Hall on 21 Sep for my new novel One of Us. Full show details here: ⁠https://www.fane.co.uk/elizabeth-day Production & Post Production Coordinator: Eric Ryan   Studio & Sound Engineer: Matias Torres Assistant Producer: Suhaar Ali Senior Producer: Hannah Talbot Executive Producer: Carly Maile How to Fail is an Elizabeth Day and Sony Music Entertainment Production.   Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actor Neal McDonough | The Brett Allan Show | "Skill House" www.brettallan.com for more! Watch here! https://www.youtube.com/watch?v=PEekyAxAd2s&t=1063s Ten influencers are lured into a content house and forced to compete in social media challenges, because in Skillhouse, clout isn't just currency, it's survival. Neal McDonough is an American actor, producer, and writer from Dorchester, Massachusetts. He's known for his supporting and character roles in TV shows and films, including Desperate Housewives (2008–2009), Suits (2014–2019), Yellowstone (2019), Minority Report (2002), and Street Fighter: The Legend of Chun-Li (2009). He also played Lieutenant Lynn "Buck" Compton in the HBO miniseries Band of Brothers and Lieutenant Hawk in Star Trek: First Contact. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nigel's guest today is John Barrowman. John is one of the most famous faces of stage and screen, having worked tirelessly for decades on stage in theatre productions like Miss Saigon, Sunset Boulevard, The Phantom Of The Opera and Hair and on TV shows like Dancing On Ice, Live & Kicking, This Morning and Desperate Housewives. He played one of the most iconic Dr Who characters ever, Captain Jack Harkness, a character whose popularity was so great it triggered a spin-off series, Torchwood. Allegations against John have seen one of the showbusiness world's most famous faces disappear from our screens and led him to a very dark place. But now John, a gay man whose voice has always been there to educate and fight misjustices within the queer community, is back and he is ready to shine once more.This series is a celebration of a beautiful queer community; people of all ages, people who have had to tread their own path to live their real truth, who have fought with their emotions and emerged victorious, who inspire, who aspire and always entertain. Hosted by Nigel May. Every episode Nigel speaks to a person from the LGBTQIA+ rainbow to hear their story; one person, one life, one conversation. And it always guarantees A Gay Old Time!Follow the podcast on TikTok @agayoldtime and on Instagram @agayoldtimepodcast Hosted on Acast. See acast.com/privacy for more information.

In this week's episode we talk about the ridiculous 2019 College Admissions Scandal which consisted of wealthy parents trying to get their children into elite colleges illegally, two of those parents being famous actresses Felicity Huffman and Lori Loughlin. Lori, famously being the mother of now influencer Olivia Jade had a very different process than Desperate Housewives' star, Felicity Huffman. We get into how it happened and what they paid to have done, how they plead, and the consequences of everyone after. The privilege is PRIVILEDING, honey. The FULL episode that is 90 minutes is on our premium channel, here. Created and produced by Tess Bellomo & Claire Donald For more RAM, go here! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we discuss the infamous cast tensions on Sex and the City and the drama surrounding the ladies of Desperate Housewives.patreon Hosted on Acast. See acast.com/privacy for more information.

There's dirty, and then there's dirt, and these maids know the dirt. Welcome to Beverly Hills where the scandals are hot and the maids know it all. In his follow up to the smash hit Desperate Housewives, Marc Cherry and now exec producer Eva Longoria are bringing you along for a SOAPY ride.Starring Ana Ortiz, Judy Reyes, Roselyn Sanches, Dania Ramirez, Edy Ganem, Rebecca Wisocky, Susan Lucci, Grant Show, and my god so many more characters my hands are getting tired typing this. Make sure to hang a right on Wilshire, friends, we'll see you in Beverly Hills.Hosts:Geoff KerbisMax SingerRich Inman

Carrie Bradshaw is on ATV and we don't know how to feel about it, but we do know that this episode through us for a loop. But before that, we discuss Call Her Daddy for some reason. And then we get into it all - Ryan Serhant is back, LTW is in Desperate Housewives territory, the show's attempt at taking on aging, Miranda is cat sitting, and that ending!!

Writer and director Jonathan Bowen returns this week to talk about the release of his new film 'The Comic Shop', as well as hear our review! The Comic Shop follows Mike (Jesse Metcalfe, Desperate Housewives and John Tucker Must Die), a comic shop owner at a strip mall in North Las Vegas, and Brandon (Micah Giovanni), a young comic lover who loves to draw. New to town, Brandon discovers Mike's comic book shop, where he meets Mike and Alex (Tristin Mays, MacGyver).  Soon he finds himself visiting there often as they have a strong indie comic book section.  At first, Brandon irritates Mike, but the two start to form a bond over their love and respect for comic books and the art of illustrating. Featuring cameos from Carrot Top and Eric Roberts, this is a film you won't want to miss! Watch ‘The Comic Shop' at the link below!https://www.amazon.com/gp/video/detail/B0DMMTCKB9/ref=atv_dp_share_cu_r DirectorBowen.com @DirectorBowen CannedAirPodcast.com TikTok: @CannedAirPodcast Instagram: @Canned_Air If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! Learn more about your ad choices. Visit megaphone.fm/adchoices

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

ONE OF THE MAJOR INSPIRATIONS FOR JAMES GUNN'S SUPERMAN!! All Star Superman Full Reaction Watch Along:   / thereelrejects   Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects With the DCU's flagship Superman film A MONTH AWAY, Coy & John continue their road to Metropolis with their All Star Superman Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Coy Jandreau & John Humphrey as they celebrate the Man of Steel in All Star Superman (2011), the acclaimed DC animated adaptation of Grant Morrison and Frank Quitely's beloved comic. When Superman (voiced by James Denton of Desperate Housewives and Good Christian Belles) absorbs a lethal overdose of solar radiation saving a U.S. space mission, he learns he has only days left to live—but not before completing twelve “super” tasks for humanity. Alongside Clark Kent's heartfelt romance with Lois Lane (Christina Hendricks, Mad Men, Drive), we see Lex Luthor (Anthony LaPaglia, Without a Trace, Frasier) unleash a diabolical plot to capture the bottled city of Kandor, and Perry White (Edward Asner, The Mary Tyler Moore Show, Up) struggle to keep the Daily Planet printing under cosmic threat. Standout moments include Superman's solar recharge chamber scenes, his bittersweet gift of temporary powers to Jimmy Olsen (Matthew Gray Gubler, Criminal Minds), and the climactic showdown where the dying hero still finds hope in saving the world. Nasthalthia (Linda Cardellini, Freaks and Geeks, Avengers: Endgame) offers alien perspective, Ma Kent (Frances Conroy, Six Feet Under, American Horror Story) grounds him in heart, and Steve Lombard (Kevin Michael Richardson, The Simpsons, Black Lightning) supplies brash newsroom flair. Don't miss Coy & John's breakdown of every iconic beat—from Superman racing the sun across the sky to the emotional farewell that cements his legacy as the ultimate hero! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

May is over and Kneel Before Pod brings you a discussion about the news and trailers dropped during that month. The conversation covers yet more revivals, video game adaptations and The Rock trying to be an actor. Craig McKenzie can be found on this very site and over on We Are Starfleet on the Film Stories podcast network. Bo Nicholson's projects can be found on his Linktree. Show Notes TV Reviews Craig's reviews of WandaVision Craig's reviews of Star Trek: Picard Movie Reviews Craig's review of Thunderbolts* Craig's review of Black Panther Craig's review of Spider-Man: No Way Home Craig's review of Black Panther: Wakanda Forever Craig's review of Madame Web Craig's review of Uncharted Craig's review of Suicide Squad Craig's review of The Suicide Squad Craig's review of Black Adam Craig's review of Jurassic World Craig's review of Jurassic World: Fallen Kingdom Craig's review of Jurassic World: Dominion Craig's review of Skyscraper Craig's review of Tomb Raider Craig's review of Pokémon: Detective Pikachu Craig's review of The Jungle Book Craig's review of Jungle Cruise Craig's review of The Girl on the Train Craig's review of Noah Craig's review of Zootopia/Zootropolis Craig's review of Top Gun: Maverick Craig's review of The Man from U.N.C.L.E Podcasts Thunderbolts* WandaVision Black Panther Spider-Man: No Way Home Black Panther: Wakanda Forever Madame Web Star Trek: Picard season 1 Star Trek: Picard season 2 Star Trek: Picard season 3 Suicide Squad The Suicide Squad Pokémon: Detective Pikachu Trailers The Long Walk The Smashing Machine Weapons Highest 2 Lowest Caught Stealing Materialists Honey Don't Echo Valley Zootopia 2 Now You See Me, Now You Don't F1 Jurassic World: Rebirth Ironheart Peacemaker season 2 Superman News Krysten Ritter to return as Jessica Jones in Daredevil: Born Again season 2 T'Nia Miller cast in Vision Quest Avengers: Doomsday and Avengers: Secret Wars delayed Ralph Fiennnes to play President Snow in Hunger Games: Sunrise on the Reaping Guy Ritchie to direct Road House 2 Jenna Ortega and Robert De Niro to star in David O Russell's Shutout Keanu Reeves and Sandra Bullock reteam for romantic thriller Kerry Washington producing Desperate Housewives spinoff Wisteria Lane Miles Teller to star in Possum Song Rambo origin movie in the works Chris Hemsworth to star in submarine thriller Subversion Jude Law and Andrew Garfield to lead Wild Things Mikey Madison and Kirsten Dunst to star in Reptilia Zach Braff to return in Scrubs continuation Mel Gibson's The Resurrection of the Christ confirmed The Rock cast in Breakthrough Harry, Ron and Hermione cast in Harry Potter series Buffy The Vampire continuation finds its lead Alex Garland to direct Elden Ring movie Misc Diego Luna on the Criterion Closet Andrew Garfield on the Criterion Closet Craig's appearance on "At The Movies in the Noughties" discussing Mission: Impossible 2 Craig's appearance on "Reel Talk" discussion Mission: Impossible - The Final Reckoning Bo's appearances on Geneology - first and second Music Niall Stenson's cover of the “Jurassic Park theme“, the “Superman theme” and his YouTube channel If you enjoyed what you heard here, please subscribe to Kneel Before Pod. If you have any feedback then we'd love to hear it. You can find us on Facebook ,Twitter and BlueSky. You can also make yourself known in the comments section below or you can join us on Discord.

Morse code transcription: vvv vvv Ncuti Gatwa leaves Doctor Who in shock regeneration Swindon nurse struck off after filming in supermarket toilet Laura Kuenssberg Will strategic defence review meet the threats we face Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Disposable vapes ban begins but will teens quit Desperate Housewives star Valerie Mahaffey dies aged 71 Bondi stabbing How killer Joel Cauchi slipped through the cracks UK government to spend 1.5bn on six new weapons factories Norway calls time as school leavers Russ bus partying gets out of hand The Alarm Mike Peters funeral brings thousands to Denbighshire

Morse code transcription: vvv vvv Laura Kuenssberg Will strategic defence review meet the threats we face Desperate Housewives star Valerie Mahaffey dies aged 71 The Alarm Mike Peters funeral brings thousands to Denbighshire Norway calls time as school leavers Russ bus partying gets out of hand Swindon nurse struck off after filming in supermarket toilet UK government to spend 1.5bn on six new weapons factories Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Ncuti Gatwa leaves Doctor Who in shock regeneration Disposable vapes ban begins but will teens quit Bondi stabbing How killer Joel Cauchi slipped through the cracks

Morse code transcription: vvv vvv Laura Kuenssberg Will strategic defence review meet the threats we face Bondi stabbing How killer Joel Cauchi slipped through the cracks The Alarm Mike Peters funeral brings thousands to Denbighshire Desperate Housewives star Valerie Mahaffey dies aged 71 Norway calls time as school leavers Russ bus partying gets out of hand Ncuti Gatwa leaves Doctor Who in shock regeneration UK government to spend 1.5bn on six new weapons factories Swindon nurse struck off after filming in supermarket toilet Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Disposable vapes ban begins but will teens quit

Morse code transcription: vvv vvv UK government to spend 1.5bn on six new weapons factories Disposable vapes ban begins but will teens quit Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Norway calls time as school leavers Russ bus partying gets out of hand Desperate Housewives star Valerie Mahaffey dies aged 71 The Alarm Mike Peters funeral brings thousands to Denbighshire Swindon nurse struck off after filming in supermarket toilet Bondi stabbing How killer Joel Cauchi slipped through the cracks Laura Kuenssberg Will strategic defence review meet the threats we face Ncuti Gatwa leaves Doctor Who in shock regeneration

Today on Too Opinionated, we sit down with actress/singer Linda Purl!  Linda is known for her roles as Ashley Pfister (Fonzie's girlfriend) on Happy Days (she originally played Gloria as Richie's date in season 2.), Sheila Munroe in the 1982 horror film Visiting Hours, Pam Beesly's mother Helene in The Office, and Ben Matlock's daughter Charlene Matlock for the first season of the television series Matlock.  Linda released her fourth full-length album, a collaboration with music director Tedd Firth called This Could Be the Start on Reaching Records, August 2023. Purl is a jazz vocalist, known for imbuing classic show tunes and jazz standards with a distinctive narrative expressiveness.  Linda is also known for her roles in The Waltons, Mighty Joe Young, The Bold and the Beautiful, General Hospital, Hacks, The Oath, Homeland, Desperate Housewives, Walker Texas Ranger, The Love Boat and Murder She Wrote.  Make sure you keep an eye out for Duffy's Dough: https://duffysdough.com/   Want to watch: YouTube Meisterkhan Pod (Please subscribe)  

CHEESECAKES! We are SO EXCITED to share our interview with the GREAT Marc Cherry! Of course Mr. Cherry is probably best known for creating the mega-hit series "Desperate Housewives", but did you know he got his start writing on the final seasons of "The Golden Girls" - including writing fan favorite episode "Journey To The Center of Attention"? It was SUCH a thrill to get to hear his behind-the-scenes stories and favorite memories of working with these icons! And we would very much like to thank him for being a friend! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In today's Hot Topics, the co-hosts discuss the expected departure of Trump's National Security Advisor Mike Waltz from his position after the "Signalgate" controversy.Kerry Washington and Omar Sy join to discuss playing a deadly couple in the new movie “Shadow Force” and Washington shares about her involvement in the upcoming “Desperate Housewives” reboot.GLAAD President and CEO Sarah Kate Ellis presents the co-hosts with their GLAAD Media Award for a 2024 segment with Elliot Page on trans visibility. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The ladies of Desperate Housewives want a cut if there is a reboot, Jordon Hudson wants to be an SI Cover Model and Beckham Drama continues. Barry Keoghan talks addiction, Kris Jenner's plastic surgeon revealed and some of the biggest story around GMA and morning talk show scene. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we welcome Neal McDonough to the show. He is a prolific actor. He famously played the role of Buck Compton in Band of Brothers and has also been in many movies and TV shows, to include Star Trek: First Contact, Minority Report, Captain America: The First Avenger, Yellowstone, Justified, Tulsa King and Desperate Housewives. He has also been a part of several recent Angel Studios projects to include The Shift, Homestead, and The Last Rodeo. In this interview, we discuss what got him “cancelled” from Hollywood, how he almost succumbed to alcoholism, how his Christian faith saved him, his latest projects with Angels Studios, and much more. Let's get into it… Episode notes and links HERE. Donate to support our mission of equipping men to push back darkness. Learn more about your ad choices. Visit megaphone.fm/adchoices

À l'occasion du Festival de Cannes, je vous propose une série spéciale dédiée au cinéma.Des entretiens inédits avec des acteurs, actrices, réalisateurs et réalisatrices, venus du monde entier.Mais aussi des rediffusions de conversations marquantes avec des personnalités emblématiques du 7e art, pour découvrir leurs parcours, leur vision et leurs anecdotes exclusives.Aujourd'hui, un épisode avec l'incontournable Eva Longoria. Si j'avais su, quand je regardais Desperate Housewives avec mes soeurs sur le canapé, que j'aurais la chance d'interviewer quelques années plus tard l'icône qui incarne Gabrielle Solis…Mais Eva Longoria n'est pas seulement une actrice talentueuse : elle est une brillante réalisatrice, une femme d'affaires redoutable et une militante engagée.Ensemble, on a pu échanger sur le poids de l'apparence physique, de l'accomplissement professionnel et de l'importance de croire que le meilleur reste à venir, même lorsqu'on a connu le succès, et de la place qu'il reste à faire pour la nouvelle génération qui arrive. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Last week Bravo announced four new shows - Ladies of London (The Return), Shahs The Valley (Reboot), The Real Housewives of Rhode Island (New Franchise) and Wife Swap (Housewives Edition). Today we break down these four shows, what to expect, discuss casting, timing and so much more. In other news, Mauricio Umansky has gone wild. Southern Charm has been filming the new season with more drama than ever. Scheana comes for LVP again. Dolores Catania has a health scare. Gia Giudice feuds with everyone. Last, but not least, the most exciting news of all, the one and only Ms. Kerry Washington is working on a Desperate Housewives reboot called Wisteria Lane!!! @amiryassofficial @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - ⁠⁠⁠www.patreon.com/behindthevelvetrope⁠⁠⁠  BROUGHT TO YOU BY: PIQUE LIFE - ⁠⁠⁠piquelife.com/velvet⁠⁠⁠ (20% Off Plus a Free Rechargeable Frother & Glass Beaker If You're Tired of Feeling Depleted & Want to Finally Nourish Your Body the Right Way) SPOT & TANGO - ⁠⁠⁠⁠spotandtango.com/velvetrope⁠⁠⁠⁠ (Use Code Velvetrope To Get 50% Off Your First Order of UnKibble For Your Dog) THRIVE MARKET - ⁠⁠thrivemarket.com/velvetrope⁠⁠ (Get 30% Off Your First Order Of Health Conscious Food, Household Goods, Personal Grooming Products and More) DELETEME - (Get 20% Off By Texting VELVET to 64000 - To Take Control Of Your Data & Keep Your Private Life Private) CORNBREAD - ⁠⁠⁠⁠cornbreadhemp.com/velvet⁠⁠⁠⁠ (30% Off With Code Velvet on Cornbread's Gummies) WASHINGTON RED RASPBERRIES - ⁠⁠Redrazz.org⁠⁠ (Find New Ways To Use American Frozen Red Raspberries & Get More Details On Where You Can Grab a Bag) SELFUP - ⁠⁠selfup.com⁠⁠ (Use Code VELVET20 For 20% Off For a Fun Night Out of Cooking Classes) HULU - (Watch The New Season of “The Secret Lives of Mormon Wives”, Coming To Hulu May 15th) STRAWBERRY - ⁠⁠⁠Strawberry.me/VELVET ⁠⁠⁠(Get Started Today w/ Your $50 Credit because Career Success Shouldn't Wait) MEANINGFUL BEAUTY - ⁠⁠⁠⁠meaningfulbeauty.com/velvet⁠⁠⁠⁠ (Get 25% Off Cindy Crawford's Beauty Line & The Targeted Treatment Duo GIFT SET for FREE) ADVERTISING INQUIRIES - Please contact ⁠⁠⁠David@advertising-execs.com⁠⁠⁠ MERCH Available at - ⁠⁠⁠https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to the full episode and get access to over 130 episodes when you join the Ready to Be Petty Patreon. For $5 USD/month, you get weekly episodes on trending topics and pop culture deep dives and entry to the Discord to chat with other listeners.Public episodes of Ready to Be Petty are on an indefinite hiatus.You can also check out Torry's other podcast, Ready to Be Romanced, which recaps and reviews romance novels and their tv/movie adaptations wherever you find podcasts.Full Episode Description: On this patreon exclusive, Torry (she/her) and Cam (she/her) from what i will say discuss the 2025 Met Gala, David Beckham's 50th birthday, and Kerry Washington's Desperate Housewives reboot. Then Cam nominates Kath Ebbs for their recent Instagram shading Jojo Siwa as Pettyweight Champion of the Week and Torry nominates Craig Conover for his How to Giggle shade. Finally, Cam shares her This Week in Petty, an anonymous poster on her blog and Torry talks about her headphone volume. Buy official merch or an RTBP keychain on Etsy.Follow RTBP on Instagram, Tiktok, and Twitter.Photo by Mariah Burchell.

A daily non-partisan, conversational breakdown of today's top news and breaking news stories Headlines: – Welcome To Mo News (02:00) – Trump Ousts Mike Waltz As NSA: The Backstory and What's Next (05:45) – Apple's Warning On China Tariffs (21:30)– Senate Republicans Block Rebuke of Trump's Tariffs (22:30) – Newark Airport Hit With Delays In Part Because Of Staffing Shortages (25:00) – The McRecession Hits Fast Food Chains (27:40)  – In-N-Out Coming To New States (29:20) – Tony Nominations: Lots Of Hollywood Names (31:40) – ‘Desperate Housewives' Reboot From Kerry Washington in Development (33:50) – What We're Watching, Reading, Eating (36:00) Thanks To Our Sponsors: – LMNT - Free Sample Pack with any LMNT drink mix purchase – Industrious - Coworking office. 30% off day pass – Shipstation - Automated, discounted shipping free trial | Code: Monews – Athletic Greens – AG1 Powder + 1 year of free Vitamin D & 5 free travel packs

In today's Hot Topics, the co-hosts discuss the expected departure of Trump's National Security Advisor Mike Waltz from his position as National Security Advisor and being named UN Ambassador.Kerry Washington and Omar Sy join to discuss playing a deadly couple in the new movie “Shadow Force” and Washington shares about her involvement in the upcoming “Desperate Housewives” reboot.GLAAD President and CEO Sarah Kate Ellis presents the co-hosts with their GLAAD Media Award for a 2024 segment with Elliot Page on trans visibility.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Angel is getting us ready for garage sale season, BOOB TUBE: A "Desperate Housewives" reboot, Netflix says movie theaters are dead -- we disagree, and myTalk Loves Local: Minnesota Orchestra -- experience "Harry Potter," "Star Wars" and more with a live musical experience! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Angel is getting us ready for garage sale season, BOOB TUBE: A "Desperate Housewives" reboot, Netflix says movie theaters are dead -- we disagree, and myTalk Loves Local: Minnesota Orchestra -- experience "Harry Potter," "Star Wars" and more with a live musical experience! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on reCappin', we discuss Misa Hylton suing Mary J Blige; Katy Perry and the terrible, horrible, no good, very bad social media coverage; Elizabeth Hurley and Billy Ray Cyrus' dating announcement; and Kerry Washington reviving Desperate Housewives with Hulu/Onyx Collective (01:00). In Hot Topics, we discuss Rock and Roll Hall of Fame 2025 inductees and the Cowboy Carter tour kickoff (24:04).   Stay tuned for our next episode! We have our final "In Conversation" episode ahead of the Dayton Black Women's Film Festival with filmmaker Aisha Ford!  We are available on all podcasting platforms, but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Could Desperate Housewives actually be getting a reboot? Plus, the NFL announced fines over the Sheduer Sanders prank. 

Sydney Sweeney gets close to co-star Brandon Sklenar at Stagecoach (Page Six) (24:32)Meghan Markle Says Harry 'Slayed the Dragon, Saved the Princess' for Their Marriage (People) (31:59)‘Desperate Housewives' Offshoot ‘Wisteria Lane' In Works At Onyx (Deadline) (41:26) Katy Perry Says She's Been ‘Battered and Bruised' by Backlash (Variety) (47:45)Brittany Cartwright brutally shades ex Jax Taylor's sex skills on ‘WWHL' (Page Six) (54:11)The Valley Recap (58:34)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Special K suggest some bad songs for a little league team. Website

It's a Desperate Housewives and Glee mashup! Jenna and Kevin welcome their bestie actress Andrea Bowen to the pod! The best buds swap stories about their experiences growing up in front of the camera on hit shows, what Kevin learned from Andrea about interacting with fans, the time Andrea's brother was Jenna's first date (yes, we get all the deets), and you won't gleeking believe it! Andrea reveals she auditioned for Glee! She breaks down her experience, including the tune she sang! Plus, Andrea talks about her time on Desperate Housewives, including her relationship with on-screen mom Teri Hatcher and finding out about the show's cancellation with the rest of the world. For fun, exclusive content and behind-the-scenes clips, be sure to follow us on Instagram @andthatswhatyoureallymissedpod! See omnystudio.com/listener for privacy information.

You may have seen writer, actor, and comedian Jeffery Self on the shows 30 Rock, Desperate Housewives, and Jeffery & Cole Casserole alongside Cole Escola. Or you might know him from his books, Drag Teen and A Very Very Bad Thing. Jeffery's latest book Self-Sabotage: And Other Ways I've Spent My Time came out last month. And for this week's episode, we're heading into the Sewers archive to revisit my conversation with Jeffery from 2017, when we talked about forming a rebel theater troupe in his small southern hometown; testing his capacity for sass on television; and creating the circle of friends that he knew he needed in his life.We'll have that conversation in a minute. First, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows — my latest is about the film Dog Day Afternoon. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Willie sits down with Eva Longoria to catch up on her many new projects, such as her starring role in the film "Alexander and The Terrible, Horrible, No Good, Very Bad Road Trip." Longoria also opens up about how her life changed after “Desperate Housewives” and her new perspective on turning 50 years old.