Podcast appearances and mentions of Blake Edwards

Despite the death of his leading man, director Blake Edwards forged ahead with yet ANOTHER attempt at resuscitating the Pink Panther series. This time, Edwards decided to replace both the late Peter Sellers and Inspector Clouseau with a new bumbling detective, New York investigator Clifton Sleigh (Ted Wass). The result: Curse of the Pink Panther (1983). __________Taylor Zaccario…Host, Director, Producer, Writer Nick Zaccario…Host, Director, Producer, Editor

El podcast de cine de Libertad Digital examina la evolución de la censura y el aperturismo social a través de dos obras que marcaron la historia. En una nueva entrega de Pari Par, el podcast de cine y series de esRadio, los presentadores Juanma González y Dani Palacios cuentan con la participación de la Alicia Parente para desgranar dos joyas de la comedia española dirigidas por Mariano Ozores: Operación Secretaría y Fin de semana al desnudo. El eje central de la conversación gira en torno al fenómeno del landismo y la figura de Alfredo Landa, quien interpreta al carismático Rodolfo Cisneros. Mientras que en la cinta de 1966, Operación Secretaría, la trama se desarrolla en blanco y negro con un tono más contenido, la versión de 1974, Fin de semana al desnudo, se sumerge de lleno en el aperturismo del tardofranquismo, utilizando el color y una mayor carga de tensión sexual para atraer al público de la época. Uno de los puntos más destacados por los colaboradores de Libertad Digital es el duelo interpretativo entre las dos grandes cómicas que protagonizan ambas versiones: Gracita Morales y Lina Morgan. La charla también aborda las curiosas reglas de la censura cinematográfica de aquel periodo. En 1974, las normas se habían relajado lo suficiente como para permitir algunos excesos lujuriosos. Secuencias memorables como la batalla de tartas en el despacho del notario, un claro homenaje de Mariano Ozores al cine de Blake Edwards; el final de la película, donde el personaje de Alfredo Landa acaba escayolado y derrotado por las mujeres... El equipo concluye reivindicando el cine industrial de los años sesenta y setenta como una industria que funcionaba, generaba beneficios y entretenía a un público que abarrotaba las salas para ver a sus musas, como la mítica Carmen Sevilla, en la gran pantalla.

Back with a flourish after a bit of a hiatus, the couples view of life has plenty to chew on. Documentaries, travel anticipation and planning, music, fun events and more. In the mix Ralph Lauren, water running, business retreats, cruises, Rick Steves, Mary Tyler Moore, Blake Edwards, Benny Goodman, Chicago, and more. Join the fun!

Send us Fan MailHe turned down a sure thing with Sam Peckinpah and said yes to a script with a strange title: Flashdance. That single choice reshaped Michael Nouri's acting career, and the way he tells it makes you feel how fragile “overnight success” really is.We talk with Michael about the long road behind the iconic roles: discovering theater in school, chasing work in New York, handling early on-camera fear, and learning how craft evolves when Hollywood keeps changing the rules. He shares what it was like to realize Flashdance had become a phenomenon, right down to the moment audiences stood up cheering and then poured out to buy the soundtrack. If you love filmmaking, film history, and the behind-the-scenes reality of casting, negotiation, and timing, this conversation delivers.Then we go deeper into the heart side of show business. Michael opens up about depression, the value of therapy and support systems, and how grief forces a recalibration after losing loved ones. At 80, he reflects on time speeding up, the fear of feeling irrelevant, and why a sense of purpose is non-negotiable. We also get one of my favorite Hollywood stories: how an eggplant parmesan sandwich led to Blake Edwards and Julie Andrews and a life-changing path to Victor Victoria on Broadway, plus what he's doing now in television and the memoir and charity book projects that keep his creative engine running.If this moved you, subscribe, share the episode with a friend, and leave a review so more artists and story lovers can find The Heart of Show Business.Let's keep this going!→ Instagram (daily insights + behind the scenes)→ Books & Author Page→ Work with Me → ShopGet Social with Michael Nouri Support the showThanks for listening! Follow us on X, Instagram and Facebook and on the podcast's official site www.theheartofshowbusiness.com

Goon Pod kicks off a new series for 2026 by looking back at a film which is unbelievably fifty years old but when released was hailed as a modern masterpiece of comedy cinema, and which lifted Peter Sellers from an extended period of career inertia: The Return of the Pink Panther, directed by Blake Edwards. Sellers plays Inspector Clouseau once again, back on the trail of the mysterious Phantom – aka Sir Charles Litton (Christopher Plummer) – who apparently has stolen the famed Pink Panther diamond again. Along the way the hapless ‘tec nearly gets shot, gets blown up by a bomb, drives into a swimming pool, is outwitted by a parrot, assists a bank robbery, gets squashed in a revolving door and is the victim of countless other indignities. Joining Tyler is Sitcom Club co-host Gary Rodger and the conversation, rather like Clouseau on the waxy museum floor, goes in all directions:How Lew Grade came to the rescueWho might have been cast in the mooted Pink Panther television seriesPrince Charles moistening a lady in MontrealWhat happened to Niven?We love John BluthalZwamm?Douglas Fairbanks Jr as an early casting choiceHow Sellers' career may have panned out had this film not happenedCheering Lodge & StarkPan & Scan technologyLast of the Summer Wine Catherine Schell corpses, Victor Spinetti fumes, Mike Grady shines and Carole Cleveland makes a splashDid Dreyfuss overreact? And much much more. It's all here folks! As mentioned, Gary is going to run the London Marathon this year (or kill himself trying) on behalf of Alzheimer's Society – please show your support here: https://www.justgiving.com/page/gary-rodger

On the latest episode of the podcast, Jamie has a real problem with Kim Basinger's performance, Doug has a real problem with Bruce Willis's performance, and we both have a real problem with the script. Take your date to watch your friend noodle around on a guitar, practice your southern accent, and join us as we try and figure out where the laughs are supposed to be in, Blind Date!Blind Date is a 1987 film directed by Blake Edwards and starring Kim Basinger, Bruce Willis, John Larroquette, William Daniels, George Coe, Mark Blum, Stephanie Faracy & Phil Hartman.Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookDoug's Schitt's Creek podcast, Schitt's & Giggles can be found here: https://podcasts.apple.com/us/podcast/schitts-and-giggles-a-schitts-creek-podcast/id1490637008

Internationally known for her five series, Dee Wallace has starring in appeared in 7 television series, over 400 commercials, as well as holding the record for any living actress with over 280 films/TV movie credits, including Critters, The Howling, Cujo, The Frighteners, 10, The Hills Have Eyes, and the number one blockbuster, E.T. THE EXTRA-TERRESTRIAL (Celebrating its 40th in 2022).Dee is an Emmy nominated actress, as well as a best-selling author and a multi-nationally respected authority on the art of self-creation for over 30 years. A true tour de force in the industry, working with countless producers and directors and some of Hollywood biggest names, including Steven Spielberg, Peter Jackson, Wes Craven, Joe Dante, Lewis Teague, Stephen King, Blake Edwards and Rob Zombie. Dee has appeared on every major news and talk show and has been featured on E! True Hollywood Stories, and Oprah.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.Take your spiritual journey to the next level with Next Level Soul TV — our dedicated streaming home for conscious storytelling and soulful transformation.Experience exclusive programs, original series, movies, tv shows, workshops, audiobooks, meditations, and a growing library of inspiring content created to elevate, heal, and awaken. Begin your membership or explore our free titles here: https://www.nextlevelsoul.tv

Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Enfermedades Raras Mañana sábado 28 de febrero se conmemora el Día Mundial de las Enfermedades Raras. Una jornada que da pie a reflexionar sobre los retos pendientes que afectan a quienes las padecen: mejorar el diagnóstico precoz; avanzar en la creación y acceso a tratamientos; y visibilizar la realidad de los que conviven con estas patologías poco frecuentes. Se conocen más de 7.000 enfermedades raras, pero sólo aproximadamente el 6% dispone de tratamiento. En España, se estima que más de 3 millones de personas padecen alguna de estas patologías. Muchas de ellas son graves, crónicas, potencialmente mortales y la gran mayoría (alrededor del 70%) se desarrollan durante la infancia. Además, el diagnóstico suele retrasarse por el desconocimiento de sus síntomas, lo cual incrementa la carga física, emocional y social para los pacientes y sus familias. Este año, ponemos el foco en las entidades que investigan y desarrollan medicamentos para este tipo de enfermedades, cuyos tratamientos están dirigidos a un número muy reducido de pacientes. Tal es el caso de Recordati Rare Diseases, división del grupo Recordati (que este año celebra su centenario) especializada en patologías poco frecuentes. Desde 2007, centra su actividad exclusivamente en enfermedades raras como la de Cushing, la acromegalia, la porfiria o el neuroblastoma de alto riesgo. Entrevistamos al director general de Recordati Rare Diseases en España y Portugal, David Marín Raboso. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre "Mi hermana Elena" (My sister Eileen). Película musical estadounidense de 1955 dirigida por Richard Quine, con guion de Blake Edwards, Richard Quine y Joseph Fields, y protagonizada por Janet Leigh, Jack Lemmon y Betty Garrett. Dos hermanas muy diferentes, una explosiva rubia y una tímida morena, llegan a Nueva York dispuestas a abrirse camino: una como actriz, la otra como escritora. Narra la historia de las hermanas Ruth (Betty Garrett) y Elena Sherwood (Janet Leigh), nacidas en Columbus (Ohio), que llegan a NYC para conseguir fama y fortuna. Ruth, la mayor, es tímida, se considera poco agraciada, teme quedar soltera, escribe cuentos y es portadora de una carta de recomendación para Robert "Bob" Baker (Jack Lemmon), editor de la revista "L'Amour". Elena es rubia, extrovertida, guapa, simpática y desea triunfar como actriz de teatro. Ambas se instalan en un semisótano destartalado de Greenwich Village, rodeado de vecinos excéntricos.

Rebecca and Tori chat about Blake Edwards' 1963 classic, 'The Pink Panther,' and its follow-up, the 1964, 'A Shot in the Dark.' In our most spoiler-free episode to date, we discuss Peter Sellers' life, scenes that made us laugh the most, what didn't age well, and what was ludicrous. We kind of sing too.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoShining Star Flourish: Sound Effect by u_it78ck90s3 from PixabaySpotlight Flourish: Sound Effect by StudioKolomna from PixabayPodcast Jazz Bossa Nova Acoustic Guitar Good Mood Music by Denis-Pavlov-Music on PixabayMovie Clipctpatant | A Shot in the Dark | 27 Jan 2012 | YouTubeSourcesLa Roquette Prisons - WikipediaPeter Sellers - The Genius who was Chief Inspector Clouseau | British HeritagePeter Sellers - The Genius who was Chief Inspector Clouseau | British HeritageThe unsettled soul behind the comic facade: Peter Sellers - America Magazine

Hoy recordaremos la vida de un gentleman inglés que estaba más cu-cú que un reloj suizo. Hoy recordaremos a Richard Henry Sellers, no, no me he equivocado de nombre, es que lo suyo era mitad genético, mitad familia un poquito disfuncional. Richard nació el 8 de septiembre de 1925 en Southsea, un pueblecito inglés que tiene playa pero sin chiringuitos, por eso se vienen los de allí a Chipiona. Tuvo un hermano que no llegó a nacer que se iba a llamar Peter. Y Luego nació él, que le pusieron Richard Henry pero lo llamaban Peter porque había que traumatizarlo prontito, que luego tó son prisas. Sus padres eran artistas, protestante él, judía ella, que metieron al niño en un colegio católico con muchos curas porque no desaprovechaban una oportunidad de joderle la vida. Además su padre solía decirle que iba a tener un brillante porvenir como barrendero. Una infancia itinerante, junto con la soledad del hijo único y la búsqueda de refugio en su madre Agnes, hizo que Peter mirara a su progenitora con los mismos ojitos que Trump a Groenlandia. Estos primeros años dieron como resultado una personalidad más inestable que el precio de los boquerones. Peter empezó muy joven a estudiar interpretación pero lo que a él le gustaba de verdad era ponerse la rebequita llena de bolitas de su madre y tocar la batería. Se le daba tan bien la música que la amistad con un tal George Martin lo llevó a ser el primero en escuchar el “Álbum Blanco” para dar su opinión porque los Beatles confiaban más en él que Pere Navarro en las balizas V16. Cuando Peter tenía 15 años, la explosión de la IIWW lo obligó a dejar los estudios y a buscarse la vida como cómico itinerante. Fue reclutado a la fuerza con la idea de convertirlo en piloto de caza, a un chaval que llevaba las gafas de Chus Lampreabe, que una vez se le rompió un cristal y le pusieron el culo de un tarro de paté a la pimienta. Y así fue como se convirtió en la Marta Sánchez de ellos y acabó en el Gang Show, una troupe que entretenía a los soldados con chistes de nazis gangosos. Fue aquí donde le cogió tanto coraje al color púrpura que Peter veía una berenjena y empezaba a sudar como cuando te entra un apretón en casa tu suegros y tú intentas aguantar para cagá en tu casa. Ya en esta época era una mezcl entre Woody Allen y José Luis López Vázquez mosqueao, usaba sombreros de pescador de cuadros porque tenía la cabeza como un quesito del Trivial y no le cabía otro y afirmaba que cada vez que necesitaba inspiración para un papel lo poseían personajes como Napoleón, Leonardo Da Vinci o Carmen de Mairena. Su astrólogo que se había dado cuenta que Peter estaba más pa´llá que Miguel Bosé, se dejaba sobornar por los directores para aconsejarle que aceptara este o aquel papel. Para el del Inspector Clouseau de la Pantera Rosa le advirtió que una persona con las iniciales B.E. le cambiaría la vida y Peter en vez de cogerle el teléfono al director Blake Edwards, se casó con la actriz Britt Ekland, para desgracia de ella. Peter se casó 4 veces, tuvo un lío fugaz con Liza Minnelli que bajó un momentito a por tabaco cuando Peter le dijo que lo había poseído Rasputín y tuvo 3 hijos a los que desheredó (A LOS 3) porque la pequeña de 15 años le dijo un día que en Bienvenido Mr. Chance parecía un “vejito gordo”. También fue el único al que Kubrick dejó improvisar en una película y se llevó 20 años buscando la manera de dejá de pagá el OCASO. Lo intentó todo: trabajá más horas que Buenafuente, echarse droja en el Cola-Cao, darle chupetones fuertes al ventolín antes de gratinarle el mollete a la parienta, nada, como mucho 8 infartos en 3 horas que le dieron en 1964. Desgraciadamente el genio gruñón de Peter Sellers nos dejaba el 24 de julio de 1980, a los 54 años, a su décimo quinto ataque al corazón aunque ustedes siempre podrán recordarlo cada vez que vean a una madre con una rebequita llena de bolitas o se ganen un quesito jugando al Trivial.

Mike & Tommy dive into Microsoft Fabric licensing strategy, questioning whether organizations actually need Fabric or are falling into the same over-provisioning trap as Power BI Premium. Drawing on Blake Edwards' client savings case studies, they explore F64 thresholds, hidden costs, and practical optimization tactics that separate smart capacity decisions from expensive assumptions.Get in touch:Send in your questions or topics you want us to discuss by tweeting to @PowerBITips with the hashtag #empMailbag or submit on the PowerBI.tips Podcast Page.Visit PowerBI.tips: https://powerbi.tips/Watch the episodes live every Tuesday and Thursday morning at 730am CST on YouTube: https://www.youtube.com/powerbitipsSubscribe on Spotify: https://open.spotify.com/show/230fp78XmHHRXTiYICRLVvSubscribe on Apple: https://podcasts.apple.com/us/podcast/explicit-measures-podcast/id1568944083Check Out Community Jam: https://jam.powerbi.tipsFollow Mike: https://www.linkedin.com/in/michaelcarlo/Follow Tommy: https://www.linkedin.com/in/tommypuglia/

Les Ciné-Buddies Ali Ster et Jean accueillent à nouveau avec joie le cinéaste Francis Veber pour parler de l'art de la comédie autour de la panthère rose, réalisé par Blake Edwards, starring le génial Peter Sellers. La nouvelle fantastique vidéo de Romain Lehnhoff maintenant disponible sur YouTube. Assisté de Diana Mosafir. Son Katia Lazareva. Likez et souscrivez à la chaine.

Florian, Olivier et Fred on profité de l'épisode de cette semaine pour faire une spéciale Breakfast at Tiffany's où ils ont vu/revu le film de Blake Edwards tiré du roman de Truman Capote avec Audrey Hepburn.Il y a aussi quelques mots sur d'autres choses, de la lecture, du jeu vidéo et j'en passe mais ça je vous laisse le découvrir.

There's a lot of noise in the investing world, but building wealth doesn't have to become a second job. In this episode, I share how to invest simply, consistently, and with your family's future in mind, without stress or constant decision-making. In today's episode, I sit down with Blake Edwards from Georgia, who has built an $865,000 net worth by age 31. Blake breaks down how intentional income growth, living below their means, and staying aligned as a couple helped accelerate their wealth. He also shares a transparent look at his family's assets, approach to generosity, and what generational wealth really means to him beyond the numbers. I wrap up with a Money Quiz, testing my son Calvin on Stranger Things revenue, compound interest, and the gap between race prizes and investment returns. If you want real-life inspiration and practical proof that calm, consistent investing works, even with a busy family and W-2 jobs, this episode will encourage you to stay the course and keep moving forward. Chapters

Today, I'm thrilled to announce my interview with Oscar-nominated stage and screen director Rob Marshall. Tune in to hear some of the stories of his legendary career, including rehearsing with Renee Zellweger for the film of CHICAGO, pitching his adaptation of the script to Miramax, putting his own stamp on DAMN YANKEES, teaching Blake Edwards about directing theater during VICTOR/VICTORIA, how Lenora Nemetz sparked his love of theater, giving notes to Chita Rivera during THE RINK, what he learned from Neil Simon, why he related to the story of NINE, how CATS led to his career as a choreographer, coming in on KISS OF THE SPIDERWOMAN out of town, his first day on the set of ANNIE, why THE PETRIFIED PRINCE didn't ultimately succeed, collaborating with Sam Mendes on CABARET, choreographing for Alan Cumming, what inspired him to revive LITTLE ME, creating movement for BLITHE SPIRIT, why FOLLIES wouldn't work as a movie musical, choreographing “A Romantic Atmosphere” in SHE LOVES ME, the fundamental structure of a movie musical vs. a stage musical, shaping the film of INTOT THE WOODS, working on MRS. SANTA CLAUS as his television debut, his upcoming project GUYS AND DOLLS, and so much more. Don't miss this delightful conversation with a master of making musicals.   In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

durée : 00:16:51 - Les Midis de Culture - par : Marie Sorbier - Classique de la comédie policière, "La Panthère rose" de Blake Edwards revient en salles en version restaurée. Premier film d'une saga culte, il révèle l'ineffable inspecteur Clouseau et donne vie au célèbre diamant… et à la panthère animée du générique. - réalisation : Camille Mati - invités : Murielle Joudet Critique de cinéma au Monde; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:27:33 - Les Midis de Culture - par : Marie Sorbier - Aujourd'hui, dans notre rendez-vous cinéma du mercredi, place à une émission spéciale ressorties, pour redécouvrir deux classiques : "Mariage Royal" de Stanley Donen et "La Panthère rose" de Blake Edwards en version 4K. - réalisation : Camille Mati - invités : Murielle Joudet Critique de cinéma au Monde; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

Flashdance leading man Michael Nouri sits down with Steve Kmetko for a wide-ranging, funny, and unexpectedly emotional conversation about his decades in Hollywood — from Goodbye, Columbus and Flashdance to Broadway, Victor/Victoria, Yellowstone, and beyond. Michael looks back on the night the acting bug bit him in a high school Gilbert & Sullivan production, his early stage days with legends like Julie Harris, and bombing his very first movie line opposite Ali MacGraw in Goodbye, Columbus. He talks about trying to dodge the Vietnam draft, enlisting, and then being honorably discharged because the Army literally couldn't find boots big enough for his size-16 feet. Of course, he dives into Flashdance: the terrible reviews, the electric audience reaction, that rare standing ovation in Westwood, working with director Adrian Lyne, producers Simpson & Bruckheimer, and co-star Jennifer Beals (plus their canine scene partner, Grunt). He explains how the massive success of the film didn't translate into the career momentum he'd hoped for, the movie with William Friedkin that fell apart, and how he ended up in Bay City Blues alongside a then-unknown Sharon Stone instead. Michael also shares powerful stories from touring South Pacific right after 9/11 — including emotional nightly renditions of “God Bless America” with audiences arm-in-arm — and the chance encounter with Blake Edwards that led to him starring opposite Julie Andrews in Victor/Victoria, complete with a custom song by Henry Mancini. He reflects on aging in Hollywood, evolving from leading man to dads, granddads, and senators, still auditioning for filmmakers like Bradley Cooper, and staying grateful that the phone keeps ringing. Along the way, he remembers working with Sean Connery, F. Murray Abraham, Glenn Close, Naomi Watts, Kelly Reilly, and even Anna Nicole Smith, plus the life lesson he learned the hard way trying to approach Luciano Pavarotti backstage. He also opens up about political anxiety, the emotional toll of the news cycle, the importance of community, and why he now protects his peace by switching from cable news to TCM. And yes, we meet Charlie, his “heart on four legs,” and hear how daily meditation keeps him grounded after more than five decades in the business. If you love Flashdance, classic Hollywood stories, Broadway memories, and honest talk about surviving and adapting in this business, this episode is a gem. Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com   Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

No, a me tocca il cartone L'immagine e la breve clip iniziale sono tratte dal film “Colazione da Tiffany” regia Blake Edwards (con Audrey Hepburn e George Peppard, produzione Paramount Pictures, 1961 all rights reserved)

It's time for the IMMP Holiday Road Trip! We begin with a drive from New York to Paris, as we follow Jack Lemmon, Tony Curtis, and Natalie Wood in Blake Edwards' THE GREAT RACE.

In this episode, Austin and Time travel back in time to 1965 for a 7-movie marathon including: Michael Caine in The Ipcress File, Blake Edwards' The Great Race, Sidney Lumet's The Hill, the western satire The Hallelujah Trail, Beach Ball, Operation Crossbow, and James Caan playing a really bad man in Lady in a Cage.

Send us a textTom Cruise recently received a lifetime achievement award from the Academy for services to film. This reminded me of an occasion back in 2004 when Blake Edwards received a lifetime achievement Academy Award and was abley assisted by Jim Carrey and stuntman Mickey Gilbert....this is that story....enjoyIf you've enjoyed this chapter you maybe interested to know that the rest of his book will soon be available as a weekly read on this podcast. Keep listening for further details.Thank youSupport the showIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Giuseppe Culicchia"Radici"Il festival dell'identità(coltivata, negata, ritrovata"Circolo dei Lettoriwww.circololettori.itA Torino apre Radici: voci e pensieri per chiederci chi siamo e interrogarci sul nostro rapporto con il mondoL'omaggio a Claudia Cardinale poi tante voci tra letteratura, arti e pensieri: David Grossman, Fernando Aramburu, Judith Koelemeijer, Milo Manara, Francesco Piccolo, Emanuele Trevi, Nadia Terranova, Vivian Lamarque, Mauro Covacich, Luciano Lanna, Silvia Ballestra, Caterina d'Amico, Valeria Parrella, Lucio Caracciolo, Massimo Polidoro, Pietrangelo Buttafuoco, Massimo Zamboni, Alessandro Aresu, Annalisa Terranova… Radici, il festival dell'identità (coltivata, negata, ritrovata) apre a Torino e torna a interrogarsi sul tema dell'identità e sul nostro rapporto con noi stessi e con l'Altro da noi. Alla luce di ciò che accade intorno a noi, in un mondo che sembra accelerare verso un cambiamento profondo e radicale di ciò che conoscevamo – e spesso davamo per scontato – un cambiamento che investe ogni ambito, dalla geopolitica alla sessualità, dalla religione al linguaggio, Radici inaugura la 3. edizione.  Il festival è un progetto della Fondazione Circolo dei lettori a cura di Giuseppe Culicchia con il contributo della Regione Piemonte-Assessorato Regionale all'Emigrazione; Radici è in programma da questo giovedì fino a domenica, 13-16 novembre, tra il Circolo dei lettori e delle lettrici e il Cinema Romano. Dopo il successo delle precedenti edizioni, il programma propone una nuova serie di incontri, lezioni e spettacoli che affrontano il tema dell'identità — individuale e collettiva — e della memoria, in un contesto sociale sempre più complesso. Attraverso grandi voci e opere, Radici indaga come i cambiamenti culturali abbiano trasformato la nostra percezione del sé, invitando a riflettere sulla consapevolezza della propria individualità e del mondo.  Il programma, da giovedì 13 a domenica 16 novembre Radici prende il via al Circolo  dei lettori e delle lettrici giovedì 13 novembre con l'incontro I Musei regionali dell'Emigrazione piemontese: Frossasco e Santa Maria Maggiore (h 16), con Piemontesi nel Mondo, Ugo Bertello, Davide Rosso, Claudio Cottini, Rosanna Napoli, Chiara Monferrini, Joaquin Coniglio e Alfons J. Ravelli. Un momento di dialogo tra i presidenti e i comitati di gestione dei musei, le amministrazioni locali e le associazioni di emigrati, per raccontare la memoria viva dell'emigrazione piemontese e le sue radici culturali.Segue la lectio di Paola Mastrocola (h 18), La nostalgia degli dei e il mito, un percorso tra Nietzsche, la fine del sacro e la trasformazione del mito nel nostro tempo. A seguire si tiene Alle radici dell'opera d'arte, con Alfonso Frugis, Michela Cardinali e Federica Pozzi, dedicato ai vent'anni del centro di restauro della Venaria Reale (h 18.30). In serata debutta la Trilogia triestina di Mauro Covacich: tre monologhi, un viaggio letterario tra Trieste e i suoi grandi scrittori (h 21). Radici, come da consuetudine, è anche cinema, a mezzanotte. In questa terza edizione di Radici di mezzanotte al Cinema Romano ogni sera del festival si rende omaggio a Claudia Cardinale. Il primo film è I soliti ignoti di Mario Monicelli, presentato da Giuseppe Culicchia ed Enrico Verra, in collaborazione con Aiace Torino (h 24, Cinema Romano). Venerdì 14 novembre al Circolo si apre con Un editore che guarda a Est, sulle orme di Corto Maltese, incontro con Francesco Colafemmina e Bruno Ventavoli, dedicato alla casa editrice Medhelan e al suo catalogo cosmopolita (h 16). Nel pomeriggio un doppio appuntamento: Incontro con Massimo Zamboni a partire da Pregate per Ea, Einaudi, in dialogo con Ottavia Giustetti (h 17), e Ma siete sicuri di voler mettere radici a Milano?, monologo di Silvia Ballestra che racconta contraddizioni e fragilità del capoluogo lombardo (h 17).A seguire Emanuele Trevi dialoga con Martino Gozzi in Il tempo, grande scultore, a partire dal suo libro Mia nonna e il conte, Solferino (h 18), mentre attraverso l'incontro Parli come badi! Luca Ricolfi e Alessandro Chetta riflettono sull'evoluzione del “politicamente corretto”, dalle origini inclusive agli effetti controversi nell'epoca dei social (h 18).Più tardi arriva Fernando Aramburu, con il suo nuovo libro Ultima notte da poveri, Guanda, in dialogo con Bruno Arpaia su solitudine e contraddizioni della natura umana (h 19). In serata Mauro Covacich torna in scena con la seconda parte della sua Trilogia triestina, questa volta dedicata a James Joyce (h 21). Chiude la giornata la proiezione di Fitzcarraldo di Werner Herzog, pellicola con Klaus Kinski e Claudia Cardinale per Radici di mezzanotte (h 24, Cinema Romano). La terza giornata, sabato 15 novembre, si apre al Circolo dei lettori e delle lettrici con l'incontro con Judith Koelemeijer, autrice di Etty Hillesum. Il racconto della sua vita, Adelphi, in dialogo con Elena Loewenthal (h 11.30). Segue Riccardo Gasperina Geroni con Ricominciare. Classici della letteratura italiana 1939-1962, Einaudi, un saggio che ripercorre la storia culturale italiana tra guerra e dopoguerra (h 12). Nel pomeriggio la poeta Vivian Lamarque e la scrittrice, curatrice e conduttrice della trasmissione Fahrenheit di Rai Radio 3 Susanna Tartaro si confrontano in La poesia delle radici, un dialogo sulla forza vitale e spirituale della poesia (h 15). A seguire Alessandro Aresu e Lucio Caracciolo discutono di geopolitica in La Cina è (sempre più) vicina, Feltrinelli (h 16), mentre più tardi Giorgio Amitrano rende omaggio a Yukio Mishima, seguito dalla presentazione de L'esercito di Mishima di Daniele Dall'Orco, Idrovolante Edizioni (h 16.30). Si prosegue con il documentario Radici. L'italianità come stato dell'anima, realizzato con Sofia Quercetti, grazie all'Istituto italiano di cultura e al Consolato Generale d'Italia a Cordoba, il racconto della storia degli italiani in Argentina, che ripercorre le tappe dell'emigrazione e si sofferma sulla trasmissione della lingua d'origine tra le generazioni, in città come Córdoba, Colonia Caroya, San Francisco (h 17). Segue l'incontro con il grande artista Milo Manara, in dialogo con Fulvia Caprara, su Il Nome della Rosa vol. 2, Oblomov, ripercorrendo la sua carriera tra erotismo, arte e cultura pop (h 18). E poi ancora l'incontro Alle radici dell'odio, con Alessandro Campi e Paolo Borgna, dedicato al saggio Una esecuzione memorabile, Le lettere, sull'uccisione di Giovanni Gentile (h 19).La serata prosegue con l'ultimo episodio della Trilogia triestina, con Mauro Covacich che dedica il suo monologo a Umberto Saba (h 21) e si conclude al cinema con Radici di mezzanotte, che propone La pantera rosa di Blake Edwards per l'omaggio a Claudia Cardinale (h 24, Cinema Romano).  La giornata conclusiva, domenica 16 novembre si apre con Tra respiro e reminiscenza, laboratorio sul mondo del profumo con Diletta Tonatto (h 10). Più tardi doppio appuntamento: Buon compleanno, “La Biennale di Venezia” per celebrare il primo anniversario della rinata rivista di Arte, Cinema, Danza, Musica, Teatro, Moda con il presidente Pietrangelo Buttafuoco e la direttrice editoriale Debora Rossi; e Sull'attualità dei classici, con Simone Regazzoni e Valeria Parrella, un dialogo su filosofia, letteratura e rilettura del passato (h 12).Segue A ritroso, in cerca della verità, verso l'origine di ogni cosa, con Nadia Terranova e Valeria Curzio, un confronto su identità, memoria familiare e ricerca personale (h 12.30).Nel pomeriggio Identità: nuove e storiche migrazioni a confronto, curato da Maddalena Tirabassi direttrice Centro Altreitalie sulle Migrazioni Italiane, con Riccardo Roba, Elisa Colla, Andrea Ballatore, Luz Allegranza, membro del GAP - Gioventù Argentina-a Piemontèisa, il gruppo giovanile della FAPA - Federazione delle Associazioni Piemontesi d'Argentina, Manuela Paterna Patrucco e Anna Coggiola del Circolo Piemontesi Messico, mette in dialogo generazioni di emigrati piemontesi (h 15). A seguire Luciano Lanna presenta Attraversare la modernità, Cantagalli, con Davide Rondoni (h 15.30), mentre più tardi Francesco Piccolo e Caterina d'Amico ricordano Il cinema di Suso Cecchi d'Amico, in collaborazione con Giulio Einaudi editore (h 16).Più avanti nel pomeriggio Annalisa Terranova dialoga con Giorgio Ballario su Margherita. Un incontro al di là del tempo, Ianieri (h 16.30), e Massimo Polidoro tiene una lectio a partire da Il mistero delle origini dell'uomo, Feltrinelli, tra scienza, mito e antropologia (h 17).A seguire è il momento del grande scrittore isrealiano David Grossman, che dialoga con Giuseppe Culicchia sul ruolo dello scrittore di fronte alla Storia (h 18.30).Il festival chiude in musica e poesia con Alle radici della poesia a bolu, con i poetas Bruno Agus e Nicola Costantino Farina, accompagnati dai Tenores di Ula Tirso Nicola Argiolas, Gian Luigi Dessì e Nicolò Cossu per un viaggio nelle tradizioni orali sarde e nella potenza della parola improvvisata (h 20). Quattro giorni per esplorare le radici della nostra identità culturale, tra libri, immagini, voci e memorie. Radici conferma la sua vocazione di luogo di incontro e riflessione, dove il passato è allo stesso tempo memoria e materia viva che continua a parlarci del presente e ci aiuta a guardare al futuro. Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Forrige episode med 'Glemmekassen' var den perfekte start. Det var sikkert, hyggeligt, lunt og rart. Med andre ord absolut ikke særlig Movieboxet. Er sæson 11 overhovedet kommet rigtigt i gang? Nej, ikke endnu, men spænd hjelmen, for denne uges episode folder virkelig sejlene ud på vores hærdede skude HMS Moviebox, der bringer os videre i vores uendelige VHS-odyssé. Og som fire VHS-Odysseus'er møder vi også mange ikoniske video-myter og -monstre på vores vej, men hvordan det er lykkedes os at undgå denne episodes tema er nok det største mysterium af alle: BYTTE-BYTTE KROP! Niels lægger ud på den støvede hylde med Dansk film, hvor han finder den danske sci-fi-thriller 'Farligt Venskab' (1995), hvor den danske Mr. Moviebox him self, Ulf Pilgaard, skal spille en 15-årig teenager. Det er dansk 90'er-uhygge, når det er allermest dansk. I vanlig stil tager Sonny en film med, der er god på 4-stjerner-måden. Han serverer nemlig den trygge og ufarlige Blake Edwards-komedie 'Switch' (1991). En mandschauvinist lærer en hård lektie, da han vågner op i Ellen Barkins krop og nu skal håndtere sin totalt forvirrede bedste ven (TV's Jimmy Smits). En ægte Beverly Hills Club-klassiker. Og netop som vi tror, aftenen er faldet til ro, kører Ask videobussen direkte ud over afgrunden med det ubestridelige mesterværk 'The Thing with Two Heads' (1972). Aldrig har en titel løjet så lidt. En rig, hvid racist får sit hoved transplanteret på kroppen af en sort mand og en lavine af dybt politisk ukorrekt 70'er-galskab følger. Det bliver en aften, du sent vil glemme, uanset hvilken krop du vågner op i i morgen. Det var alle de Pringles-dåser vi havde til jer denne gang, men HUSK: Spol altid episoden tilbage, når du har lyttet færdigt! Med venlig hilsen, Ask, Sonny, Niels & Casper

Aujourdʹhui dans Travelling, un classique des classiques. Si je vous dis : une longue robe noire, un chignon relevé, un long porte-cigarette, une taille de brindille et le regard pétillant, vous aurez tout de suite en tête la silhouette longiligne dʹAudrey Hepburn qui incarne Holly Golightly dans Diamants sur canapé, Breakfast at Tiffanyʹs, une des silhouettes les plus célèbres du cinéma créé par le couturier français Hubert de Givenchy. Le film de Blake Edwards sort en 1961, adapté dʹune nouvelle de Truman Capote. Dans Diamants sur Canapé, Audrey Hepburn est splendide et mutine aux côtés de George Peppard, Mickey Rooney, Patricia Neal, et dʹun chat, cabotin comme pas deux. Lʹhistoire est celle dʹune coureuse de millionnaires et dʹun écrivain gigolo qui vont, après bien des péripéties, tomber amoureux. Mais le film est plus profond que cela. Sous le vernis et la comédie se cache une vraie désespérance, une quête du bonheur et de la sécurité matérielle et affective. Cʹest normal, cʹest du Blake Edwards et rien nʹest rose pour lui, à part peut-être sa panthère quʹil tournera juste après. Porté par sa musique composée par Henri Mancini, et pour laquelle il reçoit un Oscar en 1962, par sa comédienne, par son iconographie, Breakfast at Tiffanyʹs rencontre tout de suite un succès jamais démenti et entre dans la légende du cinéma en lançant lʹère des femmes libérées. Mais nous allons vous raconter tout ça. REFERENCES Audrey Hepburn du côté de chez Fred https://www.youtube.com/watch?v=RslrD6jc2fk Moon River chanté par Audrey Hepburn https://www.youtube.com/watch?v=BOByH_iOn88 WASSON Sam, 5e Avenue, % heures du matin, Sonatine, 2012

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!This week the dads step into glamorous 1960s Europe with Blake Edwards' The Pink Panther (1963) — the first outing for Peter Sellers' bumbling Inspector Clouseau.For many of us, this was like watching it for the first time. Sure, we'd caught bits on Sunday TV over the years, but sitting down start-to-finish was a new experience — and a surprising one. Despite being branded a Clouseau movie, Sellers actually takes a back seat to David Niven's dashing jewel thief Sir Charles Lytton and Robert Wagner's playboy nephew George.We dig into:The film's mix of heist caper and sixties sex comedy — sometimes charming, sometimes painfully long.Sellers' scene-stealing slapstick: globes, violins, and his endless (and fruitless) attempts to seduce his wife.David Niven's unlikely role as a 50-something ladies' man — suave or just icky in hindsight?The technicolour glamour of Cortina ski resorts, high society parties, and that unforgettable animated title sequence.Whether The Pink Panther works better as a star vehicle for Niven/Wagner or as a platform for Sellers' Clouseau — and why the sequels got the balance right.It's long, it's dated, it's occasionally hilarious — and it launched one of cinema's most iconic comedy characters.

In connection with the latest "Fun For All Ages" tribute to "The Love Boat," GGACP revisits this 2019 interview with Captain Stubing himself, actor Gavin MacLeod. In this memorable episode, Gavin joins Gilbert and Frank for a candid conversation about paying dues, playing bad guys, crushing on Marilyn Monroe, acting with (and without) a hairpiece and sharing a decades-long friendship with the late, great Ted Knight. Also, Gavin praises Cary Grant, ad-libs with Peter Sellers, cuts the rug with Bing Crosby and breaks into the business with Martin Balsam, Martin Landau and Jack Warden. PLUS: Big Chicken! “Chuckles Bites the Dust”! The brilliance of Blake Edwards! A surprise caller chimes in! And Gavin and Tony Curtis share a donut!  Learn more about your ad choices. Visit megaphone.fm/adchoices

The OTRNow Radio Program 2024-035Ella Fitzgerald Remote (Date Unknown)The Adventures Of Ozzie and Harriet. January 23, 1949. NBC net. Sponsored by: International Silver. Ozzie has become a master (?) of card tricks, and a lady killer too. Ozzie Nelson, Harriet Hilliard. Fibber McGee and Molly. May 27, 1947. NBC net origination, AFRTS rebroadcast. Fibber's in the kitchen, cooking up his recipe for "Shrimps McGee." See cat. #42596 for a network, sponsored version of this broadcast. The audio condition isn't as good. Jim Jordan, Marian Jordan, Billy Mills and His Orchestra, The King's Men, Harlow Wilcox, Don Quinn (writer), Phil Leslie (writer), Gale Gordon, Bill Thompson, Arthur Q. Bryan.  Richard Diamond, Private Detective. June 21, 1953. CBS net. "Missing Night Watchman" or "Antique Buddha". Sponsored by: Rexall. A jewelry company has been robbed of $50,000 in gems, the night watchman has disappeared and is later found dead. The clue is in the Buddha! Dick sings, "How About You?" after the story. This is a rebroadcast of the program of December 6, 1950. Arthur Q. Bryan, Bill Forman (announcer), Blake Edwards (writer), Dick Powell, Frank Worth (composer, conductor), Harold Dryanforth, Howard McNear, Jaime del Valle (transcriber), Jeanette Nolan, John McIntire, Virginia Gregg, Wilms Herbert. The Weird Circle. October 07, 1943. Program #14. RCA/NBC syndication. "Dr. Manette's Manuscript". Commercials added locally. The strange charge of an insane dying woman, and its surprising meaning. The date of a subsequent broadcast on WTOP, Washington, D.C. is July 4, 1952.The Whistler. July 24, 1946. CBS net. "My Love Comes Home". Sustaining. A pilot returns to his girl after six months to find her taking art lessons from another guy, and lessons in romance and poison too! Next Wednesday's broadcast is announced as, "Panic.". Elliott Lewis, Anne Stone, Harold Swanton (writer), George W. Allen (director), Wilbur Hatch (music), Marvin Miller (announcer), William Conrad. 

GGACP celebrates the centenaries of screen legends Jack Lemmon and Tony Curtis (born 1925) with this ENCORE of a 2015 mini-episode saluting one of the boys' favorite comedies (okay...one of Frank's favorite comedies), Blake Edwards' sprawling, slapstick road picture "The Great Race." ALSO in this episode: Treat Williams cleans up the mean streets of Manhattan! The brilliance of Bert I. Gordon! And Gilbert recommends yet another depressing film! Learn more about your ad choices. Visit megaphone.fm/adchoices

:36 - Bachelor Party17:44 - Little League Dads36:23 - Nude Student Showcase49:45 - Comic Store1:04:47 - Gym DudesGet the full show and our entire backlog on patreon.com/mandog!!Check Evan out! https://www.instagram.com/evancleaver/?hl=en Power of Attorney at UCBCheck Blake out! https://www.instagram.com/blakeedwards23/?hl=enSubscribe to ⁠⁠⁠ManDog on YouTube!⁠ - https://www.youtube.com/channel/UCNW0sgvxgiENf8OKGjNmoZgCheck out ⁠⁠⁠BigGrandeWebsite.com⁠⁠⁠! - https://biggrandewebsite.com/Subscribe to ⁠⁠⁠Big Grande⁠⁠ on Youtube! - https://www.youtube.com/@biggrandevidsEat Pray Dunk and Hey Randy on CBB World! - https://www.comedybangbangworld.com/The Greatest Conversation Ever YT! - https://www.youtube.com/@TheGreatestConversationEverYes, Also YT! - https://www.youtube.com/channel/UCgWKnIrmQ973mnHJtRRNAdA

Welcome to Hollywood and Beyond Podcast. Your home for meaningful and in-depth interviews.    Special guest Raye Hollitt (Former bodybuilder known as ZAP on “American Gladiators”) visits the podcast to share her background in female bodybuilding, her acting role in the 1989 Blake Edwards film "Skin Deep" with John Ritter, and as Zap on American Gladiators. All of this and much more in a truly sentimental interview listening experience.   In 1989 John Ritter gave a phenomenal performance as a womanizing alcoholic with a bad case of writer's block in Blake Edwards dramedy. In one of John's most impressive hours on the silver screen, there were many talented ladies he worked with in the film. Including my guest, actress and bodybuilder, Raye Hollitt. In a natural and impressive performance Raye held her own with John.   What was it like working with John Ritter and being directed by Blake Edwards? Why did she want to start a path down bodybuilding?   Find out and so much more when Raye Hollitt visits the podcast on Episode #6!   Subscribe wherever podcasts are available to listen including Apple Podcasts, Audible, iHeart Radio, Podbean and Spotify   Hosted by Cincinnati actor and writer Steven Brittingham   Raye Hollitt: Memories of Skin Deep and John Ritter, Zap on American Gladiators, and Her Former Bodybuilder Career   Produced / Edited / Hosted by Steven Brittingham   State Of Slay Blog Promo by Carrie Genzel   Contact Steven: hollywoodandbeyondshow@gmail.com   Visit the podcast online: hollywoodbeyond.net   https://www.instagram.com/hollywoodandbeyondshow/?hl=en   https://www.instagram.com/raye.hollitt/?hl=en   https://www.instagram.com/stateofslay/?hl=en   https://www.rayehollitt.com   Please take a moment to leave a Rating or a Review!   Thank you for listening. See you again on the next episode friends and listeners.

Film historian/author Samm Deighan returns to join me to chat about the charming cads that populate the cinema of Mr. Blake Edwards, with a major focus on his post-10 periodWe will be doing a related screening to this episode on May 15th at the Davis Theater in Lincoln Square (Chicago).You can also catch Samm on the Eros+Massacre podcast

This week Tyler talks to Robert Sellers, author of a new book detailing the entire history of the Pink Panther/Inspector Clouseau film series from Peter Sellers to Steve Martin. There's loads of interesting stuff discussed - did you know:Peter Sellers was once upstaged by Richard Burton & Elisabeth Taylor at the premiere of Return Of The Pink Panther?The creator of Asterix tried to claim authorship of the plot of The Pink Panther Strikes Again?Blake Edwards broke his neck diving into a swimming pool?Carole Cleveland was almost totally cut out of a Panther film?Dudley Moore was supposed to play 'The Ferret'?Robert is also the author of many other books on comedy and popular culture and they also talk sitcoms, Oliver Reed and why 1971 was the greatest year in film.

TVC 687.3: Peter Ford, son of screen legends Glenn Ford  and Eleanor Powell and the author of Glenn Ford: A Life, talks to Ed about how his dad used his star power to hire directors and actors on Cade's County (CBS, 1971-1972) with whom he'd worked before, including George Marshall, Leo Penn, Edgar Buchanan, Barbara Rush, and Broderick Crawford; how James Woods saved Peter's life in 1976 while the two of them filmed a scene together for “Sins of Thy Father,” an episode of Barnaby Jones; and some of the notable people who hired Peter during his twenty-year career as a building contractor, including Don Simpson, Frank Gehry, Blake Edwards, George Clooney, Sally Kellerman, Mary Kay Place, and Steve Tisch. Glenn Ford: A Life is available wherever books are sold through University of Wisconsin Press.

Uphill Adventures Youtubehttps://www.youtube.com/c/UphillAdventures

Join The Boys live from hall H, at Lepre-Con 2025.    Starring Cale Evans, and Jacob Brayton. Music by Josh Brayton. With special guests: Sam Hatch, and Blake Edwards. The Podcast From Hell is a fully improvised comedy podcast featuring creatures from the worlds of Mythology, Lore, Legends, and the minds of North Carolina's okayest improvisors

It's here! Recording my 250th episode introduction was tougher than I thought it'd be for a few reasons. The first is, of course, because I'm a total cheeseball & much too earnest, which is a curse both most Midwestern & Italian-American since I tend to treat everyone like family and am much too passionate about what interests me. But the second reason is because right now it's such a rough time in our history (& most of our lives) that celebrating this accomplishment feels silly & self-indulgent. Then I realized, however, that this milestone is everyone's accomplishment who's ever listened to or guested on the podcast, as well as the people in my life who've supported me from the moment I first started Watch With Jen as a humble little film recommendation show five years ago & I'm so incredibly grateful for those souls so I hope it makes them proud. I know I'm the woman running the podcast behind the scenes (which is why it's not as technologically advanced as others, I fear) but I'm not being disingenuous when I say that it really is our show overall.And with this in mind, I wanted to feature a film franchise that has brought so much joy and laughter to the lives of moviegoers around the world since it first started in the early 1960s. So sit back and listen to my knowledgeable friend & fellow film historian & essayist Peter Avellino & I explore the world of Blake Edwards & Peter Sellers' THE PINK PANTHER.Originally Posted on Patreon (3/17/25) here: https://www.patreon.com/posts/124502377Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop (+ Direct Link to the Mug) Donate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

It's that time of year! Time for Lepre-Con 2025. Join Cale and Rik as they help two leprechauns solve the age-old mystery of "who's my daddy?"  Starring Cale Evans, and Jacob Brayton. Music by Josh Brayton. With special guests Blake Edwards, and Same Hatch. The Podcast From Hell is a fully improvised comedy podcast featuring creatures from the worlds of Mythology, Lore, Legends, and the minds of North Carolina's okayest improvisors

This week, the boys head back to 1962 to discuss Blake Edwards's “Days of Wine and Roses”, starring Jack Lemmon and Lee Remick. We've previously discussed the 1962 films “To Kill a Mockingbird”, “What Ever Happened to Baby Jane?”, and “The Man Who Shot Liberty Valence”. We start the conversation with thoughts on the Oscars, the state of cinema, and more! Grab a beer- or coffee- and join us for a conversation about this excellent film about an alcoholic couple navigating life.  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:41 Gripes + Oscars Reflections; 29:37 1962 Year in Review; 51:07 Films of 1962: “Days of Wine and Roses”; 1:25:15 What You Been Watching?; 1:36:36 Next Week's Movie Announcement Additional Cast/Crew: Philip H. Lathrop, J.P. Miller, Tex Frontier, Henry Mancini, Charles Bickford, Jack Klugman, Tom Palmer, Alan Hewitt, Maxine Stuart, Martin Manulis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars 2024, Oscars 2025, Alcoholism, Hulu, Marvel, The Hulk, The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

Watching this movie doesn't make you stand up and say, "Ah, that felt good" and yet, somehow, it is near the top of both our lists. As you listen to find out why, you'll hear how much we think the central performance works and does not work, the stand out moments we see from director Blake Edwards and many trips down many lanes that having nothing to do with this film. Thanks to our monthly supporters Andrew Pangle Steve Weiss Matthew Aldrich Edward Lankford Heather Sahami

CONTENT WARNING: Discussion of alcoholism, child neglect, substance abuse, addiction. Every year at the Oscars there's a movie that stands out as the film that should be the Best Picture, just for the sheer raw power of its storytelling. This is that movie. Jack Lemmon is giving a performance for the ages, the supporting cast is rock solid, and the always contrarian Blake Edwards goes for broke. This could have easily been a melodrama, but you get the sense very quickly that everyone making this movie got the impact of what they were doing here. And that's incredible, considering there's movies that come out in 2025 that can't capture the truth of addiction like this movie. We continue Oscars ‘62 with Days of Wine and Roses onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved.

This week Harrison will review "Breakfast at Tiffany's" (1961) starring Audrey Hepburn and directed by Blake Edwards #breakfastattiffanys #audreyhepburn #blakeedwards #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Social Media Links: https://linktr.ee/reelyoldmovies

Ever wondered what a "cock egg" is? Well wonder no more! Featuring Cale Evans. Jacob Brayton, and guest star Blake Edwards. Music by Josh Brayton.

Shot on location in foggy San Francisco, Blake Edwards' Experiment in Terror was his follow up to Breakfast at Tiffany's - again engaging a young sophisticated city girl with a handsome leading man but this time in a very different context.  Lee Remick plays Emily Sherwood, a bank teller menaced by a blackmailer and serial killer and Glenn Ford is the FBI agent assigned to protect her and capture the villain.  Ross Martin, known mostly for playing nice guys, is bad guy Red Lynch and was nominated for a best supporting actor Golden Globe. Dan and Vicky discuss the stylish noir thriller along with plenty of recently seen: Deadpool and Wolverine, A Good Girl's Guide to Murder, Night Watch: Demons are Forever, Love Lies Bleeding, and Maxxxine.      Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Grab your tasseled ear plugs, your unnamed feline companion, and your crippling commitment issues, because we're going back to 1961 to explore Blake Edwards' New York classic, BREAKFAST AT TIFFANY'S! Watch out for rats, superrats, and unbridled, horrifying racism, because its got it all, baby! Watch the video episode on our PATREON Please DONATE to help the Ashour family get to safety!

Episode 173: In Conversation With Billy Vera (Part 1) Sarah usually writes these show notes, and on the rare occasion that I fill in for her, I do something silly - I either make them really short or I have ChatGPT help me by doing most of the work.  This time, I asked to do them because I am still in shock that this episode exists and because it was a true thrill to speak with an artist who has been a favorite of mine since I was 16! After discovering Billy Vera, along with many others of my generation, thanks to the hit comedy "Family Ties", I would go on to collect his entire catalog, with the exception of "Queen of Diamonds / Jack of Hearts" by Evie Sands & Billy Vera which I haven't been able to find yet.  I will one day though!  I would watch him on TV shows like "Wiseguy" and "Into the Night", where he served as a late-night bandleader and often performed his wonderful songs.  I would occasionally be surprised and excited to spot him in movies throughout the 80s and 90s.  He was doing so many great things, and doing all of those things at a level which should have made him a Super Star if there was any justice in the world.   With all of his various talents, songwriting and singing are where Billy truly shines, so getting to talk with him about his career and his music was an amazing experience.  In this first episode (of two), we touched on so many topics, even going back to the mid-1960s and some of his earliest songs.  I really hope you will enjoy this discussion on some of my favorite music.   Topics that we cover in this first episode: ·        Billy's upcoming trip to Italy to perform and  to receive an award at the Porretta Soul Music Festival ·        Working with Jerry Wexler ·        Writing songs professionally in NYC in the 1960s ·        A song he wishes he wrote ·        Writing "Room with a View" with Lowell Fulson ·        Working with Bonnie Raitt ·        Recording "Storybook Children" with Judy Clay ·        Playing the Apollo Theater ·        Thoughts on songwriting ·        Celebrating the 50th anniversary of Nuggets: Original Artyfacts from the First Psychedelic Era and "Don't Look Back" ·        His 1988 Capital album "Retro Nuevo" ·        The three styles of Production ·        Working with Lou Rawls and George Benson ·        Working with Arif Mardin ·        How did Jim Keltner become a Beater in 1988? ·        Working on the Blake Edwards movie "Blind Date" ·        Hanging out with Bruce Willis, Demi Moore, and Kim Basinger ·        Meeting L. Russell Brown ·        Being "inspired" by Loni Anderson ·        Writing his biggest hit "At this Moment" and the story behind the song ·        Writing Brian's favorite BV song "Here Comes The Dawn Again" ·        Releasing his biggest album on Rhino Records ·        Doing promo work in the 1980s ·        Advice from his mother You can learn more about Billy's story, his books, and his music at https://billyvera.com/ Follow him on Facebook for the latest info on his gigs and his weekly radio show: https://www.facebook.com/TheRealBillyVera Treat yourself to music and books by Billy here: https://www.amazon.com/s?k=billy+vera&crid=31CGZ21181YET&sprefix=billy+vera%2Caps%2C102&ref=nb_sb_noss_1 Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod  Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ So this BlueSky thing looks shiny and new: https://bsky.app/profile/permrecordpod.bsky.social Oh!  Here's another one of these things - Threads: https://www.threads.net/@permanentrecordpodcast Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod - we're ready to believe you!

TVC 653.2: Music journalist Jon Burlingame (Music for Prime Time, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir) talks to Ed about how Blake Edwards came to develop Mr. Lucky (CBS, 1959-1960) for television, including how Edwards originally wanted Ricardo Montalban to play the title character and how Ross Martin wasn't signed to play Andamo just before production began. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 654.3: Music journalist Jon Burlingame (Music for Prime Time, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir) talks to Ed about the strange, but true broadcast history of Mr. Lucky (CBS, 1959-1960), including how the ill-conceived mandate from the show's sponsor, Lever Brothers, to change the concept of Mr. Lucky midseason ultimately drove producer Blake Edwards to remove his name from the series. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 654.6: Music journalist Jon Burlingame (Music for Prime Time, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir) discusses some of the many innovations that Blake Edwards and Peter Gunn brought to network television (including “night for night” shooting, one year before Quinn Martin would make that into an art form), and how the romance between Peter Gunn and Edie Hart was very provocative for its time. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 654.5: Ed welcomes back esteemed music journalist and music historian Jon Burlingame (Music for Prime Time: A History of American Television Themes and Scoring). Jon's latest book, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir, is a combination history of Peter Gunn (NBC/ABC, 1958-1961) on television; biography of Grammy Award-winning and Academy Award-winning composer Henry Mancini; and discography of all of the original music that Henry Mancini composed for both Peter Gunn and Mr. Lucky (CBS, 1959-1960) and the soundtrack albums that accompanied both series. Topics this segment include the many moments of serendipity that enabled series creator/producer Blake Edwards to get Peter Gunn on the air and hire Henry Mancini; how Mancini changed the face and sound of prime time television by introducing jazz music as dramatic accompaniment; and the sheer volume of original music that Mancini composed for both Gunn and Mr. Lucky every week between 1958 and 1961. Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir is available from BearManor Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices