Podcast appearances and mentions of joyce didonato

Hogyan változott a bibliai történet az oratórium szövegkönyvéhez igazodva, és hogyan jelenik meg a műban a látását hamarosan elveszítő mester saját tragédiája?Legújabb Előhangunk epizódjában Hózsa Zsófia zenetörténész ezúttal Georg Friedrich Händel: Jephta című, utolsó oratóriumát mutatja be, amelyet a Müpa közönsége május 9-én hallhat és láthat, olyen kiváló előadók közreműködésével, mint Michael Spyres, Joyce DiDonato, Francesco Corti és az Il Pomo d'Oro zenekar.Hallgassátok szeretettel!Michael Spyres, Joyce DiDonato, Francesco Corti és az Il Pomo d'Oro

durée : 01:28:20 - Relax ! du lundi 28 avril 2025 - par : Lionel Esparza - Le Théâtre des Champs-Elysées accueille un évènement, un duo de vedettes américaines : Joyce DiDonato et Michael Spyres, accompagnés de Francesco Corti, pour Jephté de Haendel.

durée : 01:28:20 - Relax ! du lundi 28 avril 2025 - par : Lionel Esparza - Le Théâtre des Champs-Elysées accueille un évènement, un duo de vedettes américaines : Joyce DiDonato et Michael Spyres, accompagnés de Francesco Corti, pour Jephté de Haendel.

Right after the disastrous US election of November 2024, I published an episode entitled “Mezzos on the Verge,” which featured some of my favorite mezzos in rafter-shaking performances of “on the edge” repertoire. At the time, I had enough additional material to produce a second episode, which I have called “Mezzos in Extremis.” And what better time to present that episode than as the new regime has begun its process of dismantling democracy. The material today ranges from Mozart to Britten, Handel to Janáček, Bach to Wagner, and features performances both live and studio from exceptional singers as Fedora Barbieri, Eva Randová, Margarete Klose, Irina Arkhipova, Brigitte Fassbaender, Viorica Cortez, Giulietta Simionato, Joyce DiDonato, Jennie Tourel, Lorraine Hunt Lieberson, and Dunja Vejzović, among others. I have structured the program so that the explosive expressions of insanity, fury, and rage gradually give way to the quieter (and possibly more profound) emotions of sadness, doubt, and contrition. And because I always like to compare and contrast singers, I take great joy in presenting several pairs of contrasting singers in the same repertoire: Dunja Vejzović and Paula Rasmussen in Handel's Serse; Giulietta Simionato and Brigitte Fassbaender as Dorabella in Così; and Fedora Barbieri and Joyce DiDonato as Dejanira in Handel's Hercules. The episode is offered in solidarity with all those who find themselves today in extreme situations. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Stuur me een bericht.Wanneer ik haar spreek is Sterre Decru net terug in België, nadat ze een tijdje in Den Haag woonde voor repetities met de Dutch National Opera Academy. Ze zong in een bewerking van Claudio Monteverdi's opera ‘Il ritorno d'Ulisse in patria', over de Griekse held Odysseus die na een jarenlange zwerftocht weer thuiskomt.We hebben het over Klaas Verplancke, met wiens werk Sterre min of meer is grootgebracht, én aan wie ik op een manier schatplichtig ben. Illustratie en muziek blijken erg nauw met elkaar verweven te zijn, dat wordt duidelijk wanneer we de tekeningen van Eric Carle tegen het licht (en het geluid) houden. We bekijken ook de tekeningen van Lieve Baeten, die een en al sfeer en licht ademen.Verder hebben we het natuurlijk ook over muziek, met Joyce DiDonato en Claron McFadden en laten we Se l'aura spira van Girolamo Frescobaldi horen. Omdat het kan.Illustratoren die aan bod komen in deze aflevering: Klaas Verplancke, Bert Dombrecht, Eric Carle en Lieve Baeten.Mijn hartelijke dank aan Klara voor de toestemming voor het gebruik van de opname van Se l'aura spira (Girolamo Frescobaldi) in deze podcast.Meer Podlood? Voor meer info over de podcast en afleveringen, surf naar www.podlood.be. Voor nieuws en updates, abonneer je op Brief uit het atelier, de nieuwsbrief waarin schrijf ik over boeken of andere dingen waaraan ik werk en ook over nieuwe afleveringen van deze podcast. Je kan ook @kristoftekent volgen op Instagram. Je kan Podlood gratis steunen door de show in jouw favoriete podcast-app vijf sterren te geven, een positieve review te schrijven én een vriend of vriendin die veel voor jou (be)tekent over de podcast te vertellen. Dit helpt Podlood echt vooruit. Will je all the way steunen? De Podlood-pin is hét symbool van jouw appreciatie voor de show. Een podcast onderhouden brengt kosten met zich mee en jouw bijdrage helpt deze te dragen, in stijl. Je bestelt de pin op www.podlood.be. Podlood is een productie van en door Kristof Devos. Logo, cover art en branding door Kristof Devos. Theme song door Skilsel. ©Kristof Devos

- Muzyki doświadczamy zawsze w miejscu o charakterze duchowym. Muzyka jest wibracją, która natychmiast znika. Nie ma w niej nic namacalnego. Nasze zmysły mogą doświadczać jej dźwiękowego wymiaru, ale jest on odbierany w niedefiniowanej przestrzeni. Muzyka to rodzaj alchemii - mówiła w Dwójce słynna amerykańska mezzosopranistka Joyce DiDonato.

- Muzyki doświadczamy zawsze w miejscu o charakterze duchowym. Muzyka jest wibracją, która natychmiast znika. Nie ma w niej nic namacalnego. Nasze zmysły mogą doświadczać jej dźwiękowego wymiaru, ale jest on odbierany w niedefiniowanej przestrzeni. Muzyka to rodzaj alchemii - mówiła w Dwójce słynna amerykańska mezzosopranistka Joyce DiDonato.

durée : 01:16:36 - Una voce poco fa - par : Judith Chaine - De Gaultier à Sibelius et Sigurðsson, en passant par des œuvres de Rameau, Schumann, Brahms, Rossini, Granados... Et pour débuter, I Love a Piano d'Irving Berlin, par Joyce DiDonato et sir Antonio Pappano.

In January 2025 Seattle Opera will present two concert performances of LES TROYENS À CARTHAGE, the second part (Acts 3, 4, & 5) of Berlioz's monumental masterpiece LES TROYENS. Seattle Opera Dramaturg Jonathan Dean introduces the music of Berlioz and this full-length program, sharing musical examples from recordings of Georges Thill singing French tenor arias; Les Troyens conducted by Colin Davis in 1969 (with the orchestra and chorus of Covent Garden and Jon Vickers); from 2000 (Davis conducting the London Symphony orchestra and chorus, Ben Heppner, Michelle DeYoung, and Sara Mingardo); and from 2017 (John Nelson conducts the Orchestre and Choeur philharmonique de Strasbourg, Joyce DiDonato, and Cyrille Dubois).

American mezzo-soprano and three-time Grammy Award winner Joyce DiDonato is "perhaps the most potent female singer of her generation" (The New Yorker), but her path to stardom was anything but easy and linear. In this special episode of Speaking Soundly, recorded live at Lincoln Center, Joyce discusses the challenges in her early career and how she moved through them with grit, how her father gave her permission to pursue a life on the stage, and why her heart still belongs in a choir. David and Joyce reflect on meaningful performances in their lives and the power of music to connect us to moments and heal.Be sure to subscribe, leave us a rating, and share with your friends if you liked this episode!Check out Joyce DiDonato on Instagram, Twitter, Facebook, YouTube, Apple Music, Spotify, or the web. Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Joyce DiDonato by Sachyn Mital, © Lincoln Center for the Performing Arts.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2024 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

In einem gerade mal zwei Jahre alten Bühnenwerk begeistern zwei berühmte Opernsängerinnen an der New Yorker Met. Renée Fleming und Joyce DiDonato sind nach wie vor toll bei Stimme und machen "The Hours / Die Stunden" von Kevin Puts zum Groß-Event.

Thomas Cabaniss is a wonderful American composer of works for opera, theater, dance, film and the concert stage. He's been a member of the faculty of the Julliard School since 1998, and leads the Lullaby Project at Carnegie Hall, serving young parents in shelters, hospitals and prisons with collaboratively created songs for their children. We talk about all this and much more, inluding his work creating Carnegie Hall's Link Up. I was curious about these many facets to Thomas' life as both a composer and educator, and you'll find this episode has gorgeous, inspiring music of his, as well as great stories from his diverse career as a Teaching Artist, working with music educators, students of all ages, and meaningful outreach in the community. You'll hear performances from pianists Michael Shinn and Jessica Chow Shinn, singer Joyce DiDonato, and towards the beginning of the episode you'll hear some of Thomas' great music for string quartet, performed by the Charleston symphony String quartet.  Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the platforms, and I've also linked the transcript to my website https://www.leahroseman.com/episodes/thomas-cabaniss Thomas Cabaniss website: http://thomascabaniss.com/about.html Support link to buy me a coffee: https://ko-fi.com/leahroseman Thanks! My social media links: https://linktr.ee/leahroseman My Complete Catalog of Episodes: https://www.leahroseman.com/about Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Timestamps (00:00) Intro (02:24) Thomas Cabaniss string quartets (07:57) excerpt from Water from Four Elements with the Charleston Symphony String Quartet  (09:28) Charleston Symphony (12:10) Fire, Four Elements string quartet (16:07) Link Up program and Cabaniss' work with music education and orchestras (23:39) the Lullaby Project (30:53) Peace sung by Joyce DiDonato written by Tamilles Fernandez with Dierdre Struck (34:19) Tiny Bits of Outrageous Love, Michael Shinn and Jessica Chow Shinn (39:53) Lovesong no. 3 Tiny Bits of Outrageous Love, Michael Shinn and Jessica Chow Shinn (41:58) Thomas' wife, and musical themes in families (43:54) Two no. 7 Tiny Bits of Outrageous Love, Michael Shinn and Jessica Chow Shinn (47:09) different musical styles and influences, writing for theatre at Yale (51:27) Thomas' youth and musical education (55:50) Thomas' approach to teaching music theory, teaching music appreciation to dancers (58:50) please support this series! (59:27) the work of Teaching Artists, working with students and educators (01:07:16) operas for toddlers (01:13:38) how to bring new audiences into orchestra concerts (01:17:57) how and when  to talk to audiences (01:23:15) Thomas' creative process --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

BRAVO på lørdag tager dig med rundt til store stemmer og stort drama - som vanligt! Der kommer et kig til søndagen, hvor jeg skal opleve Cavelleria Rusticana og Bajadser i Helsingør Kammeropera. Joyce DiDonato står for Ugens Hit, som er det lækre "Una voce poco fa", fra Barberen i Sevilla og så er der hele tre Lytterønsker som er meget smukke. Vært: Lotte Heise.

Guest host Kinneret Ely interviews opera star Nicholas TamagnaNicholas Tamagna's meteoric rise in recent years has made him one of the world's most fascinating alto voices. Highlights of the last few seasons were undoubtedly his interpretation of Ermano in the award-winning CD recording of Gismondo, re di Polonia (Leonardo Vinci) on the Parnassus label and its extensive concert tour, his MET debut in March 2020 in Sir David's McVicar's re-visited production of Händel's Agrippina as Narciso, at the side of Joyce DiDonato, Harry Bicket, Kate Lindsey and Brenda Rae as well as the worldwide cinema broadcast of the performance and his spectacular interpretation of the Händel roles Ruggiero in Alcina and Silvio in Il Pastor Fido at the Händel Festival in Halle, Tolomeo in Giulio Cesare in Egitto at the Göttingen Händel Festival, and most recently his debut at Bayreuth Baroque 2022 as Timagene in the highly-acclaimed production of Vinci's Alessandro nell'Indie from Max Emanuel Cenčić, at the side of Bruno de Sà, Franco Fagioli, and Jake Arditti. In future seasons, he will be heard at such prestigious houses as San Francisco Opera, Israeli National Opera in Tel Aviv, Theater an der Wien in Vienna, Austria, Pinchgut Opera in Sydney, Australia, and Bayreuth Baroque.SRTN Podcast

Presented by Tom Service. This week, Tom talks to the American mezzo-soprano Joyce DiDonato about her life in music, and her creative mission to challenge the status quo. From her work in refugee camps, to her long relationship with the maximum security prison SingSing in New York State, as well as in concert halls and opera stages, DiDonato confounds expectations of an international classical artist. She talks about the joy of engaging differently with young audiences, and of recording and touring projects like Eden, which makes real connections with the natural world and includes the publishing of new music for anyone to sing.Conductor Edward Gardner and artist Ben Cullen Wiliams talk about their reimagining of Szymanowski's ballet Harnasie: a story of love, bandits, and how the robbers of the Tatra mountains in Poland win out over the civilisation below. Also featuring filmed choreography by Wayne MacGregor, the production has received its premiere in Katowice and comes to London this month, and uses human and digital intelligence to form a kinetic, sculptural video installation opening a portal to new worlds of dance.And Caroline Potter reveals the mission behind her new book, 'Pierre Boulez: Organised Delirium', which aims to change perceptions about the French composer. A leading figure of the musical avant-garde in the mid-20th century, Boulez is known for the mathematical and structural elements of his music, but Caroline Potter places just as much importance on the influences in his early career from the worlds of literature, magic, surrealism and the music of other cultures.

Anna Bonitatibus—2003 | Lawrence Brownlee—2018 | Javier Camarena—2013 | Karine Deshayes—2018 | Joyce DiDonato—2004 | Martine Dupuy—1990 | Tara Erraught—2019 | Juan Diego Flórez—2021

Espacio dedicado a los mejores intérpretes del arte vocal lírico con la producción de Carolina Valdés y locución de Sergio Morales.  Lunes a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

SynopsisAmerican opera composer Jake Heggie and his librettist Terrence McNally decided to follow their Dead Man Walking – a successful but harrowing opera about capital punishment – with a lighter, more comic work, Great Scott.Now, McNally winced when people called Great Scott a “comic” opera, since it deals with a serious topic – for opera lovers, at least, namely, “Does opera still matter?”Great Scott is set in a large U.S. city with a respected – but struggling – opera company. The city also has a powerhouse professional football team. In Great Scott, international opera star Arden Scott returns to her hometown to save the opera company by staging the world premiere of a long-lost Italian bel canto work, Rosa Dolorosa, Figlia di Pompei. Unfortunately, the scheduled premiere falls on the same day as the home team's first Super Bowl.Does the diva save the opera company? And who wins the Super Bowl?Well, you'll just have to listen to the opera to find out!Fortunately, a Dallas Opera recording of Great Scott was made at its premiere on today's date in 2015 – featuring the powerhouse American mezzo-soprano Joyce DiDonato in the title role.Music Played in Today's ProgramJake Heggie (b. 1961) “Rosa Dolorosa” Overture, fr Great Scott - Joyce DiDonato, mezzo-soprano; Dallas Opera; Patrick Summers, conductor Erato 9029594078

De vergelijking tussen een topsporter en een topmusicus is snel gemaakt. De raakvlakken zijn groot. Maar is er nog iets om ons over te verbazen of is alles klip en klaar? Een beschouwende aflevering vanuit een tuinhuisje in Amsterdam.- studeren of trainen- progressieHosted by Springcast, see springcast.fm for privacy information.Stuur uw suggesties en ideeën voor het profiel van de chef-dirigent, of reactie op de podcast naar onderstaand mail adres, of onze socials, schroom niet!Email:reactie@eentoontjelager.nlFacebookInstagramTikTokShownotes:- Waka Waka -  Shakira- Nieuw tennis racket van altviool- Feyenoord, Wat gaan we doen vandaag- Joyce DiDonato met gebroken been

Welcome to Season 03 Episode 04 - the "Spooktacular" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include Dr. Robert Strauss, who offers insights on the Live at the Met presentation of Dead Man Walking; Distinguished Professor of Art Emeritus Mr. Alberto Rey, discussing the life and work of Gustav Klimt for the Art and Architecture presentation of Klimt and The Kiss; and Mr. Woody Keppel, who is bringing his modern-day vaudevillian show Mr. Crites and Woodhead: Sons of Vaudeville and Masters of Mayhem to the Marvel Theatre at SUNY Fredonia. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps: Live at the Met - Dr. Robert Strauss - 02:15 Klimt and The Kiss - Mr. Alberto Rey - 20:15 Arts Calendar - 37:05 Mr Crites and Woodhead - Mr. Woody Keppel - 39:48 Media: Autumn Village Halloween Ambience, The Melody Makers, October 2023 "This Journey", from the opera Dead Man Walking, music by Jake Hegge, libretto by Terence McNally; Joyce DiDonato, mezzo-soprano "Everybody Hear That", from the opera Dead Man Walking, music by Jake Hegge, libretto by Terence McNally; Ryan McKinney, baritone Entry of the Gladiators, Op. 68, Julius Fučík, composer, 1897 Artist Links: Dr. Robert Strauss Mr. Alberto Rey Mr. Woody Keppel      

Série kinopřenosů z newyorské Metropolitní opery vstoupí v sobotu 21. října do své 16. sezóny. Na programu bude opera Jakea Heggieho Mrtvý muž přichází. V New Yorku ji nastudovali ve hvězdném pěveckém obsazení v čele s mezzosopranistkou Joyce DiDonato.Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

What does redemption mean to a man sentenced to death? Is capital punishment justice or vengeance? Could anyone ever forgive a murderer?These are just some of the questions behind the true story of the nun who became a spiritual adviser to men on death row at the Louisiana State Penitentiary. Dead Man Walking was first a 1993 memoir by the Catholic nun and fervent death penalty abolitionist Sister Helen Prejean; later, it was adapted into an Oscar-winning movie. Sister Helen's story inspired a national conversation around the death penalty — and the opera duo Jake Heggie and Terrence McNally. Their adaptation of Sister Helen's story has become one of the most celebrated operas of the 21st century, and, with the last federal execution taking place as recently as 2021, feels as timely as ever.In her aria “This Journey,” Sister Helen's character reflects on her religious calling as she makes her way to the Angola prison for the first time. In this episode, host Rhiannon Giddens and her guests take us deeper into the true story that inspired the opera and the experiences that continue to inform Sister Helen Prejean's ministry.The GuestsThe Metropolitan Opera's 2023 production of Dead Man Walking marks the fifth time mezzo-soprano Joyce DiDonato has sung the role of Sister Helen. She describes the role as one that's impossible to emerge from without feeling changed. Having embodied Sister Helen so many times, DiDonato feels “much less comfortable turning a blind eye to things.”American composer Jake Heggie is best known for Dead Man Walking, the most widely performed new opera of the last 20 years. In addition to 10 other full-length operas and numerous one-acts, Heggie has composed more than 300 art songs, as well as concerti, chamber music, choral, and orchestral works. When librettist Terrence McNally proposed adapting Dead Man Walking into an opera, Heggie's “hair stood on end” and he immediately “felt and heard music.”Sister Helen Prejean is a Roman Catholic nun, the author of the memoir Dead Man Walking, and a leading voice in the effort to abolish the death penalty. She's served as a spiritual counselor to numerous convicted inmates on Death Row as well as to families of murder victims and survivors of violent crimes. Despite her wisdom, Sister Helen claims to know “boo-scat” about opera.

At last! After much anticipation, Aria Code returns! We're guiding listeners through highlights from the Metropolitan Opera's 2023-2024 season, pairing beloved classics with investigations into modern masterpieces. So get ready for a night at the opera — from the comfort of your own home. (Or wherever!) Arias from the likes of Jake Heggie's Dead Man Walking and Anthony Davis's X: The Life and Times of Malcolm X will tackle some of the most complex social and ethical questions head-on, while classics like Bizet's Carmen and Gounod's Roméo et Juliette plunge us into the thick of opera's favorite themes of desire, love, and longing. Hosted by Grammy Award-winner, MacArthur “Genius” Fellow, and (most recently) Pulitzer Prize-winning musician Rhiannon Giddens, each episode features a signature combination of music and riveting storytelling, paired with Met Opera performances by world-renowned opera stars, including Joyce DiDonato, Matthew Polenzani, Will Liverman, Clémentine Margaine, Diana Damrau, and Ailyn Pérez.    Aria Code is produced by WQXR in partnership with The Metropolitan Opera. This season, we'll be releasing episodes on a biweekly basis, starting October 4.

Pianist Zsolt Bognár had a light-bulb moment while building his first artist website in 2012. What if, instead of short clips of his performances — something every pianist publishes on their website — he interviewed his musician friends about their craft and careers? Inspired by Bognár's love for Bravo's Inside the Actor's Studio, the first iteration of the web series that would become Living the Classical Life was born. And more than a decade later, it has grown into an incredibly popular, award-winning show that's featured the best of the best in the classical music world. With more than three million views on YouTube alone, Bognár's in-depth conversations with the likes of Daniil Trifonov, Yuja Wang, Joyce DiDonato, Lisa Batiashvilli, and Susanna Mällki illuminate the inner world of classical musicians — revealing the passions, fears, and rewards that fuel their lives in music. To find success in today's content-saturated landscape, Bognár knew he would need to build a network of like-minded professionals who could support his vision for Living the Classical Life not only as a creative outlet, but as a business venture. That's a perspective he hopes to impart on anyone seeking advice on launching a new project. "Seek out people who you are really on the same wavelength with," Bognár shares on the latest episode of the Classical Post podcast, "or you may not have the same values that can connect you with others you'll resonate with. This is a world of business, as much as we don't like to think in those terms. Identify the people whose qualities you trust." In this episode, Bognár and I talk more about the early days of Living the Classical Life — when it was simply called Zsolt Bognár and Friends — as well as the mix of hard work, luck, and opportunity that helped the show take off, and the importance of strategic introductions, no matter your industry. Full disclosure: I have a very close relationship with Living the Classical Life. I'm a member of the Board of Directors and have regularly advised Bognár on the show's branding, outreach, and marketing over the past 10 years. It's been my absolute pleasure to see how Living the Classical Life has grown over the past decade, and I hope this deep dive into the show's evolution inspires you in your own creative journeys. — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

In this bonus episode, David reflects back on guests from the first season of Speaking Soundly who spoke about their growth as musicians. Hear from Ray Chen, Joyce DiDonato, Christian McBride, and Dr. Denson Paul Pollard.Follow Speaking Soundly on Instagram, Facebook, Twitter, and TikTok.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram, Facebook, TikTok, or the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format. Hosted on Acast. See acast.com/privacy for more information.

After a century, a collection of Japanese antiques has made its way from Kansas City back to a Christian girl's school in Yokohama, Japan. Plus: Kansas native and opera star Joyce DiDonato is up for her fourth Grammy Award.

Die amerikanische Schriftstellerin Donna Leon unterstützt und fördert leidenschaftlich Aufnahmeprojekte des Ensembles "Il pomo d'oro", wie etwa die kürzlich erschienene Einspielung von Händels "Theodora". Die Besetzung hätte kaum prominenter ausfallen können: Allein die Namen von Joyce DiDonato und Lisette Oropesa verdienen jederzeit Aufmerksamkeit, meint unser Opernexperte Volkmar Fischer.

Called “perhaps the most potent female singer of her generation,” she is currently getting raves in the role of Virginia Woolf in the Metropolitan Opera's world premiere of The Hours. Hear how she went from an unknown who was told she had no talent to singing on the world's most important stages—and the life lessons she learned along the way.See omnystudio.com/listener for privacy information.

American mezzo-soprano and three-time Grammy Award winner Joyce DiDonato compares singing into a packed opera house to Roger Federer's swing, as an effortless, efficient flow that feels like you're on a sailboat taken by the breeze. She recalls the profound process of developing her voice and marvels at its humanizing and therapeutic value.Check out Joyce DiDonato on Facebook, Instagram, Twitter, YouTube, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram, Facebook, Twitter, and TikTok.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram, Facebook, TikTok, or the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Special thanks to Tommy Harron at Armazi Productions for his help with the audio.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2022 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:58:38 - Stars du classique du lundi 03 octobre 2022 - par : Aurélie Moreau - Avec « Eden », Joyce DiDonato célèbre la nature : récital mercredi, le 5 octobre 2022 à 20h, à Paris – Théâtre des Champs-Elysées. La très charismatique mezzo-soprano sera accompagnée par l'orchestre Il Pomo d'Oro. Leur disque est paru chez Erato.

In the first episode of musicmakers by medici.tv, Gramophone editor-in-chief James Jolly sits down with superstar mezzo Joyce DiDonato, who opens up about her love for Berlioz and Frederica von Stade, the magic and community of performing onstage, the privilege of a strong audience-performer rapport, the excitement of stepping into a brand-new role, what's coming next in her brilliant career, and much more… Presented with the generous support of Madame Aline Foriel-Destezet.

We are in a constant deluge of noise and information and chat whether it is from our email and social media, or the 24-hour news cycles with its constant announcements of breaking news. Even our households can be filled with noise. Here we explore how to lessen both the exterior and interior noise to hear our own intuition and tune in to our creative gifts. Justin Zorn has served as a senior advisor for Policy and Strategy at the Center for Economic and Policy Research. He has also served as a meditation teacher in the U.S. Congress and is a Harvard-and-Oxford-trained specialist in the economics and psychology of wellbeing. Leigh Marz is a collaboration consultant and leadership coach for major universities, nonprofit coalitions, and federal agencies. Marz and Zorn are the cofounders of Astrea Strategies whose purpose is to help businesses, nonprofits, and leaders find creative and enduring solutions in living beyond the noise. They are the co-authors of Golden: The Power of Silence in A World of Noise. (Harper Wave 2022)Interview Date: 6/30/2022 Tags: Leigh Marz, Justin Zorn, noise, intuition, thinking and talking, Johann Hari, attention, flow, Arlin Bronzaft, Andrew Yang, John Maynard Keynes, market forces, Sheena Malhortra, George Floyd, Joyce DiDonato, Jarvis Masters, San Quentin, Cyrus Habib, Social Change/Politics, Personal Transformation

A new show from Artful Narratives Media featuring conversations with today's most accomplished performing artists including Wynton Marsalis, Joyce DiDonato, Emanuel Ax, and more, hosted by MET Opera Principal Trumpet David Krauss. Coming to your podcast feed on September 12th. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Jake Heggie is the composer of 9 operas, including Dead Man Walking and Moby Dick and has written nearly 300 art songs. In addition, he is a fine pianist who has worked with singers such as Joyce DiDonato, Renee Fleming, Frederica von Stade, and Jamie Barton, among others. In our conversation we talk about his life in opera, composing, the three ingredients of success, and even ... coffee and sleep!Jake Heggie's story is truly exceptional ... luck followed by exceptionally hard work and talent. So we begin by my asking him to recount how he came to write his first opera, Dead Man Walking, which has been called “the most celebrated opera of the 21st century,” with over 75 international productions, a truly exceptional story! We then use Dead Man Walking to talk about the process of getting an opera produced, beginning with the composition and collaboration with the librettist, followed by the numerous steps of workshopping and rehearsals.

Playlist: Charles Ives, Joyce DiDonato, Il Pomo d'Oro - The Unanswered QuestionOscar Morawetz, Glenn Gould - Fantasy in D MinorElizabeth Raum, Jaye Marsh - Bridal Veil FallsGail Kublik, Boston Modern Orchestra Project - Gerald McBoing BoingJessica Pavone - Performance NovelsArthur Farwell, Dakota String Quartet - String Quartet in A Major 'The Hako'Andre Previn, Aleksey Semenenkot, Artem Belogurov - Violin Sonata No. 2Martin Suckling, Jamie Campbell, Sebastien Van Kuijk - Nocturne

durée : 00:25:08 - Les Grands entretiens - par : Judith Chaine - Dernier entretien de notre série avec la chanteuse lyrique Joyce DiDonato. Une part importante de son répertoire est consacré à l'univers intime du récital aux côtés de pianiste tels qu'Antonio Pappano, Yannick Nézet Seguin ou encore Craig Terry pour le jazz.

durée : 00:25:18 - Les Grands entretiens - par : Judith Chaine - Après ses études à Philadelphie, Joyce DiDonato se lance dans la carrière mais les premiers succès se font attendre. S'est elle découragée ? Réponse dans ce 4ème volet de nos entretiens avec la diva de Kansas City.

durée : 00:25:26 - Les Grands entretiens - par : Judith Chaine - Dans ce 3ème volet de nos entretiens, la mezzo-soprano Joyce DiDonato revient sur les différentes actions de sensibilisation qu'elle mène en milieu pénitentiaire. Elle se remémore quelques expériences particulièrement émouvantes avec certains détenus de la prison de Sing Sing à New York.

durée : 00:25:17 - Les Grands entretiens - par : Judith Chaine - Joyce DiDonato chante d'abord dans la chorale de l'église puis dans les chœurs et comédies musicale de son lycée. C'est tout naturellement qu'elle s'imagine enseignante avant de découvrir sa passion de jouer et chanter sur une scène. Retour sur ses 1ères auditions et premiers rôles…

durée : 00:25:19 - Joyce DiDonato, mezzo-soprano (1/5) - par : Judith Chaine - Joyce DiDonato a grandi dans la banlieue de Kansas City. Elle est la 6ème d'une famille de 7 enfants. Avec un père chef de chœur, la musique tient une place importante dans sa famille. Dans ce 1er volet de nos entretiens, la mezzo soprano partage avec nous quelques souvenirs de son enfance. - réalisé par : Lionel Quantin

Suzy Klein and Huw Stephens are joined by actor, comedian and entertainer Les Dennis as he hosts a tribute to his friend Barry Cryer. Kat Farmer left a lucrative city job after she had kids and was unsure what to do next. She rediscovered a love of fashion and it's ability to reinvent, and embraced the digital age, starting a blog, "Does my bum look 40 in this?" and becoming an online influencer. She now works as a stylist, for personal clients and on TV. She joins us. Saturday Live listener Martyn Bradley was aged 12 when, at a family party, his great grandfather gave all his great grandchildren a pocket watch, except him, on the grounds that he was adopted. It was the first he had heard about it. He tells us what happened next. We have Comedian Zoe Lyons on going from Survivor into stand up, and alopecia, and the inheritance tracks of Donna Leon, she chooses Carolyn Watkinson singing “Oh thou that telleth good tidings to Zionz' from Handel's Messiah and Joyce DiDonato singing “As with Rosy steps the morn” from Handel's Theodora. Plus, your thank you! Producer: Corinna Jones

Acclaimed American mezzo-soprano Joyce DiDonato talks to John Wilson about the works and events that have made her the performer she is. A Grammy and Olivier award-winning opera star, Joyce is renowned for her range, control and dramatic performances on stages around the world. She reveals her most formative influences including her teenage love of Billy Joel; the struggle to perfect her singing technique; her breakthrough role as Rosina in Rossini's The Barber of Seville; and the film and opera of Dead Man Walking, which ultimately led her to take part in life-changing work in Sing Sing maximum security prison. Producer: Edwina Pitman

The American mezzo soprano Joyce DiDonato has won deserved acclaim in the world's great opera houses – in Rossini, Handel and brand new works – and she's a passionate communicator. Growing up in Kansas she originally planned to become a music teacher. Even after committing to a singing career, the breaks only followed a whole heap of rejection. A very present, physical performer, the temperature always rises when she comes on stage. She tells us about art and activism, including her work in prisons and with refugees. Joyce's journey has helped her think about why her work is valuable – why art matters. Joyce DiDonato was born in Kansas. A multi-Grammy Award winner and 2018 Olivier Award winner for Outstanding Achievement in Opera, the New Yorker proclaimed her ‘perhaps the most potent female singer of her generation.' Acclaimed as both a performer and a fierce advocate for the arts, she has gained international prominence in operas by Handel and Mozart, and in the bel canto roles of Rossini and Donizetti. She has held residencies at Carnegie Hall and London's Barbican Centre and appeared as guest soloist at the BBC's Last Night of the Proms. The latest release in her award-winning discography is Eden, a multi-faceted initiative embracing a global tour, an album and a ground-breaking education programme all exploring our connection to nature.Find out more about the work of the RAD: https://bit.ly/3KcB5UBFollow the RAD on social media, and join the conversation with host David JaysInstagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list: https://bit.ly/3frWPh9RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign: https://bit.ly/3fnxEwm or make a donation: https://bit.ly/3bxA6z5 Joyce DiDonato's new album EDEN is released on 25 February and her international tour begins on 2 March, with performances at the Barbican Centre in London on 5 and 6 April.Learn more about Joyce DiDonato and The Walk: https://bit.ly/3MgaWWI See acast.com/privacy for privacy and opt-out information.

Joyce DiDonatos neues Album wirkt als Aufruf an uns, wachsam zu sein für das, was in uns und um uns herum passiert.

Lleugera, vol

Someone tell me why this episode's sound balance is the best so far because I truly had no idea what I was doing while recording on zoom! This chat is about the Met's production of Agrippina that I had the JOY of seeing with @ginaehanzlik •Voi Che udite sung by Jakob Orliński• Se giunge un dispetto sing by Brenda Rae• Pensieri voi mi tormentate sung by Joyce Didonato•

Rodney Trudgeon's guest on People of Note this week is one of the UK's leading song pianists and, more recently, a conductor as well. Gary Matthewman is a regular artist at London's Wigmore Hall as well as Carnegie Hall in New York and Vienna's Musikverein among many other international venues. His recital partners include Dame Kiri Te Kanewa, Joyce DiDonato, Sir Thomas Allen and Sumi Jo. Gary is on a six week coaching residency at Cape Town Opera, largely focussing on coaching the Cape Town Opera Young Artists.

It can only go up from here! Don't worry, I've learned a lot from this first episode and things will get better (I promise). Follow Helena Crothers @helena.crothers and myself @countertenorjames •Furie terribili sung by Brenda Rae •Scherzano sul tuo volto sung by Joyce Didonato and Patrizia Ciofi•

Riccardo Muti leads an evening of dramatic and evocative works, pairing Respighi's captivating Pines of Rome with a rare performance of Bizet's own portrait of the great city. Celebrated mezzo-soprano Joyce DiDonato returns for Berlioz's poignant cantata based on the ill-fated Cleopatra. “The staggering, joyful artistry of Joyce DiDonato—one of the finest singers of our time—compels us to listen actively, to hear things anew” (Gramophone). Tickets and more info: https://cso.org/ticketsandevents/production-details-2018-19/chicago-symphony-orchestra/muti-pines-of-rome/

Soprano Joyce DiDonato on tackling the vocal pyrotechnics of Rossini and why she's bringing opera to the inmates of Sing Sing, New York's maximum security prison.Puppets are currently centre stage in three theatrical productions in the UK - Pinocchio at the National Theatre, The Grinning Man in the West End and The Tin Drum on tour. We speak to Toby Olié, in charge of puppetry on Pinocchio and Tom Morris, director of The Grinning Man who, as co-director of War Horse, changed the way puppets are regarded. Kirsty also hears from from actors Sanne den Besten and Louis Maskell about how they work with puppets to show them falling in love. Plus, as the European Commission announce that the UK will no longer be able to take part in the 2023 European Capital of Culture as planned, we look at the impact this has on the bidding cities and what it signifies for the arts industry as Britain continues the process of leaving the European Union.