Podcasts about The Sound of Music

In this episode, we explore what it means to stay human in a time of collective trauma. We talk about messiness as a core part of being alive, how purity culture and rigid systems disconnect us from our bodies, and why agency, consent, and clear yeses and nos are essential forms of resistance. Together, we unpack how supremacy shapes therapy, relationships, and identity — especially through individualism, whiteness, and disembodiment — and imagine more liberating ways of practicing care, connection, and community. The conversation weaves personal reflection, cultural critique, and somatic wisdom, inviting listeners back into their bodies, their grief, and their shared humanity.Subverting Supremacy Culture in our Practice: Part 2Friday, January 30, 20262:00 PM  4:00 PMVIRTUALhttps://www.shelterwoodcollective.com/events/subverting-supremacy-culture-in-our-practice-part-2Working with people means navigating power, race, and trauma.This workshop will help you notice supremacy culture in the room and resist it. Due to the way Christian nationalism works in the US we create space to engage Christian supremacy and its manifestations of racialized heteronormativity that affects all bodies — regardless of religious or non-religious status. You will learn embodied, relational tools to strengthen your practice and reduce harm. Danielle S. Rueb Castillejo (she/her), Psychotherapist, Activist, Community Organizer; Jenny McGrath (she/her), Psychotherapist Writer, Author, Body Movement Worker; Abby Wong-Heffter, (she/her), Psychotherapist Teacher, Attachment Specialist; Tamice Spencer-Helms, (she/they), Author, Theoactivist, Non-Profit Leader are collaborating to create a generative learning space for therapists, social workers, educators, organizers, spiritual leaders, healthcare providers, and community practitioners. Together we will work with the ways supremacy culture shows up somatically, relationally, and structurally in helping professions. We will examine how dissociation, fragmentation, and inherited oppression narratives shape our work, and develop practices to interrupt these patterns.This workshop addresses diversity and cultural competence by:Examining how supremacy culture impacts Black, Indigenous, and People of Color differently than white-bodied practitioners. Naming cultural, historical, and intergenerational forces that shape power dynamics in clinical and community settings. Offering embodied, relational, and trauma-informed tools to practitioners working across racial, ethnic, cultural, and linguistic differences. Developing the capacity to recognize and intervene in oppression harm while maintaining therapeutic integrity and accountability. Participants will engage in reflective dialogue, somatic exercises, case-based examples, and guided exploration of their own positionality. The intent is not perfection but deepening collective responsibility and expanding our capacity to resist supremacy culture inside our practice and in ourselves. The workshop is designed to meet the Washington Department of Health requirement for two hours of health equity continuing education (WAC 246-12-820).The Blackfoot Wisdom that Inspired Maslow's HierarchyBy Teju Ravilochan, originally published by Esperanza Projecthttps://www.resilience.org/stories/2021-06-18/the-blackfoot-wisdom-that-inspired-maslows-hierarchy/ Danielle (00:05):Be with you. Yeah. Well, it seems like from week to week, something drastically changes or some new trauma happens. It reminds me a lot of 2020.Jenny  (00:15):Yeah. Yeah, it really does. I do feel like the positive in that is that similar to 2020, it seems like people are really looking for points of connection with one another, and I feel like there was this lull on Zoom calls or trainings or things like that for a while. People were just burned out and now people are like, okay, where in the world can I connect with people that are similar to me? And sometimes that means neighbors, but sadly, I think a lot of times that means people in other states, a lot of people that can feel kind of siloed in where they are and how they're doing right now.Danielle (00:56):Yeah, I was just thinking about how even I have become resistant to zoom or kind of tired and fed up and then all of a sudden meeting online or texting or whatever feels safer. Okay. Again.About? Just all the shit and then you go out in the real world and do I messed that up? I messed that up. I messed that up. I think that's part of it though, not living in perfection, being willing to be really messy. And how does that play out? How does that play out in our therapeutic practices?Jenny (01:50):Yeah, totally. I've been thinking a lot about messiness lately and how we actually come into the world. I think reveling often in messiness for anyone that's tried to feed a young child or a toddler and they just have spaghetti in their hair and everything's everywhere. And then we work so hard to tell kids, don't be messy. Don't be messy. And I'm like, how much of this is this infusion of purity culture and this idea that things should be clean and tidy? That's really actually antithetical to the human experience, which is really messy and nuanced and complicated. But we've tried to force these really binary, rigid, clean systems or ways of relating so that when things inevitably become messy, it feels like relationships just snap, rather than having the fluidity to move through and navigate,Danielle (02:57):It becomes points of stop or I can't be in contact with you. And of course, there's situations where that is appropriate and there might be ways I can connect with this person in this way, but maybe not on social media for instance. That's a way that there's a number of people I don't connect with on social media intentionally, but am willing to connect with them offline. So yeah, so I think there's a number of ways to think about that. I think just in subverting supremacy, Abby and I talked a lot about consent and how also bringing your own agency and acknowledging your yeses and your nos and being forthcoming. Yeah, those are some of the things, but what are you and Tamis going to touch on?Jenny (03:47):I'd be curious to hear what you think inhibits somebody's agency and why? Because I thought that was so great. How much you talked about consent and if you were to talk about why you think that that is absent or missing or not as robust as it could be, what are your thoughts on that?Danielle (04:06):Well, sometimes I think we look in our society to people in power to kind of play out fantasies. So we look for them to keep checking in with us and it, it goes along with maybe just the way the country was formed. I talked a little bit about that this week. It was formed for white men in power, so there was obviously going to be hierarchical caste system down from there. And in each cast you're checking with the powerful person up. So I think we forget that that plays out in our day-to-day relationships too.(04:44):And I think it's a hard thing to acknowledge like, oh, I might have power as a professional in this realm, but I might enter this other realm where then I don't have power and I'm deferring to someone else. And in some ways those differences and those hierarchies serve what we're doing and they're good. And in other ways I think it inhibits us actually bringing our own agency. It's like a social conditioning against it, along with there's trauma and there's a lot of childhood sexual abuse in our country a lot. And it's odd that it gets pinned on immigrants when where's the pedophiles? We know where some of them are, but they're not being pursued. So I think all of these dynamics are at play. What do you think about thatJenny (05:32):When you talk? It makes me think about something I've just learned in the last couple years, which is like Maslow's hierarchy of needs, which has been turned into this pyramid that says you need all of these things before you can be self-actualizing. What is actually interesting is that Mazo sort of misappropriated that way of thinking from the Blackfoot nation that he had been living and researching, and the Blackfoot people were saying and have been saying and do say that they believe we come into the world as self-actualized. And so the culture and the community is designed to help that sovereign being come into their full selves.(06:20):And so actually the way that the pyramid was created was sort of the antithesis of what the Blackfoot people were trying to communicate and how they were living. But unfortunately, white psychology said, well, we can't acknowledge that this was from indigenous people, so we're going to whitewash it. We're going to say that Maslow created it and it's going to be wrong, basically. And I'm just thinking about the shift of if we view people and water and plants and animals and planets as sovereign, as beings that have self-actualizing agency, then of course we're going to probably want to practice consent and honoring them. Whereas if we view the world and people as these extractive things and objects, we're going to feel entitled to take what we want or what we feel like we deserve.Danielle (07:32):I'm not surprised though that we've extracted that hierarchy of needs from somewhere because as I write about, I've been writing a lot as I think about moral injury and what's happened to our society and how trauma's become a weapon, like a tool of empire in white bodies to use them as machinery, as weapons. One of the things I've thought a lot about is just this idea that we're not bodies, we're just part of the machine.(08:03):So then it would make sense to make a form, here's your needs, get this shit done so you can keep moving.Jenny (08:12):Totally. We just started watching Pluribus last night. Do you know what this is?(08:24):Is this really interesting show where there's this virus that comes from outer space and it makes everyone in the world basically a hive mind. And so there's immediately no wars, no genocide, nothing bad is going on,(08:43):Nobody is thinking for themselves except for this one woman who for whatever reason was not infected with the virus.(08:52):And it's so interesting and it's kind of playing with this idea of she is this white woman from America that's like, well, we should be able to think for ourselves. And everyone else is like, but wars are gone. And it's really interesting. I don't know where the show's going to actually go, but it's playing with this idea of this capitalistic individuation. I'm my own self, so I should be able to do that. And I know this, it's this place of tension with I am a sovereign being and I am deeply interconnected to all other beings. And so what does agency look like with being responsible to the people I'm in relationship with, whether I know them or not,Danielle (09:42):What is agency? I think we honor other people by keeping short accounts. I don't think I've done a good job of that much in my life. I think it's more recent that I've done that. I think we honor other people by letting them know when we're actually find something joyful about what our encounter with them or pointing out something loving. And I think we honor our community when we make a clear yes or clear no or say I can't say yes or no. Why can I tell you yes or no at a later date when we speak for ourselves, I think we give into our community, we build a pattern of agency. And I think as therapists, I think sometimes we build the system where instead of promoting agency, we've taken it away.Jenny (10:35):Yeah, I agree. I agree. I think I was just having a conversation with a supervisee about this recently. I who has heard a lot of people say, you shouldn't give your clients psychoeducation. You shouldn't give them these moments of information. And I was like, well, how gatekeeping is that? And they were having a hard time with, I've heard this, but this doesn't actually feel right. And I do think a lot of times this therapist, it's like this idea that I'm the professional, and so I'm going to keep all of this information siloed from you where I think it's ethical responsibility if we have information that would help things make more sense for our clients to educate them. And I often tell my clients in our first session, my job is to work myself out of a job. And unfortunately, I think that there's a lot in a lot of people in the therapy world who think it's their job to be someone's therapist forever. And I think I'm like, how do we start with, again, believing in someone's agency and ability to self-actualize and we just get to sort of steward that process and then let them go do whatever they're going to do.Danielle (11:54):I think that also speaks to can therapy change? I think the model I learned in graduate school has revolved a lot around childhood trauma, which is good. So glad I've been able to grow and learn some of those skills that might help me engage someone. I also think there's aspects I think of our society that are just missing in general, that feel necessary in a therapeutic relationship like coaching or talking from your own personal experience, being clear about it, but also saying like, Hey, in these years this has happened. I'm not prescribing this for you, but this is another experience. I think on one hand in grad school, you're invited to tell your story and know your story and deal with counter transference and transference and try to disseminate that in some sort of a blank way. That's not possible. We're coming in with our entire identity front and center. Yeah, those are just thoughts I have.Jenny (12:59):Yeah, I think that's so good. And it makes me think about what whiteness does to people, and I think a lot of times it puts on this cloak or this veneer of not our fullest truest selves. And I don't even think that white people are often conscious that that's what we're doing. I remember I am in this group where we're practicing what does it look like to be in our bodies in cross-racial experiences? And there's a black woman in my cohort that said, do you ever feel separate from your whiteness? Can you ever get a little bit of space from your whiteness? And I was like, honestly, I don't feel like I can. I feel like I'm like Jim Carrey in the mask, where the more I try to pull it off, the more it snaps back and it's like this crustacean that has encapsulated us. And so how do we break through with our humanity, with our messiness to these constraints that whiteness has put on us?(14:20):Oh, tomorrow. Oh my gosh. So I'm going to do a little bit of a timeline of Jenny's timeline, my emotional support timeline. I told Tamis, I was like, I can get rid of this if you don't think it's important, but I will tell you these are my emotional support timelines. And they were like, no, you can talk about 'em. So I'm just doing two slides on the timeline. I have dozens of slides as Danielle, but I'm just going to do two really looking at post civil rights movement through the early two thousands and what purity culture and Christian nationalism did to continue. What I'm talking about is the trope of white womanhood and how disembodied that is from this visceral self and organism that is our body. And to me is going to talk about essentially how hatred and fear and disgust of the black queer body is this projection of those feelings of fear, of shame, of guilt, of all of those things that are ugly or disavowed within the system of Christian nationalism, that it gets projected and put on to black bodies. And so how do we then engage the impact of our bodies from these systems in our different gendered and sexual and racial locations and socioeconomic locations and a million other intersectional ways? As you and Abby talked about the power flower and how many different parts of our identity are touched by systems of oppression and power(16:11):And how when we learn to move beyond binary and really make space for our own anger, our own fear, our own disgust, our own fill in the blank, then we are less likely to enable systems that project that on to other bodies. That's what we're going to be talking about, and I'm so excited.Danielle (16:32):Just that, just that NBD, how do you think about being in your body then on a screen? There's been a lot of debate about it after the pandemic. How do you think about that? Talking about something that's so intimate on a screen? How are you thinking about it?Jenny (16:52):Totally. I mean, we are on a screen, but we're never not in our bodies. And so I do think that there is something that is different about being in a room with other bodies. And I'm not going to pretend I know anything about energy or the relational field, but I know that I have had somatic work done on the screen where literally my practitioner will be like, okay, I'm touching your kidney right now and I will feel a hand on my kidney. And it's so wild. That probably sounds so bizarre, and I get it. It sounds bizarre to me too, but I've experienced that time and space really are relative, I think. And so there is something that we can still do in our shared relational space even if we're not in the same physical space.(17:48):I do think that for some bodies, that actually creates a little bit more safety where I can be with you, but I'm not with you. And so I know I can slam my computer shut, I can walk out of the room, I can do whatever I need to do, whether I actually do that or not. I think there sometimes can be a little bit of mobility that being on the screen gives us that our bodies might not feel if we are in a shared physical space together. And so I think there's value and there's difference to both. What about you?Danielle (18:25):Well, I used it a lot because I started working during the pandemic. So it was a lifeline to get clients and to work with clients. I have to remind myself to slow down a lot when I'm on the screen. I think it's easier to be more talkative or say more, et cetera, et cetera. So I think pacing, sometimes I take breaks to breathe. I used to have self-hate for that or self-criticism or the super ego SmackDown get body slammed. But no, I mean, I try to be down to earth who I would prefer to be and not to be different on screen. I don't know that that's a strategy, but it's the way I'm thinking about it.Jenny (19:20):As someone who has co-lead therapy spaces with you in person, I can say, I really appreciate your, and these things that feel unrushed and you just in the moment for me, a lot of times I'm like, oh yeah, we're just here. We don't have to rush to what's next. I think that's been such a really powerful thing I've gleaned from co-facilitating and holding space with you.Danielle (19:51):Oh, that's a sweet thing to say. So when you think about subverting supremacy in our practices, us as therapists or just in the world we are in, what's an area that you find yourself stuck in often if you're willing to share?Jenny (20:12):I think for me and a lot of the clients that I work with, it is that place of individualism. And this is, I think again, the therapy model is you come in, you talk about your story, talk about your family of origin, talk about your current relationships, and it becomes so insular. And there is of course things that we can talk about in our relationships, in our family, in our story. And it's not like those things happen in a, and I think it does a disservice, and especially for white female clients, I think it enables a real sense of agency when it's like, I'm going through the hardest thing that anyone's ever gone through. And it's like, open your eyes. Look at what the world is going through you, and we and us are so much more capable than white womanhood would want you to assume that you are. And so I think that a lot of times for white women, for a lot of my work is growing their capacity to feel their agency because I think that white patriarchal Christian capitalistic supremacy only progresses so long as white women perform being these damsels that need rescue and need help. And if we really truly owned our self-actualizing power, it would really topple the system, I believe.Danielle (21:53):Yeah, I mean, you see the shaking of the system with Renee, Nicole Goode. People don't know what to do with her. Of course, some people want to make her all bad, or the contortions they do to try to manipulate that video to say what they wanted to say. But the rattling for people that I've heard everywhere around her death and her murder, I think she was murdered in defense of her neighbors. And that's both terror inducing. And it's also like, wow, she believed in that she died for something she actually believed in.Jenny (22:54):Yeah. And I were talking about this as well in that of course we don't know, but I don't know that things would've played out the same way they played out if she wasn't clearly with a female partner. And I do think that heteronormativity had a part to play in that she was already subverting what she should be doing as a white woman by being with another woman. And I think that that is a really important conversation as well as where is queerness playing into these systems of oppression and these binary heteronormative systems. And this is my own theory with Renee, Nicole. Good. And with Alex, there is something about their final words where Nicole says, I'm not mad at you. And Alex says, are you okay? And my theory is that that is actually the moment where something snapped for these ice agents because they had their own projection on what these race traders were, and they probably dehumanized them. And so in this moment of their humanity intersecting with the projection that these agents had, I think that induced violence, not that they caused it or it was their(24:33):But I think that when our dehumanizing projections of people are interrupted with their humanity, we have a choice where we go, wait, you are not what I thought you were. Or we double down on the dehumanization. And I think that these were two examples of that collision of humanity and projection, and then the doubling down of violence and dehumanization(25:07):Yeah. It makes me think of, have you seen the sound of music?(25:13):So the young girl, she has this boyfriend that turns into a Nazi. There's this interaction towards the end of the film where he sees the family. He has this moment facing the dad, and he hasn't yet called in the other Nazis. And the dad says to him, you'll never be one of them.(25:36):And that was the moment that he snapped. And he called in the other guards. And I think it's making a point that there's something in these moments of humanity, calling to humanity is a really pivotal moment of are you going to let yourself be a human or are you going to double down in your allegiance to the systems of oppression? And so I think that what we're trying to invite with subverting supremacy is when we come to those moments, how do we choose humanity? How do we choose empathy? How do we choose kindness? And wait, I had this all wrong rather than a doubling down of violence. I don't know. Those are my thoughts. What do you think? Well,Danielle (26:27):I hadn't thought about that, but I do know that moment in sound of music, and that feels true to me, or it feels like, where do you belong? A question of where do you belong? And in the case of Alex and Nicole, I mean, in some sense the agents already knew they didn't belong with them, but to change this. But on the other hand, it feels like, yeah, maybe it is true. It just set off those alarm bells or just said like, oh, they're not one of us. Something like that.(27:19):It's a pretty intense thought. Yeah. My friend that's a pastor there in Minneapolis put out a video with Jen Hatmaker yesterday, and I watched the Instagram live of it this morning, and she talked about how she came home from the protest, and there were men all over her yard, in the neighbor's yard with machine guns. And she said they were trying to block her in, and they came up to her car and they had taken a picture of her license plate, and they're like, roll down your window. And she's like, why? And they're like, I gave you an order. She's like, but why? And then they took a picture of her face and they're like, now you have us in your database. And she's like, I'm not rolling down my window. Because when the last person did that, you shot him in the face(28:03):And she said they got out of their car and parked. And the neighbor who, I dunno why they were harassing her neighbor, she described him as a white male, but he was standing there and he was yelling at them to leave. And she said, at this time, there was like 50 neighbors out, like 50 people out on the street. And the ice van stopped, ran back, tackled him, slammed his face into the ice, beat him up, and then threw him in the back of the car and then dropped him off at the hospital or released him or something. And he had to go get wound care. And I guess just thinking about that, just the mere presence of white people that don't fit. I wonder if it's just the mere presence.Jenny (28:59):Yeah, yeah. Well, I think part of it is exposing the illusion of whiteness and this counterfeit collaboration that is supposed to mean based on melanin, that if you have this lack of melanin, this is how you're supposed to perform. And I'm really grateful that we have people with less melanin going, no, I would not that we want to die, but if my choice is to die or to give up my soul, I don't want to give up my soul.(29:50):I feel my heart pounding. It's scary. And I think there's also grief in the people I love that are choosing to not have a soul right now, to not allow space for their soul that are choosing to go into numbness and to bearing their head in the sand and to saying, we just need to have law and order. And I believe that they were made for so much more than that.(30:46):It is painful. I mean, it doesn't go(30:55):No, no. I've been watching a lot of sad movies lately because they helped me cry. One of the things that I loved when I was in Uganda was there was people who were professional whalers(31:12):They would be hired to come into funerals or ceremonies and just wail and grieve and move the group into a collective catharsis. And I really think our bodies need catharsis right now because there's so much we're taking in. There's so much we're moving through. And I think this is part of the system of white Christian supremacy, is that it has removed us from cultural practices of making guttural sounds together, of riving together, of dancing and shaking and screaming, and these things that I think our bodies really need individually and collectively. What are you doing in your body that feels even like 2% supportive with what we're navigating?Danielle (32:08):I don't know. I honestly, I've had a bad week or bad couple weeks, but I think I try to eat food that I know will taste good. That seems really silly, but I'm not eating anything I don't like.(32:27):That. Yeah, that's one thing. Yesterday I had a chance to go work out at 12 like I do every day, and I just noticed I was too fatigued, and so I just canceled. I called it in and ate lunch with someone and just, I didn't talk much, but they had a lot to say. So that was fine with me, hung out with someone. So I think, I don't know, I guess it was a hitting two needs for me, human face-to-face connection and also just actual food that tastes good to me.(33:09):Yeah. Well, so you're going to put that Maslow resource need in the chat or in the comments. Are you going to send it to me so I can put it in the(33:21):And then if people want to sign up for tomorrow and listen to you and Tamis, is that still a possibility?Jenny (33:26):It is, yeah. They can sign up, I think, until it's starting. So I don't know for sure. You should sign up for today, just by today, just in case. Yeah, I'll send you that link too.   Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

Happy New Year, listeners! We're starting off 2026 with one of the most famous musicals of all time, but while everyone has at least heard of THE SOUND OF MUSIC, most don't know its profound place in musical theatre history. Join guest Tyler Joseph Ellis (SHUCKED) as we discuss nuns, Nazis, and of course, the sound of music. Everyone showed up to this episode wearing Rodgers & Hammerstein swag, so rest assured, this beloved classic was in good hands. If you liked this episode, check out THE KING AND I with Mark Eden Horowitz & Joan Almedilla. Join us at ⁠⁠PATREON!⁠⁠ for contests, essays, and bonus episodes! Be sure to follow and share our content on ⁠⁠Instagram⁠⁠ and ⁠⁠TikTok⁠⁠ and subscribe to the show wherever you listen to podcasts! Looking to give back? We have designs at our ⁠⁠TeePublic Store⁠⁠, and the profits we receive are donated to ⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠. Above all, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arriba l'últim episodi de l'any, l'última crema. En aquesta quarta temporada hem aconseguit arribar als onze programes, que no està gens malament. Algunes coses han canviat, i aquesta és també part de la gràcia: que sigui un projecte orgànic, que es vagi adaptant a les circumstàncies sense perdre mai el factor de l'atzar. Cada 28 de desembre, des de fa setze anys -quan jo en tenia 36- em permeto un capritx musical: visitar llibreries i botigues de discos i fer-me un regal en forma de llibres sobre música o discos. Aquest any, el capritx pren forma en aquest episodi i arriba a través de la veu i el talent de Laia Camanyes. Un regalàs. Tornen també les seccions de Pedro Enrique Esteban, El cant de l'ocell, i d'Aitor de Las Heras, Perspectiva Battiato. Al llarg del programa sona música de Laia Camanyes, Mike Sharpe, Classics IV, Gary Walker and The Rain, Barry Adamson, Massive Attack, Françoise Hardy, Nick Cave and the Bad Seeds, (Me Llamo) Sebastián, Morphine, The Beach Boys, Brian Wilson, Frank Zappa, Van Morrison, L. Shankar, Francesco Messina i Iván Ferreiro. La Laia Via ha dissenyat la coberta d'aquest episodi. Desitjant-vos un molt feliç 2026, Jordi Via, Terrassa, 28 de desembre de 2025 Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

The holidays are upon us! That means the opportunities to square off with relatives are incredibly high. This week, Dan reviews the tactics to use to avoid confrontation with relatives successfully.All My LinksWebsiteYouTubePatreon InstagramBlueskyTikTokX (Twitter) 

This episode we are joined by actor, singer and song-writer Analise Scarpaci!  Analise was last seen as Persephone in Mythic directed by Kathleen Marshall and is known for playing Lydia Hillard in Mrs. Doubtfire. Her other credits include A Christmas Story: The Musical and Matilda (both on Broadway), The Sound of Music at PaperMill Playhouse and Empire Records, the Musical.Analise is also a singer-songwriter and you can listen to her EP “Pathetic Little Dreamer” out now on all streaming platforms!We speak with Analise about working as a child actor, the role she gave her confidence in her skillset, working with "legends" and much more!

Hometown Radio 12/18/25 3p: Pet of the Week win a Linns Gift Card & Dave talks about "The Sound of Music"

Es ist einer der erfolgreichsten Filme aller Zeiten. Nur in Österreich und Deutschland kennt "The Sound of Music" fast keiner. Wie kann das sein? Antworten findet man in Salzburg, in Hollywood - und in der Nazi-Zeit.

"sets you up nicely should that come up as a question in a pub quiz"

Edelmann, Rüdiger www.deutschlandfunk.de, Sonntagsspaziergang

Discussion With only four shows - December 11, 12 and 13th at the Glenmore Christian Academy in Calgary, Small Time Theatre presents the Junior production of The Sound of Music, directed by Lena Chalmers. Kyle sits down with Lena and Ingrid Koller (part of the set design team) to talk about the meaning of this Rogers and Hammerstein musical, and what theatre for young people with Small Time has meant to them and their families. Tickets: https://smalltimetheatre.shop/ (as of publishing the performance is sold out) About the Show: The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. Featuring a trove of cherished songs, including “Climb Ev'ry Mountain,” “My Favorite Things,” “Do Re Mi,” “Sixteen Going on Seventeen” and the title number, The Sound of Music won the hearts of audiences worldwide, earning five Tony Awards and five Oscars. The inspirational story, based on the memoir of Maria Augusta Trapp, follows Maria, an ebullient postulant who serves as governess to the seven children of the imperious Captain von Trapp, bringing music and joy to the household. But as the forces of Nazism take hold of Austria, the von Trapp family must make a moral decision.

Arribem al programa 35, tres anys i mig després d'iniciar aquesta aventura radiofònica. Avui deixem descansar les seccions habituals —inclòs Zappa!— perquè dediquem l'episodi íntegrament a la sessió de vinils que vaig conduir el 22 de novembre a la Biblioteca de Manlleu dins del projecte Vinilteca 107. La iniciativa, impulsada per la Núria Silvestre, la directora de la Biblioteca Municipal de Manlleu, fa valdre un patrimoni increïble: més de trenta anys de vinils de Ràdio Manlleu. A l'episodi recupero la selecció que vaig punxar aquell dia, hi afegeixo anècdotes i corregeixo algun detall que em vaig deixar al tinter. Una immersió directa a la cultura musical dels 80 i 90. Apugeu el volum i benvinguts a la Vinilteca 107. Amb Anita Baker, The Four Tops, Sonny and Cher, Ray Parker Jr., Huey Lewis and The News, The Blues Brothers, Willy DeVille, The Sugarcubes, El Último de la Fila, Los Burros, Los Enemigos, Julian Cope, Morrissey, The Psychedelic Furs... Fe d'errades: Violent Femmes no fa quaranta-cinc anys que van publicar el seu primer disc de títol homònim, sinó que en fa 43. Però sí que és cert que comencen una gira per celebrar el 45è aniversari de la seva fundació. Celebren la trajectòria del grup —la seva persistència, la seva influència i la seva continuïtat (amb alts i baixos, reunions, àlbums nous, concerts…)— des dels seus orígens. Jordi Via, Terrassa, 9 de desembre de 2025. Crema d'estrelles episodi amb The Psychedelic Furs: 7- Happy Together: https://go.ivoox.com/rf/97197912 Crema d'estrelles episodi amb Violent Femmes: 20- La Teva Cançó, Segona Part: https://go.ivoox.com/rf/126663650 Enllaços a YouTube, Vinilteca 107: 1- Jordi Armenteras: https://youtu.be/5OYDhSAzXes?si=IKdtR2RtSQHRM8RC 2- Joan Arenyes: https://youtu.be/BIi2TN_CBVQ?si=AohBDuwql5M7P_Jk 3- Jordi Via: https://youtu.be/cIhuSVQT_7M?si=a-cH9SpJ9mS7VZCz Biblioteca Municipal de Manlleu: www.bibliotecamanlleu.cat Pòdcasts amics: Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Sinfonautas: https://go.ivoox.com/sq/1317188 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

Seit über sechzig Jahren verzaubert „The Sound of Music“ Menschen auf der ganzen Welt. Im Salzburger Land lassen sich die berühmten Drehorte des Hollywood-Streifens bis heute fast unverändert besuchen. Und vor der Kulisse von Bergen, Wiesen und Seen scheint die Geschichte der Familie von Trapp weiterzuleben. Die Autorin Franziska Lipp lädt nun mit ihrem Buch The „Sound of Salzburg“ dazu ein, diesen Zauber neu zu entdecken: eine Spurensuche durch Drehorte, Erinnerungen und Geschichten.

Join Milo + Nico on top of an Austrian mountaintop for a tale of fascism, frolicking in nature, and fostering children. But can a story about a woman too naughty to be a nun, transitioning from a governess into a mother, and escaping the Anschluss, ever be gay?

Join us as we celebrate 60 years of the movie, and the wonderful music from "The Sound of Music" on Artful Living with Jane Cormier!

Break out your double VHS because we're wrapping up Chris month with the OG – It's The Sound of Music! Notes: 50th anniversary article in Variety Fair: https://www.vanityfair.com/hollywood/2015/02/sound-of-music-julie-andrews-christopher-plummer-50-anniversary Join our Patreon: patreon.com/chartsandheartsclub

H1 - Segment 3 - Wed Nov 19 2025 - There's a pic of protests out of Home Depot in Charlotte There so many white people so many you can make the Sound of Music. The OWLS (Old White Liberals ) have been busy the going to no Kings protests

Caleb Fikkert, Jenna Vande Zande, Bella De Haan, and Ben Spronk with Pella Christian's theatre troupe discuss their performances of The Sound of Music coming up next week.

The Sound of Music is one of the most beloved musicals of all time. Making its debut on Broadway 65 years ago and its glorious movie debut over 60 years ago, the story of the Von Trapp family in the late 1930's is beautifully told and resonates powerfully today. Some shows don't age well, but […]

Our friend & photographer to the stars LG Patterson had some fun while I was on the trip to Greece. He did the same thing while I was in Switzerland, putting me in lederhosen on the mountain where Julie Andrews spun & sang in "The Sound Of Music".

Actor Dan Truhitte joins Tammy on The Tammy Tuckey Show to discuss his new documentary, "A Life of Music: The Daniel Truhitte Story," & celebrate the 60th anniversary of "The Sound of Music" (where he portrayed Rolfe)!    Watch his new documentary here: www.amazon.com/gp/video/detail/B0F2TRP9TW/ref=atv_dp_share_cu_r   Follow Tammy on:    Facebook - www.facebook.com/singertammytuckey  Twitter & Instagram - @TammyTuckey  www.tammytuckey.com 

Steven Jamail is a composer, producer, and musical director. He has a new album out titled WITCH HUNT: THE MUSICAL, which he co-wrote with Krystin Crain Johnson. This enchanting release chronicles the tales of women who have been deemed witches for challenging the status quo, featuring 13 tracks with the voices of 16 powerhouse Broadway front women including Orfeh, the aforementioned Katie Rose Clarke, Teal Wicks and Liisi LaFontaine just to name a few.Danielle Hope first came on the scene in 2010 when she won the BBC reality competition series, OVER THE RAINBOW, which led to her making her West End debut as Dorothy Gale in THE WIZARD OF OZ. Since then, she's gone on to play many other great parts in London such as Eponine in LES MISÉRABLES, Cathy in THE LAST FIVE YEARS, The Narrator in JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, Maria in THE SOUND OF MUSIC, Sandy in GREASE, Sherrie in ROCK OF AGES, and Betty in IRVING BERLIN'S WHITE CHRISTMAS.*I do not own any of the content used in this podcast.Follow Steven Jamail on Instagram: ⁠@stevenjamail⁠Follow Danielle Hope on Instagram: @daniellehope26If you love this show, please leave us a review. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RateThisPodcast.com/karereviewspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow the simple instructions.Follow Kare Reviews at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.karereviews.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and on Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KareReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Also please visit myy Patreon page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.patreon.com/jeffreykare?fan_landing=true⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jeffrey Kare on Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@JeffreyKare⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pocket Casts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RadioPublic

Play is one of the most important aspects of child development and mental health. Unfortunately many of us struggle to know HOW to play with kids. In this episode we go discuss exactly how we can use play with children and teens to build skills in communication, empathy, emotional regulation and so much more. We hope you like the episode and we can't wait to read your reflections, questions and advice. Special thanks to our sponsor Hot Wheels for supporting this episode and helping us keep the conversations rolling ❤️ Hot Wheels is all about helping kids build confidence and resilience through play… and we love that.

From October 7th-12th, the national tour of Rodgers & Hammerstein's THE SOUND OF MUSIC will be gracing the stage of the Durham Performing Arts Center. Taking on the starring role of Maria Rainer is Cayleigh Capaldi. She's making her national tour debut after having previously appeared in the Off-Broadway and West End productions of TITANIQUE. She's also played other great roles elsewhere such as Elsa in the U.S. regional premiere of Disney's FROZEN, the title character in MARY POPPINS, Cinderella in INTO THE WOODS, and Jo March in LITTLE WOMEN. I had the great pleasure of speaking to her about a lot of this and more.*I do not own any of the content used in this podcast.Follow Cayleigh Capaldi at www.cayleighcapaldi.com and on Instagram: @cayleigh.capaldiIf you love this show, please leave us a review. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠RateThisPodcast.com/karereviewspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow the simple instructions.Follow Kare Reviews at ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.karereviews.net⁠⁠⁠⁠⁠⁠⁠⁠⁠ and on Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠ @KareReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠Please visit my Patreon page:⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.patreon.com/c/karereviews?view_as=patron⁠Follow Jeffrey Kare on Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠ @JeffreyKare⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available.⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pocket Casts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RadioPublic

Robert Royal, Fr. Robert McTeigue, SJ and Bill Donohue with analysis of Pope Leo XIV's comments on the Senator Dick Durbin-Cardinal Blase Cupich controversy in the U.S. Kym Karath on the 60th anniversary of her role in The Sound of Music. And much more.

Have you ever wondered what life is like behind the scenes of Broadway and the opera? Join us as we dive into the mesmerizing world of performers with the insightful Susan Dormady Eisenberg!  Susan, an acclaimed author, takes us on a journey through her novels, The Voice I Just Heard and One More Seat at the Roundtable, which vividly depict the backstage life of performers. Discover how her childhood love for Broadway and rock music fueled her storytelling passion.  We explore the evolution of the performing arts, the rise of jukebox musicals, and the gritty yet rewarding path of pursuing a career in the arts. Plus, Susan shares personal tales, and emphasizes the unmatched magic of live theater.  Don't miss this inspiring episode!Susan Dormady Eisenberg's Bio:Susan Dormady Eisenberg is the author of two backstage novels, One More Seat at the Round Table, A Novel of Camelot, published by Atmosphere Press in April 2023, and The Voice I Just Heard, a newly revised edition that was published by Atmosphere Press on September 16. VOICE is the story of an aspiring soprano whose world is shattered when her brother dies in Vietnam.Susan's passion for the performing arts is rooted in her first career. After earning a Humanities degree from Michigan State University, she was a publicist for the Goodspeed Opera House in Connecticut, Syracuse Stage, and The Joffrey Ballet in New York.After moving to Washington, D.C., she became a freelance promotional writer, creating publications for banks, hospitals, and schools for ten years. As an arts journalist, Susan contributed articles to the Hartford Courant, the Albany Times Union, Classical Singer Magazine, Opera News, and Huffington Post. She's now finishing a novel about American icon, Annie Oakley, the female star of Buffalo Bill's Wild West show.Susan lives in Baltimore with her husband Barry, a health care executive. Their hobby is Broadway and they frequently drive to New York for the day to see a show.Connect with Susan:Website: www.susandeisenberg.comFacebook: Susan Dormady EisenbergInstagram: @susandeisenbergX: @SusanDEisenbergLinkedIn: https://www.linkedin.com/in/susan-dormady-eisenberg-51053025/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

WMAL GUEST: KYM KARATH (Best Known for Her Role as Gretl, the Youngest of the Von Trapp Children in the Original Sound of Music Movie) TOPIC: The Sound of Music SOCIAL MEDIA: X.com/KymKarath Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Friday, September 26, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

In the 8 AM hour, Larry O'Connor & Patrice Onwuka discussed: WMAL GUEST: PASTOR LUCAS MILES (Senior Director of Turning Point Faith & Author of New Book “Pagan Threat”) on the Legacy of Charlie Kirk DEAD HEAT IN THE GARDEN STATE: Trump Reacts to New Polling Showing Jack Ciatterelli Close to Beating Mikie Sherrill WMAL GUEST: KYM KARATH (Best Known for Her Role as Gretl, the Youngest of the Von Trapp Children in the Original Movie) on The Sound of Music at the Kennedy Center Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Friday, September 26, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Angela Cartwright from The Sound of Music!Angela discusses the making of the iconic musical, being one of the stars of the classic Sci/Fi series Lost in Space, appearing with legendary entertainer Danny Thomas on Make Room For Daddy, & much more!Support the show

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Angela Cartwright from The Sound of Music!Angela discusses the making of the iconic musical, being one of the stars of the classic Sci/Fi series Lost in Space, appearing with legendary entertainer Danny Thomas on Make Room For Daddy, & much more!Support the show

S6. EP8. “The sound of Music and Guns”. So we're temporarily skipping episode 7, it will be released this week but I wanted to release this first because of relevance.... The post S6. EP8. “The sound of Music and Guns” appeared first on Never Go Full Nelson.

Today, I'm thrilled to announce my interview with Tony-winning writer Dick Scanlan. Tune in to hear some of the stories of his legendary career, including his eight years performing in PAGEANT, how THOROUGHLY MODERN MILLIE turned him into a theater writer, giving Sutton Foster her breakout role in the show, directing Ellen Greene in LITTLE SHOP OF HORRORS, being influenced by Gilbert and Sullivan, the benefit performance that spawned EVERYDAY RAPTURE, editing Poz Magazine, watching THE SOUND OF MUSIC in a theater full of nuns, his unconventional journey from Carnegie Mellon to NYU, his research process for AN OFFICER AND A GENTLEMAN, why he turned down TOOTSIE, the thrill of working with Berry Gordy on MOTOWN, revising THE UNSINKABLE MOLLY BROWN, telling prisoners' real stories in WHORL INSIDE A LOOP, and so much more. Don't miss this in-depth conversation with one of Broadway's best wordsmiths.

The next entry in The Chuck Granata Pet Sounds Interview Series is Chuck's chat with French horn player Alan Robinson, the man whose extraordinary playing graces “God Only Knows.” It's absolutely incredible what a photographic memory Alan possesses—listening to him speak, it's as if you're sitting there right beside him, watching Brian Wilson through the control room glass. This interview is an absolute must-hear for Pet Sounds fans.At 21, Alan became the youngest contract member of the 20th Century Fox orchestra, where he played on films like The King & I, Carousel and The Sound Of Music. In the mid-1960s, he discovered that "being a busy session player was more lucrative than symphonic work,” which is how he came to be on Pet Sounds. Among his other pop credits are sessions and/or live shows with Frank Sinatra, Peggy Lee, Neil Diamond, Earth, Wind, & Fire, The 5th Dimension, Johnny Mathis, Elton John, and Paul McCartney & Wings. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace.Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)Free Sneak Peek: linktr.ee/discograffitiSubscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.CONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#chuckgranata #wouldntitbenice #thebeachboys #tonyasher #thewreckingcrew #wreckingcrew #brianwilson #beachboys #denniswilson #mikelove #carlwilson #alanrobinson #aljardine #thebeatles #brucejohnston #petsounds #brianwilsonrip #goodvibrations #paulmccartney #surf #godonlyknows #davidmarks #surfing #california #frenchhorn #surfrock #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

The Sound of Music takes the stage at the Beekay Theatre this week! Director Chris Morales and cast members Jamie Uhtoff (Maria) and Ben Baldassarre (Captain Von Trapp) join us to share behind-the-scenes stories from this beloved production. Learn more about the Tehachapi Community Theatre Association and grab your tickets at www.tctaonstage.com

Cork Opera House is bringing The Sound of Music back to the stage for the first time in over a decade. Opening July 2026, the large-scale local production will feature a full cast, including children from Cork, and run for at least four weeks over the summer. The show follows a milestone 170th anniversary year for the Opera House, which has also built a new public archive of over 1,300 historic items. Hosted on Acast. See acast.com/privacy for more information.

In this video, podcaster and media analyst Patrick Coffin uncovers some surprising facts about the 1965 smash hit musical The Sound of Music, and explains why singer actress Gwen Stefani should play Maria in a remake. * Julie Andrews was knocked flat several times by the helicopter downdraft while filming the iconic opening scene. •⁠ ⁠Christopher Plummer thought the film was overly sentimental, nicknaming it The Sound of Mucus—and he filmed the Salzburg Music Festival finale tipsy. •⁠ ⁠Why the title The Sound of Music makes perfect sense once you know the backstory. •⁠ ⁠“Edelweiss” is not Austria's national anthem—it was penned by Oscar Hammerstein in New York specifically for the movie. •⁠ ⁠Patrick's dream-casting for a remake: Gwen Stefani as Maria and Blake Shelton as Captain Von Trapp.     Join the True North Movement for truth, faith, and community: www.patrickcoffin.media

Sixty years later and the hills are still very much alive with the sound of music! In fact, Maria helped the Trapp Family (yes, based on a real singing family) live on through her memoir which was adapted into the Rodgers and Hammerstein musical and Oscar-winning film widely loved today. Nick and Sophia share the tumultuous history behind what would become a memorable Best Picture winner along with their favorite songs and scenes. Then, they open up their discussion about the 38th Academy Awards to figure out how Julie Andrews lost Best Actress, which other big players affected the race, and why certain other films from the year weren't nominated (35:25). Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan Adamich

Today, we’re taking you behind the scenes of Leavenworth Summer Theater’s production of The Sound of Music at the Ski Hill Amphitheater. First up, we’ll be chatting with Emily Rollie, the director who’s bringing this beloved classic to life under the open sky. Then later, we hear from Fiona Palazzi—playing the part of Maria.Support the show: https://www.wenatcheeworld.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

President Trump is calling for the release of the Epstein testimony and has been diagnosed with a vein condition. Also, millions of Americans are still dealing with extreme heat or extreme rainfall. Plus, remembering the legendary skydiver Felix Baumgartner. And, taking a behind-the-scenes look at "The Sound of Music" for the film's 60th anniversary.

What to do to prepare your home before going on vacation. Also, a look at Peacock's show, "Here Come the Irish," a documentary on Notre Dame football. Plus, a behind-the-scenes look at "The Sound of Music" as the film celebrates its 60th anniversary. And, Trisha Yearwood live to chat about her newest album.

Episode: 3320 Brown.  Today, Let's talk about the color brown.

We didn't get to almost anything on our outline but hey we had a good time!

This is a moment 179 episodes in the making: Jordan and Allison Williams (of GET OUT, GIRLS, M3GAN, and much more, including her new podcast LANDLINES) reunite to talk about Allison's latest film, M3GAN 2.0 (on which she's also a producer). A little background here: up to this point, Jordan and Allison's professional lady-bromance had its apex in Jordan's WIRED profile of Allison, back when the original M3GAN came out. Now they're talking about feeling seen by two of Julie Andrews' most iconic roles, and how Allison's views on life and the characters she embodies have changed over the years.Then Jordan has one quick thing about her nominee for who should play the new James Bond. ***With Jordan Crucchiola and Allison Williams Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

In this week's mini-sode, we are shining the spotlight on one of the most beloved musicals in history, The Sound of Music! If you don't already know it, it's time to study up, because this stage and screen musical is a staple in the canon of both Broadway and cinema!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

2025 marks the 60th anniversary of the release of The Sound of Music, an enormously successful Hollywood film with fans all over the world. As with any story Hollywood translates to the silver screen, the film is a mix of fact and fiction. What is not fiction, however, is that the leading male protagonist, Captain Georg von Trapp, had served in the Austro-Hungarian Navy and was a decorated veteran of World War I. To explore this fascinating history, the World War I Podcast hosted Johanna II von Trapp and Shela Gobertina von Trapp, Co-Founders of the Georg & Agathe Foundation, and Boris Blazina, Historian at the Institute of Lexicography in Zagreb, Croatia, and editor of the Croatian translation of Georg von Trapp's 1935 WWI memoir published.Learn more about the Georg & Agathe Foundation and Captain von Trapp's military service: Georg & Agathe FoundationHave a comment about this episode? Send us a text message! (Note: we can read texts, but we cannot respond.) Follow us: Twitter: @MacArthur1880 Amanda Williams on Twitter: @AEWilliamsClark Facebook/Instagram: @MacArthurMemorial www.macarthurmemorial.org

In the 7 AM hour: Larry O’Connor and Julie Gunlock discussed: WMAL GUEST: CURTIS SLIWA (Republican Nominee for New York City Mayor and the Guardian Angels Founder) on This Year's Election NATO Secretary General: 'For Too Long, One Ally, the United States, Carried Too Much of the Burden of That Commitment' WMAL GUEST: MARK FISHER (Maryland State Delegate) on Gov. Wes Moore Stumping for Abigail Spanberger in Virginia Rachel Zegler Reportedly in Talks to Portray Iconic Sound of Music Role Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Wednesday, June 25, 2025 / 7 AM HourSee omnystudio.com/listener for privacy information.

Did someone say review the 1965 classic Sound of Music? Oh wait, no one did? Well we're here reviewing it anyway!Off the rails and a great time was had by all. What did we think of the movie? (Hint, one of us is not a fan.) What were moments that made us say, "WHAT?" What were our favorite performances? Stand out characters?We discuss it all and much much more!Thank you for tuning in! To support the show, you can find us on Patreon at www.Patreon.com/ABINGERSPodcast.Thanks for tuning in!The ABINGERSSupport the show

This week on the Roz & Mocha RETRO Podcast – It's a Sing-Along Throwback! From Roz belting out The Sound of Music in 2013, to getting emotional during A Whole New World, to that unforgettable Milli Vanilli moment from 2014 — we're hitting all the nostalgic high notes. Sing it loud, cry a little, and press play!

Murph & Markus - Hour 4: The Giants have the best bullpen in baseball, Buster Posey interview replay, & WDYTLT: "So Long, Farewell" from the Sound of Music (1965)See omnystudio.com/listener for privacy information.

Murph & Markus - Hour 4: The Giants have the best bullpen in baseball, Buster Posey interview replay, & WDYTLT: "So Long, Farewell" from the Sound of Music (1965)See omnystudio.com/listener for privacy information.

Brian Cox and Robin Ince explore the history of music recording, joined by Acoustics Professor Trevor Cox, Music Professor Sam Bennett and musician and producer Brian Eno. Together they guide us through the evolution of sound recording, a space in which technology hasn't stood still since its advent in the mid 1800's. We hear the very first recognisable recording of a voice made with a brush making marks in soot and put a spotlight on the Fairlight CMI, a revolutionary digital synthesizer of the 70's, used in Brian's records (Cox & Eno's!)Plus, we run an audio experiment with our live audience who turn themselves into our in house digital orchestra, with the help of their mobile phones. Now that lots of people have several devices that can play sound, new technology is harnessing this to create a more immersive experience – which (kind of) worked in our experiment!Producer: Melanie Brown Exec Producer: Alexandra Feachem Assistant Producer: Olivia Jani