Podcasts about The Sound of Music

The hills are alive...with the sound of Cinema Chat! In this episode, Stacy and Juan break down the box office blockbuster that is Spider-Man: Brand New Day, the fourth Spider-Man outing for Tom Holland. And it's a brand new Cinema Chat segment, Summer Flashback Movie Time, or maybe it's Summer Old Timey Movie Review, featuring the 1965 Best Picture winner, The Sound of Music!

A Crema d'estrelles obrim la porta a una de les obres conceptuals més ambicioses dels darrers anys. En aquest episodi comptem novament amb la participació de Pedro Enrique Esteban, des de La Sinfoprise, per endinsar-nos en The Indigo Child, el projecte amb què The Dear Hunter inicia una nova saga de ciència-ficció creada per Casey Crescenzo. Al llarg del programa descobrirem què representa realment el Nen o la Nena Índigo, quin és l'origen del concepte dins del moviment New Age i com Crescenzo el transforma en una poderosa metàfora sobre la identitat, el control, la llibertat i la transcendència humana. També parlarem del curtmetratge Prologue: Cycle 8, de la construcció del món d'Antimai i de les connexions que uneixen The Indigo Child, Antimai i Sunya dins d'un mateix univers narratiu. Un episodi pensat tant per als seguidors de The Dear Hunter com per a qualsevol persona interessada en els discos conceptuals, la narrativa musical i les històries que van molt més enllà de les cançons. Perquè, en el fons, aquesta no és només una història de ciència-ficció: és també una reflexió sobre nosaltres mateixos i sobre el món que habitem Jordi Via, Terrassa, 27 de juliol de 2026 ------------------------------------------------------- En Crema d'estrelles abrimos la puerta a una de las obras conceptuales más ambiciosas de los últimos años. En este episodio contamos de nuevo con la participación de Pedro Enrique Esteban desde La Sinfoprise, para adentrarnos en The Indigo Child, el proyecto con el que The Dear Hunter inicia una nueva saga de ciencia ficción creada por Casey Crescenzo. A lo largo del programa descubriremos qué representa realmente el Niño o la Niña Índigo, cuál es el origen de este concepto dentro del movimiento New Age y cómo Crescenzo lo transforma en una poderosa metáfora sobre la identidad, el control, la libertad y la trascendencia humana. También hablaremos del cortometraje Prologue: Cycle 8, de la construcción del mundo de Antimai y de las conexiones que unen The Indigo Child, Antimai y Sunya dentro de un mismo universo narrativo. Un episodio pensado tanto para los seguidores de The Dear Hunter como para cualquier persona interesada en los discos conceptuales, la narrativa musical y las historias que van mucho más allá de las canciones. Porque, en el fondo, esta no es solo una historia de ciencia ficción: es también una reflexión sobre nosotros mismos y sobre el mundo que habitamos. Jordi Via, Terrassa, 27 de julio de 2026 Enllaços sobre The Dear Hunter: Sinfonautas 10 https://www.ivoox.com/sinfonautas-10-the-dear-hunter-el-debathon-audios-mp3_rf_78427561_1.html Keep The Dream Alive, Especial The Dear Hunter parte I https://keepthedreamaliveprog.com/2023/05/11/especial-the-dear-hunter-parte-i/ Keep The Dream Alive, Especial The Dear Hunter parte II https://keepthedreamaliveprog.com/2023/05/12/especial-the-dear-hunter-parte-ii/ Enllaços: https://lilvia.blogspot.com Crema d'estrelles a Facebook https://www.facebook.com/groups/1061354117790973 Crema d'estrelles a Telegram https://t.me/cremadestrelles També et pot interessar: Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sesión Paralela: https://go.ivoox.com/sq/3123177 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

Paul Byrne looks at the new traffic system in St Lukes X, hears how 100 people will run the starts of County Hall, chats with the fab Team Rogers from The Sound Of Music at The Opera House. And more... Hosted on Acast. See acast.com/privacy for more information.

I studion sitter Martin, Panos och Saga Jonasson. Saga Jonasson är tillbaka och ersätter både Theo och Johan Käck som animeexpert. Hon har sett Apothecary Diaries och det bjuds på ämnen som bör tas i med varsam hand. Hon har också spelat uppföljaren till kultklassikern Vampire the Masquerade: Bloodlines tillsammans med Martin och det blir en sågning som heter duga. Slutligen har både Panos och Martin sett musikalen The Sound of Music. Röd tråd? Det vet vi inte vad det är för något. Vi recenserar vad vi vill! 14:55 - Intro 17:32 - Vampire the Masquerade: Bloodlines 2 1:03:42 - The Sound of Music 1:32:17 - Apothecary Diaries Har DU något att säga till oss? Tips på något att prata om, åsikter om något vi sagt eller vill kanske bara säga hej? Skriv till oss på Facebook, följ oss på Instagram och TikTok @medisradio och mejla till oss på medisradio@gmail.com. Kolla även in vår YouTube-kanal, Medis Radio TV, där vi lägger ut allt från stora recensioner till klipp där vi spelar spel och pratar film. Musik: Intro: Get Hyped - Moose With a Scarf Outro: Back to You - Moose With a Scarf feat. Lauren Richards

Conor Tallon joins the company of Carrie Mullane, Jean Elliott and Emma Nash in the Opera House as they prepare for performances of The Sound Of Music…and what do they have in common! A certain habit perhaps?…or let's just say..they're part of the sisterhood ….! Hosted on Acast. See acast.com/privacy for more information.

Estrenem una nova sèrie: DESGLOSSANT LA CREMA. Una sèrie on recuperarem seccions dels programes regulars per tal que sigui més fàcil arribar-hi. Hi ha continguts que, per diferents motius, mereixen ser revisitats i escoltats de manera independent. En alguns casos aprofitarem l'ocasió per fer una nova edició, millorant el so o corregint petits errors tècnics. Els programes originals, però, es mantindran publicats tal com van veure la llum en el seu moment. En aquesta primera desglossa hem millorat el so de les veus i corregit alguns petits errors d'edició. Recuperem The Acts, del programa 17, Rutes Conceptuals, amb Pedro Enrique Esteban, àlies El Pájaro o Dr. Jefe Pajares. Ben aviat, amb en Pedro Enrique, tornarem a parlar de The Dear Hunter a Crema d'estrelles i, si tot va bé, aquest pròxim mes de setembre també els podrem veure en concert a Barcelona. És, doncs, un motiu més que suficient per recuperar aquest especial dedicat a la monumental saga dels Acts. Una secció per gaudir-ne amb calma, peça a peça. Jordi Via, Terrassa, 22 de juliol de 2026 ------------------------------------------------------- Estrenamos una nueva serie: DESGLOSANDO LA CREMA. Una serie en la que recuperaremos secciones de los programas regulares para que sea más fácil acceder a ellas. Hay contenidos que, por diferentes motivos, merecen ser revisitados y escuchados de forma independiente. En algunos casos aprovecharemos la ocasión para realizar una nueva edición, mejorando el sonido o corrigiendo pequeños errores técnicos. Los programas originales, sin embargo, seguirán publicados tal y como vieron la luz en su momento. En esta primera entrega hemos mejorado el sonido de las voces y corregido algunos pequeños errores de edición. Recuperamos The Acts, del programa 17, Rutas Conceptuales, junto a Pedro Enrique Esteban, alias El Pájaro o Dr. Jefe Pajares. Muy pronto volveremos a hablar de The Dear Hunter en Crema d'estrelles junto a Pedro Enrique y, si todo va bien, el próximo mes de septiembre también podremos verlos en concierto en Barcelona. Es, por tanto, un motivo más que suficiente para recuperar este especial dedicado a la monumental saga de los Acts. Una sección para disfrutarla con calma, pieza a pieza. Enllaços sobre The Dear Hunter: Sinfonautas 10 https://www.ivoox.com/sinfonautas-10-the-dear-hunter-el-debathon-audios-mp3_rf_78427561_1.html Keep The Dream Alive, Especial The Dear Hunter parte I https://keepthedreamaliveprog.com/2023/05/11/especial-the-dear-hunter-parte-i/ Keep The Dream Alive, Especial The Dear Hunter parte II https://keepthedreamaliveprog.com/2023/05/12/especial-the-dear-hunter-parte-ii/ Enllaços: https://lilvia.blogspot.com Crema d'estrelles a Facebook https://www.facebook.com/groups/1061354117790973 Crema d'estrelles a Telegram https://t.me/cremadestrelles També et pot interessar: Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sesión Paralela: https://go.ivoox.com/sq/3123177 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

Aitor De Las Heras ens descobreix a la cantautora italiana Giuni Russo, coneguda pel seu extraordinari registre vocal. En aquesta primera part se centra en els seus inicis i la seva particular fusió de lírica i pop fins a la publicació del seu segon disc ja en col·laboració amb Franco Battiato. Edició: Jordi Via ------------------------------------------------------- Aitor De Las Heras nos descubre a la cantautora italiana Giuni Russo, conocida por su extraordinario registro vocal. En esta primera parte se centra en sus inicios y su particular fusión de lírica y pop hasta la publicación de su segundo disco ya en colaboración con Franco Battiato. Edición: Jordi Via. Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

Fresh off the stage from their rehearsals in the Cork Opera House the cast of The Sound of Music will perform live in studio.

The hills of Cork are alive with the Sound Of Music and laughter in rehearsals …as Eibhlin Gleeson told Conor Tallon during the week when they looked ahead to this timeless classic that is now more relevant … than ever! Hosted on Acast. See acast.com/privacy for more information.

How to boost conception – tune in to a mesmerising performance by Noa Duru.   In this incredible conversation, psychologist Noa Duru shares her pioneering work on the intersection of pregnancy, music, and dreams with our host Laura. She discusses how sound can aid conception and talks about her own amazing journey in having her first child recently using her sound and dream techniques, as well as working with other men and women.  They discuss how the journey of motherhood is intertwined with personal and ancestral histories, and how the experience of pregnancy is not just physical but deeply spiritual. The discussion delves into the psychological aspects of wanting or not wanting to conceive, the significance of sound in our lives and how music can be a medium for communication with the unborn child. They conclude with a mesmerizing performance of Noa's archaic sound journey as a unique form of therapy, designed to connect listeners with their inner selves and the consciousness of motherhood.   Noa and her work can be found at the deepath.org and on Instagram at noa_h.d   Your dreams are worth inquiring about too! Share a dream or a question via our website driccpe.org.uk or the social links below!   Let us know what you think and submit a dream for us to explore on the podcast!  Instagram @thedreamboatpodcast FaceBook @dreamboatpodcast Twitter @dreamboatpod DRI website: driccpe.org.uk/contact    This podcast is a project of the DRI, the centre for dream studies at CCPE, the psychotherapy college overlooking the canals at London's scenic Little Venice.   Remember you can join the DRI for just £30 a year currently to access discounted events, courses, newsletters and join in the conversation about dreams. Go to driccpe.org.uk/sign-up to join!   Keep dreaming and keep sharing your dreams!   Credits Recorded on Riverside.fm by Dave and Laura Edited by James Ede at Be Heard https://beheard.org.uk  Podcast Artwork Design by Kat Seager Design   Music: Adventures by A Himitsu https://soundcloud.com/a-himitsu  Creative Commons — Attribution 3.0 Unported— CC BY 3.0 Free Download / Stream: http://bit.ly/2Pj0MtT Music released by Argofox https://youtu.be/8BXNwnxaVQE  Music promoted by Audio Library https://youtu.be/MkNeIUgNPQ8 #dream #dreams #recurringdream #nightmares #psychology #research #psychotherapy #trauma #treatment #sleep #transpersonal #science #alchemy #spirituality #jung #lucid #luciddreaming #podcast #dreamwork #technology #AI #artificialintelligence #gpt #individuation #art #surrealism #consciousness   Tags: Insta: @onefulness @dreamresearchinstitute @iasddream FB: @associationforstudyofdreams  @dreamresearchinstitute       

Listen in to our recap and review of the new national tour of Rodgers and Hammerstein's classic, The Sound of Music!

So sehr sich Maria auch bemüht, eine gute Nonne wird sie nie werden. Das bemerkt auch die Mutter Oberin und schickt die ADHSlerin zur Familie von Trapp, die eine neue Gouvernante für ihre sieben Kinder sucht. Marias loses Mundwerk bringt ihr Ärger, aber auch Anerkennung ein. Sie sorgt dafür, dass die Kinder ein Jahr nach dem Tod der Mutter endlich wieder Spaß haben, und übergeht damit mehr als nur einmal das strenge Regiment des Vaters. Dieser lässt sich sein Herz nach und nach erweichen, vor allem weil Maria auch die Musik wieder ins Haus bringt. Musik, die, wie es zu jedem ordentlichen Musical gehört, zu keinem Zeitpunkt weiter als fünf Minuten entfernt zu sein scheint. Der Hausherr löst seine eigentliche Verlobung auf, um sich ganz Maria zu widmen; und auch die Kinder lieben sie über alles. Sie werden von einem Freund der Familie überredet, ihre Musikalität auf der Bühne auszuleben und alles scheint ein Happy End in Salzburg zu nehmen, das man schon auf 700 km aus Berlin hat kommen sehen. Aber nein! Nein! Der Film nimmt hier eine düstere Wendung, um Tiefe zu erlangen! Während im ersten Teil die Romanze zwischen Maria und dem Hausherrn beleuchtet wird, schlägt in der letzten halben Stunde die Nationalsozialistische Realität der end- 30er n aller Härte zu und die von Trapps beschließen über die Berge zu fliehen um nicht in die Hände der Nazis zu geraten. Einige der berühmtesten Songs der Filmgeschichte kommen aus diesem Musical. Unter anderem ein Song der den Kindern Musiktheorie auf niedrigschwelligste Weise beibringt. Do Re Mi. Plor du hattest eine Anleitung zum singen. Kannst du s jetzt? Willst du uns diesen Song einmal zum besten geben?

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Episodi anticipat per a fans, el pròxim 24 de juny en obert per a tothom. Torna en Román Gil a Crema d'estrelles i, de nou, ho fa en un programa especial, aquesta vegada dedicat a un dels seus grups preferits: The Beach Boys. L'excusa era retre un petit homenatge a Brian Wilson, que va morir ara fa just un any, l'11 de juny de 2025, però sense guió i deixant-nos portar únicament per una llista de reproducció seleccionada per en Román, hem acabat fent un recorregut biogràfic per la trajectòria d'aquest grup californià fundat pels germans Brian, Dennis i Carl Wilson, el seu cosí Mike Love i el seu amic Al Jardine, tot sota l'atenta mirada d'un pare abusiu i músic frustrat: Murry Wilson. En aquest episodi hi sonen cançons que probablement us sorprendran. No espereu trobar-hi només temes sobre el surf, les platges o les noies: The Beach Boys van oferir molt més que aquest imaginari californià. Un llegat musical immens que podreu descobrir en aquest nou programa especial. Jordi Via, Terrassa, 12 de juny de 2026 També et pot interessar: 21- Els Guitarristes de David Bowie, Especial amb Román Gil: https://go.ivoox.com/rf/128497559 Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sesión Paralela: https://go.ivoox.com/sq/3123177 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75Escucha este episodio completo y accede a todo el contenido exclusivo de Crema d'estrelles. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1539104

Enjoy this special episode featuring guest Ruth Malen! Together, we take a deep dive into the legendary musical The Sound of Music, directed by Robert Wise. We share some hot takes and plenty of differing opinions about how well the film holds up today—and how it was received when it was originally released. This is one you won't want to miss!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Tanco ja aquesta ronda de capítols celebrant els quatre anys de Crema d'estrelles i els seus primers 40 programes. El programa número 40 l'he dividit en tres parts: Breakdance, Megamixes i aquesta tercera i última entrega, dedicada al Rànquing 107, una llista d'èxits formada per cançons que em van marcar profundament quan tenia tretze anys. Dit d'una altra manera: música que em va acompanyar fa exactament quaranta anys i que són la llavor d'aquest pòdcast. Espero que us agradi tant escoltar-la com a mi m'ha agradat recuperar-la. I mentre sona aquesta banda sonora de records, ja estic preparant noves Cremes. Una abraçada. Jordi Via, Terrassa, 31 de maig de 2026 Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sesión Paralela: https://go.ivoox.com/sq/3123177 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

Nehemiah 12 presents a powerful portrait of a community whose restoration is marked not by architectural achievement alone, but by spiritual renewal rooted in purity, praise, and provision. The chapter emphasizes that true worship begins with personal and corporate cleansing, as the priests and Levites first purified themselves before leading others, underscoring that holiness precedes celebration. This spiritual preparation culminates in a joyous, communal procession around the rebuilt walls, where singing, thanksgiving, and sacrifice reflect a people whose hearts are anchored in God's faithfulness rather than their own accomplishments. The joy described is not superficial or self-centered, but deep, inclusive, and expansive—reaching wives, children, and even the surrounding nations—demonstrating that genuine Christian joy transcends circumstance and testifies to God's enduring presence. Ultimately, the greatest sound in Jerusalem is not music, but the echo of a people whose lives overflow with gratitude, proving that the true measure of success is not in completed walls, but in a worshiping heart dedicated to God.

La veritat, pensava que amb dues parts n'hi hauria prou per cobrir aquest programa especial 40: els quatre anys de Crema d'estrelles i els quaranta anys de recorregut musical que han contribuït a fer possible aquest pòdcast i a convertir-lo en el que és avui. Però m'equivocava: ha calgut una primera part dedicada al breakdance, aquesta segona centrada en els megamixes i encara n'hi haurà una tercera amb la nostra llista d'èxits, el Rànquing 107, que inclourà cançons del 1983 al 1986. En aquesta segona entrega fem un tast dels Max Mix fins al volum 4, el Bolero Mix, el Disc-Jockey Mix (Let's Go To The Mix), el Don Discomix, el Más Mix Que Nunca, els dos volums del Max Mix 40 Aniversari i alguna sorpresa més. Desfilen per la crema, a més del culpable de tot això, Mike Platinas, també Javier Ussía, Toni Peret, Josep Maria Castells, Raúl Orellana, Dj Tedu, Dj Funny i algun altre nom destacat de l'univers del megamix. Aquest programa ret també un petit homenatge a Josep Maria Castells. Moltes gràcies a Xavi Aymar que ha donat permís per fer servir la coberta del Más Mix Que Nunca com a miniatura d'aquest episodi. Jordi Via, Terrassa, 27 de maig de 2026 Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sesión Paralela: https://go.ivoox.com/sq/3123177 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

 Nicholas Hammond (Friedrich) emphasized the complexity of filming, stating, “It was particularly difficult for us kids.”Despite challenges, Turner fondly remembered rehearsing with Andrews on the back lot of 20th Century Fox.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today, I'm thrilled to announce my interview with Broadway director and choreographer Danny Mefford, whose productions of SPELLING BEE and BIGFOOT are currently playing off-Broadway. Tune in to hear some of the stories of his legendary career, including identifying the central arc in SPELLING BEE, his journey with staging THE SOUND OF MUSIC, the secret to the success of DEAR EVAN HANSEN, being confused for Ben Platt, staging “Ring of Keys” in FUN HOME, making his Broadway debut with BLOODY BLOODY ANDREW JACKSON, working with child actors, the problem with the story of THE BRIDGES OF MADISON COUNTY, staging rollerskating in KIMBERLY AKIMBO, making his directorial debut with SHREK, developing MISS YOU LIKE HELL out of town, collaborating with Michael Friedman on LOVE'S LABOR'S LOST, acting at Williamstown Theater Festival, and so much more. Don't miss this candid conversation with one of Broadway's best.

The Sound of Music

Musical Season 2026 begins, as this week the Siblings check out the all-time musical classic The Sound of Music. It turns out it's a long movie.  A very….very long movie.Discussed:Bedknobs and Broomsticks, for some reason!Audrey Hepburn vs. Julie Andrews!Austria to Switzerland!The Baroness (but not from G.I. Joe)!23 going on 17!Christopher Plummer hates this movie!The “I Am” Song!Contact us at adultsiblingsversus@gmail.comTikTok: @adultsiblingsversusInstagram: @adultsiblingsversusThreads: @adultsiblingsversusBluesky: @adultsiblingsvs.bsky.socialTheme Song: “Sellout” by Zombie Apocalypse NOW!https://antizombierock.bandcamp.com/

If you're looking for something uplifting and musical this April, the Kilrush Choral Society is bringing a true classic to the stage. The Sound of Music will be performed at Kilrush Community School from April 7th to the 11th. For more on this, Alan Morrissey was joined by the director, Ger Rushe and member of the society, Geraldine Keating.

After attending The Sound of Music at the Tanger Center a song got stuck in their heads and they did their best to sing it on the air in rounds!

After attending The Sound of Music at the Tanger Center a song got stuck in their heads and they did their best to sing it on the air in rounds!

Haunted Houses! Musicals! Creepy Dolls! This week Katie and Brit are joined by horror author and filmmaker Eric Miller to talk about one of his favorite scary movies, THE HAUNTING (1963).While you may know the name as the movie that inspired the Mike Flanagan miniseries, the story started as a novel by Shirley Jackson who with it re-defined the genre. It truly was ahead of it's time as a female-centered film that tackled mental health issues made by already accomplished director Robert Wise in between making Oscar-winning musicals WEST SIDE STORY and THE SOUND OF MUSIC.In addition to the film discussion, we talk all things horror as Eric shares with us his extensive knowledge of filmmaking and writing.Special thanks to our guest Eric Miller and Angela at Pitch Perfect Media. Check out Eric's website at our research links below!Next time we're watching Coralie Fargeaut's REVENGE.Thanks for listening and stay spoopy ya'll!Timestamps:00:00:27 Intro00:02:06 Guest Introduction and Interview00:05:32 The Book and Shirley Jackson's Influence00:24:07 SPOILERS00:27:42 How We Discovered the Film00:33:03 Haunted Houses and Travel Tales00:54:50 Back to THE HAUNTING01:45:47 Ratings01:54:44 Next Time: REVENGE (MUBI, AMC+, Roku)02:11:48 Goodbyes/Where to Find Eric MillerThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Today in 1965, the premiere of “The Sound of Music.” Generations of fans around the world have been singing along to songs like "Do-Re-Mi,: but those fans can be singing very different songs depending on which language they're singing in. Plus: a moment of well-meaning misunderstanding at an animal rescue center in the UK. "The Sound of Music" across three languages (Jabal al-Lughat) Animal rescue team race to save 'dog' stuck in ditch - only to find it's a statue (The Express)Let's make beautiful music together! Join us as a backer on Patreon

This week, Stacey Hicks, Amelia Lester, and guest host Clare Stephens are diving into the 'beige food' epidemic and why modern snack culture might be to blame for your toddler’s refusal to eat anything that isn’t plain pasta or chicken nuggets. And we discuss the the emotional cost of being an 'easy kid'. If you were the child who always got a gold star, never made a fuss, and now find yourself over-apologising to your barista, this one is for you. We talk about why we might actually want our kids to be a little bit... difficult. Plus, a heated debate over 'fart-proud' vs. 'fart-shame' households and why there's now official permission to stop feeling guilty about letting your kids watch TV. Our Recommendations: ⛸️ Stacey recommends getting your kids to record vlog style videos when FaceTiming the relatives gets too boring.

Today, I'm thrilled to announce my interview with Tony nominee Micaela Diamond. Tune in to hear some of the stories of her legendary career, including finding her voice in PARADE, acting opposite Ben Platt, what she learned from her debut in THE CHER SHOW, researching Cher's life and career, learning from Stephanie J. Block and Teal Wicks, getting notes from Ethan Coen in A PLAY IS A POEM, building the character of Fritz in HERE WE ARE, the monologues that were written for and cut from the piece, understudying Sara Bareilles in JESUS CHRIST SUPERSTAR, what attracted her to THE SEAT OF OUR PANTS, the adventure of starring in ROW at Williamstown, how THE SOUND OF MUSIC ignited her love of theater, learning to cook during the pandemic, her new starring role in THOROUGHLY MODERN MILLIE, and so much more. Don't miss this candid conversation with one of Broadway's best.

Join Tyler as he reviews and talks about one of the most celebrated movies of all time, The Sound of Music. As well as the other films nominated for best picture -  Darling Doctor Zhivago Ship of Fools A Thousand Clowns And tell you how they rank up against the winner. Want to see what I've been watching through the course of the year? Be sure to check out my letterboxd https://boxd.it/7ChT  

THE SOUND OF MUSIC Maria is a spirited, tomboyish young woman training at an Austrian abbey, and she's sent out to work as governess for the seven children of a widowed naval captain. In the captain's strict, quiet household, she shakes things up with warmth, playfulness, and music, gradually bringing the family back to life and forging an unexpected bond with their guarded father. Craig and Elisabeth wrap up F#@K Nazis month by talking about what's happening in America right now, living with 8 kids, taking principled stands and the movie “The Sound of Music” on this week's Matinee Heroes!! Show Notes 1:12 Craig and Elisabeth talk about the sad state of affairs in America. 13:42 Craig and Elisabeth discuss "The Sound of Music". 47:31 Recasting 59:05 Double Feature 1:04:29 Final Thoughts 1:07:47 A preview of next week's episode "Legends of the Fall." Next week, we celebrate Elisabeth's birthday with one of her favorite movies "Legends of the Fall".

In this episode, we explore what it means to stay human in a time of collective trauma. We talk about messiness as a core part of being alive, how purity culture and rigid systems disconnect us from our bodies, and why agency, consent, and clear yeses and nos are essential forms of resistance. Together, we unpack how supremacy shapes therapy, relationships, and identity — especially through individualism, whiteness, and disembodiment — and imagine more liberating ways of practicing care, connection, and community. The conversation weaves personal reflection, cultural critique, and somatic wisdom, inviting listeners back into their bodies, their grief, and their shared humanity.Subverting Supremacy Culture in our Practice: Part 2Friday, January 30, 20262:00 PM  4:00 PMVIRTUALhttps://www.shelterwoodcollective.com/events/subverting-supremacy-culture-in-our-practice-part-2Working with people means navigating power, race, and trauma.This workshop will help you notice supremacy culture in the room and resist it. Due to the way Christian nationalism works in the US we create space to engage Christian supremacy and its manifestations of racialized heteronormativity that affects all bodies — regardless of religious or non-religious status. You will learn embodied, relational tools to strengthen your practice and reduce harm. Danielle S. Rueb Castillejo (she/her), Psychotherapist, Activist, Community Organizer; Jenny McGrath (she/her), Psychotherapist Writer, Author, Body Movement Worker; Abby Wong-Heffter, (she/her), Psychotherapist Teacher, Attachment Specialist; Tamice Spencer-Helms, (she/they), Author, Theoactivist, Non-Profit Leader are collaborating to create a generative learning space for therapists, social workers, educators, organizers, spiritual leaders, healthcare providers, and community practitioners. Together we will work with the ways supremacy culture shows up somatically, relationally, and structurally in helping professions. We will examine how dissociation, fragmentation, and inherited oppression narratives shape our work, and develop practices to interrupt these patterns.This workshop addresses diversity and cultural competence by:Examining how supremacy culture impacts Black, Indigenous, and People of Color differently than white-bodied practitioners. Naming cultural, historical, and intergenerational forces that shape power dynamics in clinical and community settings. Offering embodied, relational, and trauma-informed tools to practitioners working across racial, ethnic, cultural, and linguistic differences. Developing the capacity to recognize and intervene in oppression harm while maintaining therapeutic integrity and accountability. Participants will engage in reflective dialogue, somatic exercises, case-based examples, and guided exploration of their own positionality. The intent is not perfection but deepening collective responsibility and expanding our capacity to resist supremacy culture inside our practice and in ourselves. The workshop is designed to meet the Washington Department of Health requirement for two hours of health equity continuing education (WAC 246-12-820).The Blackfoot Wisdom that Inspired Maslow's HierarchyBy Teju Ravilochan, originally published by Esperanza Projecthttps://www.resilience.org/stories/2021-06-18/the-blackfoot-wisdom-that-inspired-maslows-hierarchy/ Danielle (00:05):Be with you. Yeah. Well, it seems like from week to week, something drastically changes or some new trauma happens. It reminds me a lot of 2020.Jenny  (00:15):Yeah. Yeah, it really does. I do feel like the positive in that is that similar to 2020, it seems like people are really looking for points of connection with one another, and I feel like there was this lull on Zoom calls or trainings or things like that for a while. People were just burned out and now people are like, okay, where in the world can I connect with people that are similar to me? And sometimes that means neighbors, but sadly, I think a lot of times that means people in other states, a lot of people that can feel kind of siloed in where they are and how they're doing right now.Danielle (00:56):Yeah, I was just thinking about how even I have become resistant to zoom or kind of tired and fed up and then all of a sudden meeting online or texting or whatever feels safer. Okay. Again.About? Just all the shit and then you go out in the real world and do I messed that up? I messed that up. I messed that up. I think that's part of it though, not living in perfection, being willing to be really messy. And how does that play out? How does that play out in our therapeutic practices?Jenny (01:50):Yeah, totally. I've been thinking a lot about messiness lately and how we actually come into the world. I think reveling often in messiness for anyone that's tried to feed a young child or a toddler and they just have spaghetti in their hair and everything's everywhere. And then we work so hard to tell kids, don't be messy. Don't be messy. And I'm like, how much of this is this infusion of purity culture and this idea that things should be clean and tidy? That's really actually antithetical to the human experience, which is really messy and nuanced and complicated. But we've tried to force these really binary, rigid, clean systems or ways of relating so that when things inevitably become messy, it feels like relationships just snap, rather than having the fluidity to move through and navigate,Danielle (02:57):It becomes points of stop or I can't be in contact with you. And of course, there's situations where that is appropriate and there might be ways I can connect with this person in this way, but maybe not on social media for instance. That's a way that there's a number of people I don't connect with on social media intentionally, but am willing to connect with them offline. So yeah, so I think there's a number of ways to think about that. I think just in subverting supremacy, Abby and I talked a lot about consent and how also bringing your own agency and acknowledging your yeses and your nos and being forthcoming. Yeah, those are some of the things, but what are you and Tamis going to touch on?Jenny (03:47):I'd be curious to hear what you think inhibits somebody's agency and why? Because I thought that was so great. How much you talked about consent and if you were to talk about why you think that that is absent or missing or not as robust as it could be, what are your thoughts on that?Danielle (04:06):Well, sometimes I think we look in our society to people in power to kind of play out fantasies. So we look for them to keep checking in with us and it, it goes along with maybe just the way the country was formed. I talked a little bit about that this week. It was formed for white men in power, so there was obviously going to be hierarchical caste system down from there. And in each cast you're checking with the powerful person up. So I think we forget that that plays out in our day-to-day relationships too.(04:44):And I think it's a hard thing to acknowledge like, oh, I might have power as a professional in this realm, but I might enter this other realm where then I don't have power and I'm deferring to someone else. And in some ways those differences and those hierarchies serve what we're doing and they're good. And in other ways I think it inhibits us actually bringing our own agency. It's like a social conditioning against it, along with there's trauma and there's a lot of childhood sexual abuse in our country a lot. And it's odd that it gets pinned on immigrants when where's the pedophiles? We know where some of them are, but they're not being pursued. So I think all of these dynamics are at play. What do you think about thatJenny (05:32):When you talk? It makes me think about something I've just learned in the last couple years, which is like Maslow's hierarchy of needs, which has been turned into this pyramid that says you need all of these things before you can be self-actualizing. What is actually interesting is that Mazo sort of misappropriated that way of thinking from the Blackfoot nation that he had been living and researching, and the Blackfoot people were saying and have been saying and do say that they believe we come into the world as self-actualized. And so the culture and the community is designed to help that sovereign being come into their full selves.(06:20):And so actually the way that the pyramid was created was sort of the antithesis of what the Blackfoot people were trying to communicate and how they were living. But unfortunately, white psychology said, well, we can't acknowledge that this was from indigenous people, so we're going to whitewash it. We're going to say that Maslow created it and it's going to be wrong, basically. And I'm just thinking about the shift of if we view people and water and plants and animals and planets as sovereign, as beings that have self-actualizing agency, then of course we're going to probably want to practice consent and honoring them. Whereas if we view the world and people as these extractive things and objects, we're going to feel entitled to take what we want or what we feel like we deserve.Danielle (07:32):I'm not surprised though that we've extracted that hierarchy of needs from somewhere because as I write about, I've been writing a lot as I think about moral injury and what's happened to our society and how trauma's become a weapon, like a tool of empire in white bodies to use them as machinery, as weapons. One of the things I've thought a lot about is just this idea that we're not bodies, we're just part of the machine.(08:03):So then it would make sense to make a form, here's your needs, get this shit done so you can keep moving.Jenny (08:12):Totally. We just started watching Pluribus last night. Do you know what this is?(08:24):Is this really interesting show where there's this virus that comes from outer space and it makes everyone in the world basically a hive mind. And so there's immediately no wars, no genocide, nothing bad is going on,(08:43):Nobody is thinking for themselves except for this one woman who for whatever reason was not infected with the virus.(08:52):And it's so interesting and it's kind of playing with this idea of she is this white woman from America that's like, well, we should be able to think for ourselves. And everyone else is like, but wars are gone. And it's really interesting. I don't know where the show's going to actually go, but it's playing with this idea of this capitalistic individuation. I'm my own self, so I should be able to do that. And I know this, it's this place of tension with I am a sovereign being and I am deeply interconnected to all other beings. And so what does agency look like with being responsible to the people I'm in relationship with, whether I know them or not,Danielle (09:42):What is agency? I think we honor other people by keeping short accounts. I don't think I've done a good job of that much in my life. I think it's more recent that I've done that. I think we honor other people by letting them know when we're actually find something joyful about what our encounter with them or pointing out something loving. And I think we honor our community when we make a clear yes or clear no or say I can't say yes or no. Why can I tell you yes or no at a later date when we speak for ourselves, I think we give into our community, we build a pattern of agency. And I think as therapists, I think sometimes we build the system where instead of promoting agency, we've taken it away.Jenny (10:35):Yeah, I agree. I agree. I think I was just having a conversation with a supervisee about this recently. I who has heard a lot of people say, you shouldn't give your clients psychoeducation. You shouldn't give them these moments of information. And I was like, well, how gatekeeping is that? And they were having a hard time with, I've heard this, but this doesn't actually feel right. And I do think a lot of times this therapist, it's like this idea that I'm the professional, and so I'm going to keep all of this information siloed from you where I think it's ethical responsibility if we have information that would help things make more sense for our clients to educate them. And I often tell my clients in our first session, my job is to work myself out of a job. And unfortunately, I think that there's a lot in a lot of people in the therapy world who think it's their job to be someone's therapist forever. And I think I'm like, how do we start with, again, believing in someone's agency and ability to self-actualize and we just get to sort of steward that process and then let them go do whatever they're going to do.Danielle (11:54):I think that also speaks to can therapy change? I think the model I learned in graduate school has revolved a lot around childhood trauma, which is good. So glad I've been able to grow and learn some of those skills that might help me engage someone. I also think there's aspects I think of our society that are just missing in general, that feel necessary in a therapeutic relationship like coaching or talking from your own personal experience, being clear about it, but also saying like, Hey, in these years this has happened. I'm not prescribing this for you, but this is another experience. I think on one hand in grad school, you're invited to tell your story and know your story and deal with counter transference and transference and try to disseminate that in some sort of a blank way. That's not possible. We're coming in with our entire identity front and center. Yeah, those are just thoughts I have.Jenny (12:59):Yeah, I think that's so good. And it makes me think about what whiteness does to people, and I think a lot of times it puts on this cloak or this veneer of not our fullest truest selves. And I don't even think that white people are often conscious that that's what we're doing. I remember I am in this group where we're practicing what does it look like to be in our bodies in cross-racial experiences? And there's a black woman in my cohort that said, do you ever feel separate from your whiteness? Can you ever get a little bit of space from your whiteness? And I was like, honestly, I don't feel like I can. I feel like I'm like Jim Carrey in the mask, where the more I try to pull it off, the more it snaps back and it's like this crustacean that has encapsulated us. And so how do we break through with our humanity, with our messiness to these constraints that whiteness has put on us?(14:20):Oh, tomorrow. Oh my gosh. So I'm going to do a little bit of a timeline of Jenny's timeline, my emotional support timeline. I told Tamis, I was like, I can get rid of this if you don't think it's important, but I will tell you these are my emotional support timelines. And they were like, no, you can talk about 'em. So I'm just doing two slides on the timeline. I have dozens of slides as Danielle, but I'm just going to do two really looking at post civil rights movement through the early two thousands and what purity culture and Christian nationalism did to continue. What I'm talking about is the trope of white womanhood and how disembodied that is from this visceral self and organism that is our body. And to me is going to talk about essentially how hatred and fear and disgust of the black queer body is this projection of those feelings of fear, of shame, of guilt, of all of those things that are ugly or disavowed within the system of Christian nationalism, that it gets projected and put on to black bodies. And so how do we then engage the impact of our bodies from these systems in our different gendered and sexual and racial locations and socioeconomic locations and a million other intersectional ways? As you and Abby talked about the power flower and how many different parts of our identity are touched by systems of oppression and power(16:11):And how when we learn to move beyond binary and really make space for our own anger, our own fear, our own disgust, our own fill in the blank, then we are less likely to enable systems that project that on to other bodies. That's what we're going to be talking about, and I'm so excited.Danielle (16:32):Just that, just that NBD, how do you think about being in your body then on a screen? There's been a lot of debate about it after the pandemic. How do you think about that? Talking about something that's so intimate on a screen? How are you thinking about it?Jenny (16:52):Totally. I mean, we are on a screen, but we're never not in our bodies. And so I do think that there is something that is different about being in a room with other bodies. And I'm not going to pretend I know anything about energy or the relational field, but I know that I have had somatic work done on the screen where literally my practitioner will be like, okay, I'm touching your kidney right now and I will feel a hand on my kidney. And it's so wild. That probably sounds so bizarre, and I get it. It sounds bizarre to me too, but I've experienced that time and space really are relative, I think. And so there is something that we can still do in our shared relational space even if we're not in the same physical space.(17:48):I do think that for some bodies, that actually creates a little bit more safety where I can be with you, but I'm not with you. And so I know I can slam my computer shut, I can walk out of the room, I can do whatever I need to do, whether I actually do that or not. I think there sometimes can be a little bit of mobility that being on the screen gives us that our bodies might not feel if we are in a shared physical space together. And so I think there's value and there's difference to both. What about you?Danielle (18:25):Well, I used it a lot because I started working during the pandemic. So it was a lifeline to get clients and to work with clients. I have to remind myself to slow down a lot when I'm on the screen. I think it's easier to be more talkative or say more, et cetera, et cetera. So I think pacing, sometimes I take breaks to breathe. I used to have self-hate for that or self-criticism or the super ego SmackDown get body slammed. But no, I mean, I try to be down to earth who I would prefer to be and not to be different on screen. I don't know that that's a strategy, but it's the way I'm thinking about it.Jenny (19:20):As someone who has co-lead therapy spaces with you in person, I can say, I really appreciate your, and these things that feel unrushed and you just in the moment for me, a lot of times I'm like, oh yeah, we're just here. We don't have to rush to what's next. I think that's been such a really powerful thing I've gleaned from co-facilitating and holding space with you.Danielle (19:51):Oh, that's a sweet thing to say. So when you think about subverting supremacy in our practices, us as therapists or just in the world we are in, what's an area that you find yourself stuck in often if you're willing to share?Jenny (20:12):I think for me and a lot of the clients that I work with, it is that place of individualism. And this is, I think again, the therapy model is you come in, you talk about your story, talk about your family of origin, talk about your current relationships, and it becomes so insular. And there is of course things that we can talk about in our relationships, in our family, in our story. And it's not like those things happen in a, and I think it does a disservice, and especially for white female clients, I think it enables a real sense of agency when it's like, I'm going through the hardest thing that anyone's ever gone through. And it's like, open your eyes. Look at what the world is going through you, and we and us are so much more capable than white womanhood would want you to assume that you are. And so I think that a lot of times for white women, for a lot of my work is growing their capacity to feel their agency because I think that white patriarchal Christian capitalistic supremacy only progresses so long as white women perform being these damsels that need rescue and need help. And if we really truly owned our self-actualizing power, it would really topple the system, I believe.Danielle (21:53):Yeah, I mean, you see the shaking of the system with Renee, Nicole Goode. People don't know what to do with her. Of course, some people want to make her all bad, or the contortions they do to try to manipulate that video to say what they wanted to say. But the rattling for people that I've heard everywhere around her death and her murder, I think she was murdered in defense of her neighbors. And that's both terror inducing. And it's also like, wow, she believed in that she died for something she actually believed in.Jenny (22:54):Yeah. And I were talking about this as well in that of course we don't know, but I don't know that things would've played out the same way they played out if she wasn't clearly with a female partner. And I do think that heteronormativity had a part to play in that she was already subverting what she should be doing as a white woman by being with another woman. And I think that that is a really important conversation as well as where is queerness playing into these systems of oppression and these binary heteronormative systems. And this is my own theory with Renee, Nicole. Good. And with Alex, there is something about their final words where Nicole says, I'm not mad at you. And Alex says, are you okay? And my theory is that that is actually the moment where something snapped for these ice agents because they had their own projection on what these race traders were, and they probably dehumanized them. And so in this moment of their humanity intersecting with the projection that these agents had, I think that induced violence, not that they caused it or it was their(24:33):But I think that when our dehumanizing projections of people are interrupted with their humanity, we have a choice where we go, wait, you are not what I thought you were. Or we double down on the dehumanization. And I think that these were two examples of that collision of humanity and projection, and then the doubling down of violence and dehumanization(25:07):Yeah. It makes me think of, have you seen the sound of music?(25:13):So the young girl, she has this boyfriend that turns into a Nazi. There's this interaction towards the end of the film where he sees the family. He has this moment facing the dad, and he hasn't yet called in the other Nazis. And the dad says to him, you'll never be one of them.(25:36):And that was the moment that he snapped. And he called in the other guards. And I think it's making a point that there's something in these moments of humanity, calling to humanity is a really pivotal moment of are you going to let yourself be a human or are you going to double down in your allegiance to the systems of oppression? And so I think that what we're trying to invite with subverting supremacy is when we come to those moments, how do we choose humanity? How do we choose empathy? How do we choose kindness? And wait, I had this all wrong rather than a doubling down of violence. I don't know. Those are my thoughts. What do you think? Well,Danielle (26:27):I hadn't thought about that, but I do know that moment in sound of music, and that feels true to me, or it feels like, where do you belong? A question of where do you belong? And in the case of Alex and Nicole, I mean, in some sense the agents already knew they didn't belong with them, but to change this. But on the other hand, it feels like, yeah, maybe it is true. It just set off those alarm bells or just said like, oh, they're not one of us. Something like that.(27:19):It's a pretty intense thought. Yeah. My friend that's a pastor there in Minneapolis put out a video with Jen Hatmaker yesterday, and I watched the Instagram live of it this morning, and she talked about how she came home from the protest, and there were men all over her yard, in the neighbor's yard with machine guns. And she said they were trying to block her in, and they came up to her car and they had taken a picture of her license plate, and they're like, roll down your window. And she's like, why? And they're like, I gave you an order. She's like, but why? And then they took a picture of her face and they're like, now you have us in your database. And she's like, I'm not rolling down my window. Because when the last person did that, you shot him in the face(28:03):And she said they got out of their car and parked. And the neighbor who, I dunno why they were harassing her neighbor, she described him as a white male, but he was standing there and he was yelling at them to leave. And she said, at this time, there was like 50 neighbors out, like 50 people out on the street. And the ice van stopped, ran back, tackled him, slammed his face into the ice, beat him up, and then threw him in the back of the car and then dropped him off at the hospital or released him or something. And he had to go get wound care. And I guess just thinking about that, just the mere presence of white people that don't fit. I wonder if it's just the mere presence.Jenny (28:59):Yeah, yeah. Well, I think part of it is exposing the illusion of whiteness and this counterfeit collaboration that is supposed to mean based on melanin, that if you have this lack of melanin, this is how you're supposed to perform. And I'm really grateful that we have people with less melanin going, no, I would not that we want to die, but if my choice is to die or to give up my soul, I don't want to give up my soul.(29:50):I feel my heart pounding. It's scary. And I think there's also grief in the people I love that are choosing to not have a soul right now, to not allow space for their soul that are choosing to go into numbness and to bearing their head in the sand and to saying, we just need to have law and order. And I believe that they were made for so much more than that.(30:46):It is painful. I mean, it doesn't go(30:55):No, no. I've been watching a lot of sad movies lately because they helped me cry. One of the things that I loved when I was in Uganda was there was people who were professional whalers(31:12):They would be hired to come into funerals or ceremonies and just wail and grieve and move the group into a collective catharsis. And I really think our bodies need catharsis right now because there's so much we're taking in. There's so much we're moving through. And I think this is part of the system of white Christian supremacy, is that it has removed us from cultural practices of making guttural sounds together, of riving together, of dancing and shaking and screaming, and these things that I think our bodies really need individually and collectively. What are you doing in your body that feels even like 2% supportive with what we're navigating?Danielle (32:08):I don't know. I honestly, I've had a bad week or bad couple weeks, but I think I try to eat food that I know will taste good. That seems really silly, but I'm not eating anything I don't like.(32:27):That. Yeah, that's one thing. Yesterday I had a chance to go work out at 12 like I do every day, and I just noticed I was too fatigued, and so I just canceled. I called it in and ate lunch with someone and just, I didn't talk much, but they had a lot to say. So that was fine with me, hung out with someone. So I think, I don't know, I guess it was a hitting two needs for me, human face-to-face connection and also just actual food that tastes good to me.(33:09):Yeah. Well, so you're going to put that Maslow resource need in the chat or in the comments. Are you going to send it to me so I can put it in the(33:21):And then if people want to sign up for tomorrow and listen to you and Tamis, is that still a possibility?Jenny (33:26):It is, yeah. They can sign up, I think, until it's starting. So I don't know for sure. You should sign up for today, just by today, just in case. Yeah, I'll send you that link too.   Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

Marcus' What You Know 'Bout That trivia game for Monday January 5th, 2026. 

Happy New Year, listeners! We're starting off 2026 with one of the most famous musicals of all time, but while everyone has at least heard of THE SOUND OF MUSIC, most don't know its profound place in musical theatre history. Join guest Tyler Joseph Ellis (SHUCKED) as we discuss nuns, Nazis, and of course, the sound of music. Everyone showed up to this episode wearing Rodgers & Hammerstein swag, so rest assured, this beloved classic was in good hands. If you liked this episode, check out THE KING AND I with Mark Eden Horowitz & Joan Almedilla. Join us at ⁠⁠PATREON!⁠⁠ for contests, essays, and bonus episodes! Be sure to follow and share our content on ⁠⁠Instagram⁠⁠ and ⁠⁠TikTok⁠⁠ and subscribe to the show wherever you listen to podcasts! Looking to give back? We have designs at our ⁠⁠TeePublic Store⁠⁠, and the profits we receive are donated to ⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠. Above all, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

The holidays are upon us! That means the opportunities to square off with relatives are incredibly high. This week, Dan reviews the tactics to use to avoid confrontation with relatives successfully.All My LinksWebsiteYouTubePatreon InstagramBlueskyTikTokX (Twitter) 

This episode we are joined by actor, singer and song-writer Analise Scarpaci!  Analise was last seen as Persephone in Mythic directed by Kathleen Marshall and is known for playing Lydia Hillard in Mrs. Doubtfire. Her other credits include A Christmas Story: The Musical and Matilda (both on Broadway), The Sound of Music at PaperMill Playhouse and Empire Records, the Musical.Analise is also a singer-songwriter and you can listen to her EP “Pathetic Little Dreamer” out now on all streaming platforms!We speak with Analise about working as a child actor, the role she gave her confidence in her skillset, working with "legends" and much more!

Hometown Radio 12/18/25 3p: Pet of the Week win a Linns Gift Card & Dave talks about "The Sound of Music"

"sets you up nicely should that come up as a question in a pub quiz"

Break out your double VHS because we're wrapping up Chris month with the OG – It's The Sound of Music! Notes: 50th anniversary article in Variety Fair: https://www.vanityfair.com/hollywood/2015/02/sound-of-music-julie-andrews-christopher-plummer-50-anniversary Join our Patreon: patreon.com/chartsandheartsclub

The Sound of Music is one of the most beloved musicals of all time. Making its debut on Broadway 65 years ago and its glorious movie debut over 60 years ago, the story of the Von Trapp family in the late 1930's is beautifully told and resonates powerfully today. Some shows don't age well, but […]

Actor Dan Truhitte joins Tammy on The Tammy Tuckey Show to discuss his new documentary, "A Life of Music: The Daniel Truhitte Story," & celebrate the 60th anniversary of "The Sound of Music" (where he portrayed Rolfe)!    Watch his new documentary here: www.amazon.com/gp/video/detail/B0F2TRP9TW/ref=atv_dp_share_cu_r   Follow Tammy on:    Facebook - www.facebook.com/singertammytuckey  Twitter & Instagram - @TammyTuckey  www.tammytuckey.com 

Play is one of the most important aspects of child development and mental health. Unfortunately many of us struggle to know HOW to play with kids. In this episode we go discuss exactly how we can use play with children and teens to build skills in communication, empathy, emotional regulation and so much more. We hope you like the episode and we can't wait to read your reflections, questions and advice. Special thanks to our sponsor Hot Wheels for supporting this episode and helping us keep the conversations rolling ❤️ Hot Wheels is all about helping kids build confidence and resilience through play… and we love that.

Robert Royal, Fr. Robert McTeigue, SJ and Bill Donohue with analysis of Pope Leo XIV's comments on the Senator Dick Durbin-Cardinal Blase Cupich controversy in the U.S. Kym Karath on the 60th anniversary of her role in The Sound of Music. And much more.

Have you ever wondered what life is like behind the scenes of Broadway and the opera? Join us as we dive into the mesmerizing world of performers with the insightful Susan Dormady Eisenberg!  Susan, an acclaimed author, takes us on a journey through her novels, The Voice I Just Heard and One More Seat at the Roundtable, which vividly depict the backstage life of performers. Discover how her childhood love for Broadway and rock music fueled her storytelling passion.  We explore the evolution of the performing arts, the rise of jukebox musicals, and the gritty yet rewarding path of pursuing a career in the arts. Plus, Susan shares personal tales, and emphasizes the unmatched magic of live theater.  Don't miss this inspiring episode!Susan Dormady Eisenberg's Bio:Susan Dormady Eisenberg is the author of two backstage novels, One More Seat at the Round Table, A Novel of Camelot, published by Atmosphere Press in April 2023, and The Voice I Just Heard, a newly revised edition that was published by Atmosphere Press on September 16. VOICE is the story of an aspiring soprano whose world is shattered when her brother dies in Vietnam.Susan's passion for the performing arts is rooted in her first career. After earning a Humanities degree from Michigan State University, she was a publicist for the Goodspeed Opera House in Connecticut, Syracuse Stage, and The Joffrey Ballet in New York.After moving to Washington, D.C., she became a freelance promotional writer, creating publications for banks, hospitals, and schools for ten years. As an arts journalist, Susan contributed articles to the Hartford Courant, the Albany Times Union, Classical Singer Magazine, Opera News, and Huffington Post. She's now finishing a novel about American icon, Annie Oakley, the female star of Buffalo Bill's Wild West show.Susan lives in Baltimore with her husband Barry, a health care executive. Their hobby is Broadway and they frequently drive to New York for the day to see a show.Connect with Susan:Website: www.susandeisenberg.comFacebook: Susan Dormady EisenbergInstagram: @susandeisenbergX: @SusanDEisenbergLinkedIn: https://www.linkedin.com/in/susan-dormady-eisenberg-51053025/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

WMAL GUEST: KYM KARATH (Best Known for Her Role as Gretl, the Youngest of the Von Trapp Children in the Original Sound of Music Movie) TOPIC: The Sound of Music SOCIAL MEDIA: X.com/KymKarath Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Friday, September 26, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

In the 8 AM hour, Larry O'Connor & Patrice Onwuka discussed: WMAL GUEST: PASTOR LUCAS MILES (Senior Director of Turning Point Faith & Author of New Book “Pagan Threat”) on the Legacy of Charlie Kirk DEAD HEAT IN THE GARDEN STATE: Trump Reacts to New Polling Showing Jack Ciatterelli Close to Beating Mikie Sherrill WMAL GUEST: KYM KARATH (Best Known for Her Role as Gretl, the Youngest of the Von Trapp Children in the Original Movie) on The Sound of Music at the Kennedy Center Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Friday, September 26, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Angela Cartwright from The Sound of Music!Angela discusses the making of the iconic musical, being one of the stars of the classic Sci/Fi series Lost in Space, appearing with legendary entertainer Danny Thomas on Make Room For Daddy, & much more!Support the show

In this video, podcaster and media analyst Patrick Coffin uncovers some surprising facts about the 1965 smash hit musical The Sound of Music, and explains why singer actress Gwen Stefani should play Maria in a remake. * Julie Andrews was knocked flat several times by the helicopter downdraft while filming the iconic opening scene. •⁠ ⁠Christopher Plummer thought the film was overly sentimental, nicknaming it The Sound of Mucus—and he filmed the Salzburg Music Festival finale tipsy. •⁠ ⁠Why the title The Sound of Music makes perfect sense once you know the backstory. •⁠ ⁠“Edelweiss” is not Austria's national anthem—it was penned by Oscar Hammerstein in New York specifically for the movie. •⁠ ⁠Patrick's dream-casting for a remake: Gwen Stefani as Maria and Blake Shelton as Captain Von Trapp.     Join the True North Movement for truth, faith, and community: www.patrickcoffin.media

What to do to prepare your home before going on vacation. Also, a look at Peacock's show, "Here Come the Irish," a documentary on Notre Dame football. Plus, a behind-the-scenes look at "The Sound of Music" as the film celebrates its 60th anniversary. And, Trisha Yearwood live to chat about her newest album.

President Trump is calling for the release of the Epstein testimony and has been diagnosed with a vein condition. Also, millions of Americans are still dealing with extreme heat or extreme rainfall. Plus, remembering the legendary skydiver Felix Baumgartner. And, taking a behind-the-scenes look at "The Sound of Music" for the film's 60th anniversary.

Episode: 3320 Brown.  Today, Let's talk about the color brown.