Podcasts about smithsonian jazz masterworks orchestra

This episode of The Other Side of the Bell, featuring trailblazing lead trumpeter Liesl Whitaker, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Liesl Whitaker trumpet interview"   About Liesl Whitaker: Liesl Whitaker is an American lead and commercial trumpeter based in the New York City metropolitan area. She currently plays lead trumpet in the pit orchestra of the hit Broadway musical Death Becomes Her (2024). Her other lead trumpet Broadway credits include Mr. Saturday Night - starring Billy Crystal (2022); Some Like it Hot (2023) and Suffs (2024). Off Broadway credits include Tappin' Thru Life – starring Maurice Hines (2016). Liesl is a twenty-one year veteran of the United States Army: In 2000, she won a national audition and became the first female lead trumpet player to be selected by any premier military unit when she won the lead chair with the US Army Blues. In 2012, she repeated this feat when she won the lead chair in the US Army Jazz Ambassadors, a second premier unit - something not done by anyone (male or female), prior or since. Liesl deployed twice with the Sergeant Major of the Army and the Third Army to Afghanistan and Iraq (2002; 2004). Additionally, Liesl was the lead trumpet player for the Smithsonian Jazz Masterworks Orchestra in Washington, D.C. (2004 – 2022).  She is a charter member of the all-woman big band The Diva Jazz Orchestra (1993 – present) based in New York City.  Liesl attended college at both Appalachian State University (Boone, NC) and The University of Cincinnati—College Conservatory of Music (Cincinnati, OH). She studied trumpet with Bill Adam, Pat Harbison and Joe Phelps. In 2004 and 2005, Liesl performed with the WDR Big Band in Cologne, Germany, recording with the ensemble and Conductor/Chief Arranger Michael Abene and guest artist Joe Lovano.  Additionally, she has performed on various recordings including projects by the Army Blues and Jazz Ambassadors, Sherrie Maricle and the Diva Jazz Orchestra, the Smithsonian Jazz Masterworks Orchestra, Victor Goines Big Band, Ed Palermo Big Band, various original Broadway cast recordings, as well as many others. Liesl currently resides in upstate, New York with her husband, Kenny Rampton, and her daughter, Lauren. When not performing or touring, she spends her free time honing her skills as an amateur writer.   Episode Links:   Blog: lieslwhitaker.wordpress.com Liesl Whitaker on Instagram (@lieslwhitaker) William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com    Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of Liesl Whitaker Audio Engineer - Ted Cragg

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  The Sidedoor podcast team is Justin O'Neill, James Morrison, Stephanie De Leon Tzic, Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  This episode of Sidedoor was produced by Lizzie Peabody, Justin O'Neill, and James Morrison with help from Stefanie De Leon Tzic. The editorial team includes Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  The Sidedoor podcast team is Justin O'Neill, James Morrison, Stephanie De Leon Tzic, Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  The Sidedoor podcast team is Justin O'Neill, James Morrison, Stephanie De Leon Tzic, Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Eight: "Hey Baltimore!" Tedd Baker Trio Live! Okay, this is a hot trio! This was a great show. I did not want to chop it up for SOMETHING came from Baltimore but I had to get it to 30 minutes. So, in this episode you will Pledge (hand on heart) that you will forget about Ticketmaster and big music halls, and focus on Local Artists...they need your support. Tedd Baker's Contact Information Facebook: https://www.facebook.com/tbakersaxophone www.teddbaker.com YouTube Channel: https://tinyurl.com/qq9fxoz https://soundcloud.com/tedd-baker/sets An Die Musik: https://andiemusiklive.com/ Bio: Tedd(y) Baker has performed with a wide variety of jazz greats and contemporary artists including Barry Harris, George Duke, David Sanborn, Slide Hampton, Eddie Daniels, Jon Faddis, Victor Lewis, Vanessa Rubin, Jason Moran, Duane Eubanks, Josh Groban, Wycliffe Gordon, Butch Warren, Fitz and The Tantrums, Mason Bates, Michael Mossman, Warren Wolf, and Donny McCaslin among others. He has recorded with New York Voices, Smithsonian Jazz Masterworks Orchestra under the direction of David Baker, Bohemian Caverns All-Stars, John LaBarbera, George Russell, Bobby Caldwell, and the Amina Figarova Sextet. Tedd has also performed with the Artie Shaw Orchestra, Washington Jazz Orchestra, Alan Baylock Orchestra, and the Frank Carlberg/Andrew Rathbun Orchestra among others. Baker began playing professionally in Boston as a teenager. He placed first in the 2000 Hilton Head Jazz Society Competition. In 2001 he was chosen for the State Department Jazz Ambassador Program and toured South America, Central America and Jamaica. In 2002 he joined the Airmen of Note, USAF Band, Washington, D.C. Tedd Baker's all-original 2006 debut CD “Mugshots” received rave reviews from JazzTimes, and All About Jazz. Tedd's latest release "Duos Volume 1" is a reverent nod to the classic duo configuration, and features tenor/soprano saxophone paired in various duo settings with piano, bass, drums, guitar, and voice. Tedd is also featured on many recordings such as steel pan and composer Victor Provost's "Bright Eyes," the Taylor/ Fidyk Big Band "Live At Blues Alley," Ben Patterson Jazz Orchestra's "Vital Frequencies feat Chris Potter," guitarist Paul Pieper's "Making Time," and The Young Lions "Live At Bohemian Caverns." If you got this far....please subscribe to SOMETHING came from Baltimore --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

Welcome back everyone! Today, we have THE Joey Tartell as our guest! If you aren't familiar with Joey, go do yourself a favor and check him out! We really enjoyed our conversation with him, and we know you will too. Go give him a follow and be on the lookout for more episodes! Joey Tartell is Professor of Trumpet and the Director of Undergraduate Studies at Indiana University's Jacobs School of Music. Before joining the faculty, he enjoyed a career as an in-demand lead and free lance trumpet player. Joey was the lead player for Maynard Ferguson, touring the United States, Australia, Asia, and Europe, and can be heard on the recording “These Cats Can Swing.” He also played lead for the Smithsonian Jazz Masterworks Orchestra, including a State Department tour of Egypt; the U.S. Army Jazz Ambassadors, including a State Department tour of India and appearances at the Montreux and North Sea Jazz Festivals; and the Glenn Miller Orchestra. Although teaching full time, Mr. Tartell remains an active performer. He is a regular guest lead trumpet/soloist with several orchestras for Pops concerts, including serving as the Guest Principal for the Indianapolis Symphony Orchestra's entire 2014-15 Pops season. Joey has also played with the St. Louis, Houston, Cincinnati, Detroit, National Arts Centre (Ottawa), and Baltimore Symphony Orchestras. Also active in the recording studios, he has recorded for the Bob and Tom Show, Hal Leonard Publications, Shawnee Press, Cedar Point Amusement Park, Williams Gaming, and many others. Joey has also toured with Boston Brass and Canadian Brass. Mr. Tartell is also active as a soloist and clinician. Recently, he has been a featured soloist and clinician at both the International Trumpet Guild conference and the National Trumpet Competition. He maintains an active calendar as a clinician nationally, presenting clinics from Boise, Idaho to Tallahassee, Florida last year. Joey has a Master's degree in Jazz Studies from the University of Miami, and a Bachelor of Music degree from the Eastman School of Music, where he was also awarded a Performer's Certificate. He had the great fortune to study with Barbara Butler, Mel Broiles, Gil Johnson, and Vince DiMartino. Joey Tartell: https://joeytartell.com/ Twitter: @joeytartell https://www.facebook.com/joeytartell https://www.instagram.com/joeytartell/?hl=en Coffee & Clarke's: www.instagram.com/coffeeandclarkes/ podcasts.apple.com/us/podcast/coff…es/id1527355440 www.facebook.com/Coffee-Clarkes-101953871626547/

This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 11th March 2021 Artist - Track - Album - Year The 14 Jazz Orchestra    Wood Dance    Cartoon Bebop    2020 Diego Rivera    Indigenous    Indigenous    2021 Idit Shner    Samba in Two    Live at the Jazz Station    2021 Doug Webb    Coruba    Apples and Oranges    2020 Tom Tallitsch    Mablestates    Message    2021 Joe Chambers    Circles    Samba de Maracatu    2021 Greg Murphy    Enkare Nairobi    Cool Water    2021 Charlie Porter    Hindsight    Hindsight    2021 Mike Scott    Rondo    Collecting Things    2021 Smithsonian Jazz Masterworks Orchestra    Meditation #1 (from "Mass")    Bernstein Reimagined    2020 Tivon Pennicott with Strings    Bad Apple    Spirit Garden    2020 Mauricio Morales    The Forest    Luna    2021 Tivon Pennicott with Strings    Rain Dance    Spirit Garden    2020 Yoko Miwa    Babe, I'm Gonna Leave You    Songs of Joy    2021 Shai Maestro    Human    Human    2021 Roberto Magris & Eric Hochberg    Quiet Dawn    Shuffling Ivories    2021 Jakob Bro/Arve Henriksen/Jorge Rossy    Housework    Uma Elmo    2021 Hafez Modirzadeh    Facet 28 Nora    Facets    2021 Hafez Modirzadeh    Facet 29 Night    Facets    2021 The post The Creative Source (#CreativeSource) – 11th March 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

We hear music from Cantor Arianne Brown, Afro Blue, and the Smithsonian Jazz Masterworks Orchestra and the thoughts of Dr. Peter Manseau, Dr. Hussein Rashid, and Cantor Brown on religious music.

My guest, Chuck Redd is an accomplished performer on both drums and vibraphone. He began performing and recording internationally at the age of 21 with jazz guitarists Charlie Byrd, Barney Kessel, and Herb Ellis and went on to work with jazz legends like Mel Torme’, Ken Peplowski, Terry Gibbs and Conte Candoli. He served as Artist-In-Residence at The Smithsonian Jazz Café in Washington, DC and was a member of the Smithsonian Jazz Masterworks Orchestra for 15 years. He frequently headlines at festivals and clubs and is on the faculty at The University of Maryland School of Music. We happened to run into one another in New Orleans last week where he found time for this interview in a back room of the Stanton Moore Spirit of New Orleans Drum Camp. http://www.chuckredd.com/ Website             Newsletter         Become a Patron

My guest today is Joey Tartell. Joey is an Associate Professor of Trumpet and the Director of Undergraduate Studies at Indiana University’s Jacob School of Music.  As a performer he has been lead trumpet in Maynard Ferguson’s Band, the Smithsonian Jazz Masterworks Orchestra, the U.S. Army Jazz Ambassadors and the Glen Miller Orchestra. He has performed numerous symphony orchestras including the Indianapolis, St.Louis, Houston, Cincinnati, Detroit, Baltimore and the Ottowa National Arts Center Orchestras. Joey has also toured with the Boston Brass and Canadian Brass. He is an active soloist and clinician nationally. Joey can be contacted at jtartell@indiana.edu joeytartell.com  

Currently living in Los Angeles, Amy K. Bormet is an active pianist, vocalist, arranger, and composer. The quintet from her debut album, Striking, was featured as part of the 2012 Mary Lou Williams Jazz Festival at the Kennedy Center. In 2011, Amy created the Washington Women in Jazz Festival in Washington, DC, and continues to serve as executive director. In addition to her piano performances, Ms. Bormet is a prolific composer. She was commissioned to arrange her composition “Lightning” for the Smithsonian Jazz Masterworks Orchestra and Howard University's Afro Blue, which premiered on the National Mall as a part of Jazz Appreciation Month. She has been commissioned to write for the Bohemian Caverns Jazz Orchestra, Howard University Jazz Ensemble, and the Brad Linde Ensemble among others. Her music is featured in short films, radio dramas, and audio books. Amy is an alumna of the Kennedy Center's residency program for composer/performers, Betty Carter’s Jazz Ahead, and the inaugural Mary Lou Williams Emerging Artist Workshop. She received her master’s degree in jazz studies from Howard University in 2010. As a member of the Howard University Jazz Ensemble, Amy toured Japan, and performed at the Kennedy Center’s Terrace Theater with NEA Jazz Master McCoy Tyner. www.amykbormet.com www.wijsf.org