Podcast appearances and mentions of James Morrison

Listen to the full show podcast with Adam Hawse. English pro golfer and former world tour champion James Morrison gives us a preview of the Australian PGA Championship Sydney to Hobart's 80th year with LawConnect's skipper and last year's winner Christian Beck joining us Preview of Supercars Grand Final with Reigning Supercars Champion Will Brown See omnystudio.com/listener for privacy information.

Karl Schagerl is a leading figure in the world of instrument making since he joined his family's business in 1976. Based in Mank, Austria, Karl has worked and collaborated with a long list of world-class artists, a few of which include Hans and Thomas Gansch, James Morrison, Gabor Tarkovi, and Selina Ott.Dr. Jack Burt, is a distinguished professor of trumpet and performing artist who has contributed extensively to the trumpet community, both as an educator and a performer. Jack's connection to Karl began with a chance introduction through mutual musical interests, leading to a lasting collaboration.In this conversation, we'll explore the fascinating story of how Karl and Jack first connected, sparked by a shared love for Austrian folk flugelhorn duets and a chance recommendation from jazz legend Peter Erskine. Jack talks about how he first reached out to Karl for some music and CDs, which eventually led to their meeting at a brass concert years later. Karl shares how this initial interaction grew into a professional friendship with plenty of stories and impactful insights along the way.[Subscriber Content] In the remainder of the discussion, Karl reveals more about the business side of Schagerl Instruments, discussing their global outreach and how they've continued to innovate in response to evolving musical demands.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

This is one in a series about possible futures, which will be published in Booch News over the coming weeks. Episode 6 appeared last week. New episodes drop every Friday. Introduction Legacy beverage corporations attempting hostile takeovers of kombucha startups failed to understand the living systems involved. Their sterile production methods eliminated beneficial microorganisms, while regulatory capture backfired as health authorities mandated probiotic content. Mega-Cola’s final CEO, James Morrison, desperately tried fermenting cola using SCOBYs, creating undrinkable disasters. This episode chronicles the corporation’s transformation from global giant to urban composting service, with former executives becoming mushroom farmers in Detroit’s abandoned factories. The $49 Billion Graveyard: When Giants Couldn’t Learn to Dance Harvard Business School’s legendary case study “The Mega-Cola Kombucha Catastrophe” became required reading for understanding how industrial thinking proved fatal in the biological economy. Between 2035 and 2042, legacy beverage corporations spent $48.7 billion attempting to acquire kombucha startups, only to discover that living systems couldn’t be purchased—they could only be cultivated. Mega-Cola’s acquisition spree began aggressively in 2035 under CEO James Morrison, a chemical engineer before ascending to the C-suite. He’d once loved the alchemy of bubbles and sweetness. His father had worked at a bottling plant; he’d grown up thinking carbonation was progress. He viewed kombucha as merely another “disruption” to be absorbed and had become a champion of “hydration portfolios”—a polite euphemism for diversifying out of soda into teas, waters, and ferments. The company spent $12.7 billion acquiring 47 kombucha brands, from market leader Health-Ade to smaller artisanal producers like Portland’s Brew Dr Kombucha. Morrison’s strategy seemed logical: leverage Mega-Cola’s distribution network and manufacturing scale to dominate the emerging probiotic market. The Sterilization Disaster The first catastrophic failure occurred when Mega-Cola attempted to scale Humm Kombucha production at its Oregon facility. Morrison stood before a 10,000-gallon fermentation tank—ten times the size of any used by the acquired kombucha companies. Chief Science Officer Dr. Hiram Walsh explained the modifications they’d made. “We’ve adapted our quality control protocols from our soft drink lines,” Walsh said proudly. “Every input is filtered, pasteurized, and chemically treated. We’ve eliminated 99.9% of microbial contamination risk.” Walsh pulled up charts showing their testing results. “Batch consistency is perfect. Zero deviation. Every bottle identical.” Morrison smiled. “Exactly what we wanted. When do we start distribution?” “Next week,” Walsh confirmed. “We’re calling it MegaBucha. Focus groups love the name.” One week later, Morrison sat in an emergency meeting. The first consumer feedback was catastrophic. Walsh read from report after report: “‘Tastes like carbonated vinegar.’ ‘Chemical aftertaste.’ ‘Nothing like real kombucha.’ ‘Dead and flat.’ Return rates are 87%.” Walsh looked confused. “I don't understand it. The bacteria counts are perfect. We followed their recipes exactly.” On the teleconference screen, Health-Ade founder Vanessa Dew shook her head. “You killed it. Your ‘quality control’ eliminated every living organism. Kombucha isn’t about sterility—it’s about controlled biological diversity. You can’t pasteurize and filter kombucha and expect it to remain the same. You’ve simply made acidic sugar water.” Morrison spluttered, “We spent $2.1 billion acquiring your company. We’re not walking away because of ‘quality control’ issues.” “It’s not quality control—it’s biology,” Vanessa explained. “Kombucha cultures need biodiversity to thrive. Your system is built to prevent exactly that.” Morrison’s jaw tightened. “Then we’ll adjust the process. Keep some bacteria alive.” Vanessa sighed. “Your entire facility is designed to kill microbes. Your pipes, your tanks, your air filtration, your worker protocols—everything optimized for sterility. You’d have to rebuild from scratch. And even then, you’d need to fundamentally rethink how you approach production. Living systems don’t work like machines.” The company had overlooked the success of the UK’s ROBOT Kombucha, the “A.I. Cola” replicated cola’s taste in a fermented drink, becoming the beverage of choice for adults who had first tasted it as teenagers when it was introduced in 2025. Founder Pascal du Bois had selected his ingredients from a range of different organic botanicals from which the flavor was extracted. He then created a complex blend of more than a dozen types of bacteria and four strains of organic yeast. After fermenting for seven weeks they add a teaspoon of 100% organic honey, sourced from France, to each can. This mimics the familiar cola taste without added sugars or aspartame. The result was a healthy alternative designed to appeal to cola lovers, not a standardized Frankenbooch. Dr. Kenji Nakamura—the former Genentech researcher who later founded the Eastridge Mall Kollective—was hired as a $5 million consultant to solve the Mega-Cola problem. His report sat on Morrison’s desk—200 pages detailing why Mega-Cola’s approach couldn’t work. “I’ll cut to the conclusion,” Nakamura said. “Your industrial infrastructure is fundamentally incompatible with living beverages. Your entire supply chain is designed to kill exactly what makes kombucha valuable.” Morrison leaned forward. “We paid you to find solutions, not problems.” “The solution is accepting that some things can’t be industrialized,” Nakamura replied calmly. “Kombucha succeeds because of microbial relationships that develop over time through careful cultivation. You’re trying to force-manufacture relationships. It’s like trying to raise children in a morgue—the environment is hostile to life. Your kombucha tastes bad because you’ve optimized the life out of it. You can’t ‘optimize’ life—you can only cultivate it.” Mega-Cola CFO Samantha Chen pulled up financial projections. “We’ve now spent $14.8 billion on kombucha acquisitions and infrastructure. We need to either make this work or write off the entire investment.” Nakamura shook his head. “Every dollar you spend trying to industrialize kombucha is wasted. The companies you acquired succeeded because they were small—they could maintain microbial diversity, respond to batch variation, cultivate living systems. Scale destroys those advantages.” Morrison’s face reddened. “Are you telling me that a bunch of hippies in Portland can do something Mega-Cola, with our resources and expertise, cannot?” “Yes,” Nakamura said simply. “Because they’re not trying to dominate biology. They’re partnering with it. Your entire corporate culture is about control, optimization, standardization. Living systems require adaptation, diversity, patience. Those are fundamentally incompatible approaches.” Morrison stood. “We’ll find someone else. Someone who can make this work.” Nakamura gathered his materials. “You’ll spend millions more reaching the same conclusion. Biology doesn’t care about your quarterly earnings or your market cap. You can’t buy your way out of this.” After Nakamura left, Morrison and Chen sat in silence. Chen finally spoke. “He’s right, you know.” Morrison didn’t respond. The Regulatory Trap: When Capture Became Captivity Legacy corporations had initially celebrated the FDA’s Probiotic Verification Act of 2038, which they had lobbied for extensively. The law required all “live beverage” products to contain minimum concentrations of beneficial bacteria, verified through independent testing. Mega-Cola’s legal team believed this would create barriers for small producers while giving large corporations with deep pockets competitive advantages through regulatory compliance costs. The strategy backfired catastrophically. While artisanal kombucha producers thrived under the new standards—their naturally diverse microbial ecosystems easily exceeded requirements—corporate products consistently failed testing. Mega-Cola spent $20 million on fermentation consultants and biotechnology acquisitions, but its sterile facilities couldn’t maintain the mandated bacterial diversity. Meanwhile, in the company boardroom, a tense meeting took place. Chen read the headline from a Wall Street Journal article: “Mega-Cola’s ‘Kombucha’ Contains Fewer Probiotics Than Yogurt, FDA Testing Reveals.“ Morrison stared at the headline. “How did this happen?” “Our sterilization processes,” Walsh admitted. “We can’t maintain bacterial counts through our production and distribution systems. The small producers can because they’re working with robust, diverse cultures in small batches. We’re working with weakened, standardized cultures in massive volumes. The bacteria die.” The legal counsel shifted uncomfortably. “The regulation we pushed for is now our biggest problem. We can’t legally call our product kombucha. We could petition the FDA to lower the standards—” Morrison’s voice was quiet. “How much have we spent trying to fix this?” Chen checked her tablet. “$20.3 million on fermentation consultants and biotechnology acquisitions. None of it worked.” The Medical Tsunami: Soda as Poison By 2040, the medical evidence against sugar-laden sodas had become overwhelming. The American Heart Association officially classified high-fructose corn syrup as a “Class II toxin,” requiring warning labels similar to tobacco. The crisis came to a head when the Journal of the American Heart Association published “The Corporate Diabetes Epidemic: A Century of Metabolic Warfare” in 2041. The paper demonstrated that diabetes and obesity rates directly correlated with Mega-Cola’s market penetration across 147 countries. Areas with higher Cola consumption showed disease patterns resembling chemical contamination rather than natural illness. Dr. Harold Lustig presented twenty years of longitudinal research to a packed auditorium. The screen behind him showed stark data: “Regular soda consumption increases diabetes risk by 340%. It shortens lifespan by an average of 7.4 years. We’re officially classifying high-fructose corn syrup as a Class II toxin, requiring warning labels similar to tobacco.” Mega-Cola CEO Morrison watched from the back. His phone buzzed constantly—board members, investors, media requesting comment. Lustig continued: “Children who drink one soda daily show measurable delays in brain development compared to peers consuming fermented beverages. Brain imaging reveals high-fructose corn syrup literally shrinks the prefrontal cortex.” A reporter raised his hand. “Are you saying soda causes brain damage?” “I’m saying the evidence strongly suggests regular soda consumption impairs cognitive development,” Lustig responded. “Meanwhile, children consuming diverse fermented foods show superior health outcomes across every metric we measured.” Morrison left before the Q&A. In the hallway, CFO Chen was waiting. “The stock dropped 12% during the presentation,” she said quietly. “Investors are calling soda ‘the new tobacco.'” Morrison stared out the window at the Washington Monument. “We knew sugar was problematic. We’ve been reformulating—” “It’s not just sugar,” Chen interrupted. “It’s the entire category. Industrial beverages versus living fermentation. We’re on the wrong side.” “We’re a $300 billion company,” Morrison said. “We can’t just pivot to kombucha. We tried that. It failed.” Chen’s voice was gentle but firm. “Then maybe we need to accept that some companies don’t survive paradigm shifts.” The Educational Exodus: Schools Declare War on Soda The Los Angeles Unified School District’s vote to ban all non-fermented beverages in schools attracted phalanxes of Mega-Cola lobbyists and lawyers. A Mega-Cola representative presented their case: “Banning our beverages punishes students from low-income families who can’t afford expensive alternatives. We’re prepared to offer healthier formulations—” A parent cut him off. “You’ve been promising ‘healthier formulations’ for thirty years while marketing addictive sugar-water to our children.” Dr. Rebecca Scharf's groundbreaking research demonstrated that children who were given an alternative to sugar-sweetened soda were healthier. The school district called her as an expert witness. She summarized her findings: “Two years after schools switched to kombucha dispensaries with on-campus fermentation labs, we see 67% reduction in behavioral problems, 45% improvement in test scores, 89% decrease in childhood obesity.” A high school student approached the microphone. “I’m sixteen. I grew up drinking your soda. I was diagnosed with pre-diabetes at fourteen. Since switching to fermented beverages, my health has improved. But my little brother is eight—he’s never had soda, only fermentation. He’s healthier than I ever was. You took my health. Don’t take his.” By 2052, 43 states had implemented similar bans. The “Fermentation Generation”—children who grew up drinking school-provided kombucha—showed dramatically superior health outcomes compared to predecessors who consumed soda. These children literally rejected Mega-Cola on a physiological level; their optimized gut microbiomes found industrial beverages repulsive. Medical Prescriptions Against Corporate Beverages The American Academy of Pediatrics’ 2044 guidelines required doctors to “prescribe against” soda consumption, treating it as seriously as smoking cessation recommendations. Insurance companies began covering kombucha prescriptions while penalizing patients who tested positive for high-fructose corn syrup consumption. Dr. Chen’s research (detailed in Episode 2) provided the scientific foundation for these medical interventions. Her studies proved that even occasional soda consumption disrupted the personalized gut microbiomes that enabled optimal cognitive function. Doctors began prescribing specific kombucha strains to repair metabolic damage caused by years of consuming industrial beverages. Morrison’s Tower Disaster: Industrial Control Meets Living Systems Following his 2050 visit to Aberdeen’s agricultural tower, Morrison commissioned twelve “MegaTower” facilities across North America, investing $8.4 billion in what he called “industrial-scale fermentation infrastructure.” His engineers replicated the physical structure perfectly—1,200-meter climate-controlled spires with alternating tea cultivation and kombucha production floors. The catastrophe unfolded within months. Morrison’s towers, designed for efficiency optimization, automated every process that Aberdeen’s workers performed intuitively. Computer algorithms regulated temperature, humidity, and nutrient delivery with microsecond precision, eliminating “human inefficiency.” The tea plants withered. The SCOBYs died. Dr. MacLeod’s warnings proved prophetic: Morrison had copied the machinery while killing the ecosystem. His sterile protocols eliminated the beneficial fungi, bacteria, and insects that made Aberdeen’s floors function as living environments. His “optimized” nutrient solutions lacked the complexity of naturally composting tea waste. His automated systems couldn’t respond to the subtle biological cues that experienced cultivators recognized instinctively. By 2053, all twelve MegaTowers stood empty—$8.4 billion monuments to the fundamental incompatibility between industrial control and biological partnership. The failure accelerated Mega-Cola’s eventual bankruptcy, proving that living systems cannot be purchased; they can only be cultivated. Morrison’s Desperate Gambit: Fermented Cola Stung by his failed “MegaTower” experiments, Morrison staked Mega-Cola’s survival on developing fermented cola using modified SCOBYs. The “New Cola Kombucha” project consumed $67 million over three years, employing thousands of microbiologists and fermentation specialists. The results were universally catastrophic. Dr. Park, a fermentation specialist hired from Korea, led Morrison through the lab. Rows of fermentation vessels bubbled with dark liquid. Scientists monitored bacterial counts, pH levels, sugar content. “We’ve engineered SCOBY cultures that can ferment in the presence of cola flavorings,” Park explained. “It’s taken three years, but we have a stable culture.” Morrison looked hopeful for the first time in years. “And it tastes good?” Park hesitated. “It tastes… interesting.” They entered a tasting room where twenty focus group participants sat with cups of dark, fizzy liquid. Morrison watched through one-way glass as participants tasted the fermented cola. The reactions were immediate and universal: grimacing, coughing, one person actually gagged. “Fizzy coffee grounds mixed with cleaning products,” one person said. “Like someone fermented tire rubber,” another offered. “I think I can taste failure,” a third concluded. Park pulled Morrison aside. “The SCOBY cultures are stressed by the chemical additives in cola formulation. They’re producing unusual compounds—not toxic, exactly, but profoundly unpleasant. They’re causing gastrointestinal distress in 89% of test subjects.” Morrison stared at the focus group, then turned to Park. “Give me options. Can we adjust the flavor profile? Different additives?” “We’ve tried 47 formulations,” Park explained. “The problem isn’t the recipe—it’s the fundamental incompatibility between cola chemistry and healthy fermentation at this scale. The bacteria are literally stressed by the environment we’re asking them to live in.” “So what you’re telling me is that fermented cola is impossible?” Park hesitated. “I’m telling you that your version of fermented cola—one that tastes like Mega-Cola but contains living bacteria—is impossible. If you were willing to let go of the cola formula entirely and create something new…” “Then it wouldn’t be Mega-Cola,” Morrison insisted. “That’s what I’m trying to save.” Morrison sank into a chair. “How much have we spent on this?” “$67 million,” Park confirmed. “And it’s undrinkable.” “Yes.” Morrison laughed bitterly. “We can put a man on Mars, but we can’t ferment cola.” Park’s voice was kind. “We can’t ferment cola because we’re trying to put it on Mars. Fermentation requires accepting biology on its own terms. We keep trying to force it into our industrial model. Biology keeps refusing.” The FDA’s emergency recall of Morrison’s prototype batches in 2059 triggered the final collapse of investor confidence. The Bankruptcy Cascade: Industrial Liquidation Mega-Cola declared bankruptcy on November 1, 2060—the Mexican Day of the Dead seemed grimly appropriate for the death of an American institution. The company’s $284 billion in debts exceeded its assets by a factor of three, as brand value evaporated alongside consumer demand. The company was not alone. BigSoda collapsed six months later, then Dr Gipper —the third-ranking cola in the world —creating a cascade of corporate failures worth over $1.2 trillion. Morrison sat alone in his office as the board meeting proceeded via video conference. The board chair spoke: “The FDA has issued an emergency recall of all New Cola Kombucha prototypes after test subjects required hospitalization. Our stock price has fallen 89% from its peak. Our debt exceeds assets. We have no choice.” Morrison knew what he must announce. “Mega-Cola Corporation is filing for Chapter 11 bankruptcy protection, effective immediately.” On screens across America, news anchors delivered the story. Morrison watched employees leave the building carrying boxes. Fifty thousand jobs ending. A century-old brand dying. Chen entered his office quietly. “I’m sorry, James.” Morrison didn’t turn from the window. “You tried to warn me. Back in 2035. You asked if we could industrialize biology without killing what made it valuable.” “I did.” “The answer was no.” “I guess I just didn't listen.” Morrison was quiet for a long moment. “I spent my whole career optimizing systems, maximizing efficiency, scaling operations. I was good at it. But biology doesn’t care about efficiency. It cares about diversity, resilience, relationships. Everything I knew how to do was wrong for this.” Chen sat beside him. “What will you do now?” Morrison laughed without humor. “I’m 62 years old. My entire career has been corporate optimization. I don’t know how to do anything else.” “You could learn,” Chen suggested. “Learn what?” Morrison asked. “How to brew kombucha in my garage? I destroyed people’s livelihoods trying to industrialize something that shouldn’t be industrialized. I don’t deserve to be part of what comes next.” “Maybe that’s exactly why you should be,” Chen said softly. “You understand what doesn’t work. That’s valuable knowledge.” The liquidation auctions became symbols of industrial obsolescence. Mega-Cola’s Detroit headquarters sold for $47 million to the Georgia Fermentation Kollective, which converted the building into vertical kombucha gardens. The iconic “Land of Cola” museum became the “Museum of Metabolic Harm,” displaying artifacts from humanity’s sugar-addiction era alongside warnings about corporate food manipulation. Urban Composting: From Soda to Soil Morrison’s personal transformation paralleled that of his company. After Mega-Cola’s bankruptcy, he founded “Regenerative Detroit,” converting abandoned bottling plants into urban composting facilities that produced soil for vertical tea gardens. His memoir, From Syrup to SCOBY: A CEO’s Redemption, became a bestseller, chronicling his journey from corporate predator to ecological steward. Nakamura, the consultant who told Morrison his approach would fail, visited the facility. “You were right,” Morrison said without preamble. “Everything you said in that meeting. I spent five more years and hundreds of millions trying to prove you wrong, only to end up proving you right.” Nakamura watched Morrison teach a teenage girl how to inoculate a growing medium with mushroom spores. “This is unexpected. I thought you’d retire to a beach somewhere, try to forget.” Morrison laughed. “I tried that for six months. I was miserable. Spent forty years destroying things. Figured I should spend whatever time I have left trying to build something.” “Why composting?” “Because it’s the opposite of what I did at Mega-Cola,” Morrison explained. “There, we tried to force sterility, eliminate variability, control every process. Here, we cultivate diversity, encourage complexity, work with biological systems rather than against them. We take waste and transform it into something useful. It’s… healing, I guess.” A teenager approached. “Mr. Morrison, my mushrooms are growing!” Morrison’s face lit up. “Let me see!” He examined her cultivation tray with genuine excitement. “Beautiful! You maintained perfect humidity. These will be ready to harvest in two weeks.” After the children left for lunch, Nakamura and Morrison walked through the facility. “How many people work here?” Nakamura asked. “Forty-seven,” Morrison responded. “Thirty-two are former Mega-Cola employees. When the company collapsed, they lost everything. I felt responsible. So I used what was left of my savings to buy this facility and train them in regenerative agriculture.” “And the composting is profitable?” Morrison shrugged. “We break even. Barely. But that’s not really the point. The point is transforming industrial waste into living soil. The point is teaching the next generation that decay isn’t the enemy—it’s the beginning of new life. The point is learning to think like an ecosystem instead of a corporation.” They stopped before a wall displaying Morrison’s memoir: From Syrup to SCOBY: A CEO’s Redemption. “I read your book,” Nakamura said. “Brutal self-assessment.” “Had to be,” Morrison replied. “I spent decades helping build a system that made billions by making people sick. If I’m going to do anything meaningful with the rest of my life, I need to be honest about what I did wrong.” Nakamura gave him a piercing look. “What’s the hardest lesson, James?” Morrison thought for a moment. “That you can’t buy relationships. Mega-Cola tried to purchase kombucha companies and force them into our industrial model. But the reason those companies succeeded was because they maintained living relationships—between bacteria, between brewers and their cultures, between producers and customers. We thought we could commodify those relationships. We were wrong.” Nakamura looked into the other man’s eyes. “Do you regret your career at Mega-Cola?” “Every day,” Morrison said. “But regret without action is just self-pity. I can’t undo the harm I caused. I can only try to spend whatever time I have left doing things differently.” The two men stood silent. “And now?” Nakamura eventually asked. “Now I’m learning that the same principle applies to everything. Healthy soil requires relationships between millions of organisms. Healthy communities require relationships between people. You can’t manufacture relationships. You can only cultivate them.” A former Mega-Cola executive, now managing the composting operation, approached. “James, the new batch is ready. Want to check it?” They walked to a massive composting area where industrial waste had been transformed into rich, dark soil. Morrison picked up a handful, letting it sift through his fingers. “Five years ago, I couldn’t have told you what healthy soil looked like. Now I can diagnose it by touch, smell, and sight. I know the difference between soil that’s alive and soil that’s dead. I wish I’d learned that forty years ago.” Business School Autopsies: Failed Integration Studies Mega-Cola’s failed acquisitions became business school case studies teaching a fundamental lesson about the new economy: you couldn’t buy biological relationships, only nurture them. Companies that thrived in the fermentation future were those that learned to think like ecosystems rather than machines, valuing symbiosis over extraction and cooperation over control. The old extraction-based capitalism of brands, advertisements, and artificial scarcity had dissolved in the acid of transparency. In its place rose a commerce of connection, a network of exchange based on trust, craft, and living value. No one “sold” kombucha anymore. They shared it—encoded with local identity, story, and microbial lineage. Each brew was a living signature, traceable back to the brewer’s SCOBY ancestry through transparent bio-ledgers—open microbial blockchains that recorded not profits, but relationships. Harvard Business School’s legendary case study “The Mega-Cola Kombucha Catastrophe” had become required reading for understanding how industrial thinking fails when confronting biological complexity. Professor George Santos—a reformed fraudster turned champion of ethical business studies at Harvard—projected key figures on his classroom screen summarizing the Mega-Cola meltdown: $48.7 billion spent on kombucha acquisitions and infrastructure Zero successful products launched 94% loss of beneficial bacteria in acquired brands Complete corporate collapse within 15 years Morrison sat in the audience, invited as a guest speaker. The students didn’t know he was there yet. Santos lectured: “Mega-Cola’s failure wasn’t about lack of resources or expertise. They had the best food scientists, unlimited capital, and a dominant market position. They failed because they tried to apply industrial logic to biological relationships. It’s a category error—treating living systems like machines.” A student raised her hand. “But couldn’t they have just left the kombucha companies independent? Kept them small-scale?” “Good question,” Santos responded. “But that would have defeated the purpose of the acquisition. Morrison wanted to leverage industrial efficiency to dominate the market. He couldn’t accept that efficiency itself was the problem.” “Sounds arrogant,” another student said. “It was,” Morrison spoke from the audience. “Unforgivably arrogant.” The room went silent as students realized who he was. Santos smiled. “Class, we have a special guest. Mr. Morrison has agreed to discuss his decisions and their consequences.” Morrison walked to the front slowly. At 72, he looked older than his years. “I’m here because Professor Santos asked me to help you understand how intelligent, well-intentioned people can make catastrophic mistakes,” Morrison began. “In 2035, I was confident, even cocky, firmly believing we could apply our industrial processes to kombucha. I have degrees from Wharton and McKinsey experience. I’d successfully optimized dozens of operations. I didn’t see kombucha as a challenge—I saw it as an opportunity.” “What changed?” a student asked. “Repeated failure,” Morrison said simply. “We acquired kombucha brands. We killed them by trying to scale them. We hired consultants. They told us what we were doing wrong. We didn’t listen. We tried to ferment cola using SCOBYs. We created undrinkable disasters. Eventually, even I couldn’t ignore reality: you can’t industrialize living relationships.” “Why not?” another student challenged. “We industrialize lots of biological processes. Agriculture, pharmaceuticals—” “Different scale, different complexity,” Morrison explained. “Kombucha requires dozens of organisms in complex relationships. You can’t standardize that without destroying what makes it work. And more fundamentally, I didn’t respect what I was trying to control. I saw bacteria as inputs to be optimized, not as living partners to be cultivated. That disrespect guaranteed failure.” Samantha Chen, sitting in the back, spoke up. “I was Mega-Cola’s CFO. I warned James from the beginning that we were trying to commodify relationships. He didn’t listen until we’d burned through billions and destroyed the brands we’d acquired. The lesson isn’t just about fermentation—it’s about recognizing when your core competencies are incompatible with what you’re attempting.” A student asked the obvious question: “Mr. Morrison, you lost billions of dollars and collapsed a century-old company. Why should we listen to you?” Morrison smiled sadly. “Because I failed spectacularly at something many of you will attempt: forcing biological systems into industrial models. Climate change, environmental restoration, and sustainable agriculture—you’ll all face situations where industrial thinking fails. If hearing about my failures helps even one of you recognize that trap earlier, then bankrupting Mega-Cola will have served some purpose.” Cola Coda The demise of Mega-Cola and Morrison's redemption was celebrated in song by a young group of Baltimore kombucha brewers whose anthem ‘It's an Unreal Thing' was played on college radio stations by retro-70's leather-jacketed DJ's with pierced ears. Here’s Hexotronix: Go now, take what you think will lastBut whatever you wish to keep, you better grab it fastAll your failed investments, they’re all going homeYour fermentation formula had the wrong biomeYour scientists who just walked out the doorHave taken all their SCOBYs from the brewery floorThe towers too have failed to come throughAnd now it's time to go find something new. [Chorus]You sold your soda to a worldThat you thought you'd taught to singIn perfect harmonyBut it's an unreal thing, an unreal thing. You bought up all our breweries, didn't you?Your fake fermented drinks just didn't come through .You killed what made kombucha realSo how does it feelTo be completely unreal?How does it feelTo be a joker?How does it feelTo be a bankrupt, down at heel?With the whole world laughingAt your soda? [Chorus] Your beverage was a bustYour dreams all turned to dustThe missing partWas our SCOBY heartRight there at the startBut you didn't seeWhat we sawDidn't feelWhat we feltDidn't knowWhat we knewDidn't loveWhat we loved. [Chorus] Leave your corporate life behind, something calls for youThe dream that you once had is clearly through.Forget the drinks you've served, they will not follow youGo tell another story start anewThe compost and mushrooms, they now call to you. [Chorus] Epilogue: The Next Discovery Morrison’s transformation from CEO to mushroom farmer illustrates that recognizing failure honestly opens paths to genuine learning. His redemption isn’t about success—it’s about accepting that some approaches are fundamentally wrong and committing to something different. However, one man’s transformation was only the beginning. While corporate executives struggled to understand living systems, a brilliant citizen scientist was making discoveries that would prove the human brain itself required biological partnerships to reach its full potential. Check back next Friday as the gripping tale of ‘Our Fermented Future’ continues. Disclaimer This is a work of speculative fiction. Names, characters, businesses, events, and incidents are the product of the author's imagination, assisted by generative A.I. References to real brands and organizations are used in a wholly imaginative context and are not intended to reflect any actual facts or opinions related to them. No assertions or statements in this post should be interpreted as true or factual. Audio Listen to an audio version of this Episode and all future ones via the Booch News channel on Spotify, Apple Podcasts, or wherever you get your podcasts. If you just want to listen to the music (classic 80’s punk!) tune in as follows: Hexotronix, It’s an Unreal Thing, 36:17 Lyrics ©2025 Booch News, music generated with the assistance of Suno. The post Our Fermented Future, Episode 7: Corporate Death Spiral—How Cola Became Compost appeared first on 'Booch News.

Q-School is in session and Eddie has safely negotiated stage 2. Unfortunately the same can't be said for some expensive possessions as he admits that the frustration of hitting the ball as well as he ever has was not matched by his putting.And yet... he gets to stay on in Barcelona to prepare for stage 3, while Iain has arrived in Dubai ahead of the two big end of season events on the DP World Tour. There is further chat about James Morrison finding his way back to the main tour, Tom McKibbin earning his way to the Masters and The Open as well as a mention of the Chinese Tiger Woods, changes to the Old Course and a sponsor's invitation for perhaps the best connected 18 year old in the game.Warning: this podcast is stuffed full of fluff.Visit: www.petermillar.co.ukInstagram: @chippingforecastEmail: tcf@thechippingforecast.co.uk Hosted on Acast. See acast.com/privacy for more information.

Der er to turneringer tilbage på denne sæsons DP World Tour. Rasmus Neergaard skal bruge minimum ét top-resultat i enten Abu Dhabi denne uge eller i Dubai i næste uge for at have chancen for et PGA Tour-kort. Vi varmer op til slutspillet, hvor fire danskere er til start på torsdag i Abu Dhabi. Fire andre danskere sikrede adgang til Final Stage på tourskolen, der starter på fredag i Spanien med i alt otte danskere til start. Vi taler med Martin Leth Simonsen, der er en af de otte, og så taler vi om finalen på HotelPlanner Tour på Mallorca, hvor James Morrison forlængede sin karriere. To danskere spiller PGA Tour i Mexico, og så fik vi endnu en dansk sejr på college i USA. Golf Showet er produceret af Qvortrup Media i samarbejde med https://www.golfexperten.dk og https://dmgreenkeeping.dk. Læs mere om vort samarbejde med Othania på https://othania.dk/golfshowet/

Irish singer/songwriter, Conor Byrne, began songwriting at a young age, taking inspiration from the catalogs of Damien Rice, James Morrison, Coldplay and The Killers. His distinctive vocals and richly poetic lyrical style launched him into the music industry, where he first caught the attention of Gamper and Dadoni resulting in 'Island In The Sun', a collaboration that has amassed over 50 million streams. Following his early successes writing for other artists he signed his solo artist deal, which saw him release a number of solo singles including the epic 'Bloodstream', the deeply personal 'Growing Pains' and 'Girl On The Internet', which charted top 5 in the home charts of Ireland. While on a break from releasing his own music, Conor has established himself as one of the next key singer/songwriters having lent his pen to a number of other incredible artists including The Script, James Blunt, James TW, Arthur Hill, Sam Fischer and many more. His passion for songwriting can be heard across all his work, whether that be for himself or the artist he's collaborating with. After spending so long giving parts of himself to help tell other people's stories, Conor is ready to share his own again. 'Left In Vienna', written in the city itself, was released on the 3rd October. The single is the first taste of Conor's debut EP, set to be released in 2026; a collection of songs crafted around the themes of youth, friendship, heartbreak and nostalgia.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Dan Wilson. ABOUT DAN WILSONSongwriter, singer, musician, producer and acclaimed visual artist Dan Wilson is a Minnesota native and Harvard graduate who launched his music career with the band Trip Shakespeare, which was signed to A&M Records. He went on to co-found the rock band Semisonic, whose platinum-selling Feeling Strangely Fine album yielded the singles “Secret Smile,” “Singing in My Sleep,” and “Closing Time,” a chart-topping hit that earned Dan a Grammy nomination for Best Rock Song. He went on to reinvent himself as a behind-the-scenes hitmaker, earning a Song of the Year Grammy for co-writing “Not Ready to Make Nice” with the group then known as The Dixie Chicks, and writing three songs on Adele's multiplatinum 21 album: “Don't You Remember,” “One and Only,” and “Someone Like You,” which became an international hit and earned Dan an Album of the Year Grammy for his production work. Wilson has also found success in Nashville, co-writing Dierks Bentley's number one hit “Home” and earning yet another Album of the Year Grammy nomination for Taylor Swift's Red LP, for which he co-wrote and produced the song “Treacherous.” Dan's long list of collaborators includes Carole King, Rachel Yamagata, Jason Mraz, Gabe Dixon, Weezer, Keith Urban, Josh Groban, James Morrison, P!nk, Leann Rimes, John Legend, Chris Stapleton, Panic! At the Disco, Cold War Kids, Noah Cyrus, Leon Bridges, Celine Dion, and many others.In addition to his acclaimed Words and Music by Dan Wilson solo concerts, he launched a social media series called Words & Music in Six Seconds. The series, which focuses on “forging collaborative relationships, seeking a community, testing out ideas in front of an audience, and writing better songs,” was turned into a deck of 75 cards, designed by Dan, that distill his insights from nearly three decades of writing, performing, and collaborating with the world's greatest musical artists. You can get your own set and find out more about Dan's amazing career at danwilsonmusic.com. 

Denis is joined by Australian Jazz icon James Morrison AM, ahead of performances at Bird's Basement this weekend.See omnystudio.com/listener for privacy information.

The Cowsills Live on Game Changers With Vicki Abelson What's better than sitting down with your old friend and childhood hero, Bob Cowsill? Being surprised when Paul and Susan Cowsill join him. Us. What fun! The Cowsills (Hair, The Rain, The Park, and Other Things, We Can Fly), currently out on The Happy Together Tour, are the real-life Partridge Family, upon whom the show was based. A fan since the 60s, they adorned my walls and turntable. I love them. Bob Cowsill holds the distinction of having the most viewed video on my YouTube channel, over 203K views and counting, daily, years after its release. Bob's Women Who Write appearance, middling for the late, great Ed Asner, with incredible opener, James Morrison, of 24, was a KILLER! It was an instant classic, timeless, not to be missed! It'll make you happy, happy, happy, as no doubt this 4th sitdown with the always ridiculously entertaining, funny man and the second with the lot of 'em will. We talked about their watching The Beatles on Ed Sullivan, and the impact they had on Bob and Bill, their first two failed record deals, some oddly named group, Simon & Garfunkel, who bested them. The third deal was the charm with The Rain, The Park & Other Things written for them. How Mom, Paul & Susan each joined the brothers. How Hair came to them, thank you, Carl Reiner...how pleasing their fans, whether on The Happy Together Tour, which they've opened for 11 years, or on The Flower Power cruise, which they do annually, is their primary purpose. They always play their hits and love doing so. We talked about their new releases, Rhythm of the World, Global, and the upcoming The Cocaine Drain, and their long-awaited a cappella album. If you're lucky enough to catch one of their bi-monthly Cowsills gigs, you might get to hear Is Your Love Alive, or other previously unreleased gems. But you can bet you'll hear their classics and some great covers. They are now and have always been crowd pleasers, and that includes sitting down with them. They're open, fun, clearly love each other, and have infectious enthusiasm for what they do and life in general. As always, whether at one of their shows or chatting, I had a ball. I trust you will, too. The Cowsills Live on Game Changers With Vicki Abelson Wednesday, 8/20/25, **2 PM PT, 5 PM ET** Streamed Live on my FB & YouTube http://bit.ly/3JpW8rB https://www.youtube.com/watch?v=hcTbAcaLw1Q

Pop ist fresh. Pop ist mutig. Diesen Eindruck vermittelt BOVIY mit ihren Tracks, die sie bereits auf die Touren von Jessie Ware oder James Morrison als Support geführt haben. Anfang des Jahres hat BOVIY zudem ihre eigene Headliner Show in der Hamburger Elbphilharmonie ausverkauft. Heute begibt sie sich in den intimen Rahmen des studioeins!

Pop ist fresh. Pop ist mutig. Diesen Eindruck vermittelt BOVIY mit ihren Tracks, die sie bereits auf die Touren von Jessie Ware oder James Morrison als Support geführt haben. Anfang des Jahres hat BOVIY zudem ihre eigene Headliner Show in der Hamburger Elbphilharmonie ausverkauft. Heute begibt sie sich in den intimen Rahmen des studioeins!

Pop ist fresh. Pop ist mutig. Diesen Eindruck vermittelt BOVIY mit ihren Tracks, die sie bereits auf die Touren von Jessie Ware oder James Morrison als Support geführt haben. Anfang des Jahres hat BOVIY zudem ihre eigene Headliner Show in der Hamburger Elbphilharmonie ausverkauft. Heute begibt sie sich in den intimen Rahmen des studioeins!

Pop ist fresh. Pop ist mutig. Diesen Eindruck vermittelt BOVIY mit ihren Tracks, die sie bereits auf die Touren von Jessie Ware oder James Morrison als Support geführt haben. Anfang des Jahres hat BOVIY zudem ihre eigene Headliner Show in der Hamburger Elbphilharmonie ausverkauft. Heute begibt sie sich in den intimen Rahmen des studioeins!

James Morrison sits down with George Harper Jr. to share the unlikely journey that took him from elite junior cricketer to professional golfer. After going from an 18 handicap to scratch in just 10 months, James made the leap to the DP World Tour.In this episode, he reflects on how the Tour has evolved over the years—both on and off the course—and opens up about the realities of competing in major championships in the U.S., from fan heckling to the intense pressure of golf's biggest stages.Please drink responsibly, for further health information visit drinkaware.co.uk. Hosted on Acast. See acast.com/privacy for more information.

Découvrez les coulisses de la création d'un des tubes les plus emblématiques des années 2000 ! Dans cet épisode de Music Story, Pat Angeli vous raconte l'histoire fascinante de Broken Strings, le duo entre le chanteur britannique James Morrison et la star canadienne Nelly Furtado.Sorti en 2008, Broken Strings a connu un immense succès international, se hissant notamment en tête des charts français en 2009. Mais ce titre phare n'a pas été facile à écrire pour James Morrison, qui a dû s'y reprendre à plusieurs fois avant de trouver la bonne formule. Entre versions trop rock et trop pop, l'artiste a finalement opté pour une version acoustique qui allait devenir emblématique.L'idée d'un duo avec une artiste féminine a ensuite germé dans l'esprit de Morrison. Mais à qui allait-il bien pouvoir proposer cette collaboration ? C'est finalement Nelly Furtado, alors au sommet de sa carrière, qui a accepté de prêter sa voix au titre. Un choix judicieux, puisque leur duo a séduit des millions d'auditeurs à travers le monde.Cependant, tout ne s'est pas déroulé sans accroc. Lorsque Morrison a envoyé la version définitive à Nelly Furtado, il s'est rendu compte qu'il s'agissait de la mauvaise version ! Heureusement, la chanteuse canadienne a accepté de retravailler le morceau, et le résultat final est devenu l'un des plus grands succès de l'année 2009.À travers cet épisode, vous découvrirez les secrets de fabrication de ce titre devenu culte, les aléas de la création musicale, ainsi que les coulisses de cette collaboration fructueuse entre deux artistes au sommet de leur art. Laissez-vous captiver par cette histoire riche en rebondissements et en anecdotes savoureuses ! ✨Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tori Allen-Martin is In The Frame!Tori is currently playing Cass and others in the premiere of Midnight Cowboy at Southwark Playhouse Elephant.Based on the novel by James Leo Herlihy which was adapted into the 1969 film, Midnight Cowboy has a book by Bryony Lavery and music by Francis “Eg” White who has written songs for Adele, Sam Smith, Florence + The Machine and James Morrison. The production is directed and choreographed by Nick Winston, with Tori starring alongside Paul Jacob French and Max Bowden as Joe Buck and Rico ‘Ratzo' Rizzo.Last year Tori starred as Kristin in I Wish You Well at the Edinburgh Fringe Festival and in the West End. Some of her other theatre credits include: Samuel Takes A Break (The Yard Theatre), Then, Now and Next (Southwark Playhouse), Park Bench (Park Theatre), One Man, Two Guvnors (New Wolsey, Ipswich/Nuffield Southampton), The Season (Glass Half Full Productions and Tim Johanson), The Hardest One (The Other Palace/Criterion) and Hair (Concert).On screen, Tori is best known for her performances in Here We Go (BBC), London Kills (BBC) and Pure (Channel 4). Her further screen credits include: Mrs Sidhu Investigates (Acorn), Significant Other (Hatrick), Plebs: The War (the finale) (Rise films), The Other Half (Ranga Bee Productions), Flatshare (42 for Paramount+), Back To Life (Two Brothers Pictures) and Pandemonium (BBC). Tori is also an established writer. She has co-created and produced multiple new musicals, including Streets (Cockpit Theatre/Hackney Empire).Tori recently came into the podcast booth to discuss why she said "yes" to new challenges with Midnight Cowboy, her whirlwind journey with I Wish You Well, how she established herself on stage and screen... and her recent appearance on Celebrity Mastermind!Midnight Cowboy runs at Southwark Playhouse Elephant until 17th May. Visit www.midnightcowboymusical.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

rWotD Episode 2879: Jessie J discography Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 22 March 2025 is Jessie J discography.English singer Jessie J has released five studio albums, one extended play (which was also her first live album), nineteen singles (including four as a featured artist), twenty-one music videos, and five promotional singles.Jessie J released her debut single, "Do It like a Dude", in the United Kingdom in November 2010, where it peaked at number two on the UK Singles Chart. It also reached number eight in New Zealand. Her follow-up single, "Price Tag", which featured B.o. B, was released in late January 2011, spending two weeks at number-one in the UK; selling over a million copies as of January 2012. The single also reached number 23 on the Billboard Hot 100 in the United States and peaked at number-one in France, Ireland, New Zealand, while reaching the top three in Australia, Germany and the Netherlands. Her debut album, Who You Are, was released in February 2011 and reached number two on the UK Albums Chart. It also reached the top 10 in Australia, Canada, Ireland and New Zealand, and number 11 in the US. The album's third single, "Nobody's Perfect", peaked at number nine in the UK, while its fourth single, "Who's Laughing Now", peaked at 16. The fifth single from the album, "Who You Are", earned Jessie a fourth top-ten hit in December 2011, when it peaked at number eight. A non-album single, "Domino", was released in some territories, peaking at number three in New Zealand, number five in Australia and became her first top ten single on the US Billboard Hot 100; peaking at number six. The track was later included on the repackaged edition of Who You Are in the UK and was released as the sixth single and became her second number-one single in the UK in January 2012. A seventh single, "LaserLight" taken from the platinum edition of the album it was released in May 2012; reaching the top 10 in the UK and Ireland. As a result of this, Cornish became the first British female to have six top-ten singles from the same album.The campaign for the second studio album Alive was launched in May 2013, with the worldwide release of "Wild". Featuring rappers Big Sean and Dizzee Rascal, the track reached number five in the United Kingdom and number six in Australia. A second single—"It's My Party"—preceded the release of the album on 15 September. "Alive" was released on 20 September 2013. The third and final single, Thunder, was released on 8 December 2013, and reached 18 in the UK and Ireland.Jessie J also appeared as a guest vocalist on James Morrison's single "Up" in November 2011. The single, released from the album The Awakening, reached number 30 in the United Kingdom. In December 2012, Jessie J featured on singer Daley's single "Remember Me"; a track which went on to reach number 24 in the UK. She also featured in "Calling All Hearts" with Robin Thicke and DJ Cassidy in spring 2014.Jessie J started the promotion of her third album with "Bang Bang", a collaboration with Ariana Grande and Nicki Minaj. The song debuted at number one in the UK and reached number three in the US. The next single, "Burnin Up" was a minor hit, peaking at number 86 on the US Billboard Hot 100 and number 100 on the Canadian Hot 100. The single peaked at number 73 in the UK. On 13 October 2014, Sweet Talker was released worldwide.In 2018 Jessie J released her fourth album R. O. S. E. in four parts, available as four separate EPs, titled Realisations, Obsessions, Sex, and Empowerment. The titles create an acronym for Rose, her mother's name and her favorite flower. The four EPs were released on 22, 23, 24, and 25 May.This recording reflects the Wikipedia text as of 00:09 UTC on Saturday, 22 March 2025.For the full current version of the article, see Jessie J discography on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

Send us a textNavigating Cybersecurity and Insurance: Insights from Industry Experts Craig Sekowski  and Ralph Pasquariello Join host Chris Whitaker on this episode of The Wireless Way, where he converses with seasoned IT executives Craig Sekowski  and Ralph Pasquariello . Discover their extensive backgrounds in IT, insurance, and fintech, and get insights on the intersection of cybersecurity and insurance. Learn about their innovative CARE program (Cyber Insurance Assessment and Risk Evaluation) and how it helps businesses measure and manage risk effectively. They delve into the complexities of cybersecurity, the importance of adequate insurance, and the ever-evolving landscape of cyber threats. Featuring a discussion on the significance of multi-level security approaches and real-world examples, this episode is a crucial listen for tech enthusiasts and business owners alike.00:00 Introduction and Host's Welcome00:32 Guest Introductions: Craig Sekowski and Ralph Pasquariello 03:04 Craig's Career Journey03:55 Ralph's Career Journey07:29 The Origin of the CARE Report12:13 Small Business Cyber Insurance Needs19:30 Cybersecurity Trends and Challenges27:16 Client Security Assessment28:03 Analyzing Client Risk28:19 Deep Dive into Threat Titles28:38 External Network Data and Simulations31:36 Industry-Specific Risks33:37 Benchmarking and Remediation35:39 Importance of Mobile Device Management37:16 Final Thoughts and Recommendations39:03 Conclusion and Contact Information39:59 Introduction to Pure Talk41:32 Cybersecurity and Insurance Insights44:38 MDM and Corporate-Owned Devices46:03 Partnering for Cybersecurity Solutions49:23 Final Words and New Video SeriesLearn more about The Tech CollectiveOur Sponsor, PuretalkSupport the showCheck out my website https://thewirelessway.net/ use the contact button to send request and feedback.

Text the showAlex is a drummer based between London and Milan. His credits include artists like Niall Horan, Isaac Gracie, James Morrison and JP Cooper.Amongst many other things, we discussed leaning towards drummers with amazing feel from a young age, learning to play for the song, and being decisive in the moment.  I hope you enjoy our conversation as much as I did.(Recorded 23rd Jan 2025)Support the showFollow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.com

Sad news out of the Minifan world. Kirk reacts to the passing of longtime Minifan James Morrison aka Ted Sarandis. In lieu of flowers please consider making a donation to James Morrison's Memorial Fund, 63 Broad Meadow Road, Needham MA 02942.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow

Bestselling author Abbott Kahler discusses their new book, “Eden Undone: A True Story of Sex, Murder, and Utopia at the Dawn of World.” Plus, actor James Morrison details his new one-man play that chronicles the struggles of a parent whose son is battling brain cancer and artistic director Yao Lu tells us about the Magic Eastern Ensemble’s upcoming Lunar New Year concert, “Journey Through Time.”See omnystudio.com/listener for privacy information.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: More Than Words by Extreme (1990)Song 1: A Hard Day's Night by The Beatles (1964)Song 2: That Moon Song by Gregory Alan Isakov (2009)Song 3: Sunday Bloody Sunday by U2 (1983)Song 4: Another Kind of Green (Live) by John Mayer (2005)Song 5: The Way You Make Me Feel by Michael Jackson (1987)Song 6: Don't Want to Lose You Now by James Morrison (2019)Song 7: Cowboy Like Me by Taylor Swift (2020)Song 8: Babe by Styx (1979)Song 9: Another Brick in the Wall, Pt. 2 by Pink Floyd (1979)Song 10: Crazy Little Thing Called Love by Queen (1979)

We are kicking off the year-end party season with a recap of Girls Aloud's brilliant 2008 ITV special, "The Girls Aloud Party". With comedy sketches - featuring appearances by Cilla Black, Paul O'Grady and more - as well as exclusive performances of songs from their "Out of Control" album; this was an imperial Girls Aloud era. There was truly something for everyone here - from performances of their well-worn hits like 'Something Kinda Ooooh' to 'Love Machine' through to more 'current' material like 'The Promise' and 'The Loving Kind', and duets with The Kaiser Chiefs and the very dishy (or so David thinks) James Morrison. Hopefully this episode will give you a chuckle and keep you company during this festive season. If you're doing your Christmas wrapping or going on a trip listening to this, let us know where we're going! Follow Right Back At Ya! https://www.instagram.com/rightbackpod/ https://twitter.com/rightbackpod https://www.facebook.com/rightbackpod Follow Joel https://www.instagram.com/dr_joelb/ https://twitter.com/DR_JoelB Follow David https://www.instagram.com/lovelimmy/ https://twitter.com/lovelimmy Email us rightbackpod@gmail.com

This conversation was recorded during The Jazz Cruise '24 and it features an interview with multi-instrumentalist James Morrison, who talked with the cruise's music director Eric Marienthal about the challenges of playing multiple instruments at a high level.  James also discusses his experiences as an airplane pilot, who does in fact fly himself and his bandmembers to many of his gigs.

You Give Me Something – James Morrison

James Morrison shares his journey from NHS dentistry to becoming a private cosmetic dentist in Bristol. He discusses the shift to cosmetic work during COVID-19, challenges in managing patient expectations, and insights on the evolving role of social media in dentistry. James opens up about his rare muscular condition and how it influenced his approach to work-life balance. He also shares valuable tips on patient communication and his streamlined consultation process. Enjoy! In This Episode 00:01:10 - Introduction and background00:01:45 - Transition to cosmetic dentistry00:02:55 - Handling patient expectations00:03:45 - Differences in patient demographics00:06:15 - Impact of social media00:09:00 - Streamlined consultations00:20:15 - Adjusting work-life balance00:35:30 - Discovering muscular dystrophy symptoms00:37:00 - Diagnosed with muscular dystrophy00:41:00 - Navigating physical limitations in dentistry00:42:05 - Growing the practice via Instagram01:02:35 - Fantasy dinner party guests01:05:10 - Reflections and advice About James Morrison James Morrison is a Bristol-based cosmetic dentist specializing in composite bonding and Invisalign treatments. Transitioning from NHS to private practice, he leverages social media to connect with patients and continues to excel despite facing personal health challenges.

In this episode: Listen to conversation between your host Vivienne Aerts and Australian drummer Jodie Michael, as they talk about the Berklee Global Jazz Institue, Arabic music, gender equality and community About Jodie Michael Jodie Michael started her music career in high school, she attended the Wollongong Conservatorium Of Music (WCOM) until 2007, where she was able to gain valuable experience playing in different ensembles including a big band. Jodie Michael is an accomplished drummer and student of music. She has had the privilege of playing with the following world-class Australian musicians: James Muller, James Morrison, Dale Barlow, Bobby Gebert, Katie Noonan, Carl Dewhurst, Craig Scott, Sandy Evans, Matt McMahon, Mimi Jones (USA), Camille Thurman (USA), Ingrid Jensen, Will Vinson (USA) and more. Jodie has obtained a Bachelor of Music (Jazz Perf.) from the Sydney Conservatorium Of Music. In 2011, she traveled to New York, to study with world-class international drummers, including Michael Carvin. Jodie was the recipient of the 2013 Jann Rutherford Memorial Award. The Award is named in honour of the late jazz pianist Jann Rutherford.Jodie continues to further her career in Australia and overseas, predominantly in New York, where she has stayed for stints of varying lengths, in 2013, 2014 and 2017 to accumulate performance experience and continue her study and with Carvin, as well as, Greg Hutchinson, Billy Hart and Bernard Purdie. In Fall 2018, Jodie was accepted into Berklee College of Music's Global Jazz Masters program, class of 2019, mentored by Danilo Pérez and Marco Pignataro. In October 2018, with Perez and a group selected from the Global Jazz Institute, she was invited to partake in a tour of New Orleans, and later on, during stints at the 2019 Panama Jazz Festival and as part of the inaugural collaborative GAIA ensemble in Amsterdam, The Netherlands, March 2019. Jodie moved to New York City from Boston in September 2019, continuing to work as an active improvising musician, bandleader and educator before returning to Sydney, Australia in March 2020 (where she currently resides). ⁠⁠⁠Instagram⁠⁠⁠ / ⁠⁠⁠Facebook⁠⁠⁠ / ⁠⁠⁠YouTube⁠⁠⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠⁠⁠⁠⁠ ⁠⁠ Stream⁠⁠⁠⁠⁠⁠⁠⁠ the Album or ⁠⁠⁠⁠⁠⁠⁠⁠Buy it on Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠ and get the chocolate! ⁠⁠⁠⁠⁠⁠⁠⁠More about Vivienne here.

Percussion Discussion Episode 143 - Karl Brazil Joining me today is Karl Brazil.Karl is without doubt one of the leading drummers in the Uk, he has played for a hugely diverse list of bands and singers such as Feeder, Ed Sheeran,  Elton John, Jason Mraz, One Direction, Westlife, James Morrison, Leona Lewis and of course Karl has been with James Blunt from his very early days and has been Robbie Williams drummer and Musical Director for a long time! Join Karl and myself as we talk about his incredibly hectic work schedule that is literally cram packed with tours, one off gigs, recording and trying to fit valuable family time in to the mix! In fact one of the things we talk about is how he manages his insanely busy diary and what happens when dates don't line up! We had to talk about James Blunt and his recent resurgence over the last few years culminating in the hugely entertaining ‘One Brit Wonder” documentary that recently aired on Netflix. Karl features heavily in this fabulous programme and tells us what it is like to have been in the hot seat since the very early days of James Blunt. As if he isn't busy enough, Karl has recently put together the amazing King Herd, definitely at the heavier end of the musical spectrum, he tells us all about the band and what its like to be touring on a much smaller scale. For the last few years Karl has been best known for his role as drummer and musical director for the musical force that is Robbie Williams, with Robbie Karl has played to some of the biggest crowds on earth with incredible stage shows and a world class band, Karl explains what his role entails as MD for this huge show! This was a joy to do, its been quite a while in the making, when you want to speak to the best and the busiest then sometimes you have to wait until the time is right, I'm so glad we got it done, boy was it worth the wait! Karl, thank you so much for making it happen! www.karlbrazil.com

This conversation recorded on the Jazz Cruise earlier this year is from one of our LEARN sessions held during the day. James Morrison interviewed fellow trumpeters Bria Skonberg and Benny Benack the third.  They talk plenty of brass of course, but also about how they balance playing and singing.  And the two talk about how their own style and sound evolved.  Finally, they take a bunch of interesting questions from the audience.

Send us a Text Message.Intro song: A.I. Generated Christmas Carol: Rudolph the Red Nosed Reindeer, King of All the Earth by The Forever NowToday's Five Songs:Holy Diver by DioMy Love Goes On by James Morrison (feat. Joss Stone)Five Magics by MegadeathCircles by Passenger & Gabrielle AplinBorn Too Late by Saint VitusSeinfeld Moment: The Burning (S9:E16)

In Episode #182 of The XS Noize Podcast, host Mark Millar speaks to renowned Pop Artist Gareth Dunlop about his highly anticipated third album, ‘Welcome To The House Of I Don't Know.' Welcome To The House Of I Don't Know, invites listeners into the warm embrace of home—the cherished moments with loved ones and the nostalgic echoes of days gone by. Departing in sound from his previous works, Dunlop elevates his narratives with a full band, rich production, and thrilling performances. A musical journey that has been nothing short of extraordinary, Dunlop's talent has been endorsed by a remarkable list of legendary artists that he has had the chance to perform with, including Van Morrison, Snow Patrol, James Morrison, Stereophonics, Bonnie Raitt, Foy Vance, and Jeff Beck, among others. With a dedicated following of over 122,000 monthly listeners on Spotify, his prowess as an artist continues to enthral audiences worldwide. Notably, his track Wrap Your Arms Around Me stands as a testament to this, amassing more than 5 million streams. In this interview, Gareth Dunlop discusses the writing and recording of Welcome To The House Of I Don't Know, upcoming live shows and much more.  Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have been James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Toyah Wilcox, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers & many more.

Welcome back to the Ski Rex Media Podcast! This week, we're diving into the heart of New England's ski scene with a special guest, James Morrison, the tech guru behind New England Ski Update. But before we jump into our conversation with James, I'll give you a quick rundown of the recent Boston Outdoor Expo, a must-visit event for outdoor enthusiasts. If you loved The Snowbound Expo, you won't want to miss this sister expo! Now, onto the main event. Join me as I sit down with James Morrison to uncover the story behind New England Ski Update. James and his partner, Liam Kircher, have been diligently tracking the latest news and updates from ski areas across New England, and today, we're getting the inside scoop on how it all started, what keeps them going, and what sets their platform apart. From snow reports to trail conditions, we'll explore the ins and outs of New England Ski Update and how it's become an invaluable resource for snow sports enthusiasts in the region. Plus, we'll find out if James is truly a passionate skier or if he's just in it for the tech side of things. So grab your favorite hot beverage and cozy up for a fascinating conversation about the world of New England skiing. Whether you're a seasoned shredder or a newcomer to the slopes, this episode is sure to pique your interest and leave you eager for more. Please be sure to follow New England Ski Update on Instagram and X, as well as visit their website at https://neskiupdate.wixsite.com/new-england-ski-upda. Be sure to check out the Ski Rex Media Partners, as well: Whaleback Mountain ⁝ Imbrace (10% Off With Code SKIREX10) Please follow/subscribe to the Ski Rex Media Podcast on Podbean, your favorite podcast app, or YouTube. Head to http://www.skirexmedia.com for more from Ski Rex Media, which includes links to social media, contact links, merch, and a link to the Ski Rex Media Patreon page, which is at https://www.patreon.com/skirexmedia. Subscribing there gets you the podcast on Sunday instead of Wednesday, priority call-ins during live streams, bonuses, and other tasty tidbits. Thank you!!!  

This conversation was recorded during the most recent sailing of The Jazz Cruise and it featured an interview with two longtime friends and colleagues—Paquito D'Rivera and Chucho Valdes.  Going back to their native land of Cuba, Paquito played in Irakere, a band founded in 1973 by Chucho who led that band for more than four decades.  The two recently reunited for an album called I Missed You Too as well as for a tour with their sextet.  The Jazz Cruise All-Star James Morrison handled the moderator duties in this very animated conversation filled with wit and wisdom.

On the first of two Clash of the Correspondents this week James is joined by Brighton fan Sam Murray and Manchester City fan Jonny Pringle to discuss the latest at their clubs and the FPL assets of interest ahead of Thursday's meeting between the two clubs. Have Brighton stalled this season? Can they trouble City with a 12 day period to prepare? And how strong is concern that Roberto De Zerbi may move on in the summer? Man City have it in their own hands to claim the title again, but are they as strong now as they have been during previous title run-ins? Plus all the key FPL assets discussed from City, featuring concerns over Erling Haaland's form, Foden v De Bruyne, if Ederson can be relied on and best defensive assets. And has everyone forgotten that Brighton have their own Double coming up in GW37? Will the likes of Pascal Gross be wrongly overlooked? Could Joao Pedro solve the solutions for those in need of an enabling forward and are there defensive assets that should be considered? Follow Sam on Twitter/x: https://twitter.com/FPLSeagull Follow Jonny on Twitter/x: https://twitter.com/FPLPringle Tomorrow on Planet FPL: Planet SkyFF s5 ep42 with all the latest for Sky Fantasy Today on Patreon: Last Man Standing Quiz with Andy Cairns, Gary Mantle, James Morrison and Victor Sundal + Chip Talk on a GW35 Wildcard For the full Planet FPL schedule this week, including our offering on Patreon view this post: https://www.patreon.com/posts/schedule-apr-102812089 Want to become a member of our FPL and SkyFF community and support the Podcast?  Join us on Patreon: https://www.patreon.com/planetfpl Follow James on Twitter: https://twitter.com/PlanetFPLPod Follow Suj on Twitter: https://twitter.com/sujanshah Follow Clayton on Twitter: https://twitter.com/claytsAFC Subscribe to our YouTube channel: https://www.youtube.com/@PlanetFPL Like us on Facebook: https://www.facebook.com/planetfpl Follow us on Instagram: https://www.instagram.com/planetfpl #BHAFC #MCFC #FPL Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kim Richey in conversation with David Eastaugh https://kimrichey.com/news/ Over the past two decades Kim has released ten critically acclaimed albums, been listed in the ‘Top 10 Albums of 1999' in Time Magazine for her album Glimmer, plus received 4-stars in Rolling Stone and named ‘Alt-Country Album of the Year' in People Magazine for her album Rise. Her 2013 release Thorn In My Heart was named in year's end best lists by No Depression, The Boston Globe and The Associated Press. She has written two #1 singles and had four others hit Top 10. Her songs have been recorded by Trisha Yearwood, Mary Chapin Capenter, James Morrison, Brooks and Dunn and many others. She has contributed backing vocals on albums by Trisha Yearwood, Ryan Adams, Shawn Colvin and Jason Isbell to name a few.

One of the many musicians hitting the stage at Tauranga's National Jazz Festival later this month is Australian jazz legend James Morrison. He's a multi-instrumentalist, playing the trombone, piano, saxophone and double bass, but is perhaps best known for the trumpet. He started playing instruments aged six and formed his own band by the time he was nine.

Alex Perry joins Josh for a quick round-up of events at the Genesis Invitational, including Hideki Matsuyama's sensational final round, Tiger Woods' withdrawal due to illness and Jordan Spieth's disqualification because of signing for an incorrect scorecard.Then, there's an extended interview with DP World Tour player, James Morrison who opens up on his journey into the sport, gives an assessment of how he sees the current state of golf, and tells us about the reality of how much golfers earn.

James Morrison Live on Game Changers with Vicki Abelson How fortuitous that my first show back after an 8-week hiatus was with the stunningly soulful James Morrison––actor, writer, filmmaker, musician, husband, father, fellow, and stellar human. James was Chicken soup for my post-COVID soul. Discovering just before we went on the air that my treasured friend, Christinna Guzman had passed from cancer opened the door to an emotionally charged conversation about relationships…parent/child, James' son, Seamus, is a brain cancer survivor… love partnerships, how James and Riad have thrived through their 35 years together, including through their son's illness… art, which Christinna championed, and shared with me and oft shot for me, including my Women Who Write Literary Salons, and these Game Changers talk shows, where James has read and sung numerous times and Christinna and I bore witness. To honor her and James' talents, James gifted us with a reading from his show, Leave Your Fears Here, sang, at my fervent request, his brilliant, Selfish Man, about a certain someone who continues to refuse to not grab the headlines, and then read from his brand new show, Satan's Wild Animal Circus of Agony: A Five Ring Memoir, a most meaningful piece about his father's end of life. Powerful, moving, important. We talked about sobriety and recovery, a passion James and I share, about adapting, growing, changing, and allowing space to be wrong. We talked about his and Riad's documentary, Showing Up, an unprecedented look at the audition, with some of our most accomplished working actors reflecting on the process and how it affects them. Nathan Lane, Sam Rockwell, Eli Wallach, and Kristin Chenoweth are a few of those interviewed. I just watched it again and I'm rethinking this whole return to acting thing. It's a wonderful film, raw and moving, and so damn honest. Like James himself. I adore this man and every moment in his exceptional company. I've said before, sitting down with 24's Bill Buchanan, AKA, James Morrison, is like wrapping myself up in my softest, warmest, coolest, comfiest, cutest, silkiest pajamas, and settling in for an easy, breezy, fun, loving, memorable night. This one had the added bonus of being a bear hug of support, comfort, and grace. I'm forever grateful for his friendship. For all things James: jpmorrison.com James Morrison Live on Game Changers with Vicki Abelson Wednesday, January 31, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/42kBBKq

We're back to discussing Space: Above and Beyond but this time we're talking to one of the cast members of the series! Tucker Smallwood is here to chat with us about his time on Space: Above and Beyond and so much more!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA

Suj and James review the second weekend of GW21 as Arsenal and Liverpool both won handsomely, Ivan Toney returned and scored, there was controversy at Bramall Lane as The Blades drew 2-2 with West Ham and Brighton v Wolves ended goalless last night. It was a weekend where those captaining Bukayo Saka were out of luck despite The Gunners 5-0 victory and those with Liverpool attackers Darwin Nunez and Diogo Jota did well, and just think had Suj actually not missed the deadline he would have captained that Jota haul! How does he feel about it now? There's discussion on possible transfer targets for GW22, what we can learn from the week of domestic Cup games and AFCON before the next FPL deadline and what Mo Salah's injury means to our plans and when we can expect The Egyptian King to play again for Liverpool. Tomorrow on Planet FPL: Planet SkyFF s5 ep29 Today on Patreon: Money in Football with James Morrison on Bill Foley's potential investment in Hibernian and The Unanswered Qs For the full Planet FPL schedule this week, including our offering on Patreon view this post: https://www.patreon.com/posts/content-jan-22nd-96961361 Want to become a member of our FPL and SkyFF community and support the Podcast?  Join us on Patreon: https://www.patreon.com/planetfpl Follow James on Twitter: https://twitter.com/PlanetFPLPod Follow Suj on Twitter: https://twitter.com/sujanshah Follow Clayton on Twitter: https://twitter.com/claytsAFC Subscribe to our YouTube channel: https://www.youtube.com/@PlanetFPL Like us on Facebook: https://www.facebook.com/planetfpl Follow us on Instagram: https://www.instagram.com/planetfpl #FPL #FantasyPremierLeague #GW21Review Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to discussing Space: Above and Beyond but this time we're talking to one of the cast members of the series! Morgan Weisser is here to chat with us about his time on Space: Above and Beyond and so much more!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA

We're back to discussing Space: Above and Beyond but this time we're talking to one of the cast members of the series! Joel de la Fuente is here to chat with us about his time on Space: Above and Beyond and so much more!SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFollow Joel de la Fuente:Twitter: @joeldelafuenteInstagram: @joeldelafuenteFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

0:00 Under the Influence 4:26 Nothing Ever Hurt Like You 7:36 Feels Like The First Time 12:58 Undiscovered 17:27 Power 22:05 I Wont Let You Go 26:30 I Still Need You 31:53 Cross The Line 35:55 Precious Love 40:50 Broken Strings 45:55 So Beautiful 50:10 If You Don't Wanna Love Me 1:04:47 This Boy 1:09:43 You Give Me Something 1:17:38 You Make It Real 1:22:27 Wonderful World All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFollow James Morrison:Instagram: jamesmorrison_officialWebsite: https://www.jpmorrison.com/FOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA SUPPORT US: patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US: Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastBluesky: https://bsky.app/profile/yumyumpodcast.bsky.socialTiktok: @yumyumpodTumblr: @yumyumpodLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA

Welcome aboard the USS Yum Yum in which we your intrepid hosts Ryan and Rachel Sliwinski try to break down episodes of the the overlooked sci-fi series "Space: Above and Beyond" On this week's Yum Yum and Beyond we're discussing the series as a whole.MUSIC BY:Donny PearsonSUPPORT US:patreon.com/yumyumpodEMAIL US:yumyumpod@gmail.comFOLLOW US:Twitter: @YumYumPodcastFacebook: @YumYumPodcastInstagram: @yumyumpodReddit: r/YumYumPodcastLISTEN ON:Apple Podcasts: https://apple.co/2NbEuaHSpotify: https://spoti.fi/2CjDLSsGoogle Podcasts: https://bit.ly/37NheZPSimplecast: https://bit.ly/2ASPib8RadioPublic: https://bit.ly/30WxQ01iHeartRadio: https://ihr.fm/2VnKBgqStitcher: https://bit.ly/3hIryqFTuneIn: https://bit.ly/3dDzjuPYoutube: https://bit.ly/3dk7tDA

Featuring: Dr. Kimlin Ashing, James Morrison, Rev. John McCall Looking at prostate cancer disparities and black men.

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  The Sidedoor podcast team is Justin O'Neill, James Morrison, Stephanie De Leon Tzic, Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  This episode of Sidedoor was produced by Lizzie Peabody, Justin O'Neill, and James Morrison with help from Stefanie De Leon Tzic. The editorial team includes Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder. Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices

We bring you a special episode from Sidedoor, a podcast about the treasures that fill the vaults of the Smithsonian. This story is inspired by “Big Band,” a defining work by the painter LeRoy Neiman.  Neiman was a character, a cultural gadfly and an omnipresent artist who sat for decades right at the nexus of professional success, cultural ubiquity, and critical disregard. What made him so popular? What made him so disdained? And what can we learn from how he resolved this dissonance?  Sidedoor is produced by the Smithsonian with PRX.  The Sidedoor podcast team is Justin O'Neill, James Morrison, Stephanie De Leon Tzic, Ann Conanan, Caitlin Shaffer, Tami O'Neill, Jess Sadeq, Lara Koch, and Sharon Bryant. The show is mixed by Tarek Fouda and the theme song and episode music are by Breakmaster Cylinder.  Decoder Ring is produced by Willa Paskin and Katie Shepherd. Derek John is Executive Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Special thanks to Joel Meyer, the LeRoy Neiman and Janet Byrne Neiman Foundation, especially Tara Zabor, Dan Duray, Heather Long, and Janet Neiman. Also thank you to the team at the Smithsonian's National Museum of American History: Stephanie Johnson, Ken Kimery, Theo Gonzalvez, Eric Jentsch, John Troutman, Krystal Klingenberg, Valeska Hilbig, and Laura Duff. Thank you to Smithsonian Folkways Recordings for contributing music for this episode, and also to the Smithsonian Jazz Masterworks Orchestra.  If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, sign up for Slate Plus.  Slate Plus members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.  Decoder Ring is now available on YouTube. Listen here: http://y2u.be/D8cLqWAffJ8 Learn more about your ad choices. Visit megaphone.fm/adchoices