Podcasts about stereo

"One Last Heist" A singer/songwriter, a Professor, an author and the creator of the beloved cabaret-style multi artist extravaganza Cabinet Of Wonders which has featured everyone from novelist Rick Moody to Kristin Hersh to Steven Page, Wesley Stace is a man who, as the expression goes, wears many hats. The British-born, Cambridge educated Stace first came onto my college radio radar in 1989 under the name John Wesley Harding. I was immediately on board--his songs were literate, urbane and cheeky, but also heartbreaking, self-aware and wise. The John Wesley Harding character put out close to twenty marvelous albums including Here Comes The Groom, Why We Fight and Adam's Apple. Reverting to his birth name, Stace has put out just under ten albums, including his marvelous new one, One Last Heist. Satirical, soulful and catchy as ever, One Last Heist is a brilliant blend of witty pop smarts and atmospheric ballads. Over the course of his career Stace has recorded with Springsteen, Lou Reed and Roseanne Cash, written international best-selling novels and taught at Princeton. www.wesleystace.com (http://www.wesleystace.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + Bluesky+ IG: @emberspodcast Editor@stereoembersmagazine.com

"One Last Heist" A singer/songwriter, a Professor, an author and the creator of the beloved cabaret-style multi artist extravaganza Cabinet Of Wonders which has featured everyone from novelist Rick Moody to Kristin Hersh to Steven Page, Wesley Stace is a man who, as the expression goes, wears many hats. The British-born, Cambridge educated Stace first came onto my college radio radar in 1989 under the name John Wesley Harding. I was immediately on board--his songs were literate, urbane and cheeky, but also heartbreaking, self-aware and wise. The John Wesley Harding character put out close to twenty marvelous albums including Here Comes The Groom, Why We Fight and Adam's Apple. Reverting to his birth name, Stace has put out just under ten albums, including his marvelous new one, One Last Heist. Satirical, soulful and catchy as ever, One Last Heist is a brilliant blend of witty pop smarts and atmospheric ballads. Over the course of his career Stace has recorded with Springsteen, Lou Reed and Roseanne Cash, written international best-selling novels and taught at Princeton. www.wesleystace.com (http://www.wesleystace.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + Bluesky+ IG: @emberspodcast Editor@stereoembersmagazine.com

Noticiero Omega Stereo, 29 de septiembre de 2026.

Noticiero Omega Stereo,30 de septiembre de 2026.

Noticiero Omega Stereo, 28 de septiembre de 2026.

Cette semaine sur Du bruit à mes oreilles, Alex, Camille, Shardel et le Stagiaire se sont déplacés à Ste-Thérèse pour le Music 4 Cancer 2026!Dans cet première partie vous pouvez entendre des entrevues avec Death by Stereo, Death By Dingo, Oh The Humanity, 2Fast4U et Still Insane!Bonne écoute!

This week Shelley and I once again break the "two games discussed" format and instead cover FIVE games! Circadia by Hisashi Hayashi from Synapses Games Knowsy by Luke Hohmann from Luverly Stereo Mind by Silvergun and Sunhyuk Chae from Playte Then two games with Essen 2025 expansions: Galileo Galilei with the Luna Expansion by Tomas Holek and Michal Pechl from Pink Troubadour Atlantis Exodus with the Polymathis Expansion by George Halkias and Konstantinos Karagiannis from dlp Games Remember to check out our video series over on YouTube, and you can sponsor this podcast and our video series by going to www.patreon.com/garrettsgames OR check out our extensive list of games that no longer fit on our shelves, but belong on your table: https://docs.google.com/spreadsheets/d/16ovRDNBqur0RiAzgFAfI0tYYnjlJ68hoHyHffU7ZDWk/edit?usp=sharing

Mundos DiferentesEl origen del sufrimiento: Ante las tragedias, solemos preguntarnos por qué Dios las permite. La realidad es que Dios no creó el mal; en el diseño original Él lo hizo todo bueno en gran manera (Génesis 1:31, RVR1960), pero hoy habitamos un mundo caído y distorsionado a causa del pecado.La prueba vs. La tentación: Dios no nos tienta con el mal (Santiago 1:13, RVR1960). La tentación es en realidad el arma que usa el enemigo para evidenciar nuestras debilidades y buscar separarnos del Señor. Todos enfrentamos tentaciones, pero nuestra responsabilidad espiritual es vencerlas, no ceder ante ellas.El libre albedrío y el amor: Dios nos creó libres porque el amor obligado deja de ser amor. Esa misma libertad que nos permite decidir adorarle, es la que el ser humano ha usado mal, abriéndole la puerta al sufrimiento. Si Dios eliminara el mal de tajo, tendría que eliminarnos a nosotros y a nuestra libertad de elegir.Preservación divina en medio del dolor: Dios no diseña nuestro sufrimiento, pero sí toma lo que el enemigo planea para destrucción y lo encamina para bendición (Génesis 50:20, RVR1960). Su promesa no es evitar que pasemos por el fuego, sino estar siempre a nuestro lado para preservarnos y que el mal no nos destruya (Isaías 43:2, RVR1960).El llamado a la santidad: La gracia no es una excusa para seguir pecando. Dios ama al pecador para salvarlo y transformarlo, no para que siga viviendo en su maldad. Al final, el mal será condenado y Dios traerá consuelo eterno a sus hijos, enjugando toda lágrima (Apocalipsis 21:4, RVR1960).

Noticiero Omega Stereo, 26 de septiembre de 2026.

Noticiero Omega Stereo, 25 de septiembre de 2026.

Noticiero Omega Stereo, 24 de septiembre de 2026.

"Don't You Push" If Coleridge was right and friendship is a sheltering tree, then Julie Christensen lives in a very big forest. It's true. She knows a lot of people and she has a lot of friends. When you listen to us chat you'll hear organically how this Iowa native has moved through the world making friends everywhere she goes. Let's back up. Julie first landed on my radar when I was a high school DJ and SST Records sent our thrash metal radio station records by her band Divine Horsemen. The fiery post-punk outfit who even now bring to mind The Gun Club, are only part of the story, so I'll do what I can to fill in the gaps. After a stint in college and playing with the band Longshot who opened for John Prine and Asleep At The Wheel, Christensen left Iowa for Texas where she played with Passenger and did some more studying at the University of Austin. But it was her move west where things really picked up speed. She fell in with the rockabilly punk scene, joined Divine Horsemen with her husband Chris D of the Flesheaters, got divorced, found sobriety and then? You can tell I'm speeding along here because Julie tells her story far better than I can, but long story short, her old pal Roscoe Beck from Passenger became Leonard Cohen's Musial Director and he suggested Christensen sing with the legendary bard. And that's exactly what she did for nearly twenty years. Julie has a series of powerful solo albums like Love Is Driving and Where The Fireworks Are and her new single "Don't You Push" is a reaction to the darkness and frustration of what's currently happening in our country. As for her voice, well, putting it simply, Julie Christensen's delivery is as towering as it is graceful. Filled with equal parts muscle and finesse, her phrasing is poetic, precise and riveting. And she's a lovely person and just wonderful to speak to. www.stonecupid.com (http://www.stonecupid.com) www.juliechristensen.bandcamp (http://www.juliechristensen.bandcamp).com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

Noticiero Omega Stereo,23 de septiembre de 2026.

Noticiero Omega Stereo 22 de septiembre de 2026.

Noticiero Omega Stereo, 21 de septiembre de 2026.

Romanos 5:17 (RVR1960): «Pues si por la transgresión de uno solo reinó la muerte, mucho más reinarán en vida por uno solo, Jesucristo, los que reciben la abundancia de la gracia y del don de la justicia.»Idea PrincipalLos errores, fracasos y tropiezos del pasado no determinan el final de la historia de una persona. Aunque las decisiones equivocadas traen dolor y consecuencias, la misericordia y el propósito divino son superiores a cualquier caída, porque Dios no se cansa; Él es incansable.Puntos ClaveEl peso de las equivocaciones y las etiquetas humanas:Existen faltas cotidianas fáciles de enmendar, pero también fallas que producen heridas profundas (palabras destructivas en el hogar, infidelidades, rupturas de confianza).La culpa lleva con frecuencia al ser humano a creer que su propia vida es un error o a cargar con etiquetas destructivas («fracasado», «inútil»).Frente a esa condena, la Escritura recuerda que tenemos un Abogado ante el Padre y que los errores no tienen la última palabra.El propósito divino supera el error (El ejemplo de Adán):Adán cometió la falta más costosa de la humanidad con pleno conocimiento, pero Dios no destruyó la creación para reiniciar desde cero.Adán vivió más de ocho siglos después de su caída (930 años en total), demostrando que hay vida y propósito después del error.La gracia no anula las consecuencias terrenales:La gracia no es una excusa para esconder la falta ni una licencia para pecar. Personajes bíblicos como Adán, Moisés, Sansón, David, Salomón y Pedro asumieron costos directos por sus desatinos.Sin embargo, la mano de Dios jamás nos abandona en medio del proceso (Proverbios 24:16, Salmos 37:24).¿Cómo actúa un Dios incansable?:Interviene para reparar lo que dañamos: Cristo entra en el caos humano para sanar y levantar lo que quebramos (Salmos 51:17). Mientras el mundo mira la versión caída, Jesús ve la versión que Su gracia restaurará.Por Su amor, sigue creyendo en nosotros: Su aceptación no depende de méritos humanos; es un regalo inmerecido (Efesios 2:8-9). Donde abunda el pecado, sobreabunda la gracia (Romanos 5:20), alcanzando de manera especial a los corazones quebrantados (Salmos 34:18).La verdadera función de la gracia:La gracia comienza justo donde termina nuestra capacidad de pagar.Lejos de fomentar una vida descuidada (Romanos 6:1-2), la gracia es el poder que rescata, limpia y transforma para volver a empezar en rectitud.Llamado FinalNo rendirse con la familia, el matrimonio ni el propósito. Si Dios no se cansa de nosotros, nosotros tampoco debemos darnos por vencidos con los nuestros, descansando en la certeza de que Su fidelidad es incansable.

Noticiero Omega Stereo, 19 de septiembre de 2026.

Noticiero Omega Stereo, 18 de septiembre de 2026.

Noticiero Omega Stereo, 17 de septiembre de 2026.

"Draw The Outline" The Irish-born singer/songwriter Sorcha Richardson keeps moving from strength to strength. Her debut First Prize Bravery was nominated for the Choice Music Prize, her second album Smiling Like An Idiot went top five in Ireland and her new one Draw The Outline is already being touted as one of 2026's very best. And for good reason. From Fake Venice to Illinois Again, Draw The Outline is a stirring, sonorous and lyrically impressionistic song-cycle about finding a stable place in a turbulent world. Effortlessly exploring connection and isolation the album is a moving blend of folk, pop and indie rock that's brave and bold, yet vulnerable and wistful. Over the course of her career Richardson has lived in Brooklyn, supported everyone from Villagers to Snow Patrol and had a number one album on the Irish indie charts. She's deeply gifted and with this new album asserting herself as one of the great songwriters on the planet. www.sorcharichardson.com (http://www.sorcharichardson.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

Noticiero Omega Stereo, 16 de septiembre de 2026.

Noticiero Omega Stereo, 15 de septiembre de 2026.

Noticiero Omega Stereo, 14 de septiembre de 2026.

In this episode, Dave and Chris go back into the lab to examine the Beatles' early B‑side “Ask Me Why,” exploring its unusual and sophisticated (for the time) chord progression, three‑part vocals, lyrics, and recording history from the Pete Best era to Please Please Me. As usual, Chris digs deep to find interesting cover versions (linked below)! We also catch you up on a couple of new items including George Harrison's upcoming photo book, the Rubber Soul box set, and some recent Lennon family news.   "Ask Me Why" Covers  Les Lionceaux - Je Suis Fou 1964 Dynasouls 1977 LOS BUITRES 1989 de Venezuela Pregúntame porqué (Ask me why)  Smithereens (2008 album, “B-Sides The Beatles”) Bill Anschell 2011 deconstructed piano version   Please Please Me remastered Stereo vinyl https://amzn.to/4ijWsaR Please Please me CD  https://amzn.to/4cuE23i  George Harrison - The Third Eye preorder https://amzn.to/3SrUieM   (As an Amazon Associate, we earn from qualifying purchases.)   -Feel free to email or record a message about this episode to ivegotabeatlespodcast@outlook.com and we'll include you in our "Please Mr. Postman" segment. Try using Vocaroo for an audio message! -Also, please comment on, like, and rate us wherever you listen to your podcasts. You can now watch us on YouTube! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@hotmail.com X: @ivegotabeatles Facebook: I've Got A Beatles Podcast Check out our non-Beatles video venture: "Song Album Career!"

El mensaje "Conjeturas" aborda cómo Dios transforma situaciones de pérdida y desesperanza en plataformas para sus milagros, desglosado en estos puntos fundamentales:La trampa de la conjetura: Cuando la vida nos golpea o las puertas se cierran, solemos torturarnos pensando "¿qué hubiera pasado si...?", exactamente como lo hizo Marta ante la tumba de Lázaro. Esta actitud nos aleja de la realidad y nos llena de dudas.Principio 1: Toda pérdida implica sufrimiento. El dolor es parte inevitable del proceso del creyente. Dios usa las lágrimas y los desiertos para enseñarnos a descartar caminos equivocados, quebrar nuestro orgullo y llevarnos a ganar batallas en la intimidad de la oración.Principio 2: Toda pérdida implica esperar. Dios no obedece a nuestro afán ni a la cultura del "¡ya!". Él usa la pausa de manera intencional para moldear nuestro carácter, probar la verdadera medida de nuestra fe y derrumbar nuestros planes humanos para establecer los suyos, que son mayores.Principio 3: Toda pérdida tiene un propósito. Ningún dolor en Cristo es en vano. Reconocer que hay un propósito divino detrás de una traición, una enfermedad o un fracaso es lo que permite que el desierto florezca. Cuando llega el propósito, llega el milagro.Declaración final (Salmo 71): Apoyado en la experiencia de David en su vejez, el mensaje culmina afirmando que el Dios que nos consoló en el pasado nos sostiene hoy. Cierra llevando a la iglesia a declarar en fe que, a pesar del sufrimiento y la espera, lo que creían muerto volverá a vivir.

**DISCOSAURO – Exclusive Set SEPTEMBER 2026** 60 minuti di ritmi Disco, Nu Disco e Funky House, per farvi muovere ovunque vi troviate. In onda ogni mese sulle seguenti web radio: Stereo 98 DAB (ITA) - Souljackdigital (USA) - JKD Radio (UK) - GrupoPlanetMusic (ES) - Militia Undreground (FR) - Mixland Radio (ITA) Disponibile anche su Apple & Amazon Podcast (DJ BLASTO PODCAST) **MAIN SITE: djblasto.it - PODCAST STE djblasto.com**

Noticiero Omega Stereo, 12 de septiembre de 2026.

Noticiero Omega Stereo 11 de septiembre de 2026.

"Lift Me Up" Over the course of a series of critically-acclaimed and best-selling albums like I Bificus, Superbeautifulmonster and 2024's Champion, Bif Naked has established herself as one of the most dynamic and arresting artists you're likely to run into. The Canadian singer/songwriter's refusal to be categorized has been the secret to her being able to move through genres like EDM and Pop-Punk and with artistic ease. Her I Bifficus memoir is an essential read and it details a life that found her moving from New Delhi to Kentucky to Manitoba. Bif Naked has played with everyone from Green Day to Sarah McLachlan to The Cult, she's released a spoken word record, voiced video games, appeared in videos by Moist and A Simple Plan, and acted in everything from Buffy The Vampire Slayer to The L Word. To get an idea of how fearless, bold and groundbreaking she is, the documentary One Of A Kind will give you a generous glimpse of the power and grace of Bif Naked. The pleading ache of her new single "Lift Me Up" finds Bif Naked sounding better than ever. Yes, she's busy, but we fit in a little chat. "Pathways" Filled with glimmering synths, jangling acoustic guitars and swirling psychedelia, Meltt's new album Pathways is one of the year's great pleasures. The Vancouver outfit's fourth effort is a sonorous and ethereal blend of catchy hooks, dreamy melodies and percussive invention. Comprised of childhood chums singer/guitarist Chris Smith, drummer Jamie Turner, guitarist James Porter and bassist Ian Winkler, Meltt's sound brings to mind everyone from The Stone Roses to the Crystal Fighters. The band is on the road as we speak and that's where I caught them. So let's meet Meltt. www.bifnaked.com www.meltt.bandcamp.com (http://www.meltt.bandcamp.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: Threads + Bluesky + IG: @emberspodcast Email: editor@stereoembersmagazine.com

Apretando las tuercasLa verdadera transformación espiritual no se detiene en la salvación inicial; requiere una renovación constante de la mente. Aunque Dios nos saca de nuestro "Egipto" (nuestra vida pasada de pecado), es nuestra responsabilidad, con la ayuda del Espíritu Santo, sacar a Egipto de nuestro corazón para poder disfrutar de la vida plena que Él nos promete.Puntos Clave de la EnseñanzaEl peligro del desierto espiritual: El desierto representa al creyente que ya fue liberado, pero cuya mente sigue anclada en su antigua vida. Es tener a Dios, pero seguir amando el mundo.La trampa de la nostalgia: Ante la primera dificultad, es fácil olvidar las cadenas del pasado e idealizar nuestra antigua manera de vivir. Nos quejamos del "maná" diario que Dios nos da, mientras añoramos los "ajos y cebollas" de nuestra esclavitud.El campo de batalla es la mente: El pecado no ocurre de repente; siempre comienza como un pensamiento tolerado que se convierte en deseo y luego en acción. Si no cambiamos nuestra manera de pensar, no cambiaremos nuestra manera de vivir.Filtrar los pensamientos de forma activa: No se trata de un simple pensamiento positivo, sino de evaluar, colar y desechar valientemente toda idea que no esté alineada con el diseño de Dios.El centro de adoración lo define todo: La raíz del cambio mental está en a quién adoramos. Si Dios no es el centro absoluto de nuestro corazón, terminaremos adorando cosas pasajeras que nos agotarán. Al poner a Dios en Su trono, Él ordena todas nuestras demás prioridades.Respaldos BíblicosPara tener siempre presente la Palabra en este proceso de transformación, aquí están las citas bíblicas fundamentales que sostienen la enseñanza:1 Corintios 10:11 (RVR1960): "Y estas cosas les acontecieron como ejemplo, y están escritas para amonestarnos a nosotros, a quienes han alcanzado los fines de los siglos."Éxodo 14:11-12 (RVR1960): "...Porque mejor nos fuera servir a los egipcios, que morir en el desierto."Números 11:4-6 (RVR1960): "...Nos acordamos del pescado que comíamos en Egipto de balde, de los pepinos, los melones, los puerros, las cebollas y los ajos; y ahora nuestra alma se seca; pues nada sino este maná ven nuestros ojos."Oseas 8:11 (RVR1960): "Porque multiplicó Efraín altares para pecar, tuvieron altares para pecar."Colosenses 3:1-2 (RVR1960): "Si, pues, habéis resucitado con Cristo, buscad las cosas de arriba, donde está Cristo sentado a la diestra de Dios. Poned la mira en las cosas de arriba, no en las de la tierra."2 Corintios 10:4-5 (RVR1960): "porque las armas de nuestra milicia no son carnales, sino poderosas en Dios para la destrucción de fortalezas, derribando argumentos y toda altivez que se levanta contra el conocimiento de Dios, y llevando cautivo todo pensamiento a la obediencia a Cristo."Filipenses 4:8 (RVR1960): "Por lo demás, hermanos, todo lo que es verdadero, todo lo honesto, todo lo justo, todo lo puro, todo lo amable, todo lo que es de buen nombre; si hay virtud alguna, si algo digno de alabanza, en esto pensad."Deuteronomio 12:8-9 (RVR1960): "No haréis como todo lo que hacemos nosotros aquí ahora, cada uno lo que bien le parece, porque hasta ahora no habéis entrado al reposo y a la heredad que os da Jehová vuestro Dios."ConclusiónLa enseñanza nos llama a "apretar las tuercas" de nuestra mente. Nos invita a dejar de dar vueltas en el desierto, renunciar a los antojos del pasado, y rendir nuestra manera de pensar y nuestra adoración completamente a Dios para experimentar verdadera libertad.

"Welcome Back Love" The San Francisco-born Martin Luther McCoy is a straight up quadruple threat. An actor, guitarist, singer/songwriter, and producer, McCoy is one of those guys who does a lot of things really well. He's released a handful of brilliant solo albums like The Calling, Rebel Soul Music and his brand new one, Welcome Back Love, which we'll get to in a minute, he's collaborated with the Roots, the SF Jazz Collective and Lady Bug Mecca from Diggable Planets, appeared in films like Julie Taymor's Across The Universe, appeared in Yale Repertory Theater's Father Comes Home From The Wars (Parts, 1, 2 & 3) and played live with everyone from Jill Scott to the Red Hot Chili Peppers. A smoldering platter of Neo soul, funk, pop, Afrobeat, gospel, hip-hop and R&B, Welcome Back Love is one of the most transformative musical experiences of the year. From "Reimagine The World" to "Warmth Of Other Suns," Welcome Back Love is deeply satisfying and soulfully precise. And Martin is not only a gifted artist, he's a really cool guy. www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) G + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com

JP's Product Pick of the Week 9/1/26 Adafruit I2S 3W Stereo Speaker Bonnet https://www.adafruit.com/product/3346 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Fun episode! Unfortunately the clip froze, but we will pick up on this topic again in a few days. Enjoy. Email me at:T godseyeviewbook@gmail.comTell a friend about the show! 

Hay etapas en la vida donde todo es ascenso: creces, escalas, conquistas y sientes que pisas un terreno absolutamente firme. Pero, de repente, la vida da un giro inesperado y el suelo bajo tus pies cede. Es exactamente como caer en arena movediza. Al principio, la superficie parecía segura, pero de un momento a otro comienzas a ser tragado por las circunstancias.Lo más aterrador de la arena movediza no es el lodo en sí, sino que tu propio instinto de supervivencia te traiciona: intentas luchar, patalear y salir usando tus propias capacidades, pero descubres con desesperación que, entre más te mueves, más rápido te hundes. El pánico te roba la noción de seguridad, sientes que pierdes el control absoluto de tu vida y ves cómo se te escapan de las manos cosas inmensamente valiosas.Es en ese momento de asfixia y parálisis, cuando te das cuenta de que tus propios esfuerzos solo empeoran la situación, que el alma grita las preguntas más urgentes: "¿En qué me apoyo ahora? ¿De dónde me agarro? ¿De dónde me sostengo para no hundirme?".El Ejemplo: DavidLa Biblia nos presenta a un hombre que experimentó esta misma sacudida. Un hombre que, antes de hundirse en el lodo, conoció la cima más alta: David. Su historia es el ejemplo perfecto para nosotros porque, después de derribar a Goliat, su vida fue un ascenso glorioso. Todo era victoria, todo era ganancia. De la noche a la mañana, pasó de ser un pastor de ovejas anónimo a convertirse en el héroe nacional indiscutible; se convirtió en el yerno del rey y en el músico más aclamado del palacio.Poco tiempo después, fue nombrado capitán de los ejércitos, y su ascenso no parecía tener techo. La Palabra de Dios describe este momento de gloria absoluta con una claridad impresionante: "Y salía David a dondequiera que Saúl le enviaba, y se portaba prudentemente. Y lo puso Saúl sobre gente de guerra, y era acepto a los ojos de todo el pueblo, y a los ojos de los siervos de Saúl" (1 Samuel 18:5, RVR1960).Todo lo que tocaba prosperaba. La vida le sonreía, gozaba del favor divino y de una popularidad arrolladora. De hecho, el impacto de su fama fue tan grande que el pueblo le compuso su propia canción: "Y cantaban las mujeres que danzaban, y decían: Saúl hirió a sus miles, Y David a sus diez miles" (1 Samuel 18:7, RVR1960).A Saúl, el rey de Israel, lo menospreciaron. David estaba en la cumbre, Dios caminaba con él y el éxito era su sombra diaria, tal como lo confirma la Escritura: "Y David se conducía prudentemente en todos sus asuntos, y Jehová estaba con él" (1 Samuel 18:14, RVR1960). Estaba en la cima del mundo, seguro de su destino... hasta que se le movió el piso, hasta que llegó el giro inesperado. Y es que esta es la parte más difícil de la arena movediza: todo te sonríe y, de pronto, el terreno se hunde. La Biblia relata cómo el rey comenzó a mirarlo de reojo, envenenado por los celos: "Y desde aquel día Saúl no miró con buenos ojos a David" (1 Samuel 18:9, RVR1960). La envidia fue tan grande que Saúl intentó matarlo clavándole una lanza contra la pared, no una, sino dos veces. De la noche a la mañana, literalmente, David lo perdió todo.Perdió su lugar de privilegio en el palacio, perdió la cercanía con su esposa, Mical; De hecho, no sabemos realmente si alguna vez pudieron disfrutar de su matrimonio, porque Saúl usó esa relación como trampa, mandando guardias a su propia casa para asesinarlo. Si no hubiera sido porque ella se entera del complot y lo ayuda a escapar de madrugada, la historia de David habría terminado ahí: "Y Mical descolgó a David por una ventana; y él se fue y huyó, y escapó" (1 Samuel 19:12, RVR1960).En un abrir y cerrar de ojos, el que era un héroe nacional comenzó a ser un fugitivo, el que era admirado y celebrado en las calles, ahora era perseguido y acusado de conspirador, la persona que gozaba del favor del rey, ahora cargaba con sus celos y su odio mortal. David comenzó a huir, escapando de un lugar a otro, sin descanso, durante mucho tiempo.Todo apunta a que David cae en un valle oscuro, en una de esas transiciones de la vida tan difíciles en donde te tienes que preguntar: "¿Qué hago yo aquí? ¿Cómo llegué a este punto y de dónde me agarro para seguir adelante?". Porque el hundimiento no se detiene; la arena movediza sigue tragando sus puntos de apoyo. Pierde a su esposa, y luego con el corazón roto, David pierde la cercanía y el apoyo de Jonatán, pierde a su mejor amigo, el hijo del rey Saúl.Desesperado, David corrió a las montañas y se fue a buscar refugio en la aldea de su mentor, aquel que lo había ungido: el profeta Samuel. Samuel era la persona que tenía la mejor y más clara visión del propósito y destino de David, porque fue Dios mismo quien le reveló el futuro de ese joven pastor. La Biblia lo relata "Huyó, pues, David, y escapó, y vino a Samuel en Ramá, y le dijo todo lo que Saúl había hecho con él. Y él y Samuel se fueron y moraron en Naiot" (1 Samuel 19:18, RVR1960).Quizás en esos pocos días en que estuvieron juntos escondidos, Samuel le dio instrucciones, le infundió ánimo, le dio palabra de parte de Dios y le explicó cosas que, aunque no están registradas en la Escritura, fueron el salvavidas emocional que David necesitaba. Pero la arena movediza lo seguía tragando: inevitablemente, Saúl se enteró del lugar donde se escondían y David tuvo que salir corriendo de nuevo, dejando atrás la aldea. Esa fue la despedida. Nunca más volvió a ver a su mentor. Poco tiempo después, la Escritura sella esta dolorosa pérdida definitiva: "Murió Samuel, y se juntó todo Israel, y lo lloraron..." (1 Samuel 25:1, RVR1960).Aquí la arena movediza termina de tragar todo lo que lo sostenía: Pierde el privilegio y la comodidad del palacio, pierde a su esposa, pierde a su mejor amigo, y ahora, pierde a su mentor espiritual; Prácticamente lo pierde todo, pierde hasta la dignidad de ser un hombre amado y aclamado por su pueblo. Despojado, solo y fugitivo, llega a su punto más bajo y termina refugiándose en las sombras de la tierra: "Yéndose David de allí, huyó a la cueva de Adulam..." (1 Samuel 22:1, RVR1960).Ese fue el fondo del abismo en su historia. Y seamos honestos: una cueva húmeda, fría y oscura no es un lugar bonito para vivir.Piensa por un momento en lo que verdaderamente significa estar en una cueva. No es un refugio acogedor, es un encierro oscuro, frío y húmedo; un espacio hostil que huele a abandono, donde habitan las sombras y el eco del vacío. Ponte en los zapatos de David, trata de dimensionar el impacto de que, después de haber vivido rodeado de tanta gloria, comodidades y éxito rotundo, tu única casa, tu única salida, sea el fondo de una caverna.En esa cueva no había ventanas para ver la luz, estaba rodeado únicamente por paredes de piedra fría, obligado a enfrentarse al silencio, a solas consigo mismo y con sus propios pensamientos en medio de la nada.¿Estás tú en una cueva hoy? ¿Has perdido cosas que considerabas invaluables? Tal vez una amistad entrañable, una relación vital, tu familia, o cierto prestigio y estatus que te daba seguridad. ¿Te sientes así en este momento? Es muy probable que muchos de los que están aquí sepan exactamente lo que es estar en lo más alto y, de un momento a otro, perderlo absolutamente todo. Algunos han perdido la estabilidad que alguna vez disfrutaron; otros perdieron ese trabajo que tanto cuidaban, de pronto, miras a tu alrededor y te das cuenta de que todas esas cosas y personas que te rodeaban, en las que te apoyabas ciegamente, simplemente ya no están.Y ahí te encuentras, buscando desesperadamente de...

On this episode of Exclusively Van Halen on Johnny Beane TV, we celebrate 40 years of Van Halen's legendary LIVE WITHOUT A NET! On August 27, 1986, Van Halen took the stage at the New Haven Veterans Memorial Coliseum in New Haven, Connecticut, during the massive 5150 Tour. The performance was filmed and became one of rock's most iconic concert home videos. This was Van Halen's first tour with Sammy Hagar, capturing Eddie Van Halen, Sammy Hagar, Michael Anthony and Alex Van Halen at an incredible moment in the band's history.

Imagine putting on a headset and seven minutes later feeling like you have actually flown a light aircraft over the Grand Canyon. That is the pitch behind the Cirrus app for Apple Vision Pro, and it might be the most convincing case yet for Apple Immersive Video as a commercial format. This week's Focus Check is a special one – not a news episode, but a long-form interview. Nino talks to Anthony Bottini, Director of Media at Cirrus Aircraft, who had to sell this project internally, and to John "JR" Racine of Rogue Labs, who shot and finished it. Five days over the Arizona desert, three Blackmagic URSA Cine Immersive cameras, the Top Gun: Maverick aerial team, 25 to 30 terabytes for two hours of footage – and people taking the headset off in tears.   Topics and Chapters in this Episode:   (00:00:00) Cold open: flying the Grand Canyon in a headset (00:01:06) Why Cirrus built an Apple Vision Pro app (00:01:51) Meet John "JR" Racine (Rogue Labs) and Anthony Bottini (Cirrus) (00:03:40) Selling immersive internally: Vision Pros for the global sales team (00:06:10) Five days in the desert: Page, Arizona and the weather (00:06:28) Who did what: Cirrus, Rogue Labs, Blackmagic and XBrand (00:07:59) The weather day that snow-dusted the Grand Canyon (00:09:11) Air-to-air with a fixed 180° lens (00:09:30) Kevin LaRosa, Michael FitzMaurice and the Piper Aerostar camera ship (00:11:23) Rigging and vibration: why nothing was stabilised in post (00:12:11) Why the Blackmagic URSA Cine Immersive made this possible (00:13:17) The limits of the medium: shooting inside a cockpit (00:15:30) One BRAW file per shot: the DaVinci Resolve workflow (00:16:16) Fixed focus from the factory (00:17:40) Lens borrowing: winning back 5 to 10 degrees of field of view (00:19:15) Directing the viewer's gaze (00:21:05) 16K, 25 to 30 terabytes and the post pipeline (00:22:33) From a December shoot to a January demo (00:23:32) "A good spatial edit is 50% of the experience" (00:26:52) Measuring success without a big installed base (00:29:35) "I've seen people cry" and the 100% scale aircraft models (00:32:13) One-off, or the start of an immersive programme? (00:34:54) Outro

"Automated Paradise" The Bristol-born Jon Klein got his start with the late-seventies post-punk outfit Europeans. After their break-up he formed the porto-goth band Specimen, who put out a handful of winning singles, but splintered before an album could be released. In 1987 Klein joined Siouxsie and the Banshees and went on to record three records with them: Peepshow, Superstition and The Rapture. Although Klein left the band in 1994, from there he moved from strength to strength, playing and recording with Shriekbak, Thomas Dolby, Talvin Singh and Space Tribe. He toured with Sinead O'Connor as her lead guitarist in 1995 and he played everywhere from Pinkpop to Glastonbury to Lollapalooza. Klein is one of those guys who has always stayed busy: he played in the band SNAIL, toured Southeast Asia as the musical director for Dr. Penguin's Magic Circus, went to art school and knocked out a degree in Fine Art and Critical Theory, has his own production company called Ground Control, co- produced an album for Fangoria, which hit Number One in Spain, composed soundtracks for film and theatre companies and played in the supergroup, Spammed with Horace Panter, Rat Scabies and Terry Edwards. He's also a filmmaker, an international fine artist and he is a member of the Tuned In Community Music Project with Jah Wobble. Klein and Jah Wobble have put out several fabulous albums, including A Brief History of Now and their latest effort, Automated Paradise. A jittery blast of searing post-punk and cultural dread, Automated Paradise finds Klein in fine form, slashing brilliantly away through each composition with fiery resolve. www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) IG + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com

El texto aborda el "sentimiento de abandono" como un dolor emocional profundo que genera reacciones físicas reales, como un vacío en el estómago, opresión en el pecho y un nudo en la garganta. Este sentimiento nace en el momento del alumbramiento y se va arraigando a lo largo de la vida al acumular heridas por la ausencia de los seres queridos.La enseñanza detalla los siguientes puntos clave:El objetivo del enemigo: Satanás busca que las personas se sientan abandonadas para aislarlas y lograr que tomen decisiones que las alejen del plan de Dios.Manifestaciones negativas: Este dolor se evidencia a través del miedo a la soledad, la dependencia emocional, el autoabandono por buscar aprobación, el temor a sufrir nuevas pérdidas y un fuerte complejo de inutilidad.Bloqueos emocionales: El abandono actúa como un anestésico que drena el gozo, impidiendo disfrutar el presente, distorsionando la imagen de Dios, generando idolatría relacional y esclavizando a la persona al miedo, al control y a la complacencia.La solución espiritual: La verdadera sanidad llega cuando se decide dirigir todo el dolor hacia Dios a través de un diálogo de fe. El texto enfatiza que Jesús soportó el desamparo total en la cruz para que las personas ya no tengan que vivir como huérfanos espirituales.El clamor de fe: Se invita al lector a clamar a Dios diciendo "Acuérdate de mí", lo cual representa una petición directa para activar su favor, socorro y salvación, tal como lo hizo el hombre crucificado junto a Jesús.

Podcaster and Author Blindboy BoatClub has had some of his short stories adapted by director Dan Colley into a new Abbey Theatre play, ‘Animals'. He talks to Brendan about the philosophical theory, ‘Umwelt', his own sensory processing, the burnout that too much small talk can cause and how his autism inspires his work. See omnystudio.com/listener for privacy information.

"All The Beauty" With close to 15 albums under his musical belt, the New Jersey-born Pete Yorn is one of the most arresting and compelling singer/songwriters on the planet. Ever since his auspicious Gold-selling 2001 debut musicforthemorningafter, Yorn has moved from strength to strength, with albums like Day I Forgot, Nightcrawler, Hawaii and his marvelous new one, All The Beauty. More on that last one in a second. Over the course of his career, Yorn has amassed quite a highlight reel--here's a partial list. He's collaborated with everyone from Guided By Voices to Matthew Good, shared bills with R.E.M., Crowded House and Weezer, played Carnegie Hall, given the commencement address at his alma mater, Syracuse University, composed the score for Me, Myself and Irene, appeared in Killers Of The Flower Moon, put out a handful of excellent live albums and teamed up with Scarlet Johansson for The Break-Up album and the Apart EP. Let's get back to All The Beauty. From introspective numbers like Never Said No and Out Of My Head to the jangling beauty of Estate to the crushing closer "Everything," All The Beauty is a riveting and spellbinding listen. As for Mr. Yorn, he couldn't be a nicer guy and this was a really cool chat. www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

You don't want the best. You want the optimal. Simple as possible. Really! We'll also visit East Aurora, NY, visit a community college, wrestle with clips and deal with a bit of road rage. And a new stereo!    Nice unit, all told. KISS — Keep It Simple, Stupid A Message to Garcia — Elbert Hubbard PRODUCT REVIEW Topdisplay Stereo Video Amazon: https://amzn.to/4gkIzq9 Topdisplay: https://www.ustopdisplay.com/products/for-dodge-ram-1500-2500-3500-radio-upgrade?ref=JEFFWAGG Code "BuiltToGo" RESOURCE RECOMMENDATION Community Colleges — American Association of Community Colleges A PLACE TO VISIT East Aurora, New York Some links may be affiliate links. If you purchase something through one of these links, Built to GO may receive a small commission at no additional cost to you.

This week on Baxie's Musical Podcast I talk with Blake Watt from the band Family Stereo. After spending the last six years cranking out a number of amazing singles and EP's, Family Stereo has finally released their debut album called “The Thread”. While some are calling the new record a collection of lush, folk-inspired pop songs, the music of Family Stereo is much more than that. Interestingly enough, Blake background puts him in a unique situation amongst other up-and-coming artists. Blake is the son of Tracey Thorn and Ben Watt from the successful 80's British pop duo Everything but the Girl. But Blake is hardly riding on his family's coattails. And the new record proves it. Absolutely beautiful! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep in Chicopee!

"Boxing The Compass" Haircut 100 have always been one of my all-time favorite bands. The only tricky thing with having them as a favorite for all these years is there's only one album, 1982's Pelican West, which is a flawless platter of beachside new wave that effortlessly veers into pop, jazz, and funk. There is a second album Paint by Paint and there's nothing wrong with what's on it, the problem with that album is what's not on it. And that's Nick Heyward. Heyward left the band after the debut and embarked on a rather brilliant solo career, releasing classic albums like North Of A Miracle, Postcards From Home, and From Monday To Sunday. Getting back to the platinum selling Pelican West, for a debut album it was a scorcher. It anded three songs in the top ten on the UK singles chart and both the single Love Plus One and the album itself went top 40 here in the states. "Patience is bitter, but its fruit is sweet," Rousseau once quipped, and one listen to Haircut 100's new album Boxing The Compass proves him very correct, indeed. Filled with harmonic smarts, endless hooks, slinky sax grooves, jazzy lines and pure percussive wonder, Boxing The Compass is the ultimate pop rush of the year. Haircut 100 sound rejuvenated, revived and undeniably battle-ready. This is a shimmering platter of melodic majesty that's timeless and essential. www.haircut100.com (http://www.haircut100.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) editor@steroembersmagazine.com IG + THREADS+ BLUESKY: @emberspodcast

It's SKAUGUST! We kick off our yearly tradition with Justin's pick from the year 1988. This was a very bad year for ska, hence why we are talking about Ranking Roger's debut solo album, Radical Departure (a record that can barely be called ska.) Steve Long Go Fund Me: https://www.gofundme.com/f/help-me-cover-divorce-legal-fees Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the show Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month. You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopod Dylan Hensley and the Major Awards Band - majorawards.bandcamp.com Merch Shop - redbubble.com/people/punk-lotto-pod/shop Podcast platforms and social media links at linktr.ee/punklottopod Leave us a review and rating on Apple Podcasts and Spotify. Song clips featured on this episode: Falling Down by Ranking Roger So Excited by Ranking Roger Mono Gone to Stereo by Ranking Roger

Stereo Edition For over a decade, Paul and Eli have tackled a number of long, weird and tiring walks for their “walkabout” episodes. This week, for our four hundred and ninety ninth edition of the economy comedy podcast, the Cheap Chaps take on their most epic, most arduous and definitely most punishing walk EVER… And all they are doing is walking from Eli's flat in Harringay to Paul's place in Harrow. How hard can it be? As it turns out, it's a ruddy nightmare! What seemed like a cute idea at the start quickly becomes a walkabout like no other. Over the course of NINE hours and around 16 miles, they'll take in high streets, quiet suburbs, motorways, country parks, winding trails, parkland walks, familiar routes, hot weather, old haunts and accidently dig up some memories from the past decade of CheapShow. It's an emotional episode with plenty of big arguments, dark humour, dumb decisions and many embarrassing agonies to endure over THREE HOUR and TWENTY MINUTES! You want an Odyssey? Here is CheapShow's! See pics/videos for this episode on our website: https://www.thecheapshow.co.uk/ep-499-door-to-door GET TICKETS FOR Ep 500 LIVE Cambridge Junction (J2) August 23rd @ 4pm https://www.junction.co.uk/events/cheapshow-podcast-live/ www.patreon.com/cheapshow If you want to get involved, email us at thecheapshow@gmail.com For all other information, please visit: www.thecheapshow.co.uk Like, Review, Share, Comment... LOVE US! MERCH Official CheapShow Magazine Shop: www.cheapmag.shop Send Us Stuff: CheapShow PO BOX 1309 Harrow HA1 9QJ

"Battle For The Yellow" The Six-Foot-Six John Tesh cuts an imposing figure, but consider the numbers of his CV. He's got six Emmys, four Gold Albums, one Associated Press Award, two Grammy nominations, close to fifty albums to his name, including Live At Red Rocks, Music In The Key Of Love, Monterey Nights and Sports, close to ten million albums sold and his live shows have raised 7 million for PBS. Those are some numbers. The New York-raised Tesh showed up on the pop culture radar alongside Mary Hart when they hosted Entertainment Tonight, but Tesh knew he was destined to do other things. Like a lot of other things. In fact, Tesh has done so many things, in fact, if I listed them all we'd be here for a while, so let me give you a quick primer: He's worked as a sportscaster, covering everything from the Olympics to Wimbledon to the Tour de France, he's a radio host, a composer, a musician, an actor, a news anchor and an author. Tesh's new album The Cycling Remixes is an exhilarating blend of inspirational rhythms and motivating instrumentation that's tailor made for athletes who are looking for music to inspire them to get up that hill or across that pool. A dexterous keyboardist, Tesh plays with muscle and heart, his compositions soaring into the stratosphere with authenticity and belief. www.tesh.com (http://www.tesh.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + Bluesky + IG: @emberspodcast Email: editor@stereoembersmagazine.com

"Always" We've devastated to hear the news of the passing of the Trashcan Sinatras' John Douglas. We're so grateful that we had a chance to sit down with him last year for a chat. The Scottish-born singer/songwriter/guitarist was a lovely guy and this conversation is a generous glimpse into his creative process. Our thoughts are with his friends, his family and his bandmates.

"We Were Made For These Times" It's been 40 years since the Grammy-Award winning band the Klezmatics formed in the East Villag. In the same way the Pogues fused Irish folk with punk rock, the New York klezmer outfit have grafted centuries-old Yiddish music with iterations of contemporary music including jazz, gospel, punk, classical, Latin, and Balkan styles. With nearly twenty albums under their musical belts, including Rhythm and Jews, Jews With Horns, Letters to Afar and their wonderful new one, We Were Made For These Times, the Klezmatics remain one of the most spellbindingly singular bands on the planet. Over the course of their career they've collaborated with Arlo Guthrie, Allen Ginsberg and Itzhak Perlman, played shows in over twenty different countries, performed on PBS' Great Performances, recorded a live CD at New York City's Town Hall and snared a Critics Award as well as a New York Jewish Music Award. Their music has appeared everywhere from Sex and the City to Late Night With David Letterman and their new album continues to add to their winning legacy. A stirring, inspiring and soulful offering that, in the band's words is, "rooted in protest, hope, and resilience, We Were Made For These Times pairs Black gospel, Latin American, and avant-jazz voices with Yiddish folk and the results are joyful, life-affirming and brimming with optimism. The L.A. born vocalist, accordionist, pianist, guitarist Lorin Sklamberg is a lovely guy and this is a great chat. www.klezmatics.com (http://www.klezmatics.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagzine.com

"Parallel Universe" When I was working in college radio it seemed like Hypnolovewheel was putting out a record every year. And it felt that way because they pretty much were. Although they'd put out two records in the eighties, in the '90s the Long Island outfit released a trilogy of albums in an indie rock whirlwind: there was 1991's Space Mountain, 1992's Angel Food and 1993's Altered States. An EP followed and--well, that was pretty much it. More on that in a second. Over the course of their seven-year career, Hypnolovewheel toured with Kitchens of Distinction and King Missle, opened for fIREHOSE, the Jesus Lizard and the Fleshtones, got played on 120 Minutes and got rave reviews from The New York Times and were featured in Spider-Man comics. The band's compositions were loaded with clever lyrics, sneaky rhythms and hooks galore and each song jangled away with grinding, catchy beauty. Falling somewhere between R.E.M. and Lotion, Hypnolovewheel are one of those bands that may have been overlooked simply because college radio was a crowded and competitive field, but their new compilation Parallel Universe is a perfect sampler of what you might have missed, were you one of the folks who missed these guys the first time around. Drummer Peter Walsh passed away in 2021, but the remaining members are active in the reissue campaign of their back catalog and there's a lot of music to hear. https://hypnolovewheel1.bandcamp.com/album/parallel-universe https://www.instagram.com/hypnolovewheel/ www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: Threads + IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

Craig Leo takes over the Stereo Productions Podcast with an exclusive mix featuring his upcoming Stereo single "Salimba", several unreleased productions, and a selection of releases from Stereo Productions and Redolent Music. Expect driving grooves, tribal energy, and an exclusive taste of what's coming next on the label.