Podcast appearances and mentions of Billy Crystal

Buddy Young Jr. hears that first roar of laughter and everything changes. In this episode of Men at the Movies, host Paul McDonald sits down with Christian comedian Bob Smiley to break down Mr. Saturday Night (1992) and what it teaches men about courage, identity, and family.Find the study guide here.We talk about:Why the spotlight can feel safer than your own living room“You cannot let the love of the crowd replace the love of your family”How laughter is “ten times more powerful than morphine” and why joy healsThick-skin vs. gooey-heart masculinity—being strong without shutting downTurning your “first laugh” moment into a lifelong callingWhether you are a stand-up wannabe, a dad on the sidelines, or a guy wondering if your gifts matter, this conversation will challenge you to step into what you were created to be while staying present for the people who know the real you.➜ Free one-page study guide, show notes, and merch: https://www.menatthemovies.com➜ Watch the full clip on YouTube: https://www.youtube.com/@menatthemoviesKey words: Mr. Saturday Night, Billy Crystal, Bob Smiley, stand-up comedy, Christian podcast, faith and film, fatherhood, identity, courage, healing power of laughter, Men at the Movies, movie Bible study.Rate and review the show to help more men discover the bigger story in every movie!

YEEE-HA!!! Saddle up, buckaroos! This week, Darin and John are watching City Slickers, with Billy Crystal, Bruno Kirby, Daniel Stern, and Jack Palance! When Mitch, [...]

Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

Everyone likes a good Hollywood story, and Andrea Eastman, former agent, studio executive and the woman who cast The Godfather has a million of them. Starting this week, we will be presenting a series of interviews with Andrea, where she relates fascinating stories about Hollywood's elite, including Barbra Streisand, Billy Crystal, Rob Reiner, Jerry Weintraub, Roy Scheider, Richard Gere and more.   

Our exit today has us reporting on another junket on behalf of Horse and Hound Magazine. Just kidding, it's not another Notting Hill episode. This week, we are talking about America's Sweethearts, written by Billy Crystal and Peter Tolan and directed by Joe Roth.In addition to Tripp's family vacations, they discuss the birdcage, Billy Crystal, Monica from FRIENDS, Hedwig and the Angry Inch, Hyatts, Hollywood gossip, John Cusack films, and some Christopher Walken love.Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

I love the movie City Slickers.If you're unfamiliar, Billy Crystal is a Manhattanite, has a midlife crisis, and goes out West on a cattle drive to try to figure life out.Spoiler alert, the crusty old cowboy teaches him that the secret to life is – ‘One thing. Just one thing. You stick to that and everything else don't mean shhh…” Well, you get the idea.It struck me that this is a great brand lesson as well. You've seen the stats – our ideal customer simply gets hammered with messages every day. And there are so many things your internal team could work on. How to break through the noise? How to prioritize? I love what my next guest told me – “If you don't have one clear position of who you are and why they should care, you're just throwing spaghetti at a wall.”To hear the story behind that lesson, along with many more lesson-filled stories, I sat down with Margaret Dawson, CMO, Chronosphere [https://chronosphere.io/].Chronosphere has raised $343 million in three rounds. In its Series C round in 2023, the company was valued at $1.6 billion.Dawson leads global marketing efforts at Chronosphere, overseeing a budget of $12 million and a team of 23 working on digital experience, corporate communications, demand generation, customer marketing, ABM, Marketing Ops, and Product Marketing.Lessons from the things she madeIf you don't have one clear position of who you are and why they should care, you're just throwing spaghetti at a wallSometimes you need to poke the snakeIntegrated marketing moves the needleMentoring is a two-way streetJust because you can do something doesn't mean you shouldDon't focus so much on winning each battle that you lose the warIf you channeled the characteristics that made you so competent and made you authentically you, you would have the greatest powerWe do not serve ourselves or the world by hiding our light or being afraid to stand tallDiscussed in this episodeJoin us on July 30th at 2 pm EDT for AI Hackathon: Build a powerful lead gen agent in just 90 minutes [https://join.meclabsai.com/mec-050-masterclass] (from MeclabsAI, MarketingSherpa's parent company).Outside-In Messaging: Nothing counts more than the language of the customer (podcast episode #75) [https://marketingsherpa.com/article/interview/outside-in-messaging]The 4 Pillars of Email Marketing [https://sherpablog.marketingsherpa.com/email-marketing/4-pillars-email-summit-2014/]Building Brands: People and culture matter a lot, mentorship matters even more, product matters the most (podcast episode #119) [https://marketingsherpa.com/article/interview/brands]Marketing Campaigns: Lose the brand ego and lean into humility (podcast episode #130) [https://marketingsherpa.com/article/interview/marketing-campaigns]Get more episodesSubscribe to the MarketingSherpa email newsletter [https://www.marketingsherpa.com/newsletters] to get more insights from your fellow marketers. Sign up for free if you'd like to get more episodes like this one.For more insights, check out...TApply to be a guestIf you would like to apply to be a guest on How I Made It In Marketing, here is the podcast guest application – https://www.marketingsherpa.com/page/podcast-guest-application

BOSSes, Anne Ganguzza and Tom Dheere dive into a lively and often debated topic for voiceover professionals: industry awards. Prompted by Anne's multiple Award nominations, they explore whether these accolades are simply vanity projects or powerful marketing tools. This episode delves into evolving perspectives on awards, the true meaning of a nomination, and practical strategies for leveraging any recognition to propel your voiceover business forward. They emphasize understanding the subjective nature of awards and how to use them for credibility, even beyond winning.   00:40 - Anne (Host) Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I'm here with real boss, Tom Dheere. Woo-hoo, hi, Tom Dheere. I feel like there's pomp and circumstance for you, Tom Dheere, because it's that season again. Do you know what season it is? Deer season.  01:00 - Tom (Guest) Get it Tom Dheere, Deer season oh my God, that is really funny actually. That was terrible. It was not funny.  01:04 - Anne (Host) Well, okay, in addition to being deer season, right, it's award season. Woo-hoo, that's right it is award season. And I know there's always there's always always discussions about awards, and I've had discussions about awards before. I think we've probably talked about them before, but let's talk about them again, shall we? Because I think it's an ever-evolving thing and there are some people who are really for awards and some people who really detest awards.  01:32 - Tom (Guest) Yes, the reason why we're having this conversation, Anne, is because you got nominated for how many One Voice Awards.  01:41 - Anne (Host) Five why,thank you.  01:43 - Tom (Guest) Yes.  01:43 - Anne (Host) Why, thank you.  01:46 - Tom (Guest) I'm very excited about that. Wow, this is exciting and it's for all of the amazing work that you have gotten out of your students.  01:54 - Anne (Host) Yeah, for demos. 01:55 - Tom (Guest) That's amazing. Congratulations to you and all of your students. I'm very excited.  01:59 - Anne (Host) Yes, thank you, thank you. I like awards. I am one of those people that I actually endorse awards and I know some people think they're a vanity thing and in reality, for me it's always been about the marketing aspect. Tom, what are your thoughts?  02:15 - Tom (Guest) I used to be part of the anti-awards crew. I thought it was an exercise in vanity. I thought it was a money grab by the voiceover organizations that were hosting the awards, and my thoughts have evolved on the subject. Okay, I'd love to hear that. Well, I really do see now that it is truly a marketing tool and that is okay. All awards in all industries, from the Oscars all the way down to, you know, dog Catcher of the Year, these are all marketing. It's all about marketing. Is it about recognition? Yes. Is it a celebration of the industry in question? Yes. Is it to shine a spotlight on excellence, either from an individual or a group of individuals or a company, or whatever? Yes, is it to shine a spotlight on excellence either from an individual or a group of individuals or a company, or whatever? Yes, all of that is good and it should be supported. Is it an exercise of vanity? Yeah, sure, it's okay. There's nothing wrong with wanting to get dressed up and have people applaud you. There's nothing wrong with that, it's totally cool, it's totally cool.  03:22 - Anne (Host) Any excuse to get dressed up.  03:24 - Tom (Guest) Well, especially as voice actors who are stuck in closets in our pajamas all day,  03:27 - Anne (Host) Exactly exactly.  03:28 For me, it's always been marketing. First, because we have this whole conversation that awards are subjective. Right, I watch the awards, I watch the music awards, I watch the Emmys, the Oscars, I watch them all. Some people just they have so much to say about the awards, but honestly, I enjoy them if there's entertainment involved and I actually feel like it's wonderful when people get recognition that I feel deserve recognition. But of course, there's always the times where you're like I don't know how that person won or I don't know how that person didn't win, and so it is so very subjective and I think, first and foremost, we all need to remember that that is a fact. Right, it is very subjective and if you do not win an award, it has no bearing whatsoever on your worth or your quality at all, absolutely.  04:17 - Tom (Guest) It's interesting because the prism that most people look through all awards through is the Oscars. Right, and it's like Billy Crystal said it's an evening for three hours where millionaires are handing each other gold statues, which is pretty funny and accurate. But here's the thing I just realized about all this is that if you are a member of the Academy the Film Academy and you get your screeners, you know that Daniel Day-Lewis is up for best actor and you're watching the movie, or whatever excerpts of the movie that they sent you for you to cast your vote for him or somebody else.  04:50 - Anne (Host) Right or anybody else in any other category, or if you're not a voter right, you're a person going. Oh, hmm, somebody thinks that movie's credible, maybe I'll go see it. Guess what that resulted in Purchasing right, purchasing right, purchasing a ticket to go see that movie. So marketing, it worked, so marketing.  05:05 - Tom (Guest) But here's the interesting Anne that I just realized when it comes to the One Voice Awards which we both got, I got nominated for a little one, just one, yay, congratulations.  05:13 - Anne (Host) Tom Dheere.  05:13 - Tom (Guest) The commercial category.  05:14 - Anne (Host) Oh, that's right. That's right, Tom, that's awesome.  05:25 - Tom (Guest) So for your performance, but it's really nice. It's just being like, hey. But here's the thing about it is that when you submit, it's my understanding that when they listen to these demos that you help produce or these voiceovers that I did, they don't know who they're listening to.  05:41 - Anne (Host) Yeah, theoretically.  05:43 - Tom (Guest) So it's theoretically, I mean.  05:44 - Anne (Host) In a closed industry. Sometimes, like I know Tom De're listening to yeah, theoretically, so it's theoretically, I mean In a closed industry. Sometimes, like I know Tom Dheere voice.  05:48 - Tom (Guest) Well, that's exactly what I was about to say. I would like if there were three or four or five, if there were five people who were listening to these, I think that maybe two or three of them would probably be like that's Tom.  05:58 - Anne (Host) Yeah, yeah, yeah, but they don't talk to one another.  06:01 - Tom (Guest) But they don't talk to one other so it's generally anonymous and it's generally done in isolation.  06:06 - Anne (Host) I can say that for certain because I've been a judge prior.  06:09 - Tom (Guest) Right, oh, okay, so.  06:10 - Anne (Host) I can say for certain that it is closed and that you do not know who the entry is. You don't know who submitted it, right, and it's isolated.  06:18 - Tom (Guest) So for the five lovely voice actors whose demos were nominated that you produced. They didn't know who they were and they didn't know that necessarily that it was you that produced it. I mean, after a while, if you listen to enough demos, you can be like that's a Chuck Duran demo, that's a Nancy Wolfson demo because there's just like styles, there's styles you know what I mean, but for the most part they're not going to know who these voice actors are, who are nominated for any of these or for the demo.  06:43 So I think it's more of a pure. There's a level of purity in it that there isn't in the Oscars, for example.  06:48 - Anne (Host) Yeah, there's a combination for that particular category of not just the demo but the performance in the demo and hopefully, if you have created that demo and produced that demo, that has lent itself to a wonderful performance. And just being nominated, I want to say to anybody out there, just being nominated is a win. It doesn't matter, honestly, if I win, and I've been entering awards for years now. There's been many, many years where I didn't win and so I have to like always talk to myself and talk to my students to make sure that if I don't win it doesn't mean that I'm not worthy, it doesn't mean that that nomination wasn't really a win, because you can still believe it or not, you can market a nomination just like a win.  07:28 - Tom (Guest) Absolutely, and the Oscars— it sounds pretty darn similar. The Oscars do it all the time.  07:32 - Anne (Host) Mm-hmm. Award-nominated versus award-winning.  07:35 - Tom (Guest) Right. Did you ever watch the Secret Life of Walter Mitty?  07:38 - Anne (Host) That's the one that Ben Affleck wrote, and directed and starred in.  07:42 - Tom (Guest) I thought that movie was exceptional and I swore I was going to get all these nominations. It didn't get a one.  07:48 - Anne (Host) And.  07:49 - Tom (Guest) I don't know if it's because they didn't think it was off to snuff, if it was too past the deadline, or if they just chose not to submit it, because that's the other thing. We choose to submit ourselves for these awards. Now for actors in Broadway and television and film. They have their production companies or networks or whatever deciding to do these. Oh, we think these people have the best chance and they still have to pay submission fees as well, application fees for the nominations, just like any other nomination, which I think is-.  08:16 - Anne (Host) Well, there's a cost to running an award show. There's a cost to having people judge the awards. There's a cost for people's time, absolutely. So paying to enter yourself into an awards is. I don't find anything necessarily wrong about that.  08:33 - Speaker 2 (Announcement) No.  08:33 - Tom (Guest) Maybe how much you pay, I don't know I mean if it's a for-profit scheme, then you know, okay, I mean people who organize awards. Should they or do they deserve to make a profit, Like I don't know if, like the Oscars, if that's a nonprofit situation where they don't make any money off of it, they just want to celebrate the industry and recognize people for it, and they don't make a dime. And they make the fees just enough to cover the cost to produce the show and print and, you know, make the gold statues.  08:59 - Anne (Host) Well, it becomes a marketing effort for the venue. It becomes a marketing effort for the people who put stuff in the swag bags. It becomes a marketing effort for so many things really. And it's like it's not always obvious, but in reality it really does lend itself to marketing quite a bit.  09:17 - Tom (Guest) One of the other questions. One of the anti-award swath of the voiceover industry says winning award isn't going to book you more work. And for the Oscars? We know that's not true, because when actors or actresses win an Oscar, they get a lot more scripts on their desk. They've all said that they just get more acting opportunities. So in that context it's 100% true. Is it true for voice actors? I'd say it probably isn't, because your typical explainer video production company has never heard of the One Voice Awards. But that's not the reason that you do it. But yeah.  09:52 - Anne (Host) However, let's just go beyond it, because if you market yourself as an award-nominated voice actor or an award-winning voice actor, right, if somebody happens to find you or find your website, right, it lends some credibility. I believe it lends some credibility to who you are. So if I'm a person and I don't know the voices and I have two equal voices that I like if I see that one has won an award or has a history of winning awards or being nominated for awards, I'm going to feel like, oh, maybe they've been in business a little bit longer, maybe they're considered by others to be top of their field, and so I would maybe sway toward an award nominated or award winning. And again, it really depends on how people, given equal circumstances, award winning, award nominated versus maybe not.  10:42 - Tom (Guest) I think that's a very fair point. Now, where my mind was going where Tom Dheere, the VO strategist, business and marketing guy, was going is what's the SEO value of?  10:53 - Anne (Host) the terms award-winning.  10:55 - Speaker 2 (Announcement) Like how is that what's the?  10:56 - Tom (Guest) score. Yeah, what's the keyword score? You know what I mean. So actually, I want to make a note of that. I want to look that up when we get off of this.  11:03 - Anne (Host) I'll tell you, when I look for a company to purchase from right, what's the criteria? I want to make sure that that company's been in business for a while. I want to make sure that they put out a quality product and I want to know that there's testimonials of other people who have used that product that are actually saying yes, it helped me, it was wonderful, it was quick and painless. And think about that. This could be right. Anybody who might have won an award and has testimonials on their website. Right, If you've award winning, then that gives it a little bit of credibility that maybe other people have listened to this person. They're definitely a professional in the industry, right? You don't submit for an award unless you're a professional, so sometimes you just don't know who you're working with. It can help people, I think, to get to know you a little bit better, or really, I think, put that credibility forward first when people are making a buying decision.  11:58 - Tom (Guest) Yeah, I mean, and now that I'm thinking about it as we're talking about it, what's a better testimonial than an award nomination? Right, yeah, I mean, and now that I'm thinking about it as we're talking about it, what's a better testimonial than an award nomination?  12:04 - Anne (Host) Right, yeah, I mean really.  12:06 - Tom (Guest) Right, what's a better endorsement?  12:07 - Anne (Host) That was kind of my point right, it's a wonderful way. So if I buy because of they've been in business, they're not going to just go out of business and take my money and steal it. They're credible, right? They have a good product, right? Well, if they're award nominated, award-winning, that lends me to think that when I look for a beauty product, hello, I'm going to go back to you know award-winning award-winning formulas.  12:28 If I have no knowledge whatsoever of the product, right, I'm going to tend to look there first and after I look there, right, I'm going to look for it. Actually, if I do my shopping on Amazon or I do shopping on anything, right, I'm looking for the number of stars, the ratings, right, A lot of times they go hand in hand. Right Ratings and reviews.  12:46 Ratings and reviews and so award nominated best beauty product of 2024 by Elle magazine, that kind of thing. That kind of means something to me. I'm like, well, somebody did their research right and so therefore, if it's talking about a voice talent that's award-nominated and award-winning, I would feel like, oh okay, maybe there's some credibility there. Now I can go ahead and listen. Let me listen to the voice and see if it's something that I want.  13:10 - Tom (Guest) Yeah, yeah. And of course the capitalist in me thinks oh and if you're an award-winning voice actor, maybe you can charge more.  13:18 - Anne (Host) Well, I right, that's very true, but I also know like if people come to me for a demo, right, they're like I want to win an award. I always try to say to them well, that shouldn't be like I really have people say that to me.  13:28 That shouldn't be the goal. However, they're like I want an award-winning demo. What are they saying to me? They're saying to me that they want the absolute best demo that is valued by the community or valued by others in the community. So they want a valuable product. That's what they're saying to me and I'll kind of say, well, okay, I don't design demos to win an award. However, I want to design a demo to get you work right and if it wins an award, that's a great bonus. And they're like yeah, I know, but I still want an award winning right? People will say that to me, so it's kind of human nature, I think, to want to lean toward a product that is award-winning.  14:05 - Tom (Guest) Right, Because nobody says I want to eat something that's been not approved by the FDA. Yeah right, Exactly, I will never. I will eat at no restaurant that's ever won a Michelin star. I refuse, it's like no, that's ridiculous.  14:17 - Anne (Host) Because it's not just the recognition, it's what the recognition represents. Yeah, absolutely, absolutely so. For me that's where the awards have always sat and I did have issues for years until I explained to my students who I said I think you should enter this into the awards. I will always say, hey look, I think it's an award worthy product, right. And so they're like oh really, and that gives them like a sense of worth or a sense of like pride. Hopefully I wouldn't say it if I didn't think it had a chance of getting some recognition.  14:52 So if I say that to someone, then I've given them a sense of accomplishment, I'm giving them confidence in their product so that they can then represent themselves and sell it better, and that's basically how that'll work. But I will always explain to them look, if you do not win, remember awards are very, very subjective. There have been some amazing, just like there have been some amazing movies that didn't win the best picture of the year. There have been some amazing actors that have not won best actor or best actress, and so you know, you have to really make yourself aware, even though in your heart you might be disappointed if you don't win right or don't get nominated. But you do have to realize that it is very, very subjective especially if you've got an award show that it doesn't cost anything to enter. Nothing ventured, nothing gained. You're not losing out on anything really by submitting.  15:46 - Tom (Guest) I mean, take a chance. It's like playing the lottery, right. Take a chance, Absolutely. So, with all that in mind, what do you do from a marketing stance? And I've got my own ideas too, about how we could tell VO bosses. You've got a thing, whether it's a spot that I did for a college or if there's a demo that you produce with a student.  15:59 - Anne (Host) What are the?  16:00 - Tom (Guest) steps to use it, to use the award, nomination and hopefully the win, as a marketing tool.  16:05 - Anne (Host) Well, absolutely put it on your website right.  16:08 Absolutely throw it on YouTube, put it on your website. Label it as being award nominated, award winning, like. Make sure the text is in there, because that's SEO value. Make sure that it's on your website, make sure that it's on every single profile, make sure that it's in every single description, make sure that it's literally like SEO optimized. And then make sure that wherever you're describing it as an award nominated, right, award winning entry or whatever that might be, make sure that you're also giving information about the industry that you're in best performance voice actor, corporate narration, right or whatever, or best performance demo, reel, animation so it then allocates the other words that are important. So when people are searching for animation, voice, right and then all of a sudden, this will come up, as I'm so excited that my award-winning entry or award-nominated entry or whatever if something comes up or shows up in their search, that's going to lend its credibility and also hopefully lead to your website so that they can then inquire further or get an audition from you or find out more and contact you.  17:14 - Tom (Guest) Yes, I'll layer on top of that, like, for example, when I found out I got my One Voice nomination, I wrote a blog about it.  17:22 - Anne (Host) Yep, that's wonderful.  17:24 - Tom (Guest) So what that does is a number of things. Every time that you write a blog, you publish a blog, it adds another page to your website and All of the content on that particular website is saying voice over, this voice acting, that voice talent, this voice artist, that. So it's got all of the keywords that would further enrich the search engine optimization of your website, to make it more searchable and for it to rank higher. So just writing about it is extremely important on a technical SEO level. However, you don't want to turn it into a self-aggrandizing. Oh, look at me. It could be about a number of things.  18:05 - Anne (Host) It could be about the company that created the one voice in this situation, or about the company that you voiced for.  18:11 - Tom (Guest) Or about the company that you voiced for exactly. So a couple years ago I got a one voice nomination for a public service announcement I did for the Humane Society. Remember those 4,000 beagles were rescued from a lab in Virginia. A few years ago.  18:25 And then the American Humane Society got all 4,000 beagles adopted. So I auditioned and booked the voiceover for the public service announcement announcing that all 4,000 beagles were adopted. So when I blogged a few years ago back then about hey, I got this award nomination, it wasn't about the award, it wasn't about the nomination, it wasn't about me, it was about bringing awareness, it was about the beagle puppies. That's what it was about. I made it about the puppies.  18:53 - Anne (Host) And that's wonderful, because what's a better draw than animals, your fur babies, right?  18:59 - Tom (Guest) Yes.  19:02 - Anne (Host) Which is I lead all my award nominations with my cats there you go.  19:04 But that's an actual great idea, like somehow, let's just say, my Bengal Manx mix Sebastian, who everybody's gotten to know because they have their own Facebook and Instagram and TikTok right. So we could just say, oh, they're in my studio listening and then all of a sudden you can silently incorporate or just in the back end, incorporate that performance or that particular working on a demo for blah blah, blah blah blah For me on my website, because I advertise that I do demo production. Under the demo page, the landing page, I have all the awards and nominations that I've ever done and received, and for the VO Boss, because we've won awards for the VO Boss podcast and nominations. I also have it on my VO Boss website as well, as well as writing a blog on VO Boss about it. So absolutely trying to garner an award-winning podcast.  19:49 - Tom (Guest) Yeah, the other thing that I do is I make sure that I reached out to the production company that cast me for it, so my nomination this time was for North Idaho. College just a real tiny, tiny little postage stamp-sized college in the Northwest of our country and that one got nominated and it's a great. It's a great ad. It's beautifully shot, the editing is just superb. The music is perfect. You know, I'm probably the worst thing about the whole thing.  20:16 - Anne (Host) I love how generous you are. I think that's the way you need to approach it. They could just break apart and say it's your voice, but in reality, when you're presenting a product or a piece for an award, it's the whole darn shebang. If you think about it, that helps with that presentation. It's the media, the music behind it, the voice. It's all like a beautiful symphony in reality.  20:36 And so paying it forward and having gratitude for the other parts of it that helped you to win that award or that nomination, I think is a wonderful way to not appear to make it like a vanity thing, because you're showing appreciation for all of the components that help make it happen. I mean, whenever I make an announcement by the way, the other thing that I do to market is on social media, right so I'm highlighting the demo clients of mine that their voice has been nominated, and I'm also giving thanks to my audio engineer and in reality, it's like I could not have done it without you, to be quite honest, and so that then lends it to be a little less vanity ridden or sounding, I should say.  21:16 - Tom (Guest) Right, I mean in the Oscar Awards, do they go up there, accept the award, thank themselves and then get off the stage?  21:21 - Anne (Host) No, they're always thanking the people that helped them make it possible, really Exactly Also just from a technical and SEO perspective.  21:28 - Tom (Guest) Another reason why I like to let the production company know is because now they have the opportunity to use this nomination as marketing fodder for their own campaigns on their website and social media and newsletters and things like that.  21:43 So it's just paying it forward also on a marketing level. So the production company just has because all the voice seekers are as desperate to come up with quality content to put on their website and social media and their communications as us voice actors are. So to give them saying, hey, here's a free nugget of marketing gold that you can go do something with it helps everybody.  22:05 - Anne (Host) Absolutely. I actually got a statue. I got one of the awards for one of my partners on the podcast and shipped it. When I won this podcast I'm trying to think a couple years ago I also ordered an award for the person that I interviewed on that show and I shipped it, and that was actually for Alex Srdjak from Respeecher, so I shipped it to. Ukraine.  22:27 So I literally and that's how grateful I was. And it was really cool because when he received it, of course, what did he do? He took a picture of it with him, right, and then he used it for his own marketing, which I thought was really wonderful. So it kind of was like it all works for everybody involved.  22:42 - Tom (Guest) See, haters. There are so many great things about a voiceover award nomination and a win. There's so many great things that you can do, not just for yourself, but for the people that made the nomination possible.  22:53 - Anne (Host) Absolutely. You know what do you say to the haters? I mean you don't have to enter and you don't have to watch. I mean you don't have to enter and you don't have to watch awards and you don't have to participate. If you don't agree with it, that's completely fine. It's completely fine in reality, but for those that do, there's value to it beyond the award. Really, it's beyond the award and, like I said, even if you don't get nominated, if your coach or somebody says you should submit that for an award, consider that a win. Really. If you have a colleague that listens to this and say, oh my God, that was amazing, you should submit that. Right, there is an award for confidence, for somebody believing in you and believing in your work and thinking that it is worthy of an award, and that, to me, is a win right there.  23:36 - Tom (Guest) Absolutely.  23:37 - Anne (Host) So good stuff. Tom Dheere, Congrats on your noms.  23:42 - Tom (Guest) Congrats on your noms.  23:43 - Anne (Host) Yeah, thank you. And bosses out there, utilize this for good, for marketing efforts. And even if you just want to submit your work to your colleague and say, what do you think right, consider that your award submission for a job well done. And if you don't win, don't let it affect you. It has nothing to do with your worthiness, with your performance. It basically is something that you know. What if you don't win, try, try again. What is it If you don't?  24:09 - Tom (Guest) If at first you don't succeed try, try again.  24:12 - Anne (Host) Well, yeah, well, if you don't win, try, try again. That's what I say. I always think there's something good in a little bit of competition, right? That keeps us motivated and keeps us inspired to want to be better and do better. So allow that to help you further your career. So, whether or not you win an award, allow it to inspire and motivate you. So good stuff. All right, Tom, thank you so much. I'm gonna give a great big shout out to our sponsor, ipdtl. You too can connect and be award-winning bosses. Find out more at IPDTLcom. Tom, thank you so much, and bosses have an amazing week.  24:54 - Speaker 2 (Announcement) We'll see you next time. Bye, join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast to coast connectivity via ipdtl.   

Ron Underwood's 1990 small desert town monster movie, TREMORS, is our feature presentation this week. We talk Kevin Bacon's evolving feelings on the film, "Spielberg Lite" directors, how a fun whimsical movie has such a high body count, Billy Crystal's connection, and much more! We also eulogize Michael Madsen and pick our TOP 7 MICHAEL MADSEN MOVIES in this week's SILVER SCREEN 7! Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Let's Play Ball! continues to heat up the summer here on @wedrinkandwewatchthings, and this week's episode comes straight from a fan recommendation! We're stepping back in time to the epic 1961 home run race with 61* - the story of Roger Maris and Mickey Mantle. Mackenzie might have been sporting her Red Sox hat throughout the recording (just for clarity, you know), but even she can appreciate a compelling baseball story. Grab your drink and let's talk about a record chase that gripped a nation.This week, we're diving into Billy Crystal's portrayal of the intense pressure and rivalry (and friendship) between the "M&M Boys" as they chased Babe Ruth's legendary single-season home run record. We'll be talking about the film's depiction of the media circus, the weight of history, and how two very different personalities handled being under an unforgiving spotlight. It's a look at the human side of a record-breaking season, with all the drama, struggle, and indelible moments.If you're a baseball history buff, a fan of underdog stories (even if you're pulling for the other guy), or just curious about what it took to hit 61 dingers in '61, this episode is for you. We're blending our analysis of the film with our usual conversational style, and yes, Mackenzie will have some thoughts about the Yankees of it all. It's an honest look at a pivotal moment in baseball, brought to you by popular demand!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Ed Driscoll is joining me for the second time on StoryBeat. Ed's an Emmy Award-winning comedian, writer and producer who's worked with some of the biggest stars in the entertainment industry including: Billy Crystal, Joan Rivers, Michael Bublé, and Dennis Miller to name just a few! Ed's produced material for variety shows, sitcoms, movies, and live theater. And he's been a stand-up comedian for over 25 years. Ed's authored five critically acclaimed books: Spilled Gravy, Looking To Click, Laugh, Dammit!, Unmoved Chess Pieces, and Cracking Up.  I recently read Cracking Up and can tell you it's a laugh out loud compendium of stories from Ed's highly memorable show biz career. If you like hilarious real-life Hollywood stories, I highly recommend Cracking Up to you.https://www.eddriscollcomedy.comhttps://twitter.com/theeddriscoll https://www.facebook.com/theeddriscollhttps://instagram.com/theeddriscoll

This week on Shat The Movies, Gene and Big D rope in a modern Western classic with City Slickers (1991), a film that's equal parts midlife meltdown, male bonding, and calf-birthing madness. Commissioned as a birthday gift from Ken to Eileen, Shat The Movies Episode 450 explores the heartfelt—and sometimes hilarious—journey of three friends finding purpose on a New Mexico cattle drive. Gene shares personal reflections on Americana cosplay, toxic corporate life, and the ever-elusive “one thing,” while Big D opens up about aging, friendship, and why his idea of bliss is scrubbing solar panels at 6 a.m. They dive into masculinity, mental health, Billy Crystal's Mets cap, and the emotional weight behind Jack Palance's Oscar-winning performance. Oh, and yes—there's an in-depth discussion about cow afterbirth, horse anatomy, and “horse beans.” You're welcome. Plot Summary: City Slickers is a 1991 Western comedy directed by Ron Underwood and starring Billy Crystal, Daniel Stern, and Bruno Kirby. It follows Mitch Robbins, a disillusioned 39-year-old New Yorker stuck in a midlife crisis, who embarks on a two-week cattle drive through the Southwest with his best friends Phil and Ed. Expecting a macho escape from their mundane lives, the trio instead face emotional reckoning, cowboy philosophy, and unexpected tenderness—including the birth of a calf Mitch names Norman. Along the way, they're guided by the grizzled trail boss Curly (Jack Palance in an Oscar-winning role), whose “one thing” lesson helps Mitch discover what really matters. Both funny and surprisingly poignant, City Slickers blends comedy with heartfelt introspection about friendship, adulthood, and the pursuit of meaning in middle age. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

The U.S. Supreme Court just ended its 2024-2025 term. And along with issuing big decisions in big cases — they also had — in some oral arguments — big laughs. So, time now for our annual end-of-term Supreme Court comedy festival! Hear the top 8 laugh lines from this Supreme Court term – then find out why they were funny — then, find out how they could have been made even funnier still — Then, hear the jokes ranked. How are we going to pull of this daunting comedy feat? Simple: we'll be joined a very special guest — an actual comedy professional - to walk us through all this year's SCOTUS humor. It's legendary — and hilarious — comedy writer, Jon Macks. You've heard Jon Macks' work on "The Tonight Show with Jay Leno," the Academy Awards – and his jokes told by Chris Rock, Billy Crystal, Steve Martin, Martin Short, Ricky Gervais … and, over the years, by many, many politicians. And now you can hear him in this week's episode of C-SPAN's podcast "The Weekly." • What got big Supreme Court laughs this term – and why? • What does Jon Macks think of the jokes – rated and ranked? • Would the joke have worked at a comedy club? • And how would Jon Macks have told the joke if he were a Justice on the Supreme Court? Find out in "The Weekly." So - throw your head back and roar in laughter with Supreme Court justices — and find C-SPAN's "The Weekly" wherever you get podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick takes a deep dive into one of Saturday Night Live's most memorable pop culture moments: Billy Crystal's portrayal of Fernando, the charmingly ridiculous send-up of Fernando Lamas. With his slick hair, oversized sunglasses, and that unforgettable line—“You look marvelous!”—Fernando became an SNL staple and a catchphrase machine that took the mid-80s by storm. The episode revisits classic trips to “Fernando's Hideaway,” featuring an all-star roster of guests including Ringo Starr and Barbara Bach, Howard Cosell, Hulk Hogan and Mr. T, Teri Garr, and Ann-Margret. These segments blended absurd flattery with surreal interviews and left a lasting mark on the show's legacy. Nick also shares insights from Billy Crystal himself about how the character came to be—and tracks down a surprising take from Lamas' real-life son, Lorenzo, on whether the original Fernando found the impression flattering or infuriating. It's a wonderfully nostalgic look at a character who didn't just look marvelous—he was marvelous. [EP 131]

Oooooh Boy! Another Butter dropped and can't be fixed! What a shame! Find out all about this OUFL draft, it was quite revealing about the fellas... We jump into rules in sports that are dumb, and should probably change and we tell you why we thing these rules should definitely be changed! Disagree?? We don't care, we want them changed anyway! And then we jump straight into some Neil Diamond!! Wait, Billy Crystal... Wait, BILLY MF'n JOEL!!!! The fire was always burning, since the world's been turning! And we drafted our... uh... favorite...? things from this wonderful song! I guess you'll just have to get up off the couch, change the channel on your clicker dial to your favorite radio show, and read this episode to find out what this episode is truly about!! Hope you enjoy!!

Welcome to The B-Side! Here we sometimes talk about movie stars! We sometimes talk about movie directors! Today, we talk about both! Specifically, the B-Sides of the Mission: Impossible franchise. It's just Conor and I today folks, waxing poetic on Tom Cruise's legendary franchise and the B-Sides that we were inspired to discuss. We've chosen one for each of the Mission movies. It's also July 3rd on the day this episode is published, so happy 63rd birthday Tom Cruise! For the first Mission: Impossible, we speak on The Avengers from 1998. An adaptation of the popular British television series from the ‘60s, director Jeremiah S. Chechik's film was dismantled in post-production, slashed to ribbons following bad test screenings. The final product runs well under ninety minutes and is hard to understand. It sits on the other end of blockbusters in the ‘90s adapted from hit televisions from yesteryear. We also discuss the last five films Sean Connery made (animated film Sir Billi not included), as well as the ones he turned down. For Mission: Impossible II, we chose another John Woo American motion picture: Paycheck, starring Ben Affleck and The Avengers star Uma Thurman. This is a true B-Side, and the beginning of Affleck's now-infamous lost half-decade as a fledgling movie star. For Mission: Impossible III, we return to television inspiration. In honor of director J.J. Abrams, Conor and I go long on No Man's Land, one of the first produced screenwriting credits of Dick Wolf, who would go on to create the, ahem, Law & Order universe of shows. This Charlie Sheen/ D.B Sweeney vehicle walked so Point Break and The Fast and the Furious could run. There's chatter about David Ayer, that scene from Fire in the Sky, and how Charlie Sheen is always better when he plays the villain. For Ghost Protocol, we debate the Brad Bird B-Side Tomorrowland. We discuss libertarianism (for like two minutes) and the misbegotten message of the George Clooney blockbuster. For Rogue Nation we honor the Hitchcock homage of the opening and discuss one of Hitch's most underrated films: Topaz. Truly a can't-miss picture, which spurns a talk about the ideal Hitchcock leading man. For Fallout, there's Michael Mann's Blackhat. We appreciate the still underseen hacker epic, and make the claim that Chris Hemsworth is the best movie star of the original Avengers (Marvel this time, not British) not named Robert Downey Jr. For Dead Reckoning Part 1, Conor goes long on Hayao Miyazaki's Lupin III: The Castle of Cagliostro, from the little yellow car to the action to the animation. And, finally, for The Final Reckoning, we celebrate John Sturges' Ice Station Zebra. The second act of the final film in the series is a reimagining of sorts of the 1968 submarine epic, with way more stunts and underwater photography. There's also mention of the Billy Crystal 1997 Oscars opening, this lovely promo for the Albert Brooks movie Mother (ok it's not mentioned I just love it), and the Oliver Stone episode of the Light the Fuse podcast.

Welcome to The B-Side! Here we sometimes talk about movie stars! We sometimes talk about movie directors! Today, we talk about both! Specifically, the B-Sides of the Mission: Impossible franchise. It's just Dan and Conor today folks, waxing poetic on Tom Cruise's legendary franchise and the B-Sides that we were inspired to discuss. We've chosen one for each of the Mission movies. It's also July 3rd on the day this episode is published, so happy 63rd birthday Tom Cruise! For the first Mission: Impossible, we speak on The Avengers from 1998. An adaptation of the popular British television series from the ‘60s, director Jeremiah S. Chechik's film was dismantled in post-production, slashed to ribbons following bad test screenings. The final product runs well under ninety minutes and is hard to understand. It sits on the other end of blockbusters in the ‘90s adapted from hit televisions from yesteryear. We also discuss the last five films Sean Connery made (animated film Sir Billi not included), as well as the ones he turned down. For Mission: Impossible II, we chose another John Woo American motion picture: Paycheck, starring Ben Affleck and The Avengers star Uma Thurman. This is a true B-Side, and the beginning of Affleck's now-infamous lost half-decade as a fledgling movie star. For Mission: Impossible III, we return to television inspiration. In honor of director J.J. Abrams, Conor and I go long on No Man's Land, one of the first produced screenwriting credits of Dick Wolf, who would go on to create the, ahem, Law & Order universe of shows. This Charlie Sheen/ D.B Sweeney vehicle walked so Point Break and The Fast and the Furious could run. There's chatter about David Ayer, that scene from Fire in the Sky, and how Charlie Sheen is always better when he plays the villain. For Ghost Protocol, we debate the Brad Bird B-Side Tomorrowland. We discuss libertarianism (for like two minutes) and the misbegotten message of the George Clooney blockbuster. For Rogue Nation we honor the Hitchcock homage of the opening and discuss one of Hitch's most underrated films: Topaz. Truly a can't-miss picture, which spurns a talk about the ideal Hitchcock leading man. For Fallout, there's Michael Mann's Blackhat. We appreciate the still underseen hacker epic, and make the claim that Chris Hemsworth is the best movie star of the original Avengers (Marvel this time, not British) not named Robert Downey Jr. For Dead Reckoning Part 1, Conor goes long on Hayao Miyazaki's Lupin III: The Castle of Cagliostro, from the little yellow car to the action to the animation. And, finally, for The Final Reckoning, we celebrate John Sturges' Ice Station Zebra. The second act of the final film in the series is a reimagining of sorts of the 1968 submarine epic, with way more stunts and underwater photography. There's also mention of the Billy Crystal 1997 Oscars opening, this lovely promo for the Albert Brooks movie Mother (ok it's not mentioned I just love it), and the Oliver Stone episode of the Light the Fuse podcast. Listen here and subscribe at thefilmstage.com/pod. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Rosen has been hailed by The New York Times as “insanely ambitious,” “a sort of bridge between genres and generations, embracing Broadway standards, pop songs and the music of Tetris.” Broadway World hailed his orchestrations for “Some Like it Hot” — co-written with Bryan Carter — as “explosive… another first-rate team.” Opined JazzTimes of the 8-Bit Big Band: “[These are] innovative spins on a hidden musical canon that's arguably just booting up.” In 2021, Grammy.com proclaimed him to be one of “6 Big Band Composers Pushing The Format Forward.” Rosen was born in 1990 in Los Angeles, to a bassoonist and music teacher mother and pianist, banjoist, and silent movie theater organist father. When Rosen was three, his father ascertained that he had perfect pitch, when he successfully distinguished piano keys by color without seeing them. “That's a black key, that's a white key,” Rosen remembers intuiting. Rosen played flute in an elementary school orchestra, but that didn't really take. “I played cello for a year. That didn't really take,” Rosen says. But as his single digits flowed into his doubles, he accordingly took guitar lessons, and proceeded to perform in bands. “That was my first exposure to what it means to collaborate with your musical peers,” Rosen says, “as opposed to receiving rote classical music from a teacher.” Large ensemble jazz grew to captivate him most; his father frequently took him to see big bands and jazz orchestras, and his mother brought him to her orchestra rehearsals and chamber music performances. Rosen became fascinated by the sheer numbers of the musicians, the volume, and the force of the moving air. Saxophones, flutes, trumpets, banjos, guitars, and mandolins were around the house. “That influenced my love of arranging and discovering new instruments,” Rosen says — and he learned one after the other. Despite his parents' love of musicals, Rosen initially gravitated far more to classic rock and jazz. Yet in his sophomore year of high school, he nabbed a role in the coming-of-age Broadway musical “13” — which not only featured an entire cast of teenagers, but an all-teen orchestra. This led him to the comedic historical rock musical “Bloody Bloody Andrew Jackson” — conversely, a full-on professional production with adults. Both shows transferred to Broadway one year apart, before Rosen was old enough to drink. Rosen studied at Berklee College of Music for a few semesters; around 2010, he decided to focus on Broadway for good. At first, he was a multi-instrumentalist in a variety of pits, and it became clear he was capable of much more. “I started being like, ‘I'll do anything. I can transcribe your piano parts. I'll write sheet music. I'll write horn parts for you,'” Rosen recalls. “Just to get my name out there as somebody who could be part of music teams.” In 2012, he started his first New York large ensemble, dubbed Charlie Rosen's Broadway Big Band. He went on to work on a plethora of Broadway shows, as an orchestrator, music director, music supervisor, and more — from “Moulin Rouge” to “Be Home Chill” to “Some Like it Hot.” Already, Rosen was reimagining what a big band could do. “I would take songs from Broadway shows, like I do with the 8-Bit Big Band, and totally flip them on their head — rearrange them,” he says, “and I would ask singers from the Broadway community to front it.” He began a long-running residency at Midtown Manhattan's 54 Below, and “invited as many music directors, supervisors and composers — anybody I could possibly think of — to come to this thing.” The 54 Below residency demonstrated Rosen's swelling chops for old-school, Broadway-style arranging. Fast forward through years of shows and connections, and in 2018, Rosen launched the 8-Bit Big Band, and the lifelong gamer picked up the torch of the “Great Video Game Songbook.” To date, they have released four albums: 2018's “Press Start!,” 2019's “Choose Your Character,” 2021's “Backwards Compatible,” and 2023's “Game Changer.” In 2021, Rosen won a Grammy for Best Arrangement, Instrumental or A Capella. He won one Tony in 2020, for his work on “Moulin Rouge!, and another in 2023, for “Some Like It Hot.” Another Grammy followed in 2023, for his contributions to the latter production's cast recording. He was also nominated for both a Tony and Grammy award for his work on the groundbreaking 2022 Broadway show “A Strange Loop.”Other productions Rosen has worked on as a musician, composer, music supervisor, and/or orchestrator include “One Man, Two Guvnors”; “Cyrano de Bergerac”; “Honeymoon in Vegas”; “American Psycho”; “Prince of Broadway”; “Be More Chill”; “Moulin Rouge! The Musical”; and “A Strange Loop”. He was the musical director for the 2016 TV series “Maya & Marty,” and 2020's “Arthur Miller Foundation Honors,” and arranged, orchestrated, conducted, and/or composed for 2017's “The President Snow,” the 2021 documentary “Listening to Kenny G,” and that year's Billy Crystal comedy-drama “Here Today,” as well as the music producer for the 2023 film “Wonka.” What binds it all together is Rosen's unshakeable faith in the unrealized potential of a piece of music, especially as it relates to its function for dramatic storytelling. How the music functions to deliver a story, or deliver a feeling — “whether someones up there singing or not,” Rosen says. “Or whether it's creating an arrangement to support a singer singing in a specific way, or an instrumentalist to solo in a way they do best. “Whether it's your movie, song, orchestra, TV show, or Broadway show,” Rosen concludes, “it's all essentially the same instinct, but through instruments.” Marc Shaiman, a Tony-winning theater and Oscar-nominated film composer, described Mr. Rosen as a big talent, but without the eccentricities that sometimes come along for the ride. ‘It's the kind of talent where I almost want to hate him,' Mr. Shaiman said. ‘But I can't.' You don't get to be Charlie without being insanely ambitious, but I think it's really an ambition to have as much music in his life and in his head and in his mouth as he possibly can. He just loves making music.”

Willie gets together with Billy Crystal in NYU Tisch's "Jack Crystal Theater" named for his late father.  Billy opens up about his time in film school at NYU and about his professor, the legendary film director Martin Scorsese. They chat about the enduring legacy of "When Harry Met Sally" and about his acclaimed new series, "Before."  (Original broadcast date December 15, 2024)

This episode of The Other Side of the Bell, featuring trailblazing lead trumpeter Liesl Whitaker, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Liesl Whitaker trumpet interview"   About Liesl Whitaker: Liesl Whitaker is an American lead and commercial trumpeter based in the New York City metropolitan area. She currently plays lead trumpet in the pit orchestra of the hit Broadway musical Death Becomes Her (2024). Her other lead trumpet Broadway credits include Mr. Saturday Night - starring Billy Crystal (2022); Some Like it Hot (2023) and Suffs (2024). Off Broadway credits include Tappin' Thru Life – starring Maurice Hines (2016). Liesl is a twenty-one year veteran of the United States Army: In 2000, she won a national audition and became the first female lead trumpet player to be selected by any premier military unit when she won the lead chair with the US Army Blues. In 2012, she repeated this feat when she won the lead chair in the US Army Jazz Ambassadors, a second premier unit - something not done by anyone (male or female), prior or since. Liesl deployed twice with the Sergeant Major of the Army and the Third Army to Afghanistan and Iraq (2002; 2004). Additionally, Liesl was the lead trumpet player for the Smithsonian Jazz Masterworks Orchestra in Washington, D.C. (2004 – 2022).  She is a charter member of the all-woman big band The Diva Jazz Orchestra (1993 – present) based in New York City.  Liesl attended college at both Appalachian State University (Boone, NC) and The University of Cincinnati—College Conservatory of Music (Cincinnati, OH). She studied trumpet with Bill Adam, Pat Harbison and Joe Phelps. In 2004 and 2005, Liesl performed with the WDR Big Band in Cologne, Germany, recording with the ensemble and Conductor/Chief Arranger Michael Abene and guest artist Joe Lovano.  Additionally, she has performed on various recordings including projects by the Army Blues and Jazz Ambassadors, Sherrie Maricle and the Diva Jazz Orchestra, the Smithsonian Jazz Masterworks Orchestra, Victor Goines Big Band, Ed Palermo Big Band, various original Broadway cast recordings, as well as many others. Liesl currently resides in upstate, New York with her husband, Kenny Rampton, and her daughter, Lauren. When not performing or touring, she spends her free time honing her skills as an amateur writer.   Episode Links:   Blog: lieslwhitaker.wordpress.com Liesl Whitaker on Instagram (@lieslwhitaker) William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com    Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of Liesl Whitaker Audio Engineer - Ted Cragg

Get in losers we're going after Billy Crystal. The nation's premier Golf, Baseball, Cooking, and Technical Difficulties podcast is back and we're worse, baby. Like, subscribe, follow @gabbingwithbabish on instagram, gabbingwithbabish.bsky.social on Bluesky, and electronically mail us @ gabbingwithbabish@gmail.com!

May 16-22: Mr. Burns gets shot, French weirdness, Billy Crystal plays basketball, The Critic cancelation stinks, another Exorcist prequel, CSI is buried alive, Raymond's love lost, George Clooney tries to make the future better, and Top 10 reasons we miss David Letterman. All that and more from 30, 20, and 10 years ago.

EPISODE 174 – THIS IS SPINAL TAP (ft. Candice Oates) “Why would we let the guest talk?” To round out Musical May(June?), we are joined by comedian/improvisor Candice Oates! This week, Brandon demands more movie curtain speeches; Brian reveals the theory of hot people; Chris's marriage survives the Dave Matthews Test; Ashley seeks out the saddest of all keys; and Candice has only seen two movies. BTW: Insane Tattoo Ideas! Starring: Rob Reiner, Michael McKean, Christopher Guest, Harry Shearer, R.J. Parnell, David Kaff, Tony Hendra, June Chadwick, Fran Drescher, Paul Shaffer, Anjelica Huston, Dana Carvey, Billy Crystal, and Fred Willard Directed by Rob Reiner FOLLOW US:Patreon (https://www.patreon.com/trashwatch)Instagram (@trashwatchpodcast)TikTok (@trashwatchpodcast)YouTube (https://www.youtube.com/channel/UC5YpPcNIBmqNvvLvxa3WTLA)Email (trashwatchpodcast@gmail.com)Listen to Brian's music at (https://www.brianhorne.com)Support the show

Billy Crystal is a psychiatrist. Robert DeNiro is a mobster who has panic attacks. Together they make mental health and murder go together. And yes, the plot here is the same premise as the beloved HBO TV show, The Sopranos which also premiered in 1999. Coincidence? Who knows. The boys aren't going to analyze that. They are going to analyze this.    Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Not all talk https://www.newspapers.com/image/1123847551/?match=1&terms=Gangster Sean Combs https://www.newspapers.com/image/707969782/?match=1&terms=Sean%20Puffy%20Combs  

There are performers that impact your life without you even knowing it and today's guest fits that bill. On the show, we have comedic genius, multi-award-winning actor, writer, producer, director, and television host, Billy Crystal. We've seen Billy's versatile work across all areas in the entertainment world, stand-up, improv, Broadway, behind and in front of the camera, feature films, television, live stages like SNL, and animated movies. It's fascinating how much the man has done over the span of his career---and his lengthy IMDB page is only the tip of the iceberg.Billy's career took off for his role in the 70's sitcom SOAP, where he played a gay character, Jodie Dallas. This launched him into box office hits such as When Harry Met Sally, City Slickers, Analyze This, and the kids' favorite, Mike Wazowski in Monsters, Inc. just to name a few. Aside from hosting the Oscars® a record nine times and being only one step away from an EGOT, he's a philanthropist. Billy, along with Whoopi Goldberg and the late Robin Williams created the annual fundraiser stand-up comedy show, Comic Relief, in 1986 that has over the years, raised over $60 million to support the homeless. The late 80s and early 90s were a really magical time for Billy's career. He had the box office hits Running Scared and Throw Momma from the Train. He had scene-stealing parts in the classics This is Spinal Tap and The Princess Bride. There's the 1989 box office smash hit When Harry Met Sally, starring Billy alongside Meg Ryan and Carrie Fisher. The story follows Harry and Sally who had known each other for years, and are very good friends, but they fear sex would ruin the friendship.You can't talk about Billy Crystal classics without mentioning City Slickers for which he won a Golden Globes award for Best Actor in a Motion Picture Musical/Comedy. On the verge of turning 40, an unhappy Manhattan yuppie is roped into joining his two friends on a cattle drive in the southwest.Billy's interest in entertainment started way before college. But his decision to go to NYU put some goals into place for him. He was a member of an improv/comedy group in college and soon he started to host solo standup shows. By 1978, he landed his first starring feature film role in Rabbit Test in which he starred with Joan Rivers. Towards the end of the 90s, Billy joined iconic Robert De Niro and Lisa Kudrow in the box blockbuster hit Analyze This and its sequel to Analyze That.Billy's work transcends generations and Gen Z is his newest fandom; distinctively for his role in Monster Inc. and Monsters University, Mike Wazowski. Monsters University revisits the relationship between Mike Wazowski and James P. "Sully" Sullivan during their days at Monsters University when they weren't necessarily the best of friends.Billy will reprise his role as Mike Wazowski in the Monsters at Work Disney+ series that is set for release later this year.One defining element of Billy's work, be it writing, acting, or directing is that he pulls from real-life experiences and balances funny and hard conversations effortlessly. Having started out in the business since he was 20 years old, it is absolutely thrilling to watch how he's knitted together diverse platforms and filed into an accomplished career. This Friday, May 7th, Billy's newest film, in which he wrote and directed, Here Today, stars himself and the incredibly funny, Tiffany Haddish, will be released only in theaters. These two make a seamless pairing and their chemistry is oh so charming. The intergenerational teaming of Billy and Tiffany tells a love story that is of friendship, support, and empathy. I absolutely LOVED the film. Do yourself a favor and go out and catch this gem of a film. When veteran comedy writer Charlie Burnz meets New York street singer Emma Payge, they form an unlikely yet hilarious and touching friendship that kicks the generation gap aside and redefines the meaning of love and trust.Billy has always been there to make me laugh, in good times and bad. I can not tell you what an honor and thrill it was getting to sit down and speak to a filmmaker, writer, and actor that has meant so much to me in my life.Enjoy my entertaining conversation with Billy Crystal.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

Sometimes wrangling comedians can seem like herding cats -- but in 1986 everyone and everything came together for Comic Relief US -- a charity originally focused on helping America's homeless population which mounted a series of comedy spectaculars right up until the early 2000s. The organization continues to do good work today -- even staging a live LA Fire benefit -- but it's those early televised events (aired on HBO) that cemented its legendary status. The Comic Relief shows were hosted for many years by Billy Crystal, Whoopi Goldberg, and Robin Williams and they featured top stand-up, sketch, and musical comedians -- and boy was the bullpen loaded! Over time Comic Relief has raised over $50 million for charity and created a brilliant time capsule of comedy at its most generous and collaborative. Plus -- the shows were really funny! As always find extra clips below and thanks for sharing our shows!   Want more Comic Relief? Here's a nice slice of the very first Comic Relief US show back in 1986. A lot of legends here!https://youtu.be/pAVpBl5YzHI?si=rPA-j8Z03iu92BKs Comic Relief 6 was another triumph -- the whole thing is worth watching but the onstage banter among Billy, Whoopi, and Robin is great!https://youtu.be/x6npULKsfCA?si=p4WrQkSBTc6J3DPJ Talk about legendary -- here are Peter Cook and Dudley Moore reprising their classic Beyond the Fringe sketch "One Leg Too Few."https://youtu.be/k-3Mi9A9kWA?si=rt2pSaXZO27-lWCm

This is a 3 part mini Casting Director series, sponsored by Casting Networks.Tara Rubin started her company, Tara Rubin Casting in 2001 after working at Johnson-Liff Casting for fifteen years. During that time she cast for Les Miserables, Phantom of the Opera, Miss Saigon, Guys and Dolls, and the daytime drama Another World.At Tara Rubin Casting she continued those associations and cast other Broadway productions, including Mamma Mia!, The Producers, Bombay Dreams, Spamalot, Jersey Boys, Mary Poppins, Billy Elliot, School of Rock, Aladdin, A Bronx Tale, Dear Evan Hansen, The Band's Visit, Six, Here Lies Love, and The Outsiders. Current Broadway shows include Six, Aladdin, Death Becomes Her, Boop: The Musical, Dead Outlaw, and Stephen Sondheim's Old Friends. She recently cast the film Here Today and the Apple + series Before both starring Billy Crystal.Tara serves on committees for the Entertainment Community Fund and the Noel Coward Foundation. She is an honors graduate of Boston University, a member of the Casting Society and recipient of the Hoyt Bowers Award for excellence in casting and outstanding contribution to the casting profession. She has taught classes at New York University and Sarah Lawrence College. In 2025 Tara Rubin Casting rebranded as the TRC Company.In this episode, we talk about all things ACTORS including:• How she casts a replacement for a show, particularly the balance between the individuality of the actor vs what the original performer did• How long does an actor have to rehearse before replacing another person in the role• The process of casting a Broadway show ensemble, with the makeup of one including understudies and skilled dancers• How many actors get submitted for a role and how many actors she brings in that she knows vs who she doesn't know• Process of casting a show from workshop to regional to Broadway• Booking the room vs the part - and how talent and imagination makes actors stands out to her in an audition• What has she noticed in actors that book a lot • How do you stay in touch or keep on her radar• Advice for new actors about starting on BroadwayGuest:Company Website IMDb PlaybillCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit ⁠https://www.castingnetworks.com/promo-codes/⁠ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")⁠Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")⁠⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

"Comedy writers learn early on that we have a high degree of anonymity," writes podcast guest Alan Zweibel in his memoir Laugh Lines: My Life Helping Funny People Be Funnier. "Our words are spoken publicly by others who often have famous faces. Or by unknown people on their way to having famous faces." As one of the founding writers on Saturday Night Live, Alan's words were given voice by a cast of virtual unknowns, all on their way to becoming famous faces, eventually earning worldwide acclaim as some of the most iconic comic performers of their generation. Over the course of his 50-year career, he has penned jokes for dozens of Borscht Belt comedians and written for some of SNL's most memorable characters (such as Gilda Radner's "Roseanne Rosannadanna," John Belushi's "Samurai," and Garrett Morris's "Chico Escuela"), and helped to craft SNL producer Lorne Michaels's now-legendary appeal to invite the Beatles to appear on the show for the standard artist fee of $3,000.  Alan is the recipient of five Emmy Awards for his work in television, which in addition to SNL also includes "It's Garry Shandling's Show" (which he co-created and produced), "The Late Show with David Letterman," and "Curb Your Enthusiasm." He is the author of 11 books, including the 2006 Thurber Prize-winning novel The Other Shulman, and Bunny Bunny: Gilda Radner—A Sort of Romantic Comedy, and six off-Broadway plays. He also collaborated with Billy Crystal on the Tony Award-winning play "700 Sundays," and with Martin Short on his Broadway hit "Fame Becomes Me," and co-wrote the screenplays for the films "Dragnet," "North," "The Story of Us," and "Here Today." He joins us on the podcast to reflect on a singular career as one of our leading comedy writers and humorists—and a wickedly funny body of work that has earned him an honorary Ph.D. from the State University of New York, and a Lifetime Achievement Award from the Writers Guild of America, East.  Learn more about Alan Zweibel: Website Facebook Instagram Bluesky Please support the sponsors who support our show: John Kasich's Heaven Help Us (now available for pre-order) Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

Alan Zweibel Live on Game Changers With Vicki Abelson Live from the Zoom Room, it's Alan Zweibel! It was so great to jump back in with the fabulous, funny, and fun Emmy Winner. Alan took us back to his earliest days in the biz, how he made his way in, the first joke he sold, still funny! The Catskill Mountains, Morty Gunty, Freddie Roman, Rodney Dangerfield, maybe his first collaborator… with whom Alan comes full circle, presently. Doing standup with Billy Crystal, leading to years of collaboration, being discovered by Lorne Michaels… SNL, Alan's game changer. Gilda, a partnership made in heaven - how Roseannne Roseannadanna and Emily Latella came to be, Belushi, Ackroyd, the current film, Saturday Night, where it felt right, where liberties were taken, how it felt to have someone play him. Co-creating It's The Garry Shandling Show with Gary, how they worked together. Writing Lunatics with Dave Barry, long distance, For This We left Egypt with Dave and Adam Mansbach, and a great story about how that friendship and collaboration began. Broadway with Billy and with Martin Short, and the cute, sweet note after their encounter at the SNL 50th reunion. Alan's current collab with Barry Levinson, how that started and where it is today, that full circle Rodney story coming to fruition currently… and through it all, Robin. Alan's love and wife since the early SNL days… and his most fruitful collaborator. Alan's devotion to his family is what stories are made of, as is his work ethic, resiliency, tenacity, and talent. His storytelling is what good conversations are made of, served up with laughs, lots of them. What an inspiration! Loved every minute of this. And I sure did need the eggs. Alan Zweibel Live on Game Changers With Vicki Abelson Wednesday, 5/14/23, 5 pm PT, 8 pm ET Streamed Live Links in the comments Replay on YouTube https://www.youtube.com/watch?v=u1uvKClTYdY

Bruce talks about stumbling into writing and finding a home. His feud with Barbra Streisand, writing for Richard Pryor, George Carlin, and Lily Tomlin. He talks about how being your own weird self is the best marketing and he discusses his new book “It Seemed Like a Bad Idea at the Time: The Worst TV Shows in History and Other Things I Wrote”  He talks about t-shirts, Elmo, Hollywood Squares, The Star Wars Holiday Special and surviving as a writer forever no matter what he's asked to write.Bio: Bruce Vilanch is an American comedy writer, songwriter and actor who has won two Emmy Awards for his work on the Annual Academy Awards. He is also known for his appearance as a celebrity participant and head writer on Hollywood Squares for four years. Here are some facts about his life and career: He was born on November 23, 1948, in New York City and was adopted by Jonas and Henne Vilanch, an optometrist and a housewife. He started his career as an entertainment writer for the Chicago Tribune, where he interviewed celebrities and wrote about the industry culture. He moved to Los Angeles and wrote for various shows and artists, such as The Donny & Marie Show, The Star Wars Holiday Special, The Brady Bunch Variety Hour, Bette Midler, Robin Williams, Lily Tomlin, Billy Crystal, Roseanne Barr, Rosie O'Donnell, Paul Reiser, Elizabeth Taylor, Steven Tyler and Aerosmith. He wrote the lyrics for the farewell song that Bette Midler sang to Johnny Carson on his final broadcast of The Tonight Show, which won him an Emmy Award. He was a panelist and the head writer for Hollywood Squares from 1998 to 2002, where he sat next to his friend and client Whoopi Goldberg. He was the head writer for the Oscars from 2000 to 2014, after being a co-writer for the previous ten years. He collaborated with hosts such as Whoopi Goldberg, David Letterman, and Billy Crystal. He also acted in several movies and TV shows, such as The Ice Pirates, Law & Order, You Don't Mess with the Zohan, and Celebrity Fit Club. He performed off-Broadway in his self-penned one-man show Bruce Vilanch: Almost Famous in 2000. He played the role of Edna Turnblad in the Broadway musical Hairspray in 2005. Within the last several years, he has written the book for 2 jukebox musicals. He is openly gay and has been involved in various philanthropic causes, such as AIDS awareness, gay rights, and animal welfare

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 138 Sam is joined by film writer and producer Emily V. Gordon (The Big Sick).  Emily has chosen Throw Momma From The Train (88 mins), Danny Devito's feature directorial debut. Released in 1987, the film stars Devito, Billy Crystal, and Anne Ramsey. Sam and Emily discuss her podcasting career with Kumail Nanjiani on The Indoor Kids, falling in love with Throw Momma From The Train on HBO, and what she would do if she ever met Danny Devito.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Tweet: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Emily V. Gordon. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey. 

In this episode we discuss the seventieth Best Picture winner, Titanic, the many records it broke on its way to winning eleven Academy Awards, Matt Damon and Ben Affleck's win for Best Original Screenplay, and Billy Crystal's continued hosting duties. We also explore the making of Titanic, the ever-expanding budget of the most expensive film to date in 1997, and James Cameron's obsession with deep-sea diving. --Instagram: https://www.instagram.com/thanktheacademypodcastX: https://www.twitter.com/thankacademypodEmail us your thoughts: thanktheacademypod@gmail.comFollow us on Letterboxd:https://letterboxd.com/thanktheacademy/

Host Pina Crispo welcomes Canadian TV personality and friend Jennifer Valentyne for a long-overdue catch-up, reflecting on their shared history in radio and the unexpected paths their lives have taken since. They talk honestly about friendship, loyalty, and the value of staying connected. The conversation touches on everything from navigating menopause and motherhood to ancestry, true crime obsessions, and travel stories. More About Jennifer Valentyne: Jennifer Valentyne is a widely recognized Canadian television personality, who is best known for her long-term role on Breakfast Television in Toronto, Valentyne has been the host of The Bachelor & Bachelorette Canada After Show on W Network, and a co-host on a popular morning radio show program. Over the course of her career, Jennifer has interviewed celebrities such as Sir Richard Branson, Billy Crystal, Rachel McAdams, Channing Tatum, and Harrison Ford, but her passion has always been people in the community. In 2017, Jennifer Valentyne launched the Mother Daughter Date online community with her daughter, Georgia and they host The Mother Daughter Date podcast together.  Connect with Jennifer:  https://www.instagram.com/jennifervalentyne/ https://www.tiktok.com/@jennifervalentyne Connect with Pina: https://chicmamma.ca/⁠ ⁠https://www.womeninmedia.network/show/not-that-mom/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 1, Part 1, Hamlet returns from his exile and encounters clownish gravediggers hard at work. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh and Billy Crystal; Hamlet 1948 by Laurence Olivier, starring Stanley Holloway; Hamlet 1980 by Rodney Bennett, starring Tim Wylton, Derek Jacobi and Robert Swann; Hamlet 2000 by Michael Almereyda, starring Jeffrey Wright; Hamlet 2007 by Alexander Fodor, starring David Thompson, Alexander Fodor and William Bellchambers; Hamlet 2009 by Gregory Doran, starring David Tennant and Mark Hadfield; and "Le cimetière" by Johnny Hallyday. Leave a comment, I love to read!

This week on The Video Store Podcast, I'm recommending four offbeat cop films that have stuck with me over the years. These films can be funny, gritty, offbeat, and sometimes kind of chaotic in the best way possible. So what movies am I recommending?Running Scared (1986) – Billy Crystal and Gregory Hines as two wisecracking Chicago detectives. This one's got a great mix of comedy and action, and it leans into that mid-80s buddy cop energy without taking itself too seriously. Michael McDonald's “Sweet Freedom” is on the soundtrack, which feels like a time capsule in itself.Miami Blues (1990) – Alec Baldwin in a role that's kind of hard to pin down. He plays a violent conman who ends up impersonating a cop. It's based on a Charles Willeford novel and keeps that oddball tone where you're not always sure if you're supposed to laugh or be disturbed. Fred Ward is great in it too, playing the worn-out detective trying to catch him.Freebie and the Bean (1974) – This one's messier than most cop movies, but it's intentional. Directed by Richard Rush, who also did The Stunt Man, it's full of reckless driving, dark humor, and strange tonal shifts. Alan Arkin and James Caan play the leads, and they're either chasing criminals or arguing with each other. It kind of laid the groundwork for a lot of buddy cop films that came later.Stakeout (1987) – Richard Dreyfuss and Emilio Estevez as partners on a surveillance detail that doesn't stay professional for very long. There's a good balance of suspense and comedy, and Madeleine Stowe holds her own in her first major role. It was directed by John Badham, who also did WarGames and Short Circuit, so the pacing is solid.If you're in the mood for movies where different type of cops break rules, hunt odd suspects or drive their car on the track of an elevated train, I think you will find something here you will like.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Walker Kimberly Brandt is not only a personable and engaging woman; she's also a remarkable actress who has shared Hollywood movie screens with legends like Pierce Brosnan and Linda Hamilton in "Dante's Peak" and Billy Crystal in "City Slickers." Her TV appearances include a memorable role in "Star Trek: The Next Generation" alongside Patrick Stewart. Walker is also a model, an international Best-selling author, and a coach whose transformative journey is deeply inspiring. Walker's candidness and vulnerability are compelling as she shares her upbringing in a toxic household steeped in challenges that nearly led to her suicide.  She recalls her path to turning historic family trauma into a relationship with nature and with herself. Walker's proud that at age 16, she became an emancipated minor. Her story is a testament to harnessing inner strength and stepping into one's power, no matter the difficulties.

Recuerdo la primera vez que probé el Toyota Prius, allá en el lejano 2001… no me convenció. La idea me parecía interesante pero la ejecución fallida. Y ni mucho menos imagine que este coche cambiaria el mundo del automóvil tal y como lo ha hecho. Sin duda, y de lejos, el coche más influyente del Siglo XXI, por su técnica… y también por su marketing. Y que puede morir a manos de los SUV... La idea era buena: Para pasar de 0 km/h a, pongamos unos 50 km/h consumes energía. Y cuando tienes que parar, por ejemplo, en un semáforo, esa energía la “tiras” en forma de calor a la atmósfera… en vez de aprovecharla para producir electricidad que luego te ayuda a mover el coche. Leí la información técnica de la marca y pensé “¡qué gran idea!” Luego bajé a probar el coche y lo primero que pensé fue, ¿un híbrido tiene se ser feo? Y es que os recuerdo que los primeros híbridos, todos japoneses, como por ejemplo el Honda Insight aparecido muy poco después, estéticamente estaban cortados por el mismo patrón. Y luego fui a probarlo… lo primero chocante, que ahora no le es tanto, es que dabas al contacto y el motor térmico no arrancaba… acelerabas suave y el coche se movía en silencio y a las pocas decenas de metros o antes si acelerabas más arrancaba el motor. Era un coche torpe, pues el motor de gasolina ofrecía poco más de 70 CV y los 45 CV extras del motor eléctrico no siempre estaban disponibles… esto para un coche que se acercaba a los 1.300 kg, era poca cosa. También chocaba que no se “sincronizaban” las revoluciones del motor térmico, que solo las intuías o oído, con la velocidad, fruto del cambio CVT y de la ayuda eléctrica. Había que tomarse las cosas con calma. El coche era amplio, silencioso, confortable, pero anodino… nada seductor… algo que sucede en muchos Toyota, pero más en este. Pero todo cambiaba cuando observabas los consumos, sobre todo en ciudad: ¡Eran extraordinariamente bajos. En 2003 llega la segunda generación supuso un paso adelante enorme. Desde luego en estética, pero también en eficiencia, pues se anunciaba que era capaz de recorrer 35,5 km por litro… una cifra optimista, pero lo cierto es que mejoraba en mucho al anterior. Confieso que al volante mis impresiones cambiaron y pensé “pues me temo que esto de la hibridación ha llegado para quedare… este coche va muy bien”. Y así era. Y además se convirtió en la viva imagen del ecologismo lo cual le convirtió en… … una estrella de Hollywood. California es la cuna del cine occidental y uno de los estados históricamente con normas más estrictas en lo que a emisiones se refiere. Y de pronto, el Prius se convirtió en un coche símbolo del ecologismo y todos los famosos y estrellas de cine que querían presumir de ecologistas, tenían que conducir uno. No puedo citar todos, pero no me resisto a incluir una pequeña lista… por que os aseguro que es pequeña: Alicia Silverstone, Billy Crystal, Brad Pitt, Cameron Diaz, Harrison Ford, Jack Nicholson, Kirk Douglas, Leonardo DiCaprio, Robin Williams, Salma Hayek, Susan Sarandon, Tom Hanks y Will Ferrell, entre otros muchos… una verdadera constelación de estrellas. La tercera generación el Prius aparece en 2009 y en realidad era una puesta al día de la anterior… pero ¿solo eso? Pues no, porque con ello llegó la segunda revolución de los híbridos. En 2012 se lanza el híbrido enchufable que yo probé a primeros del año siguiente. Lo tuve una semana. En esos tiempos trabajaba a unos 15 kilómetros de mi casa. Lo use para ir y venir, para darme algún paseo que otro por la sierra y un viajecito de fin de semana de unos 400 km de ida y vuelta. En total unos 800 km. Lo enchufaba cada día y esa semana, todo incluido, gasté… ¡unos 20 litros de gasolina! Una media de menos de 3 litros… y es que gran parte de los recorridos los hacia sin que el motor térmico llegase a arrancar. La cuarta generación se lanza en 2015 y ofrece una gran cantidad de mejoras, pero no en su sistema de hibridación, sino en el resto del coche. Se mejora la rigidez, la aerodinámica, se baja el centro de gravedad y se modifica la suspensión sobre todo la trasera, para hacer del Prius un coche más agradable de conducir. Lo cierto es que la hibridación del Prius ya si iba extendiendo a toda la gama de Toyota hasta el punto de que muchos decían si existiendo, por ejemplo, un Corolla Híbrido, el Prius tenía sentido… Pues de eso, los españoles, no nos vamos a enterar. ¿Por qué? La Quinta generación del Prius es un salto de gigante, solo nos basta ver su estética. Es una declaración de intenciones de que el Prius quiere tener identidad propia. Pero al menos de momento, no llegará a España. ¿Cuál es el motivo? Resulta cuando menos curioso que en coche tan innovador y tan rupturista se vea perjudicado, hasta desparecer en algunos mercados, por otra nueva moda… ¡lo has adivinado! ¡Los SUV! Una pena porque el nuevo híbrido, en la línea estética marcada por el eléctrico con nombre de agente secreto bZ4X, desde luego es algo muy diferente, por fuera y por dentro. Es un modelo que pretende tener unas ciertas cualidades incluso deportivas, con una potencia total de 223 CV y que puede montar un techo con placas solares… ideal para nuestro mercado, pero insisto no vendrá a España… al menos de momento. Conclusión. Venga o no a España esta última generación, e incluso aunque desapareciese por completo de la gama Toyota en todo el Mundo, el Toyota Prius ha marcado un verdadero cambio. No solo yo, nadie lo vio venir, nadie pensó en el comienzo de los años 2000 que en 2025 uno de cada tres coches vendidos en Europa iba a ser híbrido, en España casi uno de cada dos. Nadie lo vio venir. Y tal como están las cosas, creo que ese porcentaje en vez de bajar, a favor de los eléctricos, va a subir… y todo comenzó con el primer Prius, bastante feote, que no me acabó de convencer… pero que inicio un nuevo camino. Coche del día. En un vídeo sobre futuros clásicos dije que el primer Prius se podría convertir en un clásico… tiene en contra su elevada producción, pero a su favor ser un coche que casi nadie está conservando y que, como os he dicho, cambio el Mundo.

Bruce Vilanch wrote for countless TV variety shows dating back over 50 years. Sometimes, those shows turn out great! Think of Billy Crystal at the Oscars! The stuff that's not so great, you can read about in his new book: It Seemed Like A Bad Idea At The Time: The Worst TV Shows in History and Other Things I Wrote. Vilanch tells Bullseye stories from behind the scenes of the Oscars, The Brady Bunch, and the Star Wars Holiday Special.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, we're grabbing a courtside seat and catching a flight back to Forget Paris. There's the often-comedic chaos of married life, the clever friends-at-a-restaurant framing device, and that signature Billy Crystal charm. Is it a funny, insightful look at making love last beyond the honeymoon phase—or does the reality of career clashes make you want to, well, forget Paris? Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!

In 2025, Billy Crystal and Meg Ryan reprised their roles from When Harry Met Sally for a Superbowl commercial and co-presented at the Academy Awards, also referencing their movie together. What makes the legacy of this almost 36-year old film endure and how do we look at that legacy differently in what some scholars refer to as a "post-romantic" age? Suzanne monologues, Hannah encourages, and they both get a little sad about the state of millennial romance. Suzanne's film recommendationsSleeping With Other People (2015) - aka WHMS where the attraction is explicitPlus One (2019) - aka WHMS with more millennial angst (and Meg Ryan's son!)Rye Lane (2023) - aka WHMS as strangersMax and Molli in the Future (2024) - aka WHMS in spaceWant to give us some dollars? We'll allow it. Link goes to a donation platform on our website. Come say hello on our socials (but be nice): InstagramCheck out additional resources on our website.Over These Walls by Hope and Social is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License.

Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie.  In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few.  Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few  Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago,  The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse.  She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jess is joined by beloved go-to comedy writer BRUCE VILANCH! Topics: Bette Midler at the Continental Baths, Barbra Streisand being too cheap to pay him, writing punch-ups for Cher in "Burlesque," writing The Oscars (Ellen difficulty, Anne Hathaway & James Franco hosting, Billy Crystal's opening medleys), starring in "Hairspray" on Broadway & more!  IG: @jessxnyc  Jess' docu-series on the history, mystique & lore of Fire Island: Finding Fire Island

CNN, HBO MaxLegendary US singer Dionne Warwick 2025 Inductee Class in the Rock & Roll Hall of FameThe news came shortly after the 82-year-old star became one of the latest recipients of a Kennedy Center Honor, alongside comedian Billy Crystal and actor Queen Latifah.The Don't Make Me Over tour will begin its UK leg at Gateshead's The Glasshouse on Sunday 5 May, 2024, with tickets going on sale via Ticketmaster.  In 2023, we saw the debut of her Documentary that aired on CNN New Year's Day featuring Legendary Music Icons like the late Burt Bachrach, Jerry Blavat, Chuck Jackson, as well as Berry Gordy, Quincy Jones, & Smokey Robinson. She began singing professionally in 1961 after being discovered by a young songwriting team, Burt Bacharach and Hal David. She had her first hit in 1962 with “Don't Make Me Over.” Less than a decade later, she had released more than 18 consecutive Top 100 singles, including her classic Bacharach/David recordings, “Walk on By,” “Anyone Who Had a Heart,” “Message to Michael,” "Promises Promises,” “A House is Not a Home,” “Alfie,” “Say a Little Prayer,” “This Girl's in Love With You,” “I'll Never Fall in Love Again,” “Reach Out For Me,” and the theme from “Valley of the Dolls. ”Together, Warwick and her songwriting team of Burt Bacharach & Hal David, accumulated more than 30 hit singles, and close to 20 best-selling albums, during their first decade together.Warwick received her first GRAMMY® Award in 1968 for her mega-hit, “Do You Know the Way to San Jose?” and a second GRAMMY® in 1970 for the best-selling album, “I'll Never Fall in Love Again.” She became the first African-American solo female artist of her generation to win the prestigious award for Best Contemporary Female Vocalist Performance. This award was only presented to one other legend, Miss Ella Fitzgerald.In 1970, Warwick received her second GRAMMY® Award for the best-selling album, “I'll Never Fall In Love Again,” and began her second decade of hits with Warner Bros. Records. In 1974, she hit the top of the charts with “Then Came You,” a million-selling duet with The Spinners. She then teamed up with Isaac Hayes for a highly successful world tour, “A Man and a Woman.”In 1976, Warwick signed with Arista Records, beginning a third decade of hit-making. Arista Records label-mate Barry Manilow produced her first Platinum-selling album, “Dionne,” which included back-to-back hits “I'll Never Love This Way Again,” and “Déjà vu.” Both recordings earned GRAMMY® Awards, making Warwick the first female artist to win the Best Female Pop and Best Female R&B Performance Awards.Warwick's 1982 album, “Heartbreaker,” co-produced by Barry Gibb and the Bee Gees, became an international chart-topper. In 1985, she reunited with composer Burt Bacharach and longtime friends Gladys Knight, Elton John and Stevie Wonder to record the landmark song “That's What Friends Are For,” which became a number one hit record around the world and the first recording dedicated to raising awareness and major funds (over $3 Million) for the AIDS © 2025 Building Abundant Success!!2025  All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Bruce Vilanch has written monologues for Oscars hosts like Billy Crystal, Whoopi Goldberg, Steve Martin, Ellen DeGeneres, David Letterman, and more. And in this episode, he not only shares some of his favorite jokes, but also reveals which of the many hosts he worked with over more than two decades gave him the most trouble. As the 97th annual Academy Awards approach this weekend, Vilanch walks through the highs and lows of his illustrious Oscars career, from nearly blowing it his first time out with the disastrous Rob Lowe and Snow White opening, through the game-changing Billy Crystal years, to the Anne Hathaway and James Franco-hosted year that marked the unfortunate end of his long run. Along the way, he also shares some shocking stories about Oscar presenters, including his jaw-dropping theory about the origins of that Richard Gere gerbil rumor—and reveals why he turned down the opportunity to write for the very first season of ‘Saturday Night Live.' And Vilanch, whose new book ‘It Seemed Like a Bad Idea at the Time' chronicles his biggest failures as a writer, takes us inside the most infamous bomb of his career: ‘The Star Wars Holiday Special.' ‘It Seemed Like a Bad Idea at the Time' on AmazonFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Can Men and Women (Baboons) Really Just Be Friends?In the romantic comedy “When Harry Met Sally,” the central premise, as Billy Crystal and Meg Ryan's characters stay friends throughout the years, is, can men and women really just be friends?In the movie, the answer is no, not really. Spoiler alert: They do get together in the end. But what if we take that concept and bring it to the animal kingdom, specifically to primates?The Kinda baboon is known for its distinct social behaviors. Individuals form long-term, social bonds, and those relationships are seen, uniquely, between male and female baboons. Over nine years, researchers studied the Kinda baboon, a kinder, gentler species of baboon, to learn more about their social lives. Kindas are unique among baboons because they're the least sexually dimorphic: males and females are close to the same size, making them a better analog for us humans.So can male and female baboons really be just friends? Much like the movie, long friendships do happen between Kindas—but there also appears to be a benefit during mating season.Joining Host Flora Lichtman to talk about her work with these baboons is Dr. Anna Weyher, founder of the Kasanka Baboon Project in Zambia. Weyher has studied Kinda baboons for over a decade.The Best Bear Deterrent May Be DronesWhat do you do when a bear keeps coming too close to people, and doesn't take the hint to stay away? It's a serious problem, because human-wildlife conflict can be dangerous for both the people and animals involved. Wildlife managers have for years used a collection of deterrents, including firecracker noises, rubber bullets, and trained dogs, to try to chase bears away from human habitations.Writing in the journal Frontiers in Conservation Science, former Montana bear management specialist Wesley Sarmento claims that a high-tech approach may be more effective: drones. Sarmento joins Host Flora Lichtman to discuss his experiences with hazing stubborn bears.Transcripts for each segment will be available after the show airs on sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Today, we're diving into a listener's question about the new artificial intelligence chatbot on the scene. Chinese start-up DeepSeek’s AI model is said to be more cost-effective, less complex, and in some ways, just plain better than OpenAI's ChatGPT. We’ll explain why the stock market’s freaking out and what it means for the U.S.-China AI race. Plus, we’ll share a story about a historic test flight that’ll have aviation nerds smiling. And the iconic “When Harry Met Sally” diner scene is recreated 35 years later. IYKYK. Here's everything we talked about today: “How DeepSeek Went From Stock Trader to A.I. Star” from The New York Times “Chevron Wants to Tap Into A.I. Boom by Selling Electricity to Data Centers” from The New York Times “DeepSeek's AI Model Just Upended the White-Hot US Power Market” from  Bloomberg “DOE Releases New Report Evaluating Increase in Electricity Demand from Data Centers” from the Department of Energy “China's DeepSeek Ends the Party for U.S. Energy Stocks” from Heatmap News “Billy Crystal and Meg Ryan Return as Harry and Sally in Hellmann's Super Bowl Spot” from The Hollywood Reporter Video: “Boom Supersonic XB-1 jet breaks sound barrier on historic test flight” from Space Got a question or comment for us? Leave us a voicemail at 508-U-B-SMART.

Today, we're diving into a listener's question about the new artificial intelligence chatbot on the scene. Chinese start-up DeepSeek’s AI model is said to be more cost-effective, less complex, and in some ways, just plain better than OpenAI's ChatGPT. We’ll explain why the stock market’s freaking out and what it means for the U.S.-China AI race. Plus, we’ll share a story about a historic test flight that’ll have aviation nerds smiling. And the iconic “When Harry Met Sally” diner scene is recreated 35 years later. IYKYK. Here's everything we talked about today: “How DeepSeek Went From Stock Trader to A.I. Star” from The New York Times “Chevron Wants to Tap Into A.I. Boom by Selling Electricity to Data Centers” from The New York Times “DeepSeek's AI Model Just Upended the White-Hot US Power Market” from  Bloomberg “DOE Releases New Report Evaluating Increase in Electricity Demand from Data Centers” from the Department of Energy “China's DeepSeek Ends the Party for U.S. Energy Stocks” from Heatmap News “Billy Crystal and Meg Ryan Return as Harry and Sally in Hellmann's Super Bowl Spot” from The Hollywood Reporter Video: “Boom Supersonic XB-1 jet breaks sound barrier on historic test flight” from Space Got a question or comment for us? Leave us a voicemail at 508-U-B-SMART.

Dave and Chuck the Freak talk about crime around the radio station, making condensed soup without water, how many single women would be attracted to you in a room, strong new wildfire in California, winter storm in the south, man in Florida tried doing donuts on snow covered road and crashed, police used pepper balls to stop snowball fight at FSU, Boston travelers returning home from snowy Florida, cop accidentally shot driver in leg, squatters move into home being built, update on lady who found weed in kid’s Burger King bag, couple says U-Haul lost their moving pod, world’s oldest choir, guys busted selling fake autographed Jason Kelce merch, update on mayor who misspelled Eagles, predictions that Aaron Rodgers will retire, fan threw nachos onto ice at hockey game, Olympic medals are deteriorating, kid finds rare sports card, Chris Brown suing over documentary, a lot of local weather forecasters fired, Amy Schumer says she’s never had an orgasm with penis inside her, Meg Ryan and Billy Crystal reunite, Ryan Seacrest knocked to ground by Wheel Of Fortune contestant, one armed man stabs relative, man used his twin’s identity when he was arrested, man arrested after hitting someone with e-bike, naked man arrested by SWAT team, someone in demon mask on Ring doorbell cam, X-ray shows man’s body invested with tapeworm eggs, mom who works at restaurant caught old man stealing tip, drunk man tried to rob store with toy gun, Instacart driver shot because wife didn’t tell husband she placed an order, mother thinks kids ate grandpa’s ashes, typo declares woman dead, man accused of injecting counterfeit Botox, rats eating drugs in police department evidence room, pocket Velveeta, soup drops, Post Malone Oreo, old man rescued after U-Haul goes into lake, guy shot by man robbing brother’s place, guy woke from coma and fell in love with speech therapist, TikTok still not on app stores, telling kids that veggies can give you super powers, champagne sales down, cow barged into barber shop, undercover cop at pickle park, and more!

MUSIC Apparently, Sean “Diddy” Combs is “throwing tantrums” about the attention fellow inmate Luigi Mangione has taken away from him inside their notorious New York City lockup. Mike Shinoda of Linkin Park picked out what he'd like to eat as his last meal for Mythical Kitchen. The Field & Stream Music Fest just announced its lineup and it is stacked.  The festival will take place in Winnsboro, South Carolina and run from October 3rd to the 5th, so there's plenty of time to plan your trip.   A 76-year-old woman in Georgia is out thousands of dollars after "Alan Jackson" asked for a loan.  It obviously wasn't the real Alan Jackson.   TV The California wildfires are still raging, and TMZ reports that property owned by Billy Crystal, John Goodman, and Eugene Levy have burned down. TikTok is set to be banned in the U.S. in a few weeks unless an American buys the social media platform. MOVING ON INTO MOVIE NEWS: Jennifer Lopez and Ben Affleck finalized their divorce on Monday 59-year-old Brooke Shields is releasing a memoir on Tuesday called "Brooke Shields Is Not Allowed to Get Old: Thoughts on Aging as a Woman"          AND FINALLY Billboard ranked the Top Artists of the 21st Century, based on their performance on the Hot 100 and Album 200 charts from 2000 to 2024.   Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoices

MUSICApparently, Sean “Diddy”Combs is “throwing tantrums” about the attention fellow inmate Luigi Mangionehas taken away from him inside their notorious New York City lockup. Mike Shinoda of Linkin Park picked out what he'dlike to eat as his last meal for Mythical Kitchen. The Field & StreamMusic Fest just announced its lineup and it is stacked.  The festival willtake place in Winnsboro, South Carolina and run from October 3rdto the 5th, so there's plenty of time to plan your trip.  A 76-year-old woman inGeorgia is out thousands of dollars after "Alan Jackson" asked for aloan.  It obviously wasn't the real Alan Jackson.  TVThe California wildfiresare still raging, and TMZ reports that property owned by Billy Crystal, JohnGoodman, and Eugene Levy have burned down. TikTok is set to bebanned in the U.S. in a few weeks unless an American buys the social mediaplatform. MOVING ON INTO MOVIENEWS:Jennifer Lopez and Ben Affleck finalizedtheir divorce on Monday 59-year-old Brooke Shields is releasing a memoir onTuesday called "Brooke Shields Is Not Allowed to Get Old: Thoughtson Aging as a Woman"        AND FINALLYBillboard ranked the Top Artists of the 21stCentury, based on their performance on the Hot 100 and Album 200 chartsfrom 2000 to 2024.  Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

People have been throwing around allegations that the Mike Tyson-Jake Paul fight was rigged, so we touch on the fight a bit to tease our interview later in the hour with our old friend, Rosie Perez. Then our Agent of Chaos, Billy Gil, is here with another installment of Bet The Senate and this time they've got a real ringer. This Senator has been putting smiles on the faces of our friends above the border for more than 30 years, and he's got a big pick for this week's game between Notre Dame and USC, which may or may not be important. That leads us into a discussion about the implications of this week's college football games, and whether we could see a three-loss team in the playoff. Then, Rosie joins us to discuss her experience on the broadcast for the Jake Paul-Mike Tyson fight, the Serrano-Taylor fight that preceded it, her nerves while making her Broadway debut and working with Billy Crystal. Learn more about your ad choices. Visit podcastchoices.com/adchoices