Podcasts about jazz studies

Daniela Candillari grew up in Serbia and Slovenia.  She holds a Doctorate in Musicology from the Universität für Musik in Vienna, a Master of Music in Jazz Studies from the Indiana University Jacobs School of Music, and a Master of Music and Bachelor's degree in Piano Performance from the Universität für Musik in Graz. She is also a Fulbright Scholarship recipient.Daniela is in her fourth season as principal conductor at Opera Theatre of Saint Louis. In celebration of its 50th anniversary season, she is conducting the company's 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter, Ruby Aiyo Gerber.Daniela made her New York Philharmonic debut in its inaugural season in the new David Geffen Hall, conducting cellist Yo-Yo Ma in Elgar's Cello Concerto.  And she made her “Carnegie Hall Presents” debut leading the American Composers Orchestra in a program of premieres.  Other engagements include debuts with the Metropolitan Opera and Deutsche Oper Berlin, and productions with Lyric Opera of Chicago, Minnesota Opera, Detroit Opera, Orchestre Métropolitan Montreal, and Classical Tahoe Festival.Finally, Daniela has been commissioned by established artists including instrumentalists from the Boston, Cleveland, Detroit, and Pittsburgh Symphonies, as well as the three resident orchestras of Lincoln Center: the Metropolitan Opera Orchestra, the New York Philharmonic, and the New York City Ballet. She is deeply involved with Music Academy of the West's programming for young artists and she recently participated in master classes and discussions at DePaul University, Chicago Humanities Festival, and Valissima Institute.It's a pleasure to have her with me on this episode.

Send us your thoughts! Out February 7, 2025, Griot Songs marks the return of the Omar Thomas Large Ensemble after more than a decade, featuring soloists Jason Palmer, Mark Zaleski, Alex Brown, Mark Cocheo and others “Griot Songs firmly plants Omar Thomas in the pantheon of distinguished and exceptional writers. He blurs the lines stylistically in the best of ways with a texturally compelling 'heart and soul' sonic story all his own.”– Grammy-winning drummer/composer Terri Lyne Carrington“Omar Thomas… proves himself a modern-day griot - summoning influences, traditions, and narratives from both past and present, framing them in a manner that is at varying times tender, dramatic, mystical, and joyful - but always absolutely captivating!” – Grammy-nominated composer/bandleader Chuck OwenIn West African tradition, the griot is a storyteller, poet and musician whose songs become a repository for a community's traditions and history. Sixteen years in the making, Griot Songs – the breathtaking third release by the Omar Thomas Large Ensemble – is a distinctly personal and emotionally vibrant take on the role of the modern griot. Through his visionary compositions and arrangements, Omar Thomas spins captivating narratives from his own experiences, inspirations and heritage.It's been over a decade since the release of the Omar Thomas Large Ensemble's last album, We Will Know: An LGBT Civil Rights Piece in Four Movements, which Grammy Award-winning drummer and composer Terri Lyne Carrington hailed as a “thought provoking, multi-layered masterpiece.” The big band made its auspicious debut in 2013 with I Am, which entered the iTunes Jazz Charts at #1. But Griot Songs, out February 7, 2025, is the project that Thomas has envisioned since initially forming the ensemble for his graduate composition recital at New England Conservatory in 2008. The earliest versions of three of the pieces on the album date back to that time, with the remainder spanning several years of composing, revising and dreaming.In the meantime, Thomas established himself an acclaimed and in-demand composer for wind ensemble. In 2019, he was awarded the National Bandmasters Association / Revelli Award for his wind composition “Come Sunday,” becoming the first Black composer awarded the honor in the contest's 42-year history. In addition, he's a respected educator currently serving as Associate Professor of Composition and Jazz Studies at the University of Texas at Austin. Griot Songs marks Thomas' impassioned return to his roots. “I was ready to reintroduce myself as a big band composer,” he declares.Support the show

To prepare for the next season of The Bandwich Tapes, I am re-releasing some of my favorite episodes. In this electrifying episode of The Bandwich Tapes, I have the immense pleasure of sitting down with the legendary drummer Paul Wertico. With a career spanning an impressive four decades, Wertico's name is synonymous with excellence in the world of percussion, particularly for his groundbreaking contributions to the Pat Metheny Group, where his drumming played a pivotal role in shaping their iconic sound.Join me as I dive into Wertico's remarkable musical journey, tracing his path from humble beginnings to the heights of international acclaim. Through candid and insightful anecdotes, Wertico provides a glimpse into the inner workings of the music industry, sharing stories from his collaborations with Pat Metheny and other luminaries of the jazz world.Throughout our conversation, Wertico generously imparts his wisdom on drumming, offering valuable insights into his unique approach and philosophy. We explore the dynamic interplay of the rhythm section, shedding light on the nuanced relationship between drummers and their musical counterparts.Beyond his achievements as a performer, Wertico is also a dedicated educator. He previously served at Northwestern University and currently holds the esteemed position of Associate Professor of Jazz Studies at the Chicago College of Performing Arts of Roosevelt University in Chicago.Prepare to be inspired and enlightened as we journey through Paul Wertico's extraordinary life and career. Whether you're a seasoned musician, a drumming enthusiast, or simply someone with a passion for music, this conversation promises to leave you with a newfound appreciation for the artistry and innovation that define Wertico's legacy.Be sure to visit Paul's website at www.paulwertico.com to learn more about his upcoming shows and latest projects.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

Carmen Bradford is jazz royalty and a 2024 Grammy Award winner for “Basie Swings the Blues – the Count Basie Orchestra.” She's been nominated five times for Grammy Awards and is the recipient of the Los Angeles Jazz Society's Jazz Vocalist Award. With her body of work, which reflects her vast experience, versatility, and technical brilliance, she has carved out her place in jazz history, and she continues to contribute to the preservation of this uniquely American art form.In August 2024, Carmen joined the faculty as associate professor of jazz voice in the Jazz Studies program in the College of Music at Michigan State University.Bradford talks about her background and how she fell in love with singing. She details her relationship with Count Basie. And she tells how, when, and why she became involved with MSU's Jazz Studies program.Conversation Highlights:(0:22) – What is your background, and when did you fall in love with music and singing?(2:21) – Tell us about your “little girl” relationship with Count Basie.(14:31) – How, why, and when did you become involved in the MSU Jazz Studies program?(20:09) – How would you describe the MSU Jazz Studies program, and what makes it so great?(21:07) – Who has influenced your art, and who have you enjoyed performing with?(23:22) – Who are you listening to on Spotify these days?(23:57) – What would you like people to know about Carmen Bradford?Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

Tom Nelson is a pianist, composer, arranger and bandleader. He is a busy freelance musician, performing with some of the top jazz and classical musicians in New York City. He is also the house pianist at the University Club. Tom performs all styles of music ranging from classical to jazz to rock to Broadway, but is especially fond of the Great American Songbook repertoire featuring such composers as George Gershwin, Cole Porter and Richard Rogers.Born in Logan, Utah, Tom received a Bachelor's of Jazz Studies from the University of North Texas and a Master's of Jazz Composition from the Manhattan School of Music. He has composed works for string quartet, jazz orchestra and chamber jazz ensemble, songs for soprano, violin and piano and composed for small jazz ensemble as well. Tom is also active as a Musical Director on the New York cabaret scene and works as a rehearsal pianist and dance accompanist. He lives in Manhattan with his wife and two daughters. www.tomdnelson.com

This year, in celebration of Black History Month, we focus on the arts and the incredible contributions of African Americans to our cultural landscape. First up, jazz and how it informs our views on citizenship. We talk with Portsmouth native Wayne Winborne. He is the executive director of the Institute of Jazz Studies at Rutgers University-Newark, the largest and most comprehensive archive and library of jazz and jazz-related materials in the world. And our very own Jae Sinnett joins the conversation to invite you to a free lecture by Wilborne, sponsored by HR Jazz. Hear a perspective on this unique form of American music unlike you've ever heard before!

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Taiwanese vibraphonist and percussionist Chien Chien Lu, along with Pittsburg, Pennsylvania native bassist Richie Goods, have crafted a sound that is both captivating and rhythmic. Their music draws from a rich tapestry of cultural influences including Taiwanese, American, and African-American traditions, especially within the jazz sub-culture. Chien Chien Lu and Richie Goods are dedicated to expanding their musical repertoire, creating a unique connection that resonates deeply with listeners. In the fall of 2024, Chien Chien Lu and Richie Goods visited Columbus, Ohio, where they met with students at Otterbein University and performed to a captivated full house audience. During their visit, they visited my studio, sharing compelling stories about their individual paths into jazz and the inception of their musical collaboration. Chien Chien Lu recounted her transition from playing classical music in Taiwan to exploring the creative latitude of jazz upon her relocation to the United States. She arrived in the US holding a master's degree in classical percussion but sought the unique expressions of jazz. While pursuing graduate studies in Philadelphia, Chien was introduced to Jeremy Pelt, one of today's leading trumpeters. Impressed by her talent, Pelt included Chien in his subsequent European tour and later featured her in his next album. At that time, Richie Goods was a member of Pelt's band. In 2017, Chien graduated with a Master of Music in Jazz Studies from the University of the Arts. It all then fell together. Richie Goods describes his journey into jazz through performing arts school in Pittsburgh Creative and Performing Arts High School. After graduating from the prestigious jazz program at Berklee College of Music, Richie moved to New York City, where he studied under jazz legends Ron Carter and Ray Brown. Richie worked extensively with jazz piano legend Mulgrew Miller for nine years, which provided opportunities to perform with other major jazz luminaries including Russell Malone, Lenny White, Louis Hayes, and Vincent Herring. His extensive discography includes Grammy award-winning and platinum albums by Alicia Keys and Common. Connected is a band jointly led by Richie Goods and Chien Chien Lu, and their latest recording is Connected vol. 1. This pandemic era-project was derived from frequent conversations Richie Goods and Chien Chien had about the Black Lives Matter movement and the unwarranted hate crimes against Asians. They decided to do a project that would unify people and invoke imagery of love and peace, says Richie. The result is a dynamic jazz group influenced by global sounds, which reflects the musical identities of Richie and Chien. Connected vol. 1, won "Best Instrumental Album" at the 34th Golden Melody Awards in Taiwan. The playlist for this episode includes five recordings. They tap into their latest recording, Connected vol. 1 and Chien Chien Lu's first recording, The Path. Richie Goods produced The Path and Connected vol. 1. The playlist for this episode: 1.Treasure Mountain, Connected vol. 1, (Richie Goods/Chien Chien Lu), RichMan Music, 2023-(8:16); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Brett Williams-Keyboards & Rhodes; Quintin Zoto-Guitar; David Frazier, Jr.-Drums; Danny Sadownick-Percussion 2.Blind Faith, The Path (Chien Chien Lu), RichMan Music, 2020-(5:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Medford-Drums; Percussion-Ismel Wignall 3.We Live in Brooklyn Baby, The Path (Chien Chien Lu), Richman Music, 2020-(5:38) Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Jeremy Pelt-Trumpet; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Mednard-Drums; Percussion-Ismel Wignall; Yoojin Park-Violin; Phoebe Tsai-Cello 4.Someday We'll All Be Free, Connected vol. 1, (Donnie Hathaway), Richman Music, 2023-(7:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Jamison Ross-vocal; Piano/Organ-Shedrick Mitchell; Lil John Roberts-Drums; Danny Sadownick-Percussion Thanks to A Tribe for Jazz for helping to make this interview happen and their support. Please note that there may be some technical issues in the audio. However, the conversation rich in content. Thank you for listening. Subscribe and you'll be one of the first to listen to upcoming episodes, articles, and announcements. Photo by Stephen Pyo

**Reupload. Originally Posted 4/17/20**In this time of social distancing, it can be hard to stay motivated, moving and positive. Join Eric as he interviews Dr. Matthew Arau on how the power of positivity and a shift to a growth mindset can help you be successful and healthy during these different times.Dr. Matthew Arau is an Assistant Professor of Music, Chair of the Music Education Department and Associate Director of Bands at the Lawrence University Conservatory of Music. He conducts the Lawrence Symphonic Band and student and faculty chamber groups, guest conducts the Lawrence Wind Ensemble, supervises student teachers, and teaches Conducting and Instrumental Methods and Rehearsal Techniques I & II.Arau has presented clinics on student leadership, rehearsal techniques, and unlocking potential at the following: The Midwest Clinic: An International Band and Orchestra Conference, the Western International Band Clinic, the American Band College of Sam Houston State University, the Conn-Selmer Institute, the Pan-Hellenic Wind Band Conference in Cyprus, the Colorado, Oregon, and Wisconsin Music Educators Association, Midwest Music Seminars, and universities and high schools around the country.  He teaches student leadership at the Metro-Capitol Leadership Academy in Sherwood, Oregon and the Colorado State University Band Leadership Academy in Ft. Collins, Colorado, and he is a Conn-Selmer Education Clinician. He conducts honor bands and honor jazz bands of all levels, is an active concert band, jazz band and marching band clinician, and has continued to be an active jazz and classical saxophonist throughout his teaching and academic career.Arau earned a DMA in Instrumental Conducting and Literature from the University of Colorado Boulder, a Master of Science in Music from the American Band College at Southern Oregon University, and a Bachelor of Music in Music Performance, Jazz Studies and Music Education and a Bachelor of Arts in Government from Lawrence University in Appleton, Wisconsin.Prior to pursuing his doctoral degree, Arau was the Director of Bands at Loveland High School in Loveland, Colorado from 2005-2012 where he established the Leadership Symposium for the development of student leaders. The Loveland H.S. Wind Symphony was featured at the Western International Band Clinic (WIBC) in Seattle and two times at the Colorado Music Educators Association Convention. The Loveland Marching Band won the Colorado 4A State Marching Band Championship and the Class AA Championship at the Bands of America Super Regional in San Antonio, Texas. Arau began his teaching career in 1997 as the Director of Bands at Walt Clark Middle School in Loveland, Colorado. The Walt Clark Honor Band was featured at the Colorado Music Educators Association Convention in 2003.Mr. Arau's professional affiliations include the College Band Directors National Association, the National Association for Music Education and the World Association of Symphonic Bands and Ensembles. He is a past Western Region Representative of the American School Band Directors Association and Instrumental Representative of the Colorado Music Educators Association. His writings on music and music education are published in Conn-Selmer Touchpoint, Bandworld Magazine, and The Saxophone Journal.(bio courtesy of https://www.lawrence.edu)Not Your Forte is a music education podcast that is geared towards helping Music Education students survive and thrive throughout their undergrad as well as prepare to enter the "real world". Not Your Forte is brought to you by Eric Tinkler, a senior in music education at Kansas State and Dr. Phillip Payne, the Undergraduate Music Education advisor at Kansas State. You can listen to us on Apple Podcasts, Spotify, Youtube and much more!Support the show

Jodi Proznick talks about becoming the Director of Jazz Studies at the Vancouver Symphony Orchestra School of Music and her work there spanning more than a decade, her values as an educator, and her musical history where she has been one of Canada's most prominent jazz bassists since the 2000s. Jodi's current ensembles include the Ostara Project, Terri-Lynn Williams-Davidson and sGaanaGwa, O Come All Ye Soulful, Raagaverse, and Noah Franche-Nolan's trio.The Ostara Project will release their second album Roots on April 11, with the first single coming soon on February 7.Become a member for free today at rhythmchanges.ca. You'll get the free weekly email with upcoming events from the gig list, plus artists, events, or recordings for you to enjoy and share. Sent every Tuesday morning at 6:00 AM Pacific Time.Hosted by Chris Fraser. Edited and mixed by Will Chernoff. A Chernoff Music podcast. Theme music: "Lutin" by William Chernoff.

This episode features my conversation with drummer Paul Wertico. Based out of Chicago, Paul is highly regarded for his fearless approach, artistry and musicality. He is best known for being the legendary Pat Metheny's drummer for 18 years, during which he recorded multiple Grammy award winning albums. Paul is a bandleader and prolific composer who has released numerous projects under his own name. Frequently sought after for his creativity, his work can also be heard on hundreds of recordings with many artists. As an educator, Paul has been teaching privately for over 45 years and is also an Associate Professor of Jazz Studies at Roosevelt University's Chicago College of the Performing Arts. In our conversation, we talk about how his curiosity to explore different musical genre's has inspired his creative approach. We also discuss his work with the Pat Metheny Group and how he uses his personal experiences to inspire others to get outside their comfort zone, allowing them to find their own creative voice. Follow Paul: https://www.paulwertico.com https://www.instagram.com/paulwertico/ https://www.facebook.com/paulwertico1

Dallas-based jazz musician/baritone saxophonist Mike Morrison talks about his latest release “Missed The Boat” featuring the title track, “Impermanence”, “Ferguson's Saga”, “Tacocat” and more! Mike began his career rooted in the jazz tradition holding a Bachelor's/Masters in Music Performance emphasizing in Jazz Studies from UT-Arlington & served as a Graduate Teaching Asst. teaching jazz theory and combos, performed with Arturo Sandoval, Jon Faddis, Bob Mintzer, etc., and currently the adj. professor at UTA & TCU plus as a fixture in the DFW area music scene plus shares the stories behind the music! Check out the amazing Mike Morrison and his latest release on all major platforms and www.luckybuckrecords.com today! #mikemorrison #dallas #jazzmusician #baritonesaxophonist #missedtheboat #impermanence #fergusonssaga #tacocat #jazzstudies #UTarlington #TCU #arturosandoval #jonfaddis #bobmintzer #luckybuckrecords #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermikemorrison #themikewagnershowmikemorrison

Dallas-based jazz musician/baritone saxophonist Mike Morrison talks about his latest release “Missed The Boat” featuring the title track, “Impermanence”, “Ferguson's Saga”, “Tacocat” and more! Mike began his career rooted in the jazz tradition holding a Bachelor's/Masters in Music Performance emphasizing in Jazz Studies from UT-Arlington & served as a Graduate Teaching Asst. teaching jazz theory and combos, performed with Arturo Sandoval, Jon Faddis, Bob Mintzer, etc., and currently the adj. professor at UTA & TCU plus as a fixture in the DFW area music scene plus shares the stories behind the music! Check out the amazing Mike Morrison and his latest release on all major platforms and www.luckybuckrecords.com today! #mikemorrison #dallas #jazzmusician #baritonesaxophonist #missedtheboat #impermanence #fergusonssaga #tacocat #jazzstudies #UTarlington #TCU #arturosandoval #jonfaddis #bobmintzer #luckybuckrecords #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermikemorrison #themikewagnershowmikemorrison

Dallas-based jazz musician/baritone saxophonist Mike Morrison talks about his latest release “Missed The Boat” featuring the title track, “Impermanence”, “Ferguson's Saga”, “Tacocat” and more! Mike began his career rooted in the jazz tradition holding a Bachelor's/Masters in Music Performance emphasizing in Jazz Studies from UT-Arlington & served as a Graduate Teaching Asst. teaching jazz theory and combos, performed with Arturo Sandoval, Jon Faddis, Bob Mintzer, etc., and currently the adj. professor at UTA & TCU plus as a fixture in the DFW area music scene plus shares the stories behind the music! Check out the amazing Mike Morrison and his latest release on all major platforms and www.luckybuckrecords.com today! #mikemorrison #dallas #jazzmusician #baritonesaxophonist #missedtheboat #impermanence #fergusonssaga #tacocat #jazzstudies #UTarlington #TCU #arturosandoval #jonfaddis #bobmintzer #luckybuckrecords #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermikemorrison #themikewagnershowmikemorrisonBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

Send us a textJason Greenlaw grew up on the East Coast, just outside Philadelphia, Pennsylvania. He earned his bachelor of arts in Jazz Studies at the University of Pittsburgh, studying guitar under Joe Negri and improvisation under Geri Allen, before moving to Colorado in 2020. He is currently based in the Denver/Boulder area of Colorado, where he focuses primarily on jazz guitar, playing in solo shows, small jazz combos, pit orchestras, and wedding bands. He is also a teacher, having taught hundreds of students ranging from 6 to 80 years old, and he loves inspiring passion for music in his audiences and his students.Greenlaw has been interested in music from a very young age. His first instrument was the violin in elementary school (around first or second grade), and he eventually picked up the alto saxophone, playing that instrument into middle school. By sixth grade, he switched to the guitar and never looked back. At that point, he started performing in the jazz band at the beginning of high school and delved into private music instruction outside of school.Greenlaw's private teacher started exposing him to more jazz music during that time, but it wasn't until he started and graduated college that he started performing it on a more serious level on his own. Especially in middle and high school, he also listened to 90s grunge music, and his dad loved classic rock, including Santana and Billy Cobham. In the end, though, jazz became his primary focus as he explored music more on his own. Thank you for listening to The Mountain-Ear podcast featuring the news and culture from peak to peak. If you would like to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the COUPON CODE PODCAST FOR A 10% Discount for ALL NEW SUBSCRIBERS https://www.themtnear.com/subscribe/ You can find us online by visiting https://www.themtnear.com/Find us on Facebook @mtnearShare this podcast around wherever you've found it or by sharing the link https://themtnearpodcast.buzzsprout.com/ or https://www.themtnear.comYou can contact our editor at info@themountainear.com.Thank you for listening.

Lucky me! I had the honor to meet up with Emily Day for this episode of the Hot Jazz Network Podcast. A long time friend and musical collaborator, Emily is a talented arranger for her 6 piece band the Cosmo Alleycats, top notch performer, dynamic business person, and Bay Area's best female vocalist/jazz singer.About Emily Day: Emily Day's voice carries the history of American music. On stage, she combines her deep knowledge of jazz with her vocal acrobatics — simultaneously wild and precise. “Ella reincarnated”, “Sultry and wonderful”, and “Her voice is outrageous” are just a few comments from captivated audience members nationwide. Emily has been performing jazz since the age of 16. She holds a BFA in Jazz Voice from The New School and an MA in Popular Music Studies from the University of Liverpool. She served as an adjunct lecturer in Jazz Studies and music fundamentals at several Northeastern colleges and Universities while running her own private vocal studio for ten years. Upon moving to San Francisco in 2012, she fell in love with the city's vibrant Swing scene and has been reconnecting to her Big Band roots ever since. UPCOMING APPEARANCES: Cosmo Alleycats, Thursday, Jan. 23, 2025, The Sausalito Center for the Arts. Emily Day Swingtet, Thursday, Feb 13, 2025 at Mr. Tipple's in San Francisco, she will be joined by guitarist Luca Pino, and jazz violinist Nora Germain. WEBSITE and SOCIAL MEDIA: www.cosmoalleycats.com https://www.instagram.com/emilydaymusic/ https://www.instagram.com/cosmoalleycats/ VIDEOS: Maybe I Do https://youtu.be/Q8tskeV9hkE?si=yobIHv7_ODamjVxMIn A Dream https://youtu.be/Uxp2ilaRSyQ?si=QSiogQeFb5qKy4aFOld Sweet Songhttps://youtu.be/eM63uv05xh0?si=cw527G4vgiezWNO8Problème C'est Moihttps://youtu.be/u6DF8Nn0vp0?si=fOcTP7fmDO70eCRH

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

Charles McPherson, internationally recognized jazz alto sax virtuoso, is joined by Luke Little and Dylan Soto, students in SDSU's highly acclaimed jazz studies program, to talk about the November 14 "Charlie Parker With Strings" concert at SDSU's Main Stage.  McPherson, Little and Soto discuss their musical journey, along with the benefits of being in SDSU's Jazz Studies Program, led by Bryan Levy.About Spotlight and Cloudcast Media"Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 18 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the power of local.  For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us.

On this episode of With Good Reason, Technical Director Jamal Millner hosts and we explore how some musicians interact with the communities they inhabit. The inspiration, support and motivation these artist's receive from their families, friends and fans. CJ Colston is a millennial Evangelical Preacher and Singer that performs proselytizes in Southwestern Virginia area churches regardless of the race of the congregations. And: Filmmaker and VH Fellow Alicia Aroche discusses her upcoming documentary 32 Blocks. We discuss her film about a few of the great and internationally recognized musicians that grew up in the Church Hill area of Richmond VA. Lonnie Liston Smith and Wah Wah Watson are just a couple of the musicians featured in the film. Later in the show: Alternative Hip Hop artist geonova from Big Stone Gap tells us about the struggles and triumphs of being an LGBT artist in rural Virginia. Plus: Jazz Trumpeter and Composer John D'earth is the final guest on this episode. We discuss his upcoming retirement as Director of Jazz Studies at UVA, stories of his interactions with some of jazz histories masters and his latest projects.

Rick and Ron visit again with Ray "Quasi" Nelson, artist entrepreneur, drummer, and founder of the Synergy Percussion Camp. which serves as a bridge builder for young musicians and influential artist in the music industry. After receiving his B.A. in Jazz Studies with a minor in Music Industry from Florida A&M University, Quasi moved to California to pursue a career in music and entertainment. Shortly after, he began touring and recording with The Legendary Count Basie Orchestra becoming one of the youngest members to hold the drummers chair. In 2017, Quasi began touring with Grammy nominated recording artist, Kehlani, co-produced a mulit- platinum recording single and filmed his television acting debut on BET's The Quad. Quasi currently plays for several artist across the music industry including Sabrina Claudio, The Shadowboxers and Stanaj.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Conrad Herwig, commercial and jazz trombonist from New York City. About Conrad: New York jazz artist CONRAD HERWIG has recorded nearly 30 albums as a leader, receiving four GRAMMY®-nominations for his own projects. His latest CD release is The Latin Side of McCoy Tyner (Savant; 2024). This albums marks 27+ years of the “Latin Side . . .” series, and is a follow-up project to The “Latin Side of ...” tributes to Charles Mingus (Savant 2022), Horace Silver (Savant; 2020), Joe Henderson (Half Note; 2014), Herbie Hancock (Half Note;2010) Wayne Shorter (Half Note; 2008), Miles Davis (Half Note; 2004), and John Coltrane (Astor Place; 1996). These exciting and individualized projects feature an array of special guests including Randy Brecker, Ruben Blades, Michel Camilo, Joe Lovano, Eddie Palmieri, Paquito D'Rivera, Dave Valentin and many of the hottest players on the international scene. Herwig is equally facile in a non-Latin arena. He has been voted #1 Jazz Trombonist in DownBeat Magazine “Jazz Critic's Poll” and nominated for “Trombonist of the Year” by the JazzJournalists Association on numerous occasions. In constant demand as a sideman, Herwig has performed with Joe Henderson, Horace Silver, McCoy Tyner, and Joe Lovano (featured as a soloist on Lovano's GRAMMY® Award winning 52nd St. Themes CD). In the Afro-Caribbean genre he has toured with legends such as Eddie Palmieri, Tito Puente, Paquito D'Rivera, and Michel Camilo. He is a longtime member of the the Mingus Big Band (where he has served as musical director and arranger including on the 2011 GRAMMY®-winning “Live at the Jazz Standard”). In other big band settings Herwig has also performed and recorded with Clark Terry, Buddy Rich, Frank Sinatra, Miles Davis & Quincy Jones, and the Gil Evans Orchestra. All told Herwig has appeared on more than 200+ albums in what is now a 40 year career. In 2006 Herwig received the Paul Acket Award (formerly the “Bird Award”). The prize, presented at the North Sea Jazz Festival, is intended for an artist who, according to the international jury, deserves the attention of a broader audience. Herwig is also a recipient of performance and teaching grants from the National Endowment for the Arts. Conrad was elected to the Board of Advisors of the International Trombone Association and has taught at Mason Gross School of the Arts in the prestigious jazz program at Rutgers University in New Brunswick, N.J. where he currently serves as Artistic Director and Chair of Jazz Studies.

Rick and Ron visit with Ray "Quasi" Nelson, artist entrepreneur, drummer, and founder of the Synergy Percussion Camp. which serves as a bridge builder for young musicians and influential artist in the music industry. After receiving his B.A. in Jazz Studies with a minor in Music Industry from Florida A&M University, Quasi moved to California to pursue a career in music and entertainment. Shortly after, he began touring and recording with The Legendary Count Basie Orchestra becoming one of the youngest members to hold the drummers chair. In 2017, Quasi began touring with Grammy nominated recording artist, Kehlani, co-produced a mulit- platinum recording single and filmed his television acting debut on BET's The Quad. Quasi currently plays for several artist across the music industry including Sabrina Claudio, The Shadowboxers and Stanaj.

Have you ever thought about music not just as entertaining, but as something healing? Research suggests that the benefits of music can go beyond just jamming to catchy tunes. Neuroscientist and New York Times best-selling author of This Is Your Brain on Music Daniel J. Levitin explores this idea in his new book, I Heard There was a Secret Chord: Music as Medicine. Levitin's recent release discusses music as one of humanity's oldest medicines and explores the deep connections between music and healing that have been found across the globe. I Heard There Was a Secret Chord explores the curative powers of music, showing us how and why it can be one of the most potent therapies today. He gathers and synthesizes the results of numerous studies on music and the brain, demonstrating how music can contribute to the treatment of a host of ailments, from neurodegenerative diseases such as Parkinson's and Alzheimer's to cognitive injury, depression, and pain. Levitin incorporates interviews with multiple musicians, from Sting to Kent Nagano to Mari Kodama.  And Levitin himself is not only an acclaimed scientist but an award-winning musician and composer in his own right, living the very nexus he explores in his work. I Heard There Was a Secret Chord makes an argument for the critical role music has played in human biology, illuminating the neuroscience of music and its profound benefits for people of all ages who engage with it. Daniel J. Levitin is a neuroscientist, musician, and the author of four New York Times best-selling books, including This Is Your Brain on Music. He is dean emeritus at Minerva University, professor emeritus at McGill University, and visiting professor at UCLA. A saxophonist, guitarist, bass player, and vocalist, he has worked as a producer and recording consultant. Brian Nova is considered one of the top Jazz Guitarists/Vocalists in the nation, in addition to being Director of Jazz Studies at Seattle University from 1990-1996. Nova has 7 recordings of his own as well as appearing on 70+ artist's recordings. His latest CD release, The Brian Nova Collective, features Brian's Trio with many of his favorite artists like Shelly Berg, Laurence Hobgood, Tom Scott, Larry Dunlap and others. Marc McKennon is a talented multi-instrumentalist and scientist from Seattle.  Starting out on the piano, he branched out to stringed instruments, eventually falling in love with the dobro.  Although it is traditionally a bluegrass instrument, Marc fearlessly takes his dobro into the realms of jazz, rock, folk, country, and pretty much anywhere else he can. When he isn't playing music, he is engaged in cancer and neurologic drug research and development as a PhD organic chemist. Buy the Book I Heard There Was a Secret Chord: Music as Medicine The Elliott Bay Book Company

Roy McGrath is a Chicago based tenor saxophonist and multi-woodwind instrumentalist, composer and bandleader. Born and raised in San Juan, Puerto Rico and educated in Boston, New Orleans and Chicago, Roy brings to bear these diverse influences in his playing and composing. In addition to leading and recording his own ensembles, he is a member of several others as an in-demand player, recording artist, and producer. He has led four international tours to Mexico, Singapore, Myanmar, South Korea and China. As a composer and arranger, Roy is firmly in the jazz tradition, but his Caribbean heritage is an ever-present mind set, leading to wholly original works that are a true expression of who he is.  Menjunje features folkloric rhythms of Puerto Rico such as Bomba (Sica, Yuba, Cuembe), Plena, Seis Araucano, as well as Cuban Guaguanco, Bolero, Chachacha, and Son. For this particular project he flew in musicians from Puerto Rico: Drummer Efrain Martinez (Viento de Agua, Cultura Profetica, La PVC, and many more) and Eduardo Zayas (Charlie Sepulveda,  Mahya Veray, Bobby Valentin). As well as musicians from the Chicago area, Constantine Alexander on trumpet, Kitt Lyles on Bass, Javier Quintana-Ocasio and Victor “Junito” Gonzalez on Percussion, and Jose Carrasquillo on Cuatro. This project is a product of working in conjunction with the Segundo Ruiz Belvis Cultural Center, the Puerto Rico Arts Alliance, the Walder Foundation, and the Department of Cultural Affairs and Special Events of Chicago.  In 2022 Menjunje played festivals around Chicago and surrounding areas: Chicago Jazz Festival, Chicago Latin Jazz Festival, Glenwood Arts Festival, CU Jazz Festival, Mayfest, Mole de Mayo Festival. Also in 2022 Roy plays on supporting the release of Giovany Revelle's self-titled album, which Roy co-produced, wrote horn arrangements, string arrangements, and coached the rhythm section. In 2017 Roy released his Latin Grammy nominated prior album, “Remembranzas”, a new batch of original compositions that incorporate folkloric Bomba rhythms and other Puerto Rican elements in a jazz framework. Originally, in 2015 the project was called the Julia al Son de Jazz project and was commissioned by Chicago's Segundo Ruiz Belvis Cultural Center, where he worked as director of the youth Afro-Caribbean Jazz Ensemble for five years. The project used the writings of revered Puerto Rican poet Julia de Burgos as a springboard for new compositions that included spoken word recitations of her poetry. Its debut was followed by successive performances throughout Chicago including three dates for the Chicago Park District's Night Out in the Parks summer concert series in 2016.  In 2017 Roy also led two special big band tribute projects: one honoring legendary Puerto Rican composer Rafael Hernández, with his son, Chali Hernandez singing, and a local All-Stars tribute to Dizzy Gillespie's United Nations Orchestra that played the Chicago Latin Jazz Fest. Roy sang in school choirs before picking up the saxophone at age 16. After attending the Berklee College of Music Summer Workshop, he earned a full scholarship to attend Berklee's five-week Summer Performance Program. Back in Puerto Rico, he honed his improvisational skills performing with jazz pianist and Beach Boys alumnus Carli Muñoz. Upon high school graduation, Roy was awarded a scholarship to Loyola University in New Orleans, where he studied under Tony Dagradi (saxophonist for Astral Project) and composer/arranger John Mahoney. He graduated in 2009 with BM in Jazz Performance. After graduation, Roy extended his time in New Orleans, performing in clubs, concert halls and the streets with a variety of musicians. He made three appearances at the New Orleans Jazz and Heritage Festival and one appearance at the New Orleans French Quarter Fest. The next stop on his musical journey was Northwestern University in Chicago, where he graduated with a master's degree in Music, studying under Victor Goines, saxophonist for Jazz at Lincoln Center and Director of Jazz Studies at Northwestern University. Graduating in 2014, McGrath decided to put down roots in Chicago because of both its historic role in the development of jazz and the presence of a large and vibrant Jazz & Latin music community in which he could continue to pursue his vision. He returned to Northwestern's Pick-Staiger Concert Hall in 2016 to perform with Victor Goines and Branford Marsalis in Goines' orchestral composition the “Crescent City Suite”. Roy released his debut CD as a leader, Martha, in 2014 with a quartet formed of fellow Northwestern grads Gustavo Cortiñas, Kitt Lyles and Joaquin Garcia, all bandleaders in their own right, and returned the favor by joining their ensembles: Snapshot (Cortiñas), Real Talk Collective (Lyles) and Rhythm Convergence (Garcia). The Roy McGrath Quartet was featured in the Jazz Institute of Chicago's NextGEN concert series in 2015. Later that year, the Chicago Department of Cultural Affairs and Special Events (DCASE) awarded McGrath a grant to take the quartet on a month-long tour of Mexico. Also in 2015, The Roy McGrath Latin Jazz Quintet performed at the Chicago Latin Jazz Festival. 2016 also saw McGrath joining alto saxophonist Miguel Zenón and traditional music ensemble Bomba con Buya for Folclórico: An Exploration of Jazz and Afro-Puerto Rican Music at the Segundo Ruiz Belvis Cultural Center. As an educator Roy has taught masterclasses on improvisation at Dulwich College International in Shanghai, Suzhou, and Beijing, on four different touring occasions. Roy has taught in his home of Puerto Rico at the Universidad del Turabo and in Mexico City as well.

In this episode Dr. David Demsey, Coordinator of Jazz Studies and Curator of the Living Jazz Archives at William Paterson University talks about how the archive came to be, the genius of Michael Brecker, and playing with the NY Philharmonic.

Brian Casey is a jazz bassist, educator and researcher based in Colorado. Brian serves as Associate Professor of Academic Jazz at the University of Northern Colorado and earned a DMA in Jazz Studies from the University of Colorado Boulder where he taught courses in Humanities, Jazz Studies, and American Music. Brian earned a MM in Jazz Studies from the University of North Texas where he played with the Grammy-nominated One O'Clock Lab Band and served as a Teaching Fellow in Jazz Bass under the direction of Professor Lynn Seaton. Brian has performed and/or recorded with Pink Martini, Weber Iago, Henry Butler, and many others. Dr. Casey has presented original research in jazz-related fields at many national and international conferences including those of the College Music Society, the Jazz Education Network and the International Society of Bassists. He has written the entry for Miles Davis in the Oxford Online Bibliographies in Music, articles for Jazz Education in Research and Practice as well as Jazz and Culture, and a chapter on “Post War Traditions” in Jerry Tolson's textbook African American Music: History and Heritage published by Great River Learning. Brian's current research focuses on jazz as a cultural phenomenon in New Orleans.

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Interspecies Communication: Sound and Music Beyond Humanity (U Chicago Press, 2024), music scholar Gavin Steingo examines significant cases of attempted communication beyond the human--cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized "ears." Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses. Gavin Steingo is Professor in the Department of Music at Princeton University. He is also affiliated with the programs in Media and Modernity, African Studies, and Jazz Studies. Steingo's research examines sound and music as fundamental features in the construction of global modernity, with research specializations in African music, sound studies, acoustic ecology, and music and philosophy. Methodologically, his work is united by a mode of inquiry where theory, history, and ethnography form part of a shared constellation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

On this episode, we welcome accomplished bassist and Professor of Double Bass and Jazz Studies at the University of Wisconsin-Madison, Peter Dominguez. Peter started his career in Milwaukee and has also taught at Michigan State University, the Oberlin Conservatory of Music, and performed with various artists globally. Peter's contributions include adjudicating international competitions, directing the Richard Davis Foundation conference, and the Milt Hinton Institute for Studio Bass. His discography includes "How About This", "Groove Dreams", and a solo recording "Bass Salute". We discuss the Milt Hinton Institute for Studio Bass, a summer program for teenage bass players, which Peter directs. Hosted by NJPAC and Montclair State University in July 2024, the program offers classes, performances, ensemble work, studio sessions, and more. Visit njpac.org/hinton for more information. Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor!   Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton's rosin, basses, and more at uptonbass.com. theme music by Eric Hochberg

Jim was raised in Winnipeg, Manitoba and graduated from Silver Heights Collegiate in 1984. That same year his quintet won top high school combo in Canada and he was selected lead tenor in the Canadian High School All Star Jazz Ensemble. His school band directors were Wilfred Jones and Jim Mackay. In June 1986, he was profiled in DOWNBEAT magazine as a young musician deserving of wider recognition. Mair graduated from the University of Mary (Bismarck, North Dakota) with a Bachelor of Science degree in Music Education (1988) and the University of Missouri at Kansas City Conservatory of Music and Dancewith a Master of Arts degree in music (1990). He studied with Scott Prebys and Loran Eckroth at U-Mary from 1984 to 1988, Mike Parkinson Gary Foster and Tim Timmons at UMKC from 1988 to 1990 and did additional studies at the Banff Summer Jazz Workshop with Dave Holland. Kenny Wheeler and Pat Labarbera in 1988. He is a two-time full fellowship recipient at the Aspen Music Festival in 1989 and 1990. Jim was Professor of Music and Director of Instrumental and Jazz Studies at Kansas City Kansas Community College from 1999-2023. In December 2014, his college big band performed at the 30th annual Havana Jazz Festival in Cuba. He also serves as the Artistic Director/Founder of The Kansas City Jazz Alliance (501c3), The Kansas City High School and Middle School Jazz All Stars program and is the producer of The Kansas City Jazz Summit which includes the annual Basically Basie Competition. From 2003 to 2010 he served as the Artistic Director/Conductor for The Kansas City Jazz Orchestra (501c3), a performance organization that he co-founded. Jim is a co-founder of the Prairie Village Jazz Festival. Mair has also served on the faculty at the College of Southern Idaho, the International Music Camp, and the Charlie Parker Academy of the Arts. In addition, he has served as a staff writer for the Saxophone Journal and since 1992 has served as an artist/clinician for the Selmer Instrument Company. Mair has conducted the North Dakota, South Dakota (twice) and Idaho All-State Jazz Ensembles (twice) and the Kansas City All District Jazz Band (six times). While teaching in Idaho from 1995 to 1999 his radio show "Table Down Front" was broadcast across the northwest on NPR affiliates. His performance credits include appearances at the Havana, Cuba Jazz Festival, New York City JVC Jazz Festival, Montreux Jazz Festival, IAJE Convention, JEN Convention, Carnegie Recital Hall, Birdland and Showman's Cafe in New York City and the Duchin Room in Sun Valley, Idaho. In 1999, Mair was honored by the Governor of Idaho for his outstanding contributions to the Arts. He received the same recognition from the state of Kansas in 2010. In the spring of 2013 Mair received the Henry Louis Teaching Excellence Award from KCKCC as faculty member of the year. In early 2014, he was awarded the League for Innovation John & Suanne Roueche Teaching Excellence Award. In 2015, he was awarded an Honorary degree from the University of West London's, (England) London College of Music for his contributions to jazz education both in North America and in the United Kingdom. Additional accolades include Alumnus of the Year at both of the universities that he attended. University of Mary in 1995 and in 2017 the University of Missouri-Kansas City Conservatory of Music and Dance. Also in 2017 The Kansas City Jazz Alliance formed by Mair and his wife received Jazz Distinction recognition in a concert celebration at the Johnny Pacheco Latin Music and Jazz Festival at Lehman College (SUNY) in the Bronx, New York. In 2021, the annual 4 day Kansas City Jazz Summit was selected as "Best of Kansas City" for local businesses and in 2022 the readers of JAM magazine voted Jim, Kansas City's Favorite Saxophonist. Mair serves on the advisory board for the Metheny Family Music Foundation and the Burnett Family Foundation. Jim has on multiple occasions performed as a soloist, the Star Spangled Banner and O Canada at NCAA college and professional sporting events including for the Kansas City Chiefs, Kansas City Royals and Kansas City Monarchs home games. Retiring from 28 years of college teaching in July 2023, the academic year 2023-2024 found Mair serving as an Artist in Residence at Fort Richmond Collegiate in his hometown of Winnipeg, Canada directing the jazz bands and teaching three sections of beginning band. In the fall of 2024 Jim will join the full-time music staff at St. James Academy in Lenexa, KS where he will serve as Assistant Director of Bands and Jazz Specialist.  

Send us a Text Message.Grammy award winning pianist Bill Charlap has performed with many of the leading artists of our time including Phil Woods, Tony Bennett, Gerry Mulligan, Wynton Marsalis, Freddy Cole and Houston Person. Born in New York City, Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, and was a regular on the Perry Como show. She earned a 1963 Grammy nomination for her recording of “My Coloring Book." In 2005, Charlap and Stewart released the acclaimed CD, Love Is Here To Stay (Blue Note).In 1997, Charlap formed his trio with bassist Peter Washington and drummer Kenny Washington, now recognized as one of the leading groups in jazz. In 2000, he was signed to Blue Note Records and received two Grammy Award nominations, for Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard. He is known for his interpretations of American popular song.. Time magazine wrote, “Bill Charlap approaches a song the way a lover approaches his beloved…no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence.” In 2016, Tony Bennett & Bill Charlap: The Silver Lining, The Songs of Jerome Kern, was awarded a Grammy for Best Traditional Pop Album. In April, the Bill Charlap Trio released, Notes from New York, their debut recording for the Impulse label. Alan Morrison's five-star review in Down Beat stated that the new recording is "a masterclass in class." In 2019, Charlap will be celebrating his 15th year as Artistic Director of New York City's Jazz in July Festival at 92Y. He has produced concerts for Jazz at Lincoln Center, New Jersey Performing Arts Center, Chicago Symphony Center and the Hollywood Bowl. Charlap is married to renowned jazz pianist and composer Renee Rosnes, and the two artists often collaborate in a duo piano setting. In 2010 Charlap and Rosnes released Double Portrait (Blue Note). Bill Charlap is currently the Director of Jazz Studies at William Paterson University in Wayne, New Jersey. https://www.billcharlap.com/ This Summer, Edna Golandsky, renowned pedagogue and leading expert on the Taubman Approach will release her first book with Amplify Publishing Group. Entitled ‘The Taubman Approach To Piano Technique: A Comprehensive Guide To Overcome Physical Limitations and Unlock Your Full Pianistic Potential.' Visit: www.ednagolandsky.com to learn more.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

Aaron Miller, the Director of Jazz Studies at BYU-Idaho, talks about the unique individuality in the music and his experience in both teaching jazz and performing it in his group The Kindness.

Rodney Whitaker, University Distinguished Professor of Jazz Bass and director of Jazz Studies in the Michigan State University College of Music, is among the class of new members elected to the American Academy of Arts and Sciences. With this honor, he joins the ranks of artists, scholars, scientists, and leaders of one of the oldest learned societies in the United States. Conversation Highlights: (0:28) – How does this honor feel? (1:17) – When and how did you fall in love with music? It started at the turntable. (2:50) – Why the bass? Who influenced you? The violin was first. (4:29) – How and when do you become a Spartan? (5:48) – Why do you love to teach? (7:08) – What's the mission of the MSU Jazz Studies program? “It's a place to grow mentors.” (9:03) – Talk about your role directing the college's diversity, equity, inclusion and belonging efforts. Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

Uh oh. AI is giving music consumers the apps to make their own tunes—or at least make ABBA sing like chipmunks. In today's show, Charlie rides a rollercoaster of emotions. He loves to play with the new tech but has the blues over the effortless nature of modern music-making tools. With a few text prompts, anyone can create a hooky pop song in 60 seconds—easy as ordering a latte—you don't even have to spell Tayler Swift right, let alone know music theory. Contributing to today's episode are music educators Dr. Matthew White, Associate Professor and Chair of Jazz Studies at the University of South Carolina, and Thavius Beck, Assistant Professor in Electronic Production and Design at Berklee College of Music. They reveal how musical academia has evolved to encompass classical/jazz proficiency and digital innovation. However, what constitutes essential music literacy is still being debated. Susan Stewart from the Recording Academy also tells us if AI-composed music gets to sit with the cool kids at the Grammys. Spoiler alert: there's a human dress code. Special musical guest, bassist, and singer/songwriter Scott Mulvahill exemplifies the merger of old and new schools, blending his mastery of upright bass and songwriting with cutting-edge technology. In summary, this episode challenges listeners to consider the implications of some mind-blowing technological advancements for both current and future musicians and music consumers who increasingly engage in creating music themselves. Charlie weaves engaging discussions with poignant "in-the-studio" examples and invites us to reassess the essence of musical talent, imagination, and creativity in the digital age. The big, meaningful question? Does easy access to making music enhance or undermine the true art of music and the culture that loves and supports it? Get comfortable, adjust your headphones, and let's decode whether music's new production tech leads to a satisfying crescendo or a cacophonous catastrophe. “Music and Meaning” is a production of Christianity Today Executive Produced by Erik Petrik and Matt Stevens Produced and Written by Charlie Peacock and Mike Cosper Associate Produced by Raed Gilliam Mixed by TJ Hester Original Music by Charlie Peacock  Additional studio and remote engineering by Bridget Ashworth Show theme, “Sound of the Room,” composed by Charlie Peacock, featuring bassist John Patitucci Information on Charlie's latest books and music, including his own "drag and drop" producer sample pack, is available at charliepeacock.com Special guests on this episode: Dr. Matthew White, Associate Professor and Chair of Jazz Studies, the University of South Carolina; Thavius Beck, Assistant Professor in Electronic Production and Design at Berklee College of Music; Susan Stewart, Sr. Managing Director of the Songwriters & Composers Wing for the Recording Academy; and musical guest, bassist and singer/songwriter, Scott Mulvahill. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Today, we have the pleasure of welcoming Derek Stoltenberg to our show. He is a highly experienced drummer who has performed on cruise ships, Broadway stages, and many other prestigious platforms. In this episode, Derek shares his valuable experiences, insights, and words of wisdom for young musicians who aspire to succeed in the music industry. Here are the highlights of our conversation:* The Art of Adaptation: Learning the ropes of performing in diverse environments, from cruise ships to Broadway, and the importance of adaptability.* Musical Influences: A deep dive into the drummers and bands that shaped Derek's approach to drumming, including Josh Freese and Travis Barker.* Tour Life Realities: The challenges and rewards of touring include navigating different venues and equipment and building relationships with crew members.* Navigating New York's Music Scene: Insights into making it as a musician in New York City, from finding the best gigs to the significance of networking and adaptability.* Words of Wisdom: Derek offers advice for aspiring musicians on perseverance, networking, and staying true to one's musical identity.Join us as Derek Stoltenberg provides a detailed account of his vibrant career. Whether a budding musician or an experienced professional, you will find something interesting in Derek's story.Derek Stoltenberg is a drummer and percussionist originally hailing from Pittsburgh, PA. Growing up, he developed a love and vocabulary for music of all genres, from punk and hip-hop to be-bop and salsa. After finishing studies in both classical and jazz performance, he spent several years teaching and freelancing in the PA, OH, and WV tri-state area before traveling the world performing for Princess Cruises in both the house and party bands. From there, he would travel nationwide for national tours of Broadway shows such as Mean Girls, The Prom, Mamma Mia, and Nice Work If You Can Get It. These experiences have allowed him to perform in concert with artists such as Kristin Chenoweth, Jessica Vosk, and Richard Kind and on stage at the Percussive Arts Society International Convention (PASIC) and Carnegie Hall. In 2012, Derek had the honor of world premiering "Concerto for Drum Set and Percussion Ensemble" with the Slippery Rock University Percussion Ensemble under the direction of Dr. David Glover. The piece, composed for him by Jamie Whitmarsh, went on to win first place in the 2012 Percussive Arts Society Composition Contest and is available through C. Alan Publications. His Broadway subbing credits include How To Dance In Ohio and Hell's Kitchen.Derek holds a BM in Percussion Performance from Slippery Rock University and an MM in Jazz Studies from Florida State University. He currently resides in New York City, where he maintains an active freelance schedule and sensible sneaker collection. Derek proudly endorses Innovative Percussion Drumsticks and Mallets.Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour) and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jon Armstrong is an amazingly versatile performer, composer, educator and thinker. Perhaps that should come as no surprise, since as a young man in his home town in Oregon, Jon not only played in a Buddhist marching band but also worked 12 hour shifts in a diaper factory! After a highly successful career in LA, he now teaches at Idaho State University, where he's established a fantastic commercial music program, while still performing and composing and at an extremely high level.Jon grew up in Corvallis, Oregon, and at a very young age was already deeply involved in music, learning any instrument he could get his hands on and playing in a variety of groups. His studies at the California Institute for the Arts were followed by seven years in Los Angeles, where he worked as a freelancer, band-leader and composer... and also founded three educational jazz programs! He moved to Pocatello to become Director of Jazz Studies at Idaho State University in 2015, which he has evolved into the new Commercial Music Program. Much of our discussion centers around his thoughts on pedagogy and building the commercial music program.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Welcome to Jazz Piano Skills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to Jazz Piano Skills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

All music used with permission by David Bixler and the Trio Incognito. 6-29-21 - Bixler Bomb - Bixler Nobody Else But Me - Standard Luminal Space - Bixler Old Dog, New Bix - Bixler Inside the Grief - Bixler   Saxophonist David Bixler keeps busy. When not hosting the podcast Liner Notes or leading the Jazz Studies program at Bowling Green State University, he tours in support of his most recent creative renaissance that culminated in the 2020 release of Inside the Grief with his Trio Incognito.   Featuring Fabio Rojas on drums, Dan Loomis on bass and David Bixler on saxophone, it's David Bixler and Trio Incognito – Live at the Bop Stop.   Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media.   The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard.   For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop?  Donate here!   Contact us here

Welcome to Jazz Piano Skills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to Jazz Piano Skills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

Jordyn Davis, a multi-talented bassist, composer, singer-songwriter, and multi-instrumentalist from Detroit, MI, is the first African-American woman to earn a Bachelor's Degree in Music Composition from Michigan State University. She also earned a Master's in Jazz Studies from the same university. In 2021, after moving to Brooklyn, NY, she was honored as one of the inaugural Jazz Leader Fellowship recipients by the Brooklyn Conservatory of Music. Recently, she has worked on the Tony-Winning Broadway Musical “New York, New York: A new musical and had a residency at Brown University collaborating with Craig Harris & the contemporary dance company Urban Bush Women. We talk about her journey into bass, studies with Rodney Whittaker, life in New York City, and much more. Enjoy, and be sure to follow along with her work on her website, Facebook, and Instagram! Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor!   Dorico - This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that's packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.   The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com     theme music by Eric Hochberg

We dive into the captivating worlds of literature and jazz with Dr. Seretha Williams, department chair of English and World Languages, and Wycliffe Gordon, the renowned program director for Jazz Studies. --- Send in a voice message: https://podcasters.spotify.com/pod/show/inthewildpodcast/message

In this episode we speak to Pulitzer Prize winning composer and musician Henry Threadgill and the co-author of his autobiography Brent Hayes Edwards. The book we discuss, which was published last year is entitled Easily Slip into Another World: A Life in Music. Henry Threadgill was born in Chicago in 1944. He is one of the most significant and innovative composers of the 20th and 21st Century. In addition to being an award winning composer is an amazing saxophonist and flautist. He also is known for his percussion work, in particular the invention of the hubkaphone, a marimba like instrument made out of hub caps. He has been a leader or co-leader of the bands Air, Ensemble Double UP, Make a Move, The Henry Threadgill Ensemble, The Henry Threadgill Sextett, The Situation Society Dance Band, Very Very Circus, X-75, Zooid and 14 or 15 Kestra: Agg and probably some others I didn't track down.  If we went into all the bands and groups Henry was a part of the list would be three times as long. In recent years Threadgill has established a completely new chromatic system for musical composition outside the confines of diatonic harmony. In 2016, he was awarded the Pulitzer Prize for In For a Penny, In for a Pound, an album he composed for his sextet, Zooid. He currently lives in New York. Brent Hayes Edwards is a Professor at the Center for Jazz Studies at Columbia University and the Director of the Scholars-in-Residence Program at the Schomburg Center for Research in Black Culture at the New York Public Library. So why this episode, it's a bit outside of most of our content here. Perhaps the closest things we've done to a conversation like this would be the dialogue we hosted between Fred Moten & Hanif Abdurraqib or the interview we did with Dionne Brand last year. But although I didn't ask it directly, the guiding question that animated this interview and engagement with Henry and Brent's book for me was: what insights might a truly revolutionary composer have for aspiring revolutionary organizers or for cultural workers seeking to maximize the revolutionary possibilities of their work?  We hope you enjoy this conversation and that it proves as meaningful to you as it was to us. It was a tremendous honor to sit down with Henry Threadgill and Brent Hayes Edwards to discuss their beautiful book which is available now everywhere. Thank you to Aidan Elias for co-producing this episode. If you appreciate the work that we do, as always you can support our work for as little as $1 per month at patreon.com/millennialsarekillingcapitalism. Our podcast is fully supported by individual contributions of folks like you and we encourage you to join the amazing folks who make it possible for us to bring you these conversations on a weekly basis. 

Marian Jago @dr_marian_jago is the Senior Lecturer in Popular Music & Jazz Studies at The University of Edinburgh. After being on Music Talks with Terry Smith, I knew that I needed her to be on Set Lusting Bruce. Marian shares how she discovered music by taking out a Chuck Berry record from the Library. She shares her joy of learning and playing Jazz Music. She also shares her journey as a teacher and as an academic. Here is the link to her discussion with Terry - https://www.musictalkspod.com/396031/13340627-episode-89-music-talks-marian-jago-three-minute-records Photo by Margaret Gallagher Learn more about your ad choices. Visit megaphone.fm/adchoices