Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
For the third and final installment of the series, Matthew talks with the catches up with various members of the cast and throws in a story or two from the tales themselves. With one of the main themes of the show being ‘time' Matthew asks the various company members what they would change about their past or indeed what they might repeat in order to relive an experience in their life and much more besides. Come join us as we go deeper into the woods. Host Matthew WestripFeaturingEmily Rushton (Rapunzel).Nigel Broome (The Mysterious Man).Lisa Daniels (Red Riding Hood).Sarah Hills (Props).Emma Townrow (Props).Emma Brack (Granny and the Puppeteer),Shelia Arden (Assistant Director),Oliver Bahrami-Jankins (Jack).Ellie Wallis (Cinderella),Jo Begley (The Narrator).If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
For the second instalment of the series, Matthew talks with the Musical Director catches up with various members of the cast and throws in a story or two from the tales themselves. With one of the main themes of the show being ‘time' Matthew asks the various company members what they would change about their past or indeed what they might repeat in order to relive an experience in their life and much more besides. Come join us as we go deeper into the woods.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
Into the Woods' - A new production for 2025 - Part OneJoin us as we embark on another of our special podcast series following the process of putting on a show from the auditions all the way to opening night. This time it is Stephen Sondheim's musical masterpiece ‘Into the Woods'. Last produced by Artform in 2015 what could be a better excuse than our 40th anniversary year to revisit this classic with a newly imagined vision. This week Matthew is joined by one co director, one co choreographer and Jack's Mum (from the show that is, not just a random mum of a boy called Jack). So bring your cape as red as blood, hair as yellow as corn and your cow as white milk and come with us into the woods.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
Pantomime - A British theatrical traditionBooing and hissing the villain, cheering and heckling the cast, throwing sweets and candy back at the audience and a theatre sing along. An awful trip to the theatre you ask? ‘Oh yes it is!' Well actually… ‘Oh no it isn't!' Pantomime is as British as Fish and Chips, a love of queuing and a Sunday Roast but if you live in another part of the globe you may never have heard of, let alone seen, one. Keeping Matthew company this week are guests who will be able to tell you all about it. From how to write and direct the genre to choreography and choosing the best music to fit the show. All from their experiences of working with The Bob Hope theatre in South East London for a local family audience. So settle in and forget your theatrical troubles because after all remember, ‘It's behind you!'Link to the Bobhope theatre: http://www.bobhopetheatre.co.uk/index.htmlIf you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
Auditions Both sides of the audition table bring their challenges. From preparation to execution, from the aftermath to the casting a lot more goes into this theatrical necessity than you might think. The panel discuss hints and tips along with anecdotes from the local and professional world. If you have ever auditioned or had to audition someone this podcast is a humorous tonic.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Adaptations Every production of the same show can pose different challenges. But what if the director has decided to set Olivier! on a spaceship in the 1980s or Carousel in a shopping centre?How do you adapt as a cast member or production team and what makes for a successful adaptation?If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Theatrical FrustrationsFrom arriving at the theatre to taking your seats, members of the audience to ordering those interval drinks and everything in-between the theatrical experience can sometimes be an interesting one. Join us as we discuss the things that frustrate our panel about attending a theatrical production, amusing anecdotes, and how we think things can change for the better.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Rosencrantz and Guildenstern Are DeadArtform are thrilled to welcome another company to chat about their next production. This time we delve into Tom Stoppard's absurdist, existential tragicomedy which is being performed at the Edward Alderton Theatre. We are joined by the director alongside cast members and Shakespeare fans who delve into the untold story of these minor characters from Hamlet. With echoes of Waiting for Godot, intermixing of reality and illusion this incredibly funny and yet poignant piece is a must see for any theatrical fan.Linkshttp://www.edwardalderton.orghttps://en.m.wikipedia.org/wiki/Rosencrantz_and_Guildenstern_Are_Deadhttps://www.themoviedb.org/movie/18971-rosencrantz-guildenstern-are-deadhttps://literature.britishcouncil.org/writer/tom-stoppardhttps://en.m.wikipedia.org/wiki/W._S._Gilberthttps://www.sparknotes.com/shakespeare/hamlethttps://en.m.wikipedia.org/wiki/Waiting_for_Godothttps://en.m.wikipedia.org/wiki/Mark_Ardenhttps://en.m.wikipedia.org/wiki/Commedia_dell%27artehttps://en.m.wikipedia.org/wiki/Marcel_Marceauhttps://en.m.wikipedia.org/wiki/Theatre_of_the_absurdIf you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Angels in America Artform are proud to introduce, as our first podcast of welcoming other companies to discuss their productions with us, the Geoffrey Whitworth Theatre production of Tony Kushner's theatrical masterpiece. We are thrilled to be joined by members of the company and a very special guest Dr Emily Garside,. Come and join us as we discuss the depths of the show, themes, how to stage a production and why this piece about AIDS, racism and the American experience is so relevant today.LinksBook tickets for Angels In America October 2024 at: https://www.thegwt.org.uk/Dr Emily Garside's web site: https://emilygarside.comOther references mentioned in this Podcast:National Theatre At Home: https://www.ntathome.com/angels-in-america-part-one-millenium-approachesThe H.B.O. TV version: https://www.hbo.com/angels-in-americaAngeles In America - The Opera: https://www.classicalsource.com/concert/angels-in-america-opera-by-peter-eotvos/Fellow Travelers: https://www.paramountplus.com/gb/shows/fellow-travelers/The Laramie Project: https://playbill.com/article/an-oral-history-of-the-laramie-project-25-years-after-matthew-shepards-murderFor further information or help with HIV and AIDS in the UK please see: The Terrance Higgins Trust: https://www.tht.org.uk or The National AIDS Trust: http://www.nat.org.ukIf you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Hunchback of Notre Dame - Part Six. Final The set is up and the tech is done (well almost), now join cast and production team members as they catch up and talk about the dress rehearsal, opening night and the run itself. As we bring this production to a close hear the aspects they most enjoyed, challenges they faced, things they would do differently and suggestions for other companies taking on this wonderful and theatrical epic. Thank you to all of you who have joined us on this journey both at the theatre and indeed listening along with us wherever you are in the world. It has been a magical experience and we are so glad that you shared it with us. If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Hunchback of Notre Dame - Part Five. Join cast and production team members as they discuss final rehearsals, first run throughs, band call, getting into the theatre and the tech run. Listen to them catch up about the things that went right and the things that did not go quite so well. Hear about the experiences of the Congregation and Choir members both before and getting on the stage and the now infamous snack table.Final episode of Hunchback podcasts Part six will be on line 27th July 2024.www.Artform.org.ukIf you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
Artform performed A Little Night Music at the Broadway Theatre in South East London In 2013. In this podcast Some of those involved in the production have a conversation about their experience.A Little Night Music is a musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. Inspired by the 1955 Ingmar Bergman film Smiles of a Summer Night, it involves the romantic lives of several couples. Its title is a literal English translation of the German name for Mozart's Serenade No. 13, K.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
The fourth in our new series following Artform's latest production of The Hunchback of Notre Dame. In this podcast the Director and Joni Nelson who is cast as Esmeralda discuss her role and the production whilst the rehearsals are in full swing (as you can hear in the background).Link to trailer for the show. https://youtu.be/3LI9_OjAeBcThe Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.htmlEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
The third in our new series following Artform's latest production that of Disney's The Hunchback of Notre Dame.Link to trailer for the show. https://youtu.be/3LI9_OjAeBcThe Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.htmlEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
The second in our new series following Artform's latest production that of Disney's Link to trailer for the show. https://youtu.be/3LI9_OjAeBcThe Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.htmlEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
The first in our new series following Artform's latest production that of Disney's The Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.htmlEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
Local theatre has undergone significant changes over the years. In the past, it was often a community-based, amateur endeavor, relying on traditional scripts and local talent. However, modern local theatre has evolved in several ways:Technology: Advancements in lighting, sound, and set design have enhanced the technical aspects of local productions, providing a more immersive experience for the audience.Online Presence: The digital age has allowed local theatres to reach a broader audience, social media, and online marketing.In summary, local theatre has transformed from a traditional, community-based activity into a more diverse, technologically advanced, and inclusive form of artistic expression that continues to evolve with the times.
In this Podcast we discuss: Starting at the very beginning Planning a Show."The Journey takes us behind the scenes of a community theater production, from its inception to opening night. Our director, along with a diverse cast and crew, embarks on the challenging but rewarding process of bringing a beloved play to life. From picking a show, obtaining the rights, considering the right venue space and along the way, how they face choosing the right MD, health and safety dilemmas, budget issues, ticket and show fees, transporting of sets and unexpected setbacks.As the team navigates the creative highs and lows of theatre production, they learn valuable lessons about teamwork, perseverance, and the transformative power of the arts. Personal stories and conflicts within the group mirror the themes of the play they are producing, adding depth and authenticity to the narrative.
In this Podcast we discuss "Behind the Curtains: Theatrical Turmoil and Headaches"Step into the world behind the curtains, where the magic of the theatre often hides a host of issues that can cause both problems and headaches. We delve into the challenges that can mar the enchanting experience of the stage.From cast members not turning up or learning lines or routine's to not giving 100% all the time, technical glitches to rehearsals, casting niggles and choreographing issues theatre is a breeding ground for unexpected headaches and mishaps. Backstage, the tireless crew navigates a labyrinth of props, set and equipment. But even the most meticulously planned productions can face unforeseen obstacles. These challenges, whether due to budget constraints or creative differences, often give rise to intense headaches as solutions are sought amidst the pandemonium.
A discussion with the cast and production team about Artform's production of Sweet Charity performed at the Broadway Studios Theatre in SE London.Charity Hope Valentine always tries to look on the bright side of life, despite working in a rundown dance hall and contending with a seemingly endless run of bad dates. Determined to find love, Charity falls for suave actor Vittorio Vidal, but their romance is all too brief. However, when Charity finds herself stuck in an elevator with the reserved Oscar Lindquist, it turns out that she may have finally met her match.Cast & CreativesClaire Goad Charity Hope ValentinNathan Pollpeter Oscar LindquistRochelle Bisson HeleneDanielle Dowsett NickieJenni Dash CarmenNatalia Wigley BetsySteffie Croxson Suzanne/RosieCharlotte Summers Frenchie/Ursula MarchChris Arden HermanMichael Flanagan MarvinAneurin Pascoe Vittorio VidalPaul Stone. Barney/Doorman/Waiter/ManfredKemal Ibrahim Daddy BrubeckSheila Arden DirectorJohn Hargreaves Musical DirectorCaroline Essenhigh Choreographer Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
Artform discuss Ageing in the Theatre: Advantages and Disadvantages for ActorsSynopsis:"Ageing in the Theatre: Advantages and Disadvantages for Actors" explores the unique challenges and opportunities that come with advancing age in the theatrical world. This synopsis provides an overview of the advantages and disadvantages experienced by actors as they navigate the ageing process within the realm of theatre.Advantages:1. Depth of Experience: One of the significant advantages of ageing in the theatre is the accumulation of life experience. Older actors bring a wealth of personal and professional experiences that can add depth and authenticity to their performances. Their maturity and understanding of human emotions can enhance their portrayals, particularly in complex roles.2. Versatility: As actors age, they often develop a broader range of roles they can convincingly portray. While youth-centric roles may become less frequent, older actors have the opportunity to explore a wider variety of character types, including seasoned mentors, wise advisors, or even iconic historical figures. This versatility allows for continued engagement and artistic growth.3. Authority and Presence: Ageing actors often possess a commanding stage presence and a natural authority that can captivate audiences. Their gravitas can lend credibility to roles requiring leadership, wisdom, or profound life experiences, further enhancing their performances.Disadvantages:1. Limited Opportunities: One of the challenges of ageing in the theatre industry is the decreasing availability of roles specifically tailored for older actors. Many plays and productions tend to focus on younger characters, which can result in a diminished pool of opportunities for actors as they grow older. This lack of representation can be disheartening and limit the potential for continued growth and artistic expression.2. Physical Demands: Theatre performances can be physically demanding, requiring stamina, agility, and the ability to handle rigorous schedules. As actors age, they may encounter challenges in meeting these physical demands, affecting their overall performance quality and potentially limiting the types of roles they can pursue.3. Industry Bias: The entertainment industry, including theatre, can be influenced by age-related biases. Ageism exists in casting decisions, where older actors may face discrimination due to societal preferences for youth or outdated stereotypes. Overcoming these biases can be an additional hurdle for aging actors, impacting their career prospects and overall job satisfaction.In conclusion, "Ageing in the Theatre: Advantages and Disadvantages for Actors" sheds light on the complex dynamics faced by actors as they navigate the process of ageing within the theatre industry. While aging brings certain advantages, such as depth of experience, versatility, and stage presence, it also presents challenges like limited opportunities, physical demands, and industry biases. Understanding these factors is crucial for actors to adapt, embrace new roles, and continue to contribute their valuable artistry to the theatrical landscape.
A discussion with the cast and production team about Artform's production of The Last Five Years performed at the Broadway Studios Theatre in SE London.The story explores a five-year relationship between Jamie Wellerstein, a rising novelist, and Cathy Hiatt, a struggling actress. The show uses a form of storytelling in which Jamie's story is told in chronological order (starting just after the couple have first met) and Cathy's story is told in reverse chronological order (beginning the show at the end of the marriage). The characters do not directly interact except for a wedding song in the middle as their timelines intersect.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
Join host Matthew Westrip for this 4th podcast discussing the shows ABC's this time at the dress rehearsal with the cast, crew and and production team of Artform's production of Stephen Sondheim's 'Company' which was performed at the Bob Hope Theatre in South East London on the 8th-11th February 2023. Featuring cast members: Bethany Andrew, Chris Arden, Laurie Brown, Stu Collins, Shane King, Alex Wharram .Director: Shelia ArdenAssistant Director: Dom LucasChoreographer: Caroline EssenhighMusical Director: David BuullenProps/Costumes: Paul StoneLink to On in London review.https://onin.london/company-review/?fbclid=IwAR0VkcMBds9Frq3OJ1pZifyvVtFt5DYl8LtbjcNDNwktZtzr2xa_ROQIybkEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production teams on our Podcasts about Artform's past theatre productions.www.Artform.org.uk
Join host Matthew Westrip for this 3rd podcast discussing the shows ABC's with the cast and production team of Artform's upcoming production of Stephen Sondheim's 'Company' to be performed at the Bob Hope Theatre in South East London on the 8th-11th February 2023.Featuring cast members: Daniel Lawrence, Stu Collins, Joanne Robinson, Shane King and Joanna Wild.Director: Shelia ArdenAssistant Director: Dom LucasProps/Costumes: Paul StoneWarning: Please note that some of the content in this podcast makes reference to smoking and recreational drug use by the characters in the production of Company.Smoking increases the risk of of developing more than 50 serious health conditions and drug use can contribute to poor mental health. Buy your tickets for Company here: https://www.ticketsource.co.uk/whats-on/eltham/bob-hope-theatre/company/e-jexdqoEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production teams on our Podcasts about Artform's past theatre productions.www.Artform.org.uk
Join host Matthew Westrip for this 2nd podcast discussing the shows ABC's with the cast and production team of Artform's upcoming production of Stephen Sondheim's 'Company' to be performed at the Bob Hope Theatre in South East London on the 8th-11th February 2023.Featuring cast members: Daniel Lawrence, Laurie Brown, Chris Arden, Joanna Wyld and Shane King.Director: Shelia ArdenChoreographer: Caroline EssenhighBuy your tickets for Company here: https://www.ticketsource.co.uk/whats-on/eltham/bob-hope-theatre/company/e-jexdqoEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production teams on our Podcasts about Artform's past theatre productions.www.Artform.org.uk
Join host Matthew Westrip as he discusses the shows ABC's with the cast and production team of Artform's upcoming production of Stephen Sondheim's 'Company' to be performed at the Bob Hope Theatre in South East London on the 8th-11th February 2023.Featuring cast members: Daniel Lawrence, Nick Haley, Erin Clancy, Scott Slaytor, and Bethany Andrew.Musical Director: David BullenDirector: Shelia ArdenBuy your tickets for Company here: https://www.ticketsource.co.uk/whats-on/eltham/bob-hope-theatre/company/e-jexdqoEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production teams on our Podcasts about Artform's past theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's production of Merrily We Roll along performed at the Broadway Studios Theatre in SE LondonSYNOPSISBased on George S. Kaufman and Moss Hart's 1934 play of the same name, Merrily We Roll Along follows the successful career of Broadway composer turned Hollywood producer Franklin Shepard backward in time. Throughout the course of the show, during which time regresses from 1976 to 1957, we learn how Frank accomplished this - with the help of his best friends Charley (who writes the books and lyrics) and Mary (who is a writer in her own right and is always around for support and guidance). The trio of friends are inspired to become big players in American musical theatre and book writing and to “change the world” after witnessing the Russian Sputnik, the first artificial satellite, orbiting the earth on a cold October night. However, over time, Franklin learns what the cost of fame and fortune is, losing and alienating his beloved friends and family along the way and giving up his original dreams for ones with more financial and fewer emotional benefits. Those who began the journey with him do not end up at the end of it with him, and though Franklin has fame, fortune, and success, he ultimately realizes that he has left himself with nothing of any value.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's production of Blood Brothers the Play performed at the Broadway Studios Theatre in SE London.Blood Brothers play with book, lyrics, and music by Willy Russell. The story is a contemporary nature versus nurture plot, revolving around fraternal twins Mickey and Eddie, who were separated at birth, one subsequently being raised in a wealthy family, the other in a poor family. The different environments take the twins to opposite ends of the social spectrum, one becoming a councillor, and the other unemployed and in prison. They both fall in love with the same girl, causing a rift in their friendship and leading to the tragic death of both brothers. Russell says that his work was based on a one-act play that he read as a child "about two babies switched at birth ... it became the seed for Blood Brothers."Director - Pete WattsAssistant Director - Shelia ArdenThe CastMicky - Adrian MorrisseyEddie - Peter FioriniMrs Johnston - Leigh JoyceMrs Lyons - Louise HawkinsLinda - Laura AshendenEnsemble - Cindy Dobberson, David Cutler, Lydia Porter, Marston York. AcknowledgementsProduction Manager - Chris ArdenSound Design - Ben EssenhighLighting Design / Technician- Martin TerryStage Manager - Shelia ArdenCostumes - Artform, Theatre 62Wardrobe- Paul Stone, Shelia ArdenProps - Paul Stone, Shelia Arden, Mara Boyd HindBox Office -Chris ArdenFront of House - Robin KellyStewards - Friends of ArtformProgramme & Publicity - Caroline EssenhighEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's production of Ann Frank performed at the Broadway Studios Theatre in SE London.Annelies Marie "Anne" Frank was a German-Dutch diarist of Jewish heritage. One of the most-discussed Jewish victims of the Holocaust, she gained fame posthumously with the 1947 publication of The Diary.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's production of A discussion with the cast and production team about Artform's production of The Elephant Man at the Broadway Studios Theatre in SE London.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk the Broadway Studios Theatre in SE London.Artform.org.ukSynopsisIn 19th Century Victorian England, Dr. Frederick Treves wanders through an urban carnival in search of freak shows. He happens on a hideously deformed creature called The Elephant Man, and pays the owner Mr. Bytes to examine it. Treves purpose is to present a paper to the Pathological Society and enhance his medical reputation.The Elephant Man returns from the seminar to Bytes and is beaten severely for wondering off. The man's injuries, as well as an attack from bronchitis, leads Treves to admit him to the hospital. In an attempt to convince the authorities to allow the man to stay, Treves endeavors to communicate with the person. During a meeting, Treves discovers that the man can talk and is educated. The Elephant Man's name is John Merrick and he reveals that he has had this strange disease since he was 14 which benign tumors grow all over his body, face and hands, in which he must sleep sitting up or he will die from suffocation. Merrick is given a room to live in and gradually becomes accepted by most members of the hospital staff. But one hospital night porter sees a money spinner and each evening gathers a drunken crowd of people who will pay any price to see the freak.Treves attempts to introduce Merrick to London society and brings him over to meet with his wife, who hides her shock at Merricks appearance. Soon the local newspapers run articles on Merrick. One is read by actress Mrs. Kendal who visits Merrick, tells him about her life in the theatre and gives him a copy of Shakespeares plays.However the night porter is still in business in displaying Merrick. One evening, Bytes joins the throng and after a particularly humiliating brawl, kidnaps Merrick and takes him to France. Severely neglected and very ill, Merrick is once more put on display as the Elephant Man for the local crowds. Bytes' son tells his father that he can take no more of seeing him humiliate a human being, but Bytes tells his son to mind his own business. That night, Bytes' son, with the help of other carnival freaks, releases Merrick and assists his escape back to England.Reunited with Treves, it appears that Merrick does not have long to live. Merrick visits the theater with Treves and his wife where Mrs. Kendal has her performance dedicated to him. Back at the hospital, Merrick thanks Treves for a splendid evening and afterwards discards all pillows from his bed, determined to lie down like everyone else. Merrick lies down and sleeps one final time before quietly passing away, where his late mother welcomes him to the bright glory of Heave.
A discussion with the cast and production team about Artform's production of A discussion with the cast and production team about Artform's production of Ass at the Broadway Studios Theatre in SE London.Synopsis — Assassins is a musical with music and lyrics by Stephen Sondheim and a book by John Weidman, based on an original concept by Charles Gilbert Jr.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk the Broadway Studios Theatre in SE London.Artform.org.uk
A discussion with the cast and production team about Artform's production of A discussion with the cast and production team about Artform's production of A Funny Thing Happened on the Way to the Forum at the Broadway Studios Theatre in SE London.A Funny Thing Happened on the Way to the Forum is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart.Inspired by the farces of the ancient Roman playwright Plautus (254–184 BC), specifically Pseudolus, Miles Gloriosus, and Mostellaria, the musical tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door. The plot displays many classic elements of farce, including puns, the slamming of doors, cases of mistaken identity (frequently involving characters disguising themselves as one another), and satirical comments on social class. The title derives from a line often used by vaudeville comedians to begin a story: "A funny thing happened on the way to the theater".Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk the Broadway Studios Theatre in SE London.Artform.org.uk
A discussion with the cast and production team about Artform's production of Forbidden Broadway performed at the Broadway Studios Theatre in SE London.The show is a cabaret revue sharply spoofing show tunes, characters and plots of contemporary and current Broadway musicalsEver wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's production of Avenue Q performed at the Broadway Studios Theatre in SE London.Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's Production - Into The Woods performed at the Broadway Studios Theatre in SE London.Into the Woods is a musical with music and lyrics by Stephen Sondheim, and a book by James Lapine.The musical intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters' wishes and quests. The main characters are taken from "Little Red Riding Hood" (spelled "Ridinghood" in the published vocal score), "Jack and the Beanstalk", "Rapunzel", and "Cinderella", as well as several others. The musical is tied together by a story involving a childless baker and his wife and their quest to begin a family (the original beginning of the Grimm Brothers' "Rapunzel"), their interaction with a witch who has placed a curse on them, and their interaction with other storybook characters during their journey.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
A discussion with the cast and production team about Artform's production of OH! What A Lovely War performed at the Broadway Studios Theatre in SE London.Oh! What a Lovely War summarises and comments on the events of World War I using popular songs of the time, many of which were parodies of older popular songs, and using allegorical settings such as Brighton's West Pier to criticise the manner in which the eventual victory was won.The diplomatic maneuvering and events involving those in authority are set in a fantasy location inside the pierhead pavilion, far from the trenches. In the opening scene, various foreign ministers, generals and heads of state walk over a huge map of Europe, reciting actual words spoken by these figures at the time.Songs once sung by men in the trenches helped audiences to think of the war from the point of view of ordinary soldiers rather than officers.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.www.Artform.org.uk
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