Podcasts about Commedia

Se vi entusiasmano i raccontini di Barbero sul medioevo e su Dante, questo video non fa per voi. Il target è decisamente più alto.Rino Caputo e Vincenzo Vespri svelano i riferimenti scientifici (dell'epoca) e matematici che Dante ha disseminato nei versi della Divina Commedia e delle sue altre opere. Da questi temi poi si spazia tra filosofia, numerologia, teologia, arte, letteratura, partita doppia, senza trascurare le contaminazioni tra Indiani, Arabi ed Europei che estendono la loro influenza fino ai nostri giorni.La numerologia del 2025 2025 è il quadrato di 45 ( 9 per 5). È il quadrato dei primi 9 numeri ( ossia è (1 + 2 + ...+ 9) ^2) ed è anche la somma dei cubi dei primi 9 numeri ( 1^3 + 2"3 + ....+9^3). Il 9 è il quadrato di 3 che rappresenta Dio, quindi è perfezione. Tutta la Vita Nova di Dante si basa sul numero 9. Il prossimo anno che gode di queste proprietà ( ma basato sul 10 invece che sul 9) è il 3025 mentre l anno precedente è capitato ai tempi di Dante (1296) ed era basato sull' 8. La somma dei numeri che compone la cifra 2025 è 9.

Biografia e opere di Tito Maccio Plauto, autore teatrale e commediografo romano tra i più prolifici dell'antichità. Tra le sue opere più famose l'Aulularia, Anfitrione e Bacchidi.

Puntata a cura di Jacopo Bulgarini d'Elci e Francesca Sarah Toich.Creare un videogioco può essere un'impresa epica. Mythic Quest, serie comedy targata Apple TV+ (2020-2025), racconta con ironia e intelligenza (almeno nelle prime due stagioni!) le dinamiche di un team di sviluppatori alle prese con il popolarissimo MMORPG che dà il titolo alla serie. Ma dietro gli avatar e le quest si nascondono ego, ambizioni, frustrazioni e affetti: la vera avventura è quella umana.NOTA BENE: quando abbiamo registrato la puntata, la stagione 4 era appena finita. Non eravamo sicuri se sarebbe stata l'ultima - come poi si è confermato. E tantomeno potevamo sapere del “nuovo finale” che gli autori hanno deciso di dare all'ultima puntata, per farne anche chiusura di serie… Ma il ragionamento, a conti fatti, non cambia per nulla! “2 voci, 1 serie”: dialoghi sulle cose che ci piacciono, o ci interessano, nel podcast di Mondoserie. Leggi il nostro articolo su Mythic Quest: https://www.mondoserie.it/mythic-quest/ Parte del progetto: https://www.mondoserie.it/   Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast   Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Insieme a Leonardo Zarri, della compagnia "La Bisarca", parliamo del musical che andrà in scena al teatro Paolo Giacometti di Novi Ligure. Un adattamento teatrale del film "Sister Act", che promette di intrattenere e far divertire grandi e piccini. Appuntamento a sabato alle 20:45

A comédia mais imprevisível e hilariante está de regresso ao Luxemburgo!Commedia à la Carte chega ao Casino 2000, em Mondorf-les-Bains, no dia 9 de maio!César Mourão, Gustavo Miranda e Carlos M. Cunha estão prontos para lhe proporcionar uma noite para lá de especial — não fossem eles os verdadeiros mestres do improviso!Ouça a entrevista que o humorista César Mourão concedeu à Rádio Latina!Informações e venda de bilhetes no site da comedy4you e no site do Casino 2000.

Giuseppe Patota"A tu per tu con la Commedia"Editori Laterzawww.laterza.itChi ha detto che leggere la Divina Commedia sia un'impresa per pochi? Èvero che leggerla è arduo per la lingua in cui è scritta e l'enorme varietà di temi trattati, ma è un'avventura straordinaria. Giuseppe Patota, che ha dedicato parte dei suoi studi alla lingua di Dante, ha trovato il modo di rendere accessibile quest'opera magnifica e complessa perché possa essere capita e apprezzata anche da chi non la conosce, da chi la conosce poco e da chi l'ha conosciuta, ma non se la ricorda.«Capire la Divina Commediaè difficile. Della lingua in cui la scrisse, diventata la nostra soprattutto grazie a lui, Dante sperimentò tutte le possibilità espressive, comprese quelle che sembrano andare al di là dell'umano, sia verso il basso sia verso l'alto, e non è facile seguirlo in questo vertiginoso saliscendi.Poi ci sono i contenuti. Teologia e interpretazione dei testi sacri, filosofia, logica, morale, politica, diritto, letteratura e storia antica, scienza dei numeri e delle misure, musica, ottica, medicina, arte della guerra e della navigazione: non c'è aspetto della cultura antica e medievale di cui Dante non abbia appropriatamente detto qualcosa, nel suo enciclopedico poema.Infine, ci sono i personaggi che popolano l'oltremondo che il Poeta ha costruito. Tralasciando quelli appartenenti al mito o alla storia, e limitandoci a quelli che hanno popolato la cronaca dei tempi di Dante e di quelli di poco precedenti, l'unico motivo per cui continuiamo ad avere memoria dei nomi di Ciacco, Francesca da Rimini, Farinata degli Uberti o Ugolino della Gherardesca è dato dal fatto che i versi scritti da Dante li hanno resi figure immortali: se quei versi non fossero stati scritti, i loro nomi sonnecchierebbero in qualche documento d'archivio o in qualche cronaca medievale.Sì: capire la Commedia è veramente difficile. Per questo ho scelto i versi più significativi, curiosi o sorprendenti dei cento canti di cui si compone e li ho distribuiti in 114 presentazioni (per qualche canto ho avuto bisogno di qualche presentazione in più). Ho cercato di spiegare quei versi parola per parola, senza dare niente per scontato, collegando i fatti con gli antefatti.In questo modo, leggendoli canto dopo canto, farete lo stesso viaggio che ha fatto Dante: questo, almeno, è quello che spero.»Giuseppe Patota, professore ordinario di Linguistica italiana nell'Università di Siena, è socio corrispondente dell'Accademia Nazionale dei Lincei, Accademico della Crusca e dell'Arcadia, membro del direttivo della Fondazione “I Lincei per la scuola” e del comitato scientifico della Fondazione Natalino Sapegno. Ha al suo attivo circa centottanta pubblicazioni scientifiche, didattiche o divulgative dedicate alla lingua italiana, alla sua storia e al suo insegnamento. Alcuni suoi lavori sono stati tradotti e pubblicati in Francia e in Giappone. È condirettore, con Valeria Della Valle, delDizionario dell'italiano Treccanie direttore del Thesaurus Treccani, usciti in prima edizione nel 2018 e in seconda edizione nel 2022. Da oltre quindici anni è consulente di Rai Scuola per la realizzazione di programmi destinati all'insegnamento dell'italiano a stranieri. Per Laterza ha pubblicato Prontuario di grammatica. L'italiano dalla A alla Z (2013), La grande bellezza dell'italiano. Dante, Petrarca, Boccaccio (2015) e La grande bellezza dell'italiano. Il Rinascimento (2019).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Puntata a cura di Untimoteo.Raphael Bob Waksberg e Kate Purdy, produttori del pluripremiato cartone Netflix Bojack Horseman, nel 2019 realizzano per Prime Video una serie animata di due stagioni in 16 episodi della durata di 25 minuti ciascuno: Undone.La storia ruota attorno al disagio di Alma, che soffre la perdita del padre avvenuta in tenera età, e che sfoga la propria frustrazione sulla madre, sulla sorella e sul fidanzato Sam. La misura si colma per tutti quando la protagonista si ritrova coinvolta in un incidente automobilistico e, una volta risvegliata dal coma, inizia a soffrire di visioni. Inclusa quella del padre morto. “Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Ascolta il podcast su Bojack Horseman: https://www.mondoserie.it/bojack-horseman-podcast/Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Il co-sceneggiatore Davide Serino ci ha parlato della serie incentrata sull'ascesa al potere di Mussolini e del fascismo e tratta dal romanzo di Antonio Scurati: "Per colpire nel segno dovevamo tradire il libro di Antonio, ma alla fine anche lui ha ritrovato nel video l'essenza del suo romanzo".

Sergej Prokofjews Buffa hatte gestern im Theater an der Wien eine umjubelte Premiere. Das Publikum feiertedie Neuentdeckung einer heiteren Oper aus dem 20. Jahrhundert. Unser Opernexperte Richard Schmitz war dabei. Es gibt selten Opernabende von denen man nur positives berichten kann. Prokofjew hat nicht nur eine einfallsreiche Musik geschrieben, sondern auch den Text gemeinsam mit seiner späteren Frau Mira Mendelson geschrieben. Der Plot ist alt und bekannt: Vater will Tochter reich verheiraten; Tochter liebt armen Schlucker, Sohn trennt sich von seiner reichen Braut. Reicher Bräutigam wird mit Verkleidungen getäuscht; allgemeines Happy End. Da sich die Handlung im Milieu von einfachenFischhändlern abspielt, bietet die Bühne von Paolo Fantin neben ungezählten Türen auch viele Fische, manchmal auch einen raumbeherrschenden Fisch, der sich am Ende nur mehr als Skelett präsentiert; offenbar aufgegessen! Damiano Michieletto lässt die turbulente Commedia dell`arte-Handlung rasant ablaufen. Die beiden Bräute verbünden sich und düpieren nicht nur Vater und alten Bräutigam, sondern auch ihre zukünftigen Ehemänner. In der patriarchalischen Gesellschaft sind die Frauen, wenn sie sich einig sind, schon immer die Siegerinnen gewesen. Einevergnügliche Erkenntnis! Auch der reiche Alte, der empört davonstürmt, weil er keine Anstandsdame heiraten wollte, wird von seiner Frau sicher eingefangen werden. Eigentlich führt uns der Titel „Verlobung im Kloster“ in die Irre, denn die drei Paare werden von den schon recht betrunkenen Mönchen, die sich auch noch als Transvestiten gerieren, getraut und nicht bloß verlobt. Auch wenn es in diesem russisch-orthodoxen Koster hoch hergeht und mit Geld alles geregelt werden kann, bekreuzigen sich alle korrekt. Evgeny Akimov singt den Vater in all seinen Facetten und macht aus ihm eine sympathische Figur. Den getäuschten Fischhändler Mendoza gestaltet Valery Gilmanov mit komödiantischer Schläue. Stacey Alleaume als Tochter Luisa, Anna Goryachova als geliebte Clara, Petr Sokolov als Sohn Ferdinand und Vladimir Dmitruk als geliebter Antonio erfüllen ihre Aufgaben mit Hingabe. Die Duenna Elena Maximova ließ sich als indisponiert ansagen. Singt sie noch besser, wenn sie nicht verkühlt ist?Auch das ORF Radio-Symphonieorchester und der Arnold Schönberg Chor waren in Hochform. Der Dirigent Dmitry Matvienko sorgte für einen musikalischen Genuss. Das Publikum feierte alle, auch die Regie frenetisch. Es war ein großer Abend, bei dem man sich ohne Bedenken amüsieren konnte.

TriTraTrullala, die neue Ausgabe von Eisimeisi ist da! Na, habt ihr es euch auch brav auf dem Kanapee mit einem Kakao gemütlich gemacht? Heute wird es lustig, denn in dieser Ausgabe eures Lieblingsliteraturzines dreht sich alles um das Thema „Clown“. Wir wetzen durch die Manege, spritzen uns gegenseitig mit Wasser voll und lachen kindlich vergnügt, wenn unsere beiden Radioententrainer Eisi und Meisi sich allem Hanswursthaften in der Literatur widmen. Heinrich Böll sollte zumindest kurz erwähnt werden, doch der Themenkomplex „Clown“ bietet noch so viel mehr: Wir hören vom Nürnberger Schembartlauf, dem Narrenschiff vor der Eisdiele, schauen uns Shakespeares Totengräberclowns an, verzweifeln mit den Weißclowns an der Welt und finden heraus, ob Goethe womöglich auch ein Harlekönig war. Wir lesen schlechte Dramenfragmente, improvisieren in der Welt der Commedia dell'arte und fragen uns, woher eigentlich diese Sache mit den Horrorclowns kommt. Alles in allem also eine Sendung, die voller ist als ein Kleinstwagen, in den sich hunderte rotgenasige Spaßköpfe hineingepresst haben. Dazu gibt es – wie sollte es auch anders sein – Texte aus dem originalen EBMD-Autor:innenpool, die, ganz dem Thema angemessen, mal melancholisch, mal albern in den Sand der Welt watscheln und uns köstlich unterhalten. Nicht möööööööglich? Dochdoch, sage ich – sehr wohl! Doch hört selbst! Mit närrischen Grüßen euer Pappy, der Redaktionspapagey Die Autor:innen - Jörg Hilse - Sophie Stiller - Uwe Stiller - Bastian Kienitz - Christian Knieps - David Telgin - FD - Erasmus zu Rövershagen (EBMD Classics) - Andii Weber: Der Wirtschaftstraum (EBMD Classics) Die Sprecher:innen - Verena Schmidt - FD - Juli Kling - Ella:r Gülden

Julie è una giovane donna libera e ancora poco sicura su cosa voglia fare nella vita. Ha una relazione con il fumettista Aksel che non la rende pienamente felice e, quando incontra uno sconosciuto a una festa, i suoi piani per il futuro potrebbero cambiare un'altra volta.See omnystudio.com/listener for privacy information.

Recorded 6th March 2025https://guidohulsmann.comMedia (links may be affiliate links )https://brownstone.org/articles/covid-response-at-five-years-introduction/Diary of a Psychosis: How Public Health Disgraced Itself During COVID Maniahttps://amzn.to/4iGUT3KNikolay GertchevEvolution of Banking Regulationhttps://amzn.to/4kIwjkyhttps://mises.org/profile/nikolay-gertchevPhilipp BagusFull Reserve Banking versus the Real Bills Doctrine: A Critique of the Monetary Theory of J.R. Rallohttps://amzn.to/3FIGUvGRestoring Science and the Rule of Lawby  Michael Esfeld  (Author), Cristian Lopez  (Author)https://amzn.to/3DHv04K The State of the Markets PodcastPresented by Tim Price⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pricevaluepartners.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠and Paul Rodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/prodr1guez ⁠⁠⁠⁠

Puntata a cura di Jacopo Bulgarini d'Elci e Livio Pacella.In onda dal 2009 al 2015, con un seguito di culto cresciuto negli anni, Community è una delle sitcom più brillanti dell'ultimo ventennio. La raccontiamo discutendo le due grandi ragioni della sua originalità e forza creativa. La prima: un costante riferimento all'immaginario pop cine-televisivo del nostro tempo, fatto di film e serie che non vengono solo citate o richiamate ma che entrano a far parte strutturalmente dello svolgersi di Community (e del suo umorismo). La seconda: la sua natura intrinsecamente meta-testuale, di serie che riflette in modo geniale su se stessa e sulle forme della tv. Non a caso il suo showrunner è Dan Harmon, che ritroviamo poi come co-autore del meraviglioso Rick and Morty (cui abbiamo dedicato un'altra puntata del podcast). Nel podcast, anche un elenco delle nostre puntate metatestuali preferite in Community! La serie attualmente in Italia non è disponibile in streaming, mantenendo così il suo status di perla insufficientemente conosciuta nel nostro Paese (mentre in America è un cult). Protestiamo con le maggiori piattaforme?  “Nuovi classici”: il podcast a due voci di Mondoserie su serie che diventano fenomeni immediati.Leggi il nostro articolo su Community: https://www.mondoserie.it/community/ Parte del progetto: https://www.mondoserie.it/ Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

Episode 159For today's guest episode we are going back to the Italian renaissance theatre and the world of the Commedia Dell'arte. You will remember that I covered the Commedia and other early Italian theatre in season five of the podcast, but in this conversation with Serena Laiena we have much more detail about a particular theatrical couple and the world of 16thcentury Italian theatre. In her book ‘The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing' Serena looks at the birth of a phenomenon, that of the couple in show business where she focuses on the mutually beneficial promotional strategies devised by two professional performers and husband and wife team, Giovan Battista Andreini and Virginia Ramponi.Serena Laiena is Assistant Professor in Italian and Ad Astra Fellow at University College Dublin. Her research focuses on early modern Italian theatre, especially commedia dell'arte. Most of her time is devoted to the understanding of the social and cultural role of the first professional actresses in modern history. The award-winning monograph that is the basis of our discussion today was published in 2023 by the University of Delaware Press. Currently, she is working on a book-length project focusing on the correspondence by and about professional actresses to bring to light the managing roles they performed within theatre companies.For more details on Serena's book:UK link to Amazon.co.uk: https://www.amazon.co.uk/Theatre-Couple-Early-Modern-Italy-ebook/dp/B0C9F9T6RX/ref=sr_1_1?US link to Amazon.com: https://www.amazon.com/Theatre-Couple-Early-Modern-Italy/dp/1644533154/ref=sr_1_1?Link to publisher's website: https://udpress.udel.edu/book-title/the-theatre-couple-in-early-modern-italy-self-fashioning-and-mutual-marketing/Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Maria Decotis! Comedian! Actor! Writer! Friend! Delight! More! Maria has been featured in Rolling Stone, Wall Street Journal, Today, New York Times, The Guardian, Vogue, New York Magazine, and many more for her comedy videos and her work has been shared by several celebrities including Ben Stiller, Stephen Colbert, Chrissy Teigen, Lin-Manuel Miranda, Padma Lakshmi, and Natasha Lyonne. She opened for Mike Birbiglia on Broadway! She earned a BFA in Acting from Boston University, studied Commedia dell'Arte in Italy, and trained in advanced Improv and Character at the Upright Citizens Brigade Theater. Her subsequent original comedy videos have garnered millions of views ranging from her Pope impressions and commentary on sexism to her poignant "Subway Takes" feature. On stage, she recently completed a critically-acclaimed run during the Edinburgh Fringe Festival starring in the dramatic one-woman play Before the Drugs Kick In as well as her own one-woman comedy show Emotionally Unreasonable, and has been touring both shows since. Some of Maria's other notable credits include Comedy Central, HBO Women in Comedy Festival, SXSW, and headlining the New York Comedy Festival. Learn more: mariadecotis.com   During her wildly successful 2023 Edinburgh Fringe run, she was featured in Playbill and The Scotsman said, “DeCotis is the best new American stand-up I've seen since Michelle Wolf. Do whatever you can to see her because the next chance you get she'll be starring in her own Netflix special.” Emotionally Unreasonable was named one of the top Edinburgh Fringe Shows by EuroNews, nominated for the Off West End Award and received a number of outstanding reviews! She also has a monthly show at The Stand in NYC called "Fembots." The next one will be Wednesday, March 19th (2025) at 7:00pm AND you can follow her on social media @mariadecotis for dates of her critically acclaimed solo show "Emotionally Unreasonable"!   And this is only HALF of our chat! For the other half, subscribe via Apple Podcasts OR merely click on over here to Patreon!

Per info sui corsi di italiano, scrivimi all'indirizzo salvatore.tantoperparlare@gmail.comDue attori siciliani, senza esperienza, senza istruzione, ma dotati di grande talento per causare le risate. Franco e Ciccio.Se ti piace Salvatore racconta e vuoi avere accesso al doppio dei podcast ogni settimana, sblocca la serie premium riservata agli abbonati su Patreon a livello Pizza.La trascrizione di questo episodio è come sempre disponibile per le persone iscritte alla newsletter. Vuoi iscriverti? Fallo da qui: https://salvatoreracconta.substack.com Testo e voce di Salvatore GrecoSuoni da Zapsplat

When you think of the entertainment industry, you might picture the glitz and glamour of Hollywood, red carpets, and award shows. But behind every breakout star and successful production, there are industry professionals like Zachary Spiegel working tirelessly to bring talent to the forefront. Zach is a casting director whose journey from actor to casting professional has been filled with passion, perseverance, and a deep commitment to inclusivity. Recently, Zach joined Beverly Williams for an in-depth conversation about his career, the art of casting, and what it truly takes to succeed in the entertainment business. Zach's love for entertainment started in an unexpected place: Buffy the Vampire Slayer. His journey took him from New York to Los Angeles, with a stop in Italy, where he studied Commedia dell'arte as a college junior. Zach pursued his acting career, spending seven years in New York honing his craft. While most actors dread auditions, Zach found himself enjoying the process. He realized that his true passion lay not in performing but in being on the other side of the table, helping to discover and cultivate talent. That's when he made the shift from acting to casting. Zach feels it's the best of both worlds; he is deeply involved in the creative process but in a way that feels more fulfilling. Zach considers casting an art form that requires empathy, business acumen, and a keen eye for talent. He views his work as a bridge between producers and actors, ensuring that the right talent gets the right opportunities.  His work goes beyond just filling roles. It's about creating opportunities for members of historically excluded and marginalized communities. Zach is passionate about making sure every actor has equal access to auditions, advocating for inclusive and accessible casting calls. He explained one of the ways he does that is by using intentional language in casting notices. The way a role is described can either invite or discourage certain actors from applying. By being intentional with wording, Zach ensures that actors of all backgrounds feel welcome to audition. Many people dream of breaking into entertainment, lured by fame and fortune. But as Zach and Beverly discussed, success in the industry isn't about talent alone—it's about perseverance and hard work. “The most talented people don't always reap the benefits,” Zach shared. “Because the most talented people don't always have the ambition or desire to do it.” Ambition, networking, and resilience are just as important as raw skill. And networking isn't just about meeting people, it's about staying in touch and building relationships and ways to create mutual value. Beverly added her own perspective on this, emphasizing the power of genuine connections. Whether through a simple email, a thoughtful card, or a quick message, nurturing relationships can open doors in ways you never expect. Zach's career, much like the entertainment industry itself, is ever-evolving. Casting professionals often find themselves between projects, but rather than waiting for opportunities to come to him, Zach takes an active approach. He reads scripts and tracks up-and-coming actors as well as staying engaged with industry trends. As the conversation wrapped up, Beverly asked Zach what advice he would give to those looking to break into entertainment. His response? “Don't leave, don't die.” It's a humorous yet profound take on the industry—one that speaks to the resilience required to stay in the game. For anyone considering a career in entertainment, Zach's story is a testament to the power of adaptability, persistence, and passion. The path may not always be straightforward, but for those willing to put in the work, the rewards can be life changing. Leaving a review of this podcast is encouraged and greatly appreciated. Check out Beverly Williams book: Your GPS to Employment Success Learn more about your ad choices. Visit megaphone.fm/adchoices

#acıtatlımayhoş Torino'nun simgesi olan çikolatayla, 16'ncı yüzyılda çıkan ve çok popüler olan doğaçlama tiyatro Commedia dell'Arte'nin ne alakası var? Aylin Öney Tan, İtalya'nın Torino kentinin fındıklı çikolatalarının hikayelerini anlatıyor. #podcast  

#acıtatlımayhoş Torino'nun simgesi olan çikolatayla, 16'ncı yüzyılda çıkan ve çok popüler olan doğaçlama tiyatro Commedia dell'Arte'nin ne alakası var? Aylin Öney Tan, İtalya'nın Torino kentinin fındıklı çikolatalarının hikayelerini anlatıyor. #podcast

At a glittering Victory Ball, where revelers don the masks of the Commedia dell'arte, gaiety turns to horror as Lord Cronshaw is found stabbed through the heart. As the music fades and the champagne goes flat, another body is discovered - the beautiful Coco Courtenay, victim of a fatal overdose. Enter Hercule Poirot, summoned to unravel a mystery where nothing is as it seems. With each tick of the clock, the Belgian detective peels away layers of deception, exposing the dark truths hidden behind jovial facades. In a world where Harlequin and Pierrot play deadly games, can Poirot unmask the killer before the final curtain falls? Learn more about your ad choices. Visit megaphone.fm/adchoices

Francesco Zambon"I trovatori di Dante"Andrea Molesini Editore Veneziawww.molesinieditore.it«Poco vale ricchezzaSe la si usa a casaccioSenza legge e diritto!»Traduzione di Francesco ZambonCon un saggio di Claudia Di FonzoPer nessun “sì” darei il vostro “no”,Perciò muto sovente riso in pianto;Del mio dolore come un folle godoE della morte, se vi guardo in viso.E come il basilisco che con gioiaSi uccide contemplandosi allo specchio,Così voi siete per me specchio: quandoVi vedo e vi contemplo mi uccidete.Dante conobbe bene la poesia in lingua d'oc, una delle tre lingue – con la lingua d'oil e la lingua del sì, francese e italiano – che formano quello che egli definisce l'ydioma tripharium. Ed essi costituirono uno dei suoi modelli poetici fondamentali, dalla giovanile Vita nuova fino alla Commedia. Nel suo trattato di poetica, il De vulgari eloquentia, Dante cita a diverso titolo ben undici componimenti di sei trovatori diversi; alcuni testi sono allegati come esempi metrici o retorici, altri come espressione dei tre temi o materie da lui distinti nella poesia lirica: armi, rettitudine e amore. Nella Commedia, poi, egli mette in scena alcuni di questi poeti, ripartendoli calcolatamente nelle tre cantiche: nell'Inferno è collocato Bertran de Born, poeta delle armi, fra i seminatori di discordia; nel Purgatorio Arnaut Daniel, poeta dell'amore profano, fra i lussuriosi; nel Paradiso infine Folquet de Marselha (Folco), poeta della fede e dell'amore divino dopo aver cantato quello per le donne, fra gli spiriti amanti. E le parole che gli rivolge Arnaldo sono addirittura in lingua occitana, unico caso di discorso in lingua non italiana presente nel poema. Dante riprese inoltre in Al poco giorno e al gran cerchio d'ombra la forma metrica inventata da Arnaut Daniel, la sestina, che avrebbe avuto in seguito un immenso successo in tutte le letterature europee. Questo volume riunisce tutti i componimenti citati da Dante nel De vulgari eloquentia (oltre a una canzone di Peire d'Alvernhe e alla sestina di Arnaut, che egli imitò direttamente). Rispetto alle precedenti e analoghe sillogi di Chaytor, di Monaci e di Folena, essi sono qui per la prima volta accompagnati da una traduzione che, pur nella fedeltà al testo originale, ne rispetta rigorosamente le misure metriche.Francesco Zambon è professore emerito di Filologia romanza presso l'Università degli Studi di Trento. Studioso di fama internazionale, ha indagato su numerosi aspetti della letteratura allegorica e religiosa del medioevo latino e romanzo (bestiari, mito del Graal, trovatori, eresia catara, mistica amorosa). Ha scritto anche su alcuni poeti italiani ed europei contemporanei, fra cui Montale, Pascoli, Pasolini, Pierro, Ceronetti, Zanzotto e Pessoa. Con questa casa editrice ha pubblicato L'iride nel fango. L'anguilla di Eugenio Montale (2022), curato Messaggio di Fernando Pessoa (2022) e tradotto L'altra metà del sogno mi appartiene, vol. I, di Alicia Gallienne (2023).Claudia Di Fonzo è medievista e in particolare studiosa di Dante, cui ha dedicato numerose monografie e saggi. Da diversi anni si è specializzata, a proposito di Dante e di altri autori, sul rapporto fra diritto e letteratura, materia che insegna presso l'Università di Trento. Fra le sue pubblicazioni spiccano la prima edizione critica de L'ultima forma dell'«Ottimo commento» all'Inferno (Longo 2008) e diverse monografie su Dante e la cultura medievale (Dante e la tradizione giuridica, Carocci 2016; Scale e tribunali dell'aldilà, Longo 2022; Albedo iustitiae. Il peccato ermafrodito e altre questioni di diritto e letteratura, Ed. dell'Orso 2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Serena Venditto"Sette vite come i libri"Indagine per quattro coinquilini e un gattoGiallo Mondadoriwww.mondadori.itIn una Napoli semideserta all'indomani delle festività natalizie, Malù, archeologa con la passione per i gialli, ha un bel problema da affrontare: il suo dottorato di ricerca è finito e l'università non ha più fondi. In pratica, è disoccupata e senza un soldo. Per fortuna con l'aiuto dei suoi coinquilini trova un lavoretto in una libreria dell'usato, la Second Chance. E di quel posto si innamora all'istante: ogni libro sugli scaffali contiene tracce delle vite di chi l'ha letto, regalato, di chi fra quelle pagine si è perso, ha pianto, amato, sorriso. E alcuni di quei volumi ne hanno avute tante, di vite, prima di arrivare lì: tre, cinque, qualcuno persino sette. Come i gatti, sorride Malù pensando a quanto quel luogo pieno di odori e nascondigli piacerebbe al suo Mycroft. Un giorno le capita fra le mani una copia della Donna in bianco, capolavoro di Wilkie Collins. E sfogliandolo si accorge che alcune pagine sono intrise di sangue. Sangue fresco. Il suo istinto le dice che nel posto da cui proviene il libro è successo qualcosa di molto brutto. Ora sta a lei e alla compagnia dei suoi "Irregolari" - gatto Mycroft compreso - scoprire da dove viene il volume insanguinato, com'è arrivato fin lì e chi è la vittima. È l'inizio di una nuova, rocambolesca caccia al colpevole per gli irresistibili coinquilini di via Atri 36.Serena Venditto è nata nel 1980 a Napoli, dove lavora presso il Museo Archeologico Nazionale. Ha esordito nella narrativa con la commedia Le intolleranze elementari (Homo Scrivens, 2012). Nel 2018 ha pubblicato con Mondadori Aria di neve, il primo volume della serie gialla dedicata al gatto Mycroft e ai quattro coinquilini di via Atri 36, seguito nel 2019 da L'ultima mano di burraco, dall'ebook Malù si annoia (2020), da Grand Hotel (2021) e Commedia gialla con gatto nero (2023). Gli stessi personaggi compaiono nell'antologia Gatti neri e vicoli bui (Homo Scrivens, 2022), con Maurizio de Giovanni e Francesco Pinto, e in E cosy sia (Giallo Mondadori Big, 2024). Collabora con Homo Scrivens in qualità di editor e come direttrice della collana dedicata al giallo; per questa casa editrice nel 2020 ha curato Natale, istruzioni per l'uso e nel 2022 il romanzo di Wilkie Collins Mercy Merrick. Cura la rubrica #Barsport per il sito Napoliclick.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Durante la chiacchierata al BSMT abbiamo parlato con Leonardo delle differenze tra i cinema comico del passato e quello di oggi e, secondo lui, quello che proprio manca nelle produzioni contemporanee è di queste il RIGORE. Voi cosa ne pensate? Il resto della puntata ti aspetta nel

Host: Tracy Shuchart for MicDropMarketsGuests: Andy Constan DampedSpring.comAndy has spent the past 35 years investing and trading global markets. Over the last 12 years, he has developed strong expertise in Macro investing working at Bridgewater Associates as an Idea Generator and most recently at Brevan Howard as Chief Strategist. Andy spent the first part of his career at Salomon Brothers and its successor companies. After 17 years at Salomon and as the Head of Global Equity Derivatives, Andy left and started two relative value hedge funds specializing in Multi-Asset Volatility Arbitrage and Capital Structure Arbitrage. Throughout his career, Andy has developed a keen cutting edge understanding of systematic quantitative research and investment while also deeply appreciating the importance of the insights that arise from discretionary investing strategies.Bill FleckensteinFleckensteinCapital.comLegendary Hedge Fund manager Bill Fleckenstein. Who called the dotcom bubble in the 1990s and the 2008 collapse. Bill graduated from the University of Washington with a major in Mathematics, and joined the prestigious Wall Street firm Kidder Peabody in 1979. In 1982 he launched his own firm. He has written daily commentary on market action since 1996 and FleckensteinCapital.com was launched in 2003. He is also a bestselling author. His book is titled: Greenspan's Bubble: The Age of Ignorance at the Federal Reserve published in January of 2008.Carol RothCarolRoth.comMedia: 12+ years of on camera experience. Judge, America's Greatest Makers (TBS). Host, Microsoft's Office Small Business Academy. Panelist, Closing Bell (CNBC) and Bulls and Bears (Fox Business). Radio Host (WGN). Host of Don't Quit Your Day Job…Yet (CNBC.com).Weekly commentator on current events, business, finance, markets, the economy, small business, news, current events and more. Featured in documentaries including Live Another Day and Prohibition. Interviewer of celebrities, business moguls and presidential candidates, among others.Business: “Recovering” investment banker. Billions of dollars' worth of transaction experience. Public and private company board member experience. Advisor + consigliere to private equity professionals, C-level management and high-performing entrepreneurs. Creator of the Future File legacy planning system. CCO (Chief Customer Officer) and developer of proprietary customer loyalty models. Run and design customer loyalty programs. Expert in finder's fees. Small business advocate and expert. Investor in private companies, primarily established, bridge to exit scenarios or board roles. Advocate for economic freedom and wealth creation. Speaker, host, emcee and panel moderator for some of the biggest companies and organizations in the world. Received a standing ovation from Richard Branson.Content Creation: 2x New York Times bestselling author. Books include The Entrepreneur Equation, The War on Small Business and You Will Own Nothing. Writer of op-eds and an economic newsletter. Developing scripted and...

Sagace, corrosivo, commovente, assurdo, maturo, amaro. Questi sono solo alcuni degli aggettivi che descrivono Bojack Horseman, cartone animato scritto da Raphael Bob Waksberg e disegnato dalla fumettista Lisa Hanawalt.Bojack e il suo mondo rappresentano uno spaccato grottesco della società dello spettacolo degli States e in particolare della bizzarra fauna che ruota attorno a Hollywood. Il protagonista infatti non è altri che la star di una sit com per famiglie degli anni ‘90 che, dopo un paio di tentativi fallimentari di ritornare sulla cresta dell'onda, prova la carta del libro di memorie scritto a 4 mani con una giovane ghostwriter idealista... “Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Parte del progetto: https://www.mondoserie.it/ Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social: https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.'

An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole.  That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Puntata a cura di Untimoteo.Fleabag, due stagioni per un totale di 12 puntate di mezz'ora, è una serie realizzata tra il 2016 e il 2019. Inizialmente trasmessa dalla BBC, è a disposizione degli utenti Prime Video e Timvision. Ed è tra le serie da vedere, a prescindere. Con la sua sceneggiatura praticamente perfetta, un cast di prim'ordine e una profondità di lettura più unica che rara.A partire da un suo felicissimo monologo teatrale, la sceneggiatrice e attrice Phoebe Waller-Bridge stende dialoghi brillanti, caratterizzazioni estreme, una satira corrosiva della società moderna e un gioco continuo di sfondamento della quarta parete. In più, sotto la facciata comica, espone temi dolorosi quali la perdita della stima di sé, il tradimento di fiducia e amicizia, la sfacciata arroganza che rimane impunita, il fascino del proibito.NOTA: questo episodio è il rifacimento, ampliato e aggiornato, di una vecchia puntata introduttiva a Fleabag, del 2021. "5 minuti 1 serie" è il format del podcast di Mondoserie che racconta appunto una serie in poco più di cinque minuti (o meno di dieci!). Senza fronzoli, dritti al punto.Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social: https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

Who finishes the Boston Marathon on a unicycle and still has energy to make the world laugh? Alex “The Jester” Feldman, the gibberish-speaking, rule-breaking performer who's redefined what it means to be a “wise fool.” On this episode of So What Do You Really Do?, Deadair Dennis Maler digs into Alex's extraordinary journey from anthropology student to Commedia dell'arte-inspired trailblazer.They discuss how a college juggling club ignited Alex's passion for physical comedy, leading him to train at the Dell'Arte International School of Physical Theater, and how a pivotal performance at Montreal's Just for Laughs launched his career. Alex shares stories about family tragedy, the unicycle stunt that turned heads (and caused some headaches), and the philosophy of being a modern-day fool with something to say. This episode is a masterclass in following your passion, bending the rules, and embracing the absurd. KEEP UP WITH ALEXWhile most comedy engages the language center of our brain, Alex's visual humor, sight gags, and light-hearted music bypasses the head altogether and goes straight to the heart.Feldman's love of music, comedy, cirque, magic and a touch of mischief ultimately gave birth to the impish rascal that audiences worldwide have come to know and love as Alex the Jester.The persona that Feldman has brought to life through Alex the Jester is one that combines the costuming and skills of Cirque du Soleil with a brand of humor that is seldom found elsewhere.He not only entertains with his hilarious routines — he inspires the audience to express themselves, and is ready to improvise with them at the drop of his floppy hat.They are co-creators.They know that, together, they've contributed to a show that will never be quite duplicated. With this shared accomplishment, many leave the performance walking on air and feeling closer to those around them. And some forget where they put their keys!He performs clean comedy. It's perfectly fine if young people are present. In fact, theaters often book him as a means of developing the audiences of tomorrow. But make no mistake- this is no kiddie show! The costuming and skills evoke cirque du soleil, with an extra dose of laughter. Most notable, Alex takes the audience on a journey. They enter the world of the wise fool, where crazy sounding gibberish makes perfect sense. They laugh at that rare sliver of humor that is understood around the world. They get involved at his interactive humor, and by the end of the show, everyone feels a little bit closer to one another.Website: https://alexthejester.com/Instagram: https://www.instagram.com/alexfeldmancomedy/Facebook: https://www.facebook.com/alexthejester

Jill Lublin: jilllublin.comJeff Crilley: realnewspr.comMedia exposure is one of the keys to a sustainable business. Podcasts, TV,newspapers, social media, and more. But how do you access the kind of media that'sgoing to get you seen, known and, most importantly, paid? Today's guests, PublicityExperts Jeff Crilley and Jill Lublin, have the secrets you're looking for. Today's episodehas so many actionable tips based on Jeff's and Jill's decades of experience in publicityand media. Listen in and immediately take steps that will get more eyeballs on you andyour business.Music mentioned in this episode:Jeff – “Fame” by David BowieJill – “Sgt. Pepper's Lonely Hearts Club Band” by the Beattles:

Send your questions or provocations to Adam or Budi here!For our final playwright interview in the 2024 Audio New Play Festival, Adam and Budi sit down with Sneha Sakhare to discuss her audio play 'Ragas of the Rooted Heart'.Sneha is an actor, singer, writer, voiceover artist, and teacher from Yavatmal, India, currently based in New York City. Her work is deeply rooted in ‘Prasada Budhi,' which means a mindset of thinking that everything is a divine offering with whatever is presented to us, shaped by her spiritual background in Yoga through her father and the teachings in Vedas. As an actor, Sneha is a classically trained clown with intensive four-year training with her teacher-mentor Christopher Bayes at the Pandamonium Studio. She has also been trained with Aitor Basauri (Clown, Bouffon), Jim Calder (Intensive Acting, Commedia), and Budi Miller (Balinese performing arts and mask work) in Bali, Indonesia. Sneha has completed her 1-year acting conservatory program at The Barrow Group theatre company, Manhattan, 2017-18. As a singer trained in Indian Classical Music for almost a decade, Sneha as a bhajan (devotional song) singer has been offering her performances at numerous spiritual centers, pilgrimages, and temples in India. She has received many prestigious accolades like ‘Singing Idol' and ‘Voice of the Region' through which she performed on National television and had experience performing in concerts in front of thousands of people in various cities of India.Sneha received her Bachelor's in Electronics and Telecommunication Engineering from India and worked for 4 years as an engineer where she created corporate theatre performances immersed in music and corporate theories.Sneha has been awarded multiple scholarships as a performer which includes a one-year full scholarship by Christopher Bayes at Pandamonium Studio in 2020,  ‘The Eugene O'Neill Scholarship' in 2021 at Oneil Theatre, Waterford, CT, and “A distinct 2-year fellowship from Lin-Manuel Miranda and the Miranda Family for emerging artists of color who have exhibited exceptional passion, drive, and unique points of view in various artistic mediums – including but not limited to theatre, dance, film, visual arts, and music – and is actively working to expand her professional development,2021-2023”She has written and performed original works like ‘Pandemic Chapati' and devised a piece called ‘Glimpse' in collaboration with Global majority artists for Rattlestick Theatre Company, New York City in 2021. Currently, Sneha is on her one-year apprenticeship program as a teacher with Christopher Bayes at the David Geffen School of Drama at Yale University, New Haven, CT, and at the PandamonTiny Bar ChatsChats with influential, inspiring, prolific and community oriented folks.Listen on: Apple Podcasts SpotifySupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

When a special guest gets to pick this week's movie, it's a perfect 80s time capsule with a sad situation on the penumbra of an adventure. But after the Goonies spend a week at the waterpark with Steven Spielberg, a completely different protagonist actually saves the day. What did the 80s contribute to the Commedia dell'arte? Do all Amblin films take place in the same universe? Why doesn't Astoria have a social safety net? It's the episode that imagines both its prequel and its sequel.Support the production of Greatest TrekGet a thing at podshop.biz!Sign up for our mailing list!Greatest Trek is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam RaguseaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestTrek and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social

Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023).  Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell'Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023).  Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell'Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023).  Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell'Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023).  Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell'Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023).  Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell'Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023).  Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell'Arte, a system that continues to shape celebrity today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

An improv artist and teacher for nearly 40 years, and he has applied those principles to all facets of his work as an editor, writer, director, and actor. He is the founder of Turbine Arts Collective, a Los Angeles nonprofit dedicated to the exploration of creativity, where he teaches weekly workshops in improvisation. After graduating from the University of Iowa with degrees in Communications/Theatre Arts and Journalism, he moved to Los Angeles, became involved in the local theatre community, and quickly dedicated himself to the performance and study of improvisation. His mentor Gary Austin (creator of The Groundlings) called him, "One of the best improvisers I've ever worked with." He co-founded The Bubalaires, an improvisational physical-comedy theatre troupe with roots in Commedia dell' Arte, and he created Shplotz!, an evening of improvisational theatre with celebrated guests like Helen Hunt, Jason Alexander, James Corden, and Dave Foley. Rob has taught improvisation workshops at the Walt Disney Studios, USC Marshall School of Business, JPL/NASA, SAG-AFTRA, UCLA Performing Arts Intensive and the American Conservatory Theatre. He also teaches creative practices to businesses and corporations. Rob is also well-known as an editor of commercials and music videos, collaborating with such varied directors as Spike Lee, Ridley Scott, Terry Gilliam and Joe Pytka. He won the Clio Award and many other awards for editing. As a director, his film Heavenzapoppin'! won the highest award given by the National Educational Media Association, and Leonard Maltin called it, "A delightful and ingenious film".