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Skywalking Through Neverland: A Star Wars / Disney Fan Podcast
Bryn MacKinnon joins us for a hilarious Grogu Tortilla Chip Fan Foods taste test, sampling Grogu, Darth Vader, Stitch, and Olaf-inspired flavors. Sarah recaps her visit to Universal Studios Hollywood's Passholder Night, including the new Fast & Furious-themed Drift & Dine, nighttime tram tour adventures, KPop Demon Hunters merchandise, and more. Then we wrap up the night with a round of totally tubular 80s Disney trivia! Join us live every Monday at 6pm PT and share your thoughts, stories, and favorite summer adventures. About Things We Want To ShareJoin Richard and Sarah every week as they share stories, fandom fun, trivia, and invite viewers to join the conversation live. New topics, special guests, and lots of laughs every episode!
Bryn MacKinnon joins us for a hilarious Grogu Tortilla Chip Fan Foods taste test, sampling Grogu, Darth Vader, Stitch, and Olaf-inspired flavors. Sarah recaps her visit to Universal Studios Hollywood's Passholder Night, including the new Fast & Furious-themed Drift & Dine, nighttime tram tour adventures, KPop Demon Hunters merchandise, and more. Then we wrap up the night with a round of totally tubular 80s Disney trivia! Join us live every Monday at 6pm PT and share your thoughts, stories, and favorite summer adventures. About Things We Want To ShareJoin Richard and Sarah every week as they share stories, fandom fun, trivia, and invite viewers to join the conversation live. New topics, special guests, and lots of laughs every episode!
Paizo is undergoing significant restructuring following a nearly $2 million financial loss in 2025, largely attributed to the bankruptcy of its former distributor, Diamond Comic Distributors. To manage the fallout, the company is laying off 12 employees, scaling back its organized play initiatives, and pausing Foundry VTT support for Pathfinder Society modules. While Paizo transitions its distribution to the Independent Publishers Group and works to recover book channel sales, it continues to focus on direct-to-consumer sales via its updated webstore. The tabletop industry is grappling with the proliferation of generative AI, with tensions surfacing at the UK Games Expo 2026. Critics and attendees expressed deep disappointment over the convention’s lack of an official policy prohibiting AI-generated content, contrasting it with other conventions that have taken firm stances. In response, creators and vendors utilized “Human Made” signage on the convention floor as a grassroots effort to push back against the use of AI tools, which they argue diminish human creativity and threaten the livelihoods of freelancers and artists. Meanwhile, Wizards of the Coast is signaling a shift in its technological approach, posting a vacancy for a senior AI engineer to develop customer-facing features, including systems for tutorials and NPC behaviors. This move coincides with Hasbro's launch of “Sixth Wall,” a new AI studio focused on licensing company IP characters like Optimus Prime and Mr. Potato Head for interactive experiences. By utilizing its “CharacterOS” platform and real voice actors, Hasbro aims to provide authorized, guardrail-protected versions of its characters to mitigate the spread of unauthorized AI-generated content using its intellectual property. In happier news for tabletop enthusiasts, Mongoose Publishing has released *The Infinity Suite*, a new 168-page campaign sourcebook for the *Traveller* RPG. The narrative centers on a band of interstellar rockstars who are heavily in debt and on the run from repo crews, forcing them to seek fame and inspiration across the Islands subsectors. The supplement introduces inventive mechanics to fit the rock ‘n’ roll theme, such as a Masterpiece System for song creation, a review system for music critics, Bass Battles, and Megastar Points to track the characters’ rise to fame. #paizo #ukgamesexpo #wotc #travellerrpg Roll Big or Go Home Bundle: https://humblebundleinc.sjv.io/k49Mnd Doctor Who and Warhammer to Cthulhu, Transformers, and even My Little Pony! Return to Dark Tower Household and Visigoths vs. Mall Goths! over 50 TTRPG books! $5.50 – $44 Dungeon Crawl Classics Essentials Bundle: https://humblebundleinc.sjv.io/4aym3o over 106 ebooks and PDFs $2 – $44 Cyberpunk RED: Ready-to-Run Essentials Bundle: https://humblebundleinc.sjv.io/rEOrdG Free League BundleRPG Collection:q https://humblebundleinc.sjv.io/zzrGdm The Book of Unnumbered Worlds: https://www.kickstarter.com/projects/sinenomineinc/the-book-of-unnumbered-worlds Demonic Grimoire on Backkit: https://www.backerkit.com/c/projects/exalted-funeral/old-school-essentials-demonic-grimoire Hellblaster: Against the Cyberfiend: https://www.backerkit.com/c/projects/bloodstar-productions/hellblaster-against-the-cyberfiends Warmachine on MyMiniFactory: https://mmf.io/upturned Mantic Companion App: https://companion.manticgames.com/ Use our Referral code: MCTXEE Support Us by Shopping on DTRPG (afilliate link): https://www.drivethrurpg.com?affiliate_id=2081746 Matt’s DriveThruRPG Publications: https://www.drivethrurpg.com/browse.php?author=Matthew%20Robinson https://substack.com/@matthewrobinson3 Chris on social media: https://hyvemynd.itch.io/ Jeremy's Links: http://www.abusecartoons.com/ http://www.rcharvey.com Support Us on Patreon: https://www.patreon.com/upturnedtable Give us a tip on our livestream: https://streamlabs.com/upturnedtabletop/tip Donate or give us a tip on Paypal: https://www.paypal.com/ncp/payment/2754JZFW2QZU4 Intro song is “Chips” by KokoroNoMe https://kokoronome.bandcamp.com/
Your "ETF and chill" strategy just got a reality check. Halfway through 2026, the S&P 500 is no longer the only game in town — and the smartest investors are quietly restructuring. Chips, crypto, Singapore blue chips, UCITS ETFs — what's hype and what's genuinely worth owning? Oriano Lizza from CMC Markets and Ritesh Ganeriwal from Syfe cut through the noise. Less FOMO, more discipline. This is your mid-year portfolio wake-up call. Synopsis: Every Monday, The Business Times breaks down useful financial tips. Highlights: 01:11 Is it time to look beyond US stocks? 04:22 Hot sectors: smart bet or expensive FOMO? 07:57 What is driving the trading surge? 10:17 What a truly resilient portfolio looks like 13:19 Don’t make these mistakes in H2 --- Send us your questions, thoughts, story ideas, and feedback to btpodcasts@sph.com.sg. --- Written and hosted by: Howie Lim (howielim@sph.com.sg) With Ritesh Ganeriwal, managing director and head of investment advisory at Syfe and Oriano Lizza, sales trader at CMC Markets Edited by: Howie Lim & Claressa Monteiro Produced by: Howie Lim & Chai Pei Chieh A podcast by BT Podcasts, The Business Times, SPH Media --- Follow BT Money Hacks podcasts every Monday: Channel: bt.sg/btmoneyhacks Amazon: bt.sg/mham Apple Podcasts: bt.sg/oeXe Spotify: bt.sg/oeGN YouTube Music: bt.sg/mhyt Website: bt.sg/moneyhacks Do note: This podcast is meant to provide general information only. SPH Media accepts no liability for loss arising from any reliance on the podcast or use of third party’s products and services. Please consult professional advisors for independent advice. --- Discover more BT podcast series: BT Correspondents: bt.sg/btcobt BT Market Focus at: bt.sg/btmktfocus BT Podcasts at: bt.sg/pcOM BT Lens On: bt.sg/btlensonSee omnystudio.com/listener for privacy information.
This week on the Ante Up Poker Podcast, Joe and Elle discuss Kristen Foxen capturing her sixth WSOP bracelet and whether it’s finally time to stop labeling her as the best female player and recognize her as one of the best tournament players in poker. They also look at Mike Holtz’s second bracelet, a bizarre WSOP hand where an accidental verbal call turned J-3 into a tournament-saving straight, and the latest promotions from Bluffers, including a chance to win a WSOP Main Event package starting from just a $3 buy-in. Here is a link to the videos that we mentioned as well. https://youtube.com/shorts/8XMxx7FI-A4?si=P5byVxzHhHF1MFf- https://youtube.com/shorts/OuucDgbUhRo?si=b5XBvWWZchXryPUJ Elliott Schecter answers a rabbit-hunting debate. If a room allows rabbit hunting, can a player involved in the hand veto seeing the remaining card? Patrick and Joe break down a Hand of the Week featuring pocket deuces, and in this week’s One Outer, Joe explores why the loudest player at the table isn’t always the most dangerous, while examining the power of quiet confidence. Listen, learn, and laugh with the A-Team as we get you ready for another week at the tables. Click here for our Linktree. It is a quick resource to get you to our magazine, podcast, YouTube, and more. Click here to purchase your Pour Caddy (The Swiss Army Knife of Tumblers) – Use code ANTEUP comfrt.com/ELLE73474. Your link for the most comfortable hoodie on the planet. Discord: Join us to discuss Ante Up Magazine, The podcast or poker in General. Click here to check out Octopi Poker
James Lott jr and Tonya have an amazing convo. Tonya Crowe is an American actress best known for playing Olivia Cunningham, the daughter of Abby Cunningham (played by Donna Mills), on the long-running prime-time soap opera Knots Landing. She appeared on the show from 1980–1990 and returned for the 1997 reunion miniseries. Crowe also appeared in projects such as Dark Night of the Scarecrow, Who's the Boss?, CHiPs, and Seven Brides for Seven Brothers. She earned multiple Soap Opera Digest and Young Artist Award nominations during her acting career. Instagram: @tonyacroweofficial Cameo: Tonya Crowe Cameo Page — Personalized video messages, fan greetings, and special occasion videos.
PJ’s thinking about getting a fringe, will she regret it? A wholesome moment a school in Dunedin sends in their kids singing the iconic Fish n Chips song, plus we trial a questionable new game, can we tell if you're “Donald Ducking” it... TIMESTAMPS: (00.00): PJ is thinking of getting bangs.. should she do it? (07.30): Our winner of the trip to Bruno Mars live in London! (11.10): Macandrew Bay School sing the iconic Fish N Chips song for us! (14.20): Battle of The Hits - which Bruno Mars song are you picking? (20.45): PJ needs to know what you're having for dinner tonight Matty McLean and PJ Harding are New Zealand’s warmest, most unpredictable drive show - perfect for the commute, the school run or whenever you need something to laugh about on the way home! They’re live on The Hits nationwide every weekday afternoon from 3-7pm. Listen to the live show on iHeartRadio Click follow so you never miss an episode! See omnystudio.com/listener for privacy information.
On this hour of Flames Talk, Pat Steinberg kicks things off with a Friday edition of a Flames Talk Summer Mailbag! He looks at your texts for a full hour answering questions about the upcoming NHL Draft just over two weeks away! (29:34) Later, he continues answering your questions and vives a little deeper into what the team can look like next season! Who will the top line be, what can be expected of returning names such as Gridin, Coronato, and Frost, and even some draft strategies the Flames could be deploying on Draft Day! The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Media Inc. or any affiliate. https://www.sportsnet.ca/960/flames-talk/Get full Flames games and great shows like Quick 60: The Stamps Show, Wranglers Watch and more ON DEMAND.
News On Apple #223 - Apple Watches poderão ganhar novos designs e sensores aprimorados ainda em 2026; Apple revela seleção de recursos de acessibilidade empurrados por IA que chegarão aos sistemas 27; Apple e Intel fecharam acordo preliminar para a fabricação de chips, diz WSJ; entre outros assuntos, sempre com muitas dicas e um bate papo descontraído com as curiosidades do mundo Apple. Apresentação: Rafael de Angeli (@rafangeli) e Marcelo Dada (@marcelodada88). Edição/mixagem: Marcelo Dada (@marcelodada88) e Pedro Celli (@pcelli). Oferecimento/Parceiro: Grupo “Apple Brasil iPhone, watch, macbook, ipad” no Facebook (com mais de 188k membros). Saiba todos os rumores e novidades do mundo Apple em www.newsonapple.com
Voor het eerst sinds 2023 verhoogt de Europese Centrale Bank de rente. Volgens ECB-baas Christine Lagarde en haar collega's is dat nodig, omdat de inflatie op een veel te hoog niveau ligt. Boosdoener: de oorlog in Iran. Deze aflevering kijken we wat deze verhoging (en eventueel andere verhogingen) voor je aandelen betekent. Welke bedrijven er last van krijgen en welke er juist winnen. En wat de stap van Kevin Warsh gaat zijn. Je weet wel, de nieuwe baas van de Amerikaanse centrale bank. Moet hij nu óók de rent verhogen? Verder hebben we het over Elon Musk in Brabant. Die spreekt het personeel van ASML toe. Musk brengt veel potentiële orders met zich mee, maar levert ook veel gezeik op voor de directie. Het personeel zit namelijk niet op hem te wachten. Nu we het toch over Brabant en chips hebben: Nederlandse startups krijgen een zak met geld van de overheid. Het kabinet stel namelijk meer geld beschikbaar voor investeringen in deeptech, zoals chip- en kwantumtechnologie. Er gaat nog eens 360 miljoen euro naar het zogeheten Deep Tech Fonds. Ook hoor je over Ryanair. Dat denkt er aan om mensen te laten betalen voor het toiletbezoek. En we hebben het over Oracle. Dat heeft een goed kwartaal achter de rug, maar beleggers vrezen voor wat komende gaat. Vooral over de investeringen die Oracle wil doen. Te gast: Jim Tehupuring van 1Vermogensbeheer BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Je hoort hem ook in de BNR-podcast Moerdijk: dorp van de rekening. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en is redacteur bij de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie. Van Musk tot Microsoft en van Ahold tot ASML. Wij vertellen je wat beleggers bezighoudt, wie de markten in beweging zet en wat dat betekent voor jouw beleggingsportefeuille.See omnystudio.com/listener for privacy information.
Welcome to The Eagle's View - Summer Edition!Just because school is out does not mean that the students of Emerson School in Ann Arbor, MI are taking a break. The Show Must Go On!Join Ava, Ayla, and Elli as they host this episode. You will hear about 5 Random Facts, Hamburgers, Potato Chips, Types of Chips, Klavon's in Jackson, and as always, The Joke of the Week!Check out Zebonky right here!https://zebonky.com/Thank you for listening to The Eagles View. Be sure to like, follow, and share our podcast with your friends and family.And don't just listen—leave us a comment! We'd love to hear your thoughts, your favorite part, or even your own joke of the week.New episodes come out every Wednesday—even during summer break. Plus, The Eagle's View Presents will be returning for Season 4 every Monday this fall.New 8th graders - Same YappingBe sure to check out our new merchandise on The Emerson School Store website below.https://apparelnow.com/emerson-school-store-apparel/Follow on social media too!https://www.facebook.com/theemersonschool/https://www.instagram.com/emersonschool/Thanks for hanging out with us, and remember—Eagles always soar!
Aalberts keert, over twee weken, terug in de AEX. Het technologiebedrijf was daar jaren te vinden, maar verdween tijdens de coronapandemie. Om nu dus weer z'n comeback te maken. Het neemt het plekje in van koffieboer JDE Peet's, dat juist van de beurs vertrekt. Een aandeel dat in een half jaar al zo'n 40 procent is gestegen. Goede reden voor ons om het te hebben over dit aandeel. Blijft dit aandeel nu wél langer in de hoofdindex? En zit er nog groei in het aandeel. Hebben we het ook over een andere promotie, die van CSG. Het defensiebedrijf rolt de Midkap-index in. Verder staan we stil bij de beursgang van SpaceX. Het wil vrijdag 75 miljard dollar ophalen, maar kan 250 (!) miljard dollar krijgen. Geld dat vooral van particulieren komt. Zelfs van Chinezen, die op creatieve manieren de regels van de regering omzeilen. Ook staan we stil bij kwartaalrapportages. Moeten die niet verplicht terugkeren in Europa? En we bespreken de bizarre cijfers van TSMC. Die overschaduwd worden door een gerucht over nieuwe exportrestricties. Te gast: Thomas Pellegrom, van ABN Amro MeesPierson BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Je hoort hem ook in de BNR-podcast Moerdijk: dorp van de rekening. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en is redacteur bij de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie. Van Musk tot Microsoft en van Ahold tot ASML. Wij vertellen je wat beleggers bezighoudt, wie de markten in beweging zet en wat dat betekent voor jouw beleggingsportefeuille.See omnystudio.com/listener for privacy information.
Chris decides what a flagrant foul really is after watching Game 3 of the NBA Finals, and what the Knicks must control in order to secure the series. He also draws the surprising line attaching their now-over 13 game win streak to the Warriors' one ahead of it.Chris goes into the Stanley Cup Finals with discussion regarding a second-hand connection to Brandon Bussi, why the Hurricanes gain the edge the deeper the series goes, and which Golden Knight is somehow a quiet x-factor.Insane headlines this week include: Brandon Aiyuk criticizing the 49ers for giving him $48 million, a judge 14 years into retirement resurrecting Brendan Sorsby's career, and Patrick Mahomes getting a sweetheart deal of over $500 million.
Er is een interessante doorbraak bereikt in de Europese chip-sector, door de Delftse chip-ontwikkelaar Qualinx, die daarvoor samenwerkt met chip-producent GlobalFoundries. Mede dankzij Europese chipsubsidies kan zowel de ontwikkeling als productie van hun chips (bij Qualinx zijn dat ontvangers van draadloze signalen, zoals GPS, via een energiezuiniger digitaal systeem) volledig in ons werelddeel plaatsvinden, zonder afhankelijkheid van de VS of Azië. Joe van Burik vertelt erover in deze Tech Update, waarin je ook Tim Allemeersch, Senior Director Customer Success bij Qualinx, aan het woord hoort.See omnystudio.com/listener for privacy information.
The balance of power among China's leading EV makers may be shifting.This week on China EVs & More, Tu Le and Lei Xing break down a remarkable set of earnings results that reveal very different trajectories for China's EV leaders.NIO appears to be emerging from one of the most challenging periods in its history, delivering consecutive profitable quarters while building momentum behind the ES9, ONVO, and Firefly brands.Meanwhile, Li Auto finds itself in an unfamiliar position. Margins are under pressure, earnings disappointed, and the company is increasingly relying on the success of its new BEV lineup to reignite growth.And then there's BYD.While competitors focus on selling cars, BYD continues expanding deeper into batteries, semiconductors, AI, and autonomous driving technology. The company recently unveiled its own advanced automotive chips, reinforcing its position as one of the most vertically integrated technology companies in the automotive industry.Tu and Lei also discuss:⚡ NIO's surprising turnaround and profitability outlook⚡ Li Auto's reset and what comes next for the L-Series and i-Series⚡ BYD's chip ambitions and technology strategy⚡ XPeng's robotaxi and robotics plans⚡ Stellantis' €60 billion strategy and deepening China partnerships⚡ Volvo's U.S. approval and what it means for Chinese technology in North America⚡ Tesla FSD vs China's rapidly evolving intelligent driving systems⚡ Why the next automotive battle is about AI, software, autonomy, and scaleThe EV race isn't slowing down. But the leaderboard may be changing faster than most people realize._____⏱️ YouTube Chapter Timestamps00:00 The Auto Industry Has Flipped02:00 Trump-Xi Summit & Global Auto Implications05:00 NIO Earnings: Is the Turnaround Real?09:00 Li Auto's Challenges & Margin Pressure13:00 XPeng's Robotaxi & Robotics Ambitions17:00 Why BYD Is Becoming a Chip Company21:00 CATL, Chips & China's Tech Arms Race25:00 Stellantis' €60 Billion China Strategy30:00 Why Europe Needs Chinese Technology34:00 Tesla FSD vs China's Intelligent Driving Systems38:00 Waymo's Momentum & Autonomous Driving Reality41:00 Volvo Approval & Future Chinese Market Access44:00 What Happens Next for Global Automakers?47:00 Final Thoughts_____#ChinaEVs #NIO #BYD #LiAuto #XPeng #Tesla #ElectricVehicles #Robotaxi #AutonomousDriving #ChinaEVsAndMore
June 9, 2026 ~ Chris Renwick and Lloyd Jackson talk with Leslie Boissiere, Vice President of External Affairs at the Annie E. Casey Foundation, about declining child well-being and brain chip technology. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Fate roleplaying game line, once the flagship system for Evil Hat Productions, may be nearing its end, highlighted by the release of the next game, Umdaar, as a PDF-only product. Since the record-breaking Fate Core crowdfunding campaign in 2013, the line has steadily declined to less than 5% of the company’s sales, replaced by Blades in the Dark and Monster of the Week as Evil Hat’s main sellers. Fate originated around 2000 as a hack of the Fudge RPG, developed by Evil Hat co-founders Fred Hicks and Rob Donoghue, who aimed for a system that modeled fiction rather than physics. Hicks sees the release of Umdaar as an experiment to determine Fate’s future in the 2020s, acknowledging its significant impact as a game from the previous decade. John Blanche, the legendary illustrator whose art defined the “grimdark” aesthetic of the Warhammer 40,000 setting, has died. Blanche was best known for iconic works, including his depiction of the Emperor on the Golden Throne, which he intended to show as a ceremonial facade for pilgrims rather than the “real” Emperor. He retired from Games Workshop in 2023 after an association beginning in the seventies, leaving behind an enormous legacy. Tributes from fans and writers confirmed his profound influence, stating that his art was the reason many became involved in Warhammer 40,000 and that he defined an entire sub-genre of SFF. TTRPG crowdfunding surged in Q1 2026, with the number of successful campaigns that raised $100,000 or more growing by 35% year-over-year. The 21 campaigns reaching this milestone collectively generated an estimated $8,058,431, about 25% more than Q1 2025. The period featured a major success with Pumpkin Spice -A Magical Cozy RPG, which reached over $1.5 million, and also saw the launch of highly anticipated projects like Numenera: The Amber Archive and Blades ’68. Notably, only six of the featured games used Fifth Edition mechanics, and Gates of Krystalia became the highest-funded TTRPG project to date whose creator admitted to using AI-generated images in the book. The Book of Unnumbered Worlds is a new Kickstarter campaign from Kevin Crawford of Sine Nomine Publishing known for the “Without Number” series. This project is a system-neutral sourcebook designed to aid Game Masters (GMs) in building fantasy worlds or fleshing out existing settings. It features organized frameworks and step-by-step procedures with tags and tables for creating elements like maps, nations, societies, and monsters, and does not reprint material from previous “Without Number” books. In a notable statement, the campaign explicitly guarantees that “All art, writing, and design in this book is entirely human-created and does not involve the use of AI”. #faterpg #johnblanche #crowdfunding #withoutnumber Rascal News: https://www.rascal.news/with-the-release-of-umdaar-we-might-be-at-the-end-of-fate/ Book of Unnumbered Worlds Kickstarter: https://www.kickstarter.com/projects/sinenomineinc/the-book-of-unnumbered-worlds Cyberpunk RED: Ready-to-Run Essentials Bundle: $33 https://humblebundleinc.sjv.io/rEOrdG Free League BundleRPG Collection: $27.50 https://humblebundleinc.sjv.io/zzrGdm The Book of Unnumbered Worlds: https://www.kickstarter.com/projects/sinenomineinc/the-book-of-unnumbered-worlds Demonic Grimoire on Backkit: https://www.backerkit.com/c/projects/exalted-funeral/old-school-essentials-demonic-grimoire Hellblaster: Against the Cyberfiend: https://www.backerkit.com/c/projects/bloodstar-productions/hellblaster-against-the-cyberfiends Warmachine on MyMiniFactory: https://mmf.io/upturned Mantic Companion App: https://companion.manticgames.com/ Use our Referral code: MCTXEE Support Us by Shopping on DTRPG (afilliate link): https://www.drivethrurpg.com?affiliate_id=2081746 Matt’s DriveThruRPG Publications: https://www.drivethrurpg.com/browse.php?author=Matthew%20Robinson https://substack.com/@matthewrobinson3 Chris on social media: https://hyvemynd.itch.io/ Jeremy's Links: http://www.abusecartoons.com/ http://www.rcharvey.com Support Us on Patreon: https://www.patreon.com/upturnedtable Give us a tip on our livestream: https://streamlabs.com/upturnedtabletop/tip Donate or give us a tip on Paypal: https://www.paypal.com/ncp/payment/2754JZFW2QZU4 Intro song is “Chips” by KokoroNoMe https://kokoronome.bandcamp.com/
Krystal and Saagar discuss chip stocks hammered, Trump floats gov stake in AI companies. Jeff Stein: https://x.com/jstein_star To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: www.breakingpoints.com Merch Store: https://shop.breakingpoints.com/ See omnystudio.com/listener for privacy information.
Have you ever lost the joy in your creative work — that sense of fun you had when you were starting out, before the admin and the algorithms drained it away? How do mid-career creatives get it back, and what can a four-year-old teach us about play? Austin Kleon talks about productive procrastination, silly rituals, the case for paper reference books in an AI world, and how his newsletter went from a marketing cost to the day job that keeps the lights on. In the intro, Does social media still sell books? [Self-Publishing with ALLi]; Trial by algorithm [The Bookseller]; Publishing's AI Hypocrisy Problem [The New Publishing Standard]; ALLi AI survey for authors; Brave New Bookshelf Podcast, and Pics from signing at BookVault. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why Austin wrote Don't Call It Art now, and what his kids taught him about creative joy Productive procrastination, silly rituals, and treating writing like Lego Comedy as a philosophical position, and giving yourself permission to be bad in private Sharing process in the algorithm era, and why your whole life is the process Bibliomancy, paper reference books, and what AI can't give you that a dictionary can Style, the Taco Bell distinctiveness rule, and how Austin's newsletter became his day job You can find Austin at AustinKleon.com. Transcript of the interview with Austin Kleon Jo: Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. So welcome back to the show, Austin. Austin: Thank you for having me back. It's nice to talk to you again. Jo: You were on the show in March 2020, and at the time, your book was Keep Going, which was prescient considering the pandemic and politics. So I wondered, why this book, Don't Call It Art, now? Was this something you see in the creative community or your own life that made you want to write this book? Austin: Keep Going is a book about what happens when the world goes crazy around you and you're still trying to do your creative work. This is a book about what happens when inside has bottomed out. Keep Going is a book about the world bottoming out, and you're worried that your own creative work is going to bottom out too. How do you keep pushing through and keep making stuff? This book, to me, is about what happens when you bottom out inside—when you've lost that love and feeling for the thing that you wanted to do, and you're just not connecting with it in the way that you used to or the way that you want to. How do you get back? How do you return to that sense of joy and wonder and fun that we have when we're starting out? And for me, it was being around my little kids that taught me how to tap into that. My kids were natural—they didn't have any creative hangups. I would spend all day talking to people who had creative hangups, and then I'd get back in the house, and I'd just be around these beings who didn't have any of them. It was really instructive. I felt like, if I could bottle the energy of my kids when they were about four years old and try to put it in a book, I think it could really help a lot of the people that I run into, and the people with the kinds of problems I hear from. Jo: You mentioned bottoming out. How do people know when they've hit that point? Austin: You just don't want to do it anymore. You're kind of like, “This just isn't giving me back what it used to.” When we start with our creative work, that's the thing that juices us. We come away from it feeling full up. I think you hit a certain point where you start to feel drained after it. Or maybe you don't feel drained by the thing itself that you're doing—maybe it's all the stuff around it, which is more often the case. For example, if you're a mid-career writer like me, who's been publishing books for 16 years now, I still really like writing. I still really like drawing. I still really like cutting and pasting and putting things together. It's the admin around the work—the emails, the meetings, the running-a-business part of it—that's super draining for me, and that stuff can start to bleed over into the creative work. So it's really important for me to make sure that I'm having some playtime, some R&D, some research and development time, to make sure it's not just all business. When you take the thing that you love and you turn it into the thing that you make a living from, you can really run into a lot of problems. Jo: I'm at 20 years, so I know exactly what you're saying, and a lot of listeners are the same. We love writing books, but it's all the stuff that goes around it. So for those of us who do this for money as well as passion, what are some practical ways to have more fun with our creativity? Austin: Something I learned from my kids is that you really are your most creative when you're supposed to be doing something else. So one of the things I use a lot in the studio is productive procrastination. Whatever I'm supposed to be working on, I start another little project, and that's my little naughty fun time. When I first come into the studio, I try to do something that I'm not supposed to be doing—something that I won't have much to show for. That could be making one of my blackout poems. That could be making a collage in my notebook. It could also be sitting here. I have a bass in the studio now, so I can practise my bass guitar. Sometimes I'll do that for the first 15 minutes just to get in that headspace of, “Hey, what's it like to do something just for yourself? Just because you want to do it?” The juice that you get from that little naughty “I'm going to do what I'm not supposed to be doing right now” thing, that carries into the rest of the day. It's like a nice start to things. Jo: Do you think that play could be something different to what we make our money with? For me, writing novels and stories is great fun in one way, but it's also what I then publish and make money on. So writing stories is more serious, I guess, than playing with Lego or something. Austin: Right. So the trick is, how can you make writing your stories like playing with Lego? That's kind of been my whole career. I hate staring at Microsoft Word and that blinking cursor, taunting you like, “Come on, what have you got?” A lot of my creative life has been about trying to make it more playful, trying to make it feel more like a game. That's how I came up with my blackout poems. I take an article from The New York Times and I black it out until it only has a few words left behind. It sort of looks like if the CIA did haiku, for some people listening. That was one little exercise. Then weirdly, that side thing that I thought was just play, just fun—that turned into my first book. So then it's, okay, what else can I mess around with and play with? I do a lot of collage work in the studio, and I rarely actually use that for any of the books. Sometimes I use it for my newsletter to illustrate the newsletter. But it's always about trying to figure out, how can I make writing a game? How can I make it more playful? There are different things that I do to make it feel more playful. One of them's really stupid. I really believe in silly rituals because I think silliness is really powerful. People talk about their daily rituals—Mason Currey has that great book, Daily Rituals: How Artists Work. When I was reading that book, I realised it was really the silly stuff that I really liked. There was, I think it was Balzac counting out coffee beans or something before he got to write. Or Steinbeck sharpening 12 pencils or something goofy like that. So one of the things I like to do before I write is that I have these cigarette pencils. They're pencils that look like cigarettes in the studio. I put one in my mouth before I start writing, and I pretend to be some old '40s writer on a typewriter. I like doing goofy stuff in the studio because I think when you do goofy stuff—stuff that you'd be embarrassed if anyone else saw it—it gets you in that playful state. Jo: It's interesting. In your book, you have a section that says, “Don't take things too seriously.” For many of us, we write memoir for example, and that is very close to us. It's like the deepest expression of what we want to say in the world. It feels very serious. So how can we hold things more lightly and not take things so seriously? Austin: For me, comedy is actually a philosophical position. What I mean by that is, I think a lot of people set out with a tragic model of creative work. They think, “Oh, I have this special gift,” or, “I have this thing that I really need to do, and I need to put it out into the world, and I need to make the world look more like I want it to look.” They have this idea that, “Through blood and sweat and tears, I'm going to see this thing through, and I'm going to push it into the world, and I'm going to have my way.” I think there's another way of working where it's more like, “I'm just a normal person trying to play with my environment, and take my experiences and put them into something interesting. So I'm going to play and use my wits, and we're going to see what we come up with.” Those really are two modes of life. The pandemic taught me that it was really when we were keeping our sense of humour, when we were having a laugh and keeping our egos in check around the house and just acknowledging how goofy we all were and how ridiculous the situation was, that seemed to be when we were really thriving. Versus, “Well, we're in this tough situation. We've got to make it into what we want it to be.” That felt really bad. But when we cruised along and we were just improvisational, when we went at things with a kind of lightness, that worked. There's a great Italo Calvino essay about lightness in Six Memos for the Next Millennium. Lightness is really underrated. Even when we're going about heavy work, having a sense of lightness and play with it just makes the work better. That's a philosophical position of mine. I aspire to comedy. I aspire to a comic outlook on life. I'm just a creature with a body who's going to die, and I'm fundamentally ridiculous. Life is pretty absurd. You just make the best of it. Jo: There's certainly some truth there. Staying on a similar theme, you have a chapter in the book on permission to be bad. Many of the listeners also have your book Show Your Work, and it shaped many of us into sharing our work in progress. It feels quite dangerous now, in a world where judgment is much louder than it maybe was when you wrote Show Your Work. So tell us a bit about permission to be bad versus should we keep some of this private? Austin: Permission to be bad is about the making part of things. It's the private part. It's permission to be bad when you're in private, when you're actually doing the work. Show Your Work is a book about what you do after you've done the work, or while you're doing the work. It was never about putting up a webcam and running a 24/7 feed. It was more like, hey, what are the ways that I can connect with the kind of audience I can build while I'm making the work itself? So the way I see permission to be bad is, you really have to give yourself permission when you're not sharing, when you're off screen, to really be as bad as you want to be. It doesn't necessarily mean quality-wise. I think it also means letting yourself write stuff that you would never say on social media. Letting yourself read stuff that you wouldn't admit you were reading on social media. Letting yourself listen to stuff. Letting yourself really be that unfiltered, unhinged, private person that you want to be. Then when it comes to sharing, you put some time in between that input time, that making time, and the sharing time, and then you share what you think is going to be useful or helpful or interesting to other people. Jo: I think you wrote that book before TikTok, and how fast people are moving. Do you think people need to slow down a bit in what they share, maybe? Austin: I don't know. I obviously had a lot more faith in social media back then. I use all the principles from Show Your Work in my newsletter. Newsletters are very much the new kind of great thing. They're doing a lot of the work that social media used to do, in that you're still able to have this direct connection with the people that you're trying to reach. The big problem with social media now is that it's all algorithmically tuned, where the people that are following you don't see the stuff that you're doing most of the time. What you have to do now, if you want the people who are following you to see your stuff on social media, is you have to make stuff that the algorithm likes. That's a whole different thing. As far as the Show Your Work principle—which is share your process as much as your product—that carries over to any platform. In my newsletter every Friday, I share a list of 10 things that were going on behind the scenes here. It might have been what I was watching on TV, what I listened to, a new pen I was trying out, or something like that. The Friday newsletter is almost always process stuff. When I talk about process, my definition is actually very broad. For a lot of people, it's drafting, editing, whatever. For me, the process is the whole life. The process is almost everything except the finished thing. A writer's life is 24/7. My friends who have real jobs really are like, “What do you do all day?” And I'm like, “Well, what do you mean?” They're like, “Well, I see you out on your bike ride.” I'm like, “Yes, when you see me out on a bike ride, I'm thinking through something half the time.” If I'm watching TV, I'm thinking, “Hey, would this be good in the newsletter?” I'm never off. My whole life—everything is copy, as Nora Ephron said. That's part of the job. It's very hard to turn off. So I see the whole life as process, and the question becomes, what little bits and pieces of that life and that process can you share with people while you're making the things that you hope to sell them later? Right now, I'm in a cycle where I'm selling this book, but all these people have showed up because I've shared my process every week for the past seven years since I put out a book. Jo: It's funny you say that. I was at the dentist yesterday, and— My dentist literally asked me, “So where do you get all your ideas?” This is a common question for all of us, right? And it just becomes so hard to explain that to people who don't walk around in the world just constantly getting ideas. Austin: I can't believe I'm going to tell this story. I was getting my vasectomy after my second kid, and I was talking to this doctor just before the operation. He said, “So what do you do for a living?” I said, “I'm a writer.” He said, “Oh, that must be cool. You get to use your brain.” And I said, “That's everything that you want your doctor to say.” I was going to say, “Please use your brain,” before he's about to cut into you. He said, “Oh, no, no. What I mean is, I know what I'm going to do every day for the next 10 years.” He knew exactly what his day was going to look like. He said, “You have to use your brain. You've got to figure out new stuff.” I was like, “Oh, that's really interesting.” That's the trade-off, right? He's got the job security. He knows what he's going to do. Every writer has a moment where they have to talk to a normal person about what you do. Jo: I was going to say, I'm married to one. Austin: Now, my wife, on the other hand, grew up the daughter of a writer, so she knows exactly what it's like. Nothing ever phases her. She's totally used to it. She's used to me staring off into space, completely checking out of a conversation. She's used to me using lines on her that I'm going to put in a piece later. She's used to the whole rigmarole. It's very handy. I've been very lucky in that sense. Jo: Coming back to the book, you talk about your use of bibliomancy for inspiration. Since we're talking about that, tell us about it. I think all the book people listening will be happy. Austin: I'm a person who still keeps a dictionary nearby—a paper dictionary. I keep a big old American Heritage. It's just a big, thick book. When I really don't have any ideas, I will turn at random to the dictionary, close my eyes, stick my finger down the page, open my eyes, and just see what I come up with. Sometimes just that act will give me an idea. I also do that with books. I'll go around the studio, pick up a book, flip to a random page, and just see what it says there, or read an old piece of marginalia that I've left in a book. I believe deeply in the power of bibliomancy, and I think it's a case for paper books. I'm one of those people that still really believes in reference books. I've started collecting more and more of them. I have an old, big dictionary that's always open on my desk, and I look up words. I learned from John McPhee, the writer, that you should look up words that you think you know. That was the first time I'd ever heard anyone say that. So I look up words that I think I know. Instead of reaching for a thesaurus when I need a different word, I actually just look up the definition of the word that I already have. That's another McPhee tip. The other thing that happened that I thought was really interesting is, I got a Roget's for the first time—a thesaurus. I don't think most people know what an actual thesaurus is. Most people think of a thesaurus as a synonym finder, and that's not actually what a thesaurus is at all. A thesaurus is more like an encyclopaedia, weirdly. You look up things based on big concepts, and then it gives you a bunch of words to look up later. It's a very strange thing. It's not what most people think it is. I have a couple of editions of Roget's in here. I like the really old Roget's from the 1900s because they actually have opposing ideas facing each other on the page. Do you have an old-school Roget's? Have you ever looked through one? Jo: I don't have one now, but I certainly grew up with them. I was literally just thinking, I wonder if there are ones for Americans and ones for British people, because so often we say different things and mean different things. I always hear Americans say, “Oh, that's a doozy,” or something, and it means the complete opposite thing here. Austin: Like if you say “fanny pack” over there. That means something very different than it means here, right? Chips or fries, that kind of stuff. So I wonder if there are different ones for different cultural references. Jo: I don't know. Austin: As people, with ChatGPT and all these LLMs and stuff, people are like, “Why would you ever pick up a paper reference book?” And I'm like, “I actually like the friction.” I like having to move in space and go over to my dictionary. I like flipping the pages. I like having to scan a page for the word I'm looking for, because— This marvellous thing happens when you're looking for the word, where you bump into all these other words. If you're a word nerd, you get to start thinking about the root of the word—oh, why is this word next to this word? Well, it's because they share the same root. Then you're going down all these fun rabbit holes. The thing that I'm trying to do as a writer and a creative person is, I'm trying to get to the thing that I didn't know I was looking for. The thing that people misunderstand about AI, I think personally, is that it's a great tool if you know what you're looking for. If you're like, “Find me this thing. I want exactly this. I want to see a picture of a dog wearing a king's costume,” or some crap like that, then it can spit that picture out for you. Or, “I want to know what happened on this day,” and whatever. It can do that. But that's not actually what I'm doing most of the time when I'm writing or making something. I start with an idea, but what really happens—the magic of writing and the magic of making stuff in general—is when you discover something that you didn't even know you were headed for. That's the real magic for me. Sometimes I have an idea and I want to articulate it for people, but more often than not, there's something that bothers me or something that I want to talk about, and I sit down and write, and I figure out what it is that I actually have to say and what I actually think. Every writer really knows this, and that's why the dictionary, stuff like that, those are ways of training you to get in that discovery mode. “Well, let me—oh, I bumped into this. I went looking for this one thing and then I ran into this other thing.” That's why I love the library. I don't know what system you use over there, but you look for one book in the Dewey Decimal System over here, and then, okay, here's all these other weird books next to it. Then you end up with three other books other than the one that you were looking for. That's the magic. To me, that's the magic of creative work, discovering what you didn't know you were looking for. That was particularly important for me when I was writing this book because we discovered that my wife has a condition called aphantasia. It's very rare in the population, about 2 to 3% of people. There's probably some people listening to this right now who are like, “What is this? Tell me.” Jo: Aphantasia actually more common in the creative industries. Austin: Yes. What it is, is that you don't see—when I say close your eyes and picture an apple, you don't actually see the apple in your head. You can think about an apple and the qualities of an apple, but you don't actually see it. Some people, and it's a matter of degree—some people like me, I can close my eyes, I can tell you what the apple looks like, I can tell you what colour it is, I can tell you where the shading is. Someone like my wife doesn't see the apple. She can tell you what an apple is. It's really interesting because she has a degree in architecture, which is known as a very visual field. But the thing you discover about aphantasia is, it doesn't keep people from becoming artists. In fact, it's the opposite. Someone like Ed Catmull, who co-founded Pixar, writes about it in his book, and so many of the great animators at Pixar are actually aphantasics. The reason is that they learned that they had to draw in order to see things. When you don't have a picture in your head of what you want something to look like, things appear in the drawing, and you find things that you couldn't even picture. A lot of writers actually are aphantasics. John Green discovered recently that he has aphantasia. It turns out that it's a superpower for writers, because if you don't have a picture in your head, then you don't have to translate that picture into words. A lot of writers talk about thinking in radio, like they have a constant narrator. My wife—she's probably going to kill me for talking about her this much—when she describes it to me, she's like, “Oh, it's like a radio in my head. I'm constantly hearing a voice, and it's a narrator.” I was like, “Holy shit, that would be really helpful to me.” I don't have anything like that in my head. I read Mrs Dalloway for the first time, and I gave it to her and I said, “You've got to read this book. I think this must be what it's like in your head.” And she said, “Oh my God, it is.” Part of the thing that I took away from that experience—this is a long-winded way of getting here—is that I take a lot of inspiration from people with this condition. Most of the people I know in the arts or the creative fields, they set out with this grand vision, and then they start working on the thing and it's nothing like what they had in their head, and they get really depressed: “This isn't what I had in mind.” Whereas if you set out without a picture in your head, and you just start manipulating things and you see what appears, that's more of the comic mode I was talking about earlier. What would happen if we just sat down with our materials and we started playing and we saw what appeared on the page? What if we started typing and saw what appeared, and then we played with that? That's the kind of joy. That's more like how kids operate. Kids are better at that. They're better at reacting to what's actually in front of them, instead of having these grandiose visions about what they're trying to achieve. Jo: Just coming back on the longevity of a creative career. Your books are very distinctive. You have a very distinctive visual style, your handwriting and the way the books are done. I wondered if another part of the ennui, perhaps, or the draining of the later career is that we get trapped into doing something that feels like it looks the same. Or we have a voice, and we're happy in that voice, but sometimes we want to do something completely different. For authors, we have different names. I write under two different names, and that helps. But equally— How do you define author voice, and do you ever feel like doing something completely different to your normal style? Austin: Style, in a lot of ways, is self-plagiarism. Style is the repeated things that we notice in people's work. Hitchcock talked about this in films. Wes Anderson is someone like that—Wes Anderson has a style. I'm sure that he gets really sick of it too sometimes, but you also can't help it in some ways. I thought a lot about this because people worry about style so much. A lot of the time, what we call style is what Adrian Tomine one time said: “Style is just the distance between what's in my head and what comes out of my hand.” I really like that definition. With this book, I was trying to think, “Okay, if I do another book in this series, how can I push things a little bit?” And then I was reading this article about Taco Bell. You guys have Taco Bell over there, don't you? Do you have Taco Bell? Jo: No. Austin: So Taco Bell, for people who don't know, is this American Mexican chain, and they have tacos and burritos and stuff like that. They're well known for making these really insane… it's so American, this company. They make a taco with a Doritos as a shell. Doritos are crisps, I guess. Jo: Yes, we have Doritos. Austin: Okay. I spent time in England, I just don't remember if I ate Doritos when I was in England. Anyway, I was reading this article about Taco Bell. It was really funny. They have an innovation kitchen at Taco Bell, and they have a rule about new products. The rule is called the distinctiveness rule, and the rule is: you can change the flavour or you can change the taste, or you can change the form, but you can't change both at the same time. I got really obsessed with this concept because I thought, “Well, this could be kind of interesting.” If you're someone who's had success and you're known for something, this presents an interesting thing. You could do a complete break and do something completely new, or you could try the distinctiveness rule. Okay, well, what if I play with this idea of taste versus form? What if I change the taste and keep the form? So the idea for Don't Call It Art was, what if I do another one of these books, but the taste is more like if my kids made it? It had the texture of kids' art, it had lots of scribbles in it, it was loose and messy. That was kind of the idea. The actual book ended up being more like the other books. It ended up looking like an Austin Kleon book, because I just can't help that. The thing you said about having multiple names that you write under, that's kind of what I do with the newsletter. I think of the newsletter as very different from the books. The newsletter is this twice-weekly thing where I can be a little bit more of myself. In the books, I'm this very helpful, happy version of myself. It's me, but it's me on my best day. I'm really helpful and interesting for you. The newsletter is still a highlight reel in a sense, but it's a little bit more of my weird everything-I'm-into. It's more of the unclipped version of me. The newsletter becomes a place where I can do a lot of the weird stuff that's much different from the books. I have these little projects going all the time. Sometimes I'll make a bunch of prints and put them online. Sometimes I'll make a bunch of zines on a topic I haven't covered in the book. Sometimes I'll do a mixtape. As someone who's interested in a lot of different forms and genres and just different modes of output, having something like a newsletter has been really creatively fruitful for me. It's kept me from getting too bottomed out with the books because the books do a certain thing for the reader, and as much as I'd love to do a book that was radically different, I also think I've been given a real gift with the form of my books, in that I kind of own the way that they feel and look. There aren't a lot of books that look like those books and feel like those books, and so I like playing with that form. It would be hard to get rid of it now. The pseudonym for me is kind of like the newsletter in a sense. The newsletter is a little bit more of where I get to be wild and wacky. Then the books are a little bit more of a chiselled thing. Jo: The books are perfect examples of the form, as you say, but it's interesting about the newsletter. You mentioned at the beginning that we can be drained by the admin around the work. For many people listening, a newsletter becomes admin. So how does the newsletter fit into your business? The books are traditionally published, they're very professional. How do you have your independent side, and how does all of that work together in your business? Austin: Thank you for asking that question. I run the whole show at the newsletter. The newsletter is just me, and then my wife edits it, and no one else is involved. I don't have an assistant. I don't have a team. It is just me, and that's why I love it. I control everything. I pick who gets in there. I pick everything. I love that. I grew up watching David Letterman over here, and Letterman had a nightly show, and I always thought that was killer. I thought, “Man, what a fun job. You have a show every night where you have a new guest, and you have all these wacky things going on.” It was like a variety show. I always thought that would be really fun, so the newsletter is my version of that. I started the newsletter in 2013, and it was just a Friday newsletter. It quickly became a list of 10 things I thought were worth sharing. I had a friend, Hugh MacLeod, who was like, “Hey, I have a newsletter. It's bigger than any conference you've ever gone to.” He was talking about South by Southwest here in Austin. He's like, “I have a newsletter now, and it's bigger than South by Southwest.” Jo: Oh, I remember him. Austin: He would say, “Every time I have a new print, I put it out, and there's a button, and then they buy it.” He was like, “You've got to get it. This newsletter thing is killer.” This was in 2011 or something. Jo: Yes, I still have his books. Blogging in Your Underwear or something. Austin: Totally. So Hugh's a whole different story, but I was just like, “Oh, I should really get a newsletter.” Letterman always had a top 10 list on his show. I just always thought a 10 list was really fun. And of course the books are lists of 10 too. So it just worked to have a weekly list of 10. It felt good, and it felt like an infinitely repeatable format. What I'm looking for as a creative person is an infinitely repeatable format that can go on and on and on and be new every time. So the list of 10 is something that people know the form of. It goes back to the Taco Bell thing. They know the form, but they're not sure what's going to go inside. They know it's going to be a burrito, but they don't know what's going to be in the burrito, and that's the exciting part. The newsletter, business-wise, was always a marketing cost for about the first eight years of its existence. I paid MailChimp to send it out. Then in about 2021, when I hadn't done a book for a while, my agent said, “You know, you should really think about doing a paid tier of your newsletter.” And this is to his credit, because he doesn't make anything off the newsletter. He said, “There's this thing called Substack now that makes that really easy.” So we moved to Substack in 2021 in October, and I started doing a Tuesday edition of the newsletter that was just for paid people. That grew enough that it's gone from a marketing cost to something that's almost—it's not quite as much as I make on my books, but it's close. And to be candid, my books sell pretty well. So suddenly the newsletter has become this really healthy income stream. The newsletter to me is actually the day job now. The newsletter is what really keeps the lights on. It's also the perfect mix. It's the day job, it's the thing that keeps income coming in on a regular basis, but it's also the thing I like to do the most. I'm not like a traditional writer who likes to just get lost in their book and take years and years and go away. I'm someone who loves to be doing a lot of different things. The newsletter is a perfect format for me. I'm talking myself into not quitting, actually. It's funny. It's gone from this thing that was a marketing cost to now it's a significant part of our income. That journey—such a bad word, journey—that trip has been very interesting. It's been really cool. But I'm also just lucky. I've been really lucky, and I think part of my thing is, I'm always just trying not to squander my luck. Jo: Well, the book is fantastic, and I know people are going to love it. And the newsletter, of course. So tell us— Where can people find you and your books and newsletter online? Austin: The easiest thing to do is to just go to AustinKleon.com, and that has links to everything—the books, the newsletter. I do actually keep an old-school blog still. I'm one of the few people that still maintains their blog and keeps it up to date. I'm hedging my bets because I think in the end everything will come back to a self-hosted website. I think in the end everyone's going to just go back to their little websites, or at least I hope so. Jo: Well, that was great, Austin. Thanks so much. Austin: Oh, thank you. The post Don't Call It Art: Rediscovering Creative Joy With Austin Kleon first appeared on The Creative Penn.
Apple's highly-anticipated Siri AI fails to wow. Bank of America says when it comes to chips, it's not about whether the returns will come—“it's about whether the industry can keep up.” Plus, Berkshire board member and Portfolio Manager Chris Davis' surprising AI winners. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Click bait title, I get it, but it is literally (I can't remember if we used the sound effect or not) a question of the week! Which do you think Gerg and Ceej talked about more this episode: furries or cloacas... cloacae? Thanks for cruising along with us! Join is at nerdtalkplus.com!
Her får du en smakebit av en annen podkast fra E24, Penger, pølser og politikk, som kommer hver mandag etter lunsj. I helgen ble det endelig enighet om revidert nasjonalbudsjett og alle samarbeidspartiene ga inntrykk av å være strålende fornøyde. Er den glade tonen et kommunikasjonstriks for velgerne? Uansett er det at de kom til enighet positivt for Regjeringen. Det kommer flere viktige tall denne uken som kan påvirke boliglånsrenten og lommeboken her hjemme. Æraen med lave renter er definitivt over. Samtidig fortsetter uroen i Midtøsten og stemningen mellom Donald Trump og Israels Benjamin Netanyahu fremstår nå mindre vennlig, hvordan kommer Iran ut av det? Ellers begynner fotball-VM på torsdag, så denne arbeidsuken blir kort!
- Microsoft Build: AI-native software, new chips, quantum progress - Microsoft Maia 200, Cobalt 200, Majorana 2 - Nvidia's Windows PC push and RTX Spark - Europe's proposed CADA, AI Act, AI Continent Action Plan - Global AI strategies: US, China, Canada, India, Japan, and Europe [audio mp3="https://orionx.net/wp-content/uploads/2026/06/HPCNB_20260608.mp3"][/audio] The post HPC News Bytes – 20260608 appeared first on OrionX.net.
Oorlog? Chipbubbel? Inflatie, hogere rentes en rooie borden? Joh, paar nachtjes slapen en je baadt weer in het groen. Welkom in de bullmarkt van 2026. We bespreken alle chiplosers die vrijdag in het rood belandden en vandaag weer vleugeltjes kregen op de beurs. Intel doet een megadeal met Google. Marvell mag misschien wel de S&P 500 in. Broadcom plust omdat het wel genoeg afgestraft was en ook de Nederlandse chipbedrijven wisten weer dikke procenten toe te voegen aan hun waarderingen. Verder moeten we écht praten over die meute gnoes uit de Lion King die in Zuid-Korea over de beurs banjeren. De Kospi-index daalde 8.3 procent vannacht. Honderden miljarden dollars aan rijkdom in een avondje weggevaagd. Arend Jan vertelt hoe hij tóch belegt in die malle bende ten oosten van China en natuurlijk filosoferen we nog even over het einde van de geheugentekorten. Overigens is er één index die het nog veel beter deed dan die landelijke indexen vorig jaar. De Euro Stoxx Bank Index knalde zelfs die dikke 75% van Zuid-Korea makkelijk voorbij in 2025. Daarom barst er nu een nieuwe boardroom battle los in Italië. Kemphanen Banco BPM en Intesa Sanpaolo strijden om de oudste bank ter wereld: Monte dei Paschi di Siena. Zou het dan toch kunnen? Europese bankenconsolidatie, binnen de landsgrenzen? We zullen het zien. Verder in deze aflevering: Hoe Deense afvalprikkenboer Zealand Pharma grote broer Novo Nordisk uitdaagde en... verloor omdat patiënten massaal begonnen te braken Handel in voorkennis, want de AFM waarschuwt firma's die zich bezighouden met fusies en overnames dat er criminelen op pad zijn die koersgevoelige informatie proberen te ontfutselen. Genoeg reden voor Arend Jan om nog eventjes herinneringen op te halen over oude schandalen. Te gast: Arend Jan Kamp van Stockwatch.nl en de podcast Het Beurscafé BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Je hoort hem ook in de BNR-podcast Moerdijk: dorp van de rekening. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en is redacteur bij de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie. Van Musk tot Microsoft en van Ahold tot ASML. Wij vertellen je wat beleggers bezighoudt, wie de markten in beweging zet en wat dat betekent voor jouw beleggingsportefeuille.See omnystudio.com/listener for privacy information.
Chris, a theater kid in his youth, told himself as he was walked out of a job several years ago that he was going to work for himself one day. He founded Flower City Flavor Company as a first step, helping spread Rochester based food items across the country via his website. One of those items, a bourbon barrel malt vinegar that he created, caught the attention of New York Chips who offered him a collaboration deal. That relationship grew (it's their #1 best selling chip flavor) to the point that when it came time for the founders to move on, they called Chris and said "we think you'll be perfect for this job". Job was able to acquire the company about a year later, and is now the rightful owner of New York Chips, seen in hundreds of stores from Wegmans to TOPS and Walmart amongst many local/regional moms & pops.Mentioned in this episode:Connections PodcastConnections with Evan Dawson - Subscribe wherever you get your podcastsConnectionsDialed In: A Coffee PodcastGet Dialed In to the world of coffee with Aaron and Wade! Tastings, coffee news and opinion and more! https://dialedincoffee.captivate.fmJoe Bean RoastersVisit joebeanroasters.com to get fresh roasted specialty coffee either by the bag or with a Perpetual Joy subscription!
WWDC reported to be a big Siri overhaul, US officials mulling equity stakes in AI companies, Utah data center project scaled back after strong local opposition. MP3 Please SUBSCRIBE HERE for free or get DTNS shows ad-free. A special thanks to all our supporters–without you, none of this would be possible. If you enjoy whatContinue reading "Google Agrees To Pay SpaceX $920M/Month For Nvidia Chips – DTH"
Listen Now to 012 WTFuture Crazy enough to Actually Watch this ‘AI Slop’ 012 WTFuture — The Intelligence Age: From Hyper Local Agents to Long Distance Relationships It appears we are now leaving the information age and diving headfirst into an “intelligence age” . But what powers this transition? Chips? Beliefs? Noble Gas? And hyperlocal? WTF AL!” In this jam-packed podcast episode, the hosts geek out over Nvidia’s massive announcements at Computex, highlighting how new hardware like the Vera Rubin data centers and Jetson Thor chips are bringing agentic AI and supercomputing power right to our laptops and home robots. Soon you too will likely have loads of intelligence agents doing your bidding, should you want such powers. Having these personal AI buddies run locally instead of in the cloud not only keeps your private secrets safe from getting sold or hacked on the dark web, but it also stops the our species from burning up gigawatts of electricity just to answer our nick nack reality questions or generate click bait. The answer? Check out what Bobby has to say about new local AI buddies! Thanks to a video submission by Dr. Jabir, our crew marveled at a mysterious giant potato-shaped heavenly body eclipsing the sun, as captured by NASA’s Perseverance rover.. “What body is it,?” you might ask. Think about it for a second and you’ll likely get this one right..still, it’s amazing to see! We also debuts a video short, humorously recounting a 59,000-year-old Neanderthal root canal successfully performed with an ancient stone routing tool! Thanks to the powers given to us by our humble AI servants, we have brought this scientific research to life! Some say the ending is a little kitch, but Al likes it, and thinks you will to. Let us know, one way or the other. And was it fun for you to watch? The conversation then blasts off into the quantum realm, debating Mrs. Future’s speculative theory that particles are actually micro black holes—surprisingly an idea even the AI Grok seemingly approved of! The hosts further bend notions of reality by exploring the idea that human consciousness literally arises from quantum computations happening inside tiny carbon “microtubules” in our brain’s neurons. This quantum connection might even explain wild, Matrix-style phenomena like time dilation during life-or-death car crashes. Finally, things get delightfully mythic as the episode wraps up with Sun’s “Brief HerStory of Time,” exploring how the spring months got their names from powerful mythological figures, such as the starry Pleiades sisters bringing in May, and the fiercely accountable, peacock-wielding Roman goddess Juno reigning over June. btw, Happy June!
In dieser Samstagsfolge von “Alles auf Aktien” reden wir mit dem Silicon-Valley-Insider. Er bringt uns ganz nah an die größten Börsengänge aller Zeiten und verrät seine Taktik für die 3 Mega-IPOs. Los geht es natürlich mit SpaceX und damit, wie sich die großen Investoren, wie er, wirklich positionieren – und was von der Tesla-Theorie zu halten ist. Wir biegen dann ab in die Space Economy und es wird richtig visionär – bis zu gigantischen Hotels auf dem Mond und der großen Starcloud-Chance. Unser Gast verrät uns dann, über welchen neuen Megatrend man im Tal der Milliardäre jetzt spricht, was es mit der Fleischer-Rate auf sich hat und wie hoch das Asperger-Level wirklich ist. Und dann das Finale. Ihr erfahrt sein ganz persönliches Mag7-Ranking, seine IQ-Theorie und den Einblick ins Leben eines Hockey-Dads. Ein Gespräch mit Ludwig Ensthaler. Wir freuen uns an Feedback über aaa@welt.de. Noch mehr "Alles auf Aktien" findet Ihr bei WELTplus und Apple Podcasts – inklusive aller Artikel der Hosts. Hier bei WELT: https://www.welt.de/podcasts/alles-auf-aktien/plus247399208/Boersen-Podcast-AAA-Bonus-Folgen-Jede-Woche-noch-mehr-Antworten-auf-Eure-Boersen-Fragen.html. Hier könnt ihr den AAA-Newsletter abonnieren: https://www.welt.de/newsletter/article232797673/Alles-auf-Aktien-Der-taegliche-Boersen-Newsletter-fuer-WELTplus-Abonnenten.html Und – ganz neu: AAA gibt es jetzt auch auf Instagram: https://www.instagram.com/alles_auf_aktien/ Disclaimer: Die im Podcast besprochenen Aktien und Fonds stellen keine spezifischen Kauf- oder Anlage-Empfehlungen dar. Die Moderatoren und der Verlag haften nicht für etwaige Verluste, die aufgrund der Umsetzung der Gedanken oder Ideen entstehen. Hörtipps: Für alle, die noch mehr wissen wollen: Holger Zschäpitz können Sie jede Woche im Finanz- und Wirtschaftspodcast "Deffner&Zschäpitz" hören. +++ Werbung +++ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte! https://linktr.ee/alles_auf_aktien Impressum: https://www.welt.de/services/article7893735/Impressum.html Datenschutz: https://www.welt.de/services/article157550705/Datenschutzerklaerung-WELT-DIGITAL.html
In this Project Synapse episode, Jim, Marcel Gagné, and John Pinard unpack Microsoft's sudden wave of AI announcements, including seven new in-house models such as MAI Thinking 1 (a 35B-parameter reasoning model trained from scratch on "clean" data), a Copilot replacement or reorganization called Scout, and Microsoft's Maia inference chips while still training on NVIDIA hardware. They debate whether Microsoft is finally moving beyond rebranding OpenAI/Anthropic models, discuss agent security concerns around Scout's OpenClaw/MCP foundations, and touch on the competitive push toward cheaper coding tools. The conversation broadens to quantum computing claims, data-center overbuild versus efficient small models and local inference, Anthropic's IPO valuation and Mythos/Glasswing security work, looming AI regulation challenges, robotics progress, and Canada's new AI strategy promising $2B, a supercomputer by 2031, and major adoption goals that they argue lacks implementation detail. 00:00 Cold Open Banter 00:19 Microsoft Drops New AI Stack 01:28 MAI Model And Clean Data 03:23 Copilot Confusion And Privacy 05:39 Maia Chips And Frontier Ambitions 12:14 Scout Agent And MCP Security 17:17 Microsoft Distribution And AI Economy 24:13 Apps Dying And Office Rivalry 27:20 Quantum Chip Shockwave 31:01 Data Centers Versus Small Models 35:51 NVIDIA RTX Spark Local AI 40:17 Software Overcapacity And CRM Threat 42:00 Why Software Gets Huge 44:41 DIY Simple Writer Demo 46:04 AI Note Taking Gadgets 48:47 Anthropic IPO Valuation 56:15 Mythos And Zero Days 59:25 Regulating AI Everywhere 01:04:24 Robots And China Scale 01:06:46 Canada AI Strategy Critique 01:15:56 Open Source Canada Plan 01:18:33 Hopeful Wrap Up
Scott Wapner and the Investment Committee discuss the chip rollover as many of the biggest names in the group continue to sell off. The experts detail their latest portfolio moves. The desk debates the very latest on the upcoming SpaceX IPO. Michael Santoli joins with his Midday Word. Oliver Renick highlights Options Action. Investment Committee Disclosures Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Group A Streptococcal infections remain a global challenge, spanning common conditions like pharyngitis to severe invasive disease. Dr. Shiranee Sriskandan, Dr. Josh Osowicki, and Dr. Tom Parks join host Dr. Erin McCreary to explore the evolving landscape of Group A Strep. From unpacking vaccine development challenges and the ongoing burden of rheumatic fever, to rethinking durations of therapy for strep throat and the role of adjunctive treatments, we have you covered! Join us as we break down key controversies, share expert insights, and highlight practical pearls you can apply in your own practice. References: 1. https://www.lancefieldsociety.org/ 2. Osowicki J, Lamagni TL. Invasive Group A Streptococcal Disease in the US. JAMA. 2025;333(17):1493-1494. doi:10.1001/jama.2025.3257 3. Davis K, Abo YN, Steer AC, Osowicki J. Chains of misery: surging invasive group A streptococcal disease. Curr Opin Infect Dis. 2024;37(6):485-493. doi:10.1097/QCO.0000000000001064 4. Osowicki J, Azzopardi KI, Fabri L, et al. A controlled human infection model of Streptococcus pyogenes pharyngitis (CHIVAS-M75): an observational, dose-finding study. Lancet Microbe. 2021;2(7):e291-e299. doi:10.1016/S2666-5247(20)30240-8 5. Hla TK, Osowicki J, Marsh JA, et al. Establishing the lowest penicillin concentration to prevent pharyngitis due to Streptococcus pyogenes using a human challenge model (CHIPS): a randomised, double-blind, placebo-controlled trial. Lancet Microbe. 2025;6(5):101038. doi:10.1016/j.lanmic.2024.101038 Learn more about the Society of Infectious Diseases Pharmacists: https://sidp.org/About Instagram: @SIDPharm (https://www.instagram.com/sidpharm/) or @breakpointspodcast_sidp (https://www.instagram.com/breakpointspodcast_sidp/)https://www.instagram.com/breakpointspodcast_sidp/?hl=en Facebook: https://www.facebook.com/sidprx LinkedIn: https://www.linkedin.com/company/sidp/ SIDP welcomes pharmacists and non-pharmacist members with an interest in infectious diseases, learn how to join here: https://sidp.org/Become-a-Member Listen to Breakpoints on iTunes, Overcast, Spotify, Listen Notes, Player FM, Pocket Casts, Stitcher, Google Play, TuneIn, Blubrry, RadioPublic, or by using our RSS feed: https://sidp.pinecast.co/
Nog een week en dan wordt SpaceX gelanceerd op Wall Street. De eerste tegenvaller moeten Elon Musk en consorten nu al incasseren: het ruimtevaartbedrijf wordt niet versnel opgenomen in de S&P-index. De beursuitbater maakt geen uitzondering (ook niet voor Anthropic en OpenAI trouwens) en wil winst zien. Dat is een probleem voor het geldverslindende bedrijf. Ondanks die tegenslag is er ook goed nieuws te melden. Persbureau Reuters zegt dat de vraag naar aandelen immens is. Begeleidende banken worden platgelegd met de vraag of ze aandelen hebben. De vraag is onverzadigbaar, aldus analisten. Deze aflevering duiken we in die bizarre wereld van Space X. Hebben we het ook over Heineken. Dat moet met een eeuwenoude traditie breken. Althans, dat willen aandeelhouders van het bedrijf. Nu eens geen insider meer, maar een buitenstaander die de nieuwe topman of topvrouw wordt. Ayden komt ook voorbij. Dat aandeel ging ineens heel hard naar beneden. Beleggers schrikken van een rapport dat over de betalingsverwerker rondgaat. De handel werd zelfs even stilgelegd. Ook Jensen Huang komt voorbij. Die moet gegrild worden door de Amerikaanse Senaat, wil senator Elizabeth Warren. Ze wil de baas van Nvidia alles vragen over de exportrestricties in China (en de trip die hij met president Trump naar dat land heeft afgelegd. Zoeken we ook uit of je nog wel wat hebt aan Nederlandse beursbedrijven. Nu bedrijven als AkzoNobel een overname blokkeren, kan je dan als belegger nog wel dromen van een overnamepremie? Te gast: Corné van Zeijl van Cardano BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Je hoort hem ook in de BNR-podcast Moerdijk: dorp van de rekening. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en is redacteur bij de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie. Van Musk tot Microsoft en van Ahold tot ASML. Wij vertellen je wat beleggers bezighoudt, wie de markten in beweging zet en wat dat betekent voor jouw beleggingsportefeuille. See omnystudio.com/listener for privacy information.
Wenn es Taiwan in Deutschland in die Schlagzeilen schafft, dann geht es meistens um die Bedrohung aus China oder um die begehrten Mikrochips, die der Inselstaat produziert.
(13) Jack Burnham discusses how Nvidia chips reach the Chinese military through loopholes in export controls and subsidiaries. He notes bureaucratic confusion over the "AI diffusion rule" allowed Chinese firms to stockpile high-end hardware. Burnham recommends stricter Commerce Department guidance to prevent further military modernization.
Send us Fan MailJoin director and former child actor Moosie Drier, and author Jonathan Rosen as they chat with Larry Wilcox from CHiPs!Larry discusses his work on CHiPs and his relationship with Erik Estrada, his time on Lassie, working with legends such as Charlton Heston and James Coburn, & much more!Support the show
On the episode this week: Nate talks about a guys stash. Aaron was discovered. Nate and Aaron talk with guest Chris Sicks. Chris is a pastor at One Voice Fellowship in Virginia, where they translate the sermon into over 18 languages. He is also the founder and president of For the Nations DC, where they teach ESOL to students and their children. Chris shares his journey from believing in beer and girls to being a sinner and struggler. He talks about creating a group and safe space for pastors struggling with addiction. There's a discussion about why fear, pride and control keep people stuck in addiction. Also, Nate tells us why Samson Society doesn't have Chips. Links: One Voice Fellowship For The Nations DC NEW Samson Community App (Apple store) NEW Samson Community App (Google Store) Samson England Walking Retreat June 26 - July 1, 2026 Samson Canoe Adventure July 19-22, 2026 Oct 23-25, 2026 U.S. Samson Summit Send mail to: Pirate Monk Podcast/Samson House PO BOX 1656 Columbia, TN 38402 If you have thoughts or questions and you'd like the guys to address in upcoming episodes or suggestions for future guests, please drop a note to piratemonkpodcast@gmail.com. The music on this podcast is contributed by members of the Samson Society. For more information on this ministry, please visit samsonsociety.com. Support for the women in our lives who have been impacted by our choices is available at sarahsociety.com. The Pirate Monk Podcast is provided by Samson Society, a ministry of Samson House, a 501(c)3 nonprofit. To enjoy future Pirate Monk podcasts, please consider a contribution to Samson House.
CIO of Sparkline Capital's Kai Wu questions the sustainability of the AI boom, warning that heavy spending may not deliver strong returns. He sees a potential shift from infrastructure names like Nvidia (NVDA) and Micron (MU) to the application layer, while highlighting opportunities in underowned international stocks.======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about
Send us Fan MailJoin director and former child actor Moosie Drier, and author Jonathan Rosen as they chat with Larry Wilcox from CHiPs!Larry discusses his work on CHiPs and his relationship with Erik Estrada, his time on Lassie, working with legends such as Charlton Heston and James Coburn, & much more!Support the show
Mike and Charlie discussed the splash moves around the NFL: the Rams' trade with the Browns for future Hall of Fame DE Myles Garrett and the Patriots' move to add former Eagles star WR A. J. Brown. Zack Nagy, a senior writer for Geaux247Sports, joined Sports Talk to report on recruiting for LSU baseball and football. Mike and Charlie spoke to national NBA scout Mark Cook about the NBA Finals and the Pelicans' offseason question marks. Steve and Charlie interviewed Koki Riley, an LSU reporter for The Advocate, and national NBA scout Chris Dodson. The guys also broke down a hectic start to the NCAA Baseball tournament.
Evan Lazar joins Jeremy and Joe to analyze the New England Patriots' blockbuster acquisition of A.J. Brown and how his relationship with Mike Vrabel facilitates the move. They discuss Drake Maye's development entering year three and why the team prioritized an outside threat after moving on from Stephon Diggs. The conversation also touches on the Myles Garrett trade and concerns regarding defensive depth. 01:01 - AJ Brown Trade Impact 02:53 - Myles Garrett Trade Reaction 04:50 - Patriots Roster Evaluation 10:02 - Offensive Line And Depth 12:05 - TreVeyon Henderson Outlook
Will Holmes ever get aggressive?
Episode: E1204 - PERSONAL PODCAST - Don't Eat the Chips Description: Graduation weekend, Kelly's health update and A Stranger at The House Coupled with Chaos full episodes and bonus content subscriptions are available here: Premium Content, including Additional 90 Day Fiancé episodes, coverage of other TLC and A&E shows and even some crime news along with more personal podcast episodes are available by subscription at: Supercast: https://coupledwithchaosnetwork.supercast.tech/ Patreon: https://www.patreon.com/coupledwithchaos Apple: Coupled with Chaos Channel: https://podcasts.apple.com/us/channel/coupled-with-chaos/id6442522170 Contacts us: Email: Coupledwithchaos@gmail.com Web site: https://coupledwithchaos.com Facebook: @Coupledwithchaos Instagram: @Coupledwithchaos Twitter: @CoupledwChaos
Episode: PERSONAL PODCAST - Don't Eat the ChipsDescription: Graduation weekend, Kelly's health update and A Stranger at The HouseCoupled with Chaos full episodes and bonus content subscriptions are available here: Premium Content, including Additional 90 Day Fiancé episodes, coverage of other TLC and A&E shows and even some crime news along with more personal podcast episodes are available by subscription at: Supercast: https://coupledwithchaosnetwork.supercast.tech/ Patreon: https://www.patreon.com/coupledwithchaos Apple: Coupled with Chaos Channel: https://podcasts.apple.com/us/channel/coupled-with-chaos/id6442522170 Contacts us: Email: Coupledwithchaos@gmail.com Web site: https://coupledwithchaos.com Facebook: @Coupledwithchaos Instagram: @Coupledwithchaos Twitter: @CoupledwChaos
This Week In Startups is made possible by:Deel https://deel.com/twistQuo https://quo.com/TWiSTLinkedIn Jobs https://LinkedIn.com/twistToday's show:Cortical Labs is the world's first company selling biological computers. Their CL1 fuses lab-grown human neurons (derived from stem cells, not actual folks) with silicon hardware to create Synthetic Biological Intelligence (SBI).Founder Dr. Hon Weng Chong walks us through how the system works and why neurons are more efficient than GPUs at reinforcement learning. (Also… is this computer alive?)PLUS Pyka co-founder and CEO Michael Norcia explains the various uses for his autonomous aircraft, from crop-spraying drones in Brazil to a a hybrid-electric defense UAV for the military.Guests:Cortical Labs: ****https://corticallabs.com/Dr. Hon Weng Chong on X: https://x.com/dr1337Pyka: https://www.flypyka.com/Pyka on Instagram: https://www.instagram.com/flypyka/?hl=enFurther Reading:2022 Pong paper in Neuron: https://www.cell.com/neuron/fulltext/S0896-6273(22)00806-62017 Paper: “Attention is All You Need”; https://arxiv.org/abs/1706.03762The “Barista Test” for Artificial Intelligence: Chris Rourk: https://medium.com/predict/the-turing-test-is-so-last-century-the-barista-test-for-artificial-general-intelligence-faf91034fa8cNotable Links:Playing “DOOM” on CL1: https://www.youtube.com/watch?v=yRV8fSw6HaEDayOne Data Center: https://dayonedc.com/NeurIPS 2026 Conference: https://neurips.cc/Neuralink: https://neuralink.com/CliniCloud Digital Stethoscope and Thermometer: https://www.design-industry.com.au/clinicloudAir Force Research Laboratory (AFWERX): https://afwerx.com/Joby Aviation: https://www.jobyaviation.com/Prime Movers Lab: https://www.primemoverslab.com/Timestamps:0:00 What is "biological computing"?2:49 Cortical's new $30 million raise4:15 The world's first biological data center9:48 Deel - Founders scale faster on Deel. Set up payroll for any country in minutes, hire anyone anywhere, get visas handled fast, and get back to building. Visit https://deel.com/twist to learn more.10:51 Biological computers have a learning advantage19:43 Quo (formerly OpenPhone) - Quo gives you a clean, modern way to handle every customer call, text, and thread all in one place. Try it free at https://quo.com/TWiST29:15 LinkedIn Jobs - Hire right, the first time. Post your first job and get $100 off towards your job post at https://LinkedIn.com/twist38:46 From paper airplanes to Group 4 UAVs52:20 Introducing the DropShip defense drone58:28 How regulations block US drones1:00:40 Why Pyka builds everything in-houseSubscribe to the TWiST500 newsletter: https://ticker.thisweekinstartups.comCheck out the TWIST500: https://www.twist500.comSubscribe to This Week in Startups on Apple: https://rb.gy/v19fcpFollow Lon:X: https://x.com/lonsFollow Alex:X: https://x.com/alexLinkedIn: https://www.linkedin.com/in/alexwilhelmFollow Jason:X: https://twitter.com/JasonLinkedIn: https://www.linkedin.com/in/jasoncalacanisCheck out all our partner offers: https://partners.launch.co/Great TWIST interviews: Will Guidara, Eoghan McCabe, Steve Huffman, Brian Chesky, Bob Moesta, Aaron Levie, Sophia Amoruso, Reid Hoffman, Frank Slootman, Billy McFarlandCheck out Jason's suite of newsletters: https://substack.com/@calacanisFollow TWiST:Twitter: https://twitter.com/TWiStartupsYouTube: https://www.youtube.com/thisweekinInstagram: https://www.instagram.com/thisweekinstartupsTikTok: https://www.tiktok.com/@thisweekinstartupsSubstack: https://twistartups.substack.com
The United States said on Sunday it conducted self-defense strikes on Iranian radar and drone control sites in response to aggressive actions from Tehran. The sites are located on Iran's Goruk and Qeshm Islands.The Department of Commerce has issued new guidance to prevent Chinese companies from obtaining advanced U.S. artificial intelligence chips, such as Nvidia's most sophisticated Blackwell processors, through overseas subsidiaries.
This week's Addicted to Fitness features a product review of a common snack food that is shockingly high in one specific macronutrient. Nick and Shannon describe the taste, nutritional content, the potential benefits of this snack AND perform a taste test of Wilde Protein Chips live on the podcast. They also discuss gym challenges, tabata intervals, and a special guest shares her opinions on this week's episode. Follow the podcast profile on Instagram @TheATFPodcast. Give it a listen and let us know what you think by leaving a rating & review in Apple Podcasts. Visit addictedtofitness.libsyn.com to listen to our entire archive. Like & Follow the Addicted to Fitness Podcast Facebook page (Facebook.com/addictedtofitnesspodcast). Follow Nick & Elemental Training Tampa on Facebook (www.facebook.com/ElementalTampa) and Instagram (www.instagram.com/ettampa/) to participate in free live workouts. Follow the podcast profile on Instagram @TheATFPodcast and send Nick a DM if you're interested in receiving a customized workout plan or visit shannonjb.com (IG @shannonjb) to learn more about Shannon's wellness coaching program.
HR2 Rams 'pushing all the chips in' with trade for Myles Garrett full 2198 Mon, 01 Jun 2026 22:14:00 +0000 ioLo14VaObVrkPvsP18tt9gjfFax20Dq sports Dukes & Bell sports HR2 Rams 'pushing all the chips in' with trade for Myles Garrett Dukes & Bell 2022 © 2021 Audacy, Inc. Sports https://player.amperwavepodcas
By this point, we know that we want to avoid short-siding ourselves. But should we think about uphill vs downhill chips? In this episode, Lou offers Mark and Greg a handful of scenarios with Tour players around the green. They have different amounts of green to work with, but some chips are uphill and others are downhill. What effect does that have on scoring? And stay turned for Lou's bonus question: it adds an unexpected wrinkle to the data.Each of these will be a mini-episode (10-15 minutes long) about an interesting golf stat. We will discuss what you can learn, and most importantly, how you can apply this on the golf course to lower your scores and lower your handicap. Listen on your drive to the golf course or over your Saturday morning coffee!Data is sourced from Arccos Golf. They have over 1 BILLION shots in their database. Check them out at: https://www.arccosgolf.com/ Use code MARK15 for 15% off!If you have a question you want covered on the pod, please submit here: https://www.hackitoutgolf.com/contact/Listeners can also leave us a voicemail! https://www.hackitoutgolf.com/voicemail/Where to find us:Mark Crossfield's weekly newsletter: https://www.crossfieldgolf.com/subscribeMark Crossfield on Twitter: https://twitter.com/4golfonlineMark Crossfield on YouTube: https://www.youtube.com/user/4golfonlineLou Stagner's weekly newsletter: https://newsletter.loustagnergolf.com/subscribeLou Stagner on Twitter: https://twitter.com/LouStagnerGreg Chalmers on Twitter: https://twitter.com/GregChalmersPGASee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In AI Valley, Gary Rivlin explains how OpenAI transitioned from a $10 million nonprofit endeavor to a multi-billion dollar enterprise. The immense cost of specialized chips and million-dollar salaries for machine learning talent rendered the original nonprofit model unsustainable. Consequently, Altman orchestrated a "for-profit subsidiary" to attract massive capital, notably from Microsoft, which invested $1 billion in 2019 and later an additional $10 billion. Rivlincharacterizes Altman as a charming and brilliant strategist who now prioritizes winning the global AI race over the company's original safety mission. This shift underscores the intense competition to become the next trillion-dollar company in the AI sector. (2/8)1903 SANTA BARBARA