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For the third and final installment of the series, Matthew talks with the catches up with various members of the cast and throws in a story or two from the tales themselves. With one of the main themes of the show being ‘time' Matthew asks the various company members what they would change about their past or indeed what they might repeat in order to relive an experience in their life and much more besides. Come join us as we go deeper into the woods. Host Matthew WestripFeaturingEmily Rushton (Rapunzel).Nigel Broome (The Mysterious Man).Lisa Daniels (Red Riding Hood).Sarah Hills (Props).Emma Townrow (Props).Emma Brack (Granny and the Puppeteer),Shelia Arden (Assistant Director),Oliver Bahrami-Jankins (Jack).Ellie Wallis (Cinderella),Jo Begley (The Narrator).If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
"I tried to imbue as much of me as an older brother, as a leader among friends, in my role in the pack." This episode features Victor Carrillo Tracey who performed as Munkustrap in the 2017 STAR Theatre regional production of CATS and is currently performing as a swing in The Outsiders on Broadway. Hear Victor Carrillo share his family connection into CATS, how it was a huge part of his introduction to professional dance, and some fun stories that could only happen at a regional theater. Plus, Victor Carrillo and Mike cast The Outsiders characters as CATS. Check out Victor Carrillo on Instagram: @victorctracey Check out The Outsiders on Social Media: @outsidersmusical Check out The Outsiders on Broadway: outsidersmusical.com Produced by: Alan Seales & Broadway Podcast Network Social Media: @TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices
Award winning playwright, Nick Green, created the theatre production Casey & Diana. It is now hitting the stage at Neptune Theatre. Alex Guye sat down with Nick to hear all about the visit and handshake that inspired him to adapt this true story for the stage.
In this conversation, Russ and Joe Mallalieu explore the complexities of masculinity, the challenges faced by working-class men, and the impact of toxic masculinity on mental health.Find Joe Here -https://www.instagram.com/rumjoemallalieu?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Joe shares his personal journey from the construction industry to acting and writing, highlighting the importance of communication and storytelling in addressing grief and loss. They discuss the cultural perceptions of masculinity, the role of humour, and the alarming rates of substance abuse and suicide within the construction industry. The conversation emphasises the need for accountability among friends and the importance of redefining masculinity in a healthier way. In this conversation, Russ and Joe explore the challenges of maintaining friendships in adulthood, particularly in the context of the trades and the arts. They discuss the transition from a construction background to the performing arts, emphasizing the importance of work ethic and the unique stories that tradespeople bring to the table. The conversation also touches on mental health awareness within the trades, the significance of representation in the arts, and the need for open discussions about struggles faced by individuals in these fields.Thanks to our headline sponsors - Zinsser Episode sponsor - Q1 Tapes Guest merchandise sponsor - The funky peach
For the second instalment of the series, Matthew talks with the Musical Director catches up with various members of the cast and throws in a story or two from the tales themselves. With one of the main themes of the show being ‘time' Matthew asks the various company members what they would change about their past or indeed what they might repeat in order to relive an experience in their life and much more besides. Come join us as we go deeper into the woods.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
After initially being announced for a 2024 premiere, it has finally been revealed that the stage adaptation of Suzanne Collins' THE HUNGER GAMES will arrive at a London Theatre in 2024.The exciting new production, written by Connor McPherson and directed by Matthew Dunster, will receive its world premiere at the purpose built Troubadour Theatre Canary Wharf in October.Check out today's theatre news recap for Mickey-Jo's thoughts on this exciting news and his reaction to a first glimpse from the show's workshop rehearsals...•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
A new theatrical production explores a famous statesman's softer side. If you think you know the story of Winston Churchill, think again. Plus, how New Mexico cut Native American suicide rates nearly in half.
Into the Woods' - A new production for 2025 - Part OneJoin us as we embark on another of our special podcast series following the process of putting on a show from the auditions all the way to opening night. This time it is Stephen Sondheim's musical masterpiece ‘Into the Woods'. Last produced by Artform in 2015 what could be a better excuse than our 40th anniversary year to revisit this classic with a newly imagined vision. This week Matthew is joined by one co director, one co choreographer and Jack's Mum (from the show that is, not just a random mum of a boy called Jack). So bring your cape as red as blood, hair as yellow as corn and your cow as white milk and come with us into the woods.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
Today in the ArtZany Radio studio Paula Granquist welcomes director Patrick Braucher and cast members Zeke Brooks, Carson Bechtel, and Kris Snow from the Paradise Community Theatre production of Around The World in 80 Days. Come to the Paradise Center for the Arts in Faribault for this family-friendly wild adventure that takes you back to Victorian England, inside the race to complete a […]
Pantomime - A British theatrical traditionBooing and hissing the villain, cheering and heckling the cast, throwing sweets and candy back at the audience and a theatre sing along. An awful trip to the theatre you ask? ‘Oh yes it is!' Well actually… ‘Oh no it isn't!' Pantomime is as British as Fish and Chips, a love of queuing and a Sunday Roast but if you live in another part of the globe you may never have heard of, let alone seen, one. Keeping Matthew company this week are guests who will be able to tell you all about it. From how to write and direct the genre to choreography and choosing the best music to fit the show. All from their experiences of working with The Bob Hope theatre in South East London for a local family audience. So settle in and forget your theatrical troubles because after all remember, ‘It's behind you!'Link to the Bobhope theatre: http://www.bobhopetheatre.co.uk/index.htmlIf you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/
Auditions Both sides of the audition table bring their challenges. From preparation to execution, from the aftermath to the casting a lot more goes into this theatrical necessity than you might think. The panel discuss hints and tips along with anecdotes from the local and professional world. If you have ever auditioned or had to audition someone this podcast is a humorous tonic.If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.
PREVIEW: MACBETH: FEDERAL THEATRE: Professor James Shapiro, author "The Playbook," presents the national excitement at the Federal Theatre production of Macbeth in 1936- and how it launched the talents of two young actors, Orson Welles and John Houseman. More tonight. 1936 Macbeth at the Lafayette thetr in Harlem
Jason Tamborini, the Artistic Director of Prologue Theatre, returned to the show to catch us up to date on what the theater has been up to since COVID and share his thoughts on the state of the theater industry. He also gave us all the details about their upcoming premiere of "The Horse and Carriage" - a thought-provoking play that everyone will be able to relate to in some fashion. Find out who all the actors are (all of whom have been seen before on Prologue's stages), details about the unique immersive set, and some extra events scheduled to coincide with certain performances.
INTERVIEW: Jyra Luna on 'Destination Eros' theatre production at Allen Hall by Zac Hoffman on Radio One 91FM Dunedin
On this episode of Below the Radar, we're joined by Miwa Matreyek, an animator, designer, performer and Assistant Professor in Theatre Production and Design at SFU's School for the Contemporary Arts. Am and Miwa discuss how she got into making interdisciplinary artwork and some of her recent projects that combine animation and live performance. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/252-miwa-matreyek.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/252-miwa-matreyek.html Resources: Miwa Matreyek: https://miwamatreyek.com/ SFU Theatre Production and Design: https://www.sfu.ca/sca/programs/theatre-production---design.html Infinitely Yours: https://miwamatreyek.com/#/infinitelyyours/ Cloud Eye Control: https://www.latimes.com/entertainment/arts/la-et-cloud-eye13-2009oct13-story.html Bio: Miwa Matreyek is an animator, designer, and performer. Coming from a background in animation, Matreyek creates live, interdisciplinary performances that integrate projected animations at the intersection of cinematic and theatrical, fantastical and physical, and the hand-made and digital. Her work exists in a dreamlike visual space that makes invisible worlds visible, often weaving surreal and poetic narratives of conflict between humanity and nature as embodied performed experiences. She has presented her work internationally, including animation/film festivals, theater/performance festivals, art museums, science museums, tech conferences, and universities. A few past presenters include TED, MOMA, SFMOMA, New Frontier at Sundance Film Festival, PUSH festival, Lincoln Center, Walker Art Center, and many more. Her newest solo piece, Infinitely Yours, was awarded the grand prize for Prix Arts Electronica's Computer Animation category. She is a 2013 Creative Capital award recipient. She is the co-founder and core collaborator of Cloud Eye Control. Cite this episode: Chicago Style Johal, Am. “Infinitely Yours — with Miwa Matreyek.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 1, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/252-miwa-matreyek.html.
There are countless risks that theatres and theatre productions might be exposed to that could result in an insurance claim. In fact, in recent months, there have been some high-profile examples in the UK of unfortunate cast injuries. In this podcast, hear from Sedgwick adjuster, Freddie Cambanakis, and guest speaker, Tome Levi about best practices when it comes to mitigating risks, ways to stay ahead of changing audience trends and which emerging trends to keep an eye on next year.
Mercury Theatre Production || Stage Timing, Court Room Scene from Native Son | Broadcast: 1941: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
In this episode, Production Designer Kate Rance shares her diverse career spanning theatre and film. She compares design approaches across industries, her affinity for hands-on craft versus managing teams, and learning new skills through her eclectic projects. Kate and Pilar used to work together on theatre productions (many years ago!) and Kate has designed www.virtualnotdistant.com , as well as www.adventuresinpodcasting.com Check out Kate's website, www.katerance.com For detailed show notes, head over to www.virtualnotdistant.com/podcasts/film-production
Natalie Low returns to the podcast speaking about the latest production Wit. Get you tickets here: Glen St TheatreRiverside Theatre Asian Bitches Down Under featured as one of the Top 20 Intersectional Feminist Podcast by FeedSpot, checkout other amazing podcast programs HERE Facebook | Asian Bitches Down UnderInstagram | Asian Bitches Down Under Buy Me A Coffee | Asian Bitches Down Under
'Home& Away' favourite Georgie Parker on what's next for Roo and upcoming theatre production. See omnystudio.com/listener for privacy information.
If you have any questions or if you'd like to chat, you can reach me at my contact info below. The purpose of this podcast is to share ideas, inspire action, and build a stronger small business community here in Pittsburgh. So please say hello, tell me what you think, and let me know how I'm doing. It means a ton!YOU CAN REACH ME AT:Website: https://www.proprietorsofpittsburgh.comInstagram: https://www.instagram.com/proprietorsofpittsburghpodcastFacebook: https://www.facebook.com/proprietorsofpittsburghpodcastLinkedIn: https://www.linkedin.com/in/darinvilanoPhone: 412-336-8247YOU CAN REACH CLAIRE LANDUYT AT:Website: https://www.chezlapingoods.comInstagram: https://www.instagram.com/chezlapingoodsFacebook: https://www.facebook.com/ChezLapinGoods
A new production that is a mash-up of theatre and sitcom will pay homage to the television comedies that raised a generation. The Crevice (Season 2, Part 2) is coming to the Bus Stop Theatre on Friday. Host Jeff Douglas spoke with the series creator and star, Rebecca Falvey, and director Meg Hubley.
(Rock Hill, S.C.) -- The Winthrop University Theater Department hosted a performance of "Everybody" by Branden Jacobs-Jenkins, last weekend in the Johnson Hall Studio Theater, which explored the themes of life, death and its meaning. The show was a 21st-century adaptation of the 15th-century morality play "Everyman," as the main travels down a road toward life's greatest mystery. The Palmetto Report's Will Locklin Elliott spoke with Eden Cook, the director of the show.
'Oliver' Actors Wesley Barnes (Fagin) & Cassie Thompson (Nancy) Share Behind-The-Scenes of Upcoming DeSoto Family Theatre Production
Rohan Carr works in Theatre Automation and Production across London's West End and the regions. He's another member of the GSA family graduating in Theatre Production, Stage and Production Management and has worked across some of the most popular theatre events of 2022/23. From Good, Lemons (x5) , and A Little Life at the Harold Pinter Theatre. Merrily We Roll Along at the Southwark Playhouse Constellations at the Vaudeville Theatre Magic Goes Wrong at the Apollo Soon he'll be backstage on The Time Traveller's Wife also at the Apollo Theatre. Rohan talks about working on A Little Life, the demands of not only the cast but of the entire team behind the scenes. How everyone pulled together for each other and demonstrating it's not the actors that make a show it's the whole team, some you see, some you don't but nevertheless they all have a part to play. He also offers advice on anyone who is keen to get involved with Stage Management and how they can make the career they want. Check out Rohan's Instagram for enquiries and further information on his other work: @rohancarr Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver Twitter: @GowerCritic For enquiries and requests: olliegower10@gmail.com Please Like, Download and Subscribe! --- Send in a voice message: https://podcasters.spotify.com/pod/show/oliver-gower/message
In this episode, I catch up with Natasha Pizzica, a series producer who's worked across a range of genres from primetime entertainment shows like Big Brother and Gogglebox to iconic kids television such as Playschool and Teletubbies, and even though-provoking docuseries like Limitless with Chris Hemsworth. I find out how Tash's theatre background set her up for a career of creativity, how she navigates the busy world of tv production as a working mum and why her son is her biggest inspiration. You can access Natasha's series she developed for the ABC here: https://iview.abc.net.au/show/moodies Support the showIf you enjoyed this podcast and want to stay up to date with the latest episodes then click 'Subscribe' on Apple Podcasts or 'Follow' on Spotify. You can also find us on social media:Instagram: @beyondrealityauFacebook: @beyondrealityausTwitter: @beyondrealityauIf you're just starting out in TV and are looking for tips and information about the industry then check out the Beyond Reality Blog at https://beyondrealityau.com.Beyond Reality is an independent podcast, if you'd like to support the show, you can make a one-off contribution HERE (for the cost of a coffee). There's no obligation to give and any contribution will go towards keeping the podcast available. Thank you for checking out Beyond Reality!
Helen Sharp, Director of the Lace Market Theatres production of Agatha Christies Towards Zero, chats to Kev Castle on Nottingham Hospitals Radio
VIDEO International Theatre Production with ONU: A lot happens behind the scenes in live theatre. Without scenery, lighting, props, costumes and more – there's no magic on stage. With a BFA in international theatre production, you'll get behind the magic. We had a GREAT conversation with Ohio Northern Technical Director, Brian Phillips. He educated us on their BFA International Theatre Production, degree. If you have even the smallest interest in working backstage professionally, you'll need to listen to this episode. @onutheatrearts @ohioNorthern A unique program focuses on theatrical design, production and stage management – in the U.S. and internationally. You'll graduate with a solid knowledge of the cultural and practical differences in theatre production, which will prepare you for a wide range of careers in theatre, opera and touring productions. We may be small, but our opportunities are big. In fact, our theatre program rivals what you'd find at a conservatory. Our international theatre production students stage dozens of campus and community productions. They interact with renowned designers, directors, playwrights and choreographers from the U.S. and countries like Scotland, Estonia, Ireland, Mexico and England. They travel each year to the United States Institute of Theatre Technology conference so our students can make contacts with employers and companies from all over the United States. They land incredible internships with theatre companies, and they study abroad. Here, you'll be part of a family. You'll enjoy small class sizes and amazing friendships. Our distinguished professors will bring out the best in you from the moment you arrive on campus until you graduate. They will become personally invested in your success. On campus, you'll study and work in top-notch facilities with the latest equipment. The Freed Center for the Performing Arts includes a 550-seat proscenium theatre, a 132-seat studio theatre, rehearsal rooms, scenic and costume shops, smart classrooms, computer lab and design studio. #OhioNorthernMusicalTheater, #OhioNorthernUniversity #ONU #TheatreTech #InternationalTheatreTech #TheatreProductions #InternationalTheaterProductions #TheaterLife #TheatreBackstage, #StageManager #TechnicalDirector
International Theatre Production: A lot happens behind the scenes in live theatre. Without scenery, lighting, props, costumes and more – there's no magic on stage. With a BFA in international theatre production, you'll get behind the magic. We had a GREAT conversation with Ohio Northern Technical Director, Brian Phillips. He educated us on their BFA International Theatre Production, degree. If you have even the smallest interest in working backstage professionally, you'll need to listen to this episode. @onutheatrearts @ohioNorthern A unique program focuses on theatrical design, production and stage management – in the U.S. and internationally. You'll graduate with a solid knowledge of the cultural and practical differences in theatre production, which will prepare you for a wide range of careers in theatre, opera and touring productions. We may be small, but our opportunities are big. In fact, our theatre program rivals what you'd find at a conservatory. Our international theatre production students stage dozens of campus and community productions. They interact with renowned designers, directors, playwrights and choreographers from the U.S. and countries like Scotland, Estonia, Ireland, Mexico and England. They travel each year to the United States Institute of Theatre Technology conference so our students can make contacts with employers and companies from all over the United States. They land incredible internships with theatre companies, and they study abroad. Here, you'll be part of a family. You'll enjoy small class sizes and amazing friendships. Our distinguished professors will bring out the best in you from the moment you arrive on campus until you graduate. They will become personally invested in your success. On campus, you'll study and work in top-notch facilities with the latest equipment. The Freed Center for the Performing Arts includes a 550-seat proscenium theatre, a 132-seat studio theatre, rehearsal rooms, scenic and costume shops, smart classrooms, computer lab and design studio. #OhioNorthernMusicalTheater, #OhioNorthernUniversity #ONU #TheatreTech #InternationalTheatreTech #TheatreProductions #InternationalTheaterProductions #TheaterLife #TheatreBackstage, #StageManager #TechnicalDirector
MONEY FM 89.3 - Prime Time with Howie Lim, Bernard Lim & Finance Presenter JP Ong
Bringing London's West End to the far reaches of the world. That's what we are going to talk about today. Our guest for today is the British Theatre Playhouse, a Singapore-incorporated theatre production company that has produced and presented a series of highly successful British productions in Singapore, Malaysia, Thailand, Sri Lanka, Indonesia, United Arab Emirates and the UK. Since its founding in 2004, the company has brought in over 20 shows to Singapore through events such as charity galas and has moved into musicals of late. But what are the reasons behind the moves to diversify? And to what extent does dollars and cents have a part to play? Meanwhile, the company is also currently exploring gamification and on demand theatre plays, after witnessing how the world came to a standstill during the pandemic. To what extent can its on-demand offerings increase the monetisation of its theatre productions. Also - how will increased monetisation of its production help the firm gain more funding from investors? On Under the Radar, Drive Time's finance presenter Chua Tian Tian found out more about the ins and outs of the theatre production business from Cecilia Leong-Faulkner, Managing Director, British Theatre Playhouse.See omnystudio.com/listener for privacy information.
Renae Morriseau has been in numerous television programs, including North of 60. She is currently directing Rosanna Deerchild's first play, The Secret to Good Tea, which will run at the Royal Manitoba Theatre Centre until the middle of April.
Mark Lloyd is joined on The Nightshift by writer/director Hasnain Raza and actor/producer Hani Taha, the team from the comedy-drama theatre production 'Na Mukammal'. See omnystudio.com/listener for privacy information.
Martha Randolph grew up in a household that was parented by two nationally known actors, John Randolph and Sarah Cunningham. Her life experiences prepared her for employment in live theater and opera. Her parents survived the McCarthy period and, with the help of theater people. These experiences prepared her for a chance to become a Stage Manager. You'll learn how she broke a number of employment barriers.
This week on the podcast Joel interviews the artistic director of Clock & Spiel Productions in Sydney - Hailey McQueen. Hailey shares her story from moving to Sydney to study acting at 17, to learning to create her own opportunities in the acting world and finding her way into artistic directing, now running a professional theatre company that works with some of Australia's best talent. Meanwhile Joel & Hailey take on an impromptu challenge to write a monologue mid podcast (!!) and then dissect the process as it happens. This is a good one folks, get ya cuppa's and listen in! Our sponsors are The Practice Co. and ACOM This podcast is hosted by Joel McKerrow & Produced by Richelle Bourne
Michelle McManus discusses about Over 50's theatre group production Don't Stop Me Now
Peut-Être Theatre company have adapted Lemony Snicket's The Dark into a new dance-theatre production for young visually impaired people and their friends and families with integrated audio description and touch tours for all performances. RNIB Connect Radio's Toby caught up with Actor Charlie Hendren who plays Laszlo in The Dark and Chris Campion, a visually impaired Access Consultant who worked on the integrated audio description and touch tours for this new dance-theatre adaptation of The Dark. Charlie began by telling Toby about the background to Peut-Être Theatre company, a bit about the story of The Dark and how the book has been turned into this new dance-theatre production without giving too much of the story away! Chris then talked about how he worked with Peut-Être Theatre on the integrated audio description for The Dark, how he has seen an increase in theatre companies wanting to make their productions accessible to blind and partially sighted people and what we can all do as visually impaired people to increase and maybe improve description in theatre and the arts. Charlie ended by giving Toby an insight into what the experience will be like for people coming to see The Dark with integrated description and touch tours for all performances. Do visit the Peut-Être Theatre company website to find out more about the company along with dates and times for their dance-theatre production of The Dark with integrated audio description and touch tours- https://peutetretheatre.co.uk/the-dark (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
When you make a turn in your career, your previous experiences are never a waste. I sat down with Jón Gunnar Thordarson, CEO of Mussila to talk about his experience of applying knowledge from directing 40 theatre productions to leading an EdTech startup. In this episode, you will learn about: why a successful theatre producer and director went into the startup world can you build a successful startup where everyone works 9-4? the balance of celebrating your progress and keeping the eyes on the horizon tips and hacks for your fundraising Stay safe and #standwithukraine, Anna Check out Mussila: https://mussila.com/ Connect with Jón Gunnar: https://www.linkedin.com/in/jongunnarthordarson/ Book a Mindshifting Intensive: https://annaliebel.as.me/strategycall Support Ukraine through the fundraiser by the President of Ukraine Volodymyr Zelenskyy: https://u24.gov.ua/
SHOUT OUT WITH SAGE Segment: SHOUT OUT WITH SAGE Special Guest: John Tsilimparis, MFT - Psychotherapist, Mental Health Consultant, Author. Frequent contributor for Huffington Post & has appeared on Larry King LIVE, CNN and many news outlets. John is host of the podcast: Mindfulness for the Soul & Co-Producer of Theatre Production, 'This is My Brave'. HIs latest Book 'Retrain Your Anxious Brain' was reissued by Harper Collins in March 2022. The self-help book was featured in A&E's TV documentary series OBSESSED Download Our App & Enjoy The Music & Podcasts or Subscribe To Streaminn Hub Radio , Di Hubb Media Group YouTube Channel ,Like, & Hit The Notification Bell
Ken is joined in studio by Eric Morris and Melissa Cotton Hunter See omnystudio.com/listener for privacy information.
Liam Petruccio-Hall, Hemi Lewis and Louis Barnes-Cupit chat to Kev Castle on Nottingham Hospital Radio about Spotlight's production of Little Shop Of Horrors in July. For Rights Reasons, the musical parts of this interview have been removed.
Guests Director Jaqueline Dommisse Stembiso Sibanda | One of the stars See omnystudio.com/listener for privacy information.
Ben Peilow is an audio engineer from Kent and longtime HRS listener. Ben joins us this episode to discuss creative live and recording techniques, theatre production, Dante technology, and starting a podcast in a pandemic. Continue reading →
12. Othello - Actors Peter Macon (Othello) and Marty Rea (Iago) discuss the 2016 Abbey Theatre production of Shakespeare's Othello directed by Joe Dowling (5 May - 11 June 2016), other Shakespearean roles they have played and Shakespeare on film.
Slovakia Today, English Language Current Affairs Programme from Slovak Radio
In order to let Ukrainians in Slovakia to meet, Slovak libraries let free some rooms for the community gathering. The festival of the Academy of Theatre Professionals brings the creme de la creme of Slovak drama production to Bratislava from April 2 to May 2.
A 24th Street Theatre Production In Association with The Wallis – Rapunzel Alone @ Wallis Annenberg Center – Review 8.6 out of 10 - A GREAT SHOW! www.latheatrebites.com https://thewallis.org/rapunzel
The Oregon Children's Theatre in Portland opened its first full length, in-person play since the pandemic began with the dark comedy "WROL (Without Rule of Law)." A small group of four, 8th grade middle school girls are unconvinced adults will be able to take care of them in a cataclysmic event, so they decide to prepare for the coming apocalypse themselves. Throughout, a friend outside of the circle continues to question their prepper activities, insisting everything is “fine.” Lili Ireland is one of the members of Young Professionals at OCT and helped choose "WROL (Without Rule of Law)." She joins us along with Dani Baldwin, the artistic director of the company, and Andrea White who directed the play.
Pins and Needles Day started in 1937 to commemorate the opening of the play of the same name on Broadway. The play was produced by the International Ladies Garment Workers' Union. The original production cast was made up of sewing machine workers, cutters, and basters who wanted to do something a little creative in their free time. The play would end up being so successful that the cast members, who were only able to rehearse at weekends until then, were able to do so. Pins and Needles Day doesn't have to do with pins and needles as you think, but have you ever wondered about the history of the safety pin? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This episode is brought to you by Victrola. Visit makingnoisepod.com/victrola Dealing with bands, tour managers and drunken stage hands is hard. Fortunately, John Brady knows how to handle it well. As the Production Manager at Charlotte's Neighborhood Theater, the largest independently owned music venue in town, John has been a big part of the quarantine series "Queen City Streams'. He also talks nerdy to me at the end of the episode with quick-fire answers to audio geekery. Make sure to rate, share and subscribe our new podcast, as well as our Youtube Channel for exclusive content, which we'll be updating weekly: https:youtube.com/user/toddjohnsonband Follow us on Instagram: Todd Johnson @toddajohnson Jay Connor @Jay_Connor You can always check out past episodes and exclusive content here: www.makingnoisepod.com
Theatre-maker, blog creator, and roommate extraordinaire, Julia Donlon, sits down with Ryan and her roommate (Isabel) in this week's episode. Hear how her best date and worst date happened in the same place and how a fortune cookie changed her dating trajectory!