Podcasts about Beanstalk

We know how important it is to be inspired by both big businesses and individuals, which is why we are excited to present Talking Leaders, a monthly initiative from the AHDB which will see a series of inspirational speakers share their life experiences and deliver impactful stories to the AgriLeader community.In the October episode of Talking Leaders, we were delighted to be joined by Helen Wyman, Founder of TwoCan Mentor – A food and farming mentorship movement built on connection, development, and impact. As a Nuffield Farming Scholar, Helen's research focused on how mentorship transforms confidence, leadership, and career paths. With a career spanning food, farming, environment, and energy, she's seen the impact that the right conversation at the right time can have.Drawing on her experience connecting people across the food, farming and land-based sectors, Helen will share why having the right mentor and being one can make all the difference to both personal & professional success and the resilience of our industry.

Neustrukturierung RBTV | Caster: Stefan, Niklas, Andreas | Diese Folge dreht sich vor allem um die Neustrukturierungen bei RBTV. Darüber hinaus haben wir aber noch ein paar andere Themen, unter anderem Name The Game und Topf Secret. Beanstalk #181 als mp3 herunterladen Timecodes 00:00:23 Begrüßung & Highlights 00:02:10 Shop Updates 00:04:12 Neustrukturierung RBTV 01:06:30 Name […]

Tap here to listen ad-free (free trial, cancel any time)Jack sells the family cow for a magic bean but will his mother be pleased?Fun Fables are a collection of classic children's audio stories, fairy tales, fables and nursery rhymes that are fun and educational. Perfect for bedtime stories and car trips. The episodes have all the key elements of the tradition tales but at the same time are unique and add a bit of humour along the way.Email: hello@funfablespodcast.comWebsite: www.funfablespodcast.com Created and produced by: Horseplay ProductionsNarrated by: The Narrator ManFor Big Bad Wolf T-shirts and FREE colouring in pictures visit www.funfablespodcast.com... And if your looking for something more relaxing at bedtime why not try Fun Fables: Sleepy time Stories Hosted on Acast. See acast.com/privacy for more information.

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Blondie 40-04-15 (042) Jack and The Beanstalk

Brian sits down with Cem Eyi, a fintech entrepreneur and co-founder of KidStart and Beanstalk, two platforms helping families to save and invest for their kids future.Before launching his startups, Cem spent years at Capital One, helping people get in to debt- whereas now he has dedicated his working life to the other side of the balance sheet.This was a great chat that got deep (as usual), and explores why you should be thinking of your child's future, but also more of the moral side to saving, investing and inheritance.Be sure to check out Cem & Beanstalk;Website - https://beanstalkapp.co.uk/Instagram - https://www.instagram.com/thebeanstalkapp/ Hosted on Acast. See acast.com/privacy for more information.

A social climber learns that not even the sky's the limit in the retelling of this young has-bean. *No ogres are harmed in the telling, but the beanstalk does kind of get the sharp end of the axe. Listen free, thanks to enVypillow.com and SierraSil.com. Drift is free, thanks to our wonderful sponsors, enVy Pillow.com and SierraSil.com, both of whom generously offer discounts on all online purchases when you use the code drift. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The stars of 2:22 A Ghost Story, Kevin Clifton and Shvorne Marks, tell us about the jump-a-minute thriller they're bringing to Malvern.There's an all-star cast in the whodunnit Murder at Midnight and one of them, Jason Durr, gives us a taste of what's to come.It's nearly pantomime time and former Emmerdale favourite Tom Lister talks about playing Fleshcreep in this year's Jack and the Beanstalk.Plus we take a journey through seven decades of melodrama on the big screen with some classic films to watch this October. Hosted on Acast. See acast.com/privacy for more information.

We know how important it is to be inspired by both big businesses and individuals, which is why we are excited to present Talking Leaders, a monthly initiative from the AHDB which will see a series of inspirational speakers share their life experiences and deliver impactful stories to the AgriLeader community.In the September episode of Talking Leaders, we are delighted to be joined by the new AHDB Chair: Emily Norton. Emily is a Norfolk farmer, Nuffield scholar and founder of Farm Foresight Ltd, a strategic advisory service for the rural sector.She has 25 years of experience in the food and farming sector. After qualifing as a lawyer, Emily undertook an MSc in Sustainable Agriculture. Her career has taken her from family business to global PLC, with time spent in Brussels and across the UK. Emily has particular expertise in natural capital influences on land, food and farming.Emily holds various non-executive board positions in the agricultural sector including chair of AHDB and a trustee at the Royal Norfolk Agricultural Association. She is a well known media commentator and lives and farms in Norfolk.

We have a small favor to ask! We've put together a survey about our shows – and our membership program, Criminal Plus – and it would mean a lot to us if you could fill it out. You can find it ⁠here⁠: https://bit.ly/3VbCB0E. Phoebe reads Jack and the Beanstalk. Read along. Our other shows are Criminal and This is Love. You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beanscom, Causa Simon und mehr | Caster: Stefan, Niklas, Andreas | In dieser Folge reden wir unter anderem über die vergangene Beanscom, das neue Game Two Format „Checkpoint“, Jugendzimmer, Almost Daily und natürlich auch über das Statement zur Causa Simon. Beanstalk #180 als mp3 herunterladen Timecodes 00:00:23 Begrüßung & Highlights 00:05:30 rktbns 00:08:29 Coffeetable-Book 00:14:17 […]

Jack & The Beanstalk, Hercules and Robinson Crusoe....they're all in today's episode of Car Trip Trivia. With a Friday Funny thrown in for good measure. Facebook PatreonSee omnystudio.com/listener for privacy information.

Something a little different this fortnight with a bunch of phans, publishers & creators from around the world telling us what their phavourite Phantom stories are. If you would like to tell us your own phavourite Phantom stories, send us an email - ChronicleChamber@gmail.com. Here are the stories chosen from the phans, creators and publishers:Sal Velluto. "Danger in the Forbidden City""The Ghost Who Walks Returns" by Peter David and Sal Velluto"Clash of the Immortals" by Peter David and Sal Velluto"Duel in the Skies" by Peter David and Sal Velluto"Free Fall" by Peter David and Sal Velluto"Trapped" by Peter David and Sal Velluto"The End?" by Peter David and Sal VellutoScott Waldyn. "The Singh Brotherhood" (Daily story 1) by Lee Falk and Ray MooreEoin McAuley. Avon Novel #1 "The Ghost Who Walks" by Lee Falk Jaime Diaz. "The Fence" (Daily story 112) by Lee Falk and Sy BarryGlaucio Cardoso. DC Mini Series"The Ghost Who Walks" by Peter David, Joe Orlando and Dennis Janke"Across the Great Divide" by Peter David, Joe Orlando and Dennis Janke"In Over Their Heads" by Peter David, Joe Orlando and Dennis Janke"The Phantom Strikes Back" by Peter David, Joe Orlando and Dennis JankeJuan Munari Rousselot. "Death of a Phantom" by David Bishop and César SpadariMatt Kyme.  "The Singh Brotherhood" (Daily story 1) by Lee Falk and Ray Moore"The Raid in Sanloi" by Michael Tierres and Kari Leppänen"The Beanstalk" by Donne Avenell and Hans LindahlPirate Dave. "The Aviatrix Part 1 & 2" by Ben Raab, Pat Quinn, and Ken WheatonWhat do you think about the stories chosen from the creators, phans and publishers from around the world? We love your comments and feedback from the Phantom phans from around the world. Our next podcast will be a comics and news podcast for the last month and a half.You can either email us, leave your comments at our YouTube Channel, and leave them at our social media platforms on Facebook, Twitter and/or Instagram. Make sure you stay with us, and do not forget to subscribe and leave a review on our podcast and/or our YouTube Channel. Support the show

This week, we preview the Week 1 match up with the New York Giants before travelling to Northwest Stadium to watch the game. We also discuss the latest Commanders news & we also answer fan submitted questions.

Hello everyone,Todays episode is a well known family classic fairy tale called Jack and the Beanstalk'' Read by LauraIf you enjoy listening to these stories, please do leave an Apple review so we can grow and reach more people.Sweet Dreams.Lucy ❤

We know how important it is to be inspired by both big businesses and individuals, which is why we are excited to present Talking Leaders, a monthly initiative from the AHDB which will see a series of inspirational speakers share their life experiences and deliver impactful stories to the AgriLeader community.In the August episode of Talking Leaders, we sit down with Ingo and Nina Plöger – two of Brazil's foremost leaders in agribusiness and global development. Ingo is an entrepreneur, engineer, and economist, and serves as President of the Strategic Council for Latin America and Vice President of the Brazilian Agribusiness Association (ABAG). Nina PlögerNina is a key influencer in shaping Brazil's sustainable agricultural sector. She leads women in Agriculture by Forbes Brasil and other institutions. Nina is active in the board of the Brazilian Association of Agribusiness (ABAG) and a leading figure in shaping Brazil's sustainable agricultural sector. With a background in international relations and public policy, she drives innovation, trade, and environmental responsibility. Nina also contributes to Forbes Brasil, focusing on agribusiness trends, leadership, and the future of food.As President of Forbes Women in Agriculture, she empowers women in agribusiness, promoting gender equality and leadership. She advocates for bio-competitiveness, strengthening Brazil's global market position through sustainable practices. Nina's expertise in international relations plays a key role in advancing Brazil's agricultural interests in global trade and partnerships. She is also Council in the FIESP COSAG the industrial association of Sao Paulo. In the CEAL Nina coordinate actions for the integration of Latin America under the umbrella of “America without frontiers”Ingo PlögerIngo is a Brazilian entrepreneur, engineer, and economist, and President of the Strategic Council for Latin America advising governments and multinational companies on competitiveness, sustainability, and innovation.As Vice President of ABAG Agribusiness Association he leads initiatives focused on strategic business growth, institutional relations, and sustainable development within various sectors.A recognised international speaker, Ingo brings decades of strategic insight into the future of agrifood systems, global trade, and the geopolitical forces shaping business and policy today.Ingo shares lessons from a lifetime of leadership across continents, offering insights on innovation, resilience, and navigating uncertainty in a fast-changing world, while encouraging imagination and visionary thinking. Nina brings her extensive experience in international relations and agri-food systems, discussing the importance of promoting gender equality, bio-competitiveness, and advancing Brazil's position in global agribusiness.This episode dives into leadership, vision, and the power of local actions in a globalised world, demonstrating how leaders like Ingo and Nina inspire change and foster long-term growth.

Today we have The Abbott and Costello Show from February 15, 1945, from Armed Forces Radio, with special guest Rudy Vallee. This is a typical slapstick radio comedy, with lots of hysterical Abbott and Costello wordplay and wacky characters popping in and out (notably Mel Blanc as Vallee's personal assistant and Sid Fields as Professor Melonhead). They make plenty of jokes about Vallee's reputation as a supreme megalomaniac, and do a radio version of Jack and the Beanstalk, a bit of a foreshadowing of the Abbott and Costello film from 1952. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Legacy just got spicy! In Episode 102 of In Response – A Legacy Podcast, Philipp, Daniel, and Peter break down the surprise victory of Mono-Red Eldrazi Stompy in the latest Legacy Showcase Challenge and explore the continued dominance of UB Reanimator in the post-ban meta.We dive deep into:How Eldrazi used new MH3 tech like Eldrazi Linebreaker to crush the field.Why UB Reanimator remains the deck to beat — and how the meta is (or isn't) adapting.The role of Up the Beanstalk shells in keeping up with the top-tier decks.The delicate balance between packing graveyard hate and staying proactive.Whether you're looking to exploit the current meta or find the right counterplay, this episode is packed with insights for competitive Legacy players.

⁠⁠⁠⁠⁠⁠⁠DREAM WITH US, and we'll teach you how to interpret them!Jack and the Beanstalk is a symbolic prescription for psychological growth, teaching us to climb out of darkness, confront the giants within, claim the gifts of our unconscious, and transform our ordinary lives. Join us as we reveal the secret meaning hidden in the fairytale.Read along with the dream.LOOK & GROW⁠⁠⁠Join Lisa's Vital Spark Book club!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join THIS JUNGIAN LIFE DREAM SCHOOL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Do you have a topic you want us to cover?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE NEED YOUR HELP! Become a patron to keep TJL running.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We've got totally NEW MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We'd like to take a crack interpreting your dream.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you've been struggling in the dark, trying to find the keys to unlock your dreams, help has arrived. Order your copy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dream Wise: Unlocking the Meaning of Your Dreams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from the hosts of This Jungian Life podcast and open the secret door.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn more about the Philadelphia Jung Seminar

It's so hot out there! What better way to defeat the August heat than to watch Santa Claus stuck in his sleigh on a sizzling Florida beach?  Who will help him get back to the North Pole? A rag-tag group of homeless minors who have no experience working with animals. Also, the Ice Cream Bunny, whatever that is. FIlm critic Pat McDonald join Collin and Kerry to break down "Santa and the Ice Cream Bunny," one of the absolute weirdest holiday concoctions of all time with a just-barely-stitched-together film from 1972. There are two versions of the film, one containing a detour into the story of Thumbelina, another with Jack and the Beanstalk. None of it makes a lick of sense and it's all just padding to throw out there on the kiddie matinee circuit of the early '70s. Everything ties together, though, in the Blu-ray Gift Exhcange.   Read Pat McDonald's work at HollywoodChicago.com   Blu-rays covered: Warner Bros: "Sinners" (2025) "Final Destination: Bloodlines" (2025) "Lord of the Rings" (1978) Universal: "Knight Rider: The Complete Series" - 4K Sony: "Stop, Look and Laugh!" (1960) Warner Archive: "Melinda" (1974) "Two Weeks With Love" (1950) "Knights Of the Round Table" (1953) Criterion: "You Can Count On Me", "Carnal Knowledge" and "Barry Lyndon"

There's a new addition to the Secret Mum Club gallery this week… and it's huge. Soph and Emma are both sharing some massive life updates, there's chaos in the soft play toilets, and one little one has picked up a very cheeky phrase at home. Hosted on Acast. See acast.com/privacy for more information.

Think Cinderella started with Disney? Think again. In this episode of For the Love of History, we're diving deep into the ancient, magical, and sometimes slightly ridiculous world of fairy tales — and we're going way past the Brothers Grimm. ✨ You'll hear the oldest fairy tale ever recorded (hint: it involves the devil and a blacksmith), learn why stories like Beauty and the Beast and Jack and the Beanstalk are 4,000+ years old, and find out what ancient Egypt, medieval France, and Bronze Age China all have in common with your favorite bedtime stories. We'll also: Break down the difference between myths, fables, and fairy tales (yes, they're different!), Explore the wild science behind how we know these stories are that old (hello, phylogenetic analysis

What if AWS had its own version of Killed by Google? Well… turns out it kind of does.In this episode of AWS Bites, we explore the AWS Product Lifecycle page, the official place where AWS quietly lists products and services that are being deprecated, shut down, or closed to new customers. If you rely on AWS in production, this is a page you'll want to bookmark.We walk through what's on the list today, from Amazon Pinpoint to IoT Analytics and beyond, and we even throw in some predictions of what might be next to hit the chopping block. App Runner vs Beanstalk? API Gateway REST vs HTTP? Let the speculation begin!Big shoutout to fourTheorem for powering yet another episode of AWS Bites. At fourTheorem, we believe the cloud should be simple, scalable, and cost-effective, and we help teams do just that. Whether you're diving into containers, stepping into event-driven architecture, or scaling a global SaaS platform on AWS, or trying to keep cloud spend under control our team has your back. Visit ⁠⁠https://fourTheorem.com⁠⁠ to see how we can help you build faster, better, and with more confidence using AWS cloud!In this episode, we mentioned the following resources:AWS Product Lifecycle Page: ⁠⁠https://aws.amazon.com/products/lifecycle/⁠⁠AWS Blog – Introducing the AWS Product Lifecycle Page: ⁠⁠https://aws.amazon.com/blogs/aws/introducing-the-aws-product-lifecycle-page-and-aws-service-availability-updates/⁠⁠AWS Bites Episode 98 – Amazon Pinpoint Quota Changes: ⁠⁠https://awsbites.com/98⁠⁠AWS Bites Episode 74 – API Gateway REST vs HTTP: ⁠⁠https://awsbites.com/74⁠⁠AWS Bites Episode 76 – AWS Copilot: ⁠⁠https://awsbites.com/76⁠⁠AWS Bites Episode 143 – Is App Runner Better than Fargate?: ⁠⁠https://awsbites.com/143⁠⁠API Gateway Routing Rules: ⁠⁠https://aws.amazon.com/blogs/compute/dynamically-routing-requests-with-amazon-api-gateway-routing-rules/⁠⁠Alexa+ and the future of generative AI at Amazon: ⁠⁠https://www.aboutamazon.com/news/devices/new-alexa-generative-artificial-intelligence⁠⁠Do you have any AWS questions you would like us to address?Leave a comment here or connect with us on X/Twitter, BlueSky or LinkedIn:- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/eoins⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://bsky.app/profile/eoin.sh⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/eoins/⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/loige⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://bsky.app/profile/loige.co⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/lucianomammino/

Cape Town, with all its attractions, doesn't seem to have that many pantomimes in the true sense of the word. Johannesburg and Durban are famous for their annual pantomimes and now the Durban company Kickstart Theatre Productions have brought their latest pantomime to Cape Town. It's called Jack and the Beanstalk and Rodney Trudgeon spoke to the founder of Kickstart, Greg King about the production and its appeal to both children and adults and which is running at the Baxter Theatre. People of Note. Sunday at 6pm and again on Thursday at midday. Brought to you by PTP

Here's a reading of the moderately racy, earliest printed version of Jack and the Beanstalk. There's nothing really dirty in here, but please listen to it on your own before deciding to share it with kids. This story, first printed in 1734 in a wild collection of funny stories called “Round About Our Coal Fire, … Continue reading "192 – Jack Spriggins and the Enchanted Bean"

Sara-Jayne Makwala King in for Pippa Hudson is joined by Liesl Coppin who’ll be performing in the pantomime Jack and the Beanstalk at the Baxter Theatre. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

I was recently invited on the podcast Movies That Made Us Gay which features the dynamic co-hosts Peter and Scott. You can listen to the rest of the conversation on their podcast! https://www.youtube.com/watch?v=dBm_LW3_23w&t=5333s“It's the witch from next door!” We take a trip to the theater to discuss the iconic filmed production of Stephen Sondheim's Into the Woods, which was recorded for PBS American Playhouse in 1989. In one of our first opportunities to discuss Sondheim and Broadway on the podcast, we are joined by Andrew Rimby from the Ivory Tower Boiler Room. Many people hold the music from Into the Woods dear, and we are fortunate that its original cast was recorded in the spring of 1989. This Fractured Fairy Tales narrative revolves around a childless baker and his wife, who embark on a quest to start a family after a witch places a curse on them. Little Red Riding Hood, Cinderella, Jack and the Beanstalk, and a Rapunzel origin story are interwoven throughout the story. Bernadette Peters embodies the Witch with unparalleled talent, delivering a captivating performance in every moment. Joanna Gleason, in her Tony Award-winning role portrays the Baker's Wife with incredible grace and depth. Topics discussed include the 1988 Tony Awards, Rob Marshell's 2014 adaptation, and what Bravo Housewife would make the perfect witch. Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts!www.patreon.com/moviesthatmadeusgayFacebook/Instagram: @moviesthatmadeusgay

“It's the witch from next door!” We take a trip to the theater to discuss the iconic filmed production of Stephen Sondheim's Into the Woods, which was recorded for PBS American Playhouse in 1989. In one of our first opportunities to discuss Sondheim and Broadway on the podcast, we are joined by Andrew Rimby from the Ivory Tower Boiler Room. Many people hold the music from Into the Woods dear, and we are fortunate that its original cast was recorded in the spring of 1989. This Fractured Fairy Tales narrative revolves around a childless baker and his wife, who embark on a quest to start a family after a witch places a curse on them. Little Red Riding Hood, Cinderella, Jack and the Beanstalk, and a Rapunzel origin story are interwoven throughout the story. Bernadette Peters embodies the Witch with unparalleled talent, delivering a captivating performance in every moment. Joanna Gleason, in her Tony Award-winning role portrays the Baker's Wife with incredible grace and depth. Topics discussed include the 1988 Tony Awards, Rob Marshell's 2014 adaptation, and what Bravo Housewife would make the perfect witch.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

In this inspiring episode of My Simplified Life, host Michelle Glogovac interviews acclaimed author and filmmaker Andrew Weiner to explore his multifaceted creative journey. Known for his children's books and graphic novels, Andrew shares the behind-the-scenes process of storytelling for young readers and the collaborative effort that goes into bringing illustrated stories to life. His latest graphic novel, The Frog Daddy, is out today! He opens up about the importance of reading with children to spark imagination and build strong emotional connections, as well as navigating creative partnerships—especially when working with high-profile names like Alicia Keys. This episode is a must-listen for aspiring authors, parents, educators, and creatives looking to understand the intersection of children's literature, graphic novel creation, and the power of storytelling to inspire the next generation. What We're Talking About... Reading with your kids can create lasting bonds. Children's books should also entertain adults. The creative process for graphic novels involves collaboration. Writing a manuscript is just a blueprint for the artwork. Personal experiences can enrich children's literature. Balancing film and writing can be challenging yet rewarding. Collaboration in storytelling can lead to unexpected creativity. Building a collection of autographed books is a meaningful gift. The joy of reading can be shared across generations. Future projects depend on the success of current works. Chapters 00:00 Introduction to Andrew Weiner and His Work 04:15 The Joy of Reading with Children 07:12 Transitioning from Film to Writing 10:13 Collaboration with Alicia Keys 13:12 Creating Graphic Novels: The Process 16:23 Balancing Creative Differences 19:17 Personal Connection in Writing 22:12 Finding Andrew and His Books 26:56 The Joy of Reading with Kids 27:23 The Value of Autographed Books Links Mentioned Daddy and The Beanstalk by Andrew Weiner https://bookshop.org/a/99223/9780316592918 Frog Daddy by Andrew Weiner https://bookshop.org/a/99223/9780316592932 Girl On Fire by Alicia Keys and Andrew Weiner https://bookshop.org/a/99223/9780063029569 Andrew Weiner's Instagram https://www.instagram.com/instaandrewweiner/

Relax, get comfortable and prepare for a treat - 3 full hours of uninterrupted soothing, magical storytelling. This compilation of fiction stories, fairytales and folktales comprises Babe the Blue Ox, The Emperor and the Nightingale, Jack and the Beanstalk, The Twelve Dancing Princesses, Hansel and Gretel, Goldilocks and the Three Bears, The Legend of the Swedish Dala Horse, and Lucky Hans. 

In this episode of In Response – A Legacy Podcast, hosts Philipp, Daniel, and Peter go deep into the rise of BUG Beanstalk, the midrange-control deck making waves in the post-ban Legacy format. They dissect card choices, mana base issues, and synergies—especially how new additions like Rakshasa's Bargain are redefining value in blue-based decks.

In this episode, Zac and Phil discuss the current state of the Magic: The Gathering Legacy format, focusing on the recent meta changes, deck strategies, and personal experiences in competitive play. They analyze various decks, including Dimir Reanimator, Cephalid Breakfast, and Beanstalk, while sharing insights on gameplay and the impact of recent bans. The conversation also touches on player perspectives regarding deck identity and the upcoming Lobster Con event, highlighting the excitement and strategies for pre-modern championships. In this engaging conversation, the hosts delve into the intricacies of Magic: The Gathering, focusing on the Stasis deck and its components. They discuss the effectiveness of Black Vice, the importance of counter spells, and the strategic choices involved in deck building. The conversation also explores alternative cards, innovative interactions, and the challenges of effective removal. As they brainstorm creative deck ideas, they touch on the unique mechanics of Grindstone and Celestial Dawn, culminating in a lively discussion about the upcoming LobsterCon event.

In this episode, Zac and Phil discuss the current state of the Magic: The Gathering Legacy format, focusing on the recent meta changes, deck strategies, and personal experiences in competitive play. They analyze various decks, including Dimir Reanimator, Cephalid Breakfast, and Beanstalk, while sharing insights on gameplay and the impact of recent bans. The conversation also touches on player perspectives regarding deck identity and the upcoming Lobster Con event, highlighting the excitement and strategies for pre-modern championships. In this engaging conversation, the hosts delve into the intricacies of Magic: The Gathering, focusing on the Stasis deck and its components. They discuss the effectiveness of Black Vice, the importance of counter spells, and the strategic choices involved in deck building. The conversation also explores alternative cards, innovative interactions, and the challenges of effective removal. As they brainstorm creative deck ideas, they touch on the unique mechanics of Grindstone and Celestial Dawn, culminating in a lively discussion about the upcoming LobsterCon event.

In this powerful and thought-provoking episode of The Athletics of Business, Ed Molitor sits down with Liz Wiseman, celebrated leadership researcher, bestselling author of Multipliers, Rookie Smarts, and Impact Players, and CEO of The Wiseman Group. Liz shares transformative insights from her research on leadership effectiveness, accidental diminishing, and how to unlock the full intelligence and potential of teams. She opens up about her early career at Oracle, her rookie mindset, and how feeling like an underdog led to a lifelong pursuit of discovering what truly makes great leaders. This episode is a masterclass in how to lead by amplifying others. Our Guest Liz is the author of New York Times bestseller Multipliers and Wall Street Journal bestsellers Rookie Smarts and Impact Players. She is a researcher and executive advisor, who teaches leadership to executives around the world, and the CEO of The Wiseman Group, a leadership research and development firm headquartered in Silicon Valley, California.  Liz is a former executive at Oracle Corporation, where she worked as the Vice President of Oracle University and as the Global Leader for Human Resource Development. She is a frequent guest lecturer at Brigham Young University and Stanford University. Liz has received the top achievement award for leadership from Thinkers50 and has consistently been named one of the world's top 50 management thinkers.   What You'll Learn in This Episode The difference between Multipliers and Diminishers and how both show up in everyday leadership Why accidental diminishing is more common (and dangerous) than you think Why sharing your own diminishing tendencies with your team builds trust The five disciplines of Multipliers and how to practice each one with intention The link between psychological safety and high expectations (safety + stretch) How to create debate-driven decision-making that builds buy-in and clarity What leaders get wrong about “helping” and how to avoid over-functioning How Liz sees empathy, evidence, and honesty as vital to coaching and culture The surprising lesson Liz learned leading a third-grade book discussion How Liz's early career at Oracle shaped her view on vulnerability, rookie smarts, and reaching out   Resources & Links Liz Wiseman Website: https://thewisemangroup.com/who-we-are/our-team/liz-wiseman/ LinkedIn: https://www.linkedin.com/in/lizwiseman Instagram: https://www.instagram.com/bylizwiseman/?hl=en Twitter/X: https://x.com/LizWiseman Amazon (Books): https://www.amazon.com/stores/author/B00369WNUW   Ed Molitor LinkedIn: https://www.linkedin.com/in/themolitorgroup/ Website: https://www.themolitorgroup.com/   In this episode: [00:00:00] Introduction to Liz Wiseman [00:02:55] Liz's unexpected path into leadership and why “being just smart enough” mattered [00:05:04] From Oracle's hiring model to discovering how smart leaders can shut down talent [00:08:49] Building Oracle University, sweatshirts, Latin mantras, and global rollout [00:13:08] Why vulnerability wasn't a buzzword, but honesty was everything [00:16:34] Learning to let others take the big shots [00:17:21] The 5 disciplines of Multipliers and why they're simple but powerful [00:20:11] Creating intensity, not tension as a Liberator [00:24:07] The accidental diminisher: over-helping, over-optimism, and over-energy [00:28:56] The safety + stretch equation: why people thrive when both are present [00:31:22] Leading powerful debates on how to ask for evidence and invite everyone in [00:38:33] What Liz learned from teaching 3rd graders to defend Jack and the Beanstalk [00:42:20] Why micromanaging limits performance and how Investors flip the script [00:47:16] What it means to give someone “51% of the vote and 100% of the accountability” [00:50:22] Being a diminisher to one person and a multiplier to another how it happens [00:54:46] The fastest way to change your leadership? Stop doing it in secret  

New Age Alien Deceptions (audio) David Eells - 4/20/25   The camel's nose is in the tent. We are headed towards a New World Order in the midst of a Galactic Federation of “aliens” aka, demons by those of discernment. (Who of us voted for this? The Alliance leaders did. Is this Communism?) I want to share with you some updates regarding the AI, New Age and Alien Deceptions we are witnessing among the Alliance and others. I'm going to begin with some recent headlines from Operation Disclosure (4/17/25) that point to this federation: ·         Thurs. 24 April 2025: Planetary Council announced. New Global Alliance leaders step forward. Non-territorial cooperation treaty signed by 177 nations. (We are to be realigned as a one world order) ·         Sun. 27 April 2025: Interplanetary programs declassified. First public mention of secret space operations. Unity Accord with Off World Representatives acknowledged. (When did we have a say?) ·         Tues. 29 April 2025: New Earth Constitutions signed locally. Communities select Peace Councils to represent them in the Planetary Council. “Governments” replaced with Service Cells. (We are being absorbed into their Galactic terminology) ·         Wed. 30 April 2025: Final transfer to Quantum Internet complete. All devices migrate to Q-Net. Artificial Intelligence fully transparent, accountable and people-aligned. (We cannot be aligned with antichrist) ·         Fri. 2 May 2025: Healing centers begin opening across continents. Med Beds, DNA repair chambers, and neuro-harmonization technologies become publicly available. The Age of Restoration officially begins. (We must now harmonize with the rest of the pagan planet and Galaxy.) ·         Sat. 3 May 2025: The first interspecies council meeting is broadcast worldwide. Humanity is formally acknowledged as a sovereign civilization by the Galactic Alliance. Contact protocols enter public discourse. (A federation does not permit a sovereign planet.) ·         Sun. 4 May 2025: “Earth Year Zero” is initiated. (Is our history now abolished?) A new planetary calendar replaces systems rooted in empire and conflict. Time now begins from the moment of planetary liberation. (Resistance is Futile says the Borg.) ·         Mon. 5 May 2025: Starport construction begins in seven geostrategic locations. Civilian transport to orbital gateways is confirmed. Terra-farming partnerships announced for Mars and Luna sectors. ·         Wed. 7 May 2025: The Department of Human Advancement launches. Global curricula shifts toward consciousness training, ethics, quantum sciences, and planetary stewardship. ·         Thurs. 8 May 2025: Agricultural reset begins. Geo-engineered soil is restored. Food independence programs roll out. Seed vaults opened under open-source planetary stewardship mandates. ·         Fri. 9 May 2025: Language harmonization initiatives commence. (Back to Babel?) Ancient root languages are integrated into education. Telepathic development modules introduced for children under 9. (Will we know who is training our children?) ·         Sat. 10 May 2025: Planetary Defense Grid declared active. Not military—protective. Q-NET AI monitors for existential threats in space and time. Transparency dashboards are made public. ·         Sun. 11 May 2025: Official end of the Transition Phase. Humanity enters full-spectral sovereignty. No more passports. No more taxes. No more surveillance. Only stewardship, transparency, and service. A one world order.     How To Connect With The Galactic Federation https://thegalacticfederation.com/016-24 Many people believe that the Galactic Federation is a made up thing, some are so confused to even claim it's negative, but it is not. (If the people did not get to vote on this and the aliens are actually demons, this is traitorous.) The Galactic Federation is a group of highly evolved souls who have been around since the beginning of time. They are here to help you fulfill your purpose on earth. (Let the Bible be the judge.) The Galactic Federation is made of love, light, and peace. It is a collective of beings who have reached the highest level of consciousness possible. (Everybody believes that about their religion.) The Galactic Federation was created as an extension of each individual's soul to help them on their journey towards self-realization. They exist to help us live in harmony with one another, as well as with our environment and the rest of creation. Next, let me share a few revelations from brethren on our site that relate to these alien, aka demon deceptions.     Aliens Are Demons Manifested in Flesh There are many people convinced of “aliens” or “guides” that they feel are friendly to humanity, which is a strong delusion because all of the aliens are demons, as the Scripture says. Have you noticed that many of the Planet X / Nibiru researchers have fallen for what they read the ancients said of aliens showing up when Planet X did? They were deceived by demons as a type for our day. We should not be deceived; they are being released by God to deceive. Jud.5 Now I desire to put you in remembrance, though ye know all things once for all, that the Lord, having saved a people out of the land of Egypt, afterward destroyed them that believed not. 6 And angels that kept not their own principality, but left their proper habitation, he hath kept in everlasting bonds under darkness unto the judgment of the great day. It is possible they will play the good alien / bad alien game to drive the multitudes into the camp of the so-called “good aliens,” but they are all demons.   G.C. - 06/15/10  (David's notes in red) In my dream, I was outside in a populated area, maybe in a park or something. It was nighttime and it seemed like any other summer night. All of a sudden, a lot of strange lights started appearing in the sky. First, it seemed like hundreds of shooting stars falling to Earth; then, as the light became more illuminated, the objects took the shape of spacecraft. The night sky was lit up like the Fourth of July! Everyone was shocked and amazed; from east to west, the sky filled with this armada of craft entering Earth's atmosphere. (What the ancients believed were aliens, who showed up during the time of Planet X, according to their writings, were in fact demons who are fallen angels and can take on the appearance of physical bodies, just like God's angels can, but for the purpose of deception. The Tribulation covenant could be made under the cover of catastrophes. Just as the Woman is going into the wilderness, there is a war in heaven and Satan and his fallen angels are cast to earth to deceive the whole world. Rev.12:9 And the great dragon was cast down, the old serpent, he that is called the Devil and Satan, the deceiver of the whole world; he was cast down to the earth, and his angels were cast down with him. We also received a dream of a bright star falling from heaven and the confirming scripture Isaiah 14, where Satan is falling from heaven. Isa 14:12-13 How art thou fallen from heaven, O day-star, son of the morning! how art thou cut down to the ground, that didst lay low the nations! 13 And thou saidst in thy heart, I will ascend into heaven, I will exalt my throne above the stars of God; and I will sit upon the mount of congregation, in the uttermost parts of the north; 14 I will ascend above the heights of the clouds; I will make myself like the Most High. 15 Yet thou shalt be brought down to Sheol, to the uttermost parts of the pit.) Satan deceives men into thinking he is God, and he is pleased with unregenerate, falsely called “good men,” which is the doctrine of the New Agers. 2Co.11:13 For such men are false apostles, deceitful workers, fashioning themselves into apostles of Christ. 14 And no marvel; for even Satan fashioneth himself into an angel of light. 15 It is no great thing therefore if his ministers also fashion themselves as ministers of righteousness, whose end shall be according to their works. The Alliance is bringing about many good moral changes but it appears they are complicit in this deception of the nations. Rev.18:23 and the light of a lamp shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the princes of the earth; for with thy sorcery were all the nations deceived. Back to the dream, I was very skeptical, even while seeing this with my own two eyes. I confidently told everyone, “Don't be fooled; it's a hologram!” (Which is one of the theories.) I thought these sights were just a crafty trick (which is true but not as a false vision) but then the ships started to get closer to the ground and they ultimately landed. By this time, I was starting to get bewildered; I didn't know what to think. I was really caught off guard. I thought for sure it was all some sort of illusion by the evil rulers of the world. (Is the Alliance in on the plan of “strong delusion”, which is according to God's will to separate the wheat from the tares? 2Th.2:8 And then shall be revealed the lawless one, whom the Lord Jesus shall slay with the breath of his mouth, and bring to nought by the manifestation of his coming; 9 even he, whose coming is according to the working of Satan with all power and signs and lying wonders, (Can fallen angels perform lying wonders? Did we get to vote on joining the Galactic Federation?) 10 and with all deceit of unrighteousness for them that perish; because they received not the love of the truth, that they might be saved. 11 And for this cause God sendeth them a working of error, that they should believe a lie: 12 that they all might be judged who believed not the truth, but had pleasure in unrighteousness. It appears in this dream the fallen angels' deception is so strong that God's people will be tested to see who really believes. Mar.13:22 for there shall arise false Christs and false prophets, and shall show signs and wonders, that they may lead astray, if possible, the elect.) Once the craft landed, the door opened and some humanoid beings walked out. Everyone was amazed and startled at the same time. I couldn't believe my eyes. Still believing this was a hologram, I ran over to the ship to touch it and realized it was real. (Satan and his angels are very technological, if they have to be, and have the ability to manifest and interact with the physical realm. They gave men atomic bombs and anti-gravity flying saucers.) I swallowed hard, realizing I was wrong, and I ran back to the crowd. The humanoid beings dressed in Star Trek-type apparel were being led out by a blond-haired woman. (There is a woman who has introduced many to speaking and hearing from aliens. This is no different than a seance, which is speaking to aliens called familiar spirits.) I, being overwhelmed and slightly intimidated, ran up to her and began to rebuke her in my tongue language. (I often do this in dreams when I feel physically or mentally helpless against an enemy; it often gets me results.) I thought for sure she would shrivel up in a puddle of goop, like something out of The Wizard of Oz. But, to my astonishment, she just kind of pushed me out of the way, without even acknowledging me. I was perplexed. (The answer to this is, when God sends a delusion to deceive the evil world, we cannot cast it down, nor should we try to. 2Th.2:11 And for this cause God sendeth them a working of error, that they should believe a lie: 12 that they all might be judged who believed not the truth, but had pleasure in unrighteousness. As you can see, we only have authority to help the believers.) I watched the group of beings disperse into the crowd. It seemed like they had specific orders and didn't even stop to talk to anyone; they just went about whatever it is they were sent here for. I remember being surrounded by hundreds of people like me -- everyone just totally in awe of what they saw. After some time, I started to see the beings again, but now they did not look like humans. They had glass faces, like ice. It was like they were wearing a mask, but they weren't -- I could see through their heads and nothing was inside. (fallen spirits) They had hideous, clown-like faces with big smiles, like jack-o-lanterns. (Thinking these beings to be mere humanoids while in fact they are demon-possessed is more common than we think. But the whole world outside of Christ will be deceived and possessed.) They were now corralling people like cattle in different areas (FEMA camps). The adults were forced to separate from the children and were taken to a designated area. The children were all taken to another area and placed in long lines, all of which led into a large circus-like tent. (This alien disclosure will bring much confusion and distraction as well as cause some people to give up their faith in the One True God.) None of the children quite knew what was happening; they were all a little less concerned than the adults. I remember leaving the adult group and running over to see what was happening to the children. After seeing what was taking place, I immediately woke up.   I Met Satan :o) G.C. - 4/19/11 (David's notes in red) I would like to share a dream I had that confirms we should not fear Satan or evil. Evil is not as powerful as our minds sometimes imagine, and Satan is no different. I dreamed that I was with an unknown person in this dream who I believe was an angel. I could tell he knew a lot more of what was going on than I did. I accompanied him everywhere he went. I was like an observer. Toward the end of the dream, we entered an elevator. This elevator took us deep inside the Earth. I was told we were going to Hell to see Satan. The ride took a long time and my mind was wondering about how Satan would really appear. I was thinking, “Would he be intimidating? Would he be scary? How would I react to seeing him?” Once we arrived at the very bottom, the door opened. I looked around and we were inside a very large, dark cave. Hell was just like I'd imagined it: Big, dark and cavernous. I looked out of the area we were in and looked out into the larger opening. I saw armies and very sophisticated weapons. There was violence taking place and fire was everywhere; it was almost like a war itself. One of the weapons spotted us as we came out of the elevator and fired a missile at us, but it missed and exploded against the wall. My companion, the angel, was never frightened; it was like he knew nothing could hurt him. As he walked, I followed; he knew right where he was walking. He came to a door off in a dark corner in the cave. I realized this was Satan's office. Behind the door was the evil one himself. My heart was racing, not from fear but from the suspense. The angel I was with opened the door and there sat Satan in a chair behind a desk. But to my amazement, Satan was not a seven-foot giant with goat horns. He was a clown. Yes, a clown. And a cartoon clown at that. I was shocked and a little disappointed. I was expecting something more terrifying. Clearly the Lord is saying that Satan and his demons are putting on a false face but are not to be feared. Luk.10:17 And the seventy returned with joy, saying, Lord, even the demons are subject unto us in thy name. 18 And he said unto them, I beheld Satan fallen as lightning from heaven. 19 Behold, I have given you authority to tread upon serpents and scorpions, and over all the power of the enemy: and nothing shall in any wise hurt you. The angel then revealed to me that Satan is planning something big for Earth. During our trip back up in the elevator, I saw all these green vines shooting up through the elevator shaft from Hell and they were headed straight to Earth. There were a lot of them, like something from Jack and the Beanstalk. But instead of reaching from Earth to the heavens, they were going from Hell to the earth above. Then I woke up. (According to the follow up dream that Father gave him recently, the vines represent the alien deception that satan is sending to earth from the pit of hell.) G.C. said, “Below is a continuation from the dream above from 2011 called. “I Met Satan”. It has the “green vines connection” where green vines were growing up from hell, and the angel told me, “Satan is planning something big for Earth.” Well, it seems the green vines finally made it to Earth and the plan is revealed....     Satan is Planning Something Big for Earth G.C. - 5/13/22 (David's notes in red) G.C. said, “For a little context, many years ago I worked for mortgage companies securing and repairing vacant foreclosures.” I dreamed that my dad and I had been given a work order to secure and inspect a foreclosed home in Los Angeles, California. (Los Angeles means, “The angels.”) It was a big house in a nice neighborhood. It was owned by a black husband and wife in their 50's or 60's. (UFOs and aliens were big in the 50's and 60's. The black couple owning the house could represent that this is a house of sinners submitted to darkness.) (I gathered this information by looking at their family photos still left at the property.) I thought these folks looked very successful from the photos. It didn't make sense to me how they could lose their house to foreclosure. (Foreclosure means that they can't pay their debt so the house is taken back. The debt for our house has been paid by faith in Jesus. If it's not paid because there is no faith, then it belongs to the devil.) I thought maybe one or both of them died. But I wasn't sure. I just knew something was amiss. (When one loses one's house to the devil, their soul is his too.) We proceeded through the large house, taking photos with a camera I had rented at a local camera shop. These photos were to be provided to the bank. Then we walked into the basement and to our utter amazement, we saw a small alien infant tangled up in green vines that appeared to be growing from the floor of the basement. (And according to the previous dream, they came straight out of hell. This represents the alien deception.) The vines were attached to the wall and the infant was wrapped up in them. He had a large brown head with 2 large eyes. When we saw him and approached him he became aggressive and hissed at us. (The aliens/demons hate Christians.) I remember taking the rented camera and snapping pictures of him. Even though I was astonished at this, I was not overly distracted by it. I proceeded with my work at the property. My dad and I decided not to show the photos to anyone as it would become a distraction to the public. (Could this represent the Father hiding things from the wise and prudent and revealing them unto babes?) I knew people would not be ready to see this. I downloaded the photos, removed them from the camera and told my dad to return the camera to the shop. Later, I sent my report and inspection photos to the bank. The next day, I was out and about and realized the whole world was aware of the alien we had found! They had our photos! They were in every publication and on every news station. I had no idea how this had leaked. (True Christians will recognize this as a deception while the rest of the world will swallow the lie, like the waters out of the mouth of the Dragon.) I assumed it was because we returned the camera and the camera shop found the photos on the device and released them. I knew we had discovered it, but no one would ever know our identity. I was ok with that, but I was a little disturbed by how and why they were released. The world was in a frenzy, to say the least. A few days had passed and I was sent back to the same home by the bank to remove the small area of vines growing in the basement. When I got back to the house, the alien child was gone, but the basement dining room was now absolutely full of green vines. (This will be a worldwide deception that will be ‘fed' to all the people.) The walls and ceiling were now covered. I was supposed to remove them, and it was a daunting task. Then, my dad showed up, and we were talking about the alien. The next thing I knew, I stumbled across the rented camera in the basement. I got so upset at my dad because he returned the case but not the camera. (Honestly, I was worried about the late fees. Lol) He said he forgot to look inside the case when he returned it. I realized something strange had happened. How did the world know of the alien if we never took the camera back? Who released the photos? Then I woke up. (2Th 2:8-12 And then shall be revealed the lawless one, whom the Lord Jesus shall slay with the breath of his mouth, and bring to nought by the manifestation of his coming; 9 even he, whose coming is according to the working of Satan with all power and signs and lying wonders, 10 and with all deceit of unrighteousness for them that perish; because they received not the love of the truth, that they might be saved. 11 And for this cause God sendeth them a working of error, that they should believe a lie: 12 that they all might be judged who believed not the truth, but had pleasure in unrighteousness.)     Flesh is Born of Flesh and Not Demons Excerpt from: Sons of God, Aliens and Giants   David Eells God said in John 3:6, That which is born of the flesh is flesh; and that which is born of the Spirit is spirit. So Demons cannot birth Children through humans. Demons can infest humans with lying spirits. (Gen.6:1) And it came to pass, when men began to multiply on the face of the ground, and daughters were born unto them, (2) that the sons of God saw the daughters of men that they were fair; and they took them wives of all that they chose. Believers are the sons of God mentioned here and in the rest of the Scriptures (Psa.82:6; Dt.14:1,2; Hos.1:10; Isa.43:6; etc.). Notice this was “when men began to multiply” not angels. Jesus quoted Psa.82:6 to His people: (82:6) I said, Ye are gods, And all of you sons of the Most High. To be a son you must be born of God, not created, as the angels. Adam was called a son of God and he was born of God when He breathed into him the breath or Spirit (same Hebrew word) of life. Only his flesh was created from the earth and so was ours, which came from his. God specifically says that He never called an angel His son nor are they born of Him. (Heb.1:5) For unto which of the angels said he at any time, Thou art my Son, This day have I begotten (Greek: “born”) thee?.... God specifically says their spirits were created. (7) And of the angels he saith, Who maketh (created) his angels winds (Greek: “spirits”). The proponents of this false doctrine say that Satan came among the angels in Job who were said to be sons of God. It does not say that. Satan, the highest fallen angel, was not a son of God but only came among them to be their accuser as he did with Job. (Job 1:6) Now it came to pass on the day when the sons of God came to present themselves before Jehovah, that Satan also came among them. He immediately begins to accuse them to God. (11) But put forth thy hand now, and touch all that he hath, and he will renounce thee to thy face. Here is the same case. (Zec.3:1) And he showed me Joshua the high priest standing before the angel of Jehovah, and Satan standing at his right hand to be his adversary. (2) And Jehovah said unto Satan, Jehovah rebuke thee, O Satan; yea, Jehovah that hath chosen Jerusalem rebuke thee. (3) Now Joshua was clothed with filthy garments, and was standing before the angel. 4 And he answered and spake unto those that stood before him, saying, Take the filthy garments from off him. And unto him he said, Behold, I have caused thine iniquity to pass from thee, and I will clothe thee with rich apparel. Joshua, the Hebrew word for Jesus, and Jerusalem represent the same thing here, the body of Christ, who are being accused by Satan. Paul said the heavenly Jerusalem was “the general assembly and church of the firstborn who are enrolled in heaven” (Heb.12:23). We are seated with Christ in heavenly places. We, as the sons of God present ourselves before him constantly and Satan comes among us to accuse us. We are never out of God's presence. You will notice that God separated the line of Seth and the line of Cain in Gen.4 and 5, just as he separated Israel from the Gentiles and commanded them to not cross. In the New Testament Christians are forbidden to marry unbelievers (1 Cor.7:39), although if you are married to one do not leave them for God can save them (7:12-14). Notice in all three of these cases we are talking about crossing the sons of God and the sons of the Devil, or men, which is strictly forbidden (1 Cor.7:39; Ezra 9:2; 10:10; 2 Cor.6:14-18). In all of these cases when the sons of God fell away they began to have fellowship with fallen angels which we call demons (Psa.78:49, called here “angels of evil”; 2 Cor.12:7; Greek: “angel of Satan”) Demons did not directly create giants because they cannot. The Scripture teaches that each seed brings forth after its own kind. Jesus said, “that which is born of the flesh is flesh and that which is born of the Spirit is spirit”. Therefore, spirits cannot bring forth flesh. Some would argue that Jesus was born of God. Jesus' spirit was born of God but His flesh was born of David through Mary; “the seed of the woman”. Rom.1:3 concerning his Son, who was born of the seed of David according to the flesh, 4 who was declared [to be] the Son of God with power, according to the spirit of holiness, by the resurrection from the dead. Spirits can inhabit bodies of men that can procreate but they cannot have anything to do with making giants through marrying the daughters of men. (Mat.22:29) But Jesus answered and said unto them, Ye do err, not knowing the scriptures, nor the power of God. (30) For in the resurrection they neither marry, nor are given in marriage, but are as angels in heaven. Fallen angels do not procreate man's flesh but his spirit and soul. Spirits sow a spiritual seed, not a physical one. Jesus is the Word, who in Matthew 13 sowed the seed of the Word in His people's heart to bring forth His fruit in them, 30, 60, and 100 fold. In Mat.13:24,27,32 the word for seed in Greek is “sperma”. Demons also sow their “sperm” in mankind's hearts to bring forth their evil fruit but this is their spiritual man and not their flesh. Seth, the son of God, is mentioned in the spiritual lineage of Jesus. (Luk.3:38) the [son] of Enos, the [son] of Seth, the [son] of Adam, the [son] of God You will notice that God mentions all of Cain's wicked descendants in Gen.4:16-24. After this we are told, (Gen. 4:25) And Adam knew his wife again; and she bare a son, and called his name Seth. For, [said she], God hath appointed me another seed instead of Abel; for Cain slew him. (26) And to Seth, to him also there was born a son; and he called his name Enosh. Then began men to call upon the name of Lord. Notice after all that evil seed God gave one to replace Abel the righteous seed. Why didn't any of Cain's seed replace Abel as a righteous seed? Obviously, his seed were evil. (1 Jn.3:12) not as Cain was of the evil one. Only after Seth and his son were born did the scripture say “men (plural) began to call on the name of the Lord”. Obviously Cain and his tribe did not call on the Lord. They were sons and daughters of men and as such called on the devil. After Adam there was not another son of God born until Seth; skipping over all of the seed of Cain. (Gen.5:3) And Adam lived a hundred and thirty years, and begat [a son] in his own likeness, after his image (a son of God) ; and called his name Seth. Notice none of Cain's descendants were sons of God but were of men. How then were the giants made? Seth and Cain's lineages stayed separate for hundreds of years. They inbred within their lines, which was not against the command of God at this time. In nature, especially after the curse, this deteriorates the line. They became weaker, smaller, and less intelligent. Wherever there has been in-breeding today, the descendants are sickly in mind and body. When the sons of God began to fall away some became inhabited by demons. This also happened in Israel and Christianity because history always repeats. (Ecc.1:9) That which hath been is that which shall be; and that which hath been done is that which shall be done: and there is no new thing under the sun. When after years of inbreeding the fallen sons of God and the sons of men crossed, making what is called in nature hybrids. The “Nephilim” were bigger, stronger, and more intelligent because as hybrids they end up with the better physical characteristics of both lines. Later in the Law God forbid inbreeding, at least with close relatives. Now even cousins are a no-no because the farther from Adam we go the stronger the curse has become. The serpent obviously walked on legs in the Garden because God cursed him to crawl on his belly. That curse was gradual and increased as time went by. Even in Job's day, which was in Jacob's day, he saw dinosaurs in Job 40:15 - 41:34. You have to ignore the translator's silly notes calling them hippopotamus and crocodile. We have never seen a hippo with a tail like a cedar tree or a croc that stood so tall that a multitude of men with spears and arrows dared not even approach him. The dinosaurs were serpents with legs. Even today some serpents have vestiges of legs beneath their skin. The fire-breathing dragon in Job 41:18-21 was a tyrannosaurus. This was one type of the serpent in that time but it was cast down by the curse to crawl on its belly. Rev.12:9 And the great dragon was cast down, the old serpent...The increasing curse made it more and more improbable for giants, human or beast, to be bred.     “Added Books of the Bible” Disproven by God David Eells – 4/20/25 The people are wrong who say: “There were other books of the Bible that should have been included or the apocryphal books should not have been taken out. Saying we only had 66 of them, while many were missing. The White Hats retrieved all of them from the basement of the Vatican.” Who made these people experts on the anointed words which they have never followed? There have been many books hidden at the Vatican, but Numerics is a pattern in every letter of the original Greek and Hebrew, parts of which are shown in various ancient manuscripts. Every manuscript can be proven as to where this pattern is or isn't, showing the original text. This pattern was designed by God to prove that only the 66 books are inspired by Him. No other book has been found to have this complete pattern in every letter and its position. The Catholics added their apocryphal books that were proven not to have this pattern. The original KJV had these books in it. Satan and his “aliens” want desperately to pollute the Bible. The “New Agers” throw out the book of Revelations, which has this perfect pattern disproving their 1000 years of peace. Where the original “Numeric Greek New Testament” is used Bible skip sequence codes will show up all through the text. God pronounces a curse at the end of the true Bible on all who add to or take from its Words. Rev 22:18-21 I testify unto every man that heareth the words of the prophecy of this book, If any man shall add unto them, God shall add unto him the plagues which are written in this book: 19 and if any man shall take away from the words of the book of this prophecy, God shall take away his part from the tree of life, and out of the holy city, which are written in this book.     66 Books Proven by Math Science Proves the Bible Numeric English New Testament The Holy Bible, Wholly True Numerics and the KJV Numeric Materials   Now I'm going to share an excerpt from this book by Philippe Besnard on New Age. Why? Because this sect has invaded the Alliance and is totally defenseless against this demon deception along with the Unitarian types and long dead “Christian” religions of shifting sands. Only the firm foundation of the Word and infilling of the Holy Spirit will give discernment.     Spiritual Warfare- Revelation of a New-Age Deception https://www.ubm1.org/spiritualwarfare-besnard.pdf (David's Notes in Red) North America, Birthplace of the Modern New-Age Movement (When I met Philippe, he was coming out of 30 years of the New Age movement, and as such, he was an expert in describing it.) The North American continent is the birthplace of the modern New Age movement, and when I immigrated to Canada from France, I felt in awe of what I saw as the vibrant “new spirituality” of this wild land. In comparison, I thought France and old Europe were still living in the Middle Ages. France is now catching up with the New Age, but for many years, it has been very slow to emerge. As part of my new identity, adapting to a new culture and learning English, I became a true product of the New Age. I was eager to embrace the lifestyle and social and spiritual trends of my adoptive country. For thirty years I had earnestly followed New Age teaching, traveled to workshops, conferences, seminars, training sessions, and festivals, met many of its teachers, and was personally taught by some of them. I had received countless readings from channelers, psychics, astrologers, palm readers, and Tarot card readers. I received spiritual healings from healers of all faiths and denominations, and even so-called “DNA activation” from a “Spiritual Scientist”. But the Bible says in Lev.19:31 “Give no regard to mediums and familiar spirits; do not seek after them, to be defiled by them: I am the Lord your God.” I had embraced the mystic path and the contemplative lifestyle. I practiced yoga and meditation for many years; sat in Darshan to receive the blessings of gurus, and participated in Satsang, chanting the names of Hindu deities and Buddhist mantras. I facilitated devotional evenings with my guitar, chanting Sanskrit mantras, the music of which I had composed. I traveled to India twice and other countries in the Far East seeking “truth, wisdom, enlightenment, and good karma”. I have been in the company of, and received teachings from, a number of swamis, gurus, yogis, lamas and so-called “enlightened” Western spiritual teachers. As a nature lover, I had worshipped Nature, called the earth Gaia, followed and believed in various native teachings and Shamanism. My space at home was cluttered with New-Age paraphernalia on the walls, tables, and corners. In the garden, I had crystals, posters, images and statues of Buddha and Hindu deities. The New Age is a melting pot made of practically every religious and occult philosophy found in the world. It is a strange convergence of mysticism, holism, pantheism, aboriginal animism, humanism, Luciferian Western occultism with Freemasonry, Theosophy, Rosicrucianism, modern Masonic witchcraft (called Wicca), the Illuminati, apostate Christianity, Gnosticism, Islam, Taoism, Buddhism, Zen, Sufism and Hinduism. The New Age is a broad movement characterized by alternative approaches to traditional Western culture, with an interest in Druidism, shamanism, neo-paganism, Voodoo, exploration of human sexuality, environmentalism, modern-day occultism, worship of “Mother” Earth, psychic healing and extraterrestrial phenomena. Most of the ancient origins of the New Age are found in classical Hinduism, Buddhism, and pagan Babylonian religions. So, despite the name “New” Age, we are dealing here with a very ancient system. Paganism is a people or a community observing a polytheistic religion, which is the worship of many gods, as opposed to monotheism, the worship of One Almighty God, the Creator of All that is. A Pagan is also called an irreligious heathen, gentile, or hedonistic person... The great New-Age plan is dedicated to the unification of all races, religions and creeds. This plan is claiming to establish a “new order of things”, it is to make all things new - a new nation, a new race, a new civilization and a new non-sectarian one world religion that has already been recognized by the United Nations. This New Age globalism movement advocates a one-world government, a one-world religion, and a one-world economy; and this would mean the destruction of the sovereignty of nations and religions. New Age teachers are using standard texts of Eastern religions such as the Hindu Baghavad-Gita and the Tibetan Book of the Dead, as well as writings of Jewish mysticism called Kabbala and those gnostic scriptures often called the Apocrypha. Over the years, I became more and more confused in studying such “new revelations” as the Urantia book, the Keys of Enoch. (Academy for Future Science), A Course in Miracles, Elizabeth Clare Prophet (of The Church Universal and Triumphant). (General Flynn in Sept. 2021 offered a prayer at a large church gathering of Trump worshipping, patriotic “Christians” that originated from Elizabeth Clare Prophet invoking the 7 fold rays and the arch angels. Rick Wiles has denounced Michael Flynn, because he delivered a “New Age prayer” almost word for word by Elizabeth Claire Prophet, a New Age Theosophist and Christian Science advocate, at pastor Hank Kunneman's Christian conference last week and had everyone in the congregation repeat the invocation after him: “ Rick said, “My advice to you is to separate from Gen. Michael Flynn.” In this prayer Flynn invokes “the 7 fold rays and the arch angels”, “in your name and the name of your legions” to help guide humanity (Ascended Masters) and protect us against the enemy and further the purposes of their agenda. (Who is his god? And to whom is he praying?) The “7 fold rays and the arch angels” is based on New Age Theosophy developed by Helena Blavatsky. By the way, you can not achieve the rank of a military general without being initiated. The White Dragons who support the Alliance behind the scenes believe that the Abrahamic God is satan @ 11:53 minutes. (What's Behind General Flynn and the White Hats Alliance? Here is an informative Link: https://youtu.be/Dkx7v0JTmmw) Back to Philippe's text: I also studied... Rudolf Steiner (Anthroposophy), Edgar Cayce, Law of One, Aquarian gospel of Jesus Christ, Heindel Max (the Rosicrucian cosmo-conception-Mystic Christianity) the Gnostic gospels. There is a lack of uniformity in the doctrines of the New Age. The beliefs of New Agers vary from ‘group to group' and ‘person to person.' Thus, it is difficult to have a clear definition and a solid understanding of what the New Age really is. I believe this confusion has been created on purpose. It is very hard to pinpoint, identify and shoot the enemy when it is moving constantly, shape-shifting, or invisible. People entering these movements are generally concerned with having an experience, and not necessarily with finding the truth. Their actions are determined by feelings, not intellect. The emphasis is on “practicing and becoming god” and this is why meditation and many other techniques that teach “stillness of the mind” and a “receptive feeling mode” are promoted. We are told to “follow our bliss”, “go with the flow”, “let loose”, to “transcend the limitation of the mind,” and to “experience the pleasure and the ecstasy of the body”. Using your mind to discriminate and discern has become taboo. The principle of “spiritual vibration” is the belief that all things vibrate at some frequency. The ultimate goal of all New-Age practices is for humanity to vibrate at the same frequency so that we can all become one, spiritually and mentally. “We are all one”, this most repeated New-Age catch phrase, wants us to believe the unity of all things, heaven and earth, spirit and matter, the invisible and the visible worlds, the great melting pot of Darkness, Light, and everything in between. (WWG1WGA?) This “All is ONE”, “all is good”, “don't worry, be happy”, “don't judge” and “be in the moment” is a disastrous recipe that generates apathy and complacency. It is creating a generation of self-seeking, egotistical people who are indifferent to iniquity and the suffering of others. I have been a dedicated student of this school of thought and I have practiced being fully in my body, opening all “the inner channels” and feeling “the subtle currents”. I was proud of “feeling and being” but I was a total fool...! I had lost common sense and the ability to discern and discriminate good from evil. I didn't want to judge anything or anybody for the fear of being unloving, and spiritually not evolved. What a perfect brainwashing and a diabolical device to enslave, control people and turn them into powerless puppets! I was losing my God-given right to discriminate and I didn't realize that judging is necessary for preserving the integrity of my soul. I used to confuse judging with condemning, and I know this confusion had been fostered on purpose. Then I discovered I can judge a situation or someone without condemning and feel love and compassion toward all the parties involved. This was a very liberating and empowering realization. Of course, our human judgment is flawed and imperfect, but as we draw closer to God, we learn true Divine Justice. (And discernment)     Is Darkness Real and Is it a Sovereign Force? The beginning of the story starts with a question I have been asking myself over the years: “And what about God?” I often wonder how God is seeing me, seeing us, seeing the world. I often cry out to Him, asking, “Why, God? Why is there so much pain and suffering everywhere on this beautiful planet? Why is there so much injustice, poverty, and violence?” Do you have the feeling, as I and many others do, that something ominous is about to happen and that we are only seeing the beginning of a momentous transformation? It seems with each day, the world is spiraling down into greater chaos, deception, and destruction. I know a lot of us choose to look at the positive and ignore the increasingly rapid deterioration of our civilization, but refusing to see that anything serious is happening, denying that we, as a human race, are in deep trouble is not going to change it, resolve it, or make it go away. No, in fact, denying is not seeing, and if we don't see, we are blind and hopeless to change anything. Because of my willingness to honestly acknowledge and recognize the darkness pervading our world, I have been more readily able to recognize that this darkness is also within myself. I realized I can only change something in the world or within myself when I am fully aware of what is truly happening. I have heard many times people saying, “The dark only exists when you believe in it. If you believe in the devil, in darkness, you are giving it power, but if you focus on the light, the dark has no place to be.” I tried that belief on, wearing it for some time, but darkness was still there. This belief crippled my ability to discriminate evil from good. Is not believing in darkness preventing darkness from manifesting? Is the world such a paradise that there is no darkness to be seen anywhere? How can anyone believe this? The dark, of course, wants you to believe it is not there but even the most remote paradisiacal Pacific island has murder, theft, violence, greed, etc. In my twenties, I lived on Boraccai, a remote Philippine paradise island, for five months. I was living in a bamboo hut on the beach with no electricity, no running water or any modern amenities. Life was so gentle and simple, I felt surely, I had found the Garden of Eden. One morning, I heard that a man had been murdered the previous night. There had been some drinking and a knife fight broke out. I was deeply shaken to the core, as was most of the tiny population of the island. My innocent naivety that the world is a safe place was completely shattered. In that one moment I became aware of the pervading presence of the dark. “The light” is such a broad, impersonal concept when it is not mentioned as an attribute of God. In fact, many of us embrace the concept of “the light” standing all by itself as a sovereign, impersonal, beneficial force that is replacing the Name of God. Few people know the dark is quite capable and is a master at parading and appearing as the “light”. 2Co.11:13 For such men are false apostles, deceitful workers, fashioning themselves into apostles of Christ. 14 And no marvel; for even Satan fashioneth himself into an angel of light. 15 It is no great thing therefore if his ministers also fashion themselves as ministers of righteousness; whose end shall be according to their works. There is the assumption prevalent in New-Age circles that the light needs the presence of the dark to exist. We are told that within the fabric of the universe there is built in an eternal polarity that makes the light of God not being able to exist without the darkness of Lucifer. This is a clever but absurd concept invented, of course, by the dark to deceive people into accepting Lucifer as a legitimate, purposeful, and even beneficial force. The great paradox is this: that Lucifer is, indeed, purposeful, not as an independent sovereign entity but as a force that God uses for His own plan. The dark was created and is allowed to exist by God for His Sovereign purpose and actually needs God's approval and permission to continue to exist. On the other hand, God obviously exists outside of this fallen, polarized world and has no need whatsoever of anything or anybody outside of Himself. There is no darkness in the Kingdom of God, not even anything that remotely resembles darkness. 1 John 1:5 And this is the message which we have heard from him and announce unto you, that God is light, and in him is no darkness at all. If there is no darkness in the Kingdom of God, then surely this planet, which has been corrupted with darkness since the beginning of time, is not the Kingdom of God. Jesus confirmed that fact by saying: My kingdom is not of this world: John 18:36 Of course, this doesn't mean God is not present or is removed from His creation, but I wondered why God allows darkness to be here. Please be patient with me as I attempt to offer my understanding based on the fruit of my life experiences and the teachings found in the Bible.     The New-Age Movement For over thirty years I had been searching for God and the Truth while being completely lost in the great deception of the New Age. I was immersed in New-Age thinking, was an intimate part of its movement, and worked to promote its philosophy and belief system. I was brainwashed to blindly accept and embrace New-Age occult knowledge, and I was convinced my life of service and my spiritual studies were the highest expression of my love for God. I was sincere, as most New-Agers are, but I was also completely deceived and clueless. My study and knowledge of esoteric and ancient mysteries gave me a sense of belonging to the highest-evolved portion of humanity. Although I have always managed to retain some humility in my being, through a natural devotion to the Lord, I still had a typical new-age persona, a spiritual vanity, that vague illusion of having achieved a higher consciousness. This was constantly reinforced by countless readings, which I had received over the years from psychics, clairvoyants, mediums and channelers. I was repeatedly told how great, spiritual, and amazing I was and how I had come here on earth from the higher angelic realms to save lost mankind. I was a walking earth angel with a mission….!!! Of course, I knew everybody else was more or less told the same story, so I took all of it with a grain of salt as I was aware of the deception of ego-flattering, but I was hoping somehow I was special in the eyes of God. Little by little over the last few years, I came to realize through the grace of God's revelation, the many distorted truths and the outright evilness of the New-Age teachings. Because of my passionate nature, I had delved into this New-Age pool deeply and had many close encounters with renowned teachers and spiritual centers across North America. This first-hand, practical knowledge and in-depth study has given me a unique perspective to share with you, the discovery of a very shocking and disturbing truth. The Dark New Age of Aquarius is here right now, and those leading the way forward in this New Age are working hand-in-glove with the great and the powerful. Some of the wealthiest and influential men and women on our planet are openly identifying themselves with the New Age. From bankers, industrialists, politicians, celebrities, and religious leaders of all faiths, it seems everyone is going “New Age,” and they are bringing huge numbers of the population along with them. Darkness is a very powerful force at work over this world. It is a corporate entity made up of many individuals, and is described in the Bible as “the beast”. It is also the embodiment of one being who has been known by various names, including Thoth or Seth in Egypt, Manu in India, Hermes in Greece and Lucifer, the Devil, or Satan in the Judeo-Christian tradition. God is executing end-time Bible prophecy right this very day and He is allowing Lucifer to create the final end-time New World Order of the beast empire. One of the instruments for all this to come to pass is the New Age Movement, also called “The Plan” and what Freemasonry calls “The Great Work Of Ages”. (The QAnon movement has always said, “Trust the Plan.” Whose ‘Plan' are they referring to? Probably not God's plan, but the New Age plan and their AI computers.) This is Lucifer's rebellion and master plan in action against God. The New Age movement has become a powerful political, philosophical, and economic force in our contemporary culture and is exerting its influence into every facet of modern life. (As I've often said, One beast is being conquered by the other and we are grateful for that at this moment. The day will come when all this camaraderie will melt away because they are looking down their snoots at us.) Its ultimate goal and plan is to introduce a One World Order and One World Religion. The UN is gradually becoming the center of this New World Religion, and the “house of peace” with its programs and policies is even more worthy of comparison to what some have called a modern-day “Tower of Babel”. All of my research and personal experiences during those years have led me to believe that Lucifer is very real and he is rising, or descending, depending on which way we look at it! He is here on earth, in this dimension, causing havoc and chaos in an attempt to seat himself on the throne of a World State, and to inaugurate a New Religion with himself as its sole deity. Dan.11:36 And he shall exalt himself and magnify himself above every God, and shall speak marvellous things against the God of gods, and shall prosper till the indignation be accomplished; for that which is determined shall be done. (Isa.14:13 And thou saidst in thy heart, I will ascend into heaven, I will exalt my throne above the stars of God; and I will sit upon the mount of congregation, in the uttermost parts of the north; There is a false belief among many today that Lucifer and Satan are the same but this is propagated by the New Ager's. “Lucifer and Satan are actually two different aspects of the same creature. Lucifer, meaning “the brilliant one, son of the morning” in Hebrew, was an angel beloved by God until his fall and after his rebellion, he became Satan. While there is a significant difference between the two, the terms today have unfortunately become synonymous with each other and with the devil.” Satan has been busily working through his false prophets and religious harlots to pollute true Christianity and also offer a fake moralizing replacement for it to the world so that no one has to repent of sin.     False Prophet and Religious Harlot Experience and the Word have taught me concerning prophecy that if the majority of God's people believe something, it must be wrong. God hides his truths in dreams or visions that are parables so that the false prophets and carnal Christians cannot understand them as in (Mat.13:10-13) but privately He explains them to His disciples. He hides truths from the wise and understanding of this apostate religious system and reveals them to babes according to Jesus in (Luk.10:21). He reveals His hidden truths to those who are faithful. Rev.2:17…To him that overcometh, to him will I give of the hidden manna…. John's Revelation was given to him as a parable from Jesus. If it were literal, the false prophets would know what is going to happen and that is contrary to Jesus' own words. When the disciples were young and under the Law they did not recognize the false prophets that ruled them. As a matter of fact, they respected them! And so it is today! I want to share with those of you who have eyes and ears who the false prophet is and what his work is. ...The false prophet is a corporate body of religious leaders that to the trained eye resemble those of Jesus' day. Since Jesus' day is a type of the coming Man-child reformers in our day, we know there are going to be false prophets, plural. In all of the New Testament writings, outside of the book of Revelation, we are warned that false prophets, plural, would come. In Revelation, false prophet, singular, is used, but in an allegory or parable to hide the corporate body. Since Jesus, Peter and John said that in the end time many false prophets shall arise, then the false prophet in Revelation is a symbol of a corporate body, like the rest of the characters there like the Woman, the Harlot, the Beast, etc., are corporate bodies. It's the only way that all verses concerning false prophets can be right. Mat.7:15 Beware of false prophets, who come to you in sheep's clothing, but inwardly are ravening wolves. Mat 24:11&24 And many false prophets shall arise, and shall lead many astray. (24) For there shall arise false Christs, and false prophets… so as to lead astray, if possible, even the elect. So you see they are plural... They come to you with moralizing like the New Age but cannot live it at all because they don't know the Gospel that saves from sin, and nothing is sin to them. They are false because Jesus said, “To him that overcometh will I give authority” meaning, overcome sin. False prophets fit the type and shadow of history, according to Jesus. Luk.6:26. Woe [unto you], when all men shall speak well of you! for in the same manner did their fathers to the false prophets. Peter also said there would be false prophets among us. 2Pe.2:1 But there arose false prophets also among the people, as among you also there shall be false teachers …. John also said that many false prophets would speak for antichrist. 1Jo.4:1 Beloved, believe not every spirit, but prove the spirits, whether they are of God; because many false prophets are gone out into the world. (3) And every spirit that confesseth not Jesus is not of God: and this is the [spirit] of the antichrist … Notice that every spirit is the antichrist. The New Age is one of these false prophets that confesses not Jesus as the only begotten Son of God and leader of His Church. Part of the “strong delusion” (KJV) taught by the false prophets is that we are to be looking for the coming of a man called the false prophet, while the Biblical corporate false prophet is here and in the pulpits already. 2Co.11:14 And no marvel; for even Satan fashioneth himself into an angel of light. (15) It is no great thing therefore if his ministers also fashion themselves as ministers of righteousness, whose end shall be according to their works. ...Most agree that the second beast in Revelation 13 is the false prophet. He is given authority by the first beast for the second stage of the last 3½ years of the Tribulation (Rev.13:5). He is identified as a beast because he is a corporate body, as is every other prophetic beast in the Scripture. Rev.13:11 And I saw another beast coming up out of the earth; and he had two horns like unto a lamb, and he spake as a dragon. (12) And he exerciseth all the authority of the first beast in his sight. And he maketh the earth and them that dwell therein to worship the first beast, whose death-stroke was healed. The beast that is coming into authority now is pointed to by the New Age. It is a one-world order with a covenant. Here we see that the false prophet masquerades as the lamb: “two horns like unto a lamb” but he speaks as the world and Satan: “and he spake as a dragon” (beast). This second beast in chapter 13 is also identified after the world beast in Revelation 16:13 as the false prophet. This impostor leadership for the harlot has “a form of godliness” (2Tim.3:5) but is carnal and can only teach a worldly corruption of the Word. They are actually a mouthpiece for the world beast in the apostate church. It was said of the world beast, (Rev.13:5) and there was given to him a mouth speaking great things and blasphemies…. These apostates speak against (Greek: blasphemeo) God with their hypnotizing, ear-tickling doctrines of all-fly-away, unconditional eternal security, worldly prosperity, greasy grace, and anything but the self-crucifying truth. And 1000 years of peace that will be interrupted by the Tribulation that they do not believe in. The false prophet is a corporate body within the corporate body of the harlot, which is female because they receive the seed of antichrist. In verse 15, we see the female body of the false prophet. “And it was given to her (Greek) to give spirit (Greek) to the image of the beast.” Bible Numerics show a perfect pattern for “her” and “spirit” in the original Greek and in the most accurate New Testament, the Numeric English New Testament by Ivan Panin. There is no pattern in “he” or “it.” In Greek, breath and spirit are the same. Numerics show beyond a shadow of a doubt which words are correct here. In the rest of the text this false prophet is identified as male by the same numeric pattern. A translator would have had to respect the Word enough to ignore his own reasoning to simply translate what was there. Most are not willing to go out on a limb and look foolish when they do not see the reason. A male, who is also seen as female, is clear proof that God is not speaking of an individual here but a corporate body of people. In parallel, we are the male body of Christ, made in His image (2Cor.3:18), but we are female in another type (Eph.5:22-25), being married and submitted to Him to receive only His seed, His Word. Let's see this corporate false prophet and his relationship to the harlot in another parable. We know Ahab represents the ten-horned beast who was being ridden by Jezebel (1Ki.18), exactly as the harlot rode the beast in Revelation 17:1-3. They ruled over the apostate ten tribes, who were also those who worshiped the image of the beast, the golden calf. As the corporate mother of the harlot sects of Christianity, she leads them into the Great Tribulation and death unless they repent. Rev.2:20 … Jezebel … teacheth and seduceth my servants to commit fornication (with the world beast by receiving their seed)…. (21) And I gave her time that she should repent; and she willeth not to repent of her fornication. (22) Behold, I cast her into a bed, and them that commit adultery with her into great tribulation, except they repent of her works. (23) And I will kill her children with death; and all the churches shall know that I am he that searcheth the reins and hearts: and I will give unto each one of you according to your works. Like the harlot, Jezebel was guilty of the blood of the prophets and of the saints (1Ki.18:4; 2Ki.9:7; Rev.18:24). In Revelation 17:16 when the beast is through using the harlot he devours her, and so it was with Jezebel who was devoured by the dogs (1Ki.21:23), symbolizing the unbelievers (Mk.7:27) or the beast. The true ministers of God are fed at the Church's table (1Cor.9:13-14) and the false prophets are fed from the harlot's table. (1Ki.18:19)…The prophets of Baal four hundred and fifty, and the prophets of the Asherah four hundred, that eat at Jezebel's table. The two categories of false prophets represent the two horns of the false prophet in Revelation 13:11. Find out who Baal and Asherah represent in modern times and you will know who the corporate false prophet is. These two have their roots at the tower of Babel and were originally Nimrod and his wife Semiramis (Gen.10:8-10). They created the original harlot religion that spawned all the rest. They are a type of the great corporate mother of harlots of all of history. Rev.17:5 And upon her forehead a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF THE HARLOTS AND OF THE ABOMINATIONS OF THE EARTH. When Nimrod died and Semiramis (later called Asherah) became pregnant, she claimed that Nimrod had become the Sun God (later called Baal) who then by virgin birth was reborn as her son, Tammuz (Son of God). These original Babylonians worshiped the false father, son, and virgin about 2,300 years before the true virgin birth. Semiramis probably knew of the prophecy in Genesis 3:15 concerning the virgin birth seed of the woman and if she didn't, the devil did. With the confusion of languages and dispersion at Babel, this legend went throughout the world and these three were given different names in different cultures, many of which are in the Bible. The golden calf in Egypt was a symbol of the Father (Baal) in the Son. Remember Pharaoh's title meant “Great Temple of the Sun God.” Sun images all over the world and in Catholic and Eastern churches symbolize the false Son. The Israelites with their golden calf thought they were worshiping “YHWH” or “Elohim,” the true God, but it was Baal, “another Jesus.” One horn, the four hundred and fifty prophets of Baal, represent those who teach “another Jesus.” This is the apostate Protestant ministers. The other horn, the four hundred prophets of the Asherah, represent those who worship the virgin. These are the Catholic, Greek Orthodox, Russian Orthodox, Eastern Orthodox, and many others that are into “Mariolatry.” We know that Mary became saved and is our sister, and we love her but she is not the mother of God as Mariolatry teaches. (Rom.1:3) Concerning his Son, who was born of the seed of David according to the flesh, (Jesus' “flesh” was the “seed of David” through Mary, which was the promised seed of the woman in Genesis 3:15. Mary is the mother of Jesus' flesh which is the “Son of Man.”) (4) who was declared [to be] the Son of God with power, according to the spirit of holiness, by the resurrection from the dead; [even] Jesus Christ our Lord. Jesus' “spirit” man was the “Son of God.” Jesus agreed with this saying in John 3:6, “That which is born of the flesh is flesh; and that which is born of the Spirit is spirit”. Some would say that the two horns are the apostate leaders of the Christian religion and the leaders of false religions. To this I agree. The same verses usually address both greater and lesser types. The greater type is the most complete fulfillment and all the Babylonish religions will be gathered together in the end-time harlot. The False Prophets and Religious Harlots spread from the confusion at Babel throughout the world, and now the Unitarian New Age is seeking to bring Babel back together in a new Catholic, meaning “universal” religion that doesn't rebuke their own sins, much less others. Read also: Aliens Demons Bow to Jesus' Name Note: If you are a Spirit Filled Christian the Lord was speaking to you when He said, “I give you authority over all the power of the enemy.” And “What you bind on earth is bound in heaven.” The Lord said that we can delay this invasion now but we cannot ultimately stop it for God has sent this delusion. 2Th 2:9 even he, whose coming is according to the working of Satan with all power and signs and lying wonders, 10 and with all deceit of unrighteousness for them that perish; because they received not the love of the truth, that they might be saved. 11 And for this cause God sendeth them a working of error, that they should believe a lie: 12 that they all might be judged who believed not the truth, but had pleasure in unrighteousness.  “Satan, the deceiver of the whole world.”

Seven-year-old Jack raises a bean plant for school. Why does it look different than the plants grown by other kids in his class? Short story with text and audio. The post Jack and the Beanstalk appeared first on 500 Ironic Stories.

In this post-ban episode of In Response – A Legacy Podcast, Philipp, Daniel, and Peter take a deep dive into the seismic shifts in the Legacy metagame. With the bans of Troll of Khazad-dûm and Microspore reshaping the format, the hosts examine which decks took a hit and which are surging in their absence. From Blue-Black Tempo and Control's resurgence to a rising star in Stock Up-fueled brews, this is a must-listen for anyone navigating the new Legacy landscape.

In this episode, the hosts discuss the shifting power dynamics in the Legacy format, particularly focusing on the impact of recent bans and the emergence of new strategies. They explore how the Overton window for deck viability has changed, especially regarding control decks and the role of Mystic Sanctuary as a key card. The conversation delves into the diminishing relevance of Terminus in the current meta, highlighting the dominance of Beanstalk as a game-changing threat that alters the landscape of competitive play. In this conversation, the speakers delve into the impact of the Beanstalk deck on gameplay dynamics, exploring how it alters the rules of engagement in Legacy formats. They discuss the importance of having multiple legacy power level strategies in a deck, the significance of understanding deck infrastructure, and the learning experiences that come from gameplay mistakes. The conversation also emphasizes the need for players to evaluate their card choices in relation to the current meta and how the Overton window of deck viability shifts over time.Chapters00:00 Shifting Power Levels in Legacy03:05 The Evolution of Control Decks05:51 Mystic Sanctuary: The New Power Card08:48 The Role of Terminus in Modern Play11:55 Beanstalk: The Game-Changing Threat21:06 Understanding Beanstalk's Impact on Gameplay22:50 Legacy Power Level Strategies25:42 Navigating the Meta with Dual Strategies28:50 The Importance of Deck Infrastructure33:36 Learning from Mistakes in Gameplay39:12 Evaluating Card Choices in the Current MetaSupport us on Patreon: https://www.patreon.com/EternalDurdlesJOIN US ON DISCORD: https://discord.gg/hrC7PxQZTETwitch:Twitch.tv/durdlemagusEternal Durdles Moxfield: https://www.moxfield.com/users/EternalDurdleshttps://www.moxfield.com/users/Durdlemagushttps://www.moxfield.com/users/ForceofPhilCheck out our song parodies on SoundCloud: https://soundcloud.com/forceofphilFollow us on Twitter:Zac: @durdlemagusPhil: @ForceofPhil

In this episode, the hosts discuss the shifting power dynamics in the Legacy format, particularly focusing on the impact of recent bans and the emergence of new strategies. They explore how the Overton window for deck viability has changed, especially regarding control decks and the role of Mystic Sanctuary as a key card. The conversation delves into the diminishing relevance of Terminus in the current meta, highlighting the dominance of Beanstalk as a game-changing threat that alters the landscape of competitive play. In this conversation, the speakers delve into the impact of the Beanstalk deck on gameplay dynamics, exploring how it alters the rules of engagement in Legacy formats. They discuss the importance of having multiple legacy power level strategies in a deck, the significance of understanding deck infrastructure, and the learning experiences that come from gameplay mistakes. The conversation also emphasizes the need for players to evaluate their card choices in relation to the current meta and how the Overton window of deck viability shifts over time.Chapters00:00 Shifting Power Levels in Legacy03:05 The Evolution of Control Decks05:51 Mystic Sanctuary: The New Power Card08:48 The Role of Terminus in Modern Play11:55 Beanstalk: The Game-Changing Threat21:06 Understanding Beanstalk's Impact on Gameplay22:50 Legacy Power Level Strategies25:42 Navigating the Meta with Dual Strategies28:50 The Importance of Deck Infrastructure33:36 Learning from Mistakes in Gameplay39:12 Evaluating Card Choices in the Current MetaSupport us on Patreon: https://www.patreon.com/EternalDurdlesJOIN US ON DISCORD: https://discord.gg/hrC7PxQZTETwitch:Twitch.tv/durdlemagusEternal Durdles Moxfield: https://www.moxfield.com/users/EternalDurdleshttps://www.moxfield.com/users/Durdlemagushttps://www.moxfield.com/users/ForceofPhilCheck out our song parodies on SoundCloud: https://soundcloud.com/forceofphilFollow us on Twitter:Zac: @durdlemagusPhil: @ForceofPhil

Lars von Trier made a "musical" movie starring Björk, and she also wrote the music. That's all you need to know.Film Rage Socials: @filmrageyyPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Jack and the Beanstalk (1967)!

We are joined in this episode by member of the Fam, longtime friend and writer extraordinaire Dan B. Fierce as well as Lexi Boese as we discuss the origins of four more fairy tales.  We divide & conquer as Dean takes Rip Van Winmkle, Arthur covers Jack & the Beanstalk, Dan covers the tale of Bluebeard and Laura tells us the story of Rapunzel.  Afterwards, we talk about the tales origin,what it;s based on and so, so much more in this highly cool episode of the Family Plot Podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Send us a textHello and welcome to the end of March! This week, Max is going to change the way we think about Jack and the Beanstalk, and Janey is going to tell us about a magical kidnapping! (Business as usual!) Janey's Sources - Jamie Freel and the Young LadyFull StorySupport the showCheck out our books (and support local bookstores!) on our Bookshop.org affiliate account!Starting your own podcast with your very cool best friend? Try hosting on Buzzsprout (and get a $20 Amazon gift card!)Want more??Visit our website!Join our Patreon!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.com

Help MuggleCast grow! Become a MuggleCast Member and get great benefits like Bonus MuggleCast! On this week's edition we discuss the best use of 8 hours to tell the story of the first season of the upcoming TV show! Patreon.com/MuggleCast  Grab official merch! MuggleCastMerch.com Pick up overstock merch from years past! MuggleMillennial.Etsy.com On this week's episode, don't forget when sneaking out of the house to cover your footprints in the snow!  We're getting the lowdown from Hagrid on what he's been up to for the last few months, until, of course, we're interrupted by one, giant b*tch! Chapter by Chapter continues with Harry Potter and the Order of the Phoenix, Chapter 20: Hagrid's Tale. MuggleCast last discussed the chapter on Episode 456! Upon his return to Hogwarts, do readers and the trio experience a different side to Hagrid? Honestly, can Harry, Ron and Hermione give Hagrid a minute to get settled in? It seems like Hagrid is simultaneously annoyed and proud of the trio for being able to put two and two together about his journey. Could Umbridge have been responsible for putting a tail on Hagrid and Maxime? Our first and only real exposure to Giant Culture in the Wizarding world: a fascinating dynamic to another marginalized community. How is Dumbledore recruiting the giants any different than Voldemort? Did Hagrid and Maxime's gifts to Karkus ultimately get him killed? What does it say about the giants that some are closed off to new ideas, but others can be open to them? Mommy Issues: Hagrid doesn't speak too kindly about his mother. Fridwulfa Does Umbridge spend all her time spying? Is this what Petunia would have been like at Hogwarts? Did Harry, Ron and Hermione visiting Hagrid open the door for Umbridge's visit? The hosts share their Best Hagrid Moment from this chapter they want to see get the MAX treatment! Lynx Line: If you could go on a magical adventure with any wizarding world character to do Dumbledore's bidding, who would it be and why? Quizzitch:  In the English fairy tale “Jack and the Beanstalk,” Jack, who later meets a husband and wife that are giants, trades WHAT to obtain a handful of magic beans? Visit MuggleCast.com for transcripts, social media links, our full episode archive, our favorite episodes, and to contact us!   Learn more about your ad choices. Visit megaphone.fm/adchoices

The SKATCAST Network presents:Truck Driver Theater #27 with the Script KeeperToday's Skit-SKATs:[ Book of Shmoggie | 0:36 ] - "Chapter 6" - Gunner gets Billy off to school and his parenting is put into question. [ Liam the Monster Hunter | 12:08 ] - "War of the Trollses 2" - The War of the Trollses continues! South Demon Guard City will never be the same![ Talking Pets | 21:05 ] - "The Gray Dot Returns" - The Talking Pets have a number of things to discuss in the nieghborhood.[ Nurse Fairy Rhymes | 27:16 ] - "Fitcher's Bird" - Here's a bit of an obscure tale from the past.[ Nurse Fairy Rhymes | 37:26 ] - "Jack in the Beanstalk" - One of our first fairy tales that we mangled.Thank you for listening! Have a d*ck K*ckin' day!!!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/mVFf2brAaFFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Humberto Bejarano is the President and Co-founder of Beanstalk Growth Marketing, an award-winning agency based in Calgary, Alberta. With over 25 years of combined experience, he has been instrumental in delivering innovative, data-driven marketing solutions across North America. Under his leadership, Beanstalk has earned multiple accolades, including the Canadian Choice Award for Calgary's Best Marketing Agency and recognition from Clutch as a top advertising company in Alberta. Humberto's commitment to excellence and client success drives the agency's growth and industry impact. In this episode… Creating a sustainable, growth-oriented marketing agency can be challenging, especially in the ever-changing digital landscape. Many businesses struggle to balance branding, website development, and effective omnichannel strategies while staying profitable. So, how can companies streamline their marketing processes, foster strong client relationships, and adapt their strategies to meet changing demands? Humberto Bejarano, a seasoned sales professional and marketing expert, offers practical insights on building a thriving digital agency through smart partnerships, data-driven decisions, and client-centric approaches. He emphasizes the importance of understanding client pain points before pitching solutions, creating cohesive omnichannel strategies that leverage multiple platforms, and continuously testing and optimizing based on performance data. Humberto also highlights the value of combining creative expertise with structured project management to ensure clear communication, consistent delivery, and client satisfaction. In this episode of the Inspired Insider Podcast, Dr. Jeremy Weisz interviews Humberto Bejarano, Co-founder of Beanstalk Growth Marketing, about building and scaling a successful digital marketing agency. Humberto shares his experience merging companies, onboarding key team members, and adopting omnichannel marketing strategies. The conversation also covers effective sales processes, leveraging automation tools, and case studies of successful client transformations.

In this episode of Don't Waste the Chaos, we tackle one of the most critical decisions for small and mid-sized business owners: Should you outsource HR through a Professional Employer Organization (PEO) or keep it in-house? With nearly 15% of U.S. small businesses using PEOs and companies that outsource HR seeing an average 27% savings on HR-related costs, it's no wonder this is such a popular option. But is it right for your business? Join host Kerri M. Roberts as she breaks down the pros and cons of each approach. From understanding cost implications and compliance risks to assessing how much control you need over your HR strategy, this episode is packed with practical insights and real-life examples to help you make an informed decision. Whether you're a growing startup, a construction company, or a healthcare organization, you'll walk away with a clearer idea of what HR structure fits your business goals. Tune in to hear: What a PEO is and how it differs from managing HR in-house The key factors to consider when choosing between a PEO and internal HR: cost, compliance, and control The business profiles that benefit most from using a PEO and those that are better off keeping HR in-house Real-world examples of how cost-benefit analyses can help guide this decision Resources mentioned: At Salt & Light Advisors, we use Beanstalk Benefits for our team—and I can tell you firsthand, it's been a game changer. Beanstalk makes it easy to offer personalized, high-impact benefits that keep employees happy and engaged. From comprehensive packages to creative wellness options, they help companies grow strong teams from the inside out. I personally find this to be a perfect option for my listeners that have less than 50 employees, because they offer non-traditional and far more cost-effective options for employee benefits that set you apart from your competition. Learn more at dontwastethechaos.com/beanstalk. Let's face it—terminating an employee is never easy. But with the right support, it doesn't have to be overwhelming. Salt & Light Advisors is your trusted partner in navigating difficult employee transitions with compassion, compliance, and confidence. Whether it's a layoff or a performance-related termination, our team will guide you every step of the way to ensure a smooth process. When it's time to make the tough calls or if you need help even deciding if you should, go to dontwastethechaos.com/termination for support. Join our weekly newsletter: HR and Operations insights for business professionals: https://www.saltandlightadvisors.com/contact Women looking to expand professionally and personally: https://www.saltandlightforwomen.com/contact Connect on IG: https://www.instagram.com/saltandlightadvisors https://www.instagram.com/saltandlightforwomen https://www.instagram.com/dontwastethechaos Check out Don't Waste the Chaos on YouTube: https://youtu.be/Ikyi0-jxcAI?si=7eR8I6YZll-lYI7i Visit our website: www.dontwastethechaos.com Don't Waste the Chaos, Embrace It!

What worked, what didn't, and what's next? In this month's passive income report, Russ and Joey answer listener questions and give you an inside look at their financial wins, lessons learned, and plans for the future. From land investing to new income streams like vending and Turo, they share practical advice you can use to build your own path to financial freedom.Are you ready to build your passive income? Discover how to create a financial plan that works for you while avoiding common mistakes investors make.Top three things you will learn: -How to reinvest passive income for growth and long-term success-Key lessons from underperforming investments -Exciting new passive income streams to explore in 2025November 2024 Income At-A-Glance: -Gross Income for November: $65,388.22-Total Expenses for November: $18,231.33-Total Net Profit for November: $47,156.89-Difference b/t October & November: ($3,520.25)-% of net profit to overall gross revenue: 72%You can also learn valuable lessons on wealth-building and overcoming obstacles from the following episode: -Round Table | A Path to Financial Freedom: Explained by Jack and the Beanstalk - https://www.youtube.com/watch?v=2zgXLvJkM0kFor Accredited Investors Who Want to Invest With Us:-Email: info@wealthwithoutstreet.com (Reply: Accredited)Turn Active Income Into Passive Income:-https://wealthwithoutwallstreet.com/piosFree IBCA or Financial Freedom Discovery Calls:-https://wealthwithoutwallstreet.com/freecallJoin the Inner Circle Live Waitlist:-https://www.wealthwithoutwallstreet.com/liveIBC Webinar:-https://wealthwithoutwallstreet.com/ibcWealth Without Wall Street New Book:-https://wealthwithoutwallstreet.com/newbookAccess our Free Financial Scorecard:-https://wealthwithoutwallstreet.com/scorecardHow to Start a Vending Machine Business, Cost, Tips, How Much You Make with Michael Hoffmann: -https://www.youtube.com/watch?v=73Xwu2tHhwIBuild Passive Income with Vending Machines:-https://wealthwithoutwallstreet.com/vendingExplore the World's Largest Car Sharing Marketplace:-https://turo.com/Learn How to Invest in Real Estate with The Land Geek:-https://thelandgeek.com/Join the Wealth Without Wall Street Community: -

This week, Aaron, Brian, and Dusty look at the difference between fairy tales, folk tales, and fables while breaking down the plots of classic stories like Jack & The Beanstalk, Hansel & Gretel, and Little Red Riding Hood. Aura Frames- AuraFrames.com Save on the perfect gift by visiting AuraFrames.com to get $35-off Aura's best-selling Carver Mat frames by using promo code NATE at checkout. This deal is exclusive to listeners, so get yours now in time for the holidays! Terms and conditions apply. Bombas: Bombas.com/nate So, ready to feel good and do good? Head over to Bombas.com/nate and use code nate for 20% off your first purchase. Helix: Helixsleep.com/NATE Right now, you get 20% OFF plus 2 FREE pillows for all mattress orders. Just go to Helix Sleep.com/NATE. You can't beat this deal! Mountain Dew: https://lets.shop/2141/dothedew/ The Mountain is calling, you should answer.. Grab your friends, grab an ice-cold Mountain Dew wherever refreshing beverages are sold, and DO THE DEW

Today's debate throws two timeless tales into the ring for a clash of the classics. It's Jack and the Beanstalk vs. The Ugly Duckling! In this epic showdown, author and “Grimm, Grimmer, Grimmest” podcast host Adam Gidwitz climbs to the top for Jack and the Beanstalk, while author Soman Chainani helps The Ugly Duckling soar to new heights! Who will be crowned the Smash Boom Best? Head on over to smashboom.org and vote to tell us who YOU think won!This week's sponsor is:Help your kids learn to earn, save, spend wisely, and invest with Greenlight, the debit card and money app for teens. Visit Greenlight.com/inclined.Also… do you have your Smarty Pass yet? Get yours today for just $5/month (or $45/year) and get bonus episodes every month, and ad-free versions of every episode of Brains On, Smash Boom Best, Moment of Um and Forever Ago. Visit www.smartypass.org to get your Smarty Pass today. As an added bonus, your Smarty Pass will grant you access to a super special debate starring Sanden and Molly!

Jonathan Pageau is a French-Canadian liturgical artist, writer, and public speaker on religious philosophy, symbolism, and Orthodox Christianity. Pageau's commentary can be found on his YouTube channel, “The Symbolic World,” as well as in Dr. Jordan B. Peterson's 17-part “Exodus” seminar and The Daily Wire's latest series, “Foundations of the West.” In today's episode, Jonathan and I discuss the biblical themes found in classical fairy tales like “Jack and the Beanstalk,” and the important role that storytelling plays in establishing our most deeply held cultural norms. Pageau also speaks to the modern uses of symbolism, from the prevalence of conspiracy theories to the real meaning behind the opening ceremony at the Paris Olympics. Stay tuned, and welcome back to another episode of the Sunday Special. - - -  Today's Sponsors: ExpressVPN - Get 3 Months FREE of ExpressVPN: https://expressvpn.com/ben ZipRecruiter - Try ZipRecruiter for FREE: https://www.ziprecruiter.comdailywire Tax Network USA - Seize control of your financial future! Call 1 (800) 958-1000 or visit https://www.TNUSA.com/Shapiro