Podcasts about Beanstalk

Tobin absolutely loses his mind as he begs Dan Orlovsky to SHUT UP, after he tweets that the Dolphins are a “Dangerous” football team. Do us a favor and keep the positivity to yourself Dan! Then it is time for our favorite Tuesday game Damage Is Done, the muffed kick, Sarkisian keep Miami's name out of your mouth, Horse Poop? And F1 from Brittney of course!

La Bella y la Bestia, es un cuento mágico sobre el valor, la bondad y el poder del verdadero amor.

We know how important it is to be inspired by both big businesses and individuals, which is why we are excited to present Talking Leaders, a monthly initiative from the AHDB which will see a series of inspirational speakers share their life experiences and deliver impactful stories to the AgriLeader community.In the November episode of Talking Leaders, we are delighted to be joined by Adam Bedford, Collaborative Projects Director at Fera Science, to explore how working together can help farming businesses navigate uncertainty and thrive. With a career spanning farm-level experience, leadership roles at the NFU, and now driving collaboration between farmers, scientists and the food industry, Adam will share how building partnerships and pooling ideas can strengthen resilience and unlock opportunities across UK agriculture.

Now for a roundup of accessible arts events as RNIB Connect Radio's Paulina Kuchorew catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: Disney's Hercules - Saturday 29 November, 2:30pm, Theatre Royal Drury Lane, London To Kill a Mockingbird - Saturday 29 November, 2:30pm, Wales Millennium Centre, Cardiff Audio described tour of Quantum Untangled - Saturday 6 December, 10:30 am, Science Gallery London Coven - Thursday 11 December, 7:30 pm, Kiln Theatre, London And some audio described panto highlights including: Robin Hood, Snow White, Jack and the Beanstalk and more. To find out more about these and other up-coming described arts events as well as details on how to sign up to the regular VocalEyes What's On email newsletter do visit - https://vocaleyes.co.uk Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it.

Recorded for release W/C 17th Nov 2025 This week we meet one of the young cast members of Sleeping Beauty at the Wolverhampton Grand, Codsall Dramatic Society talk about Jack and the Beanstalk, Deborah Tracey chats about Sherlock Holmes and the 12 Days of Christmas at the Birmingham Rep, Christopher Commander lets us know about his 2025 Christmas Carol tour, Dr Ranj warns of the dangers of RVT, and Nigel Clarke of Zeus Sleeps tells us how we could reduce snoring.

¡Los zapatos rojos de Karen no solo brillan… tienen vida propia!

Steve Marmion is currently in his second season as Chief Executive and Director of Programming for Watford Palace Theatre, but he also ran Soho Theatre in London for eight years and founded PantoCo Ltd. BTG Editor David Chadderton spoke to Steve about the upcoming panto production of Jack and the Beanstalk with the voice of Stephen Fry as the Giant, but he also spoke at some length about the value of panto in general, the challenges of running and programming theatres for diverse communities, why theatres need to conquer TIkTok and how his social media reels resemble Sunday Night at the London Palladium. Jack and the Beanstalk will run at Watford Palace Theatre from 29 November 2025 to 4 January 2026. Steve also mentioned Werewolf, which will run at the same theatre from 22 November to 24 December 2025, and The Mesmerist, running from 2 to 21 March 2026.

Adam, Michael, and Abe embark with you, the King Among Beans. Our KABs. Our little kabbies. This new show features nothing in particular at all. If you've been waiting to hear our three hosts unleashed, this is the pod for you. The show about nothing! That's not taken, right? This pilot episode is available for free on all feeds, but from here on in… Shh, this is going to be our little secret. :winky-face: :youandmeandacanofbeans::hotbeanaction: Find the rest of this podcast at patreon.com/SmallBeans and subscribe to our King Among Beans tier.

We know how important it is to be inspired by both big businesses and individuals, which is why we are excited to present Talking Leaders, a monthly initiative from the AHDB which will see a series of inspirational speakers share their life experiences and deliver impactful stories to the AgriLeader community.In the October episode of Talking Leaders, we were delighted to be joined by Helen Wyman, Founder of TwoCan Mentor – A food and farming mentorship movement built on connection, development, and impact. As a Nuffield Farming Scholar, Helen's research focused on how mentorship transforms confidence, leadership, and career paths. With a career spanning food, farming, environment, and energy, she's seen the impact that the right conversation at the right time can have.Drawing on her experience connecting people across the food, farming and land-based sectors, Helen will share why having the right mentor and being one can make all the difference to both personal & professional success and the resilience of our industry.

Neustrukturierung RBTV | Caster: Stefan, Niklas, Andreas | Diese Folge dreht sich vor allem um die Neustrukturierungen bei RBTV. Darüber hinaus haben wir aber noch ein paar andere Themen, unter anderem Name The Game und Topf Secret. Beanstalk #181 als mp3 herunterladen Timecodes 00:00:23 Begrüßung & Highlights 00:02:10 Shop Updates 00:04:12 Neustrukturierung RBTV 01:06:30 Name […]

Tap here to listen ad-free (free trial, cancel any time)Jack sells the family cow for a magic bean but will his mother be pleased?Fun Fables are a collection of classic children's audio stories, fairy tales, fables and nursery rhymes that are fun and educational. Perfect for bedtime stories and car trips. The episodes have all the key elements of the tradition tales but at the same time are unique and add a bit of humour along the way.Email: hello@funfablespodcast.comWebsite: www.funfablespodcast.com Created and produced by: Horseplay ProductionsNarrated by: The Narrator ManFor Big Bad Wolf T-shirts and FREE colouring in pictures visit www.funfablespodcast.com... And if your looking for something more relaxing at bedtime why not try Fun Fables: Sleepy time Stories Hosted on Acast. See acast.com/privacy for more information.

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Blondie 40-04-15 (042) Jack and The Beanstalk

Brian sits down with Cem Eyi, a fintech entrepreneur and co-founder of KidStart and Beanstalk, two platforms helping families to save and invest for their kids future.Before launching his startups, Cem spent years at Capital One, helping people get in to debt- whereas now he has dedicated his working life to the other side of the balance sheet.This was a great chat that got deep (as usual), and explores why you should be thinking of your child's future, but also more of the moral side to saving, investing and inheritance.Be sure to check out Cem & Beanstalk;Website - https://beanstalkapp.co.uk/Instagram - https://www.instagram.com/thebeanstalkapp/ Hosted on Acast. See acast.com/privacy for more information.

A social climber learns that not even the sky's the limit in the retelling of this young has-bean. *No ogres are harmed in the telling, but the beanstalk does kind of get the sharp end of the axe. Listen free, thanks to enVypillow.com and SierraSil.com. Drift is free, thanks to our wonderful sponsors, enVy Pillow.com and SierraSil.com, both of whom generously offer discounts on all online purchases when you use the code drift. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The stars of 2:22 A Ghost Story, Kevin Clifton and Shvorne Marks, tell us about the jump-a-minute thriller they're bringing to Malvern.There's an all-star cast in the whodunnit Murder at Midnight and one of them, Jason Durr, gives us a taste of what's to come.It's nearly pantomime time and former Emmerdale favourite Tom Lister talks about playing Fleshcreep in this year's Jack and the Beanstalk.Plus we take a journey through seven decades of melodrama on the big screen with some classic films to watch this October. Hosted on Acast. See acast.com/privacy for more information.

We know how important it is to be inspired by both big businesses and individuals, which is why we are excited to present Talking Leaders, a monthly initiative from the AHDB which will see a series of inspirational speakers share their life experiences and deliver impactful stories to the AgriLeader community.In the September episode of Talking Leaders, we are delighted to be joined by the new AHDB Chair: Emily Norton. Emily is a Norfolk farmer, Nuffield scholar and founder of Farm Foresight Ltd, a strategic advisory service for the rural sector.She has 25 years of experience in the food and farming sector. After qualifing as a lawyer, Emily undertook an MSc in Sustainable Agriculture. Her career has taken her from family business to global PLC, with time spent in Brussels and across the UK. Emily has particular expertise in natural capital influences on land, food and farming.Emily holds various non-executive board positions in the agricultural sector including chair of AHDB and a trustee at the Royal Norfolk Agricultural Association. She is a well known media commentator and lives and farms in Norfolk.

We have a small favor to ask! We've put together a survey about our shows – and our membership program, Criminal Plus – and it would mean a lot to us if you could fill it out. You can find it ⁠here⁠: https://bit.ly/3VbCB0E. Phoebe reads Jack and the Beanstalk. Read along. Our other shows are Criminal and This is Love. You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jack & The Beanstalk, Hercules and Robinson Crusoe....they're all in today's episode of Car Trip Trivia. With a Friday Funny thrown in for good measure. Facebook PatreonSee omnystudio.com/listener for privacy information.

Something a little different this fortnight with a bunch of phans, publishers & creators from around the world telling us what their phavourite Phantom stories are. If you would like to tell us your own phavourite Phantom stories, send us an email - ChronicleChamber@gmail.com. Here are the stories chosen from the phans, creators and publishers:Sal Velluto. "Danger in the Forbidden City""The Ghost Who Walks Returns" by Peter David and Sal Velluto"Clash of the Immortals" by Peter David and Sal Velluto"Duel in the Skies" by Peter David and Sal Velluto"Free Fall" by Peter David and Sal Velluto"Trapped" by Peter David and Sal Velluto"The End?" by Peter David and Sal VellutoScott Waldyn. "The Singh Brotherhood" (Daily story 1) by Lee Falk and Ray MooreEoin McAuley. Avon Novel #1 "The Ghost Who Walks" by Lee Falk Jaime Diaz. "The Fence" (Daily story 112) by Lee Falk and Sy BarryGlaucio Cardoso. DC Mini Series"The Ghost Who Walks" by Peter David, Joe Orlando and Dennis Janke"Across the Great Divide" by Peter David, Joe Orlando and Dennis Janke"In Over Their Heads" by Peter David, Joe Orlando and Dennis Janke"The Phantom Strikes Back" by Peter David, Joe Orlando and Dennis JankeJuan Munari Rousselot. "Death of a Phantom" by David Bishop and César SpadariMatt Kyme.  "The Singh Brotherhood" (Daily story 1) by Lee Falk and Ray Moore"The Raid in Sanloi" by Michael Tierres and Kari Leppänen"The Beanstalk" by Donne Avenell and Hans LindahlPirate Dave. "The Aviatrix Part 1 & 2" by Ben Raab, Pat Quinn, and Ken WheatonWhat do you think about the stories chosen from the creators, phans and publishers from around the world? We love your comments and feedback from the Phantom phans from around the world. Our next podcast will be a comics and news podcast for the last month and a half.You can either email us, leave your comments at our YouTube Channel, and leave them at our social media platforms on Facebook, Twitter and/or Instagram. Make sure you stay with us, and do not forget to subscribe and leave a review on our podcast and/or our YouTube Channel. Support the show

This week, we preview the Week 1 match up with the New York Giants before travelling to Northwest Stadium to watch the game. We also discuss the latest Commanders news & we also answer fan submitted questions.

Hello everyone,Todays episode is a well known family classic fairy tale called Jack and the Beanstalk'' Read by LauraIf you enjoy listening to these stories, please do leave an Apple review so we can grow and reach more people.Sweet Dreams.Lucy ❤

Today we have The Abbott and Costello Show from February 15, 1945, from Armed Forces Radio, with special guest Rudy Vallee. This is a typical slapstick radio comedy, with lots of hysterical Abbott and Costello wordplay and wacky characters popping in and out (notably Mel Blanc as Vallee's personal assistant and Sid Fields as Professor Melonhead). They make plenty of jokes about Vallee's reputation as a supreme megalomaniac, and do a radio version of Jack and the Beanstalk, a bit of a foreshadowing of the Abbott and Costello film from 1952. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Legacy just got spicy! In Episode 102 of In Response – A Legacy Podcast, Philipp, Daniel, and Peter break down the surprise victory of Mono-Red Eldrazi Stompy in the latest Legacy Showcase Challenge and explore the continued dominance of UB Reanimator in the post-ban meta.We dive deep into:How Eldrazi used new MH3 tech like Eldrazi Linebreaker to crush the field.Why UB Reanimator remains the deck to beat — and how the meta is (or isn't) adapting.The role of Up the Beanstalk shells in keeping up with the top-tier decks.The delicate balance between packing graveyard hate and staying proactive.Whether you're looking to exploit the current meta or find the right counterplay, this episode is packed with insights for competitive Legacy players.

⁠⁠⁠⁠⁠⁠⁠DREAM WITH US, and we'll teach you how to interpret them!Jack and the Beanstalk is a symbolic prescription for psychological growth, teaching us to climb out of darkness, confront the giants within, claim the gifts of our unconscious, and transform our ordinary lives. Join us as we reveal the secret meaning hidden in the fairytale.Read along with the dream.LOOK & GROW⁠⁠⁠Join Lisa's Vital Spark Book club!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join THIS JUNGIAN LIFE DREAM SCHOOL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Do you have a topic you want us to cover?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WE NEED YOUR HELP! Become a patron to keep TJL running.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We've got totally NEW MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We'd like to take a crack interpreting your dream.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you've been struggling in the dark, trying to find the keys to unlock your dreams, help has arrived. Order your copy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dream Wise: Unlocking the Meaning of Your Dreams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from the hosts of This Jungian Life podcast and open the secret door.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn more about the Philadelphia Jung Seminar

It's so hot out there! What better way to defeat the August heat than to watch Santa Claus stuck in his sleigh on a sizzling Florida beach?  Who will help him get back to the North Pole? A rag-tag group of homeless minors who have no experience working with animals. Also, the Ice Cream Bunny, whatever that is. FIlm critic Pat McDonald join Collin and Kerry to break down "Santa and the Ice Cream Bunny," one of the absolute weirdest holiday concoctions of all time with a just-barely-stitched-together film from 1972. There are two versions of the film, one containing a detour into the story of Thumbelina, another with Jack and the Beanstalk. None of it makes a lick of sense and it's all just padding to throw out there on the kiddie matinee circuit of the early '70s. Everything ties together, though, in the Blu-ray Gift Exhcange.   Read Pat McDonald's work at HollywoodChicago.com   Blu-rays covered: Warner Bros: "Sinners" (2025) "Final Destination: Bloodlines" (2025) "Lord of the Rings" (1978) Universal: "Knight Rider: The Complete Series" - 4K Sony: "Stop, Look and Laugh!" (1960) Warner Archive: "Melinda" (1974) "Two Weeks With Love" (1950) "Knights Of the Round Table" (1953) Criterion: "You Can Count On Me", "Carnal Knowledge" and "Barry Lyndon"

There's a new addition to the Secret Mum Club gallery this week… and it's huge. Soph and Emma are both sharing some massive life updates, there's chaos in the soft play toilets, and one little one has picked up a very cheeky phrase at home. Hosted on Acast. See acast.com/privacy for more information.

Think Cinderella started with Disney? Think again. In this episode of For the Love of History, we're diving deep into the ancient, magical, and sometimes slightly ridiculous world of fairy tales — and we're going way past the Brothers Grimm. ✨ You'll hear the oldest fairy tale ever recorded (hint: it involves the devil and a blacksmith), learn why stories like Beauty and the Beast and Jack and the Beanstalk are 4,000+ years old, and find out what ancient Egypt, medieval France, and Bronze Age China all have in common with your favorite bedtime stories. We'll also: Break down the difference between myths, fables, and fairy tales (yes, they're different!), Explore the wild science behind how we know these stories are that old (hello, phylogenetic analysis

What if AWS had its own version of Killed by Google? Well… turns out it kind of does.In this episode of AWS Bites, we explore the AWS Product Lifecycle page, the official place where AWS quietly lists products and services that are being deprecated, shut down, or closed to new customers. If you rely on AWS in production, this is a page you'll want to bookmark.We walk through what's on the list today, from Amazon Pinpoint to IoT Analytics and beyond, and we even throw in some predictions of what might be next to hit the chopping block. App Runner vs Beanstalk? API Gateway REST vs HTTP? Let the speculation begin!Big shoutout to fourTheorem for powering yet another episode of AWS Bites. At fourTheorem, we believe the cloud should be simple, scalable, and cost-effective, and we help teams do just that. Whether you're diving into containers, stepping into event-driven architecture, or scaling a global SaaS platform on AWS, or trying to keep cloud spend under control our team has your back. Visit ⁠⁠https://fourTheorem.com⁠⁠ to see how we can help you build faster, better, and with more confidence using AWS cloud!In this episode, we mentioned the following resources:AWS Product Lifecycle Page: ⁠⁠https://aws.amazon.com/products/lifecycle/⁠⁠AWS Blog – Introducing the AWS Product Lifecycle Page: ⁠⁠https://aws.amazon.com/blogs/aws/introducing-the-aws-product-lifecycle-page-and-aws-service-availability-updates/⁠⁠AWS Bites Episode 98 – Amazon Pinpoint Quota Changes: ⁠⁠https://awsbites.com/98⁠⁠AWS Bites Episode 74 – API Gateway REST vs HTTP: ⁠⁠https://awsbites.com/74⁠⁠AWS Bites Episode 76 – AWS Copilot: ⁠⁠https://awsbites.com/76⁠⁠AWS Bites Episode 143 – Is App Runner Better than Fargate?: ⁠⁠https://awsbites.com/143⁠⁠API Gateway Routing Rules: ⁠⁠https://aws.amazon.com/blogs/compute/dynamically-routing-requests-with-amazon-api-gateway-routing-rules/⁠⁠Alexa+ and the future of generative AI at Amazon: ⁠⁠https://www.aboutamazon.com/news/devices/new-alexa-generative-artificial-intelligence⁠⁠Do you have any AWS questions you would like us to address?Leave a comment here or connect with us on X/Twitter, BlueSky or LinkedIn:- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/eoins⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://bsky.app/profile/eoin.sh⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/eoins/⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/loige⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://bsky.app/profile/loige.co⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/lucianomammino/

Cape Town, with all its attractions, doesn't seem to have that many pantomimes in the true sense of the word. Johannesburg and Durban are famous for their annual pantomimes and now the Durban company Kickstart Theatre Productions have brought their latest pantomime to Cape Town. It's called Jack and the Beanstalk and Rodney Trudgeon spoke to the founder of Kickstart, Greg King about the production and its appeal to both children and adults and which is running at the Baxter Theatre. People of Note. Sunday at 6pm and again on Thursday at midday. Brought to you by PTP

Here's a reading of the moderately racy, earliest printed version of Jack and the Beanstalk. There's nothing really dirty in here, but please listen to it on your own before deciding to share it with kids. This story, first printed in 1734 in a wild collection of funny stories called “Round About Our Coal Fire, … Continue reading "192 – Jack Spriggins and the Enchanted Bean"

Sara-Jayne Makwala King in for Pippa Hudson is joined by Liesl Coppin who’ll be performing in the pantomime Jack and the Beanstalk at the Baxter Theatre. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

I was recently invited on the podcast Movies That Made Us Gay which features the dynamic co-hosts Peter and Scott. You can listen to the rest of the conversation on their podcast! https://www.youtube.com/watch?v=dBm_LW3_23w&t=5333s“It's the witch from next door!” We take a trip to the theater to discuss the iconic filmed production of Stephen Sondheim's Into the Woods, which was recorded for PBS American Playhouse in 1989. In one of our first opportunities to discuss Sondheim and Broadway on the podcast, we are joined by Andrew Rimby from the Ivory Tower Boiler Room. Many people hold the music from Into the Woods dear, and we are fortunate that its original cast was recorded in the spring of 1989. This Fractured Fairy Tales narrative revolves around a childless baker and his wife, who embark on a quest to start a family after a witch places a curse on them. Little Red Riding Hood, Cinderella, Jack and the Beanstalk, and a Rapunzel origin story are interwoven throughout the story. Bernadette Peters embodies the Witch with unparalleled talent, delivering a captivating performance in every moment. Joanna Gleason, in her Tony Award-winning role portrays the Baker's Wife with incredible grace and depth. Topics discussed include the 1988 Tony Awards, Rob Marshell's 2014 adaptation, and what Bravo Housewife would make the perfect witch. Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts!www.patreon.com/moviesthatmadeusgayFacebook/Instagram: @moviesthatmadeusgay

“It's the witch from next door!” We take a trip to the theater to discuss the iconic filmed production of Stephen Sondheim's Into the Woods, which was recorded for PBS American Playhouse in 1989. In one of our first opportunities to discuss Sondheim and Broadway on the podcast, we are joined by Andrew Rimby from the Ivory Tower Boiler Room. Many people hold the music from Into the Woods dear, and we are fortunate that its original cast was recorded in the spring of 1989. This Fractured Fairy Tales narrative revolves around a childless baker and his wife, who embark on a quest to start a family after a witch places a curse on them. Little Red Riding Hood, Cinderella, Jack and the Beanstalk, and a Rapunzel origin story are interwoven throughout the story. Bernadette Peters embodies the Witch with unparalleled talent, delivering a captivating performance in every moment. Joanna Gleason, in her Tony Award-winning role portrays the Baker's Wife with incredible grace and depth. Topics discussed include the 1988 Tony Awards, Rob Marshell's 2014 adaptation, and what Bravo Housewife would make the perfect witch.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

In this inspiring episode of My Simplified Life, host Michelle Glogovac interviews acclaimed author and filmmaker Andrew Weiner to explore his multifaceted creative journey. Known for his children's books and graphic novels, Andrew shares the behind-the-scenes process of storytelling for young readers and the collaborative effort that goes into bringing illustrated stories to life. His latest graphic novel, The Frog Daddy, is out today! He opens up about the importance of reading with children to spark imagination and build strong emotional connections, as well as navigating creative partnerships—especially when working with high-profile names like Alicia Keys. This episode is a must-listen for aspiring authors, parents, educators, and creatives looking to understand the intersection of children's literature, graphic novel creation, and the power of storytelling to inspire the next generation. What We're Talking About... Reading with your kids can create lasting bonds. Children's books should also entertain adults. The creative process for graphic novels involves collaboration. Writing a manuscript is just a blueprint for the artwork. Personal experiences can enrich children's literature. Balancing film and writing can be challenging yet rewarding. Collaboration in storytelling can lead to unexpected creativity. Building a collection of autographed books is a meaningful gift. The joy of reading can be shared across generations. Future projects depend on the success of current works. Chapters 00:00 Introduction to Andrew Weiner and His Work 04:15 The Joy of Reading with Children 07:12 Transitioning from Film to Writing 10:13 Collaboration with Alicia Keys 13:12 Creating Graphic Novels: The Process 16:23 Balancing Creative Differences 19:17 Personal Connection in Writing 22:12 Finding Andrew and His Books 26:56 The Joy of Reading with Kids 27:23 The Value of Autographed Books Links Mentioned Daddy and The Beanstalk by Andrew Weiner https://bookshop.org/a/99223/9780316592918 Frog Daddy by Andrew Weiner https://bookshop.org/a/99223/9780316592932 Girl On Fire by Alicia Keys and Andrew Weiner https://bookshop.org/a/99223/9780063029569 Andrew Weiner's Instagram https://www.instagram.com/instaandrewweiner/

In this episode of In Response – A Legacy Podcast, hosts Philipp, Daniel, and Peter go deep into the rise of BUG Beanstalk, the midrange-control deck making waves in the post-ban Legacy format. They dissect card choices, mana base issues, and synergies—especially how new additions like Rakshasa's Bargain are redefining value in blue-based decks.

In this episode, Zac and Phil discuss the current state of the Magic: The Gathering Legacy format, focusing on the recent meta changes, deck strategies, and personal experiences in competitive play. They analyze various decks, including Dimir Reanimator, Cephalid Breakfast, and Beanstalk, while sharing insights on gameplay and the impact of recent bans. The conversation also touches on player perspectives regarding deck identity and the upcoming Lobster Con event, highlighting the excitement and strategies for pre-modern championships. In this engaging conversation, the hosts delve into the intricacies of Magic: The Gathering, focusing on the Stasis deck and its components. They discuss the effectiveness of Black Vice, the importance of counter spells, and the strategic choices involved in deck building. The conversation also explores alternative cards, innovative interactions, and the challenges of effective removal. As they brainstorm creative deck ideas, they touch on the unique mechanics of Grindstone and Celestial Dawn, culminating in a lively discussion about the upcoming LobsterCon event.

In this episode, Zac and Phil discuss the current state of the Magic: The Gathering Legacy format, focusing on the recent meta changes, deck strategies, and personal experiences in competitive play. They analyze various decks, including Dimir Reanimator, Cephalid Breakfast, and Beanstalk, while sharing insights on gameplay and the impact of recent bans. The conversation also touches on player perspectives regarding deck identity and the upcoming Lobster Con event, highlighting the excitement and strategies for pre-modern championships. In this engaging conversation, the hosts delve into the intricacies of Magic: The Gathering, focusing on the Stasis deck and its components. They discuss the effectiveness of Black Vice, the importance of counter spells, and the strategic choices involved in deck building. The conversation also explores alternative cards, innovative interactions, and the challenges of effective removal. As they brainstorm creative deck ideas, they touch on the unique mechanics of Grindstone and Celestial Dawn, culminating in a lively discussion about the upcoming LobsterCon event.

In this powerful and thought-provoking episode of The Athletics of Business, Ed Molitor sits down with Liz Wiseman, celebrated leadership researcher, bestselling author of Multipliers, Rookie Smarts, and Impact Players, and CEO of The Wiseman Group. Liz shares transformative insights from her research on leadership effectiveness, accidental diminishing, and how to unlock the full intelligence and potential of teams. She opens up about her early career at Oracle, her rookie mindset, and how feeling like an underdog led to a lifelong pursuit of discovering what truly makes great leaders. This episode is a masterclass in how to lead by amplifying others. Our Guest Liz is the author of New York Times bestseller Multipliers and Wall Street Journal bestsellers Rookie Smarts and Impact Players. She is a researcher and executive advisor, who teaches leadership to executives around the world, and the CEO of The Wiseman Group, a leadership research and development firm headquartered in Silicon Valley, California.  Liz is a former executive at Oracle Corporation, where she worked as the Vice President of Oracle University and as the Global Leader for Human Resource Development. She is a frequent guest lecturer at Brigham Young University and Stanford University. Liz has received the top achievement award for leadership from Thinkers50 and has consistently been named one of the world's top 50 management thinkers.   What You'll Learn in This Episode The difference between Multipliers and Diminishers and how both show up in everyday leadership Why accidental diminishing is more common (and dangerous) than you think Why sharing your own diminishing tendencies with your team builds trust The five disciplines of Multipliers and how to practice each one with intention The link between psychological safety and high expectations (safety + stretch) How to create debate-driven decision-making that builds buy-in and clarity What leaders get wrong about “helping” and how to avoid over-functioning How Liz sees empathy, evidence, and honesty as vital to coaching and culture The surprising lesson Liz learned leading a third-grade book discussion How Liz's early career at Oracle shaped her view on vulnerability, rookie smarts, and reaching out   Resources & Links Liz Wiseman Website: https://thewisemangroup.com/who-we-are/our-team/liz-wiseman/ LinkedIn: https://www.linkedin.com/in/lizwiseman Instagram: https://www.instagram.com/bylizwiseman/?hl=en Twitter/X: https://x.com/LizWiseman Amazon (Books): https://www.amazon.com/stores/author/B00369WNUW   Ed Molitor LinkedIn: https://www.linkedin.com/in/themolitorgroup/ Website: https://www.themolitorgroup.com/   In this episode: [00:00:00] Introduction to Liz Wiseman [00:02:55] Liz's unexpected path into leadership and why “being just smart enough” mattered [00:05:04] From Oracle's hiring model to discovering how smart leaders can shut down talent [00:08:49] Building Oracle University, sweatshirts, Latin mantras, and global rollout [00:13:08] Why vulnerability wasn't a buzzword, but honesty was everything [00:16:34] Learning to let others take the big shots [00:17:21] The 5 disciplines of Multipliers and why they're simple but powerful [00:20:11] Creating intensity, not tension as a Liberator [00:24:07] The accidental diminisher: over-helping, over-optimism, and over-energy [00:28:56] The safety + stretch equation: why people thrive when both are present [00:31:22] Leading powerful debates on how to ask for evidence and invite everyone in [00:38:33] What Liz learned from teaching 3rd graders to defend Jack and the Beanstalk [00:42:20] Why micromanaging limits performance and how Investors flip the script [00:47:16] What it means to give someone “51% of the vote and 100% of the accountability” [00:50:22] Being a diminisher to one person and a multiplier to another how it happens [00:54:46] The fastest way to change your leadership? Stop doing it in secret  

Seven-year-old Jack raises a bean plant for school. Why does it look different than the plants grown by other kids in his class? Short story with text and audio. The post Jack and the Beanstalk appeared first on 500 Ironic Stories.

In this post-ban episode of In Response – A Legacy Podcast, Philipp, Daniel, and Peter take a deep dive into the seismic shifts in the Legacy metagame. With the bans of Troll of Khazad-dûm and Microspore reshaping the format, the hosts examine which decks took a hit and which are surging in their absence. From Blue-Black Tempo and Control's resurgence to a rising star in Stock Up-fueled brews, this is a must-listen for anyone navigating the new Legacy landscape.

In this episode, the hosts discuss the shifting power dynamics in the Legacy format, particularly focusing on the impact of recent bans and the emergence of new strategies. They explore how the Overton window for deck viability has changed, especially regarding control decks and the role of Mystic Sanctuary as a key card. The conversation delves into the diminishing relevance of Terminus in the current meta, highlighting the dominance of Beanstalk as a game-changing threat that alters the landscape of competitive play. In this conversation, the speakers delve into the impact of the Beanstalk deck on gameplay dynamics, exploring how it alters the rules of engagement in Legacy formats. They discuss the importance of having multiple legacy power level strategies in a deck, the significance of understanding deck infrastructure, and the learning experiences that come from gameplay mistakes. The conversation also emphasizes the need for players to evaluate their card choices in relation to the current meta and how the Overton window of deck viability shifts over time.Chapters00:00 Shifting Power Levels in Legacy03:05 The Evolution of Control Decks05:51 Mystic Sanctuary: The New Power Card08:48 The Role of Terminus in Modern Play11:55 Beanstalk: The Game-Changing Threat21:06 Understanding Beanstalk's Impact on Gameplay22:50 Legacy Power Level Strategies25:42 Navigating the Meta with Dual Strategies28:50 The Importance of Deck Infrastructure33:36 Learning from Mistakes in Gameplay39:12 Evaluating Card Choices in the Current MetaSupport us on Patreon: https://www.patreon.com/EternalDurdlesJOIN US ON DISCORD: https://discord.gg/hrC7PxQZTETwitch:Twitch.tv/durdlemagusEternal Durdles Moxfield: https://www.moxfield.com/users/EternalDurdleshttps://www.moxfield.com/users/Durdlemagushttps://www.moxfield.com/users/ForceofPhilCheck out our song parodies on SoundCloud: https://soundcloud.com/forceofphilFollow us on Twitter:Zac: @durdlemagusPhil: @ForceofPhil

In this episode, the hosts discuss the shifting power dynamics in the Legacy format, particularly focusing on the impact of recent bans and the emergence of new strategies. They explore how the Overton window for deck viability has changed, especially regarding control decks and the role of Mystic Sanctuary as a key card. The conversation delves into the diminishing relevance of Terminus in the current meta, highlighting the dominance of Beanstalk as a game-changing threat that alters the landscape of competitive play. In this conversation, the speakers delve into the impact of the Beanstalk deck on gameplay dynamics, exploring how it alters the rules of engagement in Legacy formats. They discuss the importance of having multiple legacy power level strategies in a deck, the significance of understanding deck infrastructure, and the learning experiences that come from gameplay mistakes. The conversation also emphasizes the need for players to evaluate their card choices in relation to the current meta and how the Overton window of deck viability shifts over time.Chapters00:00 Shifting Power Levels in Legacy03:05 The Evolution of Control Decks05:51 Mystic Sanctuary: The New Power Card08:48 The Role of Terminus in Modern Play11:55 Beanstalk: The Game-Changing Threat21:06 Understanding Beanstalk's Impact on Gameplay22:50 Legacy Power Level Strategies25:42 Navigating the Meta with Dual Strategies28:50 The Importance of Deck Infrastructure33:36 Learning from Mistakes in Gameplay39:12 Evaluating Card Choices in the Current MetaSupport us on Patreon: https://www.patreon.com/EternalDurdlesJOIN US ON DISCORD: https://discord.gg/hrC7PxQZTETwitch:Twitch.tv/durdlemagusEternal Durdles Moxfield: https://www.moxfield.com/users/EternalDurdleshttps://www.moxfield.com/users/Durdlemagushttps://www.moxfield.com/users/ForceofPhilCheck out our song parodies on SoundCloud: https://soundcloud.com/forceofphilFollow us on Twitter:Zac: @durdlemagusPhil: @ForceofPhil

We are joined in this episode by member of the Fam, longtime friend and writer extraordinaire Dan B. Fierce as well as Lexi Boese as we discuss the origins of four more fairy tales.  We divide & conquer as Dean takes Rip Van Winmkle, Arthur covers Jack & the Beanstalk, Dan covers the tale of Bluebeard and Laura tells us the story of Rapunzel.  Afterwards, we talk about the tales origin,what it;s based on and so, so much more in this highly cool episode of the Family Plot Podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Send us a textHello and welcome to the end of March! This week, Max is going to change the way we think about Jack and the Beanstalk, and Janey is going to tell us about a magical kidnapping! (Business as usual!) Janey's Sources - Jamie Freel and the Young LadyFull StorySupport the showCheck out our books (and support local bookstores!) on our Bookshop.org affiliate account!Starting your own podcast with your very cool best friend? Try hosting on Buzzsprout (and get a $20 Amazon gift card!)Want more??Visit our website!Join our Patreon!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.com

Help MuggleCast grow! Become a MuggleCast Member and get great benefits like Bonus MuggleCast! On this week's edition we discuss the best use of 8 hours to tell the story of the first season of the upcoming TV show! Patreon.com/MuggleCast  Grab official merch! MuggleCastMerch.com Pick up overstock merch from years past! MuggleMillennial.Etsy.com On this week's episode, don't forget when sneaking out of the house to cover your footprints in the snow!  We're getting the lowdown from Hagrid on what he's been up to for the last few months, until, of course, we're interrupted by one, giant b*tch! Chapter by Chapter continues with Harry Potter and the Order of the Phoenix, Chapter 20: Hagrid's Tale. MuggleCast last discussed the chapter on Episode 456! Upon his return to Hogwarts, do readers and the trio experience a different side to Hagrid? Honestly, can Harry, Ron and Hermione give Hagrid a minute to get settled in? It seems like Hagrid is simultaneously annoyed and proud of the trio for being able to put two and two together about his journey. Could Umbridge have been responsible for putting a tail on Hagrid and Maxime? Our first and only real exposure to Giant Culture in the Wizarding world: a fascinating dynamic to another marginalized community. How is Dumbledore recruiting the giants any different than Voldemort? Did Hagrid and Maxime's gifts to Karkus ultimately get him killed? What does it say about the giants that some are closed off to new ideas, but others can be open to them? Mommy Issues: Hagrid doesn't speak too kindly about his mother. Fridwulfa Does Umbridge spend all her time spying? Is this what Petunia would have been like at Hogwarts? Did Harry, Ron and Hermione visiting Hagrid open the door for Umbridge's visit? The hosts share their Best Hagrid Moment from this chapter they want to see get the MAX treatment! Lynx Line: If you could go on a magical adventure with any wizarding world character to do Dumbledore's bidding, who would it be and why? Quizzitch:  In the English fairy tale “Jack and the Beanstalk,” Jack, who later meets a husband and wife that are giants, trades WHAT to obtain a handful of magic beans? Visit MuggleCast.com for transcripts, social media links, our full episode archive, our favorite episodes, and to contact us!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Humberto Bejarano is the President and Co-founder of Beanstalk Growth Marketing, an award-winning agency based in Calgary, Alberta. With over 25 years of combined experience, he has been instrumental in delivering innovative, data-driven marketing solutions across North America. Under his leadership, Beanstalk has earned multiple accolades, including the Canadian Choice Award for Calgary's Best Marketing Agency and recognition from Clutch as a top advertising company in Alberta. Humberto's commitment to excellence and client success drives the agency's growth and industry impact. In this episode… Creating a sustainable, growth-oriented marketing agency can be challenging, especially in the ever-changing digital landscape. Many businesses struggle to balance branding, website development, and effective omnichannel strategies while staying profitable. So, how can companies streamline their marketing processes, foster strong client relationships, and adapt their strategies to meet changing demands? Humberto Bejarano, a seasoned sales professional and marketing expert, offers practical insights on building a thriving digital agency through smart partnerships, data-driven decisions, and client-centric approaches. He emphasizes the importance of understanding client pain points before pitching solutions, creating cohesive omnichannel strategies that leverage multiple platforms, and continuously testing and optimizing based on performance data. Humberto also highlights the value of combining creative expertise with structured project management to ensure clear communication, consistent delivery, and client satisfaction. In this episode of the Inspired Insider Podcast, Dr. Jeremy Weisz interviews Humberto Bejarano, Co-founder of Beanstalk Growth Marketing, about building and scaling a successful digital marketing agency. Humberto shares his experience merging companies, onboarding key team members, and adopting omnichannel marketing strategies. The conversation also covers effective sales processes, leveraging automation tools, and case studies of successful client transformations.

This week, Aaron, Brian, and Dusty look at the difference between fairy tales, folk tales, and fables while breaking down the plots of classic stories like Jack & The Beanstalk, Hansel & Gretel, and Little Red Riding Hood. Aura Frames- AuraFrames.com Save on the perfect gift by visiting AuraFrames.com to get $35-off Aura's best-selling Carver Mat frames by using promo code NATE at checkout. This deal is exclusive to listeners, so get yours now in time for the holidays! Terms and conditions apply. Bombas: Bombas.com/nate So, ready to feel good and do good? Head over to Bombas.com/nate and use code nate for 20% off your first purchase. Helix: Helixsleep.com/NATE Right now, you get 20% OFF plus 2 FREE pillows for all mattress orders. Just go to Helix Sleep.com/NATE. You can't beat this deal! Mountain Dew: https://lets.shop/2141/dothedew/ The Mountain is calling, you should answer.. Grab your friends, grab an ice-cold Mountain Dew wherever refreshing beverages are sold, and DO THE DEW

Today's debate throws two timeless tales into the ring for a clash of the classics. It's Jack and the Beanstalk vs. The Ugly Duckling! In this epic showdown, author and “Grimm, Grimmer, Grimmest” podcast host Adam Gidwitz climbs to the top for Jack and the Beanstalk, while author Soman Chainani helps The Ugly Duckling soar to new heights! Who will be crowned the Smash Boom Best? Head on over to smashboom.org and vote to tell us who YOU think won!This week's sponsor is:Help your kids learn to earn, save, spend wisely, and invest with Greenlight, the debit card and money app for teens. Visit Greenlight.com/inclined.Also… do you have your Smarty Pass yet? Get yours today for just $5/month (or $45/year) and get bonus episodes every month, and ad-free versions of every episode of Brains On, Smash Boom Best, Moment of Um and Forever Ago. Visit www.smartypass.org to get your Smarty Pass today. As an added bonus, your Smarty Pass will grant you access to a super special debate starring Sanden and Molly!

Jonathan Pageau is a French-Canadian liturgical artist, writer, and public speaker on religious philosophy, symbolism, and Orthodox Christianity. Pageau's commentary can be found on his YouTube channel, “The Symbolic World,” as well as in Dr. Jordan B. Peterson's 17-part “Exodus” seminar and The Daily Wire's latest series, “Foundations of the West.” In today's episode, Jonathan and I discuss the biblical themes found in classical fairy tales like “Jack and the Beanstalk,” and the important role that storytelling plays in establishing our most deeply held cultural norms. Pageau also speaks to the modern uses of symbolism, from the prevalence of conspiracy theories to the real meaning behind the opening ceremony at the Paris Olympics. Stay tuned, and welcome back to another episode of the Sunday Special. - - -  Today's Sponsors: ExpressVPN - Get 3 Months FREE of ExpressVPN: https://expressvpn.com/ben ZipRecruiter - Try ZipRecruiter for FREE: https://www.ziprecruiter.comdailywire Tax Network USA - Seize control of your financial future! Call 1 (800) 958-1000 or visit https://www.TNUSA.com/Shapiro