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8 episodes with Ab Imperio
7 episodes with Ab Imperio
7 episodes with Ab Imperio
2 episodes with Ab Imperio
2 episodes with Ab Imperio
2 episodes with Ab Imperio
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Historian Adrienne Edgar (Professor in the Department of History at the University of California, Santa Barbara) will present on her recent book, Intermarriage and the Friendship of Peoples: Ethnic Mixing in Soviet Central Asia (Cornell University Press, 2022). Free and open to the public. About the lecture: In marked contrast to its Cold War rivals, the Soviet Union celebrated mixed marriages among its diverse ethnic groups as a sign of the unbreakable friendship of peoples and the imminent emergence of a single “Soviet people.” Yet the official Soviet view of ethnic nationality became increasingly primordial and even racialized beginning in the 1960s, and in this context, Adrienne Edgar argues, mixed families and individuals found it impossible to transcend ethnicity, fully embrace their complex identities, and become simply “Soviet.” Looking back on their lives in the Soviet Union, ethnically mixed people often reported that the “official” nationality in their identity documents did not match their subjective feelings of identity; that they were unable to speak “their own” native language; and that their ambiguous physical appearance prevented them from claiming the nationality with which they most identified. In all these ways, mixed couples and families were acutely and painfully affected by the growth of ethnic primordialism and by the tensions between the national and supranational projects in the Soviet Union. Edgar's conclusions are based on more than eighty in-depth oral history interviews with members of mixed families in Kazakhstan and Tajikistan, along with published and unpublished Soviet documents, scholarly and popular articles from the Soviet press, memoirs and films, and interviews with Soviet-era sociologists and ethnographers. About the speaker: Adrienne Edgar is professor of modern Russian and Central Asian history at the University of California, Santa Barbara. She holds a B.A. in Russian language and literature from Oberlin College, an M.A. in international affairs and Middle East studies from Columbia University, and a Ph.D. in history from U.C. Berkeley. Adrienne has received research grants and fellowships from the International Research and Exchanges Board (IREX), the Mellon Foundation, the Social Science Research Council, the Open Society Institute (Soros Foundation), and the Alexander von Humboldt Foundation and has held post-doctoral and visiting scholar appointments at Harvard University, McGill University, the Alexander von Humboldt University (Berlin), and the University of Heidelberg. Adrienne's first book, Tribal Nation: The Making of Soviet Turkmenistan, was published by Princeton University Press in 2004. She co-edited, with Benjamin Frommer, the volume Intermarriage from Central Europe to Central Asia: Mixed Families in the Age of Extremes (University of Nebraska Press, 2020). She has published a number of articles on ethnicity, gender, and intermarriage in the Soviet Union and Central Asia in Slavic Review, Russian Review, Kritika, Ab Imperio, and Central Asian Survey; one of these won the annual article prize of the Berkshire Conference of Women Historians. Adrienne's second monograph, Intermarriage and the Friendship of Peoples: Ethnic Mixing in Soviet Central Asia (Cornell University Press, 2022) was co-winner of the 2023 Joseph Rothschild Prize in Ethnicity and Nationalism Studies.
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let’s Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens’ expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg's After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people's disappointment in what they saw as a betrayal by their parents' generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults' disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people's frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe. Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
I have to admit that I was quite intimidated by a book on taxation in imperial Russia. But States of Obligation: Taxes and Citizenship in the Russian Empire and Early Soviet Republics (U. of Toronto Press, 2014) is an award winning book so I decided to give it a try. Yanni Kotsonis received the Ed A. Hewett Book Prize for outstanding publication on political economy from the Association for Slavic, East European and Eurasian Studies and the Wallace K. Ferguson Prize for outstanding scholarly book in a field of history other than Canadian history from the Canadian Historical Association. Taxation is a dense topic, which Kotsonis makes accessible through an engaging writing style. Drawing on local and regional archives across Russia, Kotsonis argues that taxes are forms of rule and government. In the 19th and early 20th centuries, fiscal reformers in imperial Russia used tax policies and their implementation to redefine the relationship between state and population, to develop concepts of national economies and private sectors, and to build an industry of information gathering crucial to a modern fiscal system. Yanni Kotsonis is Director of the Jordan Center for the Advanced Study of Russia and Professor of History and Russian Studies at New York University. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
I have to admit that I was quite intimidated by a book on taxation in imperial Russia. But States of Obligation: Taxes and Citizenship in the Russian Empire and Early Soviet Republics (U. of Toronto Press, 2014) is an award winning book so I decided to give it a try. Yanni Kotsonis received the Ed A. Hewett Book Prize for outstanding publication on political economy from the Association for Slavic, East European and Eurasian Studies and the Wallace K. Ferguson Prize for outstanding scholarly book in a field of history other than Canadian history from the Canadian Historical Association. Taxation is a dense topic, which Kotsonis makes accessible through an engaging writing style. Drawing on local and regional archives across Russia, Kotsonis argues that taxes are forms of rule and government. In the 19th and early 20th centuries, fiscal reformers in imperial Russia used tax policies and their implementation to redefine the relationship between state and population, to develop concepts of national economies and private sectors, and to build an industry of information gathering crucial to a modern fiscal system. Yanni Kotsonis is Director of the Jordan Center for the Advanced Study of Russia and Professor of History and Russian Studies at New York University. Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Starting with Metternich’s declaration that the Balkans begin at Rennweg (a street in the Third District of Vienna), Ana Foteva draws on novels, plays, librettos and travelogues from the 19th through the 21st century to explore the various forms the Balkan region has taken in Europe’s political and cultural imagination. Her analysis of these literary works reveals concepts of belonging, multi-belonging and unbelonging among Serbians, Bosnians, Croatians, Slovenes and even Austrians. Ana Foteva applies postmodern geography, literary, and colonial theories to demonstrate the relationship between the development of national identity, the pull of Habsburg imperial identity, the shaping of Yugoslav identity, and the fracturing of the Balkans in the 1990s. In our podcast conversation, she discusses and challenges stereotypes of the Balkans as a region of perpetual conflict. Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders Between the Balkans and Europe (Peter Lang, 20speaks to complex identities in the region rarely seen in contemporary media accounts. Ana Foteva received her PhD in German literature at Purdue University. Currently she holds the position of Visiting Assistant Professor in German Studies at St. Lawrence University. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Starting with Metternich’s declaration that the Balkans begin at Rennweg (a street in the Third District of Vienna), Ana Foteva draws on novels, plays, librettos and travelogues from the 19th through the 21st century to explore the various forms the Balkan region has taken in Europe’s political and cultural imagination. Her analysis of these literary works reveals concepts of belonging, multi-belonging and unbelonging among Serbians, Bosnians, Croatians, Slovenes and even Austrians. Ana Foteva applies postmodern geography, literary, and colonial theories to demonstrate the relationship between the development of national identity, the pull of Habsburg imperial identity, the shaping of Yugoslav identity, and the fracturing of the Balkans in the 1990s. In our podcast conversation, she discusses and challenges stereotypes of the Balkans as a region of perpetual conflict. Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders Between the Balkans and Europe (Peter Lang, 20speaks to complex identities in the region rarely seen in contemporary media accounts. Ana Foteva received her PhD in German literature at Purdue University. Currently she holds the position of Visiting Assistant Professor in German Studies at St. Lawrence University. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Starting with Metternich’s declaration that the Balkans begin at Rennweg (a street in the Third District of Vienna), Ana Foteva draws on novels, plays, librettos and travelogues from the 19th through the 21st century to explore the various forms the Balkan region has taken in Europe’s political and cultural imagination. Her analysis of these literary works reveals concepts of belonging, multi-belonging and unbelonging among Serbians, Bosnians, Croatians, Slovenes and even Austrians. Ana Foteva applies postmodern geography, literary, and colonial theories to demonstrate the relationship between the development of national identity, the pull of Habsburg imperial identity, the shaping of Yugoslav identity, and the fracturing of the Balkans in the 1990s. In our podcast conversation, she discusses and challenges stereotypes of the Balkans as a region of perpetual conflict. Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders Between the Balkans and Europe (Peter Lang, 20speaks to complex identities in the region rarely seen in contemporary media accounts. Ana Foteva received her PhD in German literature at Purdue University. Currently she holds the position of Visiting Assistant Professor in German Studies at St. Lawrence University. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Starting with Metternich’s declaration that the Balkans begin at Rennweg (a street in the Third District of Vienna), Ana Foteva draws on novels, plays, librettos and travelogues from the 19th through the 21st century to explore the various forms the Balkan region has taken in Europe’s political and cultural imagination. Her analysis of these literary works reveals concepts of belonging, multi-belonging and unbelonging among Serbians, Bosnians, Croatians, Slovenes and even Austrians. Ana Foteva applies postmodern geography, literary, and colonial theories to demonstrate the relationship between the development of national identity, the pull of Habsburg imperial identity, the shaping of Yugoslav identity, and the fracturing of the Balkans in the 1990s. In our podcast conversation, she discusses and challenges stereotypes of the Balkans as a region of perpetual conflict. Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders Between the Balkans and Europe (Peter Lang, 20speaks to complex identities in the region rarely seen in contemporary media accounts. Ana Foteva received her PhD in German literature at Purdue University. Currently she holds the position of Visiting Assistant Professor in German Studies at St. Lawrence University. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Starting with Metternich’s declaration that the Balkans begin at Rennweg (a street in the Third District of Vienna), Ana Foteva draws on novels, plays, librettos and travelogues from the 19th through the 21st century to explore the various forms the Balkan region has taken in Europe’s political and cultural imagination. Her analysis of these literary works reveals concepts of belonging, multi-belonging and unbelonging among Serbians, Bosnians, Croatians, Slovenes and even Austrians. Ana Foteva applies postmodern geography, literary, and colonial theories to demonstrate the relationship between the development of national identity, the pull of Habsburg imperial identity, the shaping of Yugoslav identity, and the fracturing of the Balkans in the 1990s. In our podcast conversation, she discusses and challenges stereotypes of the Balkans as a region of perpetual conflict. Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders Between the Balkans and Europe (Peter Lang, 20speaks to complex identities in the region rarely seen in contemporary media accounts. Ana Foteva received her PhD in German literature at Purdue University. Currently she holds the position of Visiting Assistant Professor in German Studies at St. Lawrence University. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
I don’t often have a chance to read books that focus solely on Belarus, which is exactly why I was intrigued by The Rise and Fall of Belarusian Nationalism, 1906-1931 (University of Pittsburgh Press, 2015). Per Anders Rudling‘s study seeks to answer a basic question Why is there today an independent Belarus and how did this state appear? He begins by noting that Belarusian statehood was declared and re-declared no less than six times between 1918 and 1920, despite the fact that Belarusian territory was occupied by Germany during World War I and then divided between the Soviet Union and Poland in 1920. Rudling traces the activities of few hundred intellectuals as they attempted to shape a Belarusian national identity and political state. At the same time, he demonstrates the extent to which the these nationalists cultural and political achievements were dependent on the support of external powers Germany, the Soviet Union and Poland all of whom who saw Belarusian nationalism as a tool for undermining an opposing state. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
I don't often have a chance to read books that focus solely on Belarus, which is exactly why I was intrigued by The Rise and Fall of Belarusian Nationalism, 1906-1931 (University of Pittsburgh Press, 2015). Per Anders Rudling‘s study seeks to answer a basic question Why is there today an independent Belarus and how did this state appear? He begins by noting that Belarusian statehood was declared and re-declared no less than six times between 1918 and 1920, despite the fact that Belarusian territory was occupied by Germany during World War I and then divided between the Soviet Union and Poland in 1920. Rudling traces the activities of few hundred intellectuals as they attempted to shape a Belarusian national identity and political state. At the same time, he demonstrates the extent to which the these nationalists cultural and political achievements were dependent on the support of external powers Germany, the Soviet Union and Poland all of whom who saw Belarusian nationalism as a tool for undermining an opposing state. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
I don’t often have a chance to read books that focus solely on Belarus, which is exactly why I was intrigued by The Rise and Fall of Belarusian Nationalism, 1906-1931 (University of Pittsburgh Press, 2015). Per Anders Rudling‘s study seeks to answer a basic question Why is there today an independent Belarus and how did this state appear? He begins by noting that Belarusian statehood was declared and re-declared no less than six times between 1918 and 1920, despite the fact that Belarusian territory was occupied by Germany during World War I and then divided between the Soviet Union and Poland in 1920. Rudling traces the activities of few hundred intellectuals as they attempted to shape a Belarusian national identity and political state. At the same time, he demonstrates the extent to which the these nationalists cultural and political achievements were dependent on the support of external powers Germany, the Soviet Union and Poland all of whom who saw Belarusian nationalism as a tool for undermining an opposing state. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
I don’t often have a chance to read books that focus solely on Belarus, which is exactly why I was intrigued by The Rise and Fall of Belarusian Nationalism, 1906-1931 (University of Pittsburgh Press, 2015). Per Anders Rudling‘s study seeks to answer a basic question Why is there today an independent Belarus and how did this state appear? He begins by noting that Belarusian statehood was declared and re-declared no less than six times between 1918 and 1920, despite the fact that Belarusian territory was occupied by Germany during World War I and then divided between the Soviet Union and Poland in 1920. Rudling traces the activities of few hundred intellectuals as they attempted to shape a Belarusian national identity and political state. At the same time, he demonstrates the extent to which the these nationalists cultural and political achievements were dependent on the support of external powers Germany, the Soviet Union and Poland all of whom who saw Belarusian nationalism as a tool for undermining an opposing state. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The People’s Game: Football, State and Society (Cambridge University Press, 2014), Alan McDougall looks at football from the top-down and bottom-up: as a tool of the state, as forming regional identities in East Germany and in a reunified Germany, and as a popular pastime. Although characterized by mediocrity compared to other sports in East Germany, McDougall demonstrates the ways in which football gave people a means of expressing identities that were separated from and even opposed to that endorsed by the state. At the same time, he argues, this was a “constrained autonomy,” one that was shaped by the tensions between Eigen-Sinn and conformity. The East German state has been viewed as a monolith, but recent scholarship – including this book – reveals its fractures. McDougall’s analysis exposes the limits and dysfunctionalities of the state and the communist party’s leadership. The People’s Game not only adds to our understanding of communist Eastern Europe, it also contributes to the growing field of sports history. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The People’s Game: Football, State and Society (Cambridge University Press, 2014), Alan McDougall looks at football from the top-down and bottom-up: as a tool of the state, as forming regional identities in East Germany and in a reunified Germany, and as a popular pastime. Although characterized by mediocrity compared to other sports in East Germany, McDougall demonstrates the ways in which football gave people a means of expressing identities that were separated from and even opposed to that endorsed by the state. At the same time, he argues, this was a “constrained autonomy,” one that was shaped by the tensions between Eigen-Sinn and conformity. The East German state has been viewed as a monolith, but recent scholarship – including this book – reveals its fractures. McDougall’s analysis exposes the limits and dysfunctionalities of the state and the communist party’s leadership. The People’s Game not only adds to our understanding of communist Eastern Europe, it also contributes to the growing field of sports history. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The People’s Game: Football, State and Society (Cambridge University Press, 2014), Alan McDougall looks at football from the top-down and bottom-up: as a tool of the state, as forming regional identities in East Germany and in a reunified Germany, and as a popular pastime. Although characterized by mediocrity compared to other sports in East Germany, McDougall demonstrates the ways in which football gave people a means of expressing identities that were separated from and even opposed to that endorsed by the state. At the same time, he argues, this was a “constrained autonomy,” one that was shaped by the tensions between Eigen-Sinn and conformity. The East German state has been viewed as a monolith, but recent scholarship – including this book – reveals its fractures. McDougall’s analysis exposes the limits and dysfunctionalities of the state and the communist party’s leadership. The People’s Game not only adds to our understanding of communist Eastern Europe, it also contributes to the growing field of sports history. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The People’s Game: Football, State and Society (Cambridge University Press, 2014), Alan McDougall looks at football from the top-down and bottom-up: as a tool of the state, as forming regional identities in East Germany and in a reunified Germany, and as a popular pastime. Although characterized by mediocrity compared to other sports in East Germany, McDougall demonstrates the ways in which football gave people a means of expressing identities that were separated from and even opposed to that endorsed by the state. At the same time, he argues, this was a “constrained autonomy,” one that was shaped by the tensions between Eigen-Sinn and conformity. The East German state has been viewed as a monolith, but recent scholarship – including this book – reveals its fractures. McDougall’s analysis exposes the limits and dysfunctionalities of the state and the communist party’s leadership. The People’s Game not only adds to our understanding of communist Eastern Europe, it also contributes to the growing field of sports history. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The People's Game: Football, State and Society (Cambridge University Press, 2014), Alan McDougall looks at football from the top-down and bottom-up: as a tool of the state, as forming regional identities in East Germany and in a reunified Germany, and as a popular pastime. Although characterized by mediocrity compared to other sports in East Germany, McDougall demonstrates the ways in which football gave people a means of expressing identities that were separated from and even opposed to that endorsed by the state. At the same time, he argues, this was a “constrained autonomy,” one that was shaped by the tensions between Eigen-Sinn and conformity. The East German state has been viewed as a monolith, but recent scholarship – including this book – reveals its fractures. McDougall's analysis exposes the limits and dysfunctionalities of the state and the communist party's leadership. The People's Game not only adds to our understanding of communist Eastern Europe, it also contributes to the growing field of sports history. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe.
Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Central European University Press, 2014) is a richly detailed description of the social practices, debates and discourses that were part of a transnational literary community created by tamizdat – literary works written in communist Europe but published in the West. Friederike Kind-Kovacs, Assistant Professor in the Department of History of Southeastern and Eastern Europe, University of Regensburg, demonstrates the permeability of the “Iron Curtain” through a study of the practicalities of book smuggling and publishing houses. More importantly, she reveals the motivations of non-conformist writers who sought publication in the West and the Western intellectuals, emigres and activists who facilitated publication – along with the tensions inherent in these relationships. Kind-Kovacs focuses as well as on how literary transmission between communist Europe and the West was shaped by and contributed to the human rights movement. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Central European University Press, 2014) is a richly detailed description of the social practices, debates and discourses that were part of a transnational literary community created by tamizdat – literary works written in communist Europe but published in the West. Friederike Kind-Kovacs, Assistant Professor in the Department of History of Southeastern and Eastern Europe, University of Regensburg, demonstrates the permeability of the “Iron Curtain” through a study of the practicalities of book smuggling and publishing houses. More importantly, she reveals the motivations of non-conformist writers who sought publication in the West and the Western intellectuals, emigres and activists who facilitated publication – along with the tensions inherent in these relationships. Kind-Kovacs focuses as well as on how literary transmission between communist Europe and the West was shaped by and contributed to the human rights movement. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Central European University Press, 2014) is a richly detailed description of the social practices, debates and discourses that were part of a transnational literary community created by tamizdat – literary works written in communist Europe but published in the West. Friederike Kind-Kovacs, Assistant Professor in the Department of History of Southeastern and Eastern Europe, University of Regensburg, demonstrates the permeability of the “Iron Curtain” through a study of the practicalities of book smuggling and publishing houses. More importantly, she reveals the motivations of non-conformist writers who sought publication in the West and the Western intellectuals, emigres and activists who facilitated publication – along with the tensions inherent in these relationships. Kind-Kovacs focuses as well as on how literary transmission between communist Europe and the West was shaped by and contributed to the human rights movement. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Central European University Press, 2014) is a richly detailed description of the social practices, debates and discourses that were part of a transnational literary community created by tamizdat – literary works written in communist Europe but published in the West. Friederike Kind-Kovacs, Assistant Professor in the Department of History of Southeastern and Eastern Europe, University of Regensburg, demonstrates the permeability of the “Iron Curtain” through a study of the practicalities of book smuggling and publishing houses. More importantly, she reveals the motivations of non-conformist writers who sought publication in the West and the Western intellectuals, emigres and activists who facilitated publication – along with the tensions inherent in these relationships. Kind-Kovacs focuses as well as on how literary transmission between communist Europe and the West was shaped by and contributed to the human rights movement. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Central European University Press, 2014) is a richly detailed description of the social practices, debates and discourses that were part of a transnational literary community created by tamizdat – literary works written in communist Europe but published in the West. Friederike Kind-Kovacs, Assistant Professor in the Department of History of Southeastern and Eastern Europe, University of Regensburg, demonstrates the permeability of the “Iron Curtain” through a study of the practicalities of book smuggling and publishing houses. More importantly, she reveals the motivations of non-conformist writers who sought publication in the West and the Western intellectuals, emigres and activists who facilitated publication – along with the tensions inherent in these relationships. Kind-Kovacs focuses as well as on how literary transmission between communist Europe and the West was shaped by and contributed to the human rights movement. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution (University of Washington Press, 2015), Guntis Smidchens tackles the question “of whether it is possible to reconcile nonviolent principles with a pursuit of nationalist power” and his answer is yes. As evidence, Smidchens presents the events of 1988 to 1991 in the Baltic countries and their national song cultures, considering them through the lens of principles of nonviolence. Smidchens analyzes the role of choral, folk and rock music in the national movements, demonstrating that choral music provided mass discipline, folk songs pulled in people not already involved in song culture, and rock music integrated ideology and responsiveness to rapidly changing events in the Baltic and the Soviet Union more broadly. He also provides English translations of over 100 Lithuanian, Latvian and Estonian songs, setting them in their historical, cultural and poetic contexts. The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution explains why Latvians, Estonians and Lithuanians chose music as their weapon of choice to regain independence from the Soviet Union. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution (University of Washington Press, 2015), Guntis Smidchens tackles the question “of whether it is possible to reconcile nonviolent principles with a pursuit of nationalist power” and his answer is yes. As evidence, Smidchens presents the events of 1988 to 1991 in the Baltic countries and their national song cultures, considering them through the lens of principles of nonviolence. Smidchens analyzes the role of choral, folk and rock music in the national movements, demonstrating that choral music provided mass discipline, folk songs pulled in people not already involved in song culture, and rock music integrated ideology and responsiveness to rapidly changing events in the Baltic and the Soviet Union more broadly. He also provides English translations of over 100 Lithuanian, Latvian and Estonian songs, setting them in their historical, cultural and poetic contexts. The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution explains why Latvians, Estonians and Lithuanians chose music as their weapon of choice to regain independence from the Soviet Union. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution (University of Washington Press, 2015), Guntis Smidchens tackles the question “of whether it is possible to reconcile nonviolent principles with a pursuit of nationalist power” and his answer is yes. As evidence, Smidchens presents the events of 1988 to 1991 in the Baltic countries and their national song cultures, considering them through the lens of principles of nonviolence. Smidchens analyzes the role of choral, folk and rock music in the national movements, demonstrating that choral music provided mass discipline, folk songs pulled in people not already involved in song culture, and rock music integrated ideology and responsiveness to rapidly changing events in the Baltic and the Soviet Union more broadly. He also provides English translations of over 100 Lithuanian, Latvian and Estonian songs, setting them in their historical, cultural and poetic contexts. The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution explains why Latvians, Estonians and Lithuanians chose music as their weapon of choice to regain independence from the Soviet Union. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution (University of Washington Press, 2015), Guntis Smidchens tackles the question “of whether it is possible to reconcile nonviolent principles with a pursuit of nationalist power” and his answer is yes. As evidence, Smidchens presents the events of 1988 to 1991 in the Baltic countries and their national song cultures, considering them through the lens of principles of nonviolence. Smidchens analyzes the role of choral, folk and rock music in the national movements, demonstrating that choral music provided mass discipline, folk songs pulled in people not already involved in song culture, and rock music integrated ideology and responsiveness to rapidly changing events in the Baltic and the Soviet Union more broadly. He also provides English translations of over 100 Lithuanian, Latvian and Estonian songs, setting them in their historical, cultural and poetic contexts. The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution explains why Latvians, Estonians and Lithuanians chose music as their weapon of choice to regain independence from the Soviet Union. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution (University of Washington Press, 2015), Guntis Smidchens tackles the question “of whether it is possible to reconcile nonviolent principles with a pursuit of nationalist power” and his answer is yes. As evidence, Smidchens presents the events of 1988 to 1991 in the Baltic countries and their national song cultures, considering them through the lens of principles of nonviolence. Smidchens analyzes the role of choral, folk and rock music in the national movements, demonstrating that choral music provided mass discipline, folk songs pulled in people not already involved in song culture, and rock music integrated ideology and responsiveness to rapidly changing events in the Baltic and the Soviet Union more broadly. He also provides English translations of over 100 Lithuanian, Latvian and Estonian songs, setting them in their historical, cultural and poetic contexts. The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution explains why Latvians, Estonians and Lithuanians chose music as their weapon of choice to regain independence from the Soviet Union. Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices
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