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4 episodes with Iranian studies
4 episodes with Iranian studies
4 episodes with Iranian studies
4 episodes with Iranian studies
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2 episodes with Iranian studies
2 episodes with Iranian studies
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39 episodes with Iranian studies
5 episodes with Iranian studies
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2 episodes with Iranian studies
2 episodes with Iranian studies
2 episodes with Iranian studies
2 episodes with Iranian studies
3 episodes with Iranian studies
2 episodes with Iranian studies
Iran and Israel show no signs of backing down as the conflict continues and more and more civilians get caught in the crossfire. Abbas Milani, director of the Iranian Studies program at Stanford University, joins Amna Nawaz to take a closer look at the state of play in the Israel-Iran war. PBS News is supported by - https://www.pbs.org/newshour/about/funders
Iran and Israel show no signs of backing down as the conflict continues and more and more civilians get caught in the crossfire. Abbas Milani, director of the Iranian Studies program at Stanford University, joins Amna Nawaz to take a closer look at the state of play in the Israel-Iran war. PBS News is supported by - https://www.pbs.org/newshour/about/funders
Last week, the conflict between Israel and Iran came to a head after Israel launched airstrikes attacking the Iranian regime. In a tactical move, they targeted nuclear and military facilities and their leadership. Since then, the two nations have exchanged airstrikes, escalating destruction in both countries. Fellow at the Middle East Institute in Washington, D.C. and holding a PhD in Iranian Studies from the University of St Andrews, Nazee Moinian is an Iranian-born Jewish woman with family and connections on both sides of the conflict. She describes the historical relationship between Iran and Israel and the potential for an Iranian regime change that could alter the country's course. She shares her concern for the current situation and the difficult decision that President Trump is facing. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, we're joined by Arash Ghajarjazi, a scholar of Iranian Studies at Utrecht University and author of the new book, Remembering Khayyam: Episodes of Unbelief in the Reception Histories of Persian Quatrains. We delve into the history of Iran to discuss the long legacy of secular culture by way of the figure of Omar Khayyam, a Persian poet and polymath from the 11th century. There are plenty of surprises along the way as we learn how religious elites leveraged modern technology to monopolize power, the role Victorian love of poetry had on Iranian culture, and how secular monuments continue to inspire and allow protest in a theocratic country. We also learn whether a true atheist can hide their atheism and if it may prove to be an absolute necessity.For more on Arash: www.linkedin.com/in/arash-ghajarjazi-036621176On X: @arashghajarjaziArash's new book, Remembering Khayyam: Episodes of Unbelief in the Reception Histories of Persian Quatrains: https://www.degruyterbrill.com/document/doi/10.1515/9783111626017/htmlAnd the video trailer of the book: https://youtu.be/A7Z4ZtUQlnU?si=NO8nX3eZjBNNqzJdBeyond Sharia project: https://beyondsharia.nl/Register for Nathan Alexander's upcoming webinar (July 8): https://freethinker.co.uk/2025/05/freethought-history-webinar-4-atheism-and-vegetarianism-in-the-19th-and-20th-centuries-a-match-made-in-heaven-with-nathan-alexander-8-july-2025/ Follow Nathan on BlueSky: @nathgalexander.bsky.socialNathan's website: https://www.nathangalexander.com/ Beyond Atheism is produced and distributed by Atheists United Studios: https://www.atheistsunited.org/au-studios
With Ankara warning Tehran not to undermine Syria's new rulers and its ongoing peace efforts with Kurdish rebels, regional rivalry with Iran has been intensifying. However, Turkey's concerns about potential US military action against Iran over its nuclear energy programme are now providing a rare point of convergence between the two rivals. After months of diplomatic barbs and threats exchanged between Ankara and Tehran, the Iranian Foreign Minister, Abbas Araghchi, on Wednesday praised his Turkish counterpart, Hakan Fidan, for what he described as a “constructive and supportive position” regarding the indirect US-Iranian talks in Oman over Iran's nuclear energy programme.Oman TalksThe Oman talks aim to avert a possible US military strike on Iran, an option that President Donald Trump has not ruled out. Despite the strained relations with Tehran, avoiding confrontation remains a priority for Ankara.“Turkey would be concerned for many reasons,” claims Özgür Ünlühisarcıklı, who heads the German Marshall Fund's office in Ankara.“This would be just another war on Turkey's borders. Turkey would have to deal with difficult problems, and instability in Iran would almost certainly lead to an additional wave of refugees,” he added.Kurdish leader Ocalan calls for PKK disarmament, paving way for peaceTurkish diplomatic tensions with Iran have been on the rise, with Turkish President Recep Tayyip Erdoğan issuing thinly veiled threats to Tehran, urging it not to interfere in Ankara's efforts to end the conflict with the Kurdistan Workers' Party (PKK), which has waged a decades-long campaign for greater minority rights within Turkey.“Ankara believes that Iran is trying to undermine this [peace] process both in Turkey and in Syria,” observes Serhan Afacan, who heads the Centre for Iranian Studies, a research organisation based in Ankara.In February, the imprisoned PKK leader, Abdullah Öcalan, called for his organisation to disarm. With the PKK operating from bases in Iraq and having an affiliated group in Syria, Ankara has frequently accused Tehran of using the PKK as a proxy in its regional contest for power and influence. Afacan contends that Ankara fears Tehran still holds sway over the Kurdish rebels.“Especially in Syria, Iran might try to convince them not to respond positively to Öcalan's call – this has been Turkey's main concern,” warned Afacan.Iranian uneaseThe recent ousting of long-time Syrian leader Bashar al-Assad has deprived Iran of a key ally, while Syria's new rulers are aligned with Ankara rather than Tehran. A peace agreement between Turkish forces and Kurdish rebels would only deepen Iran's unease over Turkey's growing regional influence.“Turkey is about to end the PKK through its policies both domestically and regionally, and this is causing a kind of panic on the Iranian side,” observes Bilgehan Alagöz, a professor of international relations at Istanbul's Marmara University. “Iran sees this as a threat to its regional influence and a development that could empower Turkey,” Alagöz added.Nevertheless, Syria's Kurdish-led militia, the Syrian Democratic Forces (SDF), which maintains close ties with the PKK, has stated it is not bound by Öcalan's call to disarm. Although it has agreed in principle with Syria's new rulers to merge its forces, the precise terms of the arrangement remain unclear.Syria's new leadershipTensions also persist between the SDF and Syria's new leadership. The Kurdish-led militia continues to demand greater autonomy within Syria — a position opposed by Damascus's new rulers and their backers in Ankara. Turkey suspects Tehran of favouring a decentralised and weakened Syria — a goal analysts say is also shared by Israel.“The Middle East makes strange bedfellows,” notes Gallia Lindenstrauss, a foreign policy expert at the Institute for National Security Studies in Tel Aviv. “Sometimes, these things unfold in ways that are surprising.”Lindenstrauss also questions the Israeli government's zero-sum view of Turkey, which it sees as both a rival and a supporter of Syria's new rulers.He told RFI: “I'm not sure this idea of a decentralised Syria is fully thought through by Jerusalem. I know there's a lot of intellectual energy devoted to this line of thinking. But clearly, we don't want Iran to use Syria to its advantage. A centralised regime might be a better scenario for Syria. But that comes at a cost — and the cost is increased Turkish involvement and influence in Syria. So, there is a dilemma.”Last month, Fidan angered Tehran by warning that Iran could face instability if it attempted to destabilise Syria — a statement some analysts interpret as a veiled reference to Iran's sizeable and often restive Turkish minority, which is viewed with suspicion by Tehran.Ünlühisarcıklı believes Ankara sees itself as gaining the upper hand in its regional rivalry with Tehran, yet remains cautious about the risks posed by a potential US-Iran conflict.Turkey's Erdogan sees new Trump presidency as opportunity“Turkey has outcompeted Iran, and it has no objection to Iran being further weakened,” Ünlühisarcıklı remarked.“But Turkey would have a serious problem with Iran being targeted militarily, as that would destabilise the entire region.”Avoiding such a conflict now offers common ground for Turkey and its long-time regional competitor Iran — a relationship often described as a delicate balance between cooperation and competition.Analysts expect this balancing act to be severely tested in the months to come.
Negli anni Settanta il calcio in Iran raggiunge il suo apice, con il dominio nella Coppa d'Asia e la prima qualificazione ai Mondiali. Ma nello stesso periodo il paese mediorientale è preda di tensioni sociali che porteranno, alla fine del decennio, alla caduta del regime dello Shah Reza Pahlavi e alla nascita della Repubblica Islamica dell'Ayatollah Khomeyni.LE FONTI USATE PER QUESTO EPISODIO:CHEHABI H. E.,A Political History of Football in Iran, Iranian Studies, Taylor & FrancisHALLIDAY Fred,The Genesis of the Iranian Revolution, Third World, Quarterly, Taylor & FrancisSTEEL Jenny, RICHTER-DEVROE Sophie,The Development of Women's Football in Iran. A Perspective on the Future for Women's Sport in the Islamic Republic, Iran, Taylor & FrancisLa musica è "Inspired" di Kevin MacLeod [incompetech.com] Licenza C.C. by 4.0Potete seguire Pallonate in Faccia ai seguenti link:https://pallonateinfaccia.com/https://www.facebook.com/pallonateinfacciabloghttps://twitter.com/pallonatefacciahttps://www.instagram.com/pallonateinfaccia/Per contattarmi: pallonateinfaccia@gmail.comIscrivetevi alla newsletter THE BEAUTIFUL SHAME!COME SOSTENERE PALLONATE IN FACCIA
Today on Speaking Out of Place we talk with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others. Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.Roya Ahmadi is a senior at Stanford University studying Human Biology with a self-designed concentration in Southwest Asian and North African (SWANA) Women's Health and a minor in Interdisciplinary Arts. She is interested in Muslim and SWANA women's sexual and reproductive health and culturally/religiously sensitive pregnancy care. Roya is a co-chair for the Stanford Institute for Diversity in the Arts Undergraduate Fellowship and a video and sound installation artist who has presented work in group shows across the US. Roya interned for the Center for Iranian Diaspora Studies at SFSU for two summers when she was in high school; the Center has had a deep impact on her artwork and her identity as an Iranian-American.Trailer:https://vimeo.com/1002914645
Wildfires continue to rage out of control in Southern California. Tens of thousands of residents have been forced to flee and in the Pacific Palisades neighborhood, and more than one thousand structures have been destroyed in Altadena, forcing most of the town to evacuate. Reporter Kyung Lah joins the program with the details. Also on today's show: James Fallows, former chief speechwriter for President Jimmy Carter; Abbas Milani, Director of Iranian Studies at Stanford University; Kai Bird, author of the Jimmy Carter bio "Outlier" Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
Over the past few months, and especially in recent days, we have seen Iran's decades-old proxy system and strategy collapsing. What are Iran's options? To help us understand how Iran is dealing with this crisis, our guest is Raz Zimmt, one of Israel's top experts on Iran. Raz Zimmt is a senior researcher at the Institute for National Security Studies (INSS) and a research fellow at the Center for Iranian Studies at Tel Aviv University. He is the author of the book "Iran From Within: State and Society in the Islamic Republic" published (in Hebrew) in 2022. Recent published pieces by Raz Zimmt discussed in this episode: https://www.inss.org.il/publication/syria-rebels/https://www.inss.org.il/publication/iran-changes/
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/central-asian-studies
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
At the height of literary nationalisms in the twentieth century, leftist internationalists from Turkey, Iran, Afghanistan, India, and the Soviet East bonded over their shared love of the classical Persian verses of Hafiz and Khayyam. At writers' congresses and in communist literary journals, they affirmed their friendship and solidarity with lyric ghazals and ruba'iyat. Persianate poetry became the cultural commons for a distinctively Eastern internationalism, shaping national literatures in the Soviet Union, the Middle East, and South Asia. By the early Cold War, the literary entanglement between Persianate culture and communism had established models for cultural decolonization that would ultimately outlast the Soviet imperial project. In the archive of literature produced under communism in Persian, Tajik, Dari, Turkish, Uzbek, Azerbaijani, Armenian, and Russian, this book finds a vital alternative to Western globalized world literature. Samuel Hodgkin is Assistant Professor of Comparative Literature at Yale University. His articles have appeared in Comparative Literature Studies, Iranian Studies, Philological Encounters, Cahiers de Studia Iranica, and Cahiers d'Asie centrale. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
After a week of drastic escalation in the conflict in the Middle East, what will come next? Recording on October 1st just as reports emerged from the US warning of the Iranian missile attack on Israel, Gavin Esler spoke to Professor Ali Ansari, founding director of the Institute of Iranian Studies at the University of St Andrews, to discuss Iran's response to Israel's attacks on Lebanon and the assassination of Hezbollah leader Hassan Nasrallah. Support us on Patreon to keep This Is Not a Drill producing thought-provoking podcasts like this. Written and presented by Gavin Esler. Produced by Robin Leeburn. Original theme music by Paul Hartnoll – https://www.orbitalofficial.com. Executive Producer Martin Bojtos. Group Editor Andrew Harrison. This Is Not A Drill is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
The Middle East is bracing for further tension after the killing of Hezbollah's leader. Iran says Hassan Nasrallah's assassination will not go unavenged. Does that mean it will go into direct war with Israel? And can such a regional war be averted? In this episode: Mehran Kamrava, Head, Iranian Studies, Arab Center for Policy Studies and Research. Robert Geist Pinfold, Lecturer, Durham University. Muhannad Ayyash, Professor, Mount Royal University. Host: James Bays Connect with us:@AJEPodcasts on Twitter, Instagram, Facebook
A summer repeat edition of one of our favourite episodes of Roqe as we prepare to launch our new season. In the early 20th Century, in the midst of widespread discontent with the corruption and inefficacy of the Qajar Dynasty, a powerful movement formed and mobilized in Iran, aimed at changing the structure of the monarchy from despotic to constitutional, and to adopt representative governance by introducing the country to a parliamentary system. The Constitutional Revolution is considered a major turning point in the formation of modern Iran. Dr. Ali Massoud Ansari, a Professor of Iranian History and Founding Director of the Institute for Iranian Studies at the University of St. Andrews, joins Jian from Fife, Scotland, to discuss what gave rise to the constitutionalists, the turbulent five year period in which the Constitution was established, and the unmet revolutionary goals of liberal secularism, parliamentary democracy, the containment of clerical dominance, and the limiting of the power of the monarchy, in the aftermath of the 1906 Revolution and the century that followed. Plus Pegah and Jian talk about Roqe Live 3, the launch of a new season of Roqe coming soon…and Jian's time in England sleeping on a very small couch.
In this episode a day ahead of hostage release and ceasefire negotiations resuming in Qatar, Dr Amira Halperin speaks with Professor Uzi Rabi. They discuss the possibility of an Iranian strike on Israel following Ismail Haniyeh's assassination in Tehran, as well as American attempts to prevent the outbreak of a catastrophic regional war. He also argues that the terrorists groups, Hamas and Hezbollah, motivated by Iran, are using the democratisation in Western countries to act there, as terrorism pose a threat in the West. Professor Uzi Rabi, Ph.D (Tel Aviv University, 2000) is the Director of the Moshe Dayan Center for Middle Eastern and African Studies, a Professor of Middle Eastern History at the Department of Middle Eastern and African Studies, and a senior researcher at the Center for Iranian Studies, all at Tel Aviv University. Formerly, he was the Head of the Department of Middle Eastern and African History at Tel Aviv University.
J.J. and Dr. Shai Secunda set Talmudic discourse ablaze. They put the Talmud in its Zoroastrian and Sasanian context, and have bloody good discussion about how Judaism interacted with its socio-religious environment in the first few centuries of the Common Era. Don't forget to rate and review the the show in the podcast app of your choice!Please send any complaints or compliments to podcasts@torahinmotion.orgFor more information visit torahinmotion.org/podcastsDr. Secunda is a religious studies scholar who has taught at universities in Israel and the United States, including the Hebrew University and Yale University, where he was the Blaustein Postdoctoral Fellow. He previously served as a member of the Martin Buber Society of Fellows at Hebrew University in Jerusalem and lecturer in the university's comparative religion and Hebrew literature departments. His academic interests range from rabbinic and Middle Persian literature to classical Jewish history, the Babylonian Talmud in its Sasanian context, Zoroastrianism, and critical approaches to the study of religion, including gender and religion.Professor Secunda is the author of The Iranian Talmud: Reading the Bavli in Its Sasanian Context (2014) and The Talmud's Red Fence: Menstruation and Difference in Babylonian Judaism and Its Sasanian Context (forthcoming with Oxford University Press); and editor of Shoshannat Yaakov: Jewish and Iranian Studies in Honor of Yaakov Elman (with Steven Fine, 2012) and Encounters by the Rivers of Babylon: Scholarly Conversations between Jews, Iranians, and Babylonians in Antiquity (with Uri Gabbay, 2014). He has also contributed book chapters to the Wiley-Blackwell History of Jews and Judaism, and Wiley-Blackwell Companion to Zoroastrianism. He is a member of the Association of Jewish Studies and the International Society of Iranian Studies. Professor Secunda has taught at Bard since 2016.
On today's bonus episode of Battle Lines, we speak to Professor Ali Ansari, author and founding director of the Institute of Iranian Studies at the University of St. Andrews. With the recent death of Iranian President Ibrahim Raisi in a helicopter crash, Iranian politics is set for yet another shift. With an increasingly youthful secular population suffering through a dire economic situation, some say the stranglehold of the Iranian clerics known as the ulama is waning. Could Iran be due for yet another revolution?ContributorsDavid Knowes (Host) @djknowles22 on XProfessor Ali Ansari (University of St. Andrews) @aa51_ansari on X Hosted on Acast. See acast.com/privacy for more information.
Negar Mortazavi speaks to Mehran Kamrava, a professor of government at Georgetown University Qatar and Director of Iranian Studies at the Arab Center. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theiranpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/theiranpodcast/support
Dr. Abbas Milani, research Fellow and co-director of the Iran Democracy Project at the Hoover Institution and Hamid and Christina Moghadam Director of Iranian Studies at Stanford University, joined the Guy Benson Show today to discuss the latest on the speculation surrounding the death of Iranian President Raisi. Listen to the full interview below! Learn more about your ad choices. Visit megaphone.fm/adchoices
After Iran attacked Israel from its own soil for the first time, the World in 10 analyses what the repercussions could be.Guests include:- Jasmine El-Gamal, former Middle East advisor at the U.S. Department of Defence- Ali Ansari, Director of the Institute of Iranian Studies at the University of St Andrews- Samer Al-Atrush, The Times' Middle East correspondentYour daily round-up of the biggest stories from across the world, as seen through the eyes of the Times of London. You can hear more of these stories on Times Radio, and read more at thetimes.co.uk. Hosted on Acast. See acast.com/privacy for more information.
Khalil Andani holds a Ph.D in Islamic Studies from Harvard University (Department of Near Eastern Languages and Civilizations) and serves as an Assistant Professor of Religion at Augustana College. Khalil Andani's dissertation, “Revelation in Islam: Qurʾanic, Sunni, and Shiʿi Ismaili Perspectives”, was awarded Best Ph.D. Dissertation of the Year by the Foundation for Iranian Studies in 2020. His first book, based on this dissertation, will be an analytical and historical investigation of Islamic theologies of revelation in the formative and classical periods of Islam, beginning with the Qurʾan and extending through Qurʾanic commentary (tafsīr), Sunni and Shiʿi prophetic tradition (hadith), Sunni theology (kalām), and Shiʿi Ismaili philosophy.
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
The roots of the Arab world's current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer's diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover. Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East. Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics. Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost and the translator of Sonallah Ibrahim's Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we examine the regional roles played by Egypt and Iran and discuss British diplomacy towards those countries over the last decade or so. Iran and Egypt offer a fascinating study in contrasts – in terms of their dealings with Israel and Hamas, as well as their posturing relative to the outside world. So who better to help us understand these countries regional role than Alex's former boss, Sir Geoffrey Adams, who served as British Ambassador both to Iran (2006-9) and to Egypt (2018-21). He served also as Consul General in Jerusalem, the representative to the Palestinian Authority; as Foreign Office Director for the Middle East, and as DG Political – the chief political advisor in the Foreign Office. He is now an honorary lecturer at the Institute for Iranian Studies at the University of St Andrews. Sir Geoffrey relates his experiences of how diplomacy ‘feels' in Tehran and Cairo and explains why medium powers like Egypt and Iran cannot be dictated to by disunited Western powers. Alex and Jason try to Order the Disorder by discussing Iran's role as a disordering power, Egypt's role as a mediating one, and why the medium powers in the region need to step up. Twitter: @DisorderShow Instagram: https://www.instagram.com/disorderpod/ Subscribe to our Substack: https://natoandtheged.substack.com/ Producer: George McDonagh Exec Producer: Neil Fearn Show Notes Links Sir Geoffrey's FCDO bio is available here His ‘Reflections on the Arab Spring Ten Years On' can be accessed here For more on the role of Iran as Disorderer please consult Ali Ansari in Ep4 here For more on the regional role of Egypt and why Gaza is existential for Egypt according to Nathan Brown: pls consult in Ep16. The Struggle for Leadership of the Islamic World here Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this week's episode, Tom and Helen talk to Ali Ansari, director of Iranian Studies at St Andrews University, about the history of Iranian power - from the 1979 Islamic revolution, to the most recent exchange of airstrikes with Pakistan. Hosted on Acast. See acast.com/privacy for more information.
The Iranian president's visit to Turkey this week comes amid deeply strained bilateral tensions as a result of regional rivalries. However, Israel's assault on Gaza stands to alleviate those problems as Tehran and Ankara find common ground in condemning Israel, with Turkey also seeking to position itself as a mediator in the conflict. Turkish President Recep Tayyip Erdogan's withering verbal attacks on Israel have put him on the same page as his Iranian counterpart Ebrahim Raisi, who is due to visit Turkey on Tuesday.But Ankara is also concerned about contagion as the Gaza war draws in countries such as Iran and threatens to destabilise the region.'Demoinising' Iran"Turkey does not approve of demonising Iran. It can still have a dialog, and Turkey has the capacity to cooperate with Iran," says Bilgehan Alagoz, of the Centre for Iranian Studies, a Turkish thinktank.Alagoz suggests Erdogan is well placed in his talks with Raisi to keep Iran out of the war: "Turkey also has a dialog with Israel. While there are problems with Israel, we still can talk with Israel and with others, including the United States and European countries." Turkey, Iran put rivalries aside as Gaza conflict provides common groundKeeping Iran and its proxies out of the conflict is a priority for Israel and Turkey's Western allies.Iran has a major role in arming Hamas, says Gallia Lindenstrauss, an analyst with the Institute for National Security Studies in Tel Aviv."It is difficult for Israel to concentrate on the Gaza front because the northern front in Israel, the front with Lebanon, is very also very tense," Lindenstrauss says, adding that, "of course, the northern front is all orchestrated by Iran".Raisi in TurkeyErdogan's talks with Raisi aren't expected to be confined to the war in Gaza. Until the Hamas attack on Israel on 7 October, Turkish-Iranian tensions had been rising amid growing regional rivalry, in particular in the Caucasus.Tehran is alarmed at the military successes of Azerbaijan's forces against ethnic Armenians in the disputed Nagorno-Karabakh enclave.Iran is a strong ally of Armenia and sees Azerbaijan as an increasing threat to its regional influence. However, much to Iran's annoyance, Turkey strongly backs Azerbaijan with a military alliance."The recent rhetoric adopted by Iran towards Turkey has created some sensitivity, especially regarding the South Caucasus," says Alagoz."Since the beginning of Azerbaijan's liberation activities for the occupied territory in the South Caucasus, Iran has started to adopt anti-Turkey rhetoric." France announces sale of defensive weapons to Armenia as Turkey plays wargames with AzerbaijanBattle of influenceAnalysts also suggest that Tehran is worried Ankara is seeking to limit Iran's influence across the region. These fears have been stoked by deepening cooperation between Azerbaijan and Israel.Turkey's expanding its influence into central Asia is adding to Iran's concerns."Turkey's connection to central Asia is still a very serious problem because it's going to increase Turkey's influence here in the region, which Iran is not happy with," says Ilhan Uzgel, a political analyst with the Turkish news portal Kisa Dalga.Tehran's advancing nuclear energy programme is also fuelling bilateral tensions. Turkey is worried that Iran is moving closer to developing a nuclear bomb and triggering a regional nuclear arms race.But at least for now, the Middle East war and fears that it will spread are bringing the two countries closer.
Send us a Text Message.What was the role of Shia Islam in the 1906 Iranian revolution? Is there any correlation between the 1906 revolution and the Young Turks movement?These and many more questions were put to the Professor of Iranian Studies at the University of St Andrews, Ali Ansari for episode 3 of our new series!This podcast followed his lecture ‘Iran's Constitutional Revolution of 1906' which was given on 17th October 2023.You can find information about his lecture and others in his series here:https://www.gresham.ac.uk/watch-now/iran-1906Support the Show.
In this program, INSS researcher Adi Kantor sits down with Meir Litvak, professor in the Department of Middle Eastern History and a senior research associate at the Alliance Center for Iranian Studies at Tel Aviv University. Together they discuss the ever-growing problem of antisemitism in the Arab-Muslim space today. What are the origins of this phenomenon when looking specifically at Arab societies? Are they rooted in ideas imported from Western discourses or rather from old Islamic traditions? What are the leading narratives and how do external narratives (for example, from the West) affect local regional ones and vice versa, regarding Jews and Israel? Who are the main actors fueling antisemitic discourses? And also, what are the ways to combat this dangerous phenomenon?
In this episode, Isabella talks with Stanford University's Iranian Studies Program Associate Director, Roma Parhad, to discuss her inspiration for and experience with working with the Stanford Iranian Studies Program. They delve deeper into topics like advocating for women's rights, highlighting Iranian culture within context, and celebrating progress while also recognizing pitfalls in Iranian society. Tune in!
SPONSORED BY: Ridge Wallet. Use Code “TRIGGER” for 10% off your order at: https://www.ridge.com/TRIGGER SPONSORED BY: Express VPN. Get 3 months extra free when you sign up for a 12 month contract at: https://www.expressvpn.com/ SPONSORED BY: easyDNS - domain name registrar provider and web host. Use special code: TRIGGERED for 50% off when you visit https://easydns.com/triggered/ Professor Ali Ansari FRSE (علی مسعود انصاری) is the Professor in Modern History with reference to the Middle East at the University of St Andrews in Scotland, where he is also the founding director of the Institute for Iranian Studies. Join our exclusive TRIGGERnometry community on Locals! https://triggernometry.locals.com/ OR Support TRIGGERnometry Here: https://www.subscribestar.com/triggernometry https://www.patreon.com/triggerpod Bitcoin: bc1qm6vvhduc6s3rvy8u76sllmrfpynfv94qw8p8d5 Music by: Xentric | info@xentricapc.com | https://www.xentricapc.com/ | Channel ID: UCo_8zzSxKeL3arKWVuP8wdQ Buy Merch Here: https://www.triggerpod.co.uk/shop/ Advertise on TRIGGERnometry: marketing@triggerpod.co.uk Join the Mailing List: https://www.triggerpod.co.uk/sign-up/ Find TRIGGERnometry on Social Media: https://twitter.com/triggerpod/ https://www.facebook.com/triggerpod/ https://www.instagram.com/triggerpod/ About TRIGGERnometry: Stand-up comedians Konstantin Kisin (@konstantinkisin) and Francis Foster (@francisjfoster) make sense of politics, economics, free speech, AI, drug policy and WW3 with the help of presidential advisors, renowned economists, award-winning journalists, controversial writers, leading scientists and notorious comedians. 00:00 Intro 05:00 The Journey to Present-Day Iran 12:52 Iran's Response to US Restrictions 20:02 Does the West Underestimate Iran's Significance? 27:50 Why are We Sanctioning Iran? 32:40 Iran's Access to Nuclear Technology 37:24 Israel's Role in the Iran Conflict 41:58 Likelihood of Iran Protestors' Success 48:42 Possible Backlashes from Islam 51:59 Effect of the Internet on Iran's Younger Generation 57:15 Can We Help without Forcing our Culture onto Others? 1:05:08 What's the One Thing We're Not Talking About?
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