Podcasts about beethoven's symphony no

We'll look at Symphony No. 1, Op. 21.

TBOL ch1We've dusted off our copies of The Book of Life, opened it to chapter 1, and now we realize how much information this chapter actually contains! Not only do we get a glimpse of what has been going on in Sept-Tours while we were gone, but we get to see the events through different eyes, which paints a larger, more precise picture for us to study. New beginnings, indeed! Take this one in shifts, or power through the whole episode. It's one of the longer ones!See full show notes: go.DaemonsDiscuss.com/68Join us on Patreon (as little as $2 monthly will gain you access to extra episodes + different level incentives for those who join at higher tiers!)A Discovery of Witches TV News info (Continually updated; scenes, sets, trailer video, official photographs, casting + more)Become a Discusser (contact info located there as well)Email us directly: DaemonsDiscuss@gmail.comCall & Leave a voicemail! 1 (360) 519-7836 or hit us up on SpeakPipe Our Podcast Page: DaemonsDiscuss.com Our Main Site: DaemonsDomain.com Social Media: Twitter - @DaemonsDiscuss, Facebook - Daemons Discuss & Instagram - @daemonsdiscussTo join our private, listener-only Facebook group, apply here: Join Daemonic Discussers The "word" is "F*cking Firedrake"To see/hear all of our chapter reviews, check out this list: Chapter Review EpisodesTV show reviews? Go here: A Discovery of Witches TV ReviewsTo check out all of our episodes go here: Daemons Discuss! Full Episode ListGet your Daemon merch here: go.DaemonsDiscuss.com/shopIn this episode:By the segment . . .(00:15) Intro/Patreon sponsorship(05:40) Discusser emails/Speakpipe - Thank you Samantha R, our Journeyman Daemon Zoe, and Chloe the Vampire Down-Under!(15:09) Main discussion - see topic below; sponsored by Kimberly Babcock(1:16:00) Housekeeping - Thank you Vampire Nurse Elizabeth, Kimberly, and an awesome review from Tedder76 !* Sponsored by Susie Glenn(1:20:54) Save It For the Show - Topic: Intellectual property reminder; sponsored by Amy Austin-Taggart(1:11:05) Promo break - scroll down, or click here to get a hold of us and/or become a Discusser -- information on joining our Facebook group also located on that page. (1:29:43) Last thoughts/Outro. Informational links:Tortilla Española recipeTemple of ArtemisAlhamdulillah; the meaning.Numinous, defined. The word "Dom" as an honorificWeekend at Bernie’sHouse partyThe HangoverCredits/Copyright Information * Intro music: "Ghost Dance" (edited down to second chorus) by Kevin Macleod, licensed for use by Creative Commons.* Outro music: Rimsky-Korsakov - "Scheherazade Symphonic Suite for Orchestra Op.35 - IV. Allegro molto," Public domain/copyright-free. * 'The Price is Right' Theme Song -- both Wikipedia and IMDb credits Edd Kalehoff as composer, but check it—Edd Kalehoff’s Wikipedia page has this line: “Composer of about 1,000 pieces…his credits include the majority of cues used on The Price is Right (although the 1972 theme is officially attributed to Sheila Cole).” -- Used as celebration music for Jean's toilet paper shipment, cause she 'won'! Get it? Oy...we know we are pushing it but -- it was used as strictly PARODY! Please don't sue us!* Jack & Diane" is a 1982 hit rock song written and performed by American singer-songwriterJohn Mellencamp, then performing as "John Cougar." It appears on Mellencamp's album American Fool. Used in the context of Fair Use -- An 8 second clip of the guitar intro was presented.* "A Fifth of Beethoven" is a disco instrumental recorded by Walter Murphy and the Big Apple Band, adapted from the famous first movement of Ludwig van Beethoven's Symphony No. 5. Used in the context of Fair Use -- A 7.35 second clip of the adapted arrangement was presented.* "Save it for the Show" segment introduction voiceover by Devyn Grendell * Cover art (+ all variations associated w/ it): © Daemons Domain* The term "unofficial" is explained in our disclaimer located in Terms of Use - item 14.* The Daemons Discuss podcast is hosted and produced by the owners (Angela, Jean and Valerie) of Daemons Domain and can also be found by entering the url http://www.DaemonsDiscuss.com in your browser, (listed on the various podcast syndicates like Apple Podcasts, Stitcher, etc.) which will redirect you back to the parent site, Daemons Domain.* This podcast is intended for personal download/consumption. Please see our Terms of Use; item 3.* Our episode titles are a loving tribute to the show "Friends" just 'cause we love Friends and - let's face it - it's easier! Here's how one of the show creators explains their reasoning:Jeff Greenstein: "When Marta & David & Jeff & I did 'Dream On', we used to spend a lot of time thinking about titles, because they were on-screen at the top of each episode. On "Friends", we decided that was a waste of time. We figured, why not name each episode after the thing that people will ostensibly be talking about around the water-cooler the next day?" See acast.com/privacy for privacy and opt-out information.

Welcome to the March 2020 edition of the BBC Music Magazine Podcast! This month we discuss the news that the Orchestra of the Age of Enlightenment will only travel by train (rather than plane) on its upcoming tour, as part of its commitment to becoming carbon neutral. We also look at new research which uncovers the fact that Beethoven may not, in fact, have been completely deaf when his final symphony was premiered. Also this episode, we explore the genius of Polish composer Grażyna Bacewicz and hear one of her stunning string quartets. Another iconic Eastern European composer is also celebrated this month: Sofia Gubaidulina, who is featured in this month’s issue having recently been awarded the prestigious RPS Gold Medal.As always, we’ve each brought along our favourite new musical discoveries this month, including chamber works by Lili Boulanger, piano miniatures by Kancheli and new orchestral works by Lithuanian composer Raminta Šerkšnytė. This episode is presented by managing editor Rebecca Franks, who is joined by editorial assistant Freya Parr and deputy editor Jeremy Pound. It was produced by Ben Youatt and Jack Bateman.News:Molto Vivace from Beethoven's Symphony No. 9Minnesota Orchestra/Osmo VänskäBIS BISSACD1616The Magazine:Vivo from Bacewicz's String Quartet No. 3Lutosławski QuartetNaxos 8572806Sofia Gubaidulina: ChaconneAnna Vinnitskaya (piano) Ambroisie AM177First Listen:Rebecca's choice:Demain fera un an (Tomorrow it will be a year)Clairières: Songs by Lili and Nadia BoulangerNicholas Phan (tenor), Myra Huang (piano)Avie AV2414Jeremy's choice:Extraordinary Exhibition Kancheli: 33 MiniaturesGeorge Vatchnadze (piano), Suren Bagratuni (cello)Piano Classics PCL10198Freya's choice:Songs of Sunset and Dawn: III. Morning. Eternal MorningWorks by Raminta Šerkšnytė Lithuanian National Symphony Orchestra/Mirga Gražinytė-TylaDeutsche Grammophon 4837761 See acast.com/privacy for privacy and opt-out information.

In this week’s episode, Scott and Karl talk with Michelle Hawkins, music professor and Online Great Book’s member. The trio listen and discuss Beethoven’s Third Symphony and read The Heiligenstadt Testament, a heartbreaking letter written by Beethoven to his brothers.  Beethoven's Third Symphony is regarded as a turning point in musical history, the ideas for which began during his tumultuous "Heiligenstadt Testament" period. Why is it that so few of us are listening to this landmark symphony? In today's music climate, understanding and enjoying classical music may seem far-fetched for some. Michelle has a theory: “We’re living in a post-musical culture now… people are not growing up in the same musical atmosphere that used to be the case. It is harder to listen to these pieces of music because you do need to have a little bit of context. They are complex, it may be hard to enjoy something so complex when you have no context and no exposure.” What if you want to explore classical music, but you’re not sure where to begin? We approach great music the way we approach great books— you don’t have to be an expert before going out and encountering the thing.  If you are interested in starting your journey with the Great Books, use the discount OGBPODCAST to save 25% on enrollment at Online Great Books.

Richard Wigmore recommends recordings of Beethoven's Symphony No. 1 in C major, Op. 21

Two things mark Beethoven's Symphony No. 8 in F Major, his shortest symphony and one of the least-performed. The first is its energy; contrary to classical sonata form there is no slow movement. The second is its unflagging good humor. The Eighth is full of high spirits, unexpected twists, unusual colors, and musical jests. In the symphony's lightness some listeners detect traces of the influence of Haydn and Mozart, but as with all of Beethoven's work the language is uniquely his own. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34688]

Two things mark Beethoven's Symphony No. 8 in F Major, his shortest symphony and one of the least-performed. The first is its energy; contrary to classical sonata form there is no slow movement. The second is its unflagging good humor. The Eighth is full of high spirits, unexpected twists, unusual colors, and musical jests. In the symphony's lightness some listeners detect traces of the influence of Haydn and Mozart, but as with all of Beethoven's work the language is uniquely his own. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34688]

Two things mark Beethoven's Symphony No. 8 in F Major, his shortest symphony and one of the least-performed. The first is its energy; contrary to classical sonata form there is no slow movement. The second is its unflagging good humor. The Eighth is full of high spirits, unexpected twists, unusual colors, and musical jests. In the symphony's lightness some listeners detect traces of the influence of Haydn and Mozart, but as with all of Beethoven's work the language is uniquely his own. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34688]

Two things mark Beethoven's Symphony No. 8 in F Major, his shortest symphony and one of the least-performed. The first is its energy; contrary to classical sonata form there is no slow movement. The second is its unflagging good humor. The Eighth is full of high spirits, unexpected twists, unusual colors, and musical jests. In the symphony's lightness some listeners detect traces of the influence of Haydn and Mozart, but as with all of Beethoven's work the language is uniquely his own. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34688]

Beethoven's Symphony No. 9Often called the greatest piece of music ever written, Beethoven’s Symphony No. 9 was the last he would ever write.  The first symphony to feature a chorus and vocal soloists, Symphony No. 9 also includes the famous “Ode to Joy.” click here to enjoy a recording 

It's a ZX Spectrum cover of Beethoven's Symphony No 5 in C minor, Op 67 (fragment). Made with ZX Spectrum 48K + AY-interface. I made this from hearing; sorry about that. :-P Tfarde diho rulez. Appeared in the program: The Lost Party Invitro 2019 by HOOY-PROGRAM & Piesiu. Coded by Hellboi. https://youtu.be/FQYkwnTNQMk [img]http://zxspectrum48.i-demo.pl/zx-spectrum_keyboard.jpg[/img] 2020 Creative Commons Copyright All rights reserved

Our Conquest is a Sea of OVAs... Welcome to SFN OTR's Space Opera Recap Show! Legend of the Galactic Novices! This is a anime recap show hosted by Chris and Ryan, chronicling their viewing of the 1980's anime space opera epic, Legend of the Galactic Heroes! In this episode, The boys cover ground as they blast through episodes 4-6. From seeing a young Reinhard nearly brain a kid to death, to Siegfried taking over an entire planet without taking a single casualty, to Wen-Li telling his new fleet to not die cause, "You won't be able to drink tea if you are dead". Music used: Antonín Dvořák's Symphony No. 9 in E minor, "From the New World" (Intro) Richard Wagner's Lohengrin - Prelude to Act III Ludwig van Beethoven's Symphony No.7 in A major op.92 - II, Allegretto Pyotr Ilyich Tchaikovsky's Symphony No. 6 in B minor, Op. 74 'Pathétique' Antonín Dvořák's Symphony No. 9 in E minor, "From the New World" (Outro) Be sure to check out other SFN shows on the website Follow us on twitter @realsfn Find us on Facebook at Super Fun Network Check us out on Instagram at superfunnetwork And send us emails with questions, comments, or corrections at thesuperfunnetwork@gmail.com

Beethoven's Symphony No. 3 “Eroica”The Eroica opened the floodgates for the symphonic outpouring of the nineteenth century–for Beethoven himself, Schubert, Schumann, Brahms, Bruckner, and the rest. The Eroica was the longest symphony ever written when it was unveiled, and listeners and critics commented widely on that fact, to the composer’s frustration. By 1807 nearly all reactions to the piece were favorable, or at least respectful, and critics were starting to make sense of its more radical elements.

Violist, composer, and multimedia performer Christen Lien talks about the second movement of Beethoven's Symphony No. 7(Allegretto), Philip Glass's piece Escape! from the original soundtrack of the movie "The Hours," and her 2017 concept album Elpis.

The Eroica opened the floodgates for the symphonic outpouring of the nineteenth century—for Beethoven himself, Schubert, Schumann, Brahms, Bruckner, and the rest. The Eroica was the longest symphony ever written when it was unveiled, and listeners and critics commented widely on that fact, to the composer’s frustration. By 1807 nearly all reactions to the piece were favorable, or at least respectful, and critics were starting to make sense of its more radical elements.

The premiere of Symphony No. 7 was perhaps Beethoven’s greatest rock-star moment. Buoyed by the excited troops in whose honor the concert was being performed, he “tore his arms with a great vehemence asunder ... at the entrance of a forte he jumped in the air” (according to orchestra violinist and composer Louis Spohr).

Often called the greatest piece of music ever written, Beethoven’s Symphony No. 9 was the last he would ever write. The first symphony to feature a chorus and vocal soloists, Symphony No. 9 also includes the famous Ode to Joy.

Despite his family’s financial turmoil, the year 1806 was extraordinarily productive for Beethoven. He wrote many of his great works, including the Razumovsky string quartets, Piano Concerto No. 4, and Symphonies No. 4 and 5. Symphony No. 4—a return to the grace and relative simplicity of his earlier style—is perhaps Beethoven’s least frequently performed symphony. A passage in the middle of the second movement was called “one of the most imaginative passages anywhere in Beethoven” by musicologist Donald Francis Tovey.

It's the most famous four-note pattern in all of music. But it's also the key to Beethoven's 5th Symphony—and maybe to Beethoven himself.

Much like his fifth and sixth symphonies, Ludwig van Beethoven composed his seventh and eighth symphonies in quick succession. Compared with Symphony No. 7 and Symphony No. 9 (which would not be completed for twelve more years), Symphony No. 8 seems like a look back to Classical times, with nods to Beethoven’s teacher, Josef Haydn. However, the Eighth is more a study in compactness: there is just as much music packed into fewer notes, a sentiment that Beethoven himself echoed—when asked why the Seventh was so much more popular, he responded, “. . . because the Eighth is so much better.”

Beethoven spoke of setting out upon a fresh path with his Second Symphony, and even included veiled musical jokes, which shocked the sensibilities of many critics. Produced between the widely popular First and the revolutionary Eroica, Symphony No. 2 forged new territory with development of theme and architecture, and would eventually take its place among Beethoven's great works.

Carlos and St. John explore Beethoven's Symphony No. 8. Composed in 1812, Beethoven's playful Eighth Symphony looks back to the styles of Haydn and Mozart with nostalgia and humor. Also discussed is Beethoven's famous "Immortal Beloved" letter, a love letter to a mysterious woman that Beethoven wrote that summer.

In this episode, Carlos and St. John explore Beethoven's Symphony No. 2. Written during the summer of 1802, Beethoven's Second Symphony is full of energy and high spirits despite the crisis Beethoven experienced while composing it: that summer, Beethoven realized he was going deaf.

The BBC National Orchestra of Wales perform the first movement of Beethoven's Symphony No. 5, as heard in the Ten Pieces film.

Berlin Philharmonic horn player Stefan de Leval Jezierski coaches Pablo Rincon on Beethoven's Symphony No. 3. Select members of the Berlin Philharmonic woodwind and brass sections led two days of master classes focusing on orchestral repertoire and audition preparation. Participating young artists attended panel discussions with the master class leaders and heard the Berlin Philharmonic in performance, led by Sir Simon Rattle, at Carnegie Hall.

Berlin Philharmonic principal flutist Andreas Blau coaches piccolo player Daniel Sharp on Beethoven's Symphony No. 9. Select members of the Berlin Philharmonic woodwind and brass sections led two days of master classes focusing on orchestral repertoire and audition preparation. Participating young artists attended panel discussions with the master class leaders and heard the Berlin Philharmonic in performance, led by Sir Simon Rattle, at Carnegie Hall.

Berlin Philharmonic principal clarinetist Wenzel Fuchs coaches Brian Gnojek on Beethoven's Symphony No. 6. Select members of the Berlin Philharmonic woodwind and brass sections led two days of master classes focusing on orchestral repertoire and audition preparation. Participating young artists attended panel discussions with the master class leaders and heard the Berlin Philharmonic in performance, led by Sir Simon Rattle, at Carnegie Hall.

Today we will be showcasing some of Beethoven's symphonies, including two tracks from our very special featured release from Avie Records titled "Beethoven: Symphony Nos 6 and 8" performed by Manchester Camerata and Douglas Boyd.Brno Philharmonic Orchestra, Peter Tiboris "Symphony No. 9, Op. 125 in D Minor -1895 Gustav Mahler Edition: III. Adagio molto e cantabile" (mp3) from "Beethoven's 9th Symphony: 1895 Gustav Mahler Orchestration" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumMahler’s grand expansion of Beethoven’s Ninth Symphony employs an extra 4 horns and an extra set of Timpani, revoicing many passages of the venerable masterpiece. Mahler adds occasional counter-melodies and thickens the scoring in order to create his own heightened dynamic scale. Of his own performances of this re-scoring, Mahler wrote: "Far from following any arbitrary purpose or course, but also without allowing himself to be led astray by tradition, (this conductor) was constantly and solely concerned with carrying out Beethoven’s wishes in their minutest detail, and ensuring that nothing the master intended should be sacrificed or drowned out amid the general confusion of sound."San Francisco Symphony, Michael Tilson Thomas "Symphony No. 5 in C minor, Op. 67" (mp3) from "Beethoven: Symphony No. 5 and Piano Concerto No. 4" (San Francisco Symphony) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumThe San Francisco Symphony and Michael Tilson Thomas present Beethoven's Symphony No. 5 and Beethoven's 4th Piano Concerto featuring pianist Emanuel Ax.Jan Willem de Vriend, The Netherlands Symphony Orchestra "Symphony no. 7 op. 92 in A major: Allegro con brio" (mp3) from "Beethoven: Symphonies nos. 7&8 - Complete symphonies vol.3" (Challenge Classics) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumManchester Camerata, Douglas Boyd "Symphony No. 6 in F Major, Op. 68 - "Pastoral"" (mp3) from "Beethoven: Symphony Nos. 6 & 8" (AVIE Records) More On This Album Manchester Camerata lodges the latest release in its acclaimed Beethoven Symphony cycle. Like the previous releases in this cycle these live recordings capture the spirit and freshness of these remarkable, genre-busting works, as well as the excitement, atmosphere and energy of the chamber orchestra under Music Director Douglas Boyd. Manchester Camerata has become one of the finest, most innovative chamber orchestras in the UK, and Douglas Boyd has proven to be an eminent Beethovenian. Conducting the composer’s Fidelio at the 2009 Garsington Opera Festival, The Times (London) noted “his grasp of Beethovenian idiom” and “pungent underlining of orchestral detail”, praising the musical performance as “sublime and exultant”. This is the penultimate release in the Douglas Boyd-Manchester Camerata Beethoven Symphony cycle. The Ninth “Choral” Symphony will be released in November 2011.

Welcome to Maestro Independent Classical Spotlight. On this episode we will be playing some pieces to celebrate the arrival of Spring. For more information on this episode, please read below.Carles Cases "Fotos" (mp3) from "Cine Español - vol.1 (Recomposed 6)" (Temps Record) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumIt was during the nineties when Cases had more activity in the Panorama of Spanish Cinema. Many of those soundtracks were not edited in that moment, and now, using the same musicians as when he wrote them, he has made a reinterpretation of two movies: “Fotos” and “La Mujer de Mi Vida”.Emmanuel Rossfelder, Raphael Mata "Quintette G.448" (mp3) from "Danses pour Cordes - Works for Guitar & Cello" (Integral Classic) Buy at iTunes Music Store More On This AlbumFROM TEACHER TO STUDENT -
“My early artistic career was shaped by an extraordinary encounter with Alexandre Lagoya who was my teacher and the best mentor that I could ever have dreamt of having. Guidance is essential, both on an artistic and a spiritual level, at every age and at every stage of life.
Although Raphaël Mata was only six when I discovered him; his talent and joie de vivre had already left a mark on me. So he was my obvious choice for ‘gifted student’. Tristan’s performances are brilliant and subtle. This is what persuaded me to link the warm sounds of his cello to those of my guitar. His artistic talent makes him a cellist of astounding maturity. What is remarkable when we listen to this CD is that it is difficult to distinguish between the teacher and the student. What it boils down to is artists who express their emotions through instruments, through this invisible and fascinating art that is music.”
Emmanuel RossfelderJean-Pierre Ferey "Suite en La (1706)" (mp3) from "Rameau: Suites de Pièces" (SKARBO) Buy at iTunes Music Store More On This AlbumSan Francisco Symphony, Michael Tilson Thomas "Symphony No. 5 in C minor, Op. 67" (mp3) from "Beethoven: Symphony No. 5 and Piano Concerto No. 4" (San Francisco Symphony) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumThe San Francisco Symphony and Michael Tilson Thomas present Beethoven's Symphony No. 5 and Beethoven's 4th Piano Concerto featuring pianist Emanuel Ax.

Contains 2 musical excerpts, the first being a selection from Beethoven's Symphony No. 9, Fourth Movement and I end the podcast with an excerpt from Beethoven's Symphony No 3, Fourth Movement. The first half of the podcast was recorded remotely in Opelika, AL., and the second half was recorded in the studio here in Pelham. 

One orchestra and three choral ensembles combined into one? Sounds like the perfect recipe! UCF Choral Director Dr. David L. Brunner shares how the Orlando Philharmonic is joining forces with UCF, The Orlando Chorale and the Orlando Opera Chorus to perform Beethoven's “Symphony No. 9” - and why now, more than ever, “Ode to Joy” is so vitally important.

WPAS speaks with cellist Alisa Weilerstein about her upcoming appearance with the Pittsburgh Symphony Orchestra on May 4th at 8pm in the Kennedy Center Concert Hall. On the program - Haydn's Cello Concerto No. 1, Beethoven's Symphony No. 7 and Death and Transfiguration by Richard Strauss. Tickets at 202-785-WPAS or WPAS.org.

The UC Davis Symphony Orchestra performs Ludwig van Beethoven's Symphony No. 9 in D Minor, op. 125 under the baton of Christian Baldini.