Podcasts about sir simon rattle

durée : 00:13:15 - Le Disque classique du jour du vendredi 23 mai 2025 - Troisième volet d'une série d'opéras de Janacek présentés par le chef d'orchestre Sir Simon Rattle et le London Symphony Orchestra, "Jenufa" réunit les solistes Agneta Eichenholz, Nicky Spence, Aleš Briscein et Katarina Karnéus.

durée : 00:13:15 - Le Disque classique du jour du vendredi 23 mai 2025 - Troisième volet d'une série d'opéras de Janacek présentés par le chef d'orchestre Sir Simon Rattle et le London Symphony Orchestra, "Jenufa" réunit les solistes Agneta Eichenholz, Nicky Spence, Aleš Briscein et Katarina Karnéus.

Harvard ohne ausländische Studierende? Harvard-Professor Martin Puchner über Trumps fragwürdige Vorschläge. Mit Andrea Mühlberger. Juliane Ludwig und Bettina Faiss vom Symphonieorchester des Bayerischen Rundfunks über die von Sir Simon Rattle initiierte Aktion "Bayern singt". Mit Andrea Mühlberger.

Für sein Lebenswerk erhält Simon Rattle den Ernst von Siemens Musikpreis, der mit 250.000 Euro dotiert ist. Nicht zuletzt für das Musikleben in Deutschland war und ist Simon Rattle prägend. Als Chefdirigent der Berliner Philharmoniker erweiterte Rattle das Repertoire des Spitzenorchesters nachhaltig und stieß mit einem großen Tanzprojekt für Berliner Schüler eine neue Art der Vermittlung klassischer Musik an. Danach war Rattle bis 2023 Chef des London Symphony Orchestra, heute leitet er das Symphonieorchester des Bayerischen Rundfunks in München.

Mickela Mallozzi is host and Executive Producer of Bare Feet with Mickela Mallozzi, a PBS travel series that showcases the diversity of dance from around the world Mickela is a professional dancer and trained musician who had a dream in 2010 about travelling the world with a camera while dancing in the lives of everyday people. Since dreaming that dream she’s collected four Emmy Awards for the show in six seasons, with Season Seven set to release in May. Bare Feet with Mickela Mallozzi airs Saturdays at 3:30 pm on WGCU TV, and also on WGCU Create. Check your local listings. SONG 1: I Wanna Dance with Somebody (Who Loves Me) by Whitney Houston from her self-titled album Whitney released in 1987. https://youtu.be/eH3giaIzONA?si=M2hvtneWRLI4qEPP SONG 2: Tchaikovsky: The Nutcracker, Op 71 – Miniature Overture Conducted by Sir Simon Rattle with the Berliner Philharmoniker orchestra. https://youtu.be/Us6YGiWbsbw?si=0lhzOJHOzUzDspEX SONG 3: Nu te fermare - by Canzoniere Grecanico Salentino released in 2012 on the album Pizzica Indiavolata. https://youtu.be/E-IfNJyxA8w?si=QlEdS9TFlnlQXkJoSee omnystudio.com/listener for privacy information.

„Lied der Nacht“ haben Kommentatoren die Siebente Symphonie von Gustav Mahler genannt. Tatsächlich enthält das Werk zwei vom Komponisten selbst sogenannte „Nachtmusiken“, ein irrlichterndes, sinistres Scherzo, aber auch viel Musik von strahlender Helle. Für Musikfreunde ist sie vielleicht die rätselhafteste der bilderreichen Symphonien. Aus Anlass der Übertragung der Aufführung unter Sir Simon Rattle in Ö1 am kommenden Wochenende legt „Presse“-Musikkritiker Wilhelm Sinkovicz seinen erläuternden Podcast über das Werk noch einmal auf.

To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (tenor) and Christian Gerhaher (baritone). This album comes from these inaugural concerts.  

Nach der Waffenruhe zwischen Israel und der Hamas sind drei israelische Frauen aus der Geiselhaft entlassen worden. Gleichzeitig wurden die Hilfslieferungen in den Gazastreifen deutlich verstärkt. - Kurz vor der Amtseinführung von Donald Trump sorgt ein Bericht für Wirbel in Berlin: Der deutsche Botschafter, Andreas Michaelis, wirft Trump darin vor, er wolle als Präsident die demokratische Strukturen in den USA massiv schwächen, wenn nicht gar zerschlagen. - Mit einem gemeinsamen Wahlkampfauftritt im Sauerland haben CDU-Chef Merz und CSU-Chef Söder einmal mehr den Schulterschluss geübt und sich gegen die Grünen und die AfD abgegrenzt. - Freie Wähler-Chef Aiwanger hat sich dafür ausgesprochen, Migranten, die aus sicheren Ländern nach Deutschland einreisen wollen, an der Grenze zurückweisen. Damit können man auch der AfD "das politische Futter entziehen", sagte er im BR-Fernsehen. - Sir Simon Rattle feiert 70. Geburtstag - Ein Porträt des Stardirigenten in unserer Sendung.

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

(00:47) Was macht ein gutes Brot aus? Unter anderem diese Frage beantwortet Martin Mayer. Er ist Bäcker und Sauerteig-Hotelier in Zürich. Weitere Themen: (11:06) Sir Simon Rattle wird mit dem Ernst von Siemens Musikpreis für sein Lebenswerk geehrt. (15:35) «…und du bisch duss»: Die Caritas will mit diesem Theaterstück auf Armut in der Schweiz aufmerksam machen. (19:30) Erstaunlich frisch, klug und spannend: Das Gerichtsdrama «Juror #2» könnte der letzte Film werden des bald 95jährigen Altmeisters Clint Eastwood. (23:39) Zum Tod von Alois Maria Haas: Literaturprofessorin Hildegard Keller würdigt den früheren Germanisten und Mystikforscher. (27:48) Wie kommen Pflanzen und Tiere zu ihren Namen? Dieser Frage geht die Ausstellung «Naming Natures» im Naturhistorischen Museum in Neuenburg nach.

Justizdrama: Clint Eastwoods neuer Film "Juror #2" kommt ins Kino. Eine Filmkritik von Sigrid Fischer. Auszeichnung: Sir Simon Rattle erhält den Ernst von Siemens Musikpreis. Ein Porträt von Fridemann Leipold. Und: Tanztheater: Stephan Herwig zeigt seine neue Performance "Breather". Sylvia Schreiber war vor Ort.

This podcast features conductor Sir Simon Rattle in conversation with Raymond Bisha as they reference his new recording of Mahler's Seventh Symphony with the Bavarian Radio Symphony Orchestra. Sir Simon outlines his personal history with the work, from being overwhelmed at hearing it for the first time as a young schoolboy to his mature understanding of the symphony as “the point at which Mahler decided to start writing the music of the future.”

Chormusik ist sein Leben und es ist ihm in die Wiege gelegt. 1958 in London geboren als Sohn eines Chorleiters und einer Sängerin, wurde Simon Halsey mit 22 Jahren Musikdirektor der University of Warwick. 1982 lud ihn Sir Simon Rattle ein, die Leitung des City of Birmingham Symphony Chorus zu übernehmen. Das war der Beginn einer jahrzehntelangen Zusammenarbeit. Halsey gründete mehrere Chöre, ging ans Opernhaus Antwerpen, dann zum Rundfunkchor Hilversum und schließlich nach Berlin. Bis 2015 war er Chefdirigent und Künstlerischer Leiter des Rundfunkchores Berlin und wurde für verschiedene Produktionen in dieser Zeit mit dem Grammy ausgezeichnet. Auch in London setzte er seine Zusammenarbeit mit Rattle fort, als Chordirektor beim London Symphony Orchestra und London Symphony Chorus. In diesem Jahr wird der Brite in Hamburg mit dem NDR Vokalensemble das Mitsingkonzert "Singing!" wieder mit Leben füllen. Simon Halsey ist einer der Pioniere der beliebten Mitsingkonzerte, die weltweit Anhänger finden. Halsey hat bereits zigtausend Amateur-Sängerinnen und -Sänger zum gemeinsamen Musizieren animiert. Wo immer er arbeitet und auftritt, er begeistert mit seinem Witz, mit seinem enormen Enthusiasmus und letztlich mit seiner künstlerischen Perfektion.

durée : 01:28:04 - En pistes ! du mardi 17 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le label Deutsche Grammophon publie un nouveau témoignage des exploits de Sir Simon Rattle à Verbier, le chef y dirige les symphonies n°3 et n°5 de Beethoven : une matinée sur les cimes !

durée : 01:28:04 - En pistes ! du mardi 17 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le label Deutsche Grammophon publie un nouveau témoignage des exploits de Sir Simon Rattle à Verbier, le chef y dirige les symphonies n°3 et n°5 de Beethoven : une matinée sur les cimes !

In this episode Dr. Zanotti discusses the current role of pulmonary artery catheters in critical care medicine. He is joined by Dr. Steven Hollenberg a critical care and cardiology physician. Dr. Hollenberg is a professor of medicine at Emory University School of Medicine and director of cardiac intensive care at the Emory Heart & Vascular Center. Additional resources: Pulmonary Artery Catheter Use and Risk of In-hospital Death in Heart Failure Cardiogenic Shock. Kanwar MK, et al. J Card Fail. 2023 Sep;29(9):1234-1244: https://pubmed.ncbi.nlm.nih.gov/37187230/ Pulmonary Artery Catheter Use and Mortality in the Cardiac Intensive Care Unit. Bernard S Kadosh, et al. JACC Heart Failure 2023: https://pubmed.ncbi.nlm.nih.gov/37318422/ Complete Hemodynamic Profiling With Pulmonary Artery Catheters in Cardiogenic Shock Is Associated With Lower In-Hospital Mortality. A Reshad Garan, et al. JACC Heart Failure 2020: https://pubmed.ncbi.nlm.nih.gov/33121702/ Right Heart Catheterization in Cardiogenic Shock Is Associated With Improved Outcomes: Insights From the Nationwide Readmissions Database. Sagar Ranka, et al. J Am Heart Assoc 2021: https://pubmed.ncbi.nlm.nih.gov/34423652/ Books mentioned in this episode: I Contain Multitudes: The Microbes Within Us and a Grander View of Life. By Ed Yong: https://www.amazon.com/Contain-Multitudes-Microbes-Within-Grander/dp/0062368605/ref=sr_1_1?crid=1EVOY6OVQZ437&dib=eyJ2IjoiMSJ9.Na-UJShWq7ngsH9dxvSV2Q.Ob-k26_k01p5WzKzo4CWnsvD4Jjq9RU1krhQhmUi9u4&dib_tag=se&keywords=I+contain+platitudes&qid=1732299607&sprefix=i+contain+platitudes%2Caps%2C132&sr=8-1 Kind of Blue. Miles Davis: https://www.amazon.com/Kind-Blue-Vinyl-Miles-Davis/dp/B0041TM5OU/ref=sr_1_2?crid=E6F0PBPV33BG&dib=eyJ2IjoiMSJ9.4Kk2sCHn8DAOl9j_qadqsZPMVZPlOuKNXg9vv_NTPEYrl10vHYNIC5-wrGJeFpn9K8rSS8aspG9zhJHjAyDqiIUiC9VKvvHjzQsAGmr4wP9VWUPWumInjcS72CDmoaEYr3h2Uoiy8yt-YfYFHm7Y-6XoPecnwju8_zumwohrrhYWC0X6rR8Ui3Xhp6ILDU3sBNb50TJ6iq_fjataiHX7X6fBL1YnUo3X-uBcnQVfKtc.v-zGaYaLVvE7BGxS1c-2_Brbwsq1kAxVKEuxqsaBci8&dib_tag=se&keywords=Miles+Davis+Kind+of+Blue&qid=1732299762&sprefix=miles+davis+kind+of+blue%2Caps%2C139&sr=8-2 Brahms: Ein Deutsches Requiem. Sir Simon Rattle: https://www.amazon.com/Brahms-Ein-Deutsches-Requiem-German/dp/B000MTEDIE/ref=sr_1_5?crid=2UCHLINLHSETV&dib=eyJ2IjoiMSJ9.aDG2ZKyB5OnEgO3Z6_VOsNplIVSXmtXffLy2Jrylq4vgaRHEYDyBsz_4YG1fE_88IJxJ2ScnxhBvvDkVZjauoazwhTEMef0o_nJN25zUb_7oXFNkPMo_U4WBLhgK5njVOkm2ae67weI5roWsx-KbokunvjgAf-tXngA30o2xDQxh0-9y0kJbJRdKtVY63PcPv3yp9YdOrpgo2PO-gpspQsio7uJ-dgz5SY1vX1je3U4.aMm-IxbuxnZSIacaIBGZWc36GYliQP4r-9f9-SBq5tQ&dib_tag=se&keywords=Brahms+requiem&qid=1732299866&sprefix=brahms+requiem%2Caps%2C142&sr=8-5e

As an active orchestral harpist, soloist, accompanist, teacher, reiki master and sound healer, with over 25 years experience, I enjoy every opportunity to share this sacred craft. Providing unique customized music of all genres for special occasions, individualized harp lessons, and Reiki-infused sound healings are especially gratifying for me as I experience a sense of shared joy with others. Orchestral experience spans over 20 years, having had the honor of performing under conductors such as Sir Simon Rattle, Michael Tilson Thomas, Edwin Outwater, and Charles Dutoit.Have had the privilege of accompanying singers, instrumentalists, and fellow harpists for various weddings, sound healing, chamber music recitals and concerts. Serves as the current President of our Phoenix Chapter of the American Harp Society. A happy participant/performer in several larger musical organizations as harp needs arise.Completed Usui Reiki training during covid, and have continued to pioneer utilizing harp in healing arts.I am a graduate of Arizona State University, San Francisco Conservatory of Music and Interlochen Arts Academy.https://www.eqharp.comhttps://www.instagram.com/eqharp/?hl=en

Kate Kennedy meets musicians who, like her, had to stop playing after injury and rethink their lives. As principal cellist of the Berlin Philharmonic for three decades, Ludwig Quandt performed with conductors Claudio Abbado and Sir Simon Rattle until an injury unrelated to performing nearly ended his career. He reveals what being forced to confront silence means for a musician's relationship with their instrument and the innovative solution he found on the other side of the world from an unlikely source.Presenter: Kate Kennedy Producer: Erika Wright Production Coordinator: Elisabeth Tuohy Executive Producer: Rami Tzabar Healing Musicians is a TellTale Industries production for BBC Radio 3

Sir Simon Rattle, weltweit einer der gefragtesten Dirigenten leitet seit über einem Jahr das Symphonieorchester des Bayerischen Rundfunks - kurz BRSO. Gleich zu Beginn sagte Rattle, er wolle Bayern kennenlernen. Das geht nicht ohne Blasmusik. So ist aus dieser kleinen Idee ein großes Projekt geworden: der Symphonische Hoagascht. Blaskapellen aus Bayern sollen mit Musikern des BRSO unter Leitung von Sir Simon Rattle musizieren. Sich kennenlernen, gemeinsam proben und am Schluss zusammen auftreten. Beim großen Hoagascht-Konzert spielen sie Stücke aus beiden Welten: Symphonische Musik und bayerische Blasmusik. Von 100 Bewerbern wurden vier Blaskapellen ausgewählt. Katharina Häringer und Katrin Nöbauer haben sie über ein Jahr für uns begleitet.

Mezzo-soprano Magdalena Kožená speaks to Gramophone Editor Martin Cullingford about her new album, ‘Czech Songs', which features composers Bohuslav Martinů, Antonín Dvořák, Hans Krása and Gideon Klein, and for which she's joined by the Czech Philharmonic and Sir Simon Rattle. ‘Czech Songs' is out now on Pentatone.

Vor Konzerten gibt Lang Lang niemandem die Hand, zu kostbar sind seine Hände, die mit 70 Millionen Dollar versichert sein sollen. Bei Fußballern wird oft ein anderes Körperteil versichert: die Beine. Was Musiker wie Lang Land und Sir Simon Rattle mit Fußballern verbindet, erzählen wir in unserer Miniserie anlässlich der Fußball-Europameisterschaft, die am 14. Juni in München startet.

Fern von Zwängen: Sanfte Hügel, weite Felder und tiefe Gewässer - gleite mit uns durch deine innere Seelenlandschaft. Diese Musikstücke hast Du in der Folge gehört: Stacey Kent – "Landslide" // Richard Hickox – "Suffolk Suite: II. Orford Ness" // Sir Simon Rattle – "Piano Concerto in A Minor, Op. 16: II. Adagio" // Ambiworx – "Passionate Poetry" // Friedemann – "On The Shropshire Hills" // Den Podcast "Die Blaue Couch" von Bayern 1 findest du hier: https://www.ardaudiothek.de/sendung/blaue-couch/7241978/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

durée : 00:58:47 - Sir Simon Rattle et l'Orchestre Philharmonique de Berlin (2/2) - par : Aurélie Moreau - Sir Simon Rattle à la tête du Philharmonique de Berlin de 2002 à 2018, a élargi le répertoire de l'orchestre afin qu'il se sente « chez lui dans un éventail toujours plus varié d'esthétiques ». Un coffret réunit leurs disques Emi (Warner Classics).

durée : 00:58:33 - Sir Simon Rattle et l'Orchestre Philharmonique de Berlin (1/2) - par : Aurélie Moreau - Directeur musical des Berliner Philharmoniker de 2002 à 2018, sir Simon Rattle est invité à les diriger dès 1987 et trouve en eux « un orchestre incroyablement coopératif, amical et spirituel ». Un coffret réunit leurs disques Emi (Warner Classics).

Die Namensliste der Chefdirigenten, die das BRSO über die Jahre lenkten und begleiteten, liest sich imposant: Eugen Jochum, Rafael Kubelík, Sir Colin Davis, Lorin Maazel, Mariss Jansons und heute Sir Simon Rattle. In der Aufzählung fehlt jedoch ein Mann, der das nicht wurde, was er werden sollte. Markus Vanhoefer erinnert an ein tragisches Kapitel der Orchestergeschichte.

Andreas Ottensamer ist Solo-Klarinettist der Berliner Philharmoniker, Sir Simon Rattle war dort lange Chefdirigent. Nun arbeitet Ottensamer wieder mit Rattle zusammen: als sein Assistent. Was diesen Job so besonders macht, hat er im BR-KLASSIK-Interview erzählt.

1. J.S. Bach Wariacie Goldbergowskie - Aria i wariacje 4,5,6, Glen Gould (1981) 2. P. Czajkowski - Symfonia 5, cz. II, Andante Cantabile, co alcuna licenza, Berliner Philharmoniker, Kirill Petrenko. 3. G. Mahler - Symfonia 5, cz. IV, Adagietto, Berliner Philharmoniker, Sir Simon Rattle. 4. L.van Beethoven - Symfonia 5, cz. II, Simon Bolivar Symphony Orchestra Of Venezuela, Gustavo Dudamel. 5. L.van Beethoven - V Koncert fortepianowy Es-dur op. 73, cz.2 Adagio un poco moto, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein. 6. Sting - Seven Days.

Sir Simon Rattle s'engage avec la Philharmonie tchèque - Un souvenir de Robert Badinter - L'atelier Z pokoje do pokoje rénove de vieux meubles – Revue de presse

News; Czechs to abstain in EU migration pact vote; Sir Simon Rattle on his new role at the Czech Philharmonic; and Kutná Hora's little-known Belveder.

Patenschaften kann man für alles mögliche haben: Kinder, Tieren und eben auch ganze Orchester. So ist das auch für das Bayerische Landesjugendorchester und dem BRSO. Am 28. Januar kommt das BLJO mit seinen Patenmusikern vom BRSO in den Herkulessaal und spielt unter der Leitung von Sir Simon Rattle. Er sei zwar ein Star, aber fürchten müsse man sich nicht, sagt Rattle selbst.

This week's episode features prolific artistic rollerskater - possibly better known for being one of the most prolific conductors of his generation, Duncan Ward.Duncan is Chief conductor of Philharmonie Zuidnederland and Music Director of the Mediterranean Youth Orchestra. This November he makes his Barbican debut conducting the LSO in two exciting concerts featuring Abel Selaocoe and Isabelle Faust (ticket link in show notes).Seb and Verity meet up with Duncan in a very lovely room in the depths of the Barbican centre to chat about his upcoming concerts, how he was hand picked by Sir Simon Rattle to work alongside him at the Berlin Phil and his passion for music theatre....I feel another campaign coming on.To book tickets for either of Duncan's upcoming concerts with the LSO click here; https://www.barbican.org.uk/whats-on/2023/event/london-symphony-orchestraduncan-ward-with-abel-selaocoe and https://www.barbican.org.uk/whats-on/2023/event/london-symphony-orchestraduncan-ward-la-merFind out more about Duncan here; http://www.duncan-ward.co.uk/You can follow Three In a Bar on Instagram @threeinabarpodhttps://www.instagram.com/threeinabarpod/We are on Twitter @threeinabarpod https://www.twitter.com/threeinabarpodAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.comSUPPORT THREE IN A BAR ON PATREONJoin our Members' Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabar op Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

In the thirty-fifth year of his career, Daniel Sumegi has sung over one hundred operatic roles on many of the world's major stages – including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Washington National Opera, Seattle Opera, as well as at Opera Australia.  He has also appeared in the opera houses of Bonn, Cologne, Frankfurt and Hamburg, as well as Paris, Barcelona, Tokyo, Hong Kong, Los Angeles and Houston among many others. Regarded also for his dynamic acting, his broad repertoire encompasses all periods of music – from Monteverdi and Mozart to Britten, Tippett and Puts.  Equally comfortable as Strauss' Baron Ochs, Mozart's Sarastro and Commendatore, Verdi's Grand Inquisitor and Sparafucile, Offenbach's Four Villains or Puccini's Scarpia, he has participated in Ring Cycles in New York, Los Angeles, San Francisco, Strasbourg, Cologne, Tokyo, Buenos Aires, Seattle, Melbourne and Adelaide, most notably as Hagen.  He has additionally performed Hunding in concert for the Hong Kong, Atlanta, Stuttgart and Melbourne Symphony Orchestras. Daniel's 2021/2022 engagements included Die Walküre (Singapore), Salome (Victorian Opera), Fidelio (Dublin) and Bluebeard's Castle, Aida and Lohengrin (Opera Australia). Among other roles, he has sung Die Meistersinger von Nürnberg (Pogner) for Opera Australia, Salome (Jochanaan) for New Israeli Opera, Der fliegende Holländer (title role) for Malmö Opera in Sweden and Carmen (Zuniga) for Seattle Opera.  He also undertook his music theatre debut, as Judge Turpin in Sondheim's Sweeney Todd, seen in Sydney and Melbourne.   Past highlights include Don Carlo and Madama Butterfly (Metropolitan Opera), Der Rosenkavalier (Scottish and Welsh National Opera), Luisa Miller (San Francisco), Billy Budd and Rigoletto (Los Angeles), Parsifal (Hamburg, Barcelona, Adelaide), Salome (Washington, Hamburg, Leeds, Hong Kong), Der fliegende Holländer, Aida, Beatrice and Benedict and Barbiere (Seattle), Manchurian Candidate (Minnesota, Austin), and more than 25 principal roles for Opera Australia. He has collaborated with noted conductors such as James Conlon, Sir Andrew Davis, Charles Dutoit, Dan Ettinger, Asher Fisch, Valery Gergiev, Nicola Luisotti, Sir Charles Mackerras, Yannick Nézet-Séguin, Renato Palumbo, Sir Simon Rattle, Carlo Rizzi, Donald Runnicles, Nello Santi, Sir Jeffrey Tate, Edo de Waart, Sebastian Weigle, and Simone Young. Daniel Sumegi appears on CD in Beatrice di Tenda and Seattle Opera's acclaimed Ring Cycle, and on DVD in the San Francisco Opera Production of Capriccio, Opera Australia's Don Giovanni, and the historic condensed Ring Cycle from Teatro Colón, Buenos Aires. In December, he makes his role début as Wotan/The Wanderer in OA's new production of Der Ring des Nibelungen. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Am 21. September gab Simon Rattle im Münchner Herkulessaal sein Antrittskonzert als neuer Chefdirigent von Chor und Symphonieorchester des Bayerischen Rundfunks. Auf dem Programm stand Joseph Haydns "Schöpfung". Bernhard Neuhoff war für BR-KLASSIK dabei.

Am 21. September leitet Sir Simon Rattle erstmals als Chefdirigent den Chor und das Symphonieorchester des Bayerischen Rundfunks. Auf den Briten warten in München große Aufgaben. Und nicht nur am Pult. Wir haben ihn getroffen.

Brett Weymark is one of Australia's foremost choral conductors. Since 2003 Brett Weymark has conducted the Sydney Philharmonia Choirs throughout Australia and internationally. He has also conducted the Sydney, Adelaide, Queensland, West Australian and Tasmanian symphony orchestras, Orchestra of the Antipodes, Sydney Youth Orchestra, New Zealand Symphony Orchestra, Hong Kong Philharmonic and productions for WAAPA, Pacific Opera and OzOpera. He has performed with Opera Australia, Pinchgut Opera, Australian Chamber Orchestra, The Song Company and Musica Viva. He studied singing and conducting at Sydney University and the Sydney Conservatorium of Music and continued conducting studies with Simon Halsey, Vance George, Daniel Barenboim and Sir John Eliot Gardiner, amongst others. His performances have included Bach's Passions and Christmas Oratorio, the requiems of Mozart, Verdi, Duruflé and Fauré and Orff's Carmina Burana. He is champion of Australian composers and has premiered works by Matthew Hindson, Elena Kats-Chernin, Peter Sculthorpe, Ross Edwards and many others. He has prepared choirs for Sir Charles Mackerras, Zubin Mehta, Edo de Waart, Vladimir Ashkenazy and Sir Simon Rattle. He has recorded widely for the ABC and conducted film scores, including Happy Feet, Mad Max Fury Road and Australia. Recent highlight performances include Sondheim's Sweeney Todd (West Australian Opera), Paul Stanhope and Steve Hawke's Jandamarra (SSO), Michael Tippett's A Child Of Our Time (Adelaide Festival) and Carousel (State Opera South Australia). In 2001, Brett was awarded an Australian Centenary Medal. In 2021, he was awarded the Medal of the Order of Australia for services to the performing arts through music. Brett is passionate about singing and the role that music plays in both the individual's wellbeing and the overall health and vitality of a community's culture. Music can transform lives and should be accessible to all.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Scottish composer Helen Grime is this week's guest on Composing Myself, talking to Wise Music Group CEO Dave Holley and Creative Director Gill Graham about her life in and out of music. Melodic motifs on the conversational score today include her formative years studying the oboe, why a first rehearsal is more nerve-wracking than a premiere, experiences at Tanglewood - the summer home of the Boston Symphony Orchestra, why passing knowledge forward through teaching and learning is so important, and the nature of inspiration - “sometimes I seek it, and sometimes I really need it”. As ever, a joyful and enlightening hour.https://helengrime.com/The music of Helen Grime has been performed by leading orchestras around the world, among them the London Symphony Orchestra, Hallé Orchestra, Boston Symphony Orchestra, Orchestre de Paris, Royal Concertgebouw Orchestra, Deutsches Symphonie-Orchester Berlin and Swedish Radio Symphony Orchestra. Conductors who have championed her music include Sir Simon Rattle, Sir Mark Elder, Pierre Boulez, Kent Nagano, Oliver Knussen, George Benjamin, Daniel Harding, Marin Alsop and Thomas Dausgaard. Her music frequently draws inspiration from related artforms such as painting (Two Eardley Pictures, Three Whistler Miniatures), sculpture (Woven Space) and literature (A Cold Spring, Near Midnight, Limina) and has won praise in equal measure for the craftsmanship of its construction and the urgency of its telling.Born in 1981, Grime attended St Mary's Music School in Edinburgh and, following studies at the Royal College of Music in London, was awarded a Leonard Bernstein Fellowship to attend Tanglewood Music Center in 2008. Between 2011 and 2015 she was Associate Composer to the Hallé Orchestra in Manchester and in 2016 was appointed Composer in Residence at Wigmore Hall in London. She was Lecturer in Composition at Royal Holloway, University of London, between 2010 and 2017 and is currently Professor of Composition at the Royal Academy of Music in London. She was appointed MBE in the 2020 New Year Honours List for services to music. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:22:14 - Disques de légende du vendredi 30 décembre 2022 - Sir Simon Rattle et l'Orchestre Philharmonique de Berlin consacrent à Schoenberg un disque dont Brahms occupe pourtant une grosse moitié. L'œuvre majeure de ce programme est en effet la curieuse orchestration que Schoenberg, en 1937, réalisa du premier Quatuor pour piano et cordes de Brahms.

Sean Rafferty spends time in the company of the pianist Lang Lang, one of the most famous classical musicians in the world today. He has had a hugely creative, successful and glamorous career, performing all over the world and collaborating with musicians from Herbie Hancock to Sir Simon Rattle. But during his private time, Lang Lang has spent 20 years of deep study and personal reflection on the music of Johann Sebastian Bach. Bach's Goldberg Variations is the musical peak that many major pianists have attempted to scale over the course of time. Sean meets Lang Lang at the piano, where he plays and talks about his personal journey towards performing and recording J.S. Bach's Goldberg Variations – one of the most mysterious, complex and rewarding pieces in all music. Along the way, Sean meets Lang Lang's wife, Gina Alice, as they perform an informal duet, and Lang Lang opens up about the very personal struggles he faced as a child prodigy, and talks about how the power of music now inspires his work and commitment to young people and music education.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of suspected sexual assault during prison torture from 25:33-26:44, and a brief mention of suicide from 43:02-43:15. Also, discussion of torture, racism, brownface, racist portrayals in movies, homophobia, war, death, grief, murder. Our next history lesson takes us on a journey across the desert through the longest film to date for this show. Clocking in at just under four hours, David Lean's masterpiece is a film that truly stands alone in its scope and technique in filmmaking. No one had ever made a movie quite like this in 1962, and it feels safe to say no one will ever make another one like it again. Because the original story of the figure behind this week's movie and the process of making the film itself were both epic in every sense of the word. And while we have some issues with the script and storytelling, the sheer beauty, magnitude and influence of this week's film are simply undeniable. Grab your gun and climb on your camel as we continue our History Lessons series with 1962's Lawrence of Arabia on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the film Lawrence of Arabia are © 1962 renewed 1990 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “Mr. Lucky” from Music De Wolfe, Copyright 1980. Excerpt taken from “Sabre Dance from the Gayane Suite No. 3,” composed by Aram Khachaturian and performed by the Bernliner Philharmoniker, conducted by Sir Simon Rattle, December 31, 2013. Excerpt taken from “The Young Person's Guide to the Orchestra,” composed by Benjamin Britten and performed by the WDR Symphony Orchestra, conducted by Jukka-Pekka Saraste, October 3, 2010. Excerpt taken from the film The Great Escape is © 1963 Metro-Goldwyn-Mayer Studios Inc. and John Sturges. All Rights Reserved

durée : 00:58:39 - Claire-Marie Le Guay, la virtuosité et le partage - par : Aurélie Moreau - Lars Vogt respirait la musique et la vitalité, comme l'avait dit Sir Simon Rattle. Chef d'orchestre, pianiste à la riche sonorité et au jeu clair et brillant, Lars Vogt nous a quittés hier. Nous écoutons quelques-uns de ses enregistrements au piano.

My Cousin, Claire Bryant!  A sought-after and distinctive performer, Claire has collaborated with such master artists as Emanuel Ax, Sir Simon Rattle and Dawn Upshaw, and worked closely with luminary composers from Meredith Monk to Steve Reich to Herbie Hancock. Over the past 25 years, she has enjoyed a prominent solo career, appearing with major orchestras around the world including the Spartanburg Symphony Orchestra, Finland's Kuopio Symphony Orchestra and The National Symphony of Honduras.  --- Send in a voice message: https://anchor.fm/john-brunty/message

Über 40 Jahre spielte Heinrich Braun im BRSO, die meiste Zeit als Solo-Kontrabassist. Bei "Klassik am Odeonsplatz" spielt er nun sein letztes Konzert vor dem Ruhestand. Mit BR-KLASSIK spricht er über gerissene Saiten, Hornhaut und seine Vorfreude, noch einmal mit Sir Simon Rattle auf der Bühne zu stehen.

Anne W. Smith, the Commonwealth Club's Arts Member-led Forum chair, will moderate a discussion relative to restorative performing arts ideas and values, lingering pandemic issues and new implications for artist and audiences.  Sean Fenton, the “new kid on the block”, is executive director for the arts community service organization Theatre Bay Area. He will spotlight new approaches and thinking ideologies of large and small companies, including why  passion is central to leveraging  pathways through equity, diversity and inclusion as theatre's strongest future. Phillippa Cole, senior director of artistic planning at San Francisco Symphony, will share the emerging impact of Music Director Esa-Pekka Salonen's sparks of innovation underneath his galvanizing leadership model of collaborating artist partners. Is this how the symphony will—as Partner Julia Bullock so aptly wrote—“unpick the institutional tangle?" Why will Davies Hall's collaborative space message prevail? And Carma Zisman, executive director of ODC/Dance, which was founded 50 years ago by Artistic Director Brenda Way, will talk about how ODC committed to 52-week full-time contracts for their dancers. It's a very radical move in the contemporary dance world that grounds ODC's 50th anniversary the impact of EDI issues, and the professional dance world's positioning right now. Join us for an enlightening conversation. We must try! About the Speakers Phillippa Cole is the senior director of artistic planning at San Francisco Symphony. She was previously the associate director of artistic planning for the Los Angeles Philharmonic, producing at London's Almeida Theatre, casting administrator of the English National Opera, and agent with Askonas Holt artist management company focusing on conductors, singers, and stage directors, including Michael Tilson Thomas , Magdalena Kozena and Sir Simon Rattle. She served as the Center's Performance panel chair at the Royal Academy of Music in London. Sean Fenton has been active in the professional Bay Area theatre community for more than two decades. He has worked as an actor, musician, director and administrator. He as performed at TheatreWorks Silicon Valley, San Francisco Playhouse, Crowded Fire Theater, 42nd Street Moon, and Ferocious Lotus Theatre Company, among others. Backstage, he's been a leader at Bay Area Children's Theatre and Kaiser Permanente Educational Theatre, and he has developed audience research services at Wolf Brown's Intrinsic Impact program. Before taking the helm at ODC/Dance five years ago, Carma Zisman served as director of institutional advancement at The Walt Disney Family Museum. Previously she was the vice president of development at the World Affairs Council of Northern California, and development director of the College of Liberal & Creative Arts at San Francisco State University. SPEAKERS Phillippa Cole Senior Director of Artistic Planning, San Francisco Symphony Sean Fenton Executive Director, Theatre Bay Area Carma Zisman Executive Director, ODC/Dance Dr. Anne W. Smith Co-chair, Commonwealth Club Arts Member-led Forum In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on June 21st, 2022 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we interview composer Julio Zúñiga, a Costa Rican composer living in Cambridge, MA. If you're interested in field recordings, memory,  rainforests, semiotics, gratitude and/or noise, this is an episode for you.   musical example citations (plus some other things we mentioned): (in order of appearance): USED FOR EDUCATIONAL PURPOSES - IF YOU WOULD LIKE YOUR MUSIC REMOVED FROM THE PODCAST PLEASE EMAIL US   Schumann Dichterliebe Op. 48 No. 13 Peter Schreier, tenor Norman Shetler, piano   Julio Zúñiga - 24 (2014) for double bass, harp, and percussion commissioned and premiered by PULSAR Trio (Eloïse Labaume, Noam Bierstone, Florentin Ginot) Fondation Suisse, Paris, 2014/5/18   Julio Zúñiga - mein liebstes Bild (2015): for large orchestra and electronics premiered by the Dresdner Philharmonie, HfMDD, 2015/5/18   Michael Pisaro field recording article   Julio Zúñiga - GIS (2017): for clarinet, trombone, percussion, and electronics written for and premiered by Richard Haynes, Ben Marks, and Peter Neville of the ELISION Ensemble   Alvin Lucier - Wind Shadows (1994) for trombone and closely tuned oscillators James Fulkerson, trombone; Alvin Lucier, oscillator; Barton Workshop)    Julio Zúñiga - MAM (2018): for amplified flute, cello, clarinet, and electronics   Julio Zúñiga - stars from the earth stars from the stars (2019): for amplified flute, clarinet, violin, cello, percussion, and electronics written for Madison Greenstone and the [Switch~ Ensemble]   Carlos Reygada's Silent Light   György Ligeti - Atmospheres (Conductor, Sir Simon Rattle, Berliner Philharmoniker)   Julio Zúñiga & Danny Walden - Parallel Peaks   Julio Zúñiga & Elena Rykova - Sí Hay MONSTER (2018): written in collaboration with Elena Rykova site-specific performance/installation for the Montreal-based group No Hay Banda   Julio Zúñiga - CAS (2017): for amplified piccolo flute, contrabass clarinet, octave pedals, and low sine tones premiered by Ensemble Adapter, Harvard University, 2017/11/4   Chaya Czernowin: Duo Leat Petra Stump - Bassklarinette Heinz-Peter Linshalm - Bassklarinette Uraufführung am 13.06.2010, Hohenems   Julio Zúñiga - schemes that offer us a sense of futurity (2021): for amplified soprano voice, flute, clarinet, violin, and electronics written for TAK Ensemble SCORE     interview recorded 4/13/2022   others mentioned during interview to check out: Madison Greenstone Elena Rykova Chaya Czernowin   Follow us on Twitter!

French oboist Philippe Tondre has secured a place among the finest musicians of his generation. «Master of the oboe » (Bonner General Anzeiger), his music-making is packed with emotional sensitivity and stunning virtuosity. Principal oboe of the Philadelphia Orchestra, the Chamber Orchestra of Europe, and the SWR Symphony Orchestra, Philippe Tondre is also a member of the Mito Chamber Orchestra, the newly-founded Kammer Ensemble Paris, and Principal Oboe of the Saito Kinen Orchestra Matsumoto. From 2014 until 2020 he was Solo Oboe of the Budapest Festival Orchestra and from 2016 until 2017 Solo Oboe of the Gewandhaus Orchestra in Leipzig. He has worked with eminent conductors, amongst others Seiji Ozawa, Yannick Nezet-Séguin, Sir Simon Rattle, Gustavo Dudamel, Andris Nelsons, Ivan Fischer, Daniele Gatti, Teodor Currentzis, Franz Welser- Möst, Sir Roger Norrington, Fabio Luisi, Herbert Blomstedt, Esa-Pekka Salonen und Daniel Harding. In November 2015 Philippe Tondre was nominated Professor for Oboe at the Hochschule für Musik Saar. He gives masterclasses in China, Taiwan, Japan, Spain, Switzerland, and Germany. Philippe Tondre plays a Buffet Crampon « Légende » Oboe. ********************************************************************************************************************************************** In this episode, I speak to Philippe about his early musical journey, the key teachers and mentors that had a great influence on him, what studying with Maurice Bourguewas like; his tips for competitions and peak performance, why having active sports and exercise regime is important for wind players, how he toggles between playing in the US and Europe, his upcoming projects, recordings and concerts, the French school of oboe, and his personal tips for young musicians. To find out more about him, visit: http://www.philippetondre.com LOR podcast is sponsored by Barton Cane. To enjoy free shipping, use coupon code, “legendsofreed”, all one word on any order. https://www.bartoncane.com

Hello and welcome back to the Perfect Score, a classical music podcast! Today's episode is going to be all about Dvorak's Slavonic Dances! Here is a recording of the piece with Sir Simon Rattle and the Berlin Philharmonic! perfectscore.fm

durée : 00:10:46 - Mozart: Violin Concertos - Gil Shaham, SWR Symphonieorchester, Nicholas McGegan - Célébrant l'union du classique et du jazz, la dernière version de LSO Live résume le meilleur des deux genres avec une sélection irrésistible d'œuvres de Bernstein, Stravinsky et Golijov, dirigée par Sir Simon Rattle.

durée : 01:57:38 - En pistes ! du jeudi 21 avril 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, nous vous proposons une sélection oscillant entre classique et jazz avec le dernier enregistrement du London Symphony Orchestra dirigé par Sir Simon Rattle mais aussi la musique de Monteverdi, Bach et Donizetti !

A prolific concert performer, Andrew has appeared with the Berliner and Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks and the Orchestra of the Age of Enlightenment with Sir Simon Rattle; the Orchestre de Paris, Swedish Radio Symphony Orchestra and London Symphony Orchestra with Daniel Harding; the Deutsches Symphonie-Orchester Berlin and the ScottishChamber Orchestra with Robin Ticciati; the Rotterdams Philharmonisch Orkest, the Orcherstre Métropolitain and the Philadelphia Orchestra with Yannick Nézet-Séguin; the Accademia Santa Cecilia with Semyon Bychkov; and the Staatskapelle Berlin with Daniel Barenboim. Andrew made his debut at the Royal Opera House, Covent Garden as Jacquino Fidelio, returning for Flamand Capriccio, Tamino Die Zauberflöte, Tichon Katya Kabanova and Narraboth Salome. He has also appeared at the Metropolitan Opera, the National Theatre Prague; La Monnaie Brussels; the Salzburger Festspiele; Hamburgische Staatsoper, Theater an der Wien, the Lucerne Festival and the Lyric Opera of Chicago. Staples has staged Le nozze di Figaro, Così fan tutte, Cenerentola and La bohème in London, at the Jordan Music Festiavl, Musique Cordiale in Provence and the Menton Festival. His celebrated semi-staging of Die Zauberflöte for the Lucerne Festival, conducted by Daniel Harding culminated in a full staging in Stockholm's Drottningholm Palace Theatre with the Swedish Radio Symphony Orchestra. Andrew believes firmly in the evolution of cultural content for screen. Bringing his experience on stage both as a performer and director, he has made a series of music films. Aiming to bring cinematic techniques and rigour to the pre- and post-production phase of his projects, his films aim to capture the thrill of live performance and present it to an audience on screen who desire something more than an archive or stream of the event. The potential to create and evolve in this space is huge and he enjoys the opportunity to collaborate with artists, organisations and cultural broadcasters. In 2021 he received the Royal Philharmonic Society Enterprise Fund Trailblazer Grant, presented in association with Harriet's Trust, in order to support and advance the making of such music films. As a photographer, Staples' work has been featured in the Times, The Evening Standard, Lawyer Magazine, the front cover of The Strad, the BBC Music Magazine, various CD cover images, The National Portrait Gallery's magazine and a number of artist's and ensembles photographs including Tim Mead, Mary Bevan, the Borodin Quartet, The King's Singers, The Gabrieli Consort and Players and Voces8. Follow us on Twitter and Instagram.

Jake is excited to celebrate Christmas and watch Christmas movies. Like Die Hard.Music recommendations are “The Nutcracker” by Pyotr Ilyich Tchaikovsky, performed by the Berlin Philharmonic, and conducted by Sir Simon Rattle.Wake & Jake (Bonus Content)https://www.patreon.com/wakeandjakepodWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid