Podcast appearances and mentions of Sofia Gubaidulina

Con Mario Mora y Ana Laura Iglesias | Por el podcast de la OCNE han pasado directores, compositores y algunos solistas, pero es la primera vez que recibimos a un organista, Felipe López, que ha trabajado mucho con le Orquesta y Coro Nacionales de España y que el próximo 28 de abril acompañará al Coro Nacional en el Satélite 17 (https://ocne.mcu.es/programacion/satelite-17-magnificat). La entrevista será el broche final a un episodio con secciones habituales como la visita de Carlos Iribarren a uno de los conciertos del singular ciclo "Descubre", la agenda de conciertos y una píldora histórica dedicada a la relación de la compositora Sofia Gubaidulina, recientemente fallecida, con la OCNE. Branded pódcast de la Orquesta y Coro Nacionales de España

Matthew Bannister on Oleg Gordievsky, the KGB agent who defected to Britain and became a valued source of secret intelligence during the 1970s and 80s.Renee Goddard, the actress and TV commissioner who fled Nazi persecution only to be interned in Britain.Professor Richard Fortey, the palaeontologist who used his expertise in trilobites to tell stories about the origins of life on earth. Bill Bryson pays tribute.Sofia Gubaidulina, the composer whose large scale religious works attracted criticism from the Soviet authorities. Producer: Gareth Nelson-DaviesArchive: Friendly Enemy Aliens, BBC Radio 4, 1980; Kaleidoscope: Simon's War, BBC Radio 4, 1984; Year of the Great Betrayal, BBC Radio 4, 1977; Reni and the Brownshirts, BBC Radio 4, 2002; Lisel, BBC Radio 4, 1955; Desert Island Discs : Oleg Gordievsky, Radio 4, 10/02/2008; In the Psychiatrist's Chair : Oleg Gordievsky, BBC Radio 4, 26/07/2015; BBC News, 15/12/1984; BBC News, 15/10/1990;

Een klein eerbetoon aan componist Sofia Gubaidulina, die vorige week overleed. Natuurlijk klinkt haar muziek, maar we horen ook hoe Shostakovich haar bemoedigend toesprak, ze voor Schnittke een verjaarscadeau componeerde en dat ze met Suslin en Artyomov een improvisatie-ensemble vormde. Dankjewel Sofia, voor de prachtige muziek die je nalaat! 

Am 13. März 2025 starb die russische Komponistin Sofia Gubaidulina im Alter von 93 Jahren. Eine Würdigung. Sofia Gubaidulina sei durchsichtig vor Hunger und Erschöpfung, hat ein Freund über sie gesagt, damals in der Sowjetunion der 1980er Jahre. Weil sie ja keine Aufträge hatte, keine Aufführungen, keine Zukunft als Künstlerin, nichts. Die sowjetische Führung warf ihr vor, nicht einfach und volksnah genug zu schreiben. Nicht genug «sozialistisch realistisch». Aber das wollte sie nicht, konnte sie nicht. Keine pathetischen Hymnen komponierte sie, keine volkstauglichen Lieder. Das führte zu immer wieder neuen Verbote, Auflagen, vernichtenden Kritiken. Trotzdem komponierte sie unermüdlich weiter, umsonst und für die Schublade. Niemand bekam ihre Musik zu hören. «Es war wirklich sehr schwierig, in dieser Situation zu überleben,» erinnerte sie sich, «manchmal bin ich fast verzweifelt.» Nach dem Ende der Sowjetunion konnte sie endlich ausreisen und wurde im Westen ein Star. Nun ist sie gestorben, im Alter von 93 Jahren. Die Musik unserer Zeit ist daher heute ein Gubaidulina-Mosaik. Im zweiten Teil senden wir Musik aus ihrem Spätwerk: Dialog: Ich und Du / Der Zorn Gottes / The Light of the End.

durée : 00:10:11 - "Das Licht des Endes" (La Lumière de la fin) : Sofia Goubaïdoulina / Gewandhaus de Leipzig - Andris Nelsons - En hommage à la compositrice Sofia Gubaidulina disparue ce jeudi 13 mars, Les classiques de la contemporaine nous font re-découvrir l'une de ses œuvres les plus dramatiques : La lumière de la fin (2003).

durée : 00:10:11 - "Das Licht des Endes" (La Lumière de la fin) : Sofia Goubaïdoulina / Gewandhaus de Leipzig - Andris Nelsons - En hommage à la compositrice Sofia Gubaidulina disparue ce jeudi 13 mars, Les classiques de la contemporaine nous font re-découvrir l'une de ses œuvres les plus dramatiques : La lumière de la fin (2003).

durée : 00:10:11 - "Das Licht des Endes" (La Lumière de la fin) : Sofia Goubaïdoulina / Gewandhaus de Leipzig - Andris Nelsons - En hommage à la compositrice Sofia Gubaidulina disparue ce jeudi 13 mars, Les classiques de la contemporaine nous font re-découvrir l'une de ses œuvres les plus dramatiques : La lumière de la fin (2003).

'De Paradijsvogel is een prachtige, veelkleurige zangvogel' - zo vermeld de encyclopedie. Niet verwonderlijk dat deze vogel de naamgever is voor een festival waar een zeer diverse, bonte, zingende stoet artiesten hun opwachting maakt: vanaf dinsdag 18 maart barst Birds of Paradise los in Tivoli Vredenburg! We horen in deze uitzending een voorproefje van dat festival, maar we staan ook vast even stil bij het recente overlijden van Sofia Gubaidulina, we brengen een bezoekje aan de Children's Corner met Thabo van 11 jaar en we luisteren naar sopraan Elisabeth Hetherington. Festival Birds of Paradise begint op dinsdag 18 maart: https://birds-of-paradise.nl Ook getipt in deze uitzending: Elisabeth Hetherington & ADAM kwartet: https://www.amare.nl/nl/agenda/3194/elisabeth-hetherington-adam-quartet/arcadiana-verhalen-van-liefde-en-vergankelijkheid

(00:40) Die Russische Komponistin Sofia Gubaidulina wurde erst im Exil zur Grande Dame der russischen neuen Musik. Weitere Themen: (05:05) Sopranistin goes Therapeutin – Wie die Covid-Panedmie Maya Boogs Karriere beeinflusst hat. (09:49) Das Fotobuch «Spuren der Flucht» von Klaus Petrus zeigt geflüchtete Menschen von einer anderen Seite. (14:10) «Köln 75»: Der Spielfilm über das legendäre Köln Concert von Keith Jarrett kommt ohne dessen Musik aus. (18:32) Basler Fasnacht 2025: Das waren die Themen.

Am 13. März ist Sofia Gubaidulina im Alter von 93 Jahren verstorben. Sie war die bedeutendsten russische Komponistin der Gegenwart.

„Die Beschäftigung mit der Musik war für mich von Anfang an die Hauptsache meines Lebens“, sagte Sofia Gubaidulina gegenüber SWR Kultur anlässlich ihres 85. Geburtstags im Jahr 2016. Am 13. März ist die große russische Komponistin verstorben.

Duffek, Hans;Zander, Margarate www.deutschlandfunkkultur.de, Fazit

Jansen, Johannes www.deutschlandfunk.de, Kultur heute

Auch wenn in ihrer niemanden kalt lassenden Musik die Macht von Zahlen wirksam ist: Sie zählte nie zu jenen Komponisten, die, ähnlich wie Architekten mit klingenden Proportionen etwas "bauen". Eher verglich sie ihr musikalisches Arbeiten mit einem Züchten und Hegen in der Art eines liebenden Gärtners. Sofia Gubaidulina verstand sich darauf, die Unerbittlichkeit der Zeit zu verwandeln, aufzuheben, und Resonanzen zu ermöglichen mit dem Klang einer namenlosen Präsenz. Nun ist die große tatarisch-russische Klangmetaphysikerin gestorben.

Dos factores van a marcar su carrera en la música de esta compositora tártara: uno, la profundidad religiosa de sus composiciones: el otro, las diferencias con la censura del régimen soviético. Recurre a la música electrónica y la mezcla con canciones populares, instrumentos tradicionales y occidentales._____Has escuchadoEt Exspecto: Sonata for Bayan (1986). Friedrich Lips, bayán. Melodiya (1991)Preludes. Con sordino-Senza sordino (1974). Daniele Roccato, contrabajo. WERGO (2013)Sieben Worte (1982). Boris Pergamenschikow, violonchelo; Elsbeth Moser, bayán; Münchener Kammerorchester; Christoph Poppen, director. ECM (2002)Sonnengesang (1997-1998). Ivan Monighetti, violonchelo; Elbtonal Percussion; NDR Chor. BIS (2016)_____Selección bibliográficaHAMRICK BROWN, Malcolm, Sofia Gubaidulina: A Biography. Indiana University Press, 2007IVASHKIN, Alexander, “John Cage in Soviet Russia”. Tempo, vol. 67, n.º 266 (2013), pp. 18-27KURTZ, Michael, Sofia Gubaidulina eine Biographie. Urachhaus, 2001LOCHHEAD, Judy, “Difference Inhabits Repetition: Sofia Gubaidulina's String Quartet No. 2”. En: Analytical Essays on Music by Women Composers: Concert Music, 1960-2000. Editado por Laurel Parsons y Brenda Ravenscroft. Oxford University Press, 2016*LUKOMSKY, Vera, “Sofia Gubaidulina: ‘My Desire Is Always to Rebel, to Swim against the Stream!'”. Perspectives of New Music, vol. 36, n.º 1 (1998), pp. 5-41*—, “‘Hearing the Subconscious': Interview with Sofia Gubaidulina”. Tempo, n.º 209 (1999), pp. 27-31MAHOLETTI, Irina, Musikalisches Spielzeug von Sofia Gubaidulina: Analyse des Klavierzyklus. AV Akademikerverlag, 2013MCCREADY, Anna, “Synoptic Passions: Gubaidulina's St John Passion in the post-Jungian Era”. En: Contemporary Music and Spirituality. Editado por Robert Sholl y Sander van Maas. Routledge, 2017MOODY, Ivan, “‘The Space of the Soul': An Interview with Sofia Gubaidulina”. Tempo, vol. 66, n.º 259 (2012), pp. 31-35SCHMELZ, Peter John, Such Freedom, if Only Musical: Unofficial Soviet Music during the Thaw. Oxford University Press, 2009STÄDTLER, Anja, Der Zyklus “Passion und Auferstehung Jesu Christi nach Johannes” von Sofia Gubaidulina: Werk und kultureller Kontext. Verlag Ernst Kuhn, 2012STOCHNIOL, M., “Intercultural Musical Dialogue in St John Passion by Sofia Gubaidulina”. Interdisciplinary Studies in Musicology, vol. 20 (2020), pp. 41-50 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Am Anfang und am Ende der Sendung wird an den Mauerfall am 9. November 89 in Berlin erinnert, anfangs durch Audios von 9.11.2024 am Ende durch Audios vom 9.11.89 gefolgt von Peaches "Talk to me" und "Lose you" nur angespielt. Dazuwischen "People have the power" von Patti Smith, "Dy Lule pas Malit" gespielt vom Andrea Hermenau Quartett, "Certain Cells" von und mit Kris Davis, Estperanza Spallding und Nels Cline, "Gulan Du" von Mari Boine, "Que Sera" ein Lied des antifaschistischen Kampfes im spanischen Bürgerkrieg, "Screams like Vapours" von und Mit Sun-Mi Hong und ihrem Quintett, "First Movement" von Sofia Gubaidulina, "Stasis" von Rebecca Saunders

durée : 00:17:30 - Triple Concerto for Violin, Cello and Bayan & Rejoice! - Sofia Gubaidulina - Un aspect particulier de la musique de Sofia Gubaidulina est qu'à la fin des années 1970, elle a découvert les caractéristiques sonores et les possibilités expressives du bayan, un accordéon à boutons qui n'était auparavant populaire qu'en tant qu'instrument de musique folklorique en Russie.

durée : 00:17:30 - Triple Concerto for Violin, Cello and Bayan & Rejoice! - Sofia Gubaidulina - Un aspect particulier de la musique de Sofia Gubaidulina est qu'à la fin des années 1970, elle a découvert les caractéristiques sonores et les possibilités expressives du bayan, un accordéon à boutons qui n'était auparavant populaire qu'en tant qu'instrument de musique folklorique en Russie.

durée : 00:17:30 - Triple Concerto for Violin, Cello and Bayan & Rejoice! - Sofia Gubaidulina - Un aspect particulier de la musique de Sofia Gubaidulina est qu'à la fin des années 1970, elle a découvert les caractéristiques sonores et les possibilités expressives du bayan, un accordéon à boutons qui n'était auparavant populaire qu'en tant qu'instrument de musique folklorique en Russie.

durée : 00:25:12 - Sofia Gubaidulina. Sonnengesang, une oeuvre religieuse - par : Anne-Charlotte Rémond - Aujourd'hui dans Musicopolis, Anne-Charlotte Rémond nous transporte vers de nouveaux concepts, de nouveaux timbres, et nous plonge dans une nouvelle interprétation de la relation soliste-orchestre... Immersion dans le Cantique du Soleil de Sofia Gubaidulina ! - réalisé par : Philippe Petit

Conversations with Musicians with Leah Roseman is a weekly podcast with in-depth conversations featuring a fascinating variety of guests worldwide. Michael Bridge is an accordion virtuoso who performs in many styles on both concert accordion and digital accordion. In this wide-ranging conversation, Michael spoke to me about how best to engage with audiences, the subtleties intrinsic to programming digital accordion sounds, and how to forge lasting relationships. Michael was awarded his Doctorate of Musical Arts from University of Toronto, and is a prize-winning soloist and chamber musician who tours worldwide. This is also an episode which features a lot of great music, including many novel sounds you won't have heard before from an accordion, and also with the groups Bridge and Wolak and the Ladom Ensemble. You can listen to this wherever you get your podcasts, watch the video on my YouTube, read the transcript, and use the timestamps to navigate the episode as needed: https://www.leahroseman.com/episodes/michael-bridge Can you help this channel and podcast with $3? ⁠https://ko-fi.com/leahroseman ⁠Thanks!  Michael Bridge website: ⁠https://www.michaelbridge.ca/about ⁠ Michael's complete performance of Sofia Gubaidulina's Et Expecto is here, and starts at 17:40: https://youtu.be/KnXxjW4ayXo?si=qLRzkHMTajVRxhEo Timestamps (00:00)Intro (02:18) digital accordion (05:32) Bridge and Wolak “Petite Fleur” (12:23)digital accordion user programs (16:37) a selection of Michael's digital accordion sounds (19:35) accordion technique (21:00) please support the podcast (21:17) Michael's accordion studies, Joseph Macerollo, history of the accordion (28:27) growing up as an accordion player, going to the World Cup (33:17) Bach piece (34:29) accordiontechniques with Gubaidulina, quintuplet bellows shake (37:46) excerpt from Gubaidulina's Et Expecto (39:20)  teaching accordion (42:34) Ladom Ensemble Brahms' Hungarian Dance no. 5 (47:26) accordion scene in Europe, premiering new works for accordion (55:48) history of the accordion (01:01:49) Ladom Ensemble Bach Keyboard concerto no. 7 (01:05:37) Bridge and Wolak, Charles Cozens (01:08:24) professional relationship parrallels (01:11:08) Bridge and Wolak “Digital Stardust” (01:18:14) Bridge and Wolak, Ladom Ensemble (01:22:00) performance presentation skills (01:26:09) musical acoustics, arranging (01:30:40) digital accordion sounds demo (01:35:29) benefits and necessity of being analytical   photo: Sam Gaetz --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

David Geringas gehört zu den bedeutendsten Cellisten der Welt. Als Uraufführungsinterpret wichtiger Werke von Sofia Gubaidulina, Ernst Krenek oder Anatolijus Šenderovas hat er Musikgeschichte geschrieben. Dem Musikpublizisten Jan Brachmann hat Geringas sein Leben erzählt. Dank, manchmal auch trotz der vielen Fakten ist es ein sehr anschauliches Buch, stellenweise von filmischer Eindringlichkeit.

This week, Josh and Han discuss the music and mystery of Russian composer Galina Ustvolskaya. Galina Ustvolskaya Website: http://ustvolskaya.org/eng Galina Ustvolskaya - Piano Concerto (audio + sheet music) - https://www.youtube.com/watch?v=SILrQ7qOQE0 Reinbert de Leeuw & Radio Philharmonic Orchestra - Galina Oestvolskaja/ Symphony nr. 2 - https://youtu.be/ynhdxHOrPm4 Galina Ustvolskaya - Symphony No. 5 - https://youtu.be/WZXIh6udAco Ustvolskaya: Scream into Space - https://youtu.be/ninHa6TqgqM To Be Totally Free: Galina Ustvolskaya, Sofia Gubaidulina, and the Pursuit of Spiritual Freedom in the Soviet Union - https://repository.wellesley.edu/object/ir674 Kovnatskaya, L. Ustvol′skaya, Galina Ivanovna. Grove Music Online. https://www-oxfordmusiconline-com.ezaccess.libraries.psu.edu/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000028870. Olga Gladkova's Galina Ustvolskaya: Music as Obsession (No Link) https://contemporaryartmusicproject.org/

Das Münchener Kammerorchester gibt am Samstag ein Konzert in der Pinakothek der Moderne, das der Komponistin Sophia Gubaidulina gewidmet ist. Sie ist mittlerweile 90 Jahre alt und eine der interessantesten Komponistinnen unserer Zeit. Von Anfang ging sie ihren eigenen Weg und wehrte sie sich gegen die geistige Enge der Sowjetunion. Ermutigt wurde sie dazu von Dmitri Schostakowitsch. Clemens Schuldt, der scheidende Chefdirigent des Münchener Kammerorchesters, hat mit BR-KLASSIK über die Musik von Sofia Gubaidulina gesprochen.

Reaching beyond our world, the thing in all its magnificence, the butterfly on your hand. The violinist, composer, improviser and interdisciplinary artist discusses three important albums.Biliana's picks:Sofia Gubaidulina – OffertoriumFrances-Marie Uitti – Utopian SpacesRhodri Davies, David Sylvian, Mark Wastell – There Is No LoveRead about Biliana's DUOS series here, and check out the releases on her Bandcamp – including the most recent instalment with Leila Bordreuil. She's also on Instagram.Donate to Crucial Listening on ko-fi: https://ko-fi.com/cruciallisteningRelevant to this episode is this documentation of Uitti and Voutchkova performing at DARA String Festival in 2020.

Die letzte Worte Jesu haben bereits Komponisten wie Haydn oder Schütz inspiriert. 1982 legt die russische Komponistin Sofia Gubaidulina ihre Version vor - ein beklemmend intensives Meisterstück inklusive "Schweineorgel". (Autor: Martin Zingsheim) Von Martin Zingsheim.

Sofia Gubaidulina ist eine der bedeutendsten Komponistinnen der Gegenwart. Martina Seeber stellt sie vor. Von Martina Seeber.

Originally posted in March 2021, we sat down with Dr. Patricia Au, coach and pianist, to talk about all things repertoire! When it comes to putting your best foot forward in any audition or gig, it all comes back to how you prepare. From picking out your package and what is going to highlight your voice the best to how to prepare a role and how to navigate coachings during COVID, join us in our conversation! For more information, visit www.patriciaau.com / or on Instagram @au_patricia Resources from the episode: Learn Your Music the Right Way Join our Freebie Vault to get access to our Weekly Practice Log Practice Makes Perfect: An Ode to the Practice Log Let's Get Social: Modern Singer book club Follow us on social media Search our website Check out our Shop Follow Ellen Follow Alyssa Known for her vivacious energy, Dr. Patricia Au works versatilely as a collaborative pianist, music director, vocal coach, and teaching artist. She has held positions at Boston Conservatory at Berklee, New England Conservatory, and Boston University Tanglewood Institute, as well as conducted masterclasses at Bucknell University and New World School of the Arts. As music director, she has led productions at Boston Conservatory at Berklee, OperaHub, and Boston Opera Collaborative. A frequent interpreter of contemporary music, she has workshopped with living composers, including Sofia Gubaidulina and John Harbison. Dr. Au currently serves as Resident Teaching Artist and Education Pianist with The Boston Lyric Opera where she has a passion for introducing young people to opera as a storytelling art. She received her DMA in Collaborative Piano from the New England Conservatory of Music in 2017 and her dissertation, “A New Edition of the Piano-Vocal Score of Jake Heggie's To Hell and Back” is available through Bent Pen Music, Inc. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/modern-singer-llc/message Support this podcast: https://anchor.fm/modern-singer-llc/support

Sofia Gubaidulina, 1931 in der damaligen SU geboren ist die wohl bekannteste Komponistin zeitgenössischer Musik. In dieser Sendung schildert sie die Anfänge ihrer musikalischen Ausbildung und ihre Schwierigkeiten in der SU abseits des Sozialistischen Realismus Werke zu veröffentlichen. Dazu viele ihrer Kompositionen für Soloinstrumente oder Orchester.

This episode is dedicated to the 90th birthday of Sofia Gubaidulina. Based on archival documents, historical publications and her interviews from the 1990s to present, the episode discusses Gubaidulina's spiritual philosophy of music and positions her work alongside some of … Continue reading →

Today is the second part of my caht with one of the living legends of the accordion world, Friedrich Lips, and his long time friend and collaborator Herbert Scheibenreif. The episode is in German, but you can find and read the full interview in English on the Patreon page of the podcast. Links below. Today we talk about how Friedrich and Herbert first met, Firedrich's latest book "It seems like it was only yesterday", the collaboration with Sofia Gubaidulina, the importance of collaboration between musicians, the 30+ CDs recorded and more. To find out more about Friedrich Lips and Herbert Scheibenreif visit https://www.friedrichlips.com/ and http://www.accordions.com/scheibenreif/ If you liked the episode and would like to support the podcast, you can become a patron on the new Patreon page of the podcast. In addition to the English transcript of this episode, you will get access to exclusive content, bonus episodes, patron-only polls, behind the scenes moments, much more. Host: www.ghenadierotari.com Instagram: www.instagram.com/everything_accordion_podcast --- Send in a voice message: https://anchor.fm/everything-accordion/message

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Anne-Sophie Mutter is a musical phenomenon: for more than 45 years the virtuoso has now been a fixture in all the world's major concert halls, making her mark on the classical music scene as a soloist, mentor and visionary. The four-time Grammy® Award winner is equally committed to the performance of traditional composers as to the future of music: so far she has given https://www.anne-sophie-mutter.de/en/page/biography/world-premieres-mutter/ (world premieres of 30 works) – Unsuk Chin, Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutoslawski, Norbert Moret, Krzysztof Penderecki, Sir André Previn, Wolfgang Rihm, Jörg Widmann and John Williams have all composed for Anne-Sophie Mutter. She dedicates herself to supporting tomorrow's musical elite and numerous benefit projects. Furthermore, the board of trustees of the German cancer charity “Deutsche Krebshilfe” elected her the new president of the non-profit organization in 2021. Starting in January 2022, she joins the foundation board of the Lucerne Festival. In the autumn of 1997 she founded the “Association of Friends of the Anne-Sophie Mutter Foundation e.V.”, to which the Anne-Sophie Mutter Foundation was added in 2008. These two charitable institutions provide support for the scholarship recipients, support which is tailored to the fellows' individual needs. Since 2011, Anne-Sophie Mutter has regularly shared the spotlight on stage with her ensemble of fellows, “Mutter's Virtuosi”. Track Credits: Hommage a Penderecki are 10 Anne-Sophie Mutter - 10 - CD 1 10 PENDERECKI La Follia (2013) for violin solo Var. VIII. Adagio tanquillo [3175364] 11 Anne-Sophie Mutter, Roman Patkolo - 11 - CD 1 11 PENDERECKI Duo Concertante for violin and double bass (2010) [3175365] 15 Anne-Sophie Mutter, Lambert Orkis - 15 - CD 1 15 PENDERECKI Sonata No. 2 (1999) for violin and piano 4. Allegro [3175369] 17 Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki - CD 2 17 PENDERECKI Metamorphosen Violin Concerto No. 2 1. Allegro man non troppo [3175371].

Sofia Asgatovna Gubaidulina is a Soviet-Russian composer and an established international figure. Major orchestras around the world have commissioned and performed her works. She is considered one of the foremost Russian composers of the second half of the 20th century.Tracklisting Dialog - Ich und Du The Wrath of God The Light of the End Purchase the music (without talk) at:Sofia Gubaidulina (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

To mark Sofia Gubaidulina's 90th birthday, Donald Macleod and Gerard McBurney explore five different aspects of her progressive and distinctive music. Gubaidulina has been living in Germany since 1992 and is still busy composing today. When she was born in 1931 in Tatarstan, the Soviet Union was under Stalinist rule. Up until her emigration, she worked as a composer under the strictly regulated conditions determined by Soviet cultural policies. This week, we get an insight into the life of a composer behind the Iron Curtain, as Gubaidulina developed her own creative path, un-swayed by any hint of ideological pressure. Music Featured: Musical Toys Allegro rustic for flute and piano Offertorium Piano sonata (1st mvt, Allegro) Pantomime for Double Bass and piano Seven words for Cello, Bayan and Strings (Est ist Vollbracht) 5 Etudes for harp, double bass and percussion (Nos 1, 4 & 5) Vivente – non vivente Artyomov: Archipelagos of Sounds in the Ocean of Time (excerpt) Sheptalki Concordanza Johannes Passion (The word) Rejoice! Sonata for Violin and Cello (5th mvt, Listen to the small voice within) Stimmen….. Verstummen (8th Mvt) In Croce Alleluja (Vjeruju (Credo); Da ispolnjatsja usta maja: quarter note) Hommage to Marina Tsvetayeva for a capella chorus (The Day's burden has sunk beside the Waves) Rubaiyat Galgenlieder (excerpt) Hommage a TS Eliot (excerpt) Garden of joy and sorrow for flute, harp, spoken voice ad lib. (excerpt) Glorious Percussion (excerpt) Hour of the Soul (1976/1988) for solo percussionist, mezzo-soprano and large orchestra (excerpt) Canticle of the Sun (excerpt) In Tempus Praesens for violin and orchestra (excerpt) Quasi hoquetus Presented by Donald Macleod Produced by Johannah Smith for BBC Cymru Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Sofia Gubaidulina (b 1931) https://www.bbc.co.uk/programmes/m00113yq And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Andres Mustonen saabus festivalilt Iisraelist ja kontsertidelt Venemaal, kus kõlas ka Sofia Gubaidulina 90.

Sofia Gubaidulina wird 90 Jahre alt und ist die erfolgreichste Komponistin der Gegenwart, «Offertorium» das meistgespielte Violinkonzert des 20. Jahrhunderts. Wie gehen Kunstanspruch und Zugänglichkeit zusammen? Eines ihrer Streichquartette wird auf Druck der sowjetischen Botschaft vom Programm des Warschauer Herbstes gestrichen, ihr Name darf nicht im Riemann-Musiklexikon erscheinen und als in der Düsseldorfer Tonhalle ein Festkonzert zu ihrem 50. Geburtstag geplant ist, verweigert Moskau die Noten. Der Generalsekretär des Komponistenverbandes, über 40 Jahre und bis zum Ende der Sowjetunion im Amt, hält sie und ihre angeblich «unsowjetisch-avantgardistische» Musik klein. Sofia Gubaidulina, 1931 in Tschistopol geboren, provoziert das Sowjetregime. Ihre religiös fundierte Musik unterläuft den sozialistischen Realismus, ihre ersten Erfolge im Westen gelten als Beweis für ihre Abweichung und ihre Verbindung mit «gegnerischen» Komponisten in der Improvisationsgruppe Astreia macht sie verdächtig. Seit 1992 lebt die Komponistin in einem kleinen Dorf in Norddeutschland. Das Telefon klingelt ins Leere, wenn sie arbeitet und Besuche empfängt sie so selten als möglich. Die Inspiration für ein Werk komme aus einer ganzheitlichen Vorstellung, sagt Gubaidulina. Dann seien Wille und Intellekt gefordert, die Einzelheiten auszuarbeiten. Ihre Musik ist zugänglich, die Struktur nachvollziehbar und die Instrumentierung von ausgesuchter Klangsinnlichkeit. Hat sie deswegen Erfolg? Corinne Holtz lädt die Geigerin und Musikwissenschafterin Katharina Hötzenecker zum Gespräch. Sie diskutieren die Violinkonzerte Offertorium (1981) und In tempus praesens (2007).

Í Víðsjá í dag verður m.a. rætt við Aðalheiði Sigríði Eystiensdóttur, betur þekkt sem Alla Sigga í Alþýðuhúsinu á Siglufirði. Alla Sigga er fyrst og fremst þekkt fyrir tréskúlptúrana sína en hún er einnig ein helsta driffjöður menningarlífsins í Eyjafirði. Í dag hefst listasmiðjan Skafl á Siglufirði, hátíð sem Alla Sigga heldur utan um auk fjölda annara viðburða í bænum. Víðsjá slær á þráðinn til Siglufjarðar í þætti dagsins. Snæbjörn Brynjarsson fjallar um Sýninguna okkar sem nú er sýnd í Þjóðleikhúsinu og fjallað verður um rússneska tónskáldið Sofiu Gubaidulinu sem varð níræð í gær. Umsjón: Guðni Tómasson og Halla Harðardóttir

Í Víðsjá í dag verður m.a. rætt við Aðalheiði Sigríði Eystiensdóttur, betur þekkt sem Alla Sigga í Alþýðuhúsinu á Siglufirði. Alla Sigga er fyrst og fremst þekkt fyrir tréskúlptúrana sína en hún er einnig ein helsta driffjöður menningarlífsins í Eyjafirði. Í dag hefst listasmiðjan Skafl á Siglufirði, hátíð sem Alla Sigga heldur utan um auk fjölda annara viðburða í bænum. Víðsjá slær á þráðinn til Siglufjarðar í þætti dagsins. Snæbjörn Brynjarsson fjallar um Sýninguna okkar sem nú er sýnd í Þjóðleikhúsinu og fjallað verður um rússneska tónskáldið Sofiu Gubaidulinu sem varð níræð í gær. Umsjón: Guðni Tómasson og Halla Harðardóttir

durée : 01:00:08 - En pistes, contemporains ! du dimanche 24 octobre 2021 - par : Emilie Munera - Ce dimanche, nous fêtons le 90ème anniversaire de Sofia Gubaidulina avec la sortie d'un album puissant. Un tour du côté du cinéma avec Kian Soltani, les études pour piano de Ligeti par Cathy Krier et la musique de Luis de Pablo. - réalisé par : Claire Lagarde

durée : 00:16:56 - Le disque contemporain de la semaine du dimanche 24 octobre 2021 - A l'occasion du 90ème anniversaire de la compositrice Sofia Gubaidulina, un album monographique est paru chez Deutsche Grammophon. On vous en parle !

Die neue Staffel im Saitenwechsel beginnt mit der größten Komponistin unserer Zeit: Sofia Gubaidulina. Im Alter von 90 Jahren schreibt sie an dem Werk, das ihr letztes sein soll. Wo entspringt ihre Musik und wie wurde sie berühmt? >> Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-sofia-gubaidulina

Die neue Staffel im Saitenwechsel beginnt mit der größten Komponistin unserer Zeit: Sofia Gubaidulina. Im Alter von 90 Jahren schreibt sie an dem Werk, das ihr letztes sein soll. Wo entspringt ihre Musik und wie wurde sie berühmt? >> Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-sofia-gubaidulina

Die neue Staffel im Saitenwechsel beginnt mit der größten Komponistin unserer Zeit: Sofia Gubaidulina. Im Alter von 90 Jahren schreibt sie an dem Werk, das ihr letztes sein soll. Wo entspringt ihre Musik und wie wurde sie berühmt? >> Artikel zum Nachlesen: https://detektor.fm/musik/saitenwechsel-sofia-gubaidulina

Neretai vadinama paskutiniąja didžiąja 20 amžiaus kompozitore, Sofia Gubaidulina (g. 1931) sumaniai derina rusų simfonizmą, barokines idėjas ir vakarietiško avangardo elementus.Laidos autoriai Šarūnas Nakas ir Mindaugas Urbaitis

Marek Romanowski recently released his first CD.  Titled Contemporary Sonatas for double bass and piano, this release features music by Sofia Gubaidulina, Lowell Liebermann, and Frank Proto. We talk about how he chose the pieces for this release, how the pandemic has been for Marek, plans for the future, and much more.  Enjoy, and be sure to follow along with Marek on his website, Facebook, and Instagram! Timestamps 1:29 segment 1 14:36 segment 2 25:20 segment 3 1:03:52 outro Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Ear Trumpet Labs - They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design -- the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It's durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion theme music by Eric Hochberg

Vincent van Amsterdam [accordeon] en Esther Kuiper [mezzosopraan] te gast in Vrije Geluiden, 3 oktober 2021

Vincent van Amsterdam [accordeon] en Esther Kuiper [mezzosopraan] te gast in Vrije Geluiden, 3 oktober 2021

Vincent van Amsterdam [accordeon] en Esther Kuiper [mezzosopraan] te gast in Vrije Geluiden, 3 oktober 2021

Op zaterdag 9 oktober wordt in het Orgelpark in Amsterdam alvast de 90e verjaardag van componiste Sofia Gubaidulina (geboren op 24 oktober 1931) gevierd. Een componiste die net zo uitnodigend als hermetisch kan klinken, en meditatief maar ook explosief. Twee concerten op één dag, met onder meer Detto I voor orgel en slagwerk, naast onder veel meer werken die Gubaidulina schreef voor een van haar favoriete instrumenten, de bajan, de Russische knop-accordeon. Vanavond live in de studio: Vincent van Amsterdam (accordeon) en Esther Kuiper (mezzosopraan). Zij zullen een een klein voorproefje laten horen van de feestelijke concerten. Te horen en te zien op deze website! De Klassieke Top 400 Stembus rijdt van vrijdag 1 oktober t/m vrijdag 8 oktober door het land om stemmen op te halen. Stem ook voor de Klassieke Top 400 via nporadio4.nl/stem. Zoek je een aardige tip om op iets eigentijds te stemmen? Check dan de Volkomen Ongeordende Klassieke Tip 400 Van De 21e Eeuw elders op deze website... 23.04 CD American Pioneers (Brilliant Classics 96086) George Antheil: Serenade voor strijkorkest (1948) - Vivo Ciconia Consort (Haags Strijkorkest) olv Dick van Gasteren 4'33” 23.10 LIVE Sofia Gubaidulina: Galgenlieder - Die Beichte des Wurms Esther Kuiper [mezzosopraan] 2'00” LIVE Sofia Gubaidulina: Et Expecto Vincent van Amsterdam [accordeon] 12'00 23.40 CD Music for organ and percussion (Orgelpark z.nr.) Sofia Gubaidulina: Detto 1 Jan Hage [orgel]; Tatiana Koleva [slagwerk] 10'37” 23.54 CD Evelyn Glennie (BIS CD 1888) Keiko Abe, arr. for Chinese orchest by Yiu-Kwong Chung: Prism Rhapsody for marimba and orchestra Evelyn Glennie [slagwerk]; Taipei Chinese Orchestra olv Yiu-Kwong Chung 3'10”

Synopsis The year 2000 marked both the arrival of a new millennium and the 250th anniversary of the death of the great German Baroque composer Johann Sebastian Bach. The International Bach Academy in Stuttgart decided to mark the occasion by commissioning four very different composers to write four new passion settings, one each after the Gospel accounts of the evangelists, Matthew, Mark, Luke, and John. A German composer, Wolfgang Rihm, was chosen for the St. Luke Passion; a Russian, Sofia Gubaidulina for St. John's; an Argentine, Osvaldo Golijov for St. Mark's; and a Chinese composer, Tan Dun, for the Passion according to St. Matthew. And on today's date in 2000, Helmuth Rilling conducted the world premiere of Tan Dun's “Water Passion after St. Matthew.” Tan said he was struck by the references to water in St. Matthew's gospel, so his setting includes seventeen large, illuminated bowls of water, positioned on stage in the form of a cross. These divide the chorus, with three percussionists and a group of additional soloists stationed at the four points of this cross. In Tan's “Water Passion,” natural sounds of water mix with a wide range of vocal techniques, including Tuvan throat singing and the stylized virtuosity of Peking Opera. Music Played in Today's Program Tan Dun (b. 1957) – Water Passion (Stephen Bryant, bass; Mark O'Connor, violin; ensemble; Tan Dun, cond.) Sony 89927 On This Day Births 1841 - Czech composer Antonin Dvorák, in Nelahozeves; 1894 - Dutch composer Willem Pijper, in Zeist; 1933 - American composer Eric Salzman, in New York City; 1934 - British composer Sir Peter Maxwell Davies (whose last name, despite its spelling, is pronounced "Davis" by the British); 1934 - Canadian composer Srul Irving Glick, in Toronto; Deaths 1613 - Italian nobleman, composer, lutenist, and murderer (of his first wife and her lover) Don Carlo Gesualdo, age c. 53, at his castle in Gesualdo; 1949 - German composer and conductor Richard Strauss, age 85, in Garmisch-Partenkirchen; 1991 - American composer Alex North, age 80, in Pacific Palisades, Calif.; Premieres 1961 - Earle Brown: "Available Forms I" for 18 players, in Darmstadt; 1971 - Bernstein: gala premiere "Mass (A Theater Piece)" at the inauguration of the John F. Kennedy Center in Washington, D.C., choreographed by Alvin Ainley, directed by Gordon Davidson, and conducted by Maurice Peress (Bernstein shared a box section with members of the Kennedy family, including Senator Ted Kennedy and his mother, Rose; Jacqueline Kennedy Onasis did not attend this performance); A dress rehearsal performances of this new work was also open to the public and specially-invited members of Congress the preceding day; 1975 - Paul Chihara: "Ceremony V (Symphony in Celebration)," in Houston; 1994 - Michael Torke: "Javelin," by the Atlanta Symphony, Yoel Levi conducting; 1995 - Lou Harrison: "New First Suite for Strings," in Majorca, by the Stuttgart Symphony, Dennis Russell Davies conductin; 2000 - Tan Dun: "Water Passion after St. Matthew," in Stuttgart (Germany), with vocal soloists Elizabeth Keusch and Stephen Bryant, violinist Mark O'Connor, cellist Maya Beiser, and percussionist David Cossin, and the orchestra of the Bach Academy conducted by the composer; This work was one of four passion settings commissioned by the International Bach Academy to honor the 250th anniversary of Bach's death in the year 2000 (see also: Aug. 29 Sept 1 5). Links and Resources On Tan Dun More on Tan Dun

This week, University of Arkansas music professor Lia Uribe explores contrasts, with selections by Russian composer Sofia Gubaidulina and by Cuban composer Miguel Matamoros.

Michael Fuller is currently a Resident Bass Fellow at the Los Angeles Philharmonic.  Prior to that, he spent three seasons with the New World Symphony. We talk about Michael’s background, growing up in Philadelphia, discovering the bass, his time spent at Eastman and Rice, learning Sofia Gubaidulina’s Eight Studies for Double Bass, what the pandemic has been like for him, much more. Enjoy, and be sure to check out his great rendition of the Gubaidulina studies on the LA Phil website!

In this week's special episode, Ben and Ellie are joined by another Ben, but Bristol MA student and specialist in Soviet music. Here to talk to us all about Russian composer, Sofia Gubaidulina, we learn all about life as a female Soviet musician and how she was influenced by Dmitri Shostakovich. Don't forget to give us a follow over on @patribachypod, and if you send us voicenote we'll play it on the pod... Also please like, rate (

Music for Easteride - Episode 1 In ‘Music for Eastertide' Matthew Ward introduces songs and instrumental works from over a thousand years of music celebrating the most important date in the Church's year. From dramatic re-imaginings of the Easter events to music for the liturgies of the season, this series will explore music both well-loved and unfamiliar. In the Easter Octave the programmes will focus on the first events of Easter: Jesus' resurrection and his first apparitions. After this, programmes will focus on various aspects of Eastertide, including a programme on settings of the word ‘Alleluia' and one on Easter Marian music, culminating in programmes of music for Ascension and Pentecost. Join Matthew in a journey of musical exploration which will not fail to lift your spirits and deepen your experience of Easter joy this year. Episode 1 - Music attempting to imagine the events of the Resurrection, from the trembling earth to Mary Magdalene's encounter with the angels and then with Jesus. Music includes J.S. Bach's Easter Oratorio, ‘Terra tremuit' by Daniel Roth, Cozzolani's ‘Ave mater dilectissima', Sofia Gubaidulina's ‘St John Easter', the motet “Congratulamini mihi” from Thomas Crecquillon and Vaughan-Williams, “I got me flowers”.

Amikor a klasszikus zene kapcsán zeneszerzőnőkről esik szó, gyakran mondják, alig van néhány. Ez azonban téves következtetés – csupán kevesen beszélnek róluk.

Il 16 gennaio 1978 viene eseguito per la prima volta il Concerto per due orchestre di Sofia Gubaidulina. Giacomo Fronzi lo racconta a Wikimusic.

durée : 00:59:33 - En pistes, contemporains ! du dimanche 10 janvier 2021 - par : Emilie Munera - L'âme de Beethoven résonne toujours dans la musique des compositeurs d'aujourd'hui et notamment chez Bruno Mantovani ou Leander Ruprecht. A retrouver aussi ce soir, un concerto pour percussions et orchestre signé par le compositeur finlandais Kalevi Aho et un duo français d'accordéons... - réalisé par : Claire Lagarde

Radio 3 presenter Elizabeth Alker celebrates the first 'unclassified' composer, Russian Sofia Gubaidulina.

Nieuw toegevoegd aan de Volkomen Ongeordende Tip 400 Van De 21e Eeuw: In Tempus Praesens (Concerto for violin and orchestra) van Sofia Gubaidulina. Een overdonderend meesterwerk. 23.04 CD The Romantic Cornet (Globe Records GLO 5276) Reynaldo Hahn: A Chloris Frank Anepool [cornet] & Vaughan Schlepp [piano] 3'25” CD The Romantic Cornet (Globe Records GLO 5276) Oskar Böhme: Liebeslied p. 22 nr 2 Frank Anepool [cornet] & Vaughan Schlepp [piano] 4'16” 23.12 CD Bach Anne-Sophie Mutter Gubaidulina (Universal 00289 477 7450) Sofia Gubaidulina: In Tempus Praesens (Concerto for violin and orchestra) Anne-Sophie Mutter [viool], London Symphony Orchestra olv Valery Gergiev 13'57” 23.30 CD Suites of Lux (Basta Music 3091752) Jacob ter Veldhuis: Strijkkwartet nr 3, I: Slow Movement The Netherlands Quartet 8'31” 23.42 CD Algo IV (Stradivarius STR 33773) Franco Donatoni - Refrain IV Freon Ensemble olv Stefano Cardi 6'07” 23.51 CD Clouds (ACT Music 9918-2) Adam Baldych, Vincent Courtois, Rogier Telderman: Clouds Adam Baldych (viool), Vincent Courtois (cello), Rogier Telderman (piano) 7'06”

In der neu erschienenen CD-Box „Chormusik der Welt" nimmt das SWR Vokalensemble mit seinem Dirigenten Marcus Creed die Hörer*innen auf eine musikalische Reise mit. Die Altistin Sabine Czinczel aus dem SWR Vokalensemble stellt ihr Lieblingsstück vor: „Hommage a Marina Zwetaewa" von Sofia Gubaidulina.

Vox Satanae – Episode 468 – 155 Minutes – Week of April 06, 2020 This week we hear works by Guillaume de Machaut, André Caplet, Sofia Gubaidulina, and Krzysztof Penderecki

durée : 00:59:52 - En pistes, contemporains ! du dimanche 08 mars 2020 - par : Emilie Munera - Au programme également ce soir : le premier album de la percussionniste Adélaïde Ferrière, 3 préludes de Philippe Schoeller par la grande gagnante du Concours International de piano d'Orléans 2018 Maroussia Gentet, "Epigram" de Franck Bedrossian par la soprano Donatienne Michel-Dansac ... - réalisé par : Claire Lagarde

Welcome to the March 2020 edition of the BBC Music Magazine Podcast! This month we discuss the news that the Orchestra of the Age of Enlightenment will only travel by train (rather than plane) on its upcoming tour, as part of its commitment to becoming carbon neutral. We also look at new research which uncovers the fact that Beethoven may not, in fact, have been completely deaf when his final symphony was premiered. Also this episode, we explore the genius of Polish composer Grażyna Bacewicz and hear one of her stunning string quartets. Another iconic Eastern European composer is also celebrated this month: Sofia Gubaidulina, who is featured in this month’s issue having recently been awarded the prestigious RPS Gold Medal.As always, we’ve each brought along our favourite new musical discoveries this month, including chamber works by Lili Boulanger, piano miniatures by Kancheli and new orchestral works by Lithuanian composer Raminta Šerkšnytė. This episode is presented by managing editor Rebecca Franks, who is joined by editorial assistant Freya Parr and deputy editor Jeremy Pound. It was produced by Ben Youatt and Jack Bateman.News:Molto Vivace from Beethoven's Symphony No. 9Minnesota Orchestra/Osmo VänskäBIS BISSACD1616The Magazine:Vivo from Bacewicz's String Quartet No. 3Lutosławski QuartetNaxos 8572806Sofia Gubaidulina: ChaconneAnna Vinnitskaya (piano) Ambroisie AM177First Listen:Rebecca's choice:Demain fera un an (Tomorrow it will be a year)Clairières: Songs by Lili and Nadia BoulangerNicholas Phan (tenor), Myra Huang (piano)Avie AV2414Jeremy's choice:Extraordinary Exhibition Kancheli: 33 MiniaturesGeorge Vatchnadze (piano), Suren Bagratuni (cello)Piano Classics PCL10198Freya's choice:Songs of Sunset and Dawn: III. Morning. Eternal MorningWorks by Raminta Šerkšnytė Lithuanian National Symphony Orchestra/Mirga Gražinytė-TylaDeutsche Grammophon 4837761 See acast.com/privacy for privacy and opt-out information.

I serien '15 kvindelige komponister fra 8 lande gennem 400 år' sætter vi denne gang fokus på Sofia Gubaidulina. Hun er født i Tatarstan i det tidligere Sovjetunionen og dukkede først op i Vesten da hun var over 50, men slog igennem med det samme. I 1999 modtog hun den danske Sonningpris ved en koncert med DRRadiokoret og Symfoniorkester, og ved den lejlighed mødte Erik Christensen hende. Han er musikforsker med tilknytning til musikterapistudiet...

Jess is joined by the accordionist Bartosz Glowacki to share their favourite tracks of the moment, including music by Piazzolla, June Tabor, a Chopin ballade and Sofia Gubaidulina's experimental concerto for orchestra and jazz band.

When was the last time you had a good conversation, about something you love, over drinks? In this podcast, ADJ•CC members Robert McClure, Jamie Leigh Sampson, Garrett Schumann, and Jamie Leigh Sampson discuss the music of Sofia Gubaidulina…over drinks! Check out the full recording on "The Complete Piano Music" with Béatrice Rauchs (piano), Kiev Chamber Players, and Vladimir Kozhukhar. BIS CD-853 (https://open.spotify.com/album/5wMhVZyCNb7bKMgqlUFuOT)

** Jan Kjærstad har ertet på seg deler av kultur-Norge da han før helgen kritiserte at Norge bruker 50 milloner på å være gjesteland under bokmessen i Frankfurt neste år. Anne B. Ragde er en av hans kolleger som gir ham motbør. ** Stjernefiolinist spilte musikk av festivalkomponist Sofia Gubaidulina i Bergen i går - med tannpine. Vår anmelder rapporterer fra Bergen.

Joining us this week is Doug Perkins.  Doug has commissioned and premiered over 100 pieces and works with such composers as David Lang, Steve Reich, Paul Lansky, John Luther Adams, Nathan Davis, Larry Polansky, Christian Wolff, Glenn Kotche, Sofia Gubaidulina, and Tristan Perich. He founded the So Percussion and the Meehan/ Perkins Duo, and performs regularly with Signal, eighth blackbird, the Chicago Symphony’s MusicNOW, and others.  He currently teaches at The Boston Conservatory.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 Intro and Hello 1:15 What's up?  Being the Dept. Chair?      3:27 Where/how did you fall in love with drums?  7:16 TBC merging with Berklee?  9:44 New Music Gathering in Boston?     13:41 Casey: What's the sound?  Acoustic Dispersion.  Massive and  excellent laser sound/laser tag tangent 26:00 Getting big projects off the ground?  Chosen Vale percussion  seminar?  35:09 Ben:  Bang On a Can -Julia Wolfe and Michael Gordon   47:10 Doug's podcast series, 5 Days With Doug.    50:43 How you see electronic music as it relates to percussion?

Due to the political climate in Soviet Russia of the day, Yevgeny Murzin was forced to build his synthesizer in secret with little access to electronic parts. Over next two decades (pre and post war), the ANS as it was known, was a self-financed, largely secret labour of love; Murzin had to work on it in his spare time over two decades with help from a like-minded, tight-knit circle of composers and technicians. Murzin finally completed construction of the ANS in 1958 and it was subsequently used by a number of pioneering 20th Century Russian composers such as Stanislav Kreichi, Alfred Schnittke, Edison Denisov, Sofia Gubaidulina and Edward Artemiev. The unearthly tones of the ANS were perfectly suited to the era of Soviet space exploration, and became the soundtrack instrument of choice for a series of classic Russian sci-fi films, the most famous being Andrei Tarkovsky’s Solaris released in 1972. Meet those who knew Murzin and saved his instrument from obscurity: Eduard Artemiev (celebrated soundtrack composer and Tarkovsky collaborator), Stanislav Kreichi (composer and de facto guardian of the ANS), Andrei Smirnov (Theremin Institute Moscow). Other synthesiser pioneers contribute including Suzanne Ciani (US composer) and Goldfrapp’s Will Gregory (Russian synth collector) as well as current synthesiser aficionados Kaitlyn Aurelia Smith. Presented by keyboard player and long-standing Russophile, Jon Ouin. Image: Yevgeny Murzin

 And now for something completely different! Casey came across the podcast Listening to Ladies in November 2016 and was curious to know more about it - and we're so glad its founder and host, Elisabeth Blair, could find the time to record an episode with us.With Elisabeth we chat about her reasons and work for the Listening to Ladies podcast and how to balance its demands with the rest of life.  Women-specific composition festivals and opportunities are mentioned, as well as the current diversity between the sexes in the world of percussion. Closing quotes from Robert Schumann on Clara's music, and Sofia Gubaidulina.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 intro and hello1:40 Listening to Ladies 4:03 LtL - Call for Scores4:36 Why create LtL?22:58 The work behind LtL29:37 Time and balance 34:20 TomTom Magazine feature40:44 Women Composer's Hartford festival42:57 Women and Men in percussion 1:02:30 Quotes - Schumann and Sofia Gubaidulina

Susan Richards, writer and commentator on contemporary Russia, talks to Michael Berkeley about her fascination with the country and her passion for 20th-century Russian music. Susan's first book, Epics of Everyday Life, was about the euphoric period after the collapse of communism. She travelled all over Russia to try to find out how ordinary people were coping with the discovery that they'd been so comprehensively lied to for so long. Her second book, sixteen years in the writing, was Lost and Found in Russia, and it described the collective nervous breakdown that took place after that. Both books are a testimony to her fascination with the lives of ordinary Russians - and a celebration of friendship. They also include hair-raising encounters with the KGB and the Mafia. A Founding Editor of OpenDemocracy, set up in 2001 to encourage democratic debate around the world, Susan is also the co-founder, with her husband the television producer Roger Graef, of Bookaid, which has sent more than a million books to Russian public libraries. Susan's music takes us on a journey from pre-revolutionary Russia to the early 21st century, with pieces by Scriabin, Prokofiev, Shostakovich, Stravinsky, and the contemporary composer Sofia Gubaidulina. And we hear music inspired by a Siberian forest, and a singer Susan first met during a hair-raising encounter with the mafia. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Auf dem diesjährigen Tiroler Musikfestival Klangspuren Schwaz ist Sofia Gubaidulina Composer in Residence. Roland HH Biswurm zeichnet ein Porträt der 85-jährigen Komponistin.

Gillian Moore surveys recordings of music by Russia's greatest living composer.

The three soloists in Sofia Gubaidulina's Triple Concerto - violinist Baiba Skride, bayan soloist Elsbeth Moser, and cellist Harriet Krijgh - talk about the creation of this new piece of music, their collaboration with the composer, and performing it with the Boston Symphony Orchestra, and the founder of the Chameleon Arts Ensemble, Deborah Boldin, describes the group's Rockport Chamber Music Festival program of works by J.S. Bach and three of his sons.

"Das Wesentliche der Seele geht über ins Werk", so beschreibt die Komponistin Sofia Gubaidulina ihren eigenen Kompositionsprozess. Seit Beginn der 80er Jahre gelangten ihre Werke ins westliche Konzertprogramm, insbesondere dank des tatkräftigen Einsatzes von Gidon Kremer. Mittlerweile gehört die Komponistin zu den führenden Vertretern der Neuen Musik aus der ehemaligen Sowjetunion. Am 24. Oktober 2016 wird die Komponistin 85 Jahre alt.

VIDEO: The Brentano Quartet Plays Schubert and Adolph Franz Schubert's short, hectic life was full of "what ifs" -- unfinished sketches, abandoned works and fragmentary thoughts. Many of these leftovers were quite extraordinary despite their obvious limitations. Among them is the Quartettsatz in C minor, a piece whose first movement Schubert completed in 1820 but whose Andante he abandoned for unknown reasons. Sensing its value, the Brentano String Quartet commissioned the New York composer Bruce Adolph to write a response in his own style, and he responded with Fra(nz)g-mentation, a dense yet witty homage to the original. During a recent visit to New York the Brentano played the two works back to back in the WQXR Cafe. “This Quartettsatz is a piece we’ve played a lot and really love,” explained Mark Steinberg, the Brentano’s first violinist. “We wondered a lot why he didn’t finish the quartet because I think it’s as great as the other late quartets. Then I found out he had started a second movement and I thought it would be so nice to play that in a concert and give this piece the kind of scope that another Schubert quartet might have.” Steinberg and his fellow quartet-mates didn’t want to ask a living composer to simply mimic Schubert, so they asked Adolph to write music in his own style that would "make the piece more complete in a sense." The commission became the backbone of "Fragments," a project celebrating the Brentano’s 20th anniversary season, which runs through 2012. Along with Schubert, the group took abandoned pieces by Bach, Shostakovich, Haydn and Mozart, and commissioned several composers to write individual responses to them. Along with Adolphe, Charles Wuorinen, John Harbison, Stephen Hartke and Vijay Iyer contribute to the project, joining an older work by Sofia Gubaidulina. “We really wanted to create a dialogue between the past and the present and that’s a major theme of the program,” said Steinberg. Several venues contributed to the commissioning project, including Carnegie Hall, where the Brentano will perform the pieces over two concerts, the first taking place on Thursday night. “Fragments” is just the latest in a series of grand conceptual projects that the Brentano have undertaken over the quartet’s 20-year history, including “Bach Perspectives,” a 2003 venture in which they commissioned 10 contemporary composers to write responses to Bach's magisterial Art of Fugue. Steinberg believes that by pairing new and old pieces, the quartet can help provide context for seemingly foreign contemporary sounds. “The variety of styles that’s around right now makes it difficult to get inside the language of one composer if you don’t know them well,” he said. “So having something that’s linked to the past, that provides a way in. The best way to approach music is through other music.” Video: Amy Pearl; Sound: Edward Haber; Text: Brian Wise