Podcasts about clapping music

For 60 years, New York composer Steve Reich has been one of classical music's most celebrated revolutionaries. Pioneering minimalism in the 1960s, a musical style based on repetition and shifting rhythms, his strange experiments with cassette tape led to orchestral masterpieces – now performed around the world. His career has not only helped define the latest era of classical music, but had an enormous influence on pop, rock and electronica. He has helped shape 20th Century music in a way few can claim to match. To mark 60 years since his first major piece,1965's It's Gonna Rain, he takes Alastair Shuttleworth through the process and stories behind some of his greatest works, including Clapping Music, Different Trains and City Life. He also reflects on his legacy, his plans for the future and what, at the age of 88, still inspires him to compose

We've got some changes coming at First Name Basis! I started the First Name Basis Podcast back in 2019 when I looked at my tiny daughter and wanted to make the world a better place for her — a place that would be more inclusive, kind and anti-racist.  In the past almost 5 years, we've created this beautiful community where we've had so many hard but productive conversations both on social media and through the podcast. As I prepare to welcome our third little one into our family, it feels like time to change how a few things are done here at First Name Basis, including: Putting the podcast on hold so I can focus on my consulting clients. Transitioning all of our paid resources to only be available for purchase by schools and community organizations for now. Changing the way we deliver our paid resources to those who have already invested in them. Running a sale with the biggest discounts we've ever offered! Listen in to hear all of the details! Thank you for being here with me in this work. These last 5 years have been a dream come true, and I'm excited to continue the work in this new way. And don't worry — I don't think I'll be able to stay away from my podcast microphone forever. As always, I am SO GLAD that you are here. You are what has made First Name Basis what it is.   Don't miss our big sale! If you have been waiting to purchase any of our paid resources, now is your final chance to do so before they're put to bed for the next few years. We're offering BIG discounts, and the sooner you buy, the bigger the discount you get! From now until July 1, you can use the code FNB50 for 50% off any of our products. **This is the biggest discount we will offer during the sale, so don't wait to snag what you've had your eye on!** From July 2 until July 8, use the code FNB40 for 40% off! And from July 9 until July 15, use the code FNB30 for 30% off! So don't wait to snag those products you've been keeping your eye on! Head over to firstnamebasis.org/resources to learn more.   Invite Jasmine to work with your school! Are you a parent or teacher who wants to help your school turn good intentions into positive action by making anti-racist education a priority? First Name Basis is here to help! Jasmine Bradshaw is an anti-racist educator and former second-grade teacher who has a passion for helping schools make real change. From providing professional development for teachers to curriculum consulting to implementing her unique anti-racist resources to parent education events, Jasmine is your go-to anti-bias and anti-racist education resource. Email hello@firstnamebasis.org or visit firstnamebasis.org/workwithme for more information.   Song credit: “Clapping Music” by BrightestAvenue and “Sunshine” by lemonmusicstudio

Can you believe February is right around the corner?! And with it comes BLACK HISTORY MONTH! Celebrating Black History Month is so important for ALL kids, not just Black children, and I created Bite-Sized Black History to help kiddos everywhere be able to learn about Black history in a way that is both meaningful and joyful. In this episode, I'm telling you all about Bite-Sized Black History and including a sample episode for you to check out that is all about singer, actor and activist Harry Belafonte! Bite-Sized Black History is a collection of mini-podcast episodes that empower you to teach kiddos about brilliant Black Americans who have been largely overlooked by our history books. You know about Dr. King and Rosa Parks — now it's time to explore other Black leaders and learn from their stories. Each Bite-Sized Black History lesson will give you everything you need to foster meaningful conversations that go beyond the bounds of civil rights and enslavement to celebrate the creativity, ingenuity, joy, and brilliance of the Black community. Season 4 is now available and features 12 new episodes bringing the total number of episodes in our library up to 40! The catalog includes activists, inventors, scientists, entertainers, artists and more, and each episode comes with an accompanying coloring page and reflection questions to help you have meaningful conversations with the kiddos in your life. Press play to learn more and to hear the sample episode! Be sure to check out our sale! And, as a special treat, from now until the end of February, you can use the coupon code BSBH29 for 29% off any Bite-Sized Black History package — 29% in honor of leap year giving us an extra day to celebrate Black History Month. Head over to firstnamebasis.org/blackhistory to learn more and to have a meaningful Black History Month by getting your copy of Bite-Sized Black History today.   Song credit: “Clapping Music” by BrightestAvenue and “Sunshine” by lemonmusicstudio  

Christmas is coming, so of course we had to have a little look at Christmas music, but not quite in the way you would expect, unless minimalist classical composer Steve Reich is a kind of santa figure for you. Steve performs a festive version of Reich's piece Clapping Music, and is nearly driven completely mad as a result.But then the day is saved by legendary composer and music producer Nitin Sawhney. Steve heads to Nitin's studio to learn about Soleá, the genre he was allocated in episode 5, and along the way discovers a lot of commonalities between Indian classical music and flamenco, how the guitar can be used as a percussion instrument to accompany itself, and some fascinating technical insights into the sounds of flamenco. This free-flowing interview with a musical legend covers all the usual show bases in one go as we learn about the Entertaining Noises of the flamenco guitar, dig deep into Music Feary as we examine the nuts and bolts of flamenco, and of course the Genre Tombola as we look at the commonalities between musical traditions so geographically distinct.Oh, and Steve gives you a little reminder of his brand new Patreon, where you can help support the show for just $5 a month, as well as getting access to a huge treasure trove of unedited interviews and songs from the show, ticket discounts, exclusive offers and much more.Wilton's Music Hall tickets: https://www.wiltons.org.uk/whatson/854-steve-pretty-and-friends-on-the-origin-of-the-piecesNitin's website: https://www.nitinsawhney.com/Steve's website: http://www.stevepretty.comLittle playlist of music referenced in the episode: https://youtube.com/playlist?list=PLQPkPcql9kp8MovgfBM0u0Z-BXVWzNAR_&si=HwQLzYIDcsKmY8CJPlease spread the word, rate and review the show if you enjoy it! It's a HUGE help in these early days. Seriously. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Taydem Shoesmith is a new artist who fell in love with music from a young age. Her father would sing to her every night and from that sparked an interest in Taydem. She found comfort in writing music during her freshman year of high school. At first she was afraid to show others her music, not wanting to be judged about her thoughts and feelings. But as time went on, she realized that others felt the way she did and knew she should keep sharing her creations. Her music ranges from singer-songwriter to pop to alternative. Recently, she released a new single "Are You Clapping?”, a song about accepting yourself and not letting people change who you are or want to be.  Her biggest influences are Michael Jackson, Rascal Flatts, Billie Holiday, Sabrina Carpenter, Camila Cabello, among others. Alongside her passion for music, she also has a great interest in acting. Her acting debut was in 2020, when she was casted for a role in the short film "In the Dark." She has been cast as the lead in  multiple films, and has created music for films as well; one of those being a theme song for a short series.The way she feels about music can be summed up in this quote; "Music is my inhaler when life makes it difficult to breathe."  We look forward to seeing you succeed! - www.KeepOnSharing.com - Code - KOS

n the midst of a stressful move, HBM producer Jeff Emtman finds comfort in the phasing techniques developed by minimalist composer, Steve Reich. Note: this episode contains sounds that cannot be accurately represented by speakers. Please use headphones. Steve Reich compositions excerpted in this episode: Clapping Music, performed by Steve Reich and Wolfram WinkelViolin Phase, performed by Jonathan Morton Pendulum Music, performed by Joan Cerveró, Víctor Trescolí, Isabel León, and Estefanía SánchezHere Be Monsters is an independent podcast supported by listener donations. If you'd like to make a small monthly contribution, visit patreon.com/HBMpodcast. Producer: Jeff Emtman

n the midst of a stressful move, HBM producer Jeff Emtman finds comfort in the phasing techniques developed by minimalist composer, Steve Reich. Note: this episode contains sounds that cannot be accurately represented by speakers. Please use headphones. Steve Reich compositions excerpted in this episode: Clapping Music, performed by Steve Reich and Wolfram WinkelViolin Phase, performed by Jonathan Morton Pendulum Music, performed by Joan Cerveró, Víctor Trescolí, Isabel León, and Estefanía SánchezHere Be Monsters is an independent podcast supported by listener donations. If you'd like to make a small monthly contribution, visit patreon.com/HBMpodcast. Producer: Jeff Emtman

#165-161Intro/Outro: It's Only Rock and Roll by The Rolling Stones165. On Top of the World by Imagine Dragons164. What Would You Say by Dave Matthews Band (4)163. The Joker by Steve Miller Band162. Why Do Fools Fall in Love by Frankie Lymon & the Teenagers161. Since I've Been Loving You by Led Zeppelin (2)Balderdash alertBonus excerpt: Clapping Music by Steve ReichBonus excerpt: The Letter by The MedallionsGenre update:Rock - 116Alternative - 82R&B - 27Folk - 24Hip-Hop/Rap - 23Country - 15Blues - 13Pop - 10Punk - 6Grunge - 5Disco - 3Jazz - 3Reggae - 3New Wave - 3Bluegrass - 2Electronic - 2Ska - 1World - 1Heavy Metal - 1

Percussionist Marianna Soroka talks about four different pieces that helped shape her life, sharing the stage with live horses in a 90’s Polish opera house, and the history of the frame drum.  Useful links:Spotify playlist for Marianna’s piecesSpotify playlist for main pieces Spotify playlist for final question pieces  Other useful links:Modest Mussorgsky Boris Godunov full opera on Youtube: Acts I and II , Acts III and IVEarly Russian Orthodox choral singing Sergei Rachmaninoff’s Bogoroditse Devo (the choir piece Emma sang in youth choir where everyone took sneaky breaths to keep the phrase going forever) Buddy Rich Live video of Buddy Rich playing (so you can see his “driving” way of playing the drums)  Leszek Możdżer Frame drums Percussionist Zohar Fresco playing frame drums in their traditional Arabic setting Portuguese square frame drum Bodhran (Irish frame drum) Steve Reich  Short documentary on Steve Reich talking about his music Reich’s Clapping Music  Support Marianna:Website: mariannasoroka.com Instagram: marianna_soroka   Get in touch with us!DONATE: PayPal.me/MusicBoxConcerts Facebook: @MusicBoxConcertsInstagram: @musicboxconcertsTwitter: @OutsideMusicBoxEmail: concerts.musicbox@gmail.comWebsite: www.musicboxconcerts.com

durée : 00:02:18 - Classique info du mardi 07 avril 2020 - par : Sofia Anastasio - Nous apprenons que la plateforme, Melbourne Digital Concert Hall, a décidé de faire payer les concerts diffusés en direct afin de rémunérer les musiciens. Egalement, vous pouvez interpréter le Te Deum de Charpentier depuis votre balcon et retour sur le Clapping Music des musiciens de la Radio.

We do not own the licenses for these songs, so we ask you to check out our playlist on Spotify (link below) or find the songs yourself. Our mission is to expand not only our music library but our listeners library as well. Alex's Weekly Mixtape: 1. Endless Fantasy by Anamanaguchi 2. Tarnation by Chris Thile & Edgar Meyer 3. Walk on the Moon by Buckethead 4. Commit Ballad by Toe 5. Clapping Music by Steve Reich Finally if you would give us a rating or review on where ever you listen to podcast we would greatly appreciate it. Also give us your idea for songs or playlist at our Twitter @WakingKraken Spotify Playlists: spoti.fi/2IyusOf

S2E6 - To clap or not to clap? That is the question. And this episode delivers on answers (sort of). Will, Spencer, and Michael debate the social expectations and etiquette often expected at classical music concerts. Then, Will queries Kate Soper about her approach to writing and her artistry as a composer. To learn more about Kate Soper and her compositions, check out www.katesoper.com. This episode's custom tailored Spotify playlist can be found here: https://spoti.fi/2ZfhQ4A. If you want to find out more about loudBOX and the zany stuff we do, visit us at www.loudboxnyc.com. Copyright loudBOX LLC Support Adagio For Things by donating to their Tip Jar: https://tips.pinecast.com/jar/adagioforthings

This week Tim talks to Waterperry Festival director Guy Withers, Sam rediscovers Eric Whitacre and we hit the big smoke in search of Street Orchestra Live. Music Credits: Steve Reich, ‘Clapping Music' performed by Timmy Fisher & Sam Poppleton Spice Girls, ‘Goodbye' performed by Timmy Fisher Richard Wagner, ‘Tristan Theme' performed by Timmy Fisher Eric Whitacre, ‘Lux Arumque' performed by The Concordia Choir Alexander Moyzes, Symphony No. 11 performed by the Slovak Radio Symphony Orchestra under Ladislav Slovák Jean Sibelius, Symphony No. 5, Mov. 1, arranged by Timmy Fisher Eric Coates, ‘By the Sleepy Lagoon' performed by the Royal Liverpool Philharmonic Orchestra, under Charles Groves Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/ Paul Rimmer's letter to Stephen Cherry: https://www.facebook.com/photo.php?fbid=10113922705553385&set=a.10101053354286485&type=3&theater The Statutory Instruments perform Debussy's String Quartet in G minor: https://www.belfasttelegraph.co.uk/news/uk/chamber-music-parliamentary-string-quartet-brings-harmony-to-the-commons-38233792.html Bryn Terfel as a deliciously evil Scarpia: https://www.youtube.com/watch?v=0euYKIMfV4IFind out more about Waterperry Opera: http://www.waterperryoperafestival.co.uk/

'Colin Currie and Steve Reich. Live at Fondation Louis Vuitton' is the third album to be released on Colin Currie's own label and captures five performances, taken live, at a Steve Reich presentation in Paris. The music ranges from Clapping Music of 1972 to Pulse of 2015. James Jolly met up with Colin to talk about his long association with Reich's music, the approach needed to perform music of mathematical precision yet at the same surprising emotional weight, and performing Clapping Music with Reich himself.

Picks from across the week on In Tune. Sean Rafferty's guests include dancer Edward Watson, percussionist Colin Currie, violinist Alexandra Soumm, horn player Ben Goldscheider, and Kathleen Ferrier Award Winner Julien van Mellaerts. Plus music from the London Adventist Chorale as part of Radio 3's Breaking Free: Martin Luther's Revolution season.

We talk with percussionist Colin Currie, who discusses performing and recording Steve Reich’s seminal minimalist work Drumming. This week’s guest: Colin Currie Show notes: Steve Reich: Drumming (the original 1974 recording) Steve Reich’s Clapping Music app The score of Steve Reich’s Drumming Colin Currie Group Record Steve Reich’s Drumming Colin Currie Group at the Southbank Centre, London, May 5, 2017 Steve Reich: Tehillim & The Desert Music Steve Reich’s notes about Drumming: For one year, between the fall of 1970 and the fall of 1971, I worked on what turned out to be the longest piece I have ever composed. Drumming lasts from 55 to 75 minutes (depending on the number of repeats played) and is divided into four parts that are performed without pause. The first part is for four parts that are performed without pause. The first part is for four pairs of tuned bongo drums, stand-mounted and played with sticks; the second, for three marimbas played by nine players together with two women's voices; the third, or three glockenspiels played by four players together with whistling and piccolo; and the fourth section is for all these instruments and voices combined. While first player the drums during the process of composition, I found myself sometimes singing with them, using my voice to imitate the sounds they made. I began to understand that this might also be possible with the marimbas and glockenspiels as well. Thus the basic assumption about the voices in Drumming was that they would not sing words, but would precisely imitate the sound of the instruments. The women's voices sing patterns resulting from the combination of two or more marimbas playing the identical repeating pattern one of more quarter notes out of phase with each other. By exactly imitating the sound of the instruments, and by gradually fading the patterns in and out, the singers cause them to slowly rise to the surface of the music and then fade back into it, allowing the listener to hear these patterns, along with many others, actually sounding in the instruments. For the marimbas, the female voice was needed, using consonants like “b” and “d” with a more or less “u” (as in “you”) vowel sound. In the case of the glockenspiels, the extremely high range of the instrument precluded any use of the voice and necessitated whistling. Even this form of vocal production proved impossible when the instrument was played in its higher ranges, and this created the need for a more sophisticated form of whistle: the piccolo. In the last section of the piece these techniques are combined simultaneously with each imitating its particular instrument. The sections are joined together by the new instruments doubling the exact pattern of the instruments already playing. At the end of the drum section three drummers play the same pattern two quarter notes out of phase with each other. Three marimba players enter softly with the same pattern also played two quarter notes out of phase. The drummers gradually fade out so that the same rhythm and pitches are maintained with a gradual change of timbre. At the end of the marimba section, three marimbas played in their highest range are doubled by three glockenspiels in their lowest range so that the process of maintaining rhythm and pitch while gradually changing timbre is repeated. The sections are not set off from each other by changes in key, the traditional means of gaining extended length in Western music. Drumming shows that it is possible to keep going in the same key for quite a while if there are instead considerable rhythmic developments together with occasional, but complete, changes of timbre to supply variety. I am often asked what influence my visit of Africa in summer of 1970 had on Drumming. The answer is confirmation. It confirmed my intuition that acoustic instruments could be used to produce music that was genuinely richer in sound than that produced with electronic instruments, as well as confirming my natural inclination towards percussion (I became a drummer at the age of 14). The transition from glockenspiels to the last section of the piece, for all instruments and voices combined, is made by a new musical process I call build-up and reduction. Drumming begins with two drummers building up the basic rhythmic pattern of the entire piece from a single drum beat, played in a cycle of twelve beats with rests on all the other beats. Gradually additional drumbeats are substituted for the rests, one at a time, until the pattern is completed. The reduction process is simply the reverse where rests are gradually substituted for the beats, one at a time, until only a section leads to a build-up for the drums, marimbas, and glockenspiels simultaneously. There is, then, only one basic rhythmic pattern for all of Drumming. This pattern undergoes changes of phase position, pitch, and timbre, but all the performers play this pattern, or some part of it, throughout the entire piece. Our next tracks: Kirk: Terry Riley: In C Doug: Boston: Boston If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Colin Currie.

Kumisolo Channel #46 avec Francois Virot & My Jazzy Child "Spéciale Clapping Music"

The American composer Steve Reich will be celebrating his 80th birthday next week. As he prepares to attend a series of events around the UK to mark his eight decades, the influential pioneer of minimal music looks back over his career, including his compositions It's Gonna Rain, Drumming, Clapping Music, and Different Trains.Presenter John Wilson Producer Jerome Weatherald.

Episode 11: Asymptotes, Clapping Music, and Drunken Knitting In Episode 11, Greg and Joey talk about math, music, and drinking while knitting. Notes Giveaway: We reviewed and are giving away a copy of Modern Lopi: Oneby Lars Rains. Listen to the podcast and check out our Ravelry group for details and a chance to win. Thanks to KnitVentures and Lars Rains for the review copies and prize. Greg and Joey both enjoyed this book and recommend it.  Podcasts: Teaching Your Brain To Knit Yarns at Yin Hoo Ready, Set Knit (Episode 440 includes an interview with Lars Rains) Patterns: Giant Color Shift Brioche Scarf by Shaina Scott — Shaina gave Joey this pattern because Joey wants to knit a brioche scarf Projects: Strie Socks, Top Down by Lara Neel from her Sock Architecture (affiliate link) book — Greg's socks. He's incorporating the Fish Lips Kiss Heel by Sox Therapist, and loving how the FLK Heel is working out (project page). Next time Greg knits a FLK Heel, he's going to use theinstructions on how to do it in a contrasting color. Milo by Georgie Nicolson — Greg knitted this for a friend's baby shower (project page). Knitted Patchwork Recipe by Martine Ellis — Greg's Scrappy Sock Yarn Blanket (project page). Events — Greg is planning to attend all of these. If you go, too, please find him and say “hi!” Susan B. Anderson workshops at The Fibre Space — Alexendria, VA, May 19-21. TNNA Summer Show — Washington, DC, June 11-13. TV: Longmire Project Runway Call The Midwife  Misc: Simply Socks Yarn Company in Fort Wayne, IN — Greg was able to visit in person and loved the shop. WEBS (yarn.com) — Joey bought a new set of Karbonz needles The Yarn Garden Knit Shop — Joey is planning to visit soon, in search of yarn for Thomas' scarf Saxapahaw, North Carolina Fix-A-Stitch — we gave away a Fix-A-Stitch in our last episode Valley Girl — Joey loves the music from this movie Sprout Patterns — Greg was not able to attend the workshop they recently hosted, but he hopes to attend a craft night sometime in the future. National Poetry Month 500 Songs for Kids — Joey is playing bass on a song for this charity event. You can donate to the charity via the Southeast Ukers donation page. (The Southeast Ukers are a group of ukulele players that Joey plays with.) Joey won a bass guitar

Ryan and Matt "Matt" Amberg finally talk about movies for once with Jimmy James Abram's Star Trek, It Follows, and the Stanley Hotel before getting to the nitty-game-gritty about GTAV's final heist, Fallout Shelter, Steve Reich's Clapping Music, and Batman Arkham Knight. Then words continue with the latest Witcher 3 DLC and New Game Plus, the Stroot Feeter 5 beta, Rise of the Tom Braider exclusivity expiration, Mafia 3's announcement, the Fallout Anthology's mini-nuke, Fallout 4 details, Dragon Quest 10 and 11 for the Nintendo NX, Ouya's owings, and Guillermo Del Toro's inability to quit Kojima.

Ryan and Matt "Yu Jewzuki" Amberg ease into it with Ikea, Goon, and X-Files before talking about Fallout 2, Tales from the Borderlands Episode 3, GTAV being the worst and best, Steve Reich's Clapping Music, and Batman Arkham Knight. Then the fighting game stars align with news on Mortal Kombat X's newest character and Street Fighter 5 news from Evo, Goat Simulator's on PS3 and PS4, Destiny 2.0, the record breaking Shenmue 3, Dead Island 2's homelessness, the Minecraft Movie's director, and Xbox One developments on Windows 10 streaming and backwards compatibility.

Students have been studying the minimalist composer Terry Riley's Clapping Music. Here students perform their own compositions around the topic.

(January 7, 2010) So Percussion, a percussion quartet from Brooklyn, leeds a lunchtime "Clap-Along" and teach the audience to perform Steve Reich's seminal work Clapping Music, and they also perform selections from their diverse repertoire.