Podcasts about Buddy Rich

This week we continue our series of Jarvis Leatherby interviews with musicians who are friends, peers, influences and/or tourmates of Night Demon. The next interviewee is Christopher Williams, longtime drummer for Accept, who first crossed paths with Night Demon on a European tour in winter 2018.  In this far-reaching, in-depth interview, you will hear how Christopher became obsessed with the drums at a very early age, how an uncle changed his life, and how he made the trek from Greenville, SC to Nashville, TN to pursue his dreams of becoming a professional musician. There are many funny, but also poignant, anecdotes of the sacrifices he made, the hardships he encountered, and the ups and downs of trying to establish himself in the music business.Become a subscriber today at nightdemon.net/subscriber. This week, subscribers have access to the bonus content below:Streaming Videos: Drummer falling out of window! Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

L'histoire du jazz est peuplée de big-bands légendaires. Duke Ellington, Count Basie, Glenn Miller et Buddy Rich pour n'en citer qu'une poignée. Or, il y en a un dont on parle un peu moins et qui pourtant fut d'une importance considérable : et pour cause, c'était l'un des pionniers. Dès le début des années 20, il fit la transition entre les orchestres de jazz et de dixieland venus de la Nouvelle-Orléans, et les big-bands de l'ère du swing. Comment ? En organisant les différentes sections de l'orchestre, et en leur écrivant des arrangements sur mesure. A sa tête ? Fletcher Henderson, l'alchimiste du jazz ! Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tonight's Jazz Feature is one of the first great soloists on the vibraphone: the amazing Lionel Hampton. This was his first session after he signed up with Jazz producer Norman Granz. Granz wished to present the artistic side of Lionel and this recording does the job in a big way. Lionel, who's style works in so many contexts is joined here for the first time by the great Canadian pianist Oscar Peterson, bassist Ray Brown and master drummer Buddy Rich. The band selected the 6 tunes and delivered them with swing and soul. All of this was recorded in New York on September 2, 1953. Lionel the magnificent!

Send us a textSplash Stories caught up with Sheffield's Black Spiders vocalist Pete Spiby before he kicks off their UK Cvrses tour starting April 18https://podcasts.apple.com/gb/podcast/splash-stories-the-90s-music-scene-legendary-london/id1613247196https://open.spotify.com/show/7cTnjVrSnwy6Eyqac5ETSk?si=10c7a723c3524392 https://feeds.buzzsprout.com/1891668.rssWe talk about how he started  out as a drummer and hanging at the Promuco drums & stix factory famous for having been supported by Buddy Rich who helped introduce them to the American market & Zeppelin's powerhouse, John Bonham who had his own sticks commissioned by the British manufacturer which he called 'Bonzo's ‘Trees' https://www.promuco.co.uk/john-bonham . His pre Black Spiders days in groop dogdrill and forming Black Spiders in 2007, signing to the EXP label run by The Undertone's Feargal Sharkey, Releasing Sons of the North  supporting Ozzy, winning 'Best Underground Band' in the Metal Hammer Golden Gods Awards touring China and the US, breaking up in 2016 reforming in 2020 enduring Covid and feeling Cvursed...Check out their single Never enough https://blackspidersband.com/#video and album Cvrseshttps://www.songkick.com/artists/949871-black-spidersTOUR DETAILS HERE: https://blackspidersband.com/#liveTickets: https://www.songkick.com/artists/949871-black-spidersOfficial : https://blackspidersband.com/#top  Insta https://www.instagram.com/black_spiders/?hl=enFB https://www.facebook.com/theblackspidersSupport the showGet in touch with Splash Stories : splashclubtv@gmail.comwww.facebook.com/thesplashclubJoin Splash Stories https://www.buzzsprout.com/1891668/supporthttps://www.instagram.com/thewonderstuffofficial/https://www.instagram.com/rickywarwickofficial/https://www.instagram.com/echobelly_official/https://www.instagram.com/officialskunkanansie/https://www.instagram.com/feederofficial/https://www.instagram.com/kcmanc/?hl=enhttps://www.facebook.com/kerbdogband/https://www.instagram.com/sohoradiohttps://www.facebook.com/groups/SoundAsEverhttps://www.pearllowe.co.ukhttps://www.supergrass.comhttps://www.wienerworld.com/product/gary-crowleys-indie-90s-playback-classics-curveballs-and-bangers/Terrorvision Tequila : https://youtu.be/8hLQCA2h8kA?si=7_HfuruL5fFUnMdFhttps://linktr.ee/thesoupdragonshttps://www.merchbar.com/rock-alternative/cj-wildhearthttps://www.facebook.com/CJWildheartOfficial/https://www.instagram.com/cjwildheart/EMF www.emf-theband.comhttps://www.facebook.com/lustforlife1976/...

Explore a new album from the Steve Allee Big Band, titled Naptown Sound. The project pays tribute to the musicians, teachers, mentors, history, and places that contributed to the development of the Naptown sound.  The pianist, composer and bandleader Steve Allee has been part of the Indianapolis jazz scene since the 1960s. He came of age at a time when many historic Naptown jazz players were still active on the scene. Allee was befriended and mentored by legendary Indianapolis musicians, including Jimmy Coe, Claude Sifferlen and Errol Grandy. Allee began performing professionally as a teenager, touring with the legendary jazz drummer Buddy Rich. His debut recording, a 1973 session with the the Baron Von Ohlen Quartet, remains a favorite among jazz fans around the world, with original copies seeking for over $200 on the collector's market.  Over the years, Allee has worked with a long list of jazz luminaries, including Slide Hampton, James Moody, Rufus Reid, Curtis Fuller, Jeff Hamilton, Milt Hinton and many others. Allee has also gained notoriety for his work as a composer. He's written work for the Indianapolis Symphony Orchestra and his compositions have been used in documentaries and television programs.

This episode of The Other Side of the Bell, featuring trumpeter, educator and recording artist Clay Jenkins, is brought to you by Bob Reeves Brass.  About Clay Jenkins:  Clay Jenkins is a renowned jazz trumpeter and educator whose dynamic career spans decades of performance and teaching. He launched his performing journey with the Stan Kenton Orchestra before moving to Los Angeles, where he toured and recorded with the big bands of Buddy Rich and the Count Basie Orchestra. A charter member of the Clayton Hamilton Jazz Orchestra, Clay has amassed over 100 recording credits, released seven solo albums, and recorded as a co-leader with many other notable names. Since joining the Eastman School of Music faculty, in Rochester, NY, in 2000, Clay has continued to perform worldwide, while mentoring the next generation of jazz musicians. Inspired by his close friendship with the late trumpet legend Eugene "Snooky" Young, he established the Snooky Young Endowed Scholarship at Eastman, and is currently writing a biography of Young's life.  Clay is wonderfully warm, down-to-earth and humble. If you listened to our last episode featuring Emile Martinez, you'll know that Clay was instrumental in guiding Emile on his artistic journey, and so how appropriate it is that we can follow up on that interview with this one today. And he's a lifelong practicer. Clay is always trying to improve, and it's inspiring to hear someone at his level still talking about what they go through every day, trying to better themselves.  Episode Links: "Hope Beats" - YouTube series with Clay Jenkins (trumpet), John Clayton (bass), Larry Koonse (guitar), Gene Bertoncini (guitar), Joe La Barbera (drums) Quasimodo, by Charlie Parker Grizzly, by John Clayton Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Audio Engineer – Ted Cragg Cover Art – Phil Jordan Podcast Host – John Snell

Haben wir bei Buddy Rich nicht schon behauptet, dass er für viele als der beste Drummer aller Zeiten gilt? Über Steve Gadd könnte man Ähnliches behaupten. Zumindest ist er einer der einflussreichsten Drummer, die es wohl jemals geben wird. Seine Spielweise beeinflusst Generationen von SchlagzeugerInnen und seine musikalische mit Energie und Spannung geladene Spielweise ist eine Kategorie für sich. Aber wie sieht es genau mit Steve Gadds Technik und Haltung am Set aus. Um das zu analysieren, um Steve Gadd zu dekodieren, gibt es keinen besseren als Flo Fochs. Als Autor von Fit for Drums und studierter Sport- und Bewegungswissenschaftler, sieht er jeden Aspekt eines Bewegungsablaufs und für mich ist es immer wieder faszinierend zu hören, was alles so im Spiel der KollegInnen steckt. So auch bei Steve Gadd. Wie kommt seine Power und dann diese enorme Einfühlsamkeit zustande. Wie sitzt er am Schlagzeug und warum hat Dr. Steve Gadd noch keinen erheblichen Rückenschaden, obwohl er oft sehr krumm am Schlagzeug sitzt? So viel sei schon jetzt verraten: Bei Steve Gadd geht es um Musik und weniger um medizinische Vorsorge ;) Euch viel Spaß mit dieser Episode des Trommel Talks. Die Videoclips, die wir zur Grundlage unserer Analyse genommen haben findet ihr hier: 1. Solo 1989: https://youtu.be/AZGSZgXNxCU?feature=shared 2. Solo 2007: https://youtu.be/6L7Mv7p40DI?feature=shared 3. Solo 2019: https://youtu.be/UTqS84kD6mc?feature=shared Glenn Gould summt bei der Aufnahme der Mozart Sonate (gut zu hören beispielsweise um 4'20": https://youtu.be/D_1pJ9sptk8?feature=shared Mehr zu Flo Fochs hier: https://florianfochs.de/ Wenn ihr Fragen, Anregungen oder Kritik zur neuen Serie habt, schreibt am besten an: felix@einfachschlagzeug.de Außerdem freu ich mich, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Kapitelmarker: 00:09 - Start 04:19 - Musik versus Medizin 07:55 - Sitzen! 18:10 - Traditionell schräg 41:36 - Keine Probleme? 1:00:42 - Ende

BILLY KYLE BIG EIGHT New York, September 11, 1946 H.R.S. bounce, Ooh, baby, you knock me out, Date for eight, Contemporary blues Dick Vance (tp) Trummy Young (tb,vcl) Buster Bailey (cl) Lem Davis (as) John Hardee (ts) Billy Kyle (p) John Simmons (b) Buddy Rich (d) BILLY TAYLOR QUARTET: New York, c. June 1947 Well taylored, I don't ask questions, Twinkletoes Billy Taylor (p,vcl) John Collins (g) John Levy (b) Denzil Best (d) New York, September 26, 1947 Restricted, Mitch's pitch, Mr. Continue reading Puro Jazz 25 de febrero, 2025 at PuroJazz.

BILLY KYLE BIG EIGHT New York, September 11, 1946 H.R.S. bounce, Ooh, baby, you knock me out, Date for eight, Contemporary blues Dick Vance (tp) Trummy Young (tb,vcl) Buster Bailey (cl) Lem Davis (as) John Hardee (ts) Billy Kyle (p) John Simmons (b) Buddy Rich (d) BILLY TAYLOR QUARTET: New York, c. June 1947 Well taylored, I don't ask questions, Twinkletoes Billy Taylor (p,vcl) John Collins (g) John Levy (b) Denzil Best (d) New York, September 26, 1947 Restricted, Mitch's pitch, Mr. Continue reading Puro Jazz 25 de febrero, 2025 at PuroJazz.

The Buddy Rich Award: Alex Van Halen https://www.youtube.com/live/CdfWZqfPWVo?si=Mq_ouJ4es-iqRUI9 Buddy Rich, one of the most accomplished and influential drummers of the 20th century, remains a household name due to his extraordinary talent and impact as a bandleader. The recipient of this prestigious ‘hall of fame' award has demonstrated a lifetime of excellence in drumming—whether through performance, recording, education, or a combination of all three. This year, Drumeo proudly honors Alex Van Halen with the Buddy Rich Award. As the co-founder of the legendary rock band Van Halen, Alex's powerful and dynamic drumming has been instrumental in shaping the sound of hard rock and heavy metal. His innovative techniques and commanding presence behind the kit have left an indelible mark on music history. From groundbreaking albums like Van Halen and 1984 to his signature thunderous fills and impeccable grooves, Alex Van Halen has solidified his legacy as one of rock's greatest drummers. Don't miss out—hit that follow button and stay tuned for more Van Halen content, guitar news, and giveaways!

Features vintage music by Tommy Dorsey, Martha Tilton and Charlie Barnet.  We also learn a little bit about Ben Selvin and we hear an awesome drum solo by Buddy Rich. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Merriam-Webster's Word of the Day for January 19, 2025 is: virtuoso • ver-choo-OH-soh • noun Virtuoso is used broadly to refer to a person who does something very skillfully, and is often used specifically to refer to a very skillful musician. // He's a real virtuoso in the kitchen, whipping up gourmet dishes for his family not just on holidays but on regular weeknights. // Although the violin was her first instrument, she eventually proved to be a virtuoso on the harp. See the entry > Examples: "The newly assembled band finished its engagement and, shortly after, proceeded to New York to record Rich versus Roach (1959), a concept album pitting [Max] Roach in a drum battle with famed bandleader and drum virtuoso Buddy Rich." — Colter Harper, Jazz in the Hill: Nightlife and Narratives of a Pittsburgh Neighborhood, 2024 Did you know? English speakers borrowed the Italian noun virtuoso in the 1600s, but the Italian word had a former life as an adjective meaning both "virtuous" and "skilled." The first virtuosos (the English word can be pluralized as either virtuosos or, in the image of its Italian forbear, as virtuosi) were individuals of substantial knowledge and learning ("great wits," to quote one 17th-century clergyman). The word was then transferred to those skilled in the arts and specifically to skilled musicians. In time, English speakers broadened virtuoso to apply to a person adept in any pursuit.

(2:00) US Escalates War in Syria - Sides with Al QaedaIt's not just Ukraine, a World War is being waged in Syria (without Congressional debate or approval)A10 Warthog filmed in air support of "moderate rebels"Media is lying to you about who "moderate rebels" really areSyria & Libya - from Jake Sullivan & Hillary Clinton to todayWhy Syria is so important to the Geopolitical Game (to all sides)What is Assad's grand scheme to put Syria at the economic epicenter of the Mideast?Iran, Russia, Turkey, China — what are their objectives in SyriaWhat does US & Israel want?How does this show that none of the nations believe in "Climate Change" or the "solution" of "Net Zero"?(1:00:09) Ukraine's front lines are rapidly collapsingMass desertions, middle aged and elderly women to shore up ranks as USA pressures to continue the fight against Putin to the last UkrainianMark Rutte, disgraced and rejected former PM of Netherlands who tried to replace and starve his own people, is now head of NATO and meets with Trump to continue Ukraine WarMore on the Navy's failed boondoggle littoral ship (Zumwalt class) and it's "all electric drive"(1:22:04) Listener emailsFlock Surveillance systems rolling out globally (public/private partnership to outsource surveillance state) and local government STONEWALLING requests for infoRaw milk in eastern TennesseeFAERS, alternate system to report pharma harmWATCH Redfield's Red Herring of "lab leak".  David Icke has it right - a major misdirection alibiAustralian doctor chokes up talking about cancer increases from vaxDr. William Makis, Canadian oncologist, persecuted by "conservative" Danielle SmithMichigan's legislation to compel doctors' speech and coerce parents into confessing to "child endangerment" if they don't vaccinate their childrenJason Barker on prayer answered for cancer(2:05:54) A new Christmas arrangement of Big Band nostalgia (2:13:25) LIVE comments - why Trump picked Chad Chronister in the first place and remembering Buddy Rich (2:20:58) Deportation, Constitution and the threat of authoritarian precedentsGreat Britain's Great Replacement nearly complete.  Labour PM blames Tories but both parties are partners9th Circuit weighs in on feds vs sanctuary cities issueDemocrats strategy to oppose ranges from "non-commandeering" to active confrontation.Is it all talk like Trump's first term?Both conservatives and libertarians get the costs of illegal immigration wrong.  The true cost is not just dollars and cents, but they can't even get THAT right as they leave out the key financial costWayne Allyn Root surprisingly gets a couple of things right about defusing the Biden border crisis — but he can't help from going over to the "dark side" of authoritarianismIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-show Or you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7 Money should have intrinsic value AND transactional privacy: Go to DavidKnight.gold for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHTBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.

(2:00) US Escalates War in Syria - Sides with Al QaedaIt's not just Ukraine, a World War is being waged in Syria (without Congressional debate or approval)A10 Warthog filmed in air support of "moderate rebels"Media is lying to you about who "moderate rebels" really areSyria & Libya - from Jake Sullivan & Hillary Clinton to todayWhy Syria is so important to the Geopolitical Game (to all sides)What is Assad's grand scheme to put Syria at the economic epicenter of the Mideast?Iran, Russia, Turkey, China — what are their objectives in SyriaWhat does US & Israel want?How does this show that none of the nations believe in "Climate Change" or the "solution" of "Net Zero"?(1:00:09) Ukraine's front lines are rapidly collapsingMass desertions, middle aged and elderly women to shore up ranks as USA pressures to continue the fight against Putin to the last UkrainianMark Rutte, disgraced and rejected former PM of Netherlands who tried to replace and starve his own people, is now head of NATO and meets with Trump to continue Ukraine WarMore on the Navy's failed boondoggle littoral ship (Zumwalt class) and it's "all electric drive"(1:22:04) Listener emailsFlock Surveillance systems rolling out globally (public/private partnership to outsource surveillance state) and local government STONEWALLING requests for infoRaw milk in eastern TennesseeFAERS, alternate system to report pharma harmWATCH Redfield's Red Herring of "lab leak".  David Icke has it right - a major misdirection alibiAustralian doctor chokes up talking about cancer increases from vaxDr. William Makis, Canadian oncologist, persecuted by "conservative" Danielle SmithMichigan's legislation to compel doctors' speech and coerce parents into confessing to "child endangerment" if they don't vaccinate their childrenJason Barker on prayer answered for cancer(2:05:54) A new Christmas arrangement of Big Band nostalgia (2:13:25) LIVE comments - why Trump picked Chad Chronister in the first place and remembering Buddy Rich (2:20:58) Deportation, Constitution and the threat of authoritarian precedentsGreat Britain's Great Replacement nearly complete.  Labour PM blames Tories but both parties are partners9th Circuit weighs in on feds vs sanctuary cities issueDemocrats strategy to oppose ranges from "non-commandeering" to active confrontation.Is it all talk like Trump's first term?Both conservatives and libertarians get the costs of illegal immigration wrong.  The true cost is not just dollars and cents, but they can't even get THAT right as they leave out the key financial costWayne Allyn Root surprisingly gets a couple of things right about defusing the Biden border crisis — but he can't help from going over to the "dark side" of authoritarianismIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-show Or you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7 Money should have intrinsic value AND transactional privacy: Go to DavidKnight.gold for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHTBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.

ABOUT TONY LEVIN: Tony Levin is one of the most accomplished bass players in the history of rock music. He is also an author and true innovator. Whether it be his solo music, collaborations or as a member or recording with others. His most notable bass playing albums and tours have been with: Peter Gabriel, King Crimson, John Lennon, Pink Floyd, Lou Reed, Alice Cooper, Buddy Rich, Peter Frampton, Carly Simon, Judy Collins, Paula Cole, James Taylor & more.... ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

ABOUT TONY LEVIN: Tony Levin is one of the most accomplished bass players in the history of rock music. He is also an author and true innovator. Whether it be his solo music, collaborations or as a member or recording with others. His most notable bass playing albums and tours have been with: Peter Gabriel, King Crimson, John Lennon, Pink Floyd, Lou Reed, Alice Cooper, Buddy Rich, Peter Frampton, Carly Simon, Judy Collins, Paula Cole, James Taylor & more.... ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Date: October 30, 2024Name of podcast: Backstage Pass RadioS7: E7: Carmine Appice (Vanilla Fudge, Rod Stewart, Ozzy Ozbourne) - Mastermind Behind Modern Rock Drumming SHOW SUMMARY:Legendary drummer Carmine Appice invites us into his world of rock drumming, sharing captivating stories from his celebrated career with bands like Vanilla Fudge, King Cobra, and Rod Stewart. Alongside special co-host Guy Gelso, Carmine reflects on the rich musical legacy of his family, including his brother Vinny's work with Black Sabbath. Together, we celebrate the passage of time, the rhythms that define our lives, and reminisce about the shared history among rock drumming elites, with anecdotes about industry icons and unforgettable tours.  Explore the evolution of drum gear with Carmine as he recounts his pioneering efforts in transforming rock drumming equipment. Hear firsthand about his interactions with legendary drummers like Keith Moon and John Bonham, and how his collaboration with Ludwig led to groundbreaking innovations such as larger drums and the Octa Plus set. This episode reveals the inventive spirit of the 1960s and 70s, offering a behind-the-scenes look at the camaraderie and creativity that shaped modern rock drumming.  Discover Carmine's dynamic music career, from the early inspirations of drumming greats Gene Krupa and Buddy Rich to collaborating with iconic artists like Jimi Hendrix and Rod Stewart. Learn about his role in co-writing hits like "Do Ya Think I'm Sexy" and "Young Turks," and gain insights into his perspective on the evolving music industry. Carmine shares personal stories about the essence of being a musician, balancing studio and touring experiences, and the enduring influence of rock icons. This episode promises a nostalgic journey through rock history, celebrating the legacy and continued impact of drumming legends.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COM Backstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web PageCarmine Appice Call to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.   Thank you for being a part of Backstage Pass Radio  Your Host, Randy Hulsey 

In this podcast episode, I sit down with the legendary Cubby O'Brien, whom I had the pleasure of meeting earlier this year on a Broadway cruise where I was performing with several acts, and he was with the iconic Bernadette Peters. Cubby, best known for his time on The Mickey Mouse Club and touring with The Carpenters, has had a remarkable career on Broadway, drumming for shows like Annie Get Your Gun, The Producers, and Beauty and the Beast. In this chat, we dive into his incredible experiences, including a memorable moment when Buddy Rich told Karen Carpenter she was his favorite drummer! Please tune in to hear it all, and remember to subscribe and share!Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby currently resides with his wife, a University of Oregon graduate, having recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Great live shots of the Artie Shaw band featuring Bernie Privin, Chuck Peterson and John Best on trumpets, George Arus on trombone, Ronnie Perry or Georgie Auld on tenor sax, Bob Kitsis on piano, Al Avola on guitar, Sid Weiss on bass and George Wettling or Buddy Rich on drums with Helen Forrest and Tony Pastor on vocals. The real star is the leader, whose clarinet work here he never surpassed, --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Chris Botti is renowned trumpeter with lots of crossover appeal and a penchant for recording ballads. In this conversation with Jazz88's Peter Solomon, Botti discusses his musical inspirations, discusses studying with legendary post-bop trumpeter Woody Shaw, recalls his days touring with the temperamental drum legend and bandleader Buddy Rich, and speaks on the varying approaches he takes to live shows verses albums, he also talks about getting to know Michael Brecker. Botti is playing a residency at the Dakota from October 28 - October 30.

In this episode we examine and listen to Disc #775 of the V-Disc Collection.  This V-Disc features vintage recordings by Buddy Rich and Ella Fitzgerald. (E039) * The musical performances and recordings featured in this podcast are in the Public Domain.  Artists are credited within the podcast.

Send us a textAn epic episode of Live From My Drum Room celebrating the 35th Anniversary of the Buddy Rich Memorial Concert on October 14, 1989 in Los Angeles, widely considered the greatest drumming event in history. My guests are the drummers and people who made it possible: Steve Gadd, Vinnie Colaiuta, Dave Weckl, Gregg Bissonette & Dennis Chambers, along with Cathy Rich who produced the show and Rob Wallis of Hudson Music (formerly DCI video) who captured it on film for all of posterity. It was the first time all of us had been together at the same time since that incredible night 35 years ago. The show aired live exactly 35 years to the day - October 14, 2024, in front of a LIVE audience of 40,000 viewers! We shared stories and memories of the event and the late Louie Bellson. (The podcast includes bonus content with Steve Gadd remembering Louie, which was not included in the livestream!) So come along for the ride and please subscribe! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Baxie talks to the legendary Tony Levin! Since the early 1970's Tony Levin has been one of the most sought-after bass players in history! His accomplishments as a musician are astounding. While he's been primarily known for playing on every Peter Gabriel album, he's also known for his work with King Crimson. On top of that Tony has also lent his amazing talents for more than 500 other albums. And that number continues to grow. These include sessions with John Lennon, Pink Floyd, Paul Simon, Buddy Rich, Stevie Knicks, Warren Zevon, and many others. He is also responsible for popularizing the Chapman Stick. He also been responsible for creating something known as "Funk Fingers" (Which you can hear on Peter Gabriel's "Sledgehammer") Tony has just released a fantastic new solo album "Bringing it Down to the Bass". He's also currently touring with BEAT--a band that includes his former King Crimson bandmate guitarist Adrian Belew (who's been a guest on this podcast), guitarist Steve Vai, and drummer Danny Carey from Tool! BEAT will be playing at the Shubert Theater in Boston on October 10th and at the Bushnell Theater in Hartford on December 3rd. Tony talks about all of that and more! Just amazing! Listen on Apple Podcasts, SoundCloud, Spotify, Rock102.com, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Conrad Herwig, commercial and jazz trombonist from New York City. About Conrad: New York jazz artist CONRAD HERWIG has recorded nearly 30 albums as a leader, receiving four GRAMMY®-nominations for his own projects. His latest CD release is The Latin Side of McCoy Tyner (Savant; 2024). This albums marks 27+ years of the “Latin Side . . .” series, and is a follow-up project to The “Latin Side of ...” tributes to Charles Mingus (Savant 2022), Horace Silver (Savant; 2020), Joe Henderson (Half Note; 2014), Herbie Hancock (Half Note;2010) Wayne Shorter (Half Note; 2008), Miles Davis (Half Note; 2004), and John Coltrane (Astor Place; 1996). These exciting and individualized projects feature an array of special guests including Randy Brecker, Ruben Blades, Michel Camilo, Joe Lovano, Eddie Palmieri, Paquito D'Rivera, Dave Valentin and many of the hottest players on the international scene. Herwig is equally facile in a non-Latin arena. He has been voted #1 Jazz Trombonist in DownBeat Magazine “Jazz Critic's Poll” and nominated for “Trombonist of the Year” by the JazzJournalists Association on numerous occasions. In constant demand as a sideman, Herwig has performed with Joe Henderson, Horace Silver, McCoy Tyner, and Joe Lovano (featured as a soloist on Lovano's GRAMMY® Award winning 52nd St. Themes CD). In the Afro-Caribbean genre he has toured with legends such as Eddie Palmieri, Tito Puente, Paquito D'Rivera, and Michel Camilo. He is a longtime member of the the Mingus Big Band (where he has served as musical director and arranger including on the 2011 GRAMMY®-winning “Live at the Jazz Standard”). In other big band settings Herwig has also performed and recorded with Clark Terry, Buddy Rich, Frank Sinatra, Miles Davis & Quincy Jones, and the Gil Evans Orchestra. All told Herwig has appeared on more than 200+ albums in what is now a 40 year career. In 2006 Herwig received the Paul Acket Award (formerly the “Bird Award”). The prize, presented at the North Sea Jazz Festival, is intended for an artist who, according to the international jury, deserves the attention of a broader audience. Herwig is also a recipient of performance and teaching grants from the National Endowment for the Arts. Conrad was elected to the Board of Advisors of the International Trombone Association and has taught at Mason Gross School of the Arts in the prestigious jazz program at Rutgers University in New Brunswick, N.J. where he currently serves as Artistic Director and Chair of Jazz Studies.

National chewing gum day. Entertainment from 1996. Howdy Doodiy went off the air- Flintstones debuted, 1st time Ether was used, 1st execution by the Pilgrams. Todays birthdays - Buddy Rich, Angie Dickinson, Johnny Mathis, Frankie Lymon, Deborah Allen, Barry Williams, Fran Drescher, Marty Stuart, Jenna Elfman, T Pain. James dean died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Choo'n gum - Teresa BrewerMacarena - Los Del RioLiving in a moment - Ty HerndonHowdy Doody Tv themeFlintstones TV themeBirthdays - In da club - 50 Cent     http://50cent.com/Drum solo by Buddy RichChances are - Johnny MathisWhy do fools fall in love - Frankie Lymon & the TeenagersBaby I lied - Deborah AllenTime to change - Brady kidsHillbilly rock - Marty StuartI'm in love with a stripper - T PainExit - It's not love - Dokken      http://dokken.net/

“TEDDY WILSON TRIO” New York, December 16, 1952The one I love belongs to somebody else, Darn that dream, Lady be goodTeddy Wilson (p) John Simmons (b) Buddy Rich (d) New York, April 13, 1953Tenderly, Everything happens to me, LizaTeddy Wilson (p) Aaron Bell (b) Denzil Best (d) FATS WALLER “AND HIS RHYTHM” Camden, N.J., January 5, 1935I'm a hundred percent for you, Baby Brown, Night wind, Because of once upon a time, I believe in miracles, You fit into the pictureFats Waller (p,pipe organ, vcl) , with: Bill Coleman (tp) Gene Sedric (cl,ts) Al Casey (g) Charlie Turner (b) Harry Dial (d) ART TATUM “PIANO SOLO” Nueva York, Los Angeles 1937 – 39Liza, Gone with the Wind, Stormy Weather, Tea for Two, Deep Purple, Sweet LorraaineArt Tatum (p) Continue reading Puro Jazz 23 de septiembre, 2024 at PuroJazz.

Tony Levin's love of the bass guitar began when he was just ten years old, when his focus was classical music and performing on a double bass - and he never looked back. His classical training transitioned to rock and jazz, and his reputation as an A-list session bassist filtered throughout the music industry. Of course, one of Tony's primary gigs has been holding down the bass chair for Peter Gabriel since the late ‘70s, performing on nearly all of Peter's recordings and tours. However, his resume is extensive, having performed with John Lennon, Stevie Nicks, Pink Floyd, Paul Simon, Lou Reed, Buddy Rich, David Bowie, and many other icons in the music industry, along with being a member of Stick Men and Liquid Tension Experiment. Tony has a brand new album set to release on September 13 titled "Bringing it Down to the Bass". He's currently rehearsing for the upcoming BEAT tour: A supergroup that also includes Steve Vai, Adrian Belew, and Tool drummer Danny Carey, who will perform music from the three King Crimson albums that were released in the '80s. Here to talk to us about these new projects and his extensive career is none other than Tony Levin.

A band leader sampler. Veteran sidemen Eddie Bert, Peter Erskine, Don Menza and Marshall Allen provide inside stories about Glenn Miller, Stan Kenton, Buddy Rich, Sun Ra and Joe Zawinul. Maria Schneider weighs in on the role and responsibility of a leader.

Comenzamos la sexta temporada de El faro del jazz a lo grande, dedicándolo a la conocida como 'Primera Dama del Jazz', la cantante norteamericana Ella Fitzgerald. Ella Fitzgeral está considerada como una de las mejores intérpretes de jazz de la historia, así como una de las mayores especialistas en el 'scat'. En esta primera parte nos centraremos en sus inicios, cuando comenzó a despuntar en la orquesta del batería y director Chick Webb. También escucharemos algunas de sus piezas grabadas en los años 40 con grandes de la época, como Louis Armstrong, Hank Jones, Ray Brown o Buddy Rich. En la última parte del programa nos centraremos en sus conocidisimos 'Songbooks', una colección de discos producidos por Norman Granz y grabados para el sello Verve, en los que la cantante rindió homenaje a los grandes compositores del cancionero americano: Cole Porter, Irvin Berlin, Rodgers & Hart, George & Ira Gershwin, Duke Ellington o Harold Harlem.

Kris Myers was born on April 5, 1977. Receiving a drum kit at the age of 8, he took an early interest in jazz, rock and punk music. During high school Myers co-started his first musical outfit, a ska/punk band called the Skalawags. The group received a decent amount of success but denied an offer to tour Japan to instead pursue college degrees. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. In 2001 Myers enrolled in DePaul University where he earned his master's degree in jazz drumming and was a member of the Rob Parton Orchestra.  In addition to his involvement in school bands, Myers was playing in festivals with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local musicians Mark Colby and John McLean.  Myers also was a member of Chicago jazz fusion band Kick the Cat.  Myers began playing drums for progressive-rock band Umphrey's McGee in 2003 following the departure of original drummer Mike Mirro. With Myers at the helm, Umphrey's has released ten albums and maintains a rigorous touring schedule of over 100 live shows per year.  Umphrey's has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks, The Ryman Theatre, The Beacon Theatre and more. With Umphrey's, Myers has shared the stage with countless notable musicians such as Buddy Guy, Huey Lewis, Ivan Neville, Les Claypool, Stephen Perkins, Mike Keneally, Joshua Redman, Bela Fleck, Taj Mahal, Victor Wooten, Adrian Belew, Stanley Jordan, Gene Ween, Derek Trucks and Jason Bonham. In 2011 Myers was honored with the title of Best Jam Band Drummer by DRUM Magazine, beating jamband stalwarts such as Butch Trucks (The Allman Brothers) and Jon Fishman (Phish). In 2018, Myers was featured on the cover of Modern Drummer's July issue. Myers placed second in the Experimental Rock category of the publication's “Readers Poll Awards” behind St. Vincent drummer Matt Johnson. When he's not behind the drum kit, Myers enjoys playing golf, attending concerts, hiking and collecting art.    Some Things That Came Up:  -2:30 Kris's multi genre style  -3:00 Rabid fans  -4:45 The Umphrey's McGee audition turned into a 21 year gig and counting -6:30 Kris's previous band was Kick The Cat  -11:00 Maintaining a list of all the venues the band has played  -11:30 Red Rocks is fave venue as well as The Fox Theater in Oakland and The Ryman in Nashville -14:00 Vic Salazar !!! The ambassador of the drum community -16:40 The rider!  The love of milk chocolate!  -18:00 Stretching, fitness center, yoga -19:40 The documentary “Frame By Frame” -21:20 The Grateful Dead's Mickey Hart.. “most impressive” -23:40 The cover of Modern Drummer magazine in 2018!  -24:30 Dauz pads! Used by Rush and Nine Inch Nails  -26:45 Writing material together as a band  -27:40 Producer Greg Majors and Manny Sanchez -30:30 Different sets every night. Choosing from 14 studio albums. Responsible for all songs at all times  -35:40 collaboration with Huey Lewis. Met at The Jammy Awards in 2006. -43:00 Kris loves practicing impressions  -44:30 Stewart Copeland, Buddy Rich, Vinnie Colaiuta, Keith Carlock, Steve Gadd 49:50 The art of mashups, inspired by DJ culture  -50:15 Kris songs background vocals while playing insane music  -52:00 Rotator Cuff repair surgery. 6 month rehab, but ready after 4 months  -54:00 Local gigs and charity work  -54:50 Getting to do the “Boom Smack” -55:50 “David's Den” for mental health  -56:15 Wedding preparation  -57:20 “The Fave 5”   Follow: www.umphreys.com www.krismyersdrums.com  FB: @krismyers IG: @krismyersdrums YouTube: @krismyersdrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Sullivan was not well known, except for her classic recording of "Loch Lomond" which stamped her as a semi-classical/folk singer in a jazz style. That wasn't a fair assessment at all, as can be heard from these swinging sides from 1936-40, accompanied by Charlie Shavers, Bobby Hackett, Lloyd ReeseMannie Klein, Frankie Newton, Buster Bailey, Jimmy Lytell, Babe Russin, Toots Mondello, Claude Thornhill, John Kirby, O'Neil Spencer, Buddy Rich and many others. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

GGACP celebrates the birthday of unpopular Stooge "Curly Joe" DeRita (b. July 12, 1909) by revisiting this hilarious interview with comedian, voice actor and Three Stooges expert Billy West. In this episode, Billy discusses bad sight gags, one-joke comedians, the legend of “Grandpa” Al Lewis, the genius of Frank Welker and the magnificence of the Buddy Rich and Paul Anka rants. Also, Larry Fine plays Stanley Kowalski, Lou Jacobi inspires Dr. Zoidberg, Jay Leno messes with James Mason's head and Jerry Lewis meets SpongeBob SquarePants. PLUS: The Mad Russian! Peg Leg Bates! Dueling Peter Lorres! Ren & Stimpy turn 30! The brilliance of Larry Storch! And the triumphant return of the Jackie puppet! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another exciting episode of the Twerk Ethic Show! Today, we dive deep into the heartbeat of music – the drummers.

Brothers Joe, Pat and John La Barbera are legendary musicians. Joe is an acclaimed jazz drummer, Pat is a celebrated saxophonist, and John is a renowned arranger and composer. Together they have played with a Who's Who in music including Bill Evans, Buddy Rich, Frank Sinatra, Tony Bennett, Woody Herman and many more.My featured song is “Easier Said” from my “lost” 1994 debut album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Join us on the MuppeTrek Podcast! This week on The Muppet Show: Jazz drumming legend and songwriter, Buddy Rich! And Star Trek TNG episode, "Home Soil." The Micro-Brains are pissed at the "ugly bags of mostly water."

WETF Show - Early Monk - Thelonious Monk in 1950 and 1954 . .Two sessions during a very slow period of Monk's career - the Charlie Parker/Dizzy Gillespie session (with Curley Russell and Buddy Rich) for Clef in 1950 and the solo session in Paris in 1954 featuring mostly Monk originals --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

In Part 2 of Remembering Freddie Gruber, the stories and laughs continue as we reminisce about our friend and legendary drum guru, Freddie Gruber. I'm joined by Jim Keltner, Steve Smith, Dave Weckl, Adam Nussbaum, Bruce Becker, David Bronson, Jay Dittamo, Don Lombardi, Rob Wallis and Colin Schofield. We share some hilarious and poignant stories of Freddie. So come along for the ride and please subscribe! Be sure to check out Remembering Freddie Gruber Part 1 https://youtu.be/dU5xQlYP20Y?si=EwEn0sYi5A9QhFroLive From My Drum Room T-shirts are available now! Made of soft 60%cotton/40% polyester. Available in sizes XS-3XL$25 including shipping in the contiguous US! Payment with Venmo: @John-DeChristopher-2For orders outside the US, email me for more info: livefrommydrumroom@gmail.comLive From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher" gives the audience an insider's view that only John can offer. And no drummers are harmed on any show! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

This week Shauna and Dan try not to Fly Off the Handle as the dig into old dictionaries and early uses of the phrase. Bonus: Maine becomes a State, Buddy Rich, and our favorite pen colors.  Copyright 2024 by The Readiness Corner, LLC - All Rights Reserved

Ellis Tollin is a world-class performer who played on hit records, started a very successful music store in Philadelphia called Music City, which hosted countless performances by greats such as Louie Bellson, Max Roach, Art Blakey, and many more. Ellis is known as the father of the Drum Clinic, and he was also a close personal friend of Buddy Rich. This episode shines a light on his rise as a performer at the peak of the Jazz explosion, his need to pivot after arthritis made his drumming career come to an end, his involvement with the Rogers Drum Company and the Dyna-Sonic snare, and his passionate feud with William F. Ludwig. Anthony Amodeo returns to the show this week to share his extensive research that he has done on Ellis Tollin through his connections with the Tollin Family, rare interview clips, and tracking down stories from people who knew Ellis personally. Thanks for watching! **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee

I am a jazz aficionado as well as a philosophy professor. Being in front of a classroom teaching is my favorite place on earth, second to a good jazz club with hip friends. In the midst of a philosophy class, I may wax enthusiastic about the transcendent qualities of a John Coltrane saxophone solo or the preternatural swing of Buddy Rich's timekeeping or the song-writing and band-leading genius of Duke Ellington.  These comments are not merely idiosyncratic. They reflect something of a philosophical theory of pedagogy that is steeped in jazz sensibilities. After over thirty years of teaching philosophy in various settings, I have come to realize that my pedagogy has developed in ways that reflect the sensibilities and philosophy of jazz. This has much to do with my long-time love of jazz: the music, the history, the culture, and the players.  The classroom should swing; students and their professor should spend time in the woodshed; the class will jam on philosophical themes deeply rooted in tradition, but be open to new chops.  Some of my students learn these terms, incorporate them into their vocabulary, and start using them in relation to whatever subject we are addressing—and not just about jazz. Three elements of jazz to appropriate for the classroom. Jazz works from and creatively appropriates a revered and rich tradition, the origins of which are not entirely clear and are a matter of scholarly dispute. Jazz is, at its best, highly creative in composition and in performance. Although jazz virtuosi are steeped in tradition, they must find their own voice in order to perpetuate that tradition in new forms—that is, to refract jazz through the prisms of their own unique personalities. Finding that voice requires moving from imitation to creation. Third, jazz is, according to the master jazz writer Whitney Balliett, “the sound of surprise.” A well-played piece of jazz music—even the most well-known standard—summons new ideas from jazz performers. The well-known need not be the well-worn, since the musical form—tied to the discipline of the musicians—can always yield something fresh and inspiring—or disastrous.  Swinging in the Classroom There are many more chops to develop and traditions to fathom and appropriate in order to draw out the connections between the artistry of jazz and the artistry of the philosopher's professorial pedagogy. But if we attend to the jazz sensibilities of mastering and extending a tradition through a strong work ethic; if we labor to find our own philosophical and pedagogical voices; and if we savor “the sound of surprise,” we will be well on our way to swinging in the classroom—and beyond. Resources1. Douglas Groothuis, “The Virtues of Jazz,” All About Jazz: http://www.allaboutjazz.com/the-virtues-of-jazz-john-coltrane-by-douglas-groothuis.php#.VGL4XPl4p4c 2. Douglas Groothuis, “How Teachers Can Swing in the Classroom” All About Jazz, http://www.allaboutjazz.com/jazz-pedagogy-by-douglas-groothuis.php#.VGL5Zfl4p4c 3. Douglas Groothuis, “John Coltrane and the Meaning of Life,” All About Jazz: https://www.allaboutjazz.com/john-coltrane-and-the-meaning-of-life-john-coltrane-by-douglas-groothuis.php.  4. Douglas Groothuis, “Whiplash and Philosophy.” Film review at And Philosophy: https://andphilosophy.com/2015/06/18/whiplash-and-philosophy.  5. Douglas Groothuis, “Jazz, Suffering, and Meaning.” All About Jazz: https://www.allaboutjazz.com/jazz-suffering-and-meaning-cyrus-chestnut-by-douglas-groothuis.php.  6. Douglas Groothuis, “Jazz and Philosophy” at All About Jazz: https://www.allaboutjazz.com/jazz-and-philosohy-john-coltrane-by-douglas-groothuis.php.  7. Douglas Groothuis, “Jazz and Moral Theory: Swinging the Right Way: All About Jazz: https://www.allaboutjazz.com/jazz-and-moral-theory-swinging-the-right-way-by-douglas-groothuis.php Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

On this week's episode, we have actor Jamie Kaler (My Boys, Tacoma FD, Robot Chicken and many many more) and we talk about his career path as well as his experiences doing stand-up. There's so much more so make sure you tune in.Show NotesJamie KalerIMDB: https://www.imdb.com/name/nm0435695/Jamie Kaler on Wikipedia: https://en.wikipedia.org/wiki/Jamie_KalerJamie Kaler on Instagram: https://www.instagram.com/jamiekaler/?hl=enJamie Kaler on YouTube: https://www.youtube.com/user/jamiekalerA Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptJamie Kaler:He goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag. I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever because this is the craziest thing. He goes, I know. He goes, what are you going to do with tv? I go, all, whatever. And I moved on and I was like, couldn't care less. ButMichael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, today I'm talking about acting with my guest, Jamie Kaler. This guy, before I bring him on this guy's credits are crazy. He works a lot and so I'm going to blow, yeah, blow through. I'm going to do the abridge version. If not, we'll be here all day, but I'm going to go way back. I'm on IM db now. I'm only doing the ones that I decide are highlights. But Jag, he's been on Fringe Friends. Suddenly. Susan Carnival, third Rock in the Sun, king of Queens, grounded for Life, married to the Kelly's Arrested Development, Spanglish, seventies show. What else Will and Grace, the Family Stone? Who remembers that? Monk New Adventures of Old Christine Sons and Daughters. How I Met Your mother, my boys. We know 'em from that. And then did I say Parenthood? Did I say shake it up? Did I say Austin and Allie? Did I say Teachers of the Year? I don't remember. I'm skipping crazy Ex-girlfriend. Jesus, dude. It doesn't end the middle Dads in Parks. Oh, we'll talk about that. Heather's robot Chicken. American Housewife. Most recently Taco fd where my partner and I created the character of Polanski. Jamie, that was exhausting. Are we done with the interview now?Jamie Kaler:Honestly, it was so much fun being here, man. All right, everybody, take care. See you later.Michael Jamin:That was such good advice. Sorry, you guys all missed it. Dude, you've been around. How did you get into acting? How does someone get into acting? By the way,Jamie Kaler:People ask me nowadays, and I go, dude, it's nothing. I mean now it's like don't even move to la just start a YouTube channel in upstate Minnesota and try to blow up. And then once you have a following, then you're set.Michael Jamin:But we were talking about on your podcast, the parent lounge, but I know you think it's like a burden, but I think it actually works in your advantage to you, to your advantage because you're really good at it. You're good. You have a great social media presence. You're quick on your feet. It seems to me this, even though it requires more work for you, it actually works in your favor. No,Jamie Kaler:You mean social media doing it this way? Yeah, of course it is, but I already did it. So now I'm kind of the same way that I used to go buy wigs and glue on mustaches and actually lit myself on fire on stage at Acme Comedy Theater when I was doing crazy shows on Friday and Saturday nights in the nineties with that fervor of what are we doing today? We're going to Goodwill, we're going to get some costumes, here we go. And I remember renting equipment, trying to shoot shorts and trying to clerks, and Ed Burns had made the brothers McMullan or whatever, and it was like, come on, we're making film. It was super hard and it was painful and it was costly. And nowadays you can do it with your phone. But I'm older, I don't quite have the drive. I also am watching two little kids.So the time in the day is where I used to go, this is my day. I'm going to go do this now. I'm like, I dropped the kids at school. I had to go to the cleaners. I taking care of the two kids. I got to pick them up. I'm coaching soccer today. So yes, I will say though, especially watching you and you're a writer, but now you have to become a social media guru to get people to see what you've created and you're an artist. But nowadays, gosh, I was posting something this morning about the pregnant pause is gone pretty soon. Humans are going to evolve where the eyes instead of side by side are over the top of each other because horizontal's over everything's vertical. We need to flip our eyes. And years from now, no one will take a breath because we've dictated that. The breath makes people lose attention though. You can take a pause. People goMichael Jamin:Done. IJamie Kaler:Can't. He took a breath. I can't.Michael Jamin:Yeah, I mean, here's the thing. So I just had this conversation yesterday. I dropped an audio audiobook, and so some woman said I was doing a live, she goes, oh, I bought your audiobook. I love it, but I listened to it on one and a quarter speed. But I'm like, but when I take a pause, it's because I want to put a pause there. I want to give you a moment to soak it in. It's not arbitrary.Jamie Kaler:I wanted to take a Richard Pryor act from his comedy special and cut all the air out of it. And so you would take a 50 minute, one hour special where there's a groove. He's in the moment. It would be like if you took Buddy Rich and you took all the space between the drum beats out. You're like, a lot of the art is in the space, and we have forgotten that. And now it's like it's a machine gun or people's brains shut off.Michael Jamin:This is something when we're shooting a sitcom, often, we'll tell the actor, make sure you hold for a laugh here. Hold for the laugh. You will get one. Yeah. What do we do about this?Jamie Kaler:Well, I don't know because I was watching, have you watched Show Gun?Michael Jamin:No. Am I supposed to watch that?Jamie Kaler:It's new. It's based on the book. Oh my gosh, it's glorious. I had never read the book. 16 hundreds. Futile Japan, A simple, brutal, vicious life of it's gorgeous. They had a full society. It's like the 16 hundreds. Wait,Michael Jamin:Where am I watching this? What can I get?Jamie Kaler:It's on FX and on Hulu and Portuguese and Portugal and England are the two powerhouses on the earth, and they are at war, and they're basically fighting for ownership of the east, even though the east are, they're like, wait, we're here. No one's going to own us. So it's all about that, but it's just this beautifully, I mean, it's like art. It's like going to the museum, seeing this story unfold, but people's brains nowadays, some do just riddling. 30 seconds of garbage on TikTok will get a gillion times more views than that. Because I talked to somebody who said, Hey, have you seen Shogun? Someone's like, oh, it just seems slow. And I was like, it's one of the greatest stories of all time. It's one of the bestselling books of all time. It's history and gorgeous and art, and it's beautifully shot. And they're like, ah, boring. I don't have time for that crap.Michael Jamin:We have, right? So what do we doJamie Kaler:If everything accelerates? There has to be a point where the human brain, it's like when they go, oh, this TV's 4K, and you're like, dude, I'm in my fifties. I can't even see 5K. I can't see any K anymore. It's like so resolution. It doesn't really matter. At some point your brain can't acceptMichael Jamin:It. Well, worse than that, so my TVs, I have a nice plasma plasma, but it's probably 15 years old at a cost a fortune when I got it. But the new ones, the resolution's so clear, it kind of looks like you're watching a bad TV show. You know what I'm saying? You watch a expensive movie and it looks like it's bad TV because I'm seeing too much.Jamie Kaler:The human face is not supposed to be seen with that much resolution. You see people and you're like, oh, that dude had a rough nightMichael Jamin:Where youJamie Kaler:Used to be able to hide it, and now you're like, no, no, no, no.Michael Jamin:Right? But then now have you had these conversations with your agent and your managers, or is this just when we were talking about building your social media following, are they telling you this or are you just like, your friends are doing it now? I got to do it too.Jamie Kaler:You mean why try to build this? Well, it's also, listen, it's funny because my wife will give me grief sometimes, and she goes, your stories are too slow. Which is crazy because I'm one of the fastest speakers who's ever lived. Sometimes when I'm working, people go, you need to bring it down a little bit. But on social media, if I don't want to sit and take a 92nd video and edit it down to a minute to take out the 30 seconds of pauses, because some guy, but that's the dilemma. Everything's the lowest common denominator. The jokes are I see something that blows up and I go, that was a great joke when George Carlin told that in 1972, and it was really well written and scripted, and now you've kind of bastardized it and you've put it into a ten second with no, your speaking voice is intolerable. But I get it, that's what people want. They're scrolling through and you're like, that's how it works. So I'm also a dinosaur man. It's like my daughters are 10 and they're already do flying through stuff. I mean, I don't know how to stop it.Michael Jamin:Do you know people, I mean, obviously back in the day when you'd go to auditions now everything's you submit. But back in the day, I'm sure you were going to audition and they're the same 10 actors that you would see trying out for the same part. Do you think they're doing the same thing that you're doing building of social media presence?Jamie Kaler:Well, I think you have to. Nowadays, honestly, I see that the social media presence, it is number one, you don't have to go learn how to act. You don't have to learn how to be a standup comic. You don't have to learn these skills and slowly build your way up the top. You do it because you're a personality. People are intrigued, not by people who are, they're intrigued by humans. It's a voyeuristic thing, I think, where people are like, you'll see somebody and they're just talking to camera. They're not even good speakers. There's something off. There's a crazy story. And maybe they've just been doing it for 15 straight years and built up a following and put some money behind it, put some ads, made sure they got some clicks. Maybe they bought a few followers, and you're like, but the craft, the art of what you do as a writer. I mean, is it slowly falling? But that's the problem nowadays with my kids, we just got the report cards and really good grades, but you can see on the standardized test, they're reading is starting to slip because kids don't read. It's too slow for them. Their brain is like, well, they just can't slow. People cannot slow down anymore. And it's Where does it goMichael Jamin:From here? I dunno, but I have to say that. So a lot of this is, I don't think this is coming from producers. I was on a show a few years ago, maybe let's say 10 years ago, and the studio or the network rather wanted us to cast a guy with a big social media following for this role. And I'm like, wait, really? Why? What about an act? Can we just get an actor? This Hollywood? Aren't there actors everywhere? And it's because networks are having a hard time marketing their show. And these people with followings, they can market their own show.Jamie Kaler:Kevin Hart. I mean, I remember something. They were like, well, you're going to post about the movie. And he's like, if you pay me, and they were like, why would we pay you? You're in the movie. He goes, yeah, you paid me for my acting services now you want me to be your publicist. If you want me to publicize this film, you will pay me for it because I accumulated these 50 million followers on my own. Why would I just give it to you?Michael Jamin:But here's where I'm curious about that though. I'm not sure if he doesn't post, I get his point, why should I do the marketing as well? But if he doesn't do the marketing, it'll hurt him for his next movie because it won't perform as well in the box office. You know what I'm saying?Jamie Kaler:Yes. It's a double-edged sword. But I also think he doesn't care.Michael Jamin:HeJamie Kaler:Doesn't care. He doesn't care because he has that following. He will, and they'll put it into the budget. I'm sure the agents and managers are like, all right, so this is his money that you're going to pay him. This is part of the marketing fee you're going to. And listen, I totally understand it. I'm sure I've lost parts because people have gone over to go, his following is not as big as this guy. At the end of the day, could a ton of other people played Polanski? Absolutely. Would they have huge followings? Yes, of course. So I feel lucky anytime I get a job to promote it, I feel like I'm qualified for that job. But I also know it's, you look back at the history of film and Philip Seymour Hoffman died, the five projects he had ready to go, they just replaced him.He's arguably one of the greatest actors of our generation. Nobody missed a beat. So are we all replaceable? Absolutely. Are we lucky to be in the business? Yeah. I mean, I would argue writers are more necessary because you're creating the project to start with. But as an actor, unless you're Daniel Day Lewis or somebody who's that crazy of a craft, then it's about chemistry, I think. Anyway. But you have to, those people are trying to get their films out, and so there's so much white noise on a daily basis that to cut through that, they're like, well, if this guy has 5 million followers and he puts up one post, what they don't see is that only 3% of those 5 million people even see. But thisMichael Jamin:Is where I think the studios and the networks have really screwed up royally, is that they haven't figured out a way to build their own brand. So my wife and I will watch a movie or a TV show, we'll get halfway through it and all the night, we'll say, let's watch the rest tomorrow. Almost all the time. I forget where I watched it, and now I have to search, was it on Netflix? Did I watch it on Amazon? Where did I watch this? Because there's no brand anymore without a brand. They can't market their shows. They have to rely on other me and you to market their shows. It puts us in the driver's seat, not them. This is like a major blunder on their parts, I feel.Jamie Kaler:It's not just them. I'd say standup clubs, back in the day, you did a bunch of shows. You finally put a tape together, you sent it to a club. The club had a following, the club had the following. And you knew if you went to that club, you were going to see Richard, Jenny, Brian Regan, Jerry Seinfeld, you knew these guys. Whatever show you went to, you were going to be surprised, but you'd be like, man, those guys are really funny. Nowadays, the club is literally a rental space that you bring the following to. That's why they book influencers who have millions of followers, and then they get on stage. And I guess some are good and some maybe don't have, it's a different skill levelMichael Jamin:When you go, do you still perform comedy standJamie Kaler:Up? I do. I used to tour a ton before the kids, and I was on the road all the time. And then once the kids were born, I didn't really want to do that as much. So now I stay home. So I kind of cherry pick gigs to go out for. And the road's a lot different, I feel like, than it used to be.Michael Jamin:So do you feel the quality of the standups, they're not quite as good anymore? Some people are, would you sound like old men? Which one is it?Jamie Kaler:Absolutely. And I say that all the time. I'm a dinosaur. But I will say that maybe the skill nowadays is not being a standup comic, but being a social media manipulator. And I mean that it's always been the skill. People used to hire publicists even back then, and I never did. And they'd be in People Magazine and I'd be like, what's the point of all that? And then as I got older, I was like, oh, fame allows you to do the jobs you want to do. That's really the trick. But I mean, to be Tom Cruise, I never wanted that because that dude can't leave his house. He can't just go to the supermarket, can't go to a park. I never wanted that. But that makes him and DiCaprio, those are the guys that are Johnny Greenlight. They get the first choice of scripts. And so they are allowed to do these amazing jobs that because how many people do you think nowadays can sell a picture?Michael Jamin:Oh, yeah. I mean, that's the whole thing. Or can open, I don't know. Do you think it's more or less, I guess I would imagine it's probably less now. I mean, because celebrities changed. What do you think?Jamie Kaler:I think the era of the movie Star is over. IMichael Jamin:Think Tom CruiseJamie Kaler:And Brad Pitt and DiCaprio, are they going to be the end of, and Damon are going to be the end of it? I mean, no. You see one of her on Netflix and it's like a TikTok, Charlie Delio. I haven't seen it. Maybe she's a wonderful actress. I don't know. But you go up through that ranks and all of a sudden you have 12 million followers or whatever, and then you could sell, I mean, it's Kardashian really was, we all gave her grief, but in retrospect, they were the smartest people in the room. They saw it coming to their credit and made a gillion dollars off of it, whether that's what you want to do with your life. But my kids kids want to start a YouTube page and a TikTok, and I'm like, she's 10. She's 10 years old. That'sMichael Jamin:Too soon.Jamie Kaler:Yeah. I mean, can everyone on earth just be, can we keep an economy running if everyone's just an influencer? I don't know.Michael Jamin:Well, there's the big question, right? If everyone's trying to, yeah, IJamie Kaler:Mean, look at what you're doing. You wrote a book, you sat down, probably took quite a while. It's a very good book. Thank you. I've read it and it's like, but the point is, almost everybody's wrote in a book now, and everybody's a standup comic and everyone's a performer. And back when I did it, it was like people were like, oh my God, you do standup. I'm would never do that. I'm terrified now. I'll be it like a supermarket. And some woman's like, some grandma's like, oh, I do stand up every Tuesday night at retirement home. And you're like, it'sMichael Jamin:Not. But I also feel like you're reinventing yourself, though. I mean, that's got to be exciting and interesting. No, orJamie Kaler:Of course it is. Of course it is. I do listen. I love doing it. And everyone else, it's a love hate relationship because I'll think of something immediately, I'll put together a little funny bit that I, it's like a standup bit or something, and then I'll be able to share it with all my fans and they will respond accordingly. And you're like, oh yeah, this actually is a pretty good, I just also think we're the learning curve. We're the first generation to go through all this.Michael Jamin:Wait, let me tell you how I hoard myself out this morning. So I wondered, because I'm posting a lot to promote my book. I'm doing a lot of lives, and I'm like, I see other people do lives, and I'm not sure what that magic is. They're cooking eggs or whatever. Are we watching this person cooking eggs? Is this right? So I'm like, all right. I told my wife, today's pushup day. So I'm like, all right, I guess maybe I'll just do pushups and people will that work. And I did pushups on live and I don't know, 20 people watched. And I was like, I felt kind of stupid about the whole thing, but people were watching, I don't know, is this what I got to do now,Jamie Kaler:Pushups, I fear it is. If that's what you want to do for a living, I think this is, if you want to be in this business, I think that's the necessity of it. To be honest, I'm not sure I would've ever signed up for this if I knew, although when I was younger, I probably would've like, Ugh, I would've been Truman shown the wholeMichael Jamin:Thing, right? But you wouldn't.Jamie Kaler:I do wonder, my kids, I think they were at their friend's house or something, and they Googled me. They told me, and they're getting to that age, and I'm like, uhoh, what did you watch? And they watched some crazy video I did where I said something stupid or whatever. And I don't know if every moment of our lives is supposed to be captured. I don't know what the answer is. I have such a love hate certain days. I wake up and I go, even this morning I was telling you I was writing a bit about something or other. And then another day I'll wake up and I go, I don't want to do any of it. I just want to go golf. And that was the beauty. I became an actor because it was the easiest thing. I worked hard to become a good actor. I took classes, worked on my craft, but I wasn't, I wasn't on 24 7 trying,Michael Jamin:Tell me if you feel this way, because if I don't, I try to post almost every day. And if I take one or two days off, that turns into three or four. You know what I'm saying? It gets easy not to do it.Jamie Kaler:Of course, of course. But do you feel guilty after those two or three days? Do you have any guilt or do you actually go, oh, what am I doing? This feels great.Michael Jamin:Yeah, it is mixed like you're saying, but a lot of it is like, this is my job. This is how you get a book out there. This is how you can, I work so hard not to work. You know what I'm saying?Jamie Kaler:I'm working harder now than I ever did when all those credits were being made. Yeah,I would bust my ass. I would get ready. And also acting is about physicality. I would make sure I was in shape. I'd work out, I'd do all this stuff, and then I would go either do an audition and then there'd be downtime, and you'd be like, all right. All right. And then you'd kind of ramp it up again. Now it's like just constant blinders on of, and then the problem also I see is the follow-up. When you performed on stage, you either got to laugh right then and there, and you moved on. But now my wife, we have long conversations on Instagram as well.Michael Jamin:What does she do? What does she do on Instagram? What does she, I don't even know what does, sheJamie Kaler:Works in the pharmaceutical industry.Michael Jamin:So why is she, oh, I think you told me. Why is she on Instagram? Oh, does she post on Instagram?Jamie Kaler:She posts, but she has her own page, and then so she's very specific about it. She'll edit and quiz me and I go, do you want to hear my, I don't care. Nobody cares. Just post it. But it's like, well, what do you think this picture or this? I go, nobody cares. What song do you think this song? Is this song saying too much about me? Or should I feel like maybe I should use it? Should it just be instrumental? I go, okay, I don't care. The trick is to post and walk away. And then people will, for the rest of the day, scroll, because it's the dopamine of like, oh, so-and-So ooh, did you know? So-and-So just like that post I put up this morning, I don't know where this ends, but I find that some days if I just do something physical where I'm digging in the garden in the backyard, it's the greatest three hours of my life where I'm like, I didn't think about anything. I don't know. I don't know where it ends, but yeah. But we're also too, get off my lawn old guys who are like, why? You might have kids,Michael Jamin:But how much time do you think you put on social media every day, either way that you're working on or thinking of working on it or whatever?Jamie Kaler:Well, so I wasn't really, I never cared. I never cared. It was just recently that I've started to make an effort during the pandemic kind of destroyed me. I stayed with two kids. I had a kindergartner and a second grader, and my wife was working 12 hours a day. We have an office in the house where she was gone. Oh, wow. We didn't see her for 12 hours a, and I think part of it, she was hiding because it was the pandemic. We also having construction done on the house, it was arguably the worst time in my life. So I was trying to maintain the kids. So I printed out schedules. I made them put their school uniforms on. I took two desks. I set them up on opposite ends of the house. They were doing it on Zoom, but one's in kindergarten and one's on second grade.So they weren't old enough to really go. I got it at nine 40. They'd be released for recess. I'd have to get them snacks at 1130. It was lunch at two 50. School ended, and then we were trying to maintain sanity. So I started this kind of parental mental health zoom at night. And obviously we were drinking extensively pandemic mental health, but drinking, it was mental health, and we were sipping hardcore and sharing horrible stories. And so it grew into this. I started this thing called the Dad Lands, and it just grew. It was just Zoom. It wasn't even a podcast or anything. And that kind of caught on. I mean, there were guys, I was like, dude, don't kill yourself. We're going to get through this thing guys. Were hanging on by a thread. And we made ourselves all feel better because we were seeing that everyone else was going through this nightmare.And that eventually grew into the Parents Lounge podcast with my other buddy who was in it. He was doing Dad Apocalypse. I was doing Dad Lands. We started a podcast. I'm not a promoter, so I really love doing the podcast. We were doing it live. You've come and done it. The parents lounge, it's super fun. It's a parental mental health night. I've kind of laid off the sauce since then, and all of a sudden it kind of grew into this thing, but we never marketed it. We would just throw it out there and then the other dude would put it up on iTunes, but we wouldn't even put a post of like, Hey, Dave Ners on this Monday. Nothing. Just threw it in the ocean, because I don't want to be a marketer. I didn't move to Hollywood to be a publicist. It's not what I do.So finally, we're at the crap or get off the pot phase of look, we have a pretty good following, considering we haven't put one ounce of work into the promotional part of it. And so finally, everyone's like, look, dude, you either have to become a promoter or you are wasting your time. You need to monetize. We could do some live gigs here and there, but all of a sudden ruffle came in, Justin ruffle was our partner in this thing. And all of a sudden everyone's like, all right, so I committed. I'm committing to trying like you with a book where I feel like we have a really great product. How do we get people to see it? And you're like, this is the way to do it. So we went out and I enjoy stuff like this where we have conversations and we get in depth on stuff. But as far as just constantly putting up a story with a link to the podcast to do this and stuff, well,Michael Jamin:That you can outsource, that's easy. We'reJamie Kaler:Outsourcing it. And so we finally started outsourcing it, and I hadn't outsourced it at all, but it's like I equate it to the Gold Rush. It's like the people who really got rich during the Gold Rush where Levi Strauss and Woolworth and the guys who sold the Pickaxes. So at some point, I should become the outsource guy or something. But yeah.Michael Jamin:Do you see, okay, what are your aspirations with the show? What would you like it to become, if anything?Jamie Kaler:So I love doing the show. I would love a strong following where we've kind of branched off to do other stuff. But honestly, live shows. We have done a few and we're starting to book more. And then to monetize it to a degree, once you start putting all the work into it, you're like, well, maybe we should at least see something. But theMichael Jamin:Live show, you have to produce, you got to bring in equipment mics, you've got to mix it. No, justJamie Kaler:Literally as comics, we show up. I can't tell you the last time I soundcheck, ohMichael Jamin:Wait, wait,Jamie Kaler:We're doing the podcast live. You're talking about, but we do it as here's the beauty of what we do. We're already standups. That was a headline in comic touring the country. I did Montreal Comedy Festival. I've been on late night tv. So for me, that's the easy part. When I used to do standup, it was never about the show. It was more I would peek out and go, is anybody here? And the smartest guys on earth were s, Agora Rogan, Cher Joe, coy, who not only were great comics, but they were also really good at marketing themselves. And so those guys were doing mailing lists for 30 years and building, and I wasn't. I would go sets went great, crush it, and then go have a couple cocktails at the bar. I didn't have kids either. I didn't really care about trying to blow it up. So it was never about the show. It was about getting eyes on it. And I feel like that's where we're at now. We have such a strong, every time we go do it, we crush live. And the question is, how do we get other parents and people to go? This would be a great show to come to. That's really the marketing part of it.Michael Jamin:The tour as Right? Is it all, so it's improv or is it scripted, or what is theJamie Kaler:Show? We have acts, I have two albums on iTunes.Michael Jamin:Oh, okay. So it's a comedy show show.Jamie Kaler:It's a standup comedy show that the Skis is a podcast, really. And we would bring our guests with us, maybe we talked about having Lemi and Heffernan come out and do the podcast live with those guys, but it would be billed as the parents lounge live with these special guests. But it's really a standup show for the audience with under the guise of a podcast. And we have bits and we would do improvisational stuff set up and questions with the audience, for the guests and for everybody else. But we just did, and we did it in Sara, Pennsylvania in the fall. And it was like two hours of just, I'm not even sure I touched that much of my material. We were, we were riffing hard, but we always had the material to step back on. It's like that's my favorite is you have these tracks, but you get off the tracks, you fool around. And if all of a sudden it starts to lag a little bit, you go, all right, here's some bits and then bring 'em back in.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity. And Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.I mean, I don't know. I see people doing it online. I'd be doing exactly what you're saying. They take their podcast on the road and somehow, how do you think they're selling tickets though?Jamie Kaler:Because their followings are so strong that people, a lot of times also, I see these shows, and to me, the shows, I go, there's no show here. It's just this guy showed up. It's basically a two hour meet and greet. But honestly, that's what some people love. They don't even care. They just want to be in the same room. The guy will tell a couple stories, they'll play some bits on, they'll play bits on a screen and make it a show and they'll record the podcast live. But people are so enthralled by people chatting, I really missed my window. It really was my strong suit back in the day of just riffing and going along with stuff and being in the moment and chatting. But podcasts wasn't happening. And at the time when podcasts started, I was like, are we going back to radio? Why would people listen to podcasts? I was shocked. And yet offMichael Jamin:They were. But your brand is, you're trying to aim it towards parents or men dads, is that right?Jamie Kaler:Well, it's all parents and no, we've toured with moms. We usually take out moms. We've had Tammy Pesca, Kira svi on the show, Betsy Stover. We just had Nicole Birch. I mean, I think you need a mom's point of view. So when we do live shows, we typically bring out a mom as well with us.Michael Jamin:But you're talking, but is the focus basically on kids and parenting?Jamie Kaler:It is to a degree. But I also, sometimes we'll watch some of those shows and it's like sometimes parents don't want to talk about kids, so we kind of go where we go, and it's about life. The whole thing was trying to get people to understand that you see Instagram and you think your life. You're like, why isn't my life like that? The point of our podcast is really to go, nobody's life like that, dude. I mean, when's the last time you met someone who just was not absolutely full of shit? Have you met anybody who's not just full of shit? Anyone? Well,Michael Jamin:The thing is, especially in Hollywood, a lot of people were trying to hype themselves up. And I discovered early on, this is 30 years ago, that was the people who were talking most about their career really had nothing going on. And the people who didn't talk about it, they didn't talk about specifically, they didn't want people to hit 'em up for a job.Jamie Kaler:Know what I'm saying? And I said that exact 0.2 days ago, I was talking to Lori Kmar and she was just saying the same when I got here, if you were the one who were like, look at me, look at me. People were like, that guy's a loser.It was almost, and then all of a sudden, humble, I blame it on humble brag, humble brag. Do you remember hashtag Humble brag? That was the first one where people, it's really just a brag. You see humble, but you're really just bragging. But back in the day, I remember doing Friends and Will and Grace, and it was big. It was big. And I really didn't tell anybody. People would come in and talk to me and go, dude, were you weren't friends last night. And I was like, I was. And they go, why wouldn't you tell us? And I go, it seems dirty. I felt dirty bragging about what I was doing. But nowadays, if you're not constantly brag, brag, brag, brag, brag. People are like, well, I guess he doesn't have anything to promote.Michael Jamin:Yeah, I remember even just people, I'm in the business, they'll say, so humble to accept this. I'm so humbled to accept this award, whatever, where they might've been in sales or whatever. It's like, but you're using the word humbled wrong. That's not what humbled humble means. You're literally bragging.Jamie Kaler:I feel that way every time when I'm acting and the director goes and cut, that was perfect. We're going to do it again. And I go, you're using the word perfect improperly. Perfect means there's nothing better. I think that's exactly the meaning of perfect. And you're not using it correctly. I knowMichael Jamin:One of the things that I always get, this is my pet peeve about being a writer. You'll turn in a draft of a pilot you've been working on for months, and you just turn it in and then they'll say, great. We're setting up a notes call for Wednesday. Isn't it possible you love it? You know, don't like it? You already know there's something you want change. It's likeJamie Kaler:You didn't even read the title and you're like, I have notes.Michael Jamin:I have notes. Of course you do.Jamie Kaler:Well, listen, if they didn't have notes, they wouldn't have a job. And so I think they're like, well, I mean, we have to find something wrong with this thing. They would get the screenplay for the sting and go, I mean, does the guy have to have a limp? I don't get the Robert Shaw limp. It's like, dude, can you just go, this is pretty great. And also you're not a writer. It's not what you do.Michael Jamin:It's hard to, now you're killing me.Jamie Kaler:I did a show one time, I won't say the name of the show, but I did a show. It didn't go anywhere, but my character is a car salesman. I see these two guys come into the showroom and I want to sell them a car, and I think they're gay, so I pretend to be gay. This is of course, back in the time when I guess you could do that without being canceled. So I act gay to them to get them to buy the car, and we're going to be friends and stuff. And at the end of the episode, my character then kisses a woman who's another salesperson as the reveal. He's not gay. He was doing it to do that, whatever. So all week, all week, the studio execs keep coming over and they go, dude, you got to gay it up. You got to amp it up. We are not getting the joke. You have to play this extremely gay. And then they would walk away and the showrunner would walk over and go, dude, I want you to play it dead straight. I don't want you to play gay whatsoever. So after every take two people kept coming over, giving me completely opposite notes, and I didn't know who.Michael Jamin:Wait, I a little, go ahead, finish your story because I want toJamie Kaler:Jump on it. So I'm in the middle. I'm doing it. I'm not pleasing either of them, right? I'm right in the middle of guess, maybe a little after. I don't know. And I have played gay characters numerous times in tv, and usually I don't do anything. It doesn't have to be that way. And so I would play it dead straight. And so the show goes, it's a train wreck of a week. I'm just getting eviscerated on both sides of like, I'm not pleasing anybody because I'm trying to ride the line in the middle of between these 2 180 degree notes, whatever. It's a train wreck. We finished the shoot, I'm miserable. I run into the showrunner maybe three months later and he tells me, oh, he goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag.I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever. I goes, this is the craziest thing. He goes, I know. He goes, what are you going to do? It's tv. I go, all right, whatever. And I moved on and I was like, couldn't care less. But you're like, again, art, you wrote something. Your brain had this beautiful story you wanted to unfold. And then commerce and everybody has to prove that they're part of the mix and they can't be hands on.Michael Jamin:I'm very surprised that you got notes directly from a studio executive. That's inappropriate. They're supposed to go through the director. IJamie Kaler:Thought the exact same thing. And people, it's not how it worked. They came right up to me. Oh, I've had that many times. I've had studio people talk to me all the time. Yeah, well, also, I wasn't a star. I was a guest.Michael Jamin:Yeah, but still you're not, first of all, the DGA can file a grievance over that if they were to complain the DGA, I think that's part of the thing. But here's how I would've, if I were you, this is what I would've done. I would've done one take over the top and one place straight. Okay, I'm going to do two different takes, two different. And you decide later which one you want to use.Jamie Kaler:I think I did do that to some degree. I don't think I said it out loud about you have fun and edit, and also you as a guest star. It's the greatest job, but it's also the worst job. It is. These people have been locked and loaded. I did friends the week I did it, they were on the cover of Rolling Stone. They'd been burned in the press when they spoke. They weren't outwardly mean to me, but they also weren't like, Hey, welcome to the, they spoke to each other in hushed tones away from, and I didn't blame them. They couldn't go to a supermarket. They were just famous beyond belief. But the set was tense, super tense because a lot riding, not a lot of money on this thing. The shoot was eight hours long after four, they got rid of the first audience, brought a whole nother audience in, and you start to watch the sausage get made and you're like, this is supposed to be fun and comedy, but sometimes these things are super tense.Michael Jamin:Yeah, yeah. So interesting. Do you have any experiences that were great sets that you love working on?Jamie Kaler:So many and listen, even that set the cast was great and friends was great. It was here was the greatest thing about doing friends, or even honestly Will and Grace. I watched Will and Grace, I watched the four of them. Dude, they were a machine combined with the writing staff and Jim Burrows directing. It was like a masterclass, the four of them. And they would rewrite on the fly, they'd do one take and almost rewrite the entire scene. And then you would, they'd go, Jamie, here's your new lines. And I did six episodes over the years and each time I went back it was like, you better bring your A game. Because they would change the whole scene. And they go, so you enter here now you say this and then he's going to say this and you're going to go and you're playing spinning at the four of them. Man, they were honestly maybe the best cast I've ever seen. Really. It was like a Marks Brothers. They just were so perfect in their timing. It was pretty impressive.Michael Jamin:I had Max Nik on my podcast a few weeks ago talking the showrunner. The funny thing is I was touring colleges with my daughter years ago, not that long ago, whatever. We were touring Emerson. And the tour guy goes, oh, and this is the Max Munic building. He goes, anyone know who he is? I'm like, max gave you a building. Yeah. Does anyone know who he is?Jamie Kaler:They were both great. And again, I was overwhelmed because I was so new. And my very first one, gene Wilder, played the boss. I'm the dick in Will's law firm, and I had only done a sitcom or two. And then I got Will and Grace out of nowhere on a crazy afternoon. It was supposed to be another big name guy. And he fell out at the last second. And I got cast and was shooting in the morning and I was terrified. And then I show up in Gene Wilders playing my boss, and I had to do a scene with Willy Wonka. I was like,Michael Jamin:No kidding.Jamie Kaler:By the way, I didn't start acting until I was 30. I was a Navy lieutenant.Michael Jamin:Oh,Jamie Kaler:Really? I was the US Navy. Yeah. That's why I played cops a lot. I was a Navy lieutenant. I got out at like 28. I hung around San Diego. Bartended had fun.Michael Jamin:Why did you get it so early? I think you're supposed to stay in forever and get a great pension.Jamie Kaler:Oh my God. It's like I'm talking to my father. My father banged me. I still have the letters. He and I wrote back and forth where I told him I was getting out and he was so pissedMichael Jamin:BecauseJamie Kaler:He was a pilot. My dad flew in World War ii, my brother was an admiral, and I got out to become an actor, and my father was just furious.Michael Jamin:Whatcha doing? You can one time.Jamie Kaler:Then I booked Jag. One of my first TV shows was, well actually my first show was Renegade with Lorenzo Alamas and Bobby Six Killer though, whatever his name is.Michael Jamin:I know I'm jumping around, but did you know Kevin and Steve before you got booked on? Yes. Yes you did. From whatJamie Kaler:I had done, we bumped into each other once a couple times doing standup. I was doing Thema or something, and then I forget how it's all blurry. I did their podcast, chewing it, and then just kind of hit it off with them. And then they came and did mine. And you talk about sets My boys was my greatest four years of my life. It was just, I met my wife, I bought a house. I was on a billboard on Times Square. We traveled the world. We shot on Wrigley Field in Chicago. I mean, it was glorious. Because of that, I started a headline clubs. It was just this like, oh, here we go. And it wasn't until Tacoma FD where I was on a set where, oh, people came early, people stayed late. You were almost going. It was like it brought you back. A kid being going to theater camp, going, well, here, I'm making a show. But again, as you know, it goes by the eps and number one on the call sheet and that dictates the tenor of the show tone. And they wereMichael Jamin:Both the same. Yeah,Jamie Kaler:Yeah. And those guys, that sets a family, literally everybody. And that's why you also have to be really careful. You can't say anything because everybody's related to everybody and they're all friends. And then Soder came and played Wolf Boykins. And I will tell you, I was super, I love those guys. But there's also a little jealousy of, I've always been a team sport guy. I love Sketch probably more than I like standup because there was something about being on stage with other humans and this chemistry. And then you would get off stage and you're like, can you believe how great that just went? There was this, when you would do standup, it's just you. And when you walk off stage, if you bomb or you crush, you own it. But when you are with a group, I love the group dynamics. Interesting to those guys credit the whole broken lizard.I wish I had the state. I'm jealous of those guys a little bit. Kids in the hall, when I first got out, I had an improv group in San Diego and we ended up doing, we got on the front page. I had been out of the Navy like a year. It was in this crazy improv troop, had no idea what I was doing. And there was three other dudes in it. And the comedy club, the improv, started to hire us to be the feature act. And we would get up. We had no mic, so we'd kind of eat it and then the headliner would come out and go, what the blank was that jackasses? And then do his standup act. But I always wanted that group. You have a comedy partner, you write, you partner. I like that more than the solitary thing. And honestly, to go back to the podcast really quickly, the parents lounge, we didn't have a team.We had no team. And so it wasn't until I brought Phil Hudson and Kevin Lewandowski and then Justin Ruppel and his guy Taylor. And all of a sudden I had a group of people behind me who were like, Hey man, this is a really great product. Let's go. So I guess I'm just a team guy. And when I got to that set at Tacoma fd, I'm so sad it's gone because I just, that and my boys are probably the two highlights of my career, really, personally of joy, of going to work, not feeling pressure like Man Will and Grace. It was fun. It was invigorating, it was exciting, scary. It's a little scary, man. You're like a lot of money. There's a huge audience. There's superstars who are making a million dollars a week. I'd leave the table read and go, that dude just walked with 200 k Monday.Thank you. Monday, 200 K what it must be, same on basketball teams where it's like LeBron James and then that dude from Australia. There's a dynamic there where you're like, yeah, you're not flying home in a jet, my friend. I am. It was weird. So Tacoma fd, those guys never once ever made you feel bad about trying stuff, doing a take where you just explore and you could be funny and you let it rip. I equate it back to Seinfeld. I don't know what it was like on the set, but Seinfeld was one of the few shows where they let the guest stars actually get sometimes bigger laughs than the main cast, which I always find in shows to be the true genius of a show where everyone's there, it's a play. Let it rip. I've been on shows where they, I'll blow it up. I was on the seventies show and I had a couple scenes, and I played this goofy guy with a wig on or whatever, and crushed. I mean, I was a nerd. I was a comic book nerd. Huge laughs. And they took me aside and were like, Hey man, just so you know, you will never get a bigger laugh than the main cast,So you might want to tone it down or we're going to be here all day shooting. And I go, really? And they go, I thought they were joking. And they were like, nah. Yeah. Wow. I probably shouldn't say I'm the worst too. I'll burn myself to say stuff. Well, it's interesting. This business is crazy, man. And you sit there and you think we're just making comedy, but people are,Michael Jamin:Yeah, some people are like that.Jamie Kaler:Yeah. People get their feelings hurt. Those little memos where it's like, don't look so and so in the eye. And you think they're joking. They're not joking.Michael Jamin:You've gotten those memos.Jamie Kaler:I haven't personally. Well, I worked on some big movies where it was like, but I also am not the crazy person who walks up to Christian Bale on Vice and goes, Hey man, dark Knight. Huh? You crushedMichael Jamin:It.Jamie Kaler:I sat next to Christian Bale for a day shooting and he was Dick Cheney unrecognizable. By theMichael Jamin:Way, this guy might be theJamie Kaler:Greatest actor who's ever lived. And he leaned over and he was so nice. Everyone was super kind, but he was nice to meet you. And he talked like Dick Cheney. He goes, nice to meet you. I'm Christian. I go, it's nice to meet you too. But I'm kind of laid back and I try not to, but other people will walk up to Bruce Willis on a set some extra and be like, Hey man, can you read my screenplay? And you're like, dude, read the room. What are you doing?Michael Jamin:What are you doing? What are you doing? PeopleJamie Kaler:Are crazy. That's the problem. And crazy people are drawn to this business. So yeah, I mean, if I was Tom Cruise, I might be the guy who look, just keep everyone away from me. I'm trying to get my job done here.Michael Jamin:Well, you know what though? I mean, I was working in Paramount doing a show and they were shooting, I guess some scenes from Mission Impossible. And he had his trailer, Tom Cruise had his trailer, a giant trailer, and then he had a whole tunnel that he would walk through from his trailer to go to the sound stage because he didn't want people in on the lot looking at him when he walked to the set or bothering him, I don't know. Which I thought was very strange. I was like, but we're all even on Paramount in the business. I guess were bothering would harass him. I'm like, Jesus, this is supposed to be a set studioJamie Kaler:People. And it's even worse now. You go to a broad, remember when people dressed up to go to Vegas? I remember going to Vegas in the eighties and nineties and we brought a sport coat right now it's like cargo shorts, flip flops and beer hat or something. And you're like, there's just no decorum anymore. And people are so, and they're trained by their videos that they can yell and do whatever they want. People go to Broadway shows and just yell out and you're like, what are you doing, man? It's a plane. WhatchaMichael Jamin:Yeah? What are you doing? PeopleJamie Kaler:Are horrible. I know when people, I always laugh when people are like, no, I think deep down people are good. Some, I would argue a good hunk not no have no manners.Michael Jamin:That's probably a remnant from social media where they feel like they can just comment and be mean because they're anonymous, I guess.Jamie Kaler:Well, I think the good thing about social media is that everyone can have their opinion heard. But the worst thing about social media is that everyone can have their opinion heard. Yeah.Michael Jamin:Yeah.Jamie Kaler:I love when people like they're uneducated. They've never left their small town America. And they're like, no, no, I am 100% certain this is a fact. And you're like,Michael Jamin:Yeah,Jamie Kaler:When's the last time anyone has said you've raised some really strong points. I'm going to rethink my position.Michael Jamin:When you do see that, it always stands out to me. It's like, wow, look at you and humble. It does stand out. We'll doJamie Kaler:That. Listen, we're all guilty of it. Even just recently, my wife said something to me, I can't remember exactly what it was, and I think your spouse is the one who can really cut you to the bone. And she said something and I was like, what do you know? And then later I thought about it and I was like, no, she's right. I have been, oh, here's what she said. Here's what she said, something about a post I had. And she said, you just come off angry. And I said, no, no. I'm a comic. I'm pretending to be angry. And I think I went back and I watched the Post and it reminded me back to early on at Acme Comedy Theater, I had this sketch where I was with woman and we were on a date, and it was very Jerry Lewis props humor where I kept getting hurt.I kept getting hurt. The window smashes in my hand, it ends by me lighting a candle and I actually lit my arm on fire and then would roll it out as the lights came down or whatever, and it crushed. It did so well. And one night it just absolutely bombed, just bombed. And I kept pushing harder and harder and it was bombing, and I got off stage and I talked to the director and I was like, dude, terrible audience. Tonight goes, no, no. He goes, your problem was you didn't play frustrated, you played and it didn't work. And I go, what a specific note. And I've always thought about that because me personally with my angular features, you have to go with what you look like as well. And if I play frustrated, I'm super funny, but if I play angry, I come off angry. And so she was right and I had to go. I think maybe in life everybody needs a director because you forget. It's really hard to self-direct yourself because you get lost in these megaphones of your own things that you're like, no, no, I'm on track. This is going great. Instead of going, I wonder how the outside world perceives me.Michael Jamin:That's exactly right. Yeah. When I recorded the audio book for my book, I needed to be directed. Even though I direct, I don't know how I'm coming off. Yeah, I mean that's actually probably the most profound thing I've heard today. Well, the day just started, but everyone needs to have a director.Jamie Kaler:Yeah, it is kind of crazy. Yeah, it's weird because we also get caught up in our own, listen, I will say the world is, and I know I'm an older cat and I look back at simpler time. I don't want to be that guy. I was like, it was easier, but it was easier. I equate it to even crosswalks lately when you were younger, if you were going to take that right turn and the dude was crossing the crosswalk, everyone would make eye contact and they'd hold their hand up and then they might even jog a couple steps to go like, no, no, we're in this together. We're a team. No. And nowadays I go, dude, are you trying to get hit by a car? You didn't even look up? Didn't even look up deliberately, and it feels like you're slowing your walk down. It's so odd what's happening. But I do think, listen, back in the day, people used to, if you were in front of somebody's house and you were waiting for them, you'd pull your car over and slide it up, maybe a few cars up. Now they just put it right in the middle of the street, hit their hazard lights and just wait. And you'll be behind them and they go, I don't care. I don't even know why they sell cars with rear view mirrors. They should just get rid of it. No one's looking behind them. Nobody cares about anybodyMichael Jamin:Else. That's so interesting. Yeah, I mean, you're right about that lot people crossing the, I always think that, boy, you really are trusting of me. You really trust me not to hit you with my car. Jesus. Isn't thatJamie Kaler:Crazy?Michael Jamin:Yeah, sure you get a payday, but I might kill you.Jamie Kaler:I think it was safer back then too because you knew, listen back in those days, you knew to be off the road between 10:00 PM and 2:00 AM when everyone was drunk. Right. You knew it and everyone was like, oh, drunk driving was terrible. Nowadays, 10:00 AM yesterday morning the dude next to me getting high on his phone, so now it's like twenty four seven. That's why I can't believe people, I never crossed the street without making eye contact and going, dude, are you on your phone or are you going to hit me?Michael Jamin:Yeah, you got to look for yourself.Jamie Kaler:Exactly. But again, I'm old, so what do I know? It is weird trying to teach my kids and I mean, we've talked because your kid's a little older, but trying to impart knowledge of the world to them to be aware of their surroundings. I always say they're probably years from now, they'll go, like my father always said, read the court. You got to have full court vision. I see it in cars. My wife will be behind one car and I'll go, you can't see that three cars up. That dude stopped. You are changing lanes. I'm looking five cars ahead.Michael Jamin:ButJamie Kaler:People nowadays, it's just this one little, they just keep their heads down and you're like, pick your head up, man. But people don't.Michael Jamin:Yeah, be careful. I need to know. So I want to know business right now I'm jumping around, but business is still slow for you in terms of acting gigs because from what I see, they're not shooting a lot. Is that what you were seeing?Jamie Kaler:That is true, and I've had a handful of amazing auditions lately. Oh, you have? Okay. So yeah, a ton. Not a ton, but here's the dilemma is they're all self-tapes, right? And I'm pretty good at self-tapes. You can see there's the lights behind me. There's a curtain right above me that comes down, and then I shoot it that way and they're pretty great. And I'm again about trying to be directed. I've asked my agents and my managers and been like, Hey, am I self taping these? Right? And they're like, dude, your self tapes are solid, but even there's no feedback. And I do think back in the day, I got a lot of jobs because I was great in the room. I was probably better in the room than I was as an actor. You could take it. I would get hired because a lot of acting is chemistry, and you want to see that the person you're working with is going to be cool and able to hang and alsoMichael Jamin:Take a note. Can you take a note?Jamie Kaler:It's so funny you say that, dude. So lately I was, for a while I was just putting the one take on where I was like, this is how I see this part. But this one I had the other day, it was so good, dude. It was handsome. Adjacent was the breakdown, which I was like, all right, because I've always been, I'm lumberjack good looks. I'm like, I know I've walked into rooms, I've seen Brad Pitt in a room, and I've been like, yeah, that's beautiful. I'm a little al dente. That guy is so gorgeous. I'm on the cover of a paper towel roll. I get it. I know. I'm Portland. I'm Portland. I'm a Portland 10. Portland. I'm a Portland nine maybe. So it's handsome adjacent, early fifties jerk cop. I go, dude, this should be offer only. Why am I reading for this?Michael Jamin:Right?Jamie Kaler:So I did the first take. I submitted one where I was like, more Tacoma fd, I was. I go, well, maybe that's why I got in here. They know me from that. And then I was going to just submit that one and I said, you know what? Because you can't go in a room, dude, the casting directors are so good that I've had the pleasure to work with Wendy O'Brien who did that one is one of my faves. She'll give you notes that will kind of give you a nuanced performance where you're going, oh, I see the change. Yes, yes, yes, yes. Because hard. And so I did a totally separate take. I had a friend over here and I did another take that was so the opposite extreme of he wasn't big at all. He was very underplayed in tone. And when I sent them in, my agent said, he goes really great that you did two separate takes.And I said to him, it's a new show. I've never seen it. I don't know what the tone is. There's no direction. You're literally reading this hoping that your take jives with the guys who are going to hopefully see this tape or not. I don't know. And I also submitted it. The audition came out on Monday. It was due Thursday. I memorized it submitted on Tuesday. The other thing they tell you, they go early, bird gets the worms. So the business has changed so much. You're working really hard to pump these things out, but you're like, is anyone seeing any of it? It would be nice if somebody once just called and was like, Hey man, you're not getting it, but I got to tell you, you did a really good job, man. You what you get in a room or if sometimes you don't, sometimes. Yeah.Michael Jamin:So interesting. The life of an actor. So what is left for you as you wrap up, what is left for you today? What does your day look like today, an average day for you?Jamie Kaler:So we are relaunching the podcast. We have an advertiser that's just come on board. We are currently on Buzzsprout, but we're going to jump to megaphone and we're actually, we're still doing the live ones on Tuesday nights 7:00 PM Pacific Time. It's on right now. It's everywhere. Facebook, Instagram, Twitch, YouTube, it goes out live. We're going to slowly bring that back in and we are jumping to Patreon. So come find us. The parents lounge on Patreon, and then we are, so we're doing all the marketing right now, and then I'm still working with the same guys you work with who have been eyeopening. It's like a master's class in this business of social media about getting people on. Because again, I feel like we have a really solid product that people not onl

Mark "Taco" Annino, originally from Miami, FL is the Drummer/Music Director for country artist "Morgan Wallen" (Big Loud Record). "Taco", is currently touring full time as Morgan continues his rise in country music. Morgan received his first #1 on the country radio charts with the song “Up Down” (feat. Florida Georgia Line). Other top songs include, "Whiskey Glasses", "Chasin You", "More Than My Hometown" and "7 Summers". Morgan's sophomore album titled, "Dangerous" is Out NOW!, with lead off single "Sand In My Boots. Taco started working with Morgan after relocating to Nashville, TN in 2015. Prior to the big move, he was drumming for a well established active rock band called "Atom Smash” Previously of (Jive Records). Atom Smash released their debut album “Love is in the Missile” in 2010. This sparked a full touring schedule promoting the records single “Do Her Wrong". When not on the road, Taco offers "for hire" services including drum tracking sessions both locally and remotely, as well as setting up live backing tracks for your next show or tour . He can be recognized for his hard hitting and energetic performance style, yet demonstrating versatility and consistent technique. His performance influences anywhere from John Bonham, Dave Grohl, Taylor Hawkins, Chad Smith to Buddy Rich, Dave Weckl and Dennis Chambers.     Some Things That Came Up:  -2:18 On Tour with Rich 2020, 2021 -3:17 Caddis Readers. See Stuff!  -4:45 Mark's Origin Story -5:40 Blink 182 in the house!  -7:20 “That Thing You Do” Movie  -8:15 Yamaha Stage Custom  -9:00 DW, Sonor, Yamaha  -10:15 Atom Smash on Jive Records -12:20 Mark has the CRASH Concept down!  -16:00 Versatility of Morgan Wallen Records -24:30 Controversy! Pandemic! -27:45 “Mechanics Wanted” side project  -32:50 The Pendulum Theory and Cancel Culture -34:20 Jo Koy and the Golden Globes  -39:20 Nascar and Football!  -49:50 MD=Master Delegator -56:30 1st Drumeo Award Nomination  -1:05:40 Don't let money be the driving force -1:14:40 The “Taco” nickname  -78:30 “The Fave 5”  -1:28:50 Saturday Night Live!    Follow:  www.marktacodrums.com IG: @marktacodrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Today on another encore edition of the Rarified Heir Podcast, we are talking with Daisy Torme and James Torme, the children of singer/musician Mel Torme actress Janette Scott. This episode was a true pleasure to record as not only were there terrific Mel & Janette stories but also some great stories about out host, Josh's dad as well. You see Mel and Martin Mills were buddies from as far back as the fifties who were runnin' young guns in the entertainment business in New York during the Eisenhower administration. They formed strong bonds in their youth and it extended into old age…with some more-than-occasional bouts of silence for some misperceived slight or two. In a sense, our conversation was a familial one as it felt like the next generation was reliving their parents together with stories about everything from photography to chocolate, from childish pranks to hanging with Buddy Rich and Sammy Davis Jr and much more. We talk “The Christmas Song”, Mountain Dew, Night Court & even a little known movie of Mel's “Challenge to Survive” with William Shatner. What began as a Twitter message to Daisy became a lunch, then another lunch and soon it became a full-blown Rarified Heir Podcast episode. So take a moment, set your internal clock back and let's take listen to Daisy and James Torme talk about their father, The Velvet Fog, Mel Torme. Lucky for you that this is only part one! Part two is next week! Everyone has a story.

Savage catches up with jazz musician Sam Gendel for an update on his music career in 2024. The pair first met in 2013 when Gendel sent Savage a collection of poetry titled "The Found Poetry of Michael Savage." Gendel creatively transformed Savage's words into poetry adding musical compositions. Gendel reflects on touring in Japan, describing its appreciation for offbeat and avant-garde music. The two discuss their love of jazz including Buddy Rich, Charlie Parker, Roland Kirk, and Herb Alpert. They ponder the trend of voyeurism in the social media age as Savage highlights the popularity of his cooking videos. Savage shares his own experience as a writer and emphasizes that there are no shortcuts to success or happiness, instead encouraging the importance of hard work and perspiration. The conversation then shifts to the balance between the spiritual and the animalistic aspects of life, concluding that true happiness comes from bringing them together. Listen and find out what it's like to be a musician in the modern age and why more artists are choosing sobriety. Enjoy this wide-ranging conversation on the Michael Savage Podcast! Learn more about your ad choices. Visit podcastchoices.com/adchoices

GGACP offers a late-season Christmas/Hanukkah gift to our listeners by presenting this ENCORE of one of the podcast's most beloved mini-episodes, 2019's "The Best of Celebrity Meltdowns," featuring secret recordings of celebrities losing their cool (and then some). This week: Sampling Casey Kasem! Gilbert covers Clarence Carter! Buddy Rich inspires Drew Friedman (and Jerry Seinfeld)! Al Pacino takes a page from Paul Anka! And Charles Foster Kane pitches frozen peas! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday (August 13) of comedian, actor and magician Jeff Altman with this ENCORE of a warm and funny conversation from 2021. In this episode, Jeff talks about his family connection to Houdini, his decades-long friendships with Buddy Rich and David Letterman, the early days of the Magic Castle and the Comedy Store and the infamous NBC variety show “Pink Lady & Jeff.” Also, Raymond Burr takes a seat, Sam Kinison sees a ghost, Gilbert watches Rodney Dangerfield eat and Jeff opens for Pia Zadora and The Captain & Tennille. PLUS: Sean Connery! “Legends of the Superheroes”! Jerry Lewis demands credit! The comedy of Jim Varney! And Jeff and Dave kill off the careers of the Starland Vocal Band! Learn more about your ad choices. Visit megaphone.fm/adchoices