Podcasts about royal liverpool philharmonic orchestra

This week on the podcast is part one of interview with British entrepreneur, Rebecca Driver. She founded RDMR (Rebecca Driver Media Relations) in 2010 after having worked  in classical music PR at Dvora Lewis PR, as publicist at the BBC Proms, BBC Radio 3, and Head of Press at the English National Opera. Make sure you tune in to hear Rebecca's anecdotes and what she's learned over the years working with clients such as the Academy of St. Martin in the Fields and the Royal Liverpool Philharmonic Orchestra.  https://www.rdmr.co.uk/

This week on the podcast is part one of interview with British entrepreneur, Rebecca Driver. She founded RDMR (Rebecca Driver Media Relations) in 2010 after having worked  in classical music PR at Dvora Lewis PR, as publicist at the BBC Proms, BBC Radio 3, and Head of Press at the English National Opera.  Make sure you tune in to hear Rebecca's anecdotes and what she's learned over the years working with clients such as the Academy of St. Martin in the Fields and the Royal Liverpool Philharmonic Orchestra.  https://www.rdmr.co.uk/

A conductor renowned for his dynamic interpretations and exceptional leadership, Vasily Petrenko has firmly established himself as one of the most compelling conductors of our time. Currently the Music Director of the Royal Philharmonic Orchestra, after his 15 year stint as chief conductor of the Royal Liverpool Philharmonic Orchestra, his illustrious career spans collaborations with some of the world's finest orchestras and opera companies including the Berlin and London Symphony Orchestra, as well as the Gewandhaus, the Bavarian Radio Symphony Orchestra, the Metropolitan Opera, among many others. Vasily talks about his upbringing in the then-USSR, and speaks with great passion about the need for music to bring peace in all parts of the world. He has a deep understanding of the music he conducts, and strives to expand the musical horizons of audiences. Vasily Petrenko conducts the Sydney Symphony Orchestra from 27-30 November.

Winner of the Royal Philharmonic Society's Singer Award, Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She has enjoyed close collaborations with both the Bayerische Staatsoper, where she has sung over 80 performances as a guest artist and with whom she won Recording of the Year at the Gramophone Awards for Korngold's Die Tote Stadt, and the Royal Liverpool Philharmonic Orchestra, for whom she was their Artist-In-Residence for two seasons. Facetune_10-01-2024-19-09-31_edited_edited.jpg Her operatic roles have included Brigitta in Korngold's Die Tote Stadt (Petrenko/Bayerische Staatstoper, Gramophone's Recording of the Year), Mrs Sedley in Britten's Peter Grimes (Gardiner/Bayerische Staatsoper), Hedwige in Rossini's Guillaume Tell (Ettinger/Bayerische Staatsoper), Second Norn in Wagner's Götterdämmerung (Petrenko/Bayerische Staatsoper), Mrs Grose in Britten's The Turn of the Screw (Eschenbach/La Scala), Juno in Handel's Semele (Luks/Glyndebourne Festival), Lady de Hautdesert in Birtwistle's Gawain (Metzmacher/Salzburg Festival), Jocasta in Stravinsky's Oedipus Rex (Gardiner/Berlin Philharmonic & London Symphony Orchestras and on disc), Judith in Bartok's Bluebeard's Castle (Yankovskaya/English National Opera, Mäkelä/Oslo Filharmonien), Dido in Purcell's Dido & Aeneas (Weiss/Festival d'Aix-en-Provence), Waltraute in Wagner's Die Walküre (Rattle/Bayerische Rundfunks Symphony Orchestra on disc), and Pasqualita in Adams' Doctor Atomic (Adams/BBC Symphony Orchestra and on disc). The works of Mahler lie at the heart of her repertoire, particularly his Second Symphony (Rouvali/Philharmonia Orchestra on disc, Zinman/Vienna Symphony Orchestra), Third Symphony (Vänskä/Minnesota Orchestra, Mäkelä/Royal Concertgebouw Orchestra, Welser-Möst/Cleveland Orchestra), Eighth Symphony (Bychkov/NDR Elbphilharmonie Orchestra, Welser-Möst/Vienna Philharmonic Orchestra, Petrenko/Bayerisches Staatsorchester), Rückert Lieder (Zinman/Vienna Symphony Orchestra), Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), and Lieder Eines Fahrenden Gesellen (V.Petrenko/Royal Liverpool Philharmonic Orchestra), In huge demand on the concert platform, she has collaborated with many of the world's leading orchestras and conductors, particularly Beethoven's Missa Solemnis (Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven's Ninth Symphony (Welser-Möst/Cleveland & Royal Concertgebouw Orchestras), Wagner's Wesendonck Lieder (Madaras/Halle Orchestra), Elgar's Sea Pictures (Slatkin/Irish National Symphony Orchestra), Elgar's The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi's Requiem (Oramo/BBC Symphony Orchestra at the First Night of the Proms, Slatkin/Orchestra National de Lyon), Schumann's Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann's Faustszenen (Harding/Gewandhausorchester), Ravel's Schéhérezade (Oramo / BBC Symphony Orchestra), Adès's Totentanz (Adès/Royal Concertgebouw Orchestra) ,Janacek's Glagolitic Mass (Kanellakis/BBC Symphony Orchestra at the First Night of the Proms), Britten's Phaedra (Brabbins/Royal Liverpool Philharmonic Orchestra), Chausson's Poeme de l'Amour et de la Mer (De Billy/London Philharmonic Orchestra), and Respighi's Il Tramonto (Petrenko/Royal Liverpool Philharmonic Orchestra).

Clausewitz wrote that there are three forces at work when a nation goes to war: “unbridled passion,” reason, and the play of chance and probability. Things only work well when each of these is held in equilibrium by the other two. The people, the government, and the military represent these forces and the government should, in theory, maintain that equilibrium. In practice, this never happens. Instead, the interplay among these is random and seemingly chaotic. Each aspect of the nation and the force it represents, must deal with friction within their group and friction from and within the other groups. The pendulum that swings among these power centers is also influenced by external forces including, but certainly not limited to, the enemy. This, with the friction described in the previous episode, adds to the apparent irrationality of war and generates diversions along the path to peace.   Reference: Clausewitz, C. On War, Book One, Chapter One (Note that I do not cite a specific publication of On War. I use different translations and the original German. Find a version that work best for you.) Randomly Oscillating Magnetic Pendulum (from the clausewitz.com website.): https://www.clausewitz.com/MP4/romp2.mp4 Music: (Chosen because I was looking for chaotic music.) Liszt, F. Totentanz; Nebolsin, Eldar (piano), Royal Liverpool Philharmonic Orchestra (Orchestra), Petrenko, Vasily (Conductor) https://www.naxos.com/CatalogueDetail/?id=8.570517

Send us a Text Message.This week on The Joy of Cruising Podcast, I am delighted to welcome Gail and Mike, a couple from UK and creators of the Sail With Gail and Mike YouTube channel, Instagram platform, and Facebook group. They are specifically from Liverpool, UK, which takes on a special significance related to the main topic of this episode.  One of the most anticipated and majestic new cruise ships of the last couple of years, Queen Anne, was recently launched by UK's Cunard, its 249th ship. Cunard announced the unprecedented decision to choose the city of Liverpool as “Godparent” of Queen Anne. On June 4, 2024, Cunard held Queen Anne's official naming ceremony at the Liverpool waterfront. The gala event featured performances by Andrea Bocelli, the Royal Liverpool Philharmonic Orchestra and afireworks display. Among the dignitaries in attendance were five distinguished residents of Liverpool, chosen to represent the city at the naming (one of the five was Melanie C aka “Shorty Spice” of the Spice Girls.) Oh, by the way, there were two other notable residents of Liverpool in the crowd—Gail and Mike! And, a week or so later they boarded Queen Mary for a nine-day cruise. Gail and Mike are members of The Joy of Cruising Podcast Facebook group, and when I heard about their plans to sail on one of the first cruises on Queen Anne, I immediately reached out because I am sure many of our listeners are interested in this signicant new entrant into the cruise industry. I am delighted Gail and Mike are joining us today to tell us all about their experience at the naming ceremony and their cruise on this monumental ship.Support the Show.Support thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises https://bit.ly/TheJoyOfCruisingPodcast-BookACruiseUS Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

Daniel Behle hat Ende letzten Jahres den Ehrenpreis der deutschen Schallplattenkritik erhalten - «weil er auf eine optimistische bis fanatische Weise an das Medium Schallplatte glaubt», so die Laudatio. Insgesamt hat er 19 Alben veröffentlicht, das ist mehr als das Lebenswerk vieler Kolleg:innen. 00:35 Aktuell Das Swiss Jazz Orchestra ist hierzulande eine der wichtigsten Big Bands. Es feiert sein 20-Jahr-Jubiläum. 10:20 Talk Er stammt aus Hamburg, lebt seit vielen Jahren in Basel und ist auf den besten Opernbühnen der Welt zu Hause: Der Tenor Daniel Behle. Warum Behle die CD mehr schätzt als die Playlist, was die besten Opernhäuser der Welt ausmacht, und warum Computerspielen für einen reisenden Tenor das ideale Hobby ist, das erzählt er im Gespräch mit Jenny Berg. 26:46 Neuerscheinungen Der Jazzpianist Brad Mehldau veröffentlicht sein Album «Après Fauré», auf dem er die Kompositionen von Gabriel Fauré genau unter die Lupe nimmt - eine Produktion von Nonesuch Records. Auf der CD «Percussion Concerto und Wunderkammer» veröffentlich der Komponist Danny Elfman Filmmusik ohne Drehbuch; es spielen der Perkussionist Colin Currie, das Royal Liverpool Philharmonic Orchestra, Leitung JoAnn Falletta. Erschienen bei Sony Classical. 49:57 Swiss Corner Jedes Jahr trifft am Festival OBWALD hiesige Volksmusik auf ferne Musikkulturen. An fünf Tagen werden auf der Waldlichtung Gsang in Giswil Klänge verschmolzen, Gemeinsamkeiten und Unterschiede zelebriert und sich ausgetauscht. Dieses Jahr wurden Finnische Volksmusiker:innen eingeladen, unteranderem mit der Kantele im Gepäck. Sie ist mit dem Schweizer Hackbrett verwandt. Zwei Zitherinstrumente, das eine gezupft, das andere geschlagen.

Anna May Wong was an international star who appeared in some of Hollywood's biggest movies in a career that spanned from the silent films of the 1920s, through the advent of talkies in the 30s, to television in the 1950s, despite all the obstacles in her path. A new biography, Not Your China Doll, examines how against all the odds Anna May Wong found international fame and became a trailblazer for Asian American actors. The English folk singer and guitar virtuoso Martin Simpson performs material from his new album - his 24th - Skydancers. The title track, commissioned by naturalist Chris Packham, highlights the plight of the Hen harrier. Simpson talks about his love of birds, of traditional song, of writing his own, the influence on him of American music, and a lifetime playing the guitar and banjo. Some leaders of classical music organisations say that the attitude to funding by the Arts Councils in England and Wales is undermining excellence, and putting inclusion before professionalism. We hear from a range of voices, including Sir Antonio Pappano, Chief Conductor at the London Symphony Orchestra and music director of the Royal Opera House; John Gilhooly, director of the Wigmore Hall and chair of the Royal Philharmonic Society; Kathryn McDowell, Managing Director of the London Symphony Orchestra and a former music director at Arts Council England; and Michael Eakin, Chief Executive of the Royal Liverpool Philharmonic Orchestra and former Executive Director of the Arts Council Northwest. Presenter: Samira Ahmed Producer: Julian May

Mezzo-soprano Jennifer Johnston is one of the UK's most distinguished singers, particularly celebrated for her interpretations of Mahler, Wagner, Elgar and Britten. She has performed across the globe with some of the world's finest orchestras and conductors, and is closely associated with the Bayerische Staatsoper (with whom she won Gramophone's Recording of the Year award) and also with the Royal Liverpool Philharmonic Orchestra, at which she was formerly Artist in Residence. She was the winner of the Royal Philharmonic Society's Singer award, and is a former BBC New Generation Artist... yet Jennifer was a barrister in a previous life, before going on to pursue a singing career. In this episode, Jennifer shares her honest observations of the new classical music landscape (born from a perfect storm of circumstances) and the struggles our industry is facing as a result. She also talks about why music education in schools is so crucial, flies the flag for contemporary music, and recounts the time she was sacked by an opera company for being 'too fat'...This episode was recorded in July 2023.-------------------Jennifer's links:WebsiteSpotify Artist PageInstagramX (formerly Twitter)-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and reviews help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------This podcast is also available to listen to via The Violin Channel--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

Georgina Aasgaard Cellist and Music and Health Practitioner   Georgina Aasgaard is a Liverpool based Cellist and Music and Health practitioner who has a passion for bringing Music from the concert platform to challenging and more intimate environments. She has 20 years of experience delivering music interventions in a broad range of health and social settings such as hospitals, mental health units, prisons, homes for the elderly as well as community centres for refugees and the homeless. Her practice includes 15-year partnerships with the Royal Liverpool Philharmonic Orchestra, Mersey Care NHS Foundation Trust, Alder Hey NHS Foundation Trust and Live Music Now. She has also aworked for 10 years with DadaFest and Drake Music, engaging with people with disabilities through music making and technology . As a musician in residence, she has led innovative and groundbreaking programmes which include both one to one interaction on intensive care units and group work in mental health units. She has co-created recovery courses, co-produced performances, exploring skills such as improvisation, composition, songwriting, music technology, and including employability opportunities. Her activities have been measured through co-evaluation methods and continuous contact with patients and service users.  These collaborations have enabled her to draw on her experiences to create context specific training and mentoring programmes. She is currently developing a toolkit for musicians working in healthcare, informed by her collaborative work over the years and her research activities. Georgina was awarded a Pre-doctoral Local Authority Fellowship by the NIHR, as a  Director of Training and Development Research for Live Music Now, working in partnership with the University of Liverpool to investigate the influence of non-clinical music interventions on mental health.   She currently works in close collaboration with The Liverpool Centre for Health, Art, Society and Environment (CHASE) at the University of Liverpool aiming to foster critical inquiry, dialogue and creativity to build new knowledge about enabling creative communities through music collaboration and cross-sector partnerships. As part of this collaboration, she has been granted a new Community Innovation Practitioner (CIP) award funded by the AHRC to investigate how collaborations between academics and partners from across different sectors can work to benefit health and wellbeing.   Awards and Honorary Fellowship ·         05/07/2022: Festival of Learning Awards: Winner of the President's Award. Music and Mental Health Programme at the Life Rooms, Royal Liverpool Philharmonic, Lead musician ·         01/02/2021: Liverpool City Region Culture and Creativity Awards: Winner of the Impact Award on Health and Wellbeing Royal Liverpool Philharmonic, Lead Musician ·         01/05/2019: Winner of the Merseyside Woman of the Year in the category of Arts, Culture and Media ·         01/03/2016: NHS Award in Health and Care - Certificate of Recognition for Commitment to learning in Health and Care ·         01/09/2011: University of Liverpool Honorary Fellowship, Music and Wellbeing ·         01/09/2010: NHS Positive achievement Award in Mental Health    

Simon Woolley, Lord Woolley of Woodford, is principal of Homerton College at Cambridge University. He is the first black man to head an Oxbridge college. He is a co-founder of Operation Black Vote, which campaigns for greater inclusivity in politics, and became a crossbench peer in 2019. Simon spent his early years in an orphanage in Leicester before being fostered and then adopted by a white couple who also adopted his brother Mick. He left school at 16 to work as a car mechanic and then moved to London where he embarked on a successful career in sales. In 1988 he completed a one year access course which provided the pathway to university and a degree in English and Spanish. In 1996 Simon was one of the co-founders of Operation Black Vote, a non-partisan organisation which encourages voter registration and community engagement, aiming to give a voice to all sections of society. He was awarded a knighthood for services to race equality in 2019 and took up his current role as principal of Homerton College in 2021. DISC ONE: I Want You Back - The Jackson 5 DISC TWO: Green Green Grass of Home - Tom Jones DISC THREE: Manhattan - Ella Fitzgerald DISC FOUR: Titanium (Morten Future Rave Mix) - David Guetta (feat Sia) DISC FIVE: Hagamos Lo Que Diga El Corazón - Grupo Niche DISC SIX: Dreamland – Composed and performed by Alexis Ffrench and Royal Liverpool Philharmonic Orchestra, conducted by James Morgan DISC SEVEN: Cowboy bebop tank! - Niyari DISC EIGHT: For Once in My Life - Stevie Wonder BOOK CHOICE: Football in Sun and Shadow by Eduardo Galeano LUXURY ITEM: A razor blade CASTAWAY'S FAVOURITE: For Once in My Life - Stevie Wonder Presenter Lauren Laverne Producer Paula McGinley

Zi Lan Liao is one of the leading exponents of Chinese music.   Her busy career on the international concert circuit, has resulted in her being one of the most widely heard and best appreciated performers on the Gu-Zheng worldwide.  The Gu-Zheng is a twenty one string, harp like instrument established across thousands of years of Chinese Dynastic tradition. She began to learn the Gu-Zheng at the age of three when she lived in Guangzhou.  By the age of nine she was winning major prizes in China, including the prestigious National Youth Music Competition.  By the time she left China for the UK at the age of fifteen, her reputation as a virtuoso performer was already established. She made an immediate impact on her arrival in the UK, by winning at the International Eisteddfod in Llangollen. She continued her music studies at Chetham's School of Music and the Royal Academy of Music, where she also specialised in the western concert harp, besides the traditional Chinese Gu-Zheng.  Zi Lan has captivated audiences around the world as a soloist with leading orchestras, as a recitalist and through the joyous enthusiasm of her incredible musical workshops. She recorded music for the Oscar-winning film “The Last Emperor”; she has collaborated with Peter Gabriel, Nigel Kennedy, Jah Wobble and other internationally known recording artists.  Zi Lan has appeared at most of the major concert venues in the UK, including the Edinburgh, Aldeburgh and World Harp Festivals. In 1996, she featured as soloist in the World Premier of  ‘The River', where she played a Gu-Zheng Concerto with the Royal Liverpool Philharmonic Orchestra. Her collaboration with her husband, Jah Wobble – ‘Chinese Dub' won the best ‘Cross-Cultural Collaboration 2009'.  In 2010, she performed with the Royal Liverpool Philharmonic Orchestra again, this time in Liverpool and at the Shanghai World Expo, playing on the new composition ‘Oxbow' written by Ian Stephens.   Zi Lan is deeply committed to making the music of her native country more well known in the West, and a desire to share her insight into its cultural and spiritual significance. Despite her busy performing schedule Zi Lan still finds time to assist the Pagoda Chinese Youth Orchestra and Dance Group in Liverpool, both as musician and choreographer. Jah Wobble first worked with the Pagoda Chinese Youth Orchestra in 2008, and his album Chinese Dub won Songlines' Best Cross Culture Album award in 2009. His work left a legacy for the youngsters at the time and inspired them to discover new fusions of Chinese music, with other modern genres.  There is a ‘Celebration of Legacy Concert', at the Tung Auditorium in Liverpool, on Saturday 15th July.  The concert is a part of a wider series from Pagoda Chinese Youth Orchestra, marking their 40th anniversary with friends and supporters throughout the years.  This concert will see Jah Wobble and his band performing with Tian, a band featuring his sons, John and Charlie, themselves two past alumni of the youth orchestra, showcasing the exciting new development of Chinese and Western fusion music.

durée : 00:16:46 - Le Disque classique du jour du lundi 05 juin 2023 - Lorsqu'elle a été présentée au public de Liverpool par Domingo Hindoyan, la musique de Sierra a été accueillie par des ovations debout. Aujourd'hui, le label Onyx nous permet de la découvrir au disque.

Ahead of her concert next week with the LSO, Tom Service speaks to the pianist Alice Sara Ott who is also preparing to embark on a tour which features lighting and images alongside performances of Chopin's Op 28 preludes, and other contemporary works from her recent Echoes of Life album, to create a multi-media experience that extends the boundaries of what's possible in concert halls. As the 2022 United Nations Climate Change Conference concludes, Music Matters hears from Managing Director of the London Symphony Orchestra, Kathryn McDowell, Chief Executive of the Royal Liverpool Philharmonic Orchestra, Michael Eakin, Executive Chairman of Harrison Parrott, Jasper Parrott, and Professor of Geosystem Science and leader of the group responsible for climate modelling at the University of Oxford, Myles Allen, about the degree to which the classical music industry is delivering its own promises to reduce its impact on the environment. With all eyes on Qatar for the opening of the FIFA World Cup, Tom hears from the BBC's Series producer for Arabic Digital Investigative Documentaries, Rosie Garthwaite, about the construction she witnessed of Doha's opera house in the Katara Cultural Centre. He learns how the country has nurtured both Western art forms and cultural institutions, and the potential projection of soft power. Tom joins the soprano Danielle de Niese and tenor Frederick Ballentine during rehearsals for a new production, by English National Opera, of Jake Heggie's It's a Wonderful Life. The composer shares how he adapted the story behind Frank Capra's classic movie, and Tom speaks to the journalist, broadcaster, and author, Matthew Sweet, about the phenomenon of setting operas from film, as well as different roles music plays on both the screen and the stage.

Adult Swim's Ned Hastings continues his time on Thunder Talk with more anecdotes and insights from his storied carrier at Williams Street, including more on the upcoming film “Aqua Teen FOREVER: Plantasm”. As a senior sound editor, Ned discusses the creative DNA that indelibly bonds to any project the sound editor contributes to and, in many cases, lives on into the future. Though the comparison would be that of a world renowned maestro to a child spitting into a kazoo, Dan felt a profound association with Ned's explanation of the intimate connections he's formed with the actors, characters, and material during the sound editing process. Dan only realized this, however, while he was sound editing Ned for this episode. Oh, and they're both ridiculously addicted to Star Wars Toys! They talk about that too. Matt Rozo – FEVR, also returns with that sweet synth sound and continues to lend the sounds of his hopes & fears to the Exile on Williams St. soundtrack. In our second interview we take a deeper dive into his musical catalog and he drops the latest single off his new album, “Suffer”! All that, plus the whole gang keeps the geek-out going with caddy chit-chats ranging from The Walking Dead, Star Wars, streaming services, SC Comicon, etc… One person's trope is another person's identity, tonight on the second album of our Season 5 Premier: Exile on Williams St. LP2

Fredrich Kuhlau was admired by Beethoven and is known as "the Beethoven of the flute." He wrote his gorgeous Fantasy in D major for solo flute in 1820 during a four-month stay in Vienna. Perhaps the Danube river provided inspiration for this silky, rippling Romantic music...Georg Philip Telemann, Fantaisie No. 12, performed by Karen KevraFredrich Kuhlau, Fantasy, Op. 38 in D major, Adagio, performed by Karen Kevra J.S. Bach, Fantasia in G minor, BWV 542, performed by Hans-André Stamm-organ  Beethoven, Choral Fantasy, Op. 80, performed by Singapore Symphony Chorus and Youth Choir, Eudenice Palaruan, Choral Director, Tengku Irfan, piano https://www.youtube.com/watch?v=8AXnA7-TD4QBeethoven, Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight" - I. Adagio sostenuto performed by Maurizio Pollini-piano Beethoven, Symphony #6 "Pastorale" - Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras, conductorPlease support the show.Artwork: Danube landscape near Regensburg, by Albrecht AltdorferSupport the show

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Julian Rachlin is one of the most renowned artistic personalities of our time. In his over thirty-year career, Mr. Rachlin's multifaceted interests have taken him across the globe as a conductor, soloist, recording artist, chamber musician, teacher, and artistic director. As a violinist, Rachlin has shared the stage with virtually every major orchestra and conductor. A frequent presence on the conductor's podium, his performances have thrilled audiences worldwide and his electrifying and sensitive interpretations have placed him at the forefront of classical music. Rachlin's elegant and dynamic style has cemented his reputation as one of the leading conductors of his generation. Known for his meticulous rehearsal methods and superb musicianship, he has conducted the Chicago Symphony Orchestra, Israel Philharmonic Orchestra, Royal Philharmonic Orchestra, Konzerthausorchester Berlin, Russian National Orchestra, Moscow Philharmonic Orchestra, China Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, and the symphony orchestras of Vienna, City of Birmingham, RAI Torino as well as at the Grand Teton and Verbier festivals. Mr. Rachlin serves as Principal Guest Conductor of the Turku Philharmonic Orchestra, the Kristiansand Symphony Orchestra, and he is Principal Artistic Partner of the Royal Northern Sinfonia. A major presence in the performing arts since the age of thirteen, Mr. Rachlin has spent over three decades cementing his reputation as one of the world's premiere classical violinists. Recent highlights as soloist include appearances with the Munich Philharmonic and Los Angeles Philharmonic Orchestra under the baton of Zubin Metha, Mariinsky Orchestra with Valery Gergiev, Oslo Philharmonic Orchestra under Klaus Mäkelä, St.Petersburg Philharmonic Orchestra with Yuri Termirkanov, Boston Symphony Orchestra, Orchestra Filarmonica della Scala, Symphonieorchester des Bayerischen Rundfunks, Montreal Symphony Orchestra under Christoph Eschenbach and the Pittsburgh Symphony Orchestra with Manfred Honeck. Tracks: Penderecki - Sextet for Clarinet, Horn, Violin, Viola, Cello and Piano: https://www.naxos.com/catalogue/item.asp?item_code=8.557052. Penderecki - Ciaconne transcription (violin & viola) from A Polish Requiem. Penderecki - Double Concerto. Penderecki - Metamorphosen: https://www.naxos.com/catalogue/item.asp?item_code=8.555265.

Paula Downes reads her Grandfather and Andrew Downes' father Frank's book, Around the Horn, which tells the story of the Classical Music Industry from the point of view of a professional Horn player. Born 1921, died 2005, his fascinating orchestral career spanned the demise of the silent cinema, municipal seaside orchestras, the RAF Central band during World War II, orchestral playing in pre and post-war Britain, and the rise towards a Royal title for the Birmingham Conservatoire. Chapter 13 is about Frank's time in the Royal Liverpool Philharmonic Orchestra under Malcom Sargent, performing at the first Edinburgh Festival in 1947, the Elgar Festival in Malvern, recordings with the Huddersfield Choral Society, and Sargent's Knightood. Paula has chosen to end this episode with the first movement of Andrew Downes' Sonata for Violin, Horn and Piano.  This work was commissioned by the Brahms Trio Prague (Ondrej Vrabec, solo and principal horn, Czech Philharmonic Orchestra; Monika Vrabcova, violin; and Daniel Wiesner, piano), who gave the world premiere on February 5th 2008 in the Suk Hall of the Rudolfinum, Prague. The Brahms Trio Prague (Ondrej Vrabec, Monika Vrabcova and Daniel Wiesner) recorded the work for CD in 2008, on the Czech Philharmonic Orchestra Artesmon Label. Find out more here: https://www.andrewdownes.com/Instrumental-Solo.html#VIOLINHORNPIANO

In this episode, Paul is joined by Levi Tafari (@LeviTafariPoet), poet and Urban Griot, consciousness raiser, storyteller, newscaster and political agitator. Levi has four collections of poetry published and his work has been included in many anthologies. He has also spent two seasons as poet in residence with The Royal Liverpool Philharmonic Orchestra. An important element of Levi's work is visiting schools, colleges, universities and prisons running creative writing workshops, in the hope of inspiring the new generation of performance poets. To stay updated with all things Rule the World, visit https://weareopusmedia.com/podcasts/ To buy the book, Rule the World: Master the Power of Storytelling to Inspire, Influence and Succeed, click http://a-fwd.com/asin=1913170942 Instagram: https://www.instagram.com/weareopusmedia/ Twitter: https://twitter.com/weareopusmedia/ LinkedIn: https://www.linkedin.com/in/paulfurlongopus/

Paula Downes reads her Grandfather and Andrew Downes' father Frank's book, Around the Horn, which tells the story of the Classical Music Industry from the point of view of a professional Horn player. Born 1921, died 2005, his fascinating orchestral career spanned the demise of the silent cinema, municipal seaside orchestras, the RAF Central band during World War II, orchestral playing in pre and post-war Britain, and the rise towards a Royal title for the Birmingham Conservatoire. Chapter 12 is about Frank's time in the Royal Liverpool Philharmonic Orchestra under Malcom Sargent and Adrian Boult, tours around the UK, the Isle of Man and Ireland. Since Frank ends this chapter with a tale of the horn section attempting to leave a concert as soon as it ended, not realising that Malcom Sargent was planning to conduct the Prelude to Act 3 of Wagner's Lohengrin as an encore, and therefore not being ready to play some prominent horn passages, Paula has chosen to end this episode with the last movement of Andrew Downes' Concerto for Four Horns and Symphony Orchestra, a work in which the horns are particularly prominent! This work was composed for the Horns of the Czech Philharmonic Orchestra to perform with the Czech Philharmonic Orchestra in the Rudolfinum, Prague in 2002 and Frank attended the premiere. The recording is the same horn players (Radek Baborak, Stanislav Suchanek, Ondrej Vrabec, and Zdenek Divoky), with the Czech Radio Orchestra, which was broadcast on Czech Radio in March 2003. https://www.andrewdownes.com/Soloists-with-Orchestra.html#FOURHORNS

Future iPhone models may use satellites for emergency SOS communication, Apple buys classical music service Primephonic, Apple Wallet for ID feature coming to Georgia and Arizona first, how to hard-lock your iPhone, and App Store policy changes. Follow our hosts @stephenrobles on Twitter @Hillitech on Twitter Support the show Support the show on Patreon or Apple Podcasts to get ad-free episodes every week, access to our private Discord channel, and early release of the show! We would also appreciate a 5-star rating and review in Apple Podcasts Stephen's Classical Music Picks Mozart: Requiem by Academy of St Martin in the Fields & Sir Neville Marriner on Apple Music Infinity by VOCES8 on Apple Music Dreamland by Alexis Ffrench, Royal Liverpool Philharmonic Orchestra & James Morgan on Apple Music Gloria - The Sacred Music Of John Rutter by The Cambridge Singers & John Rutter on Apple Music Links from the show iPhone 13 will support satellite communications, says Ming-Chi Kuo Future iPhone could feature satellite calls & messages, but probably not in 2021 Apple plans blood pressure monitor, thermometer for future Apple Watch 'No Chance' of blood pressure sensor for 'Apple Watch Series 7' Apple may delay MacBook Pro launch over chip shortages Apple buys Primephonic, plans classical Apple Music app Classical Musicians Review AirPods Max - YouTube Ken Kocienda on Classical Music - Tweet Apple reveals first states to use Apple Wallet for ID, driver's licence Use the side, Home, and other buttons on your iPhone - Apple Support Article Apple will let 'reader' apps link to websites for account setup & management South Korea ends Apple, Google control of app store payments Japan Fair Trade Commission closes App Store investigation Tim Cook wants to debut one more big product category before he retires MacBook Pro battery message - Tweet More AppleInsider podcasts Subscribe and listen to our AppleInsider Daily podcast for the latest Apple news Monday through Friday. You can find it on Apple Podcasts, Overcast, or anywhere you listen to podcasts. Tune in to our HomeKit Insider podcast covering the latest news, products, apps and everything HomeKit related. Subscribe in Apple Podcasts, Overcast, or just search for HomeKit Insider wherever you get your podcasts. Podcast artwork from Basic Apple Guy. Download the free wallpaper pack here. Those interested in sponsoring the show can reach out to us at: steve@appleinsider.com

A review of Liverpool's pre-season match vs Hertha BSC. Special guest Domingo Hindoyan, new Chief Conductor of the Royal Liverpool Philharmonic Orchestra and Matty Loughlin-Day from the Shipbuilders on a summer Shipwrecked extravaganza. John Gibbons hosts Mike Kearney, Sian Bennett and Ian Salmon. Subscribe to TAW Player for more on Liverpool pre-season, as well as reaction to all the news and events that matter to you…

Paula Downes reads her Grandfather and Andrew Downes' father Frank's book, Around the Horn, which tells the story of the Classical Music Industry from the point of view of a professional Horn player. Born 1921, died 2005, his fascinating orchestral career spanned the demise of the silent cinema, municipal seaside orchestras, the RAF Central band during World War II, orchestral playing in pre and post-war Britain, and the rise towards a Royal title for the Birmingham Conservatoire. Chapter 11 is about Frank's return to professional horn playing following the end of the war and the birth of his first child, Judith. He played for Sadlers Wells Ballet for a short time before gaining a position with the Royal Liverpool Philharmonic Orchestra under Malcom Sargent. This epdisode ends with Folkdance from Andrew Downes' Suite for Brass Quintet No.1, because the performances of this work all over the UK, reflect the Sadlers Well tour Frank did, and the music is ideal for dancing to. The work is performed by Sennet Brass, recorded in 2020 as part of Andrew Downes' 70th Birthday year.

GRAMMY nominated musician Dr. Martin Taylor, MBE, is a virtuoso guitarist, composer, educator and musical innovator whom Acoustic Guitar magazine calls  ‘THE Acoustic Guitarist of his Generation'. Widely considered to be the world's foremost exponent of solo jazz and fingerstyle guitar playing, Martin possesses an inimitable style that has earned him global acclaim from fellow musicians, fans and critics alike. He dazzles audiences with a signature style that artfully combines his virtuosity, emotion and humor with a strong, engaging stage presence. Taylor has enjoyed a remarkable musical career spanning across five decades, with more than 100 recordings to his credit. Completely self-taught beginning at the early age of 4, he has invented and developed a unique way of playing the guitar that is greatly admired, and often emulated, by guitarists all over the world. In addition to his solo concerts and recordings, he has also collaborated with musicians from many different musical genres, including: Jeff Beck, Tommy Emmanuel, Bill Wyman, Chet Atkins, Stephane Grappelli, David Grisman, George Harrison, Jamie Cullum, Bryn Terfel, Dianne Schuur and Gary Burton.Taylor brings a rich and varied musical heritage to his play, to the extent that Tommy Emmanuel remarked that [Taylor] is “a portal into all that came before.” Over his stellar career, Taylor has amassed a record 14 British Jazz Awards as a guitarist. Several of his albums have been in the Top 10 in the USA and Europe.HistoryFrom 1979 to 1990, he toured the world and recorded over 20 albums with the French jazz violin legend STEPHANE GRAPPELLI. Their album with Vassar Clements “Together At Last” won a Grammy Nomination in 1987. Monsieur Grappelli described him as “A great artist, rich in talent and elegance.”His ground breaking solo album ARTISTRY, produced by Steve Howe, was released in 1992 to much critical acclaim. It was #1 in the HMV Jazz Charts for a record 12 weeks and launched his career as an international solo artist. After two very successful albums for Sony/Columbia, KISS AND TELL and NITELIFE, he went on to record several albums for The Guitar Label.In 1999, Taylor was awarded an Honorary Doctorate from the University of The West of Scotland, and in 2002, he was appointed MBE (Member of the Order of the British Empire) “For Services To Jazz Music” on The Queen's Birthday Honours List, which he received personally from Her Majesty The Queen at an investiture at Buckingham Palace. His autobiography “Martin Taylor- Autobiography of a Travelling Musician” was released in 2005.In 2007, Taylor received the prestigious BBC Radio 2 “Heart of Jazz” Award in recognition of his career in music and was presented with a Lifetime Achievement Award from the North Wales Jazz Guitar Festival for his “Contribution to Jazz Guitar Worldwide”.2010 was a landmark year for Martin Taylor. The year started with the prestigious Royal Scottish Academy of Music and Drama presenting him with his second honorary doctorate. In April 2010, the Martin Taylor Guitar Academy was launched, an online guitar school that propelled Taylor into becoming one of the world's most recognized and beloved online guitar teachers. This innovative online learning program has been featured on NPR, BBC, Fox News and in the Los Angeles Times and today has students in over 60 countries.Another milestone was reached in 2010 with the world premier of an exciting new work for guitar, orchestra and big band with the creation of Martin Taylor's 'Spirit of Django Suite'. Based on themes by Martin Taylor and arranged by Guy Barker, the debut featured Martin Taylor, his group Spirit of Django, the Guy Barker Big Band, and the Royal Liverpool Philharmonic Orchestra.Later that year, Taylor was invited to perform a special private concert at Windsor Castle for Prince William on the eve of his engagement to Kate Middleton. 2011 featured extensive touring of the Far East, USA, Europe and UK as Martin's new online profile introduced his music to younger and more international audiences. Taylor also launched the first two models in his own guitar range with Korea-based guitar manufacturer Peerless. The 'Maestro' and 'Virtuoso' have gone on to achieve both critical and commercial success globally.With the Queen's Diamond Jubilee and the London Olympics in 2012, the BBC made a special performance of the 'Spirit of Django Suite' by Martin Taylor and the Britten Symphonia part of their Proms concerts at London's Royal Albert Hall. Later that year, Taylor joined the International Guitar Night for a three-month tour of the US and Canada.In 2013, Martin played over 120 shows, as well as finding time to release a new duo album with Tommy Emmanuel and guest on a second album with British actor and blues musician Hugh Lawrie. At the year's end, Taylor received the BrandLaureate International Brand Personality Award in Asia. Previous recipients have included Steve Jobs, Hillary Clinton, Nelson Mandela and Mark Zuckerberg. 2014 sees Taylor undertaking extensive touring, both solo and with his new group, The Great Guitars.   Film/TV CreditsHis film credits include the French comedy “Milou En Mai” directed by Louis Malle, and more recently his composition, “Green Lady” is featured in the Andrew Piddington movie “The Killing of John Lennon”. His many TV credits include the theme music for “After You've Gone” featuring Nicholas Lyndhurst and Celia Imrie, and the cult “Nicole-Papa” TV commercials for the Renault Clio.When not touring, Martin Taylor divides his time between Scotland and California, where the Martin Taylor Guitar Academy is based.★ Support this podcast on Patreon ★

Something happened in 2020. Well, lots of things happened in 2020. But I'm thinking of something in particular. And really, it's not something that happened, but rather something that didn't. This episode explores how four musical notes came to be so incredibly famous all around the world. For full episode notes, visit: https://shows.acast.com/roundness/episodes Roundness is a cross-disciplinary podcast produced by the Queen's Library at Queen Elizabeth's School, Barnet. (https://www.qebarnet.co.uk) Beethoven Symphony recordings, conducted by Bernard Haitink, provided courtesy of the London Symphony Orchestra’s record label, LSO Live. Visit www.lsolive.co.uk to find out more. Additional music provided courtesy of the Royal Liverpool Philharmonic Orchestra and Alessio Bax with the Southbank Sinfonia conducted by Simon Over. "Clusticus The Mistaken" by Doctor Turtle (https://doctorturtle.bandcamp.com/) licensed under CC BY 4.0. (https://creativecommons.org/licenses/by/4.0/) Episode illustration by Simba Baylon (Instagram: @simbalenciaga) For full episode notes, visit: https://shows.acast.com/roundness/episodes See acast.com/privacy for privacy and opt-out information.

"If I'd had been a man, life with the flute would have been very different!" This week on 'Talking Flutes' in the first of a two part podcast Clare speaks with the enigmatic, colourful and tour de force that is Atarah Ben-Tovim M.B.E about being involved in the flute playing world for over 60 years.  From breaking down barriers and being Principal Flute in Liverpool during the 60's and the time of the Beatles, to her continued love and passion for flute study. Atarah Ben-Tovim, MBE is a British flautist and children's concert presenter.  Born in Wales, Ben-Tovim played her first television concert live at the Royal Albert Hall, at the age of fourteen. She was principal flautist with the National Youth Orchestra, and then from 1963-75 principal flautist with the Royal Liverpool Philharmonic Orchestra. She left the RLPO to found Atarah's Band in 1975, a group which sought to improve children's experiences with classical music. Atarah was awarded the MBE in 1980 for her work in this field. During its lifetime, the band played to over three million people. In the late 1980s, BBC Radio Three made the programme Atarah's Music Box, all about children and music. Omnibus devoted a programme to her work, as did Blue Peter and Magpie. Her own television series, Atarah's Music, aimed at primary school children, aired in 1982. Together with her husband Douglas Boyd she published The Right Instrument for Your Child followed by You Can Make Music!. 'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the TJ flute Company.  For more information visit www.trevorjamesflutes.com   

‘Symphony no. 10' by Dmitri Shostakovich has a rawness that strikes straight at the core of the listener. It's full of intense emotion fuelled by the composer's experience of living under Stalin's regime. In this episode I share insights into the piece, introduce the instruments of the brass section, and discuss how emotion is communicated in music. This episode features the 2nd movement from ‘Symphony no. 10' by the composer Dmitri Shostakovich. I recommend the recording by the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko. Further information: www.athousandpictures.com/episode3  I hope you enjoy the show! Please subscribe and help us grow by leaving a rating and a review. And please share the podcast with others! Feel free to contact Scott Wilson via:  EMAIL: feedback@athousandpictures.com  FACEBOOK:  www.facebook.com/1000PicturesPod INSTAGRAM: @1000picturespod TWITTER: @1000PicturesPod WEBSITE: www.athousandpictures.com

Dr John Rigby studied orchestral conducting at the University of Huddersfield and the Royal Northern College of Music. He gained his PhD from King's College London having researched the cultural resonances of Franz Lehár's ‘Berlin' operettas during the Weimar Republic. He also holds an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.As a musical supervisor his credits include: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (Palladium); SCHOOL OF ROCK (London, US Tour, Australia, Korea); THE PHANTOM OF THE OPERA (25th Anniversary UK and US Tours); JESUS CHRIST SUPERSTAR (World Arena Tour & DVD); LES MISERABLES (Korea); MISS SAIGON (London, cinema release & DVD); THE PRODUCERS (UK Tour) and THE KING AND I (UK Tour). As a musical director his West End credits include: Christopher Wheeldon's AN AMERICAN IN PARIS (Dominion & cinema release) BEAUTIFUL AND DAMNED (Lyric); THE DROWSY CHAPERONE (Novello); THE KING AND I (Palladium); THE LAST EMPRESS (Apollo, Hammersmith); MARGUERITE (Theatre Royal, Haymarket); LES MISÉRABLES (Palace & Queens); THE PHANTOM OF THE OPERA (Her Majesty's); PETER PAN (Savoy); THE PIRATES OF PENZANCE (Savoy); THE PRODUCERS (Theatre Royal, Drury Lane) and SINATRA (Palladium). Additionally, he was musical director for the German productions of MISS SAIGON (Stuttgart) and STARLIGHT EXPRESS (Bochum). He also recently conducted and supervised the workshops for Andrew Lloyd Webber's 2018 reworking of STARLIGHT EXPRESS at The Other Palace, London.His opera credits include: Judith Weir's THE BLACK SPIDER(Huddersfield Contemporary Music Festival); CARMEN JONES (Royal Festival Hall); CAROUSEL (Opera North); DIE FLEDERMAUS (Opera Holland Park); MADAMA BUTTERFLY (Lyric Opera, Dublin); and most recently CHESS (English National Opera).John is extremely active on the concert platform as both a conductor and presenter and the numerous orchestras he has worked with include: the Berliner Symphoniker, Royal Philharmonic Orchestra, BBC Concert Orchestra, City of London Sinfonia, CBSO, Dublin Concert Orchestra, Hallé Orchestra, Ulster Orchestra, London Philharmonic Orchestra, London Concert Orchestra, Manchester Concert Orchestra, Royal Philharmonic Concert Orchestra, Royal Liverpool Philharmonic Orchestra, RSNO, Scottish Concert Orchestra, RTÉ Concert Orchestra, RTÉ Symphony Orchestra and the orchestras of both Welsh National Opera and Opera North. He has appeared as a conductor of BBC Radio 2's FRIDAY NIGHT IS MUSIC NIGHT and is also conductor of the famous CLASSICAL SPECTAUCULAR concerts for Raymond Gubbay. He recently conducted the sell-out concerts of 2 CELLOS at the London Palladium and the Royal Albert Hall, as well as ANDREW LLOYD WEBBER'S 70th BIRTHDAY CONCERT with the Royal Philharmonic Concert Orchestra.Future plans include supervising the Russian premiere of CHESS in Moscow in October 2020, Andrew Lloyd Webber's new musical, CINDERELLA, which will open in London in spring 2021, and the return of JOSEPH to the London Palladium in summer 2021.He has been awarded an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.

durée : 01:57:29 - En pistes ! du vendredi 12 février 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : une sélection de pièces pour guitare solo du 18ème siècle à nos jours ; le nouvel opus du Royal Liverpool Philharmonic Orchestra sous la direction de Vasily Petrenko ; un opéra d'Egon Wellesz, compositeur et disciple d'Arnold Schoenberg... - réalisé par : Lionel Quantin

durée : 00:14:01 - Stravinsky, Rossini, Respighi - Royal Liverpool Philharmonic Orchestra & Vasily Petrenko

This week, reviews editor Michael Beek sits down with the Russian-British conductor Vasily Petrenko. Vasily recently said farewell as chief conductor of the Oslo Philharmonic and is about to embark on final season as chief conductor of the Royal Liverpool Philharmonic Orchestra.Speaking from his father’s home in St. Petersburg, Vasily talks about returning to the condtuctor’s podium after months in lockdown, saying goodbye to the RLPO and his new appointment with the Royal Philharmonic in 2021.Recordings featured:Bernstein: West Side Story – Mambo (New York Philharmonic/Leonard Bernstein)JS Bach: The Well-Tempered Clavier, Book I – Prelude No. 1 in C major (Sviatoslav Richter, piano)Sounds of NatureBeethoven: Grosse Fuge in B flat major, Op. 133 (arr. string orchestra) (Amsterdam Sinfonietta/Peter Oundjian) See acast.com/privacy for privacy and opt-out information.

durée : 01:59:08 - En pistes ! du lundi 01 juin 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : une intégrale des oeuvres pour piano seul de Tomasi par Emilie Capulet, une création signée Maurice Bourbon inspirée par Josquin des Prés et interprétée par l'Ensemble Métamorphoses Biscantor, les dernières sonates pour piano de Schubert sous les doigts de Francesco Piemontesi... - réalisé par : Davy Travailleur

Fauré's Élégie gives us one of his most memorable, singable melodies. But it offers so much more. Jonathan James explores why this short work packs such an emotional punch, using the version cellist Sheku Kanneh-Mason was due to play this summer in the hall. This podcast is related to the concert that would have taken place on the 6 June 2020 at St David's Hall, Cardiff with the Royal Liverpool Philharmonic Orchestra.Support the Show.www.artsactive.org.ukEmail a2@artsactive.org.ukTwitter @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #stdavidshall #neuadddewisant #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff

Azathomet & Ernst's excellent adventure.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Jupiter" by Gustav Holst (performed by the Royal Scottish National Orchestra)

As Onyx releases a fourth album of music by Elgar with the Royal Liverpool Philharmonic Orchestra and its Chief Conductor Vasily Petrenko, including the vocal works Sea Pictures and The Music Makers, James Jolly met the Russian conductor.

Gone fissuring.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

One good turn.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

durée : 01:57:27 - En pistes ! du mardi 05 novembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : le pianiste Carl Wolf célèbre les romantiques dans son nouvel album consacré à Mendelssohn, Schubert et Chopin, le Royal Liverpool Philharmonic Orchestra joue Vaughan Williams, un album 100% cuivres par les musiciens de l'ensemble Les Siècles... - réalisé par : Davy Travailleur

durée : 00:16:56 - Le Disque classique du jour du jeudi 14 novembre 2019 - Musique = Clapping de Steve Reich Voix = Coco Bonnier

In broad daylight.   Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The fall of the house of Yog.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The villains gather.  ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Heroes and describes a direct assault upon Yog's homeland and the Vessel itself.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

durée : 00:16:56 - Le Disque classique du jour du jeudi 14 novembre 2019 - Musique = Clapping de Steve Reich Voix = Coco Bonnier

9 november 1835. Gewandhaus Leipzig. De 16-jarige Clara Wieck (later Schumann) brengt haar Pianoconcert in première. Mendelssohn dirigeert. Daarna gaat Felix ook achter de vleugel zitten, met Clara en een derde pianist. Op het programma: Concert BWV.1063. Johann Sebastian Bach, Concert voor 3 clavecimbels, BWV.1063 (arr.), Evgeni Koroliov (piano), Ljupka Hadzi-Georgieva (piano), Anna Vinnistkaya (piano) Felix Mendelssohn-Bartholdy, Capriccio briljante, op.22, Ronald Brautigam (piano), Die Kölner Akademie olv Michael Alexander Willens Clara Schumann, Concert voor piano en orkest, op.7, deel II "Romanze" + deel III "Finale", Isata Kanneh-Mason (piano), Jonathan Aasgaard (cello), Royal Liverpool Philharmonic Orchestra

durée : 01:57:27 - En pistes ! du mardi 05 novembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : le pianiste Carl Wolf célèbre les romantiques dans son nouvel album consacré à Mendelssohn, Schubert et Chopin, le Royal Liverpool Philharmonic Orchestra joue Vaughan Williams, un album 100% cuivres par les musiciens de l'ensemble Les Siècles... - réalisé par : Davy Travailleur

Today, I'm very excited to have the brilliant violinist, violist, and conductor Julian Rachlin on the show! At the end of this very busy week, playing with and conducting the Chicago Symphony, Julian graciously took the time to sit with me and discuss meticulous practicing, mindful music-making, and his deep love of the art form! He covers many topics, including studying with Boris Kuschnir and Mr. Kuschnir's thorough approach to mastering the instrument, his views on the lifelong path that is growing as an artist, his daily practice regimen, and how playing the viola and conducting have allowed him to explore music from different angles. Julian elaborates on: How he believes we are never done learning How the fact that his parents never made him practiced helped foster his deep love of music His daily practice regimen Why the responsibility to grow as an artist lies with the student How musicians are a community How playing the viola and conducting allow him to explore music from different angles Why we should brush our taste as often as we brush our teeth Finding the right balance between being completely open-minded and fully convinced (and when to be which)   MORE ABOUT JULIAN RACHLIN: Website: http://www.julianrachlin.com/ YouTube channel: https://www.youtube.com/channel/UCm_Eyb3YAt3m7_ic4VTA84A Facebook: https://www.facebook.com/julianrachlin/ Instagram: https://www.instagram.com/julianrachlin/ Elisabeth Gilels: Daily Exercises for the Violinist Boris Kuschnir: http://www.boriskuschnir.com/   Violinist, violist and conductor Julian Rachlin is one of the most exciting and respected musicians of our time. In the first thirty years of his career, he has performed as soloist with the world's leading conductors and orchestras. Mr. Rachlin is Principal Guest Conductor of the Royal Northern Sinfonia, Turku Philharmonic Orchestra and Kristiansand Symphony Orchestra. He also leads the "Julian Rachlin & Friends Festival" in Palma de Mallorca. Highlights of Mr. Rachlin's 2018/19 season include performances with the St. Petersburg Philharmonic and Mariss Jansons, Montreal Symphony Orchestra and Christoph Eschenbach, Boston Symphony Orchestra and Juanjo Mena, Pittsburgh Symphony Orchestra and Manfred Honeck, as well as the KBS Symphony Orchestra and Myung-Whun Chung. Alongside soloist Sarah McElravy and the Royal Northern Sinfonia, he will perform the UK premiere of Penderecki's Double Concerto for Violin and Viola, which is dedicated to him. Additionally, Mr. Rachlin will conduct among others the Vienna Symphony Orchestra, Berlin Konzerthaus Orchestra, Naples Philharmonic, Moscow Philharmonic, St. Petersburg Symphony, Essen Philharmonic, Strasbourg Philharmonic, Slovenian Philharmonic, Zagreb Philharmonic and Trondheim Symphony Orchestra. Julian Rachlin's recent highlights include a residency at the Prague Spring Festival and his own cycle at the Vienna Musikverein. He also performed with the St. Petersburg Philharmonic Orchestra and Yuri Temirkanov, Filarmonica della Scala and Riccardo Chailly, Munich Philharmonic and Zubin Mehta, Philharmonia Orchestra and Jakub Hrůša, Orchestra del Maggio Musicale and Vladimir Ashkenazy, as well as the Vienna Symphony Orchestra and Lahav Shani. As conductor, he toured Europe with the English Chamber Orchestra, and led the Royal Northern Sinfonia across South America and Japan. Additionally, he conducted the State Academic Symphony Orchestra of Russia, Hungarian National Philharmonic, Royal Liverpool Philharmonic Orchestra, Orchestra della Svizzera Italiana, National Taiwan Symphony Orchestra, Prague Philharmonia, and made his USA conducting debut at the Grand Teton Music Festival. In recital and chamber music, Mr. Rachlin performs regularly with Itamar Golan, Denis Kozhukhin, Denis Matsuev, Mischa Maisky, Sarah McElravy, Vilde Frang and Janine Jansen. Born in Lithuania, Mr. Rachlin immigrated to Vienna in 1978. He studied violin with Boris Kuschnir at the Vienna Conservatory and with Pinchas Zukerman. After winning the "Young Musician of the Year" Award at the Eurovision Competition in 1988, he became the youngest soloist ever to play with the Vienna Philharmonic, debuting under Riccardo Muti. At the recommendation of Mariss Jansons, Mr. Rachlin studied conducting with Sophie Rachlin. Since September 1999, he is on the violin faculty at the Music and Arts University of Vienna. His recordings for Sony Classical, Warner Classics and Deutsche Grammophon have been met with great acclaim. Mr. Rachlin, a UNICEF Goodwill Ambassador, is committed to educational outreach and charity work. Julian Rachlin plays the 1704 "ex Liebig" Stradivari and a 1785 Lorenzo Storioni viola, on loan to him courtesy of the Dkfm. Angelika Prokopp Privatstiftung. His strings are kindly sponsored by Thomastik-Infeld.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

The pianist Boris Giltburg is recording Beethoven's five piano concertos for Naxos with the Royal Liverpool Philharmonic Orchestra and Vasily Petrenko. The first album is out with the first two piano concertos and the early Rondo, WoO6 from 1793. James Jolly met up with Boris Giltburg after a performance of the First Piano Concerto and the day before the recording sessions.

This week we're reviewing a new CD featuring the piano concertos of British composers Dora Bright and Ruth Gipps. The CD is from Somm Recordings, featuring pianists Samantha Ward and Murray McLachlan performing with Charles Peebles and the Royal Liverpool Philharmonic Orchestra.

The 2019 summer season is being brought to a close at the Royal Hall by the Royal Liverpool Philharmonic Orchestra, whilst HT Rep returns to Harrogate Theatre with 3 exciting shows.

This week Tim talks to Waterperry Festival director Guy Withers, Sam rediscovers Eric Whitacre and we hit the big smoke in search of Street Orchestra Live. Music Credits: Steve Reich, ‘Clapping Music' performed by Timmy Fisher & Sam Poppleton Spice Girls, ‘Goodbye' performed by Timmy Fisher Richard Wagner, ‘Tristan Theme' performed by Timmy Fisher Eric Whitacre, ‘Lux Arumque' performed by The Concordia Choir Alexander Moyzes, Symphony No. 11 performed by the Slovak Radio Symphony Orchestra under Ladislav Slovák Jean Sibelius, Symphony No. 5, Mov. 1, arranged by Timmy Fisher Eric Coates, ‘By the Sleepy Lagoon' performed by the Royal Liverpool Philharmonic Orchestra, under Charles Groves Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/ Paul Rimmer's letter to Stephen Cherry: https://www.facebook.com/photo.php?fbid=10113922705553385&set=a.10101053354286485&type=3&theater The Statutory Instruments perform Debussy's String Quartet in G minor: https://www.belfasttelegraph.co.uk/news/uk/chamber-music-parliamentary-string-quartet-brings-harmony-to-the-commons-38233792.html Bryn Terfel as a deliciously evil Scarpia: https://www.youtube.com/watch?v=0euYKIMfV4IFind out more about Waterperry Opera: http://www.waterperryoperafestival.co.uk/

Hero versus villain. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!)  So concludes The Watchtower, the second arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back at the beginning of May. Special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Dante Symphony" by Franz Lizst (performed by the Berlin Philharmonic) and "Symphony No. 5" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Narcinae summons reinforcements.  Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Dante Symphony" by Franz Lizst (performed by the Berlin Philharmonic).

Battle for the blue flame. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The Tactical Guitarist podcast brings you interviews with guitarist, composers, teachers, and anyone else who can share their wisdom, advice and stories on surviving a career in music.My guest for this episode is renowned composer Stephen Goss.Stephen Goss’s music receives hundreds of performances worldwide each year. It has been recorded on over 80 CDs by more than a dozen record labels, including EMI, Decca, Telarc, Virgin Classics, Naxos, and Deutsche Grammophon. His output embraces multiple genres: orchestral and choral works, chamber music, and solo pieces.Goss’s work is marked by a fascination with time and place – both immediate and remote – and the musical styles that evoke them. In many of his compositions, contrasting styles are juxtaposed through abrupt changes of gear. His compositional voice is shaped by his parallel career as a guitarist – that is to say, as a performer, transcriber, arranger, improviser and collaborator with other composers and performers. Not surprisingly, his music often tests the boundaries between all these activities and original composition.Several of Goss’s recent projects have involved the legendary guitarist John Williams, including his Guitar Concerto, which Williams recorded and played on tour with the Royal Philharmonic Orchestra. Some of the world’s leading orchestras to have performed his works include The Russian National Orchestra, The China National Symphony Orchestra, The Royal Liverpool Philharmonic Orchestra, The State Symphony Orchestra ‘New Russia’, The RTÉ National Symphony Orchestra, The Boulder Philharmonic Orchestra, The Scottish Chamber Orchestra, and The Barcelona Symphony Orchestra.Commissions have come from guitarists David Russell and Xuefei Yang (including chamber works with cellist Natalie Clein and tenor Ian Bostridge). Goss has also collaborated with Andrew Lloyd Webber, Alt-J, and Avi Avital. As a guitarist, he has worked with Takemitsu, Henze, Peter Maxwell Davies and Elliott Carter, and toured and recorded extensively with the Tetra Guitar Quartet, various other ensembles, and as a soloist.Stephen Goss is Chair of Composition at the University of Surrey (UK), Director of the International Guitar Research Centre, and a Professor of Guitar at the Royal Academy of Music in London. He was born in Wales on 2nd February 1964.Stephen was in Portland for a three day performance of his Albeniz Concerto by renowned guitarist Pablo Villegas and the Oregon Symphony. I was given a unique opportunity to chat briefly with him, so we sat down at Bryan Johanson’s home this past week to talk a little about his accomplishments, some of his history and some great words of wisdom to musicians.

Enter the Soulsworn. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The battle rages. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. This episode is brought to you by Wild Endeavors – a story-centric actual play podcast, edited and mixed like an audio drama. Go give them a listen! If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The plan makes contact with the enemy. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Knowing is half the battle. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Interpretation of Night on Bald Mountain" (arranged and performed by Vaughn Romero).

There's talk of invasion. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra) and "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Watchtower and details Yog's attempt to conquer an impregnable fortress, held by the allied forces of good. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra) and "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra).

In 1988, Paul McCartney was asked to write a piece to commemorate The Royal Liverpool Philharmonic Orchestra's 150th Anniversary.  Composed with the help of Carl Davis, the eight movement Oratorio premiered in June of 1991.  In the audience that evening was Allan Kozinn; whom was the classical arts writer for the New York Times.  He was there to review the performance.  [As seen originally in print at https://www.nytimes.com/1991/06/29/arts/review-music-crossover-dream-comes-true-liverpool-philharmonic-plays-mccartney-s.html ]  Enjoy the chat between Tom Hunyady and Allan Kozinn to discuss all things Liverpool Oratorio.  David comes back to life at the end for an open discussion with the gang.     Like what you here? Email us at 2legspodcast@gmail.com or find us on Facebook at 2Legs Podcast.   Next up - Episode 305: The 'Egypt Station' Review 2Legs style -  2 month old album to live with along with 2 interesting perspectives.  

In this episode, international violin soloist James Ehnes talks about what the essence of mindful instrumental practice is: having a clear goal, work efficiently, listen intently, and connect with others. He elaborates on:​ His artistic journey – growing up in Brandon Manitoba, the practicing habits he developed as a child that helped him succeed, and the mentors that helped shape his career Practicing efficiently – how practicing should be goal oriented, how we should practice practicing, the importance of identifying and analyzing problems Competitions – how they can be beneficial for one's career How we should have a performance mindset while practicing Figuring out how to find balance in our life and career His process to learn a work and to prepare for a performance The importance of developing the skill to truly listen to ourselves objectively while we play How music really addresses our humanity and brings us together Website: http://www.jamesehnes.com/james/ Facebook: https://www.facebook.com/jamesehnes/ Instagram: https://www.instagram.com/jamesehnes/ James' discography: http://www.jamesehnes.com/james/index.php?id=62 His recording of the Aaron Jay Kernis Concerto Beethoven Celebrations – Recital with Andrew Armstrong at Northwestern University on January 13, 2019 David Copperfield by Charles Dickens   Biography James Ehnes has established himself as one of the foremost violinists of his generation. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest of many of the world's most respected conductors including Ashkenazy, Alsop, Sir Andrew Davis, Denève, Dutoit, Elder, Ivan Fischer, Gardner, Paavo Järvi, Noseda, Robertson and Runnicles. Ehnes's long list of orchestras includes, amongst others, the Boston, Chicago, Cleveland, Philadelphia, Los Angeles, Pittsburgh, New York, London Symphony, Philharmonia, BBC Philharmonic, Czech Philharmonic, DSO Berlin and the NHK Symphony orchestras. Ehnes has an extensive discography and has won many awards for his recordings including a Gramophone Award for his live recording of the Elgar Concerto with Sir Andrew Davis and the Philharmonia Orchestra. His recording of the Korngold, Barber and Walton violin concertos won a Grammy Award for ‘Best Instrumental Soloist Performance' and a JUNO award for ‘Best Classical Album of the Year'. His recording of the Paganini Caprices earned him universal praise, with Diapason writing of the disc, “Ehnes confirms the predictions of Erick Friedman, eminent student of Heifetz: ‘there is only one like him born every hundred years'.” Ehnes's recent recording of the Bartók Concerti was nominated for a Gramophone Award in the Concerto category. Recent releases include concertos by Britten, Shostakovich, Prokofiev and Khachaturian and sonatas by Debussy, Elgar and Respighi, and his recording of the Beethoven Violin Concerto with the Royal Liverpool Philharmonic Orchestra and Andrew Manze will be released in October 2017 (Onyx Classics). Ehnes began violin studies at the age of four, became a protégé of the noted Canadian violinist Francis Chaplin aged nine, made his orchestral debut with Orchestre Symphonique de Montréal aged 13 and graduated from The Juilliard School in 1997, winning the Peter Mennin Prize for Outstanding Achievement and Leadership in Music. He is a Fellow of the Royal Society of Canada and in 2010 was appointed a Member of the Order of Canada and the Artistic Director of the Seattle Chamber Music Society. James Ehnes plays the "Marsick" Stradivarius of 1715. He currently lives in Bradenton, Florida with his family.   ​ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to producer, Bella Kelly! ​ If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit the website and the facebook page for information about past and future podcasts, and for more resources on mindful practice. MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/

Christian Lindberg ist ein Tausendsassa: Bekannt wurde er als Posaunist, außerdem komponiert er und ist auch als Dirigent erfolgreich. Mit dem Royal Liverpool Philharmonic Orchestra hat er sich an eine Bernstein-Hommage zum 100. Geburtstag des amerikanischen Allrounders gemacht. Fridemann Leipold ist von der "charmanten Lässigkeit" der Interpretationen begeistert.

In the latest instalment of Ian’s exclusive interview series, your host has the pleasure of chatting with composer for film, television and games, the luminous Marie-Anne Fischer. Marie-Anne discusses living and working in different countries, composing for wildlife documentaries, recording live strings from the Royal Liverpool Philharmonic Orchestra, growing up in a musical family, joining Oliver Sadie on the […]

Prima puntata: martedì 21 novembre 2017, ore 19 Contenuti | Illustrazione dei concetti di Homo Radix e dendrosofia. La sacralità della montagna per il compositore Alan Hovhaness. Incontro con le sequoie del Parco Burcina di Pollone (BI). Intermezzo musicale | Sinfonia n°50 Mount St. Helens di Alan Hovhaness, primo movimento Andante, grazioso, esecuzione diretta da Gerard Schwarz e la Royal Liverpool Philharmonic Orchestra, dal cd Misterious Mountains, Telarc 2003.

Prima puntata: martedì 21 novembre 2017, ore 19 Contenuti | Illustrazione dei concetti di Homo Radix e dendrosofia. La sacralità della montagna per il compositore Alan Hovhaness. Incontro con le sequoie del Parco Burcina di Pollone (BI). Intermezzo musicale | Sinfonia n°50 Mount St. Helens di Alan Hovhaness, primo movimento Andante, grazioso, esecuzione diretta da Gerard Schwarz e la Royal Liverpool Philharmonic Orchestra, dal cd Misterious Mountains, Telarc 2003.

Prima puntata: martedì 21 novembre 2017, ore 19 Contenuti | Illustrazione dei concetti di Homo Radix e dendrosofia. La sacralità della montagna per il compositore Alan Hovhaness. Incontro con le sequoie del Parco Burcina di Pollone (BI). Intermezzo musicale | Sinfonia n°50 Mount St. Helens di Alan Hovhaness, primo movimento Andante, grazioso, esecuzione diretta da Gerard Schwarz e la Royal Liverpool Philharmonic Orchestra, dal cd Misterious Mountains, Telarc 2003.

Over the past few years, we hear at CINEMATIC SOUND RADIO have been paying our respects to two-time Academy Award winning composer James Horner with various radio specials including a four hour plus special produced a few days after his death. We also produced a two-part series last year featuring some of his lesser known film scores. Jason Drury has also been producing an epic three-part radio documentary in Horner’s honour. The third and final part of that program is scheduled to be released next week right here on CINEMATIC SOUND RADIO. James Horner was part of a holy trinity of film composers I grew up with admiring. The others were John Williams and Jerry Goldsmith. Those three brought me into the world of film music with their timeless and classic scores and made me a fan of this art form for life. Todays program is dedicated to re-recorded James Horner music. Fans of the show know of my love for re-recordings or new recordings of previously existing scores so I thought this would be a unique way to mark the 2nd anniversary of James Horner’s passing. Today’s program will include performances by The City of Prague Philharmonic, The Cincinnati Pops Orchestra, The Boston Pops Orchestra, Royal Liverpool Philharmonic Orchestra and the Royal Scottish National Orchestra. Solo performers include flutist Sara Andon, pianist Jean-Michel Bernard, pianist Dan Redfeld, and violinist Mari Samuelsen. Conductors include Nic Raine, John Scott, John Williams, Erich Kunzel, David Arnold, Joel McNeely and John Debney. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Vous pouvez me laisser un message à l'adresse ramlepodcast@gmail.com ou via Twitter sur @RouleAvecTosheu La suggestion lecture de Fab : "Replay" de Ken Grimwood Lien Amazon The Planets Suite - Holst par le Royal Liverpool Philharmonic Orchestra et conduit par Sir Charles Mackerras Crédit Musique : W-MuteL'album "9:17" sur Deezer

Here's a disc with not just Tchaikovsky's First Piano Concerto, but the less well-known Second Piano Concerto as well. Join the BBC Music Magazine team as they discuss Simon Trpčeski's new recording with the Royal Liverpool Philharmonic Orchestra and Vasily Petrenko. See acast.com/privacy for privacy and opt-out information.

Perhaps best known for his innovative interpretation of seasonal carols and his haunting musical prayer for peace “Prayer of the Children,” the Utah-based composer and performer Kurt Bestor launched his career writing music for television and movies. His credits include more than 40 film scores and more than 40 themes for national TV programs and commercials. It is Bestor's music that has introduced NFL Monday Night Football and National Geographic Explorer; he scored TBS's Wild! Life Adventures and the IMAX film The Great American West. He received the Outstanding Film Score Award at the New York Film and Television Festival for PBS's A More Perfect Union and was awarded an Emmy® for his collaboration with Sam Cardon on the original music for ABC's coverage of the 1988 Winter Olympics. Kurt Bestor is an Emmy-award-winning composer, who for over 30 years has composed an incredible variety of music in a myriad of styles and genres. From over 40 feature-length films, 16 popular CDs, numerous television themes, and mix of live shows, he has established himself as one of America's most prolific and versatile composers.As a gifted performer, Bestor has performed his popular holiday shows for over 24 years to sold-out audiences throughout the western United States. People from Seattle to Dallas have enjoyed his easy-going manner and rapport with the audience. Bestor has also performed internationally, conducting and performing with the Royal Liverpool Philharmonic Orchestra and Choir, the Estonian National Orchestra, among others.  http://www.kurtbestor.com

This week we had a birthday mention for a program that helps inner city kids play with a world class orchestra. It's the fifth anniversary of the West Everton Children's Orchestra which is taught by musicians from the Royal Liverpool Philharmonic Orchestra. My report begins with parents of some of the children in the In Harmony program. It was produced for the March 21, 2014 edition of NBS Tonight, the National Broadcasting School's weekly student news radio show that is broadcast on the internet.

Vasily Petrenko’s highly acclaimed cycle of the Shostakovich Symphonies with the Royal Liverpool Philharmonic Orchestra reaches an important chapter in what Petrenko himself calls a “biopic” of the composer’s life and times. The 7th Symphony “Leningrad” chronicles one of the most shameful episodes in the annals of man’s inhumanity to man – the 900-day … [Read More]