Podcast appearances and mentions of diana dukhanova

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women’s club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women’s history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women's club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women's history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women’s club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women’s history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women’s club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women’s history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women’s club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women’s history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women’s club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women’s history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black women intellectuals have traditionally been overlooked in the academic study of American intellectual history. Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger) highlights the important contributions of both well- and lesser-known abolitionists, civil rights activists, preachers, writers, and artists to all spheres of American life and culture, arguing that Black women and their ideas were central to some of the most important social and political campaigns of the 19th and 20th centuries. In this conversation Dr. Hettie V. Williams (Assistant Professor of African American History at Monmouth University), editor, discusses defining and redefining the public intellectual, the various pathways that Black women took into public life, the African American women's club movement, the impact of bell hooks and Audre Lorde on scholarship around Black sexuality, and bringing Black women's history into the college classroom. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America's most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov's Russian Family Values.

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America's most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov's Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America's most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov's Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel. In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today. Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book’s key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book’s key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book’s key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book's key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book’s key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book's key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch.

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book's key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book’s key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura A. Dean (Assistant Professor of Political Science at Millikin University and director of the Human Trafficking Research Lab) has spent many years investigating the urgent human rights issue of human trafficking in Eurasia. In her 2020 monograph Diffusing Human Trafficking Policy in Eurasia (Policy Press, 2020), Dr. Dean analyzes the development and effectiveness of anti-trafficking policies and institutions in Latvia, Russia, and Ukraine, explores challenges to crafting and enforcing policies and aiding victims, and evaluates best practices based on country-to-country comparison. We discuss common misconceptions about human trafficking, the impact of institutionalized gender inequalities on efforts to combat labor and sexual exploitation, the mixed results of United States and Western European involvement, the challenges of controversial fieldwork as an American scholar in Eurasia, and the book’s key takeaways for policy makers and activists. Dr. Dean also introduces the Human Trafficking Policy Index - her new, innovative tool for measuring the scope of human trafficking policy. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout Christian history, the Virgin Mary has been idealized as a self-sacrificing mother and a model for all Christian women to emulate. However, she is one of many ancient maternal figures whose narratives pivot on violent loss. In her 2018 monograph Mary, Mother of Martyrs: How Motherhood Became Self-Sacrifice in Early Christianity (Feminist Studies in Religion, 2018), Dr. Kathleen Gallagher Elkins (Associate Professor of Theology and Religious Studies at St. Norbert College in De Pere, WI) examines ancient representations of mothers and children in the context of sociopolitical violence. She demonstrates that, as today, early Christian notions of motherhood are contextual and produced for specific political and social reasons. She also interrogates the tendency of both theologians and cultural commentators to read tales of early Christian mothers in an anachronistic manner informed by modern conceptions of the “natural” and “normal” family. Adding contemporary intertexts to the ancient texts at hand, each chapter juxtaposes an ancient maternal figure (including the Mother of Maccabees, Perpetua, and Felicitas in addition to Mary) with examples of contemporary maternal activism, such as Madre and Pussy Riot. Gallagher Elkins thereby shows the strategic, political charged, and rhetorically flexible conceptions of maternal self-sacrifice. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019). Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts. Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine's personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life. Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rwanda and South Africa have some of the highest rates of women’s political representation in the world, with significant growth particularly in the last 20 years. Through interviews with eleven women who have held formal political leadership since 1994 in Rwanda and South Africa, Women Political Leaders in Rwanda and South Africa: Narratives of Triumph and Loss (Barbara Budrich, 2016) explores the ways in which life experiences, education, activism, and social and cultural identities have shaped the individual journeys and contributions of women in politics in the two countries and investigates role of women’s political representation in achieving social and economic progress in the aftermath of conflict. Author Naleli Morojele, Human Rights Officer at the South African Human Rights Commission and PhD candidate at the University of the Free State in Bloemfontein, South Africa, presents an in-depth look at the challenges that women encounter as they navigate patriarchal power structures and gendered expectations in the legislature, the home, and society at large and balance conflicting political identities based on gender, race, and class as they work to effect change. Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rwanda and South Africa have some of the highest rates of women's political representation in the world, with significant growth particularly in the last 20 years. Through interviews with eleven women who have held formal political leadership since 1994 in Rwanda and South Africa, Women Political Leaders in Rwanda and South Africa: Narratives of Triumph and Loss (Barbara Budrich, 2016) explores the ways in which life experiences, education, activism, and social and cultural identities have shaped the individual journeys and contributions of women in politics in the two countries and investigates role of women's political representation in achieving social and economic progress in the aftermath of conflict. Author Naleli Morojele, Human Rights Officer at the South African Human Rights Commission and PhD candidate at the University of the Free State in Bloemfontein, South Africa, presents an in-depth look at the challenges that women encounter as they navigate patriarchal power structures and gendered expectations in the legislature, the home, and society at large and balance conflicting political identities based on gender, race, and class as they work to effect change. Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rwanda and South Africa have some of the highest rates of women’s political representation in the world, with significant growth particularly in the last 20 years. Through interviews with eleven women who have held formal political leadership since 1994 in Rwanda and South Africa, Women Political Leaders in Rwanda and South Africa: Narratives of Triumph and Loss (Barbara Budrich, 2016) explores the ways in which life experiences, education, activism, and social and cultural identities have shaped the individual journeys and contributions of women in politics in the two countries and investigates role of women’s political representation in achieving social and economic progress in the aftermath of conflict. Author Naleli Morojele, Human Rights Officer at the South African Human Rights Commission and PhD candidate at the University of the Free State in Bloemfontein, South Africa, presents an in-depth look at the challenges that women encounter as they navigate patriarchal power structures and gendered expectations in the legislature, the home, and society at large and balance conflicting political identities based on gender, race, and class as they work to effect change. Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rwanda and South Africa have some of the highest rates of women’s political representation in the world, with significant growth particularly in the last 20 years. Through interviews with eleven women who have held formal political leadership since 1994 in Rwanda and South Africa, Women Political Leaders in Rwanda and South Africa: Narratives of Triumph and Loss (Barbara Budrich, 2016) explores the ways in which life experiences, education, activism, and social and cultural identities have shaped the individual journeys and contributions of women in politics in the two countries and investigates role of women’s political representation in achieving social and economic progress in the aftermath of conflict. Author Naleli Morojele, Human Rights Officer at the South African Human Rights Commission and PhD candidate at the University of the Free State in Bloemfontein, South Africa, presents an in-depth look at the challenges that women encounter as they navigate patriarchal power structures and gendered expectations in the legislature, the home, and society at large and balance conflicting political identities based on gender, race, and class as they work to effect change. Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rwanda and South Africa have some of the highest rates of women’s political representation in the world, with significant growth particularly in the last 20 years. Through interviews with eleven women who have held formal political leadership since 1994 in Rwanda and South Africa, Women Political Leaders in Rwanda and South Africa: Narratives of Triumph and Loss (Barbara Budrich, 2016) explores the ways in which life experiences, education, activism, and social and cultural identities have shaped the individual journeys and contributions of women in politics in the two countries and investigates role of women’s political representation in achieving social and economic progress in the aftermath of conflict. Author Naleli Morojele, Human Rights Officer at the South African Human Rights Commission and PhD candidate at the University of the Free State in Bloemfontein, South Africa, presents an in-depth look at the challenges that women encounter as they navigate patriarchal power structures and gendered expectations in the legislature, the home, and society at large and balance conflicting political identities based on gender, race, and class as they work to effect change. Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries”, writes Curley in his introduction, reveals that the dominant narrative of modernism was a Western construction, simultaneously expressing transnational modernity and nationalism to counter American and Soviet imperialism. Positioning all 20th century art as engaged in an inevitable conflict between two opposed models for modernity, Curley makes a compelling case for broadening the narrative of artistic creation in the period of the Cold War and its aftermath. John J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University, where he teaches classes on modern and contemporary art history, as well as photographic history. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics of paranoia and melodrama and the roles of anti-Semitism and homophobia in framing and shaping conspiracy theories, the construct of Russophobia as a key element in nationalist ideology, and the influence of the changing U.S.-Russia relationship on konspirologiia in recent years. Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoices

In studying the pre-Revolutionary films of Evgenii Bauer, Dr. Rachel Morley (Lecturer in Russian Cinema and Culture at the School of Slavonic and East European Studies, University College London) discovered the ubiquity of the female performer as a character in the cinema of this era, from “Oriental” and “Gypsy” dancers to ballerinas and opera singers. In her interdisciplinary 2017 monograph, Performing Femininity: Woman as Performer in Early Russian Cinema (I.B. Tauris, 2016), Morley expands her scope to encompass a large cross-section of pre-Soviet Russian film. Investigating the way in which early filmmakers utilized the image of the female performer to explore contemporary issues surrounding gender identity and the changing role of women in Russian society in the late 19th and early 20th century, Morley traces a notable shift away from complete objectification to relative agency for women on screen – a shift contingent in part on the rejection of the idealized images of women prominent in 19th-century Russian literature and art. In addition to an analysis of the female performer as a representation of social change, Morley conducts an incisive analysis of the manner by which Bauer, Drankov, Viskovskii, and other pioneers of early Russian film utilized the archetype of the female performer to develop a cinematic language through innovative cinematographic techniques. Providing invaluable insights both on the development of early Russian cinema and the evolving social and cultural attitudes surrounding gender and performance in pre-1917 Russia, Performing Femininity is essential reading for scholars and enthusiasts of both film and women’s history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In studying the pre-Revolutionary films of Evgenii Bauer, Dr. Rachel Morley (Lecturer in Russian Cinema and Culture at the School of Slavonic and East European Studies, University College London) discovered the ubiquity of the female performer as a character in the cinema of this era, from “Oriental” and “Gypsy” dancers to ballerinas and opera singers. In her interdisciplinary 2017 monograph, Performing Femininity: Woman as Performer in Early Russian Cinema (I.B. Tauris, 2016), Morley expands her scope to encompass a large cross-section of pre-Soviet Russian film. Investigating the way in which early filmmakers utilized the image of the female performer to explore contemporary issues surrounding gender identity and the changing role of women in Russian society in the late 19th and early 20th century, Morley traces a notable shift away from complete objectification to relative agency for women on screen – a shift contingent in part on the rejection of the idealized images of women prominent in 19th-century Russian literature and art. In addition to an analysis of the female performer as a representation of social change, Morley conducts an incisive analysis of the manner by which Bauer, Drankov, Viskovskii, and other pioneers of early Russian film utilized the archetype of the female performer to develop a cinematic language through innovative cinematographic techniques. Providing invaluable insights both on the development of early Russian cinema and the evolving social and cultural attitudes surrounding gender and performance in pre-1917 Russia, Performing Femininity is essential reading for scholars and enthusiasts of both film and women’s history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In studying the pre-Revolutionary films of Evgenii Bauer, Dr. Rachel Morley (Lecturer in Russian Cinema and Culture at the School of Slavonic and East European Studies, University College London) discovered the ubiquity of the female performer as a character in the cinema of this era, from “Oriental” and “Gypsy” dancers to ballerinas and opera singers. In her interdisciplinary 2017 monograph, Performing Femininity: Woman as Performer in Early Russian Cinema (I.B. Tauris, 2016), Morley expands her scope to encompass a large cross-section of pre-Soviet Russian film. Investigating the way in which early filmmakers utilized the image of the female performer to explore contemporary issues surrounding gender identity and the changing role of women in Russian society in the late 19th and early 20th century, Morley traces a notable shift away from complete objectification to relative agency for women on screen – a shift contingent in part on the rejection of the idealized images of women prominent in 19th-century Russian literature and art. In addition to an analysis of the female performer as a representation of social change, Morley conducts an incisive analysis of the manner by which Bauer, Drankov, Viskovskii, and other pioneers of early Russian film utilized the archetype of the female performer to develop a cinematic language through innovative cinematographic techniques. Providing invaluable insights both on the development of early Russian cinema and the evolving social and cultural attitudes surrounding gender and performance in pre-1917 Russia, Performing Femininity is essential reading for scholars and enthusiasts of both film and women’s history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old Believers in the 18th-19th Centuries (Indiana University Press, 2017), Professor Bushnell explores the paradoxical practice of widespread marriage avoidance among Spasovite women after the acceptance of marriage by the previously celibate covenant. Professor Bushnell contextualizes the practice of marriage avoidance within a peasant culture in which universal marriage was vital to collective survival and women were understood as a communal resource to fulfill the imperative of procreation and the maintenance of the labor force, pointing out that the practice lead to community collapse after several generations. He hypothesizes that marriage avoidance constituted an unusual case of female agency in Spasovite communities as compared to traditional peasant norms – one which extended beyond the unmarried, making free choice of partner a community norm – and that the practice ended due to the economic and social instability which it created. An analysis of a previously understudied phenomenon, the book constitutes a significant contribution to the study of Russian peasant, religious, and matrimonial history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old Believers in the 18th-19th Centuries (Indiana University Press, 2017), Professor Bushnell explores the paradoxical practice of widespread marriage avoidance among Spasovite women after the acceptance of marriage by the previously celibate covenant. Professor Bushnell contextualizes the practice of marriage avoidance within a peasant culture in which universal marriage was vital to collective survival and women were understood as a communal resource to fulfill the imperative of procreation and the maintenance of the labor force, pointing out that the practice lead to community collapse after several generations. He hypothesizes that marriage avoidance constituted an unusual case of female agency in Spasovite communities as compared to traditional peasant norms – one which extended beyond the unmarried, making free choice of partner a community norm – and that the practice ended due to the economic and social instability which it created. An analysis of a previously understudied phenomenon, the book constitutes a significant contribution to the study of Russian peasant, religious, and matrimonial history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old Believers in the 18th-19th Centuries (Indiana University Press, 2017), Professor Bushnell explores the paradoxical practice of widespread marriage avoidance among Spasovite women after the acceptance of marriage by the previously celibate covenant. Professor Bushnell contextualizes the practice of marriage avoidance within a peasant culture in which universal marriage was vital to collective survival and women were understood as a communal resource to fulfill the imperative of procreation and the maintenance of the labor force, pointing out that the practice lead to community collapse after several generations. He hypothesizes that marriage avoidance constituted an unusual case of female agency in Spasovite communities as compared to traditional peasant norms – one which extended beyond the unmarried, making free choice of partner a community norm – and that the practice ended due to the economic and social instability which it created. An analysis of a previously understudied phenomenon, the book constitutes a significant contribution to the study of Russian peasant, religious, and matrimonial history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old Believers in the 18th-19th Centuries (Indiana University Press, 2017), Professor Bushnell explores the paradoxical practice of widespread marriage avoidance among Spasovite women after the acceptance of marriage by the previously celibate covenant. Professor Bushnell contextualizes the practice of marriage avoidance within a peasant culture in which universal marriage was vital to collective survival and women were understood as a communal resource to fulfill the imperative of procreation and the maintenance of the labor force, pointing out that the practice lead to community collapse after several generations. He hypothesizes that marriage avoidance constituted an unusual case of female agency in Spasovite communities as compared to traditional peasant norms – one which extended beyond the unmarried, making free choice of partner a community norm – and that the practice ended due to the economic and social instability which it created. An analysis of a previously understudied phenomenon, the book constitutes a significant contribution to the study of Russian peasant, religious, and matrimonial history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old Believers in the 18th-19th Centuries (Indiana University Press, 2017), Professor Bushnell explores the paradoxical practice of widespread marriage avoidance among Spasovite women after the acceptance of marriage by the previously celibate covenant. Professor Bushnell contextualizes the practice of marriage avoidance within a peasant culture in which universal marriage was vital to collective survival and women were understood as a communal resource to fulfill the imperative of procreation and the maintenance of the labor force, pointing out that the practice lead to community collapse after several generations. He hypothesizes that marriage avoidance constituted an unusual case of female agency in Spasovite communities as compared to traditional peasant norms – one which extended beyond the unmarried, making free choice of partner a community norm – and that the practice ended due to the economic and social instability which it created. An analysis of a previously understudied phenomenon, the book constitutes a significant contribution to the study of Russian peasant, religious, and matrimonial history. Diana Dukhanova holds a PhD in Slavic Studies and an MA in Religious Studies from Brown University. She is currently Visiting Assistant Professor of Russian in the Department of Modern Languages at the College of the Holy Cross. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mother of the Church: Sofia Svechina, the Salon, and the Politics of Catholicism in Nineteenth-Century Russia and France (Northern Illinois University Press, 2016), Tatyana V. Bakhmetyeva explores an influential figure in the history of Russian Catholicism. A Russian noblewoman and Catholic convert living in Paris in the early to mid-nineteenth century, Svechina (1782-1857) was the hostess of an illustrious and distinctively religious salon frequented both by the French and by her fellow Russian expatriates. First a salonniere in St. Petersburg, Svechina relocated to Paris after the rise of anti-Catholic and anti-French sentiment in Russia following the French Revolution. Svechina played a pivotal role in Liberal Catholic movement, acting as a mentor, spiritual counselor, and intimate friend to some of its leading figures, her influence extending into the world of political ideas beyond the salon. In this interview, Tatyana Bakhmetyeva discusses the intellectual and spiritual formation and influence of Sophia Svechina in the context of the religious, political, and intellectual development of Russia and France during her lifetime. Tatyana V. Bakhmetyeva is Associate Professor of Gender, Sexuality, and Women’s Studies and Associate Academic Director for the Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies. She received her Ph.D. from the University of Rochester in 2006. Her research interests center on religion, gender, and national identity in Russia, Poland, Lithuania, and Belorussia. Her publications include”Russian Catholicism and the Collapse of the Ideals of the Enlightenment” (2006) and “Russian Catholicism in the First Quarter of 19th Century: A New Look” (2005). Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mother of the Church: Sofia Svechina, the Salon, and the Politics of Catholicism in Nineteenth-Century Russia and France (Northern Illinois University Press, 2016), Tatyana V. Bakhmetyeva explores an influential figure in the history of Russian Catholicism. A Russian noblewoman and Catholic convert living in Paris in the early to mid-nineteenth century, Svechina (1782-1857) was the hostess of an illustrious and distinctively religious salon frequented both by the French and by her fellow Russian expatriates. First a salonniere in St. Petersburg, Svechina relocated to Paris after the rise of anti-Catholic and anti-French sentiment in Russia following the French Revolution. Svechina played a pivotal role in Liberal Catholic movement, acting as a mentor, spiritual counselor, and intimate friend to some of its leading figures, her influence extending into the world of political ideas beyond the salon. In this interview, Tatyana Bakhmetyeva discusses the intellectual and spiritual formation and influence of Sophia Svechina in the context of the religious, political, and intellectual development of Russia and France during her lifetime. Tatyana V. Bakhmetyeva is Associate Professor of Gender, Sexuality, and Women’s Studies and Associate Academic Director for the Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies. She received her Ph.D. from the University of Rochester in 2006. Her research interests center on religion, gender, and national identity in Russia, Poland, Lithuania, and Belorussia. Her publications include”Russian Catholicism and the Collapse of the Ideals of the Enlightenment” (2006) and “Russian Catholicism in the First Quarter of 19th Century: A New Look” (2005). Diana Dukhanova is Visiting Assistant Professor of Slavic Studies at Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices