Podcasts about german renaissance

Mokuhanga is carried by those with a desire to explore the medium to its fullest, to foray into uncharted territory, to educate many, and to draw more people to the art form. On this episode of The Unfinished Print, I speak with Vladimir Ivaneanu and Soetkin Everaert, co-founders of the Japanese print promotion project Mokuhanga Magic! We discuss how Mokuhanga Magic! began, exploring the mokuhanga journeys of both Soetkin and Vladimir, dive into the art of collaboration, share stories of their travels to Japan, and reflect on the current state of mokuhanga today. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me andrezadorozny@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Mokuhanga Magic! - website Emil Nolde (1867–1956) was a German-Danish Expressionist known for his bold use of colour, deep interest in spirituality and the human condition. As a printmaker, Nolde was a pioneering figure in early 20th-century German art, producing powerful woodcuts, etchings, and lithographs that often explored biblical themes, folklore, and dramatic human expressions. Despite being banned by the Nazi regime—who labeled his work as "degenerate art"—Nolde continued to create in secret. Nolde's printmaking helped shape the visual language of German Expressionism and influenced generations of artists. Durchbrechendes Licht (Light Breaking Through), 1950 oil on canvas 68.5 x 88.5 cm MEXT (Mombukagakusho) Scholarship is a prestigious academic scholarship offered by the Japanese Ministry of Education, Culture, Sports, Science and Technology to support international students studying in Japan. Established in 1954, it provides funding for various academic levels, including undergraduate, graduate, vocational, and research programs. The scholarship covers tuition, a monthly stipend, and round-trip airfare. Students can apply either through Japanese embassies (Embassy Recommendation) or directly through Japanese universities (University Recommendation). It aims to promote international exchange and has supported over 65,000 students from around the world. Paul Furneaux  is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga creating pieces of work that are third dimensional, abstract and sculptural. Little Loch (Lochin) 47 x 36 cm Variable edition of 10 Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.  Tintin is a fictional character and the protagonist of The Adventures of Tintin, a comic book series created by Belgian cartoonist Hergé (1907-1983) (the pen name of Georges Remi). First appearing in 1929, Tintin is a young Belgian reporter and adventurer who travels the world, often finding himself embroiled in dangerous plots, solving mysteries, and fighting injustice. The series became internationally beloved for its clean graphic style, detailed research, and engaging storytelling, making Tintin one of the most iconic comic book characters of the 20th century. MI Lab  is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  manga is a style of Japanese comic books and graphic novels that encompasses a wide range of genres and themes, appealing to audiences of all ages. Typically published in black and white, manga is known for its distinctive art style, expressive characters, and cinematic storytelling. It is often serialized in magazines before being collected into volumes called tankōbon. Manga covers everything from action, romance, and fantasy to slice-of-life, horror, and science fiction. It has deep cultural roots in Japan but has gained massive popularity worldwide, influencing global comic art and animation, and serving as the foundation for many anime adaptations. hanmoto system  is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Motoharu Asaka - is a woodblock carver (horishi) and printer based in Shinjuku, Tōkyō Japan. website Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Stake Out By the Bridge 21x30cm from Sea Lion Series (2023) Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. William Blake (1757–1827) was an English poet, painter, and printmaker known for his visionary and symbolic works that combined text and image. Though largely unrecognized in his lifetime, he is now celebrated as a key figure of the Romantic era. His major works, such as Songs of Innocence and of Experience and The Marriage of Heaven and Hell, explore themes of spirituality, imagination, and social critique. Blake's unique style and integration of poetry and visual art have made him a lasting influence on both literature and art. Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Terry McKenna  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan.  Further details about Terry and his school can be found, here. Additionally, you can listen to Terry's interview with The Unfinished Print: A Mokuhanga Podcast, here and Richard Steiner's interview here.  Storm Clearing Wattle Flat (2015) 8.6" x 14" Albrecht Dürer (1471–1528) was a German Renaissance artist known for his woodcuts, engravings, and detailed drawings. Based in Nuremberg, he brought international recognition to printmaking with works like Melencolia Iand The Four Horsemen of the Apocalypse. Dürer combined Northern European detail with Italian Renaissance ideals, influencing art across Europe and contributing to theories on proportion, perspective, and human anatomy. Michihamono  - is a tool manufacturer for woodblock printmaking as well as other woodworking. Located in Tōkyō. You can find their online store, here. © Popular Wheat Productions Opening and closing musical credit - background noise from Gyozanomanshu Kami Shakuji restaurant. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

Wendy Bliss is a Textile artist, Master Costumer, Instructor, and Scholar of all things fiber arts who began sewing very young, and doing her own patterning by the time she was 14 - fiber has always spoken clearly. Her work includes historical costume/ cosplay and dyeing for over thirty years and she cut her teeth on historical German Renaissance era garments. Then moved into fourteenth century French, and then hit 9-10th century Slavic as areas of primary research & reconstruction. She also creates jewelry with designs springboarded from history, and lately has branched out into soft sculpture and quilt design, as well as Silk Velvet pumpkins and  mushrooms. It's all about making things with shape and color and texture.In This episode we explore the primordial elements of being drawn to work on mushrooms, How to construct and compose them, and their decompositional nature. We discuss the importance of curiosity, and exploration in developing ones' skills, how everybody makes mistakes and the importance of showing them especially to students, fabric engineering, the breadth of techniques employed in the use of different materials, The ways that various fabric behaves, what to do with that project you made that has bad associations, and what possible future collaborations might look like. You can find her work on social media at https://www.facebook.com/wendy.bliss.31/photos_byand emailing her directly for classes, workshops, commissions, some of those brilliant Silk velvet pumpkins and mushrooms at wendy.bliss at gmail dot comIntro Music, Irish Trad tune: The Micky Dam- guitar instrumental by Richard Mandel of the Jammy Dodgers, https://thejammydodgers.com/Richard_Mandel.htmlwith Permission for MixedMedia TalksSupport the show

The Treasure Of Treasures For Alchemists - Paracelsus The Great - Alchemy Audio Book. Paracelsus, born Theophrastus von Hohenheim, was a Swiss physician, alchemist, lay theologian, and philosopher of the German Renaissance. He was a pioneer in several aspects of the "medical revolution" of the Renaissance, emphasizing the value of observation in combination with received wisdom. He is credited as the "father of toxicology". Paracelsus also had a substantial impact as a prophet or diviner, his "Prognostications" being studied by Rosicrucians in the 1600s. Paracelsianism is the early modern medical movement inspired by the study of his works. Check out The Hermetic and Alchemical Writings of Paracelsus at https://amzn.to/39oAKx5 *JOIN MY PATREON at https://www.patreon.com/altrusiangracemedia *BECOME A YOUTUBE CHANNEL MEMBER at https://www.youtube.com/channel/UCMzRTOugvDLwhSwJdoSWBZA/join *JOIN THE CULT OF STARRY WISDOM at https://altrusiangrace.bandcamp.com/starry-wisdom-cult *MY TSHIRTS AND DESIGNS ON AMAZON at https://amzn.to/3peS9j3 *MY NEW 2022 MERCH LINE "OCCULT NOUVEAU" at https://amzn.to/3OeUHZL *MY TSHIRTS AND DESIGNS ON TEEPUBLIC at https://teepublic.sjv.io/XxvPDX *LICENSE MY MUSIC FOR YOUR PROJECT at https://www.pond5.com/artist/altrusiangracemedia *MY BOOKS ON AMAZON at https://amzn.to/3oQGh6A As an Amazon Associate I earn a small amount from qualifying purchases and it helps to support my channel. Please consider LIKING the video, SUBSCRIBING to the channel, and SHARING the links! These simple actions go a long way in supporting AGM and is truly appreciated!  ~~Places to follow and support Altrusian Grace Media~~ Website ► https://altrusiangrace.blogspot.com/ Bandcamp ► https://altrusiangrace.bandcamp.com Teepublic Store ► https://teepublic.sjv.io/XxvPDX Twitter ► https://twitter.com/AltrusianGrace Rumble ► https://rumble.com/c/c-375437 YouTube ► https://www.youtube.com/AltrusianGraceMedia Odessy ► https://odysee.com/@altrusiangracemedia:1 Bitchute ► https://www.bitchute.com/channel/altrusiangracemedia/ To kindly donate directly to my channel: www.paypal.me/altrusiangrace For inquiries regarding voice-over work or licensing for my work (including music) please contact altrusiangracemedia ((at)) gmail.com AGM BACKUP CONTENT ► https://www.youtube.com/channel/UCO0nCG5aqB1CHyU3Xf0TUbg  

Albrecht Dürer is best known for his emblematic Christian artwork, “Praying Hands.” But beyond being one of the most brilliant artists of the German Renaissance, Dürer was also a staunch friend of the Reformation. Join us for part one of Albrecht Dürer's journey in this episode of Great in God's Sight! As always, don't miss the amazing artwork on our website, thegreatpodcast.org

In this episode I talk about the role that magic, superstition, irrationality has played in human progress, specifically the so-called Enlightenment. I will use the life of Paracelsus, the Swiss physician, alchemist and lay theologian of the German Renaissance, as an exemplar of one who paved the way for progress, yet believed wholeheartedly in things that today we would not associate with intellectual advancement.I want to show how much of science and engineering came not from some departure from myth and magic as the usual narrative goes, but because of beliefs in things that today seem counter to enlightened thinking.I will argue that there are strong evolutionary mechanisms behind superstition and irrational thinking, and that to continue making progress humanity will need to return to magic. Support the show (https://www.patreon.com/nontrivial)

Order of Divine Service I, p.136  Lutheran Worship Hymn “If God Had Not Been on Our Side” TLH 267 Readings:  1 Kings 17:17-24, Ephesians 3:13-21, Luke 7:11-17 Hymn “For Me to Live Is Jesus” LW 267, TLH 597 Sermon Communion Hymns: “Jesus, Your Blood and Righteousness” LW 362, TLH 371 “In Peace and Joy I Now Depart” LW 185, TLH 137 “How Lovely Shines the Morning Star” TLH 343, LW 73 --Michael D. Henson, Pastor of Trinity Lutheran Church (Herrin, IL). Service Bulletin:  Trinity-Sixteen-Divine-Service-for-Online-9-19-2021.pdf https://vimeo.com/603451600 Picture: In addition to aggressively promoting the reading of biblical texts in the vernacular, the Protestant Reformation also introduced one of the most creative and controversial periods of printed Bible illustration. Martin Luther made effective use of translations enriched with woodcuts, beginning with his first translation of the German New Testament. For that edition he employed Lucas Cranach the Elder (1472–1553), one of the leading artists of the German Renaissance, to supply a rich program of woodcuts, including twenty-one full-page illustrations of the Apocalypse. Southern Methodist University, Bridwell Library, Perkins School of Theology, Dallas Texas https://www.smu.edu/Bridwell/Special Collections andArchives/Exhibitions/Luther/Bibles/BRA0930

German Renaissance artist Albrecht Dürer captured fascinating animals with a surprisingly modern flair.

大家對杜勒熟悉嗎？這位德國文藝復興的重要推手，將寫實主義的技巧和精神從義大利北傳至發揚光大。這位大師除了傳統繪畫技巧，在版畫、雕刻、印刷也貢獻非凡。位於紐倫堡老城區的杜勒故居已有六百年歷史，從中可窺杜勒的工作和生活。一起來聽聽這位藝術大師的故事吧！

“Romare Bearden was asked in a 1972 interview with Camille Billops how he would define black art, and he said that black art is the art that black artists do,” says Tate's Zoe Whitley. "If someone were to say: 'What is white art?' you might say the Italian Renaissance, but you could equally say the German Renaissance, Rembrandt or English painting. Black art is as varied as that.” Joining us in London to discuss contemporary African art are Zoe Whitley, the curator and writer Osei Bonsu, and Sotheby's Hannah O'Leary. In a broad-ranging conversation, we cover the challenges of bringing more recognition to artists who have lived or worked on the Continent or been part of its diaspora. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm. For a full transcript, click here: http://www.artagencypartners.com/episode-16-transcript-contemporary-african-art/

“Romare Bearden was asked in a 1972 interview with Camille Billops how he would define black art, and he said that black art is the art that black artists do,” says Tate's Zoe Whitley. "If someone were to say: 'What is white art?' you might say the Italian Renaissance, but you could equally say the German Renaissance, Rembrandt or English painting. Black art is as varied as that.” Joining us in London to discuss contemporary African art are Zoe Whitley, the curator and writer Osei Bonsu, and Sotheby's Hannah O’Leary. In a broad-ranging conversation, we cover the challenges of bringing more recognition to artists who have lived or worked on the Continent or been part of its diaspora. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm. For a full transcript, click here: http://www.artagencypartners.com/episode-16-transcript-contemporary-african-art/

Lucas Cranach the Elder (c. 1472 – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm, becoming a close friend of Martin Luther. He also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. He had a large workshop and many works exist in different versions; his son Lucas Cranach the Younger, and others, continued to create versions of his father's works for decades after his death. Lucas Cranach the Elder has been considered the most successful German artist of his time. Peter Stanford is a writer, biographer, journalist, and broadcaster. Peter’s new book,

With John Wilson. Prime Suspect creator Lynda La Plante reveals her plans for a prequel focusing on the early life of DCI Tennison. Who will play the iconic detective? The makers of Spooks have teamed up with writer Lucy Kirkwood (Skins, Chimerica) to create a new Sky1 drama about firemen, starring Jamie Bamber and Jodie Whittaker. Sarah Crompton reviews. Andrew Graham Dixon reviews Strange Beauty, a new exhibition of German Renaissance painting at the National Gallery, which includes work by Hans Holbein and Albrecht Dürer. And musician Jon Hopkins on his Mercury nominated album Immunity, in which he uses real sounds such as exploding fireworks and creaking doors, on his relationship with Brian Eno, and on improvising for Coldplay.

This week, we'll look at the many aspects of melancholia. In particular, German Renaissance master Albrecht Durer engraving of the same name. We can linger over the many symbols of mathematics and alchemy portrayed in the work but ultimately it's all about how one feels. Expounding and deflecting for us this week are All India Radio, Plastik Joy, Matisse and Deeper Sublime, Eskazed, Blind Divine and Gate Zero

Leonhard Romeis (1854-1904) was an architect of historism and professor at the school of applied arts in Munich. He designed arts-and-crafts objects, sacral and profane buildings in various styles, as well as a group of mansions and villas in Munich which can almost all be catagorized under the "German-Renaissance" style. In this thesis this nearly forgotten architect's life and works will be reconstructed and presented. Two of his houses commissioned by the artists Eduard von Grützner and Ernst Ludwig Plaß will be analysed. The characteristics of his design are illustrated by comparing these two buildings with his other houses. Moreover the buildings will be classified in the context of Munich artists’ houses at the end of the 19th century. As the villa for Ernst Ludwig Plaß is part of a twin house it basically does not differ from its counterpart, the villa for municipal schools inspector Georg Kerschensteiner. However when designing houses for Eduard von Grützner and Anton Hess, Romeis had to integrate a collection of work of arts and furnishing in the houses and therefore had to adapt the houses to the collected objects. Romeis' buildings were modelled on timber framing from Franconia (Bavaria) and Architecture from South Tyrol. Basic structures of front plan and elevation have been adopted from the South Tyrolian Renaisance-Style. After the evaluation and classification of Romeis' buildings the appreciation of his producing by his coevals will be discussed. At the end of the text a catalogue of the one-family-houses and villas in Munich and the sourrounding area designed by Leonhard Romeis can be found.

Leonhard Romeis (1854-1904) was an architect of historism and professor at the school of applied arts in Munich. He designed arts-and-crafts objects, sacral and profane buildings in various styles, as well as a group of mansions and villas in Munich which can almost all be catagorized under the "German-Renaissance" style. In this thesis this nearly forgotten architect's life and works will be reconstructed and presented. Two of his houses commissioned by the artists Eduard von Grützner and Ernst Ludwig Plaß will be analysed. The characteristics of his design are illustrated by comparing these two buildings with his other houses. Moreover the buildings will be classified in the context of Munich artists’ houses at the end of the 19th century. As the villa for Ernst Ludwig Plaß is part of a twin house it basically does not differ from its counterpart, the villa for municipal schools inspector Georg Kerschensteiner. However when designing houses for Eduard von Grützner and Anton Hess, Romeis had to integrate a collection of work of arts and furnishing in the houses and therefore had to adapt the houses to the collected objects. Romeis' buildings were modelled on timber framing from Franconia (Bavaria) and Architecture from South Tyrol. Basic structures of front plan and elevation have been adopted from the South Tyrolian Renaisance-Style. After the evaluation and classification of Romeis' buildings the appreciation of his producing by his coevals will be discussed. At the end of the text a catalogue of the one-family-houses and villas in Munich and the sourrounding area designed by Leonhard Romeis can be found.

Leonhard Romeis (1854-1904) was an architect of historism and professor at the school of applied arts in Munich. He designed arts-and-crafts objects, sacral and profane buildings in various styles, as well as a group of mansions and villas in Munich which can almost all be catagorized under the "German-Renaissance" style. In this thesis this nearly forgotten architect's life and works will be reconstructed and presented. Two of his houses commissioned by the artists Eduard von Grützner and Ernst Ludwig Plaß will be analysed. The characteristics of his design are illustrated by comparing these two buildings with his other houses. Moreover the buildings will be classified in the context of Munich artists’ houses at the end of the 19th century. As the villa for Ernst Ludwig Plaß is part of a twin house it basically does not differ from its counterpart, the villa for municipal schools inspector Georg Kerschensteiner. However when designing houses for Eduard von Grützner and Anton Hess, Romeis had to integrate a collection of work of arts and furnishing in the houses and therefore had to adapt the houses to the collected objects. Romeis' buildings were modelled on timber framing from Franconia (Bavaria) and Architecture from South Tyrol. Basic structures of front plan and elevation have been adopted from the South Tyrolian Renaisance-Style. After the evaluation and classification of Romeis' buildings the appreciation of his producing by his coevals will be discussed. At the end of the text a catalogue of the one-family-houses and villas in Munich and the sourrounding area designed by Leonhard Romeis can be found.