Podcasts about Textile

This week on the Podcast this week Tom and Dick are talking about Galway Textile PrintersYou can find the articles referenced in this podcast on www.advertiser.ie/galway.If you have a message for Tom or Dick please email us at oldgalwaydiary@advertiser.ie

In this episode of IPS Finance, we analyze the IT sector crash and discuss whether this is the right time for investors to buy. The episode also examines how the RoDTEB cut could impact the textile sector, along with the possible effects of Trump-era tariffs on global trade. Key insights related to the IT sector and companies like IBM are discussed to help investors understand risks, opportunities, and market direction.

Pour cet épisode, je suis allée à Saint-Brieuc à la rencontre d'Adèle et Maxime, le duo qui forme Atelier Bingo.Leur pratique à quatre mains commence vraiment à Saint-Laurent-sur-Sèvre, dans un atelier-logement en pleine campagne. Un grand espace, du temps, peu de moyens… et l'envie de tout faire eux-mêmes. C'est là que la sérigraphie les amène vers le collage, que les formes se découpent, que les images se construisent couche après couche, couleur après couleur.Très vite, iels développent une écriture identifiable, entre abstraction, matière et contraste, qu'iels vont injecter dans la commande. Textile, édition, affiches, étiquettes, vitrines : leur travail circule entre pratique personnelle et projets commerciaux, les deux se nourrissant en permanence.On parle avec eux d'auto-édition, de débuts sur Tumblr puis Instagram, de la question des droits d'auteur, du rapport à l'économie d'un studio. On parle aussi du geste manuel, du collage comme méthode de pensée, du numérique comme outil, mais jamais comme point de départ.Avec Atelier Bingo, tout commence par découper, assembler, tester. Les images ne sont jamais préméditées : elles apparaissent en faisant.Une conversation sur le temps long, sur l'équilibre entre liberté et commande et sur l'importance du lieu dans la construction d'une pratique et d'un langage visuel.➡️ @atelier_bingo atelier-bingoLes références : - @antoninfaurel- @geoffroypithon (EP.45)- @omnitype- @editions_fpcf (EP.23)- @okdesparis- Mambo de chez @editions_fpcf- Stéréo Couleur de chez @editions_fpcf- Capsules spatiotemporaires (bientôt disponible) de chez @okdesparisLettrage de la cover par Atelier BingoPour faire un don et soutenir le podcast.Pour vous inscrire à la newsletter mensuelle de Graphic Matter.Pour suivre le podcast @graphicmatterpodcastMerci pour votre soutien, on se retrouve toutes les deux semaines pour une nouvelle rencontre. Conception, production, curation, graphisme : Louise GomezHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Good Sunday to you,Geoffrey Chaucer wrote The Canterbury Tales in around 1400, and it is considered one of the first great works of English literature.Try reading it today and you might question the “English” part. Here're the opening lines:Whan that Aprille with his shoures soote,The droghte of March hath perced to the roote,It does not get much easier.Canterbury Tales is the story of group of pilgrims who walk from Southwark to Canterbury Cathedral. I have done the pilgrimage myself and I would urge you to as well. The structure is quite simple. To pass the time, the pilgrims have to a storytelling contest and so each tells his or her tale. There are around thirty pilgrims - in effect, thirty professions, and so we get the Knight's Tale, the Miller's Tale, the Wife of Bath's Tale and so on.Here is the interesting part. Since the story was written in 1400 we have had, off the top of my head, the printing press, the Agricultural Revolution, the Industrial Revolution, steam power, fossil fuels, the internal combustion engine, electricity, aviation, nuclear power, computers, the internet, smartphones and now artificial intelligence.And yet, if you look the list of characters below, every single one of Chaucer's professions still exists in some recognisable form today.You could go all the way back to the dawn of civilisation and argue the same thing. We still have farmers. We still have merchants. We still have lawyers, doctors, religious people, soldiers, landlords, craftsmen, entertainers, administrators and hustlers.AI will change the nature of the job, but it will not erase the underlying human needs that created it.Machines put many farm labourers out of work at the turn of the 19th century, but they also generated enormous productivity, which created new industries and new jobs, and, it's worth noting, productivity which enabled us to be able to ban slavery. The net result was not mass permanent unemployment but rising prosperity.What Actually ChangesWhat does get destroyed is power structure.Feudalism has gone. The Church no longer dominates European politics - not the Christian Church, anyway. Guilds have faded. The landed aristocracy has all but gone. In their place we have the modern State, bureaucracy, multinational banks, global corporations, Big Tech, Big Pharma, the mainstream media and so on.AI is more likely to erode existing hierarchies than to eliminate work altogether. It will compress middle layers. It will reduce friction. It will concentrate power in some places and decentralise it in others.If you live in a third world country such as the UK, I urge you to own gold or silver. The pound will be further devalued, as will the euro and dollar. The bullion dealer I recommend is The Pure Gold Company. More here.The winners are likely to include: platforms, energy producers, owners of scare assets, large scale infrastructure, those who control distribution. AI is already being used in manufacturing, agriculture and mining, but so much to replace jobs as to increase productivity. You can't help feeling the physical economy is a better place to be than parts of the digital - at least for now, though I guess robots are next if those Chinese videos doing the rounds are anything to go by.Who else wins? AI and machine learning engineers, obviously, certain content creators, those who get good at prompting will find it useful for anything from medicine to plumbing to consultancy.The losers will be among those whose job is mainly to control access to or verify information that AI can now do instantly. Think: interpreters and translators, proofreaders and editors, coders, copywriters and journalists, graphic designers, sales reps, basic financial advisors. I think long-distance drivers' days are numbered too.The work doesn't disappear but the pricing power and margins collapse.Legacy media distribution - not the content creators themselves, but the distribution gatekeepers who controlled which creators reached audiences. Publishers who mainly performed filtering rather than editing, talent agencies for routine work, certain music labels.The job may technically exist but the power and economics drain away.Chaucer's Cast, ModernisedFinally, below is Chaucer's professional cross-section of medieval England. I have added approximate modern equivalents.* Narrator – content creator (!)* Host – Event organiser, podcast presenter* Knight – Army officer* Squire – Cadet, trainee officer* Knight's Yeoman – Bodyguard, fixer, executive assistant* Prioress – Headmistress, senior religious leader* Second Nun – Clergy* Nun's Priest – Chaplain* Monk – Monk* Friar – Fundraiser, community organiser* Merchant – Import–export, trader, entrepreneur* Clerk – Researcher* Man of Law – Barrister, judge* Franklin – Wealthy landowner, landlord, businessman* Haberdasher – Fashion retailer, Etsy seller* Carpenter – Builder* Weaver – Textile manufacturer* Dyer – Industrial processor* Tapestry-maker – Textile artisan* Cook – Chef* Shipman – Merchant mariner, sailor* Physician – Doctor* Wife of Bath – Self-made businesswoman* Parson – Parish priest* Plowman – Smallholder farmer* Miller – Construction materials supplier* Manciple – Buyer, procurement officer* Reeve – Estate manager, COO* Summoner – Bailiff, compliance officer* Pardoner – Carbon credit broker* Canon – Serial start-up founder, “entrepreneur'* Canon's Yeoman – Startup engineerThe Real QuestionI think a fear frenzy is being whipped up - and I say this as someone who has lost his primary source of income (voiceovers) to AI.The work changes. The tools change. The leverage changes. The power centres change. The underlying human needs do not.There will still be farmers because people eat. There will still be merchants because people trade. There will still be storytellers because people crave stories. Most importantly of all, there will still be opportunities, if anything there will be more of them.AI will reduce headcount in some sectors. It will elevate productivity so dramatically that fewer people are required to produce more output. That is economic evolution.If you are worried about AI taking your job, ask yourself this: are you positioned inside an old power structure that is about to weaken? Or are you aligned with the next one forming?Join the gang.Until next time,DominicICYMI here is this week's commentaryFinally, Charlie Morris and I appeared on In The Company of Mavericks this week to discuss what's been going on with gold, silver and bitcoin. (Charlie writes Atlas Pulse which I heartily recommend. Get your copy here - it's free.)Links to Spotify and Apple podcasts are here: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Good Sunday to you,Geoffrey Chaucer wrote The Canterbury Tales in around 1400, and it is considered one of the first great works of English literature.Try reading it today and you might question the “English” part. Here're the opening lines:Whan that Aprille with his shoures soote,The droghte of March hath perced to the roote,It does not get much easier.Canterbury Tales is the story of group of pilgrims who walk from Southwark to Canterbury Cathedral. I have done the pilgrimage myself and I would urge you to as well. The structure is quite simple. To pass the time, the pilgrims have to a storytelling contest and so each tells his or her tale. There are around thirty pilgrims - in effect, thirty professions, and so we get the Knight's Tale, the Miller's Tale, the Wife of Bath's Tale and so on.Here is the interesting part. Since the story was written in 1400 we have had, off the top of my head, the printing press, the Agricultural Revolution, the Industrial Revolution, steam power, fossil fuels, the internal combustion engine, electricity, aviation, nuclear power, computers, the internet, smartphones and now artificial intelligence.And yet, if you look the list of characters below, every single one of Chaucer's professions still exists in some recognisable form today.You could go all the way back to the dawn of civilisation and argue the same thing. We still have farmers. We still have merchants. We still have lawyers, doctors, religious people, soldiers, landlords, craftsmen, entertainers, administrators and hustlers.AI will change the nature of the job, but it will not erase the underlying human needs that created it.Machines put many farm labourers out of work at the turn of the 19th century, but they also generated enormous productivity, which created new industries and new jobs, and, it's worth noting, productivity which enabled us to be able to ban slavery. The net result was not mass permanent unemployment but rising prosperity.What Actually ChangesWhat does get destroyed is power structure.Feudalism has gone. The Church no longer dominates European politics - not the Christian Church, anyway. Guilds have faded. The landed aristocracy has all but gone. In their place we have the modern State, bureaucracy, multinational banks, global corporations, Big Tech, Big Pharma, the mainstream media and so on.AI is more likely to erode existing hierarchies than to eliminate work altogether. It will compress middle layers. It will reduce friction. It will concentrate power in some places and decentralise it in others.If you live in a third world country such as the UK, I urge you to own gold or silver. The pound will be further devalued, as will the euro and dollar. The bullion dealer I recommend is The Pure Gold Company. More here.The winners are likely to include: platforms, energy producers, owners of scare assets, large scale infrastructure, those who control distribution. AI is already being used in manufacturing, agriculture and mining, but so much to replace jobs as to increase productivity. You can't help feeling the physical economy is a better place to be than parts of the digital - at least for now, though I guess robots are next if those Chinese videos doing the rounds are anything to go by.Who else wins? AI and machine learning engineers, obviously, certain content creators, those who get good at prompting will find it useful for anything from medicine to plumbing to consultancy.The losers will be among those whose job is mainly to control access to or verify information that AI can now do instantly. Think: interpreters and translators, proofreaders and editors, coders, copywriters and journalists, graphic designers, sales reps, basic financial advisors. I think long-distance drivers' days are numbered too.The work doesn't disappear but the pricing power and margins collapse.Legacy media distribution - not the content creators themselves, but the distribution gatekeepers who controlled which creators reached audiences. Publishers who mainly performed filtering rather than editing, talent agencies for routine work, certain music labels.The job may technically exist but the power and economics drain away.Chaucer's Cast, ModernisedFinally, below is Chaucer's professional cross-section of medieval England. I have added approximate modern equivalents.* Narrator – content creator (!)* Host – Event organiser, podcast presenter* Knight – Army officer* Squire – Cadet, trainee officer* Knight's Yeoman – Bodyguard, fixer, executive assistant* Prioress – Headmistress, senior religious leader* Second Nun – Clergy* Nun's Priest – Chaplain* Monk – Monk* Friar – Fundraiser, community organiser* Merchant – Import–export, trader, entrepreneur* Clerk – Researcher* Man of Law – Barrister, judge* Franklin – Wealthy landowner, landlord, businessman* Haberdasher – Fashion retailer, Etsy seller* Carpenter – Builder* Weaver – Textile manufacturer* Dyer – Industrial processor* Tapestry-maker – Textile artisan* Cook – Chef* Shipman – Merchant mariner, sailor* Physician – Doctor* Wife of Bath – Self-made businesswoman* Parson – Parish priest* Plowman – Smallholder farmer* Miller – Construction materials supplier* Manciple – Buyer, procurement officer* Reeve – Estate manager, COO* Summoner – Bailiff, compliance officer* Pardoner – Carbon credit broker* Canon – Serial start-up founder, “entrepreneur'* Canon's Yeoman – Startup engineerThe Real QuestionI think a fear frenzy is being whipped up - and I say this as someone who has lost his primary source of income (voiceovers) to AI.The work changes. The tools change. The leverage changes. The power centres change. The underlying human needs do not.There will still be farmers because people eat. There will still be merchants because people trade. There will still be storytellers because people crave stories. Most importantly of all, there will still be opportunities, if anything there will be more of them.AI will reduce headcount in some sectors. It will elevate productivity so dramatically that fewer people are required to produce more output. That is economic evolution.If you are worried about AI taking your job, ask yourself this: are you positioned inside an old power structure that is about to weaken? Or are you aligned with the next one forming?Join the gang.Until next time,DominicICYMI here is this week's commentaryFinally, Charlie Morris and I appeared on In The Company of Mavericks this week to discuss what's been going on with gold, silver and bitcoin. (Charlie writes Atlas Pulse which I heartily recommend. Get your copy here - it's free.)Links to Spotify and Apple podcasts are here: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Dans cet épisode de « Comment j'ai réussi ? », Laurence Allois, responsable formation, emploi et compétences de la fédération Unitex pour la région Auvergne-Rhône-Alpes, nous plonge au cœur de l'industrie textile française. Avec ses 60 000 emplois, dont 20 000 dans cette région, ce secteur d'activité a su se réinventer pour faire face aux défis de la concurrence mondiale et aux exigences environnementales.Notre invitée nous explique comment la région Auvergne-Rhône-Alpes, véritable bastion de l'innovation textile, a su tirer son épingle du jeu. Grâce à sa capacité à développer de nouvelles applications textiles, notamment dans des domaines de pointe comme l'aéronautique ou la protection individuelle, cette filière a su diversifier ses débouchés et maintenir une bonne activité, malgré les difficultés du prêt-à-porter.Mais ce succès ne vient pas sans défis. L'industrie textile fait face à des problématiques de recrutement, avec un enjeu d'attractivité et de marque employeur à relever. Laurence Allois nous détaille les initiatives menées par Unitex pour accompagner les entreprises dans cette transformation, à travers le programme FIDALEX, un accélérateur d'innovation managériale.Au-delà des innovations produits, ces entreprises doivent également s'adapter à un cadre réglementaire de plus en plus exigeant, notamment en matière de réduction des polluants éternels. Loin de subir ces contraintes, les acteurs du textile français se mobilisent pour que ces règles s'appliquent de manière équitable à l'ensemble de la filière, y compris aux importations.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this special podcast series, we speak to the winners of the WTiN Innovate Textile Awards 2025.World Textile Information Network (WTiN) is thrilled to announce the winners of the Innovate Textile Awards 2025. In this special podcast series we speak with the winners of the awards about the challenges, possibilities and successes of innovation within the textile industry. In this episode, we are joined by Özer Yilmaz, co-founder and technical director at Canapa Paper Technologies. Canapa won the Sustainability Award for its DTpaper Transfer Media for the digital textile printing industry. The Sustainability Award recognises groundbreaking advancements in chemistry, materials and production processes that significantly reduce the environmental impact of the textile and apparel industry. In this episode, Yilmaz speaks through the evolution of Canapa's product and technology.He delves into the importance of sustainable manufacturing and explains how the company endeavours to bridge the gap between performance and sustainability, while creating durable, high-performance, scalable solutions for digital textile printing. You can learn more about Canapa at canapa.com.tr. WTiN announced the winners in a virtual ceremony on 5 December 2025, which you can now watch on demand atWTiN.com. 

Clarence Ford spoke to Irshaad Kathrada, Chief Executive Officer of the Localisation Support on the Retail-Clothing, Textile, Footwear and Leather (R-CTFL) industry localization study. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

The work of artists Carolyn Mazloomi and Sharon Kerry-Harlan, who happen to be best friends, explores Black history through fiber and textile arts. Their work is now on view in the exhibition 'Certain Restrictions Do Apply' at the Claire Oliver gallery in Harlem. Mazloomi and gallery owner Claire Oliver discuss the show.(Image courtesy of the artist/Claire Oliver Gallery) Black Panther Party, 2025. Cotton fabric, cotton batt, poly-cotton thread, India ink; printed, stenciled, hand painting, machine quilted.

In this podcast, Kushal and Ajay Rotti will address the entire controversy around the claim of Indian textiles being doomed. After the announcement of the India USA trade deal there was a declaration of the terms of agreement between Bangladesh and America. Post that there has been a lot of noise about how Indian textile industry is doomed. How accurate are these claims? Follow them: X: @ajayrotti #indiaustradedeal #pmmodi #donaldtrump #indiaustrade #trumptariffs #trump #donaldtrump #pmmodi #indiaustradedeal #tradedeal #trumptariffs #indiaustrade #tariffscuts #trumppmmodi #tariffs #indiausrelations ------------------------------------------------------------ Listen to the podcasts on: SoundCloud: https://soundcloud.com/kushal-mehra-99891819 Spotify: https://open.spotify.com/show/1rVcDV3upgVurMVW1wwoBp Apple Podcasts: https://podcasts.apple.com/us/podcast/the-c%C4%81rv%C4%81ka-podcast/id1445348369 Stitcher: https://www.stitcher.com/show/the-carvaka-podcast ------------------------------------------------------------ Support The Cārvāka Podcast: Buy Kushal's Book: https://amzn.in/d/58cY4dU Become a Member on YouTube: https://www.youtube.com/channel/UCKPx... Become a Member on Patreon: https://www.patreon.com/carvaka UPI: kushalmehra@icici Interac Canada: kushalmehra81@gmail.com To buy The Carvaka Podcast Exclusive Merch please visit: http://kushalmehra.com/shop ------------------------------------------------------------ Follow Kushal: Twitter: https://twitter.com/kushal_mehra?ref_... Facebook: https://www.facebook.com/KushalMehraO... Instagram: https://www.instagram.com/thecarvakap... Koo: https://www.kooapp.com/profile/kushal... Inquiries: https://kushalmehra.com/ Feedback: kushalmehra81@gmail.com

Nifty survived the volatility to close at 25,935, but a nasty surprise hit the exporters. Just as we celebrated the India-US framework, the US signed a "Zero Tariff" deal with Bangladesh! This puts our Textile stocks under immediate pressure. On the flip side, domestic power is unstoppable—SIP inflows are near records, and MF assets have crossed ₹81 Lakh Crore. But why is "Smart Money" aggressively buying Gold ETFs? Join Sanket Bendre as we decode the new threat to your portfolio.

Nifty survived the volatility to close at 25,935, but a nasty surprise hit the exporters. Just as we celebrated the India-US framework, the US signed a "Zero Tariff" deal with Bangladesh! This puts our Textile stocks under immediate pressure. On the flip side, domestic power is unstoppable—SIP inflows are near records, and MF assets have crossed ₹81 Lakh Crore. But why is "Smart Money" aggressively buying Gold ETFs? Join Sanket Bendre as we decode the new threat to your portfolio.

Nifty survived the volatility to close at 25,935, but a nasty surprise hit the exporters. Just as we celebrated the India-US framework, the US signed a "Zero Tariff" deal with Bangladesh! This puts our Textile stocks under immediate pressure. On the flip side, domestic power is unstoppable—SIP inflows are near records, and MF assets have crossed ₹81 Lakh Crore. But why is "Smart Money" aggressively buying Gold ETFs? Join Sanket Bendre as we decode the new threat to your portfolio.

The Nifty surged to 25,867, but the real fireworks were in a specific sector. The US has officially confirmed that tariffs on Indian Gems and Diamonds will be slashed to ZERO! This is the game-changer exporters were praying for. Textile stocks aren't far behind, with duties dropping to 18%. Is this the start of a massive export rally? Join Sanket Bendre as we identify the stocks that will double their profits under this new trade framework.

The Nifty surged to 25,867, but the real fireworks were in a specific sector. The US has officially confirmed that tariffs on Indian Gems and Diamonds will be slashed to ZERO! This is the game-changer exporters were praying for. Textile stocks aren't far behind, with duties dropping to 18%. Is this the start of a massive export rally? Join Sanket Bendre as we identify the stocks that will double their profits under this new trade framework.

The Nifty surged to 25,867, but the real fireworks were in a specific sector. The US has officially confirmed that tariffs on Indian Gems and Diamonds will be slashed to ZERO! This is the game-changer exporters were praying for. Textile stocks aren't far behind, with duties dropping to 18%. Is this the start of a massive export rally? Join Sanket Bendre as we identify the stocks that will double their profits under this new trade framework.

Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this Canada Work Permit application data specific to LMIA work permits or employer driven work permits or LMIA exempt work permits for multiple years based on your country of Citizenship. I am coming to you from the Polinsys studios in Cambridge, OntarioNew Brunswick issued work permits between 2015 and 2024 for Patternmakers - textile, leather and fur products under the former 4 digit NOC code 5245, currently referred to as NOC 53125.A senior Immigration counsel may use this data to strategize an SAPR program for clients. More details about SAPR can be found at https://ircnews.ca/sapr. Details including DATA table can be seen at https://polinsys.co/dIf you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at https://ircnews.ca/consultant.Support the show

durée : 00:10:51 - L'Invité d'On n'arrête pas l'éco - Les boutiques qui ferment, les redressements qui s'enchaînent, et parfois les liquidations... La crise de l'habillement français est-elle une fatalité ? Entretien ce samedi avec le patron de l'enseigne française Promod. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Aujourd'hui dans « Comment j'ai réussi ? », le podcast qui lève le voile sur les parcours de chefs d'entreprise, découvrez l'histoire d'Alexandre Baïsse, cofondateur de Musher Antiglisse. Cette entreprise a su révolutionner le marché des équipements hiver pour la conduite sur neige avec une innovation de taille : des chaussettes high-tech qui s'installent facilement sur les pneus pour offrir des performances impressionnantes, même sur sol sec.Originaire d'une famille du textile, Alexandre Baïsse a su mettre à profit ce savoir-faire pour développer un produit unique en son genre. Grâce à un brevet maison et une technologie de pointe, les chaussettes Musher se démarquent de la concurrence par leur facilité d'installation, leur résistance sur sol sec et leur adaptabilité à tous les types de véhicules, du véhicule léger au poids lourd. Loin des traditionnelles chaînes à neige, source de maux de dos et de crises de nerfs, les chaussettes Musher révolutionnent l'équipement hivernal des automobilistes. Avec un simple geste, on peut les enfiler sur les pneus, même dans un parking, pour être fin prêt avant l'arrivée de la neige. Un véritable gain de temps et de confort qui évite bien des tracas.Mais les chaussettes Musher ne se contentent pas d'être pratiques, elles offrent aussi des performances de haut vol sur la neige, avec une résistance pouvant atteindre 150 km sur sol sec. Un tour de force rendu possible grâce à un tricotage 3D et des fibres haute ténacité.Bien que positionnées sur un segment haut de gamme, entre 89 et 189 euros la paire, les chaussettes Musher séduisent de plus en plus d'automobilistes, dans un marché européen en pleine expansion. Face au réchauffement climatique et à la réglementation qui s'impose, de plus en plus de conducteurs sont en quête d'équipements fiables et sécuritaires pour affronter les aléas météorologiques, même loin des zones montagneuses.Fier de produire son innovation en France, notre invité revient avec passion sur les coulisses de cette success story, de la genèse du projet à la commercialisation du produit. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of Recycled Content, host Kara Pochiro hands hosting duties over to Marisa Adler, a leader at the intersection of textile recovery systems, data, and policy and the lead for the Textile Recovery Summit taking place alongside the Plastics Recycling Conference and Resource Recycling Conference this February. Marisa is joined by Traci Kinden of TexRoad and Jennifer Wang of Full Cycle Resources to unpack what "data" really means in textile recovery, where today's information comes from, and why gaps in end-market and operational data can create real risk for policy, investment, and system design. They also dig into the realities of collecting data in informal markets, why trust and incentives matter, and what it will take to build better measurement and accountability across the textile value chain.   Many of these themes will continue at the Textile Recovery Summit, February 23–25 in San Diego. For more information, visit: https://www.textilerecoverysummit.com/.

À Madagascar, plusieurs marques de vêtements haut de gamme ont vu le jour ces dernières années. Un écosystème très dynamique porté par de jeunes créateurs de mode malgaches soucieux de valoriser des matières premières et des savoir-faire locaux. Du design des pièces à leur commercialisation, ces entrepreneurs contrôlent l'essentiel de la chaîne de valeur. Si elles s'adressent dans un premier temps à une clientèle locale, ces marques aspirent à se faire connaître à l'international. Avec notre correspondant à Antananarivo, « Alors, là, je vous présente la chemise Iranja, une chemise en coton local entièrement crochetée à la main », nous présente Alexandra Denage. Elle nous reçoit dans son atelier de confection à Antananarivo. Cette créatrice franco-malgache a lancé il y a deux ans à Madagascar sa marque de prêt-à-porter haut de gamme, Denage, après avoir travaillé pour de grands noms de la mode en Europe. Son modèle économique est basé sur une chaîne de valeur presque 100 % locale, à l'opposé des usines textiles installées en zones franches à Antananarivo, qui produisent pour des enseignes étrangères. « Dans les zones franches, le tissu vient souvent d'Asie et sera déjà coupé ou dessiné, puis l'assemblage se fait ici avant que les pièces ne repartent ailleurs pour être terminées. On se retrouve sur une chaîne de valeur divisée partout dans le monde », explique-t-elle. « À la différence, dans notre atelier pour Denage, le dessin, la découpe, le collage, l'assemblage, tout se fait ici et la pièce est terminée ici », promeut l'entrepreneuse. Elle emploie aujourd'hui six couturières et a aussi lancé un Institut de la Mode et de l'industrie créative (IMIC), pour pallier le manque de formation dans ce secteur à Madagascar. « On confectionne ici pour les plus grandes marques du monde, notamment des grandes marques de luxe, mais on a très peu de marques locales connues », constate-t-elle. L'un des principaux freins, selon elle : les compétences. « Le patronage, par exemple, connaître les proportions, dessiner les pièces, avoir les bonnes mesures par taille... C'est une compétence locale très dure à trouver. On a un besoin de formation professionnelle et de structuration de toute cette chaîne de valeur de la mode », analyse Alexandra Denage. Des volontés de s'exporter Aina Luciana Rasoloarisoa, 31 ans, a créé sa marque Ain'Ampela. Elle produit du coton sauvage dans le sud-est de Madagascar, qui est ensuite travaillé par des tisserandes selon des techniques ancestrales : « On essaye de planter du coton, mais cela prend du temps. Le tissage du coton sauvage, c'est une filière complètement éteinte qu'on tend, en ce moment, à faire renaître. Les femmes tisserandes ont hérité ce savoir-faire de leurs ancêtres, de mère en fille. On va produire peu, mais ça va être de la bonne qualité, ça va durer dans le temps, on ne fait que du sur-mesure. » Pour toucher une clientèle principalement locale pour l'heure, à la fois malgache et expatriée, ces créatrices misent sur les réseaux sociaux et la présentation de leurs collections lors de défilés. Narove Soamamy, fondatrice de la marque Lovatsara.K, voit dans cette dynamique créative et entrepreneuriale une volonté d'affirmation culturelle. « Un créateur, quelle que soit son origine ethnique à Madagascar, peut travailler sur des signes culturels et mettre ça en valeur. Donc, les marques qui se distinguent aujourd'hui, chacune évolue sur son créneau. On arrive à reconnaître les marques par des signes bien distincts », témoigne Narove Soamamy. Une fois qu'elles seront pleinement rentables à Madagascar, ces marques comptent s'exporter sur de grandes places de la mode internationale, en Afrique, au Moyen-Orient ou en Europe. À lire aussiAchète-t-on trop de vêtements? 

In Episode 339, Kestrel welcomes Beth Jensen, the Chief Impact Officer at Textile Exchange, to the show. Leading the organization's efforts to achieve beneficial climate and nature impacts, Beth oversees key functions at Textile Exchange including impact data and Life Cycle Assessment studies; impact tools and reporting mechanisms; reports and research; fundraising; and public affairs/policy. "A big part of vulnerability is really admitting that you don't have all the answers. So in sustainability, in fashion, apparel, and textile space, this is just the way we have to operate. If you said you had all the answers, you wouldn't be taken seriously in this space … What you present as data might change the next time you present it because you have new and better information. You just have to be able to work in the gray and really take the best available information and make informed decisions based on that information." -Beth THEME — DATA & FASHION: METHODS & ACCESS Before we dive in, I want to take a moment to remind us all that FASHION IS POLITICAL.   Whenever a big politically-charged moment arises in the U.S., there is this narrative I see creeping around that expects fashion (brands, designers, creators, etc) to stay silent on quote unquote political issues – that fashion should stay in its so-called lane, detached from the world around it.  Here's the thing – FASHION IS POLITICAL. It always has been and it always will be. It doesn't exist in its own little vacuum. If you care about the fashion industry, and its impact on people and the planet, it's imminent to pay attention and engage in so-called politics, because it's entirely interconnected. Just to mention a few of these significant overlaps – The origins of the fashion industry in the United States – cotton grown by Black enslaved folks who were forced to immigrate – is political.  The way clothing supply chains operate – predominantly spread across the Global South where our clothes are made by mostly women of color, who are often paid less than a living wage – is political. How certain materials permeate the fashion industry – fossil fuel-derived fibers AKA plastic. While other natural fibers were historically made illegal to grow AKA hemp – is political. The largest garment manufacturing city in the U.S. is Los Angeles, employing over 46,000 garment workers, most of whom are immigrant women from Mexico and Central America. L.A. is the wage theft capital of the U.S., with the average hourly wage being $5.85 (Labor Violations In The LA Garment Industry, Garment Worker Center, 2020) The institutionalized violent origins of ICE as well as the continued horrific acts they have made toward immigrants and nonimmigrants, fellow members of our communities – is political. As Faherty called it in their recent IG post – systemic inhumanity affects us all – our families, friends, colleagues, neighbors and communities, and that is political. If you try to separate fashion from politics, clothing from humans, it's impossible. Clothing is made by people who are integral members of our communities and valued creatives along the supply chain. We must advocate for our fellow community members and the safety of our neighbors. This is the second episode is a 2-part series dedicated to DATA IN FASHION. While many of you may already have an understanding of these elements, I think they are important to reframe and contextualize the following conversation.  The fashion industry and the so-called sustainable fashion space has a concerning history with data. The so-called stat – fashion is the 2nd largest polluter globally, second only to oil – unfortunately spread like wildfire before it was found to be unsubstantiated – in 2017, journalist Alden Wicker brought this to light in an article on Racked, and the NY Times did a deep dive into it the following year, calling it the "biggest fake news in fashion". It's clear that the fashion industry has a massive impact on the earth and its inhabitants – it's an industry that not only thrives with models of overproduction and waste, it also prioritizes synthetic fossil fuel-derived materials like polyester. But, considering how long this inaccurate claim was utilized by the sustainability and fashion realm (to note, I still see it used today and often have to send articles to folks to remind them that it was never substantiated) – I guess, it becomes challenging for fashion to be taken seriously in the greater climate conversation.  Being that fashion is one of the most underregulated industries – I know this is shifting with more policy coming into play, but it's slow. This has further reduced the amount of data collected from brands, because it hasn't been required.  As you can tell, data, fashion and sustainability have a complex history. This week's guest understands this reality, and is pushing to shift the narrative through her work with Textile Exchange. But it's a tricky task, when for her, a lack of data shouldn't prevent us from taking action.  "Without having data to underpin statements about something working toward reducing impact or creating beneficial impact, there's really nothing for those statements to stand on. Now the challenge there is making sure that we're striking the right balance of not letting perfect data get in the way of doing the work that we need to do to improve practices and create beneficial outcomes for the industry." -Beth Materials Market Report 2025 (Press Release) Paper on Ensuring Integrity in the Use of Life Cycle Assessment Data (Press Release) Industry Reports Library Life Cycle Inventory (LCI) Library Follow Textile Exchange on Instagram

In this special podcast series, we speak to the winners of the WTiN Innovate Textile Awards 2025.World Textile Information Network (WTiN) is thrilled to announce the winners of the Innovate Textile Awards 2025. In this special podcast series we speak with the winners of the awards about the challenges, possibilities and successes of innovation within the textile industry.In this episode, we are joined by Anna Talvi, senior research fellow at Robotics Living Lab (RoLL). RoLL won the Manufacturing & Supply Chain Award for its novel research facility designed to support innovation for onshore fashion production. The award celebrates pioneering advancements in machinery, software and processing techniques that transform the textile & apparel industry. In this episode Talvi speaks through RoLL's inception and how it develops robotic solutions for the fashion industry. The lab opened early in 2025 after it was awarded GBP£3.8m by the Arts and Humanities research Council (AHRC). RoLL explores more sustainable approaches for fashion manufacturing. It sees fashion researchers, designers and manufacturers working together with robots to create high-value, low-volume fashion. Talvi delves into how it is advancing robotics and how robots can be used effectively in fashion and textile supply chains. You can learn more about RoLL at @robotics_living_lab.WTiN announced the winners in a virtual ceremony on 5 December 2025, which you can now watch on demand atWTiN.com.

Nifty exploded 2.55% today! The trigger? A historic phone call between Donald Trump and PM Modi. The US has slashed tariffs on Indian exports from 50% down to 18%, making us more competitive than Vietnam and Bangladesh instantly. Textile, Jewellery, and Chemical stocks are already flying. Is this the return of the "Animal Spirits" that the market was desperate for? Join Sanket Bendre as we list the top stocks that will double their exports after this deal.

Nifty exploded 2.55% today! The trigger? A historic phone call between Donald Trump and PM Modi. The US has slashed tariffs on Indian exports from 50% down to 18%, making us more competitive than Vietnam and Bangladesh instantly. Textile, Jewellery, and Chemical stocks are already flying. Is this the return of the "Animal Spirits" that the market was desperate for? Join Sanket Bendre as we list the top stocks that will double their exports after this deal.

Nifty exploded 2.55% today! The trigger? A historic phone call between Donald Trump and PM Modi. The US has slashed tariffs on Indian exports from 50% down to 18%, making us more competitive than Vietnam and Bangladesh instantly. Textile, Jewellery, and Chemical stocks are already flying. Is this the return of the "Animal Spirits" that the market was desperate for? Join Sanket Bendre as we list the top stocks that will double their exports after this deal.

Dr. John Fleetham chats with Dr. Barbro N Melgert and Dr. Chris Carlsten about their articles, "Inhalable Textile Microplastic Fibers Impair Airway Epithelial Differentiation" and "Inhaled Microplastics and Airway Development: Concerning Evidence from Organoids."

Die schwedische Samin gehört zu den bekanntesten Künstlerinnen Nordskandinaviens. Ihre gestickten Bilder erzählen von der Natur, den Mythen und dem Leben des samischen Volkes.

This week: Karla Magruder, founder and president of Accelerating Circularity, talks with Ian Welsh about why systems thinking, collaboration across the supply chain and clear demand signals are essential to making circular textiles work. The discussion explores how new tools and partnerships could help move the industry away from landfill and incineration toward true circularity. Plus: greenhushing erodes trust as consumers hear less; Carrefour rolls out environmental scores for clothing; and, climate friendly beef claims face WRI reality check, in the news digest by Ellen Atiyah. Host: Ian Welsh

WTiN Textile Innovation Podcast speaks to Dr. Gediminas Mikutis, co-founder & chief technology officer at Haelixa.Haelixa is a Swiss technology company, spun off from ETH Zürich, that provides DNA-based traceability for industries including textiles. The traceable technology enables brands to verify material origins and claims to enhance supply chain transparency. Already Haelixa is used by brands including Hugo Boss. In this episode Mikutis outlines the numerous benefits of supply chain traceability within the textile industry. He touches upon compliance and upcoming regulations as an industry push towards building greater transparency. Haelixa uses natural DNA from native mountain herbs to mark and trace fibres like organic cotton and cashmere. Mikutis explains how Haelixa is able to imprint textiles with its DNA technology to trace fibres' origins at every stage of the supply chain.Throughout the episode Mikutis uses and references real world case studies to illustrate why Haelixa's work is not only important, but essential, to the textile industry moving forward. If you would like to learn more, please visit haelixa.com.

In this special podcast series, we speak to the winners of the WTiN Innovate Textile Awards 2025.World Textile Information Network (WTiN) is thrilled to announce the winners of the Innovate Textile Awards 2025. In this special podcast series we speak with the winners of the awards about the challenges, possibilities and successes of innovation within the textile industry. In the second episode, we are joined by Alexander Grüner, global business development manager, emtec Electronic. Emtec Electronic won the Changemakers award for Tactile Sensation Analyser and cloud-based Virtual Haptic Library.The emtec TSA Tactile Sensation Analyser evaluates parameters such as surface softness, surface smoothness, stretch and recovery, thermo-haptic properties, friction, and crumple or drape behaviour. This level of detailed analysis allows textile manufacturers to maintain the highest standards of quality and comfort in their products.One of the standout features of the updated TSA device is its integration with the cloud-based Virtual Haptic Library. Developed in collaboration with Black Swan Textiles, this innovative online database digitises and categorises TSA sample data, making it accessible to authorized personnel worldwide in real-time.Grüner speaks about the company's development and journey. He details how it started out in the pulp and paper industry but how interest from manufacturers including the likes of Lenzing opened doors for emtec in the textile space. You can learn more about emtec Electronic at  emtec-electronic.de. WTiN announced the winners in a virtual ceremony on 5 December 2025, which you can now watch on demand at WTiN.com.

Randy Bartsch, chair of both Ecotex Healthcare Linen Services and TRSA's Board of Directors, shares valuable insights into the evolution of healthcare linen services, the challenges of workforce scarcity and the impact of technology on operations.

In this special podcast series, we speak to the winners of the WTiN Innovate Textile Awards 2025.World Textile Information Network (WTiN) is thrilled to announce the winners of the Innovate Textile Awards 2025. In this special podcast series we speak with the winners of the awards about the challenges, possibilities and successes of innovation within the textile industry.In the first episode, we are joined by Melik Demirel, co-founder of Tandem Repeat. Tandem Repeat won the Product Innovation award for Sonachic – a collection of luxury basics inspired by sweater and cardigan knitting, featuring Procell™ fibre made from fermented proteins. Tandem Repeat has developed a patented fermentation microbial process that transforms proteins into valuable products, including textile fibres and nonwovens. This process encompasses synthetic biology, strain and fermentation engineering, and downstream processes. Demirel speaks how the company has combined circular design with functionality. You can learn more about Tandem Repeat at tandemrepeat.com. Read Demirel's report on biomanufacturing protein fibres to achieve sustainable development here. WTiN announced the winners in a virtual ceremony on 5 December 2025, which you can now watch on demand at WTiN.com.

Discover the interconnectedness of peddling and factory work, the surprising origins of the Aloha shirt, and the key role Syrian workers played in major labor actions like the 1912 Bread and Roses strike in Lawrence, Massachusetts. Associate Professor of History at the University of California and author of "Unmentionables: Textiles, Garment Work, and the Syrian American Working Class" Dr. Stacy D. Fahrenthold discusses her work which offers a class-conscious history of the Syrian-American diaspora, a community of about half a million people in the 1910s, 1920s and 1930s. While the "peddler" is often the central figure and icon of this diaspora's economic history for over a century, Fahrenthold shifts the focus to the new immigrants who came to the U.S. and found work in the textile industries. The conversation explores the hidden role of Syrian-American garment workers, particularly young women, who produced goods like "kimonos", undergarments, stockings, and household textiles. 0:00 Introducing Unmentionables & Shifting the Icon from Peddler to Laborer0:40 Lawrence, Massachusetts: The Second Largest Arab-American Community1:48 Who Was The Syrian American Working Class?2:41 The Gap in Arab-American Diaspora History3:14 Textiles and Garment Work4:50 The Peddler: Icon vs Reality7:12 Labor Experience In The U.S. vs Greater Syria8:50 Skilled Silk Weavers and First-Time Proletarians10:14 Syrian Workers and Global Labor Movements11:27 The Bread and Roses Strike of 191215:09 Dynamite, Arrests and Militarization of the Syrian Neighborhood19:16 Scale of Syrian Immigration Compared to Other Groups22:14 The Majority of Textile Workers Were Women24:43 The Connection to the Silk Industry in Mount Lebanon27:28 A Look Inside a Syrian-American Garment Factory29:04 The Kimono: Branding and Orientalism31:50 The Effacement of Origins in the Marketplace35:36 Economic and Social Mobility For Syrian-American Families39:03 The Legacy of Syrian-American Textile Companies40:01 The Lebanese Origins of The Aloha Shirt43:14 Marghab Linen and Racial Stereotyping44:22 Geographic Dispersion of Syrian Communities47:09 Illicit Activity and Contraband in the Diaspora49:22 Recommended Readings In Arab-American History Stacy Fahrenthold is a historian of the modern Middle East specializing in labor migration; displacement/refugees; border studies; and diasporas within and from the region. Her new book "Unmentionables: Textiles, Garment Work, and the Syrian American Working Class" examines how Syrian, Lebanese, and Palestinian immigrant workers navigated processes of racialization, immigration restriction, and labor contestation in the textile industries of the Atlantic world. It recently received the Middle East Studies Association's 2025 Nikki Keddie Award for "outstanding scholarly work in religion, revolution, and/or society." Her award-winning first book, "Between the Ottomans and the Entente: The First World War in the Syrian and Lebanese Diaspora" examines the politics of Syrian and Lebanese migration to the Americas during the First World War, the fall of the Ottoman Empire, and the rise of European Mandates in the Middle East. Fahrenthold is Associate Editor of Mashriq & Mahjar: Journal of Middle Eastern and North African Migration Studies. Connect with Stacy D. Fahrenthold

durée : 00:08:39 - Le Reportage d'On n'arrête pas l'éco - Toujours plus de vêtements et toujours plus en polyester dont les fils peinent à être revalorisés... Ce samedi, reportage sur l'une des conséquences de la fast fashion et de l'ultra-fast fashion : la fragilisation des filières du collecte et du recyclage textiles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join WTiN's content team as we discuss the biggest events and trends that have shaped the global textile industry in the last year.As we near the end of 2025, WTiN's content team come together in this end of year podcast to discuss the trends, themes, challenges and circumstances that have shaped the global textile industry this year. Our head of content Madeline Thomas speaks about the economic climate of the industry, while Jessica Robe, innovation and consultancy lead; Otis Robinson, editor and channel lead digitalisation; and Joseph Link, senior editor and digital textiles lead, each steer thoughtful segments on specific sectors including materials, digital textile printing, regulations and digitalisation. Meanwhile Lucy-Anna Stallard, WTiN's event coordinator, reflects on the major events we have held this year, including our successful, first-ever Circularity Week. In 2026, we will be hosting our first Digital Textile Printing Week, from 23-27 March 2026. This year we also launched our debut Concepts 2030 book, which WTiN members can download here. Concepts 2030 explores the innovations with the greatest potential to redefine material systems, manufacturing methods and product performance by the end of the decade.The podcast will return in 2026, starting the year with a special series where we speak with the winners of WTiN's Textile Innovation Awards 2025.We wish you a Happy Holiday Season and Joyful New Year. 

This week on Not Your Granny's Quilt Show, I'm joined by the incredibly talented UK quilt and textile collage artist Russell James Barratt. Born in Scotland and now based in London, Russell has spent the last two decades immersed in the world of fashion, costuming, and garment conceptual design. Textiles are in his DNA. His mother and grandmother both ran small sewing and knitting businesses, surrounding Russell with fibers, fabrics, and creativity from the start. His passion for upcycling and reimagining pre-loved clothing eventually led him to a professional career in fashion, where his bold, repurposed garments caught attention everywhere he went. Today, Russell brings that same sense of play, texture, and innovation to his quilting and textile collage work. As an Aurifil Artisan, he's been experimenting with thread in exciting new ways, and giving new perspectives on how we view textiles. Follow Russell's stunning work on Instagram at @russelljbarratt, and enjoy this inspiring conversation with an artist who's truly one to watch! Want to see more? You can find it here: NYQGS Merch Shop: nygqs.printify.me Patreon: patreon.com/notyourgrannysquiltshow Instagram: https://www.instagram.com/notyourgrannysquiltshow https://www.instagram.com/sweetpeadesigncompany YouTube: https://youtube.com/@notyourgrannysquiltshow Want to be on the show? Send us a message

Nous sommes le 24 juin 1911, à Paris. C'est dans les jardins de son hôtel particulier, au 107, rue du Faubourg-Saint-Honoré , que Paul Poiret, figure emblématique de la mode du XXe siècle, organise une « Mille et Deuxième Nuit », une fête persane qui va demeurer mythique. Paul Poiret, surnommé le « King of Fashion » par les Américains, le « Léonard de la mode », par d'autres, en raison de ses multiples talents. Il a débarrassé la femme de ses vêtements-camisoles, lui proposant une silhouette souple et légère. Son esthétique flamboyante est marquée par l'orientalisme. Son esprit curieux de tout le porte à réaliser un concept d'œuvre d'art totale, à se diversifier, il est ainsi le premier couturier à lancer son propre parfum. Pionnier du marketing, collectionneur, s'entourant des artistes d'avant-garde, tels qu'André Derain, Maurice de Vlaminck, Pablo Picasso : il se pose en défenseur de l'« art vivant ». Poiret est un épicurien passionné et … dépensier. Les difficultés financières le mèneront à la faillite. « L'homme de ces fêtes inoubliables, qui dépensait par millions, s'est retrouvé sans un centime et ... sans un ami, confiera, bien plus tard, Georges Simenon, au lieu de manifester le moindre désespoir ou la moindre humiliation, il est devenu clochard. Pas un faux clochard. Pas un amateur clochard. Vêtu d'une vaste cape de gros drap qui lui restait de son époque glorieuse, il dormait sur les bancs des squares. Je l'y ai vu. Sa barbe, jadis soignée et très courte, était devenue celle d'un troglodyte. » Revenons sur le parcours d'un précurseur qui a su transformer la mode, la rendant joyeuse et libre. Revenons à Paul Poiret… Avec nous : Marie-Sophie Carron de la Carrière, conservatrice en chef du patrimoine au Musée des Arts décoratifs, département Mode et Textile, responsable des collections de 1800 à 1946. Commissaire de l'exposition « Paul Poiret. La mode est une fête » présentée au musée des Arts décoratifs, à Paris Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of WTiN's Textile Innovation Podcast we speak with WTiN's head of content Madelaine Thomas and innovation & consultancy lead Jessica Robe.We have had a busy few months at WTiN, not only have we hosted our first ever Circularity Week, which took place between 17 – 20 November, but we have also attended textile tradeshows including ITMA ASIA + CITME Singapore 2025 and Performance Days. Our head of content Madeline Thomas attended ITMA Asia + CITME at Singapore Expo, Singapore, while Jessica Robe, innovation & consultancy lead was present at Performance Days 2025 at Trade Fair Centre Messe Munchen, Munich, Germany. During this podcast we speak with both Thomas and Robe about the conversations they were a part of and what they saw at both events. ITMA Asia + CITME is Asia's leading textile and garment technology exhibition, and we discuss how the region is growing and which countries we can expect to see more fromThe bi-annual Performance Days fair meanwhile focuses on functional textiles. During the discussion Robe tells of new exhibition areas at the event, such as wool and footwear. We also touch upon themes and areas of interest such as textile-to-textile recycling and digital textile printing throughout the podcast. If you want to learn more about each tradeshow you can read WTiN's ITMA Asia + CITME 2025 review here and Performance Days 2025 review here. 

durée : 00:14:51 - Journal de 8 h - L'ONG Amnesty International appelle jeudi les entreprises mondiales du textile et les gouvernements de quatre pays d'Asie à mettre en place des actions pour respecter les droits des ouvriers du secteur et leur assurer des salaires décents.

On choisit souvent nos vêtements en fonction d'elles, certains les aiment vives, d'autres plus sobres pour aller avec tout. Les couleurs ont une place importante en matière de mode, pourtant on s'intéresse peu à la manière dont on les fabrique, la façon dont elles imprègnent plus ou moins difficilement les tissus. La teinture textile est un savoir-faire qui s'est développé au cours des siècles et un peu partout autour de la planète. Petit à petit, les colorants naturels issus du végétal, ont laissé la place aux colorants de synthèse, les expérimentations, les recherches ont aussi permis de mettre au point de nouvelles couleurs, de les rendre plus résistantes et surtout pour l'industrie textile, de réduire les coûts. La production de teinture est devenue un enjeu économique mais aussi environnemental. Selon l'ADEME, 20% de la pollution des eaux dans le monde serait due aux teintures du secteur textile. Teindre un vêtement n'a donc rien d'anodin pour la planète. L'impact écologique de la couleur invite professionnels et consommateurs s'interroger sur ses modes de productions. Peut-on revenir au tout naturel en matière de teinture? Existe-t-il un patrimoine de recettes ancestrales ?  Avec :  • Marie-Jeanne Serbin Thomas, rédactrice en chef du magazine Brune • Dominique Cardon, historienne, spécialiste de l'histoire et de l'archéologie du textile et de la teinture, directrice de recherche émérite au CNRS. Elle a consacré plusieurs ouvrages à la teinture dont Le monde des teintures naturelles (Belin, 2014) et le dernier Les 85 couleurs d'Antoine Janot (Les mots qui portent, 2025) • Nadia Adanle, styliste et fondatrice de la marque de vêtements béninoise Couleur Indigo. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, il s'intéresse à la création musicale grâce à l'IA.  Programmation musicale : ► Vestes de couleurs - Mandarine ► Feelings Everytime - PapaRaZzle.

durée : 00:14:51 - Journal de 8 h - L'ONG Amnesty International appelle jeudi les entreprises mondiales du textile et les gouvernements de quatre pays d'Asie à mettre en place des actions pour respecter les droits des ouvriers du secteur et leur assurer des salaires décents.

durée : 00:14:51 - Journal de 8 h - L'ONG Amnesty International appelle jeudi les entreprises mondiales du textile et les gouvernements de quatre pays d'Asie à mettre en place des actions pour respecter les droits des ouvriers du secteur et leur assurer des salaires décents.

If you're familiar with this channel, you probably know Blue Alpha Belts—a brand closely connected to the TFBTV YouTube community. Founded by Kurt and Jessie in 2015, just a year after TFBTV launched, their partnership didn't start with a formal meeting but grew organically over time. Today, Kurt is here to share the fascinating origin story of Blue Alpha Belts and the nearly decade-long collaboration we've enjoyed with them. Please join me in welcoming Kurt back from Blue Alpha Belts, and a big thank you once again for their continued support.    Learn more about Blue Alpha Belts at their official website: Blue Alpha Belts Check out their Instagram for the latest updates and new products: Blue Alpha on Instagram Follow their YouTube channel for in-depth gear insights and demos: Blue Alpha YouTube And keep connected with their community on Facebook: Blue Alpha Facebook

This episode is all about how to sew when you're a parent or caregiver! How to find the time, how to keep kids away from sharp sewing tools, how to involve kids in your sewing practice, and more. Our listeners called and wrote in with some really cool stories, tips, and strategies!  Show Notes

In this episode, we interview Pauline Bruce aka @sewuthinkucan! She's a pattern hacking genius, Sew the Look specialist, and beloved member of the sewing community. She chats with us about her continent-crossing sewing journey, tells us how to get sewing friendships off the internet and into real life, and reveals her secrets for finding patterns to dupe ready-to-wear looks.  Show Notes

We each chose a rising trend for Fall/Winter 2025 and sewed garments inspired by it! In this episode, we reveal them to each other for the first time. We also talk about our pattern and fabric choices, the tips that helped us through the sewing process, and where we plan to wear our trendy outfits.  Show Notes

This episode is an introduction to projector sewing! Projector sewists skip the paper and project patterns directly onto fabric. We talk about what you need for a successful setup and how to use it; the pros and cons of projector sewing vs. printing out PDF patterns; and whether we're planning to start using projectors (we disagree!). We also answer a listener question about pants length adjustments. Show Notes

We interview Cornelius Quiring, the beloved internet sewing teacher and content creator! We chat with him about his unique sewing journey, his minimalist design perspective, how he teaches difficult drafting concepts, and his favourite things to sew.  Show Notes

We each sewed a vest and, in this episode, we reveal them to each other for the first time! We talk about the patterns and fabrics we chose, the ups and downs of the sewing process, and how we're going to style our new vests. Plus, an extra special surprise! Show Notes