Podcasts about Tintin

Les Grosses Têtes se reconvertissent pour jouer les personnages de la bande dessinée "Tintin". Laurent Ruquier a déjà préparé le casting ! Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week the boys discuss Teddy Swims, In and Out, Hot Fuzz, My Hero Academia, The Adventures of Tintin, and finally, Andor episodes 4-9. Beware, spoilers are everywhere.

Themen, die an Tag 110 abgefrühstückt werden, sind: Berlin und Virus, Serien und Potential, Games und Zeit, Hitze und Tintin, Papst und Merguez, Neuverfilmungen und Kreativität

Une chronique de Laurent Lafourcade

rWotD Episode 2925: Snowy (character) Welcome to Random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 7 May 2025, is Snowy (character).Snowy (French: Milou [milu]) is a fictional character in The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Snowy is a white Wire Fox Terrier who is a companion to Tintin, the series' protagonist. Snowy made his debut on 10 January 1929 in the first installment of Tintin in the Land of the Soviets, which was serialised in Le Petit Vingtième until May 1930.Snowy is modeled in part on a Fox Terrier at a café that Hergé used to frequent. Milou, Snowy's original French name, was the nickname of Hergé's first girlfriend.In the first eight Tintin adventures, Snowy regularly addresses his internal monologue to the reader. Hergé diminished Snowy's speaking role after the introduction of Captain Haddock in the ninth story, The Crab with the Golden Claws. As of 1 January 2025, Snowy and other characters appearing in the 1929 The Adventures of Tintin comic strips have entered the public domain in the United States, but not in Hergé's native Belgium, which will be in 2054.This recording reflects the Wikipedia text as of 00:39 UTC on Wednesday, 7 May 2025.For the full current version of the article, see Snowy (character) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kimberly.

Stationed at Fort Apache, Rusty joins a surveying patrol to mark off correct boundaries for the Apache reservation. Lt Masters finds a few Indian braves of the Shirakawa tribe who…

Anfäkta och anamma! David Nessle, känd från ett tvåsiffrigt antal Snedtänkt, harangerar en kollega. Georges Remi levde med sin skapelse Tintin från 22 års ålder till sin död och skapade ett unikt universum. Slapstick! Spänning! Leviterande munkar! Lyssna på alla avsnitt i Sveriges Radio Play.

Dessine-moi un crabe ! Fastoche : un corps rond, des yeux dressés et repliables, 8 pattes, et deux grosses pinces à l'avant. Le tour est joué ! Derrière cette image simpliste se cache une anatomie complexe. Dans l'épisode précédent de cette nouvelle série avec l'ami Corentin Garde, nous avions vu que les crabes faisaient partie de l'embranchement des "playmobils", les arthropodes, les animaux "aux pieds articulés" en grec. Qui dit arthropodes, dit aussi multitude de segments, et non juste 8 pattes et 2 pinces fixées sur un corps compact ! Ce fameux corps, par exemple, se divise en un céphalothorax (une tête et un thorax fusionnés) et un abdomen, replié sous le "ventre" chez les "vrais" crabes (brachyoures).Parmi les arthropodes, on retrouve le sous-embranchement des crustacés, qui inclut nos crabes. "crustacés" signifie encroûté. Cette armure n'est pas extensible, c'est pourquoi ils font régulièrement peau neuve : tout au long de leur vie, ces animaux muent lorsque leur "carapace" est devenue trop petite. Tout mous, ils sont alors très vulnérables.Les plus connus des crustacés (crevettes, homards, langoustes...) sont des décapodes ("10 pattes"). Chez certains d'entre eux, dont nos crabes, la première paire de pattes s'est spécialisée en pinces, qui sont leur couteau suisse (défense, nourrissage, drague...).Chez quelques espèces, certaines pattes sont devenues des pagaies. Ainsi, les crabes nageurs tels que les étrilles et le crabe bleu passent le plus clair de leur temps en pleine eau. Enfin, les yeux des crabes sont des bijoux de zoo-technologie. Ces organes composés peuvent être rentrés en cas d'attaque, et possèdent un champ de vision compris entre 180 et 360 ° ! _______

This week, we're busting out the slammer and potentially wishing we were back in it depending on who you ask, as we team up with the canary-clad copper to take down a star-studded mob in a wildly stylish and outlandishly conceived blockbuster starring a charming old man incapable of doing action scenes, that's been seemingly buried in the Disney vault in the years since. It's 1990's Dick Tracy, directed and produced by Warren Beatty, and starring Beatty, Madonna, Al Pacino, Glenne Headly, Charlie Korsmo, Mandy Patinkin, Dustin Hoffman, Seymour Cassel, William Forsythe, Charles Durning, Dick Van Dyke, Paul Sorvino, James Caan, Kathy Bates and Catherine O'Hara. Most of these stars are unrecognizeable under the monstrous makeup required to make them look like their vintage crime comic strip counterparts, but Pacino made enough of an impression with a wildly comedic take on his typical mobster persona that he netted an Oscar nom for Best Supporting Actor, losing to Joe Pesci for GoodFellas. While Beatty is at least a decade too old to be proper fit as the movie's lead, it's his ambition behind the camera that makes the movie such a curiosity all these years later, as the film is either an enchanting dreamscape filled with unsolvable How Did They Do That movie magic puzzles, or a steaming pile of neon-drenched puke depending on which of our two hosts you ask. But that's okay, as we have some heated disagreement this week that is maybe the closest we've yet come to vintage Siskel & Ebert kinda stuff. Plus: We've both been to the theater and are happy to sound off on Ryan Coogler's latest as JMo and Hayley both greatly enjoyed Sinners in the cinema, and Justin's got a bonus theatrical field report on Drop, the latest from Happy Death Day director Christopher Landon. If you'd like to watch Dick Tracy before listening along to our conversation, good luck finding a physical copy, and Disney will seemingly never stream this thing on Disney+ -- possibly for rights reasons to avoid paying anything more to Warren Beatty, or possibly because they are cowards who are ashamed of the fun movie they made. Either way, it's tough to find outside of renting it on YouTube. Other works discussed in this episode include Creed, Fruitvale Station, Black Panther: Wakanda Forever, Bram Stoker's Dracula, Puss In Boots: The Last Wish, Mad Max: Fury Road, Loki, The Accountant, The Perfect Storm, Bridge of Spies, War Horse, The Adventures of Tintin, Red Eye, Trap, Reign of Fire, Surrogates, The Expendables 2, The Last Boy Scout, Princess Mononoke, Hook, This Is The Tom Green Documentary, Cutthroat Island, Pirates of the Caribbean: Curse of the Black Pearl, G20, The Silence of the Lambs, Longlegs, Resident Orca, Avatar: The Way of Water, Blackfish, Batman ('89), Batman Returns, Batman Forever, Batman & Robin, Who Framed Roger Rabbit?, X-Men, Blade, The Shadow, The Phantom, The Rocketeer, Darkman, Speed Racer, Furiosa, Challengers and Sin City, among others. We'll be back (more than likely) next week, with another special in-theaters spectacular, as 100+ episodes after we covered the original film, it is tax season once again and we're back for more Ben Affleck and Jon Bernthal in The Accountant 2. So look for that next Friday, and until then we'll see you at the movies!!

Mokuhanga is carried by those with a desire to explore the medium to its fullest, to foray into uncharted territory, to educate many, and to draw more people to the art form. On this episode of The Unfinished Print, I speak with Vladimir Ivaneanu and Soetkin Everaert, co-founders of the Japanese print promotion project Mokuhanga Magic! We discuss how Mokuhanga Magic! began, exploring the mokuhanga journeys of both Soetkin and Vladimir, dive into the art of collaboration, share stories of their travels to Japan, and reflect on the current state of mokuhanga today. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me andrezadorozny@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Mokuhanga Magic! - website Emil Nolde (1867–1956) was a German-Danish Expressionist known for his bold use of colour, deep interest in spirituality and the human condition. As a printmaker, Nolde was a pioneering figure in early 20th-century German art, producing powerful woodcuts, etchings, and lithographs that often explored biblical themes, folklore, and dramatic human expressions. Despite being banned by the Nazi regime—who labeled his work as "degenerate art"—Nolde continued to create in secret. Nolde's printmaking helped shape the visual language of German Expressionism and influenced generations of artists. Durchbrechendes Licht (Light Breaking Through), 1950 oil on canvas 68.5 x 88.5 cm MEXT (Mombukagakusho) Scholarship is a prestigious academic scholarship offered by the Japanese Ministry of Education, Culture, Sports, Science and Technology to support international students studying in Japan. Established in 1954, it provides funding for various academic levels, including undergraduate, graduate, vocational, and research programs. The scholarship covers tuition, a monthly stipend, and round-trip airfare. Students can apply either through Japanese embassies (Embassy Recommendation) or directly through Japanese universities (University Recommendation). It aims to promote international exchange and has supported over 65,000 students from around the world. Paul Furneaux  is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga creating pieces of work that are third dimensional, abstract and sculptural. Little Loch (Lochin) 47 x 36 cm Variable edition of 10 Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.  Tintin is a fictional character and the protagonist of The Adventures of Tintin, a comic book series created by Belgian cartoonist Hergé (1907-1983) (the pen name of Georges Remi). First appearing in 1929, Tintin is a young Belgian reporter and adventurer who travels the world, often finding himself embroiled in dangerous plots, solving mysteries, and fighting injustice. The series became internationally beloved for its clean graphic style, detailed research, and engaging storytelling, making Tintin one of the most iconic comic book characters of the 20th century. MI Lab  is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  manga is a style of Japanese comic books and graphic novels that encompasses a wide range of genres and themes, appealing to audiences of all ages. Typically published in black and white, manga is known for its distinctive art style, expressive characters, and cinematic storytelling. It is often serialized in magazines before being collected into volumes called tankōbon. Manga covers everything from action, romance, and fantasy to slice-of-life, horror, and science fiction. It has deep cultural roots in Japan but has gained massive popularity worldwide, influencing global comic art and animation, and serving as the foundation for many anime adaptations. hanmoto system  is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Motoharu Asaka - is a woodblock carver (horishi) and printer based in Shinjuku, Tōkyō Japan. website Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Stake Out By the Bridge 21x30cm from Sea Lion Series (2023) Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. William Blake (1757–1827) was an English poet, painter, and printmaker known for his visionary and symbolic works that combined text and image. Though largely unrecognized in his lifetime, he is now celebrated as a key figure of the Romantic era. His major works, such as Songs of Innocence and of Experience and The Marriage of Heaven and Hell, explore themes of spirituality, imagination, and social critique. Blake's unique style and integration of poetry and visual art have made him a lasting influence on both literature and art. Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Terry McKenna  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan.  Further details about Terry and his school can be found, here. Additionally, you can listen to Terry's interview with The Unfinished Print: A Mokuhanga Podcast, here and Richard Steiner's interview here.  Storm Clearing Wattle Flat (2015) 8.6" x 14" Albrecht Dürer (1471–1528) was a German Renaissance artist known for his woodcuts, engravings, and detailed drawings. Based in Nuremberg, he brought international recognition to printmaking with works like Melencolia Iand The Four Horsemen of the Apocalypse. Dürer combined Northern European detail with Italian Renaissance ideals, influencing art across Europe and contributing to theories on proportion, perspective, and human anatomy. Michihamono  - is a tool manufacturer for woodblock printmaking as well as other woodworking. Located in Tōkyō. You can find their online store, here. © Popular Wheat Productions Opening and closing musical credit - background noise from Gyozanomanshu Kami Shakuji restaurant. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

Onsdagen den 30 april inleds rättegången mot journalisten Joakim Medin som nu suttit fängslad i en månad. Hur påverkar det här journalistiken? Lyssna på alla avsnitt i Sveriges Radio Play. Hör ett samtal med DN:s kulturchef Björn Wiman och kulturredaktionens Fredrik Wadström som under många år bevakat Östeuropa och Ryssland.MYTOMSPUNNA DOMEDAGSSEKTEN KORPELA SKILDRAS I NY FILMKulturredaktionens Helene Alm har träffat ”Rörelser”-regissören Jon Blåhed i Pajala.WEIRD FUCKS: KULTBOKEN OCH DESS INVERKAN PÅ DAGENS LITTERATURHur ser vi på kultklassikern av Lynne Tillman, med dagens ögon? Kulturredaktionens Sara Ek har läst nyutgåvan av boken från 1980.OTIPPADE FYNDET SOM FÖRENAR FRANSK OCH SKÅNSK BAROCKP2:s Karin Birgersson guidar oss genom oväntade återupptäckter inom barockmusiken – som förenar Skåne med Frankrike.ESSÄ: LÖNNDÖRRARNAS OCH FALLUCKORNAS BUDSKAP I ÄVENTYRSBERÄTTELSERVarför är det här berättartekniska greppet så vanligt - och vad står de här hålen för egentligen? Peter K Andersson läser Tintin och tittar på James Bond i jakt på ett svar.Programledare: Saman BakhtiariProducent: Karin Arbsjö

De faller genom luckor och snö och trillar genom dolda dörrar. Peter K Andersson funderar över förflyttandets lätthet i 1900-talets äventyrsberättelser. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Att resa i verkligheten lever sällan upp till resor i fantasin. Det som för mig är tilltalande med resor som företas i fiktionen är att de ofta är fria från de bestyr som tenderar att förstöra nöjet och spontaniteten i det verkliga resandet. När Dr Who kliver in i sin TARDIS och reser till vilken plats som helst i historien eller världsrymden, eller varför inte när Alfons och hans pappa lyfter från vardagsrummet i en fantasihelikopter och genast börjar flyga över en djungel – då kringgår de behändigt allt det som präglar resandet för oss andra, från säkerhetskontroller och tunga resväskor till trånga flygplanssäten och transitbussar. I en av mina favoriter bland de böcker som jag brukar läsa för min treåriga dotter, Patrik och flygmaskinen av Ulf Löfgren, bestämmer sig huvudpersonen, en karsk liten pojke, för att bygga en flygmaskin så att han kan hämta hem sin pappa, som är fast på en söderhavsö. Och när han har bestämt sig för att göra det, så gör han det. Han bygger flygmaskinen utan problem – tack vare att den drivs av en dammsugare behöver han inte tänka på bränsle längs vägen – och sen ger han sig av. Han flyger över hav och stora städer, och äter en macka när han känner sig hungrig. Och så efter ett par sidor ser han sin pappa nere på ön där han är strandad. Sen åker de hem. Tänk om det kunde vara så enkelt i verkligheten! Jag tror att det är en ganska ursprunglig mänsklig dröm som den här typen av berättelser ger utlopp för. Att bara kunna ge sig iväg, obunden av vardagen eller nationsgränser. Äventyrslusten finns förstås tydligast i de gamla äventyrsromanerna av Jules Verne eller Robert Louis Stevenson, men där tvingar också den eftergift åt trovärdigheten som barnböckerna är fria från författarna att berätta om förberedelserna inför resan, det årslånga byggandet av den märkliga farkosten. I de berättelser som riktar sig mer explicit mot barn eller ungdomar har ett underbart berättartekniskt grepp blivit etablerat. Det är ett grepp som även letat sig in i vuxenfiktionen. När handlingen kräver en vändpunkt uppenbarar sig någon typ av hål i den fysiska värld som omger huvudpersonen. Det är kaninhålet i Alice i Underlandet, men förflyttat till en igenkännbar verklighet blir det nästan ännu mer egendomligt och tydligt som en portal mellan två dimensioner.Den här typen av vändningar är Tintinberättelserna väldigt bra på. Tintin faller ständigt genom olika dolda falluckor eller hittar lönndörrar på de mest osannolika ställen. I Tintin i Amerika finns en tidig och smått surrealistisk variant när Tintin helt sonika faller igenom en fallucka i trottoaren på en livligt trafikerad gata i Chicago. Hur kunde skurkarna veta att han skulle ställa sig just där? Den här sortens lite oslipade berättarknep ger de tidiga Tintinalbumen en stundtals drömlik atmosfär, men knepet återanvänds i senare album i en form som är mer integrerad i händelseförloppet. I Tintin i Tibet faller både Tintin och kapten Haddock flera gånger ner genom hål i snön, i Solens tempel faller Tintin genom ett vattenfall till en grotta som gömmer sig bakom det, i Plan 714 till Sydney faller Tintin på likartat sätt ner i ett underjordiskt tempel. Tintinalbumen är också fyllda av olika hemliga dörrar och öppningar till oväntade rum. I Enhörningens hemlighet bryter sig Tintin ut ur en fängelsehåla med en murbräcka bara för att hamna i ett väldigt rum fyllt med antikviteter. I Faraos cigarrer håller knarkligans högkvarter till bakom en dold dörr i en palm, och i Blå lotus är ständigt frågan vad som finns bakom det mystiska skynket längst in i opiumhålan.Den här typen av vändpunkter ger ofta Tintinäventyren en labyrintartad karaktär. Den rumsliga orienteringen upphävs och en dörr eller ett hörn kan leda vartsomhelst. Skurkarnas högkvarter befinner sig ofta bakom dörrar eller, som i Tintin hos gerillan, bakom en tvåvägsspegel. Huvudskurken ses ibland sittande framför en tv-skärm varifrån han bekvämt kan iaktta händelseförloppet, utan att det förklaras var han befinner sig. Det är ett fantasifullt grepp som vi förstås också känner igen från James Bond. Om vi skulle räkna upp alla falluckor som han ramlar igenom – ofta medan han går mot en vacker kvinna – skulle vi behöva mer tid på oss. Att det här greppet är så vanligt i två av 1900-talets mest kända serier av äventyrsberättelser är inte konstigt. Både James Bond och Tintin har sina rötter i den populärfiktion från det tidiga 1900-talet som bidrog till att etablera den här typen av dramaturgiska genvägar. Man kan hitta prototyper i Sherlock Holmes och annan 1800-talsfiktion, men det är tydligt att upprinnelsen i själva verket ligger i teaterns värld snarare än det skrivna ordets. Att på ett trovärdigt sätt skriva in en fallucka i en roman är inte lätt, men att använda scengolvets inbyggda fallucka som en oväntad vändning i handlingen är fullt logiskt – och publiken hinner förmodligen inte ens reagera på bristen av trovärdighet. I de melodramer som spelades på de populära teaterscenerna i sent 1800- och tidigt 1900-tal skrevs luckor i golvet gärna in i handlingen – inte sällan som ett sätt för skurkarna att gömma undan sina kidnappningsoffer. I den vanliga mytologiseringen av Chinatown som finns i amerikanska teaterstycken från sekelskiftestiden skildras stadsdelen som byggd ovanpå ett helt system av hemliga tunnlar där allsköns ljusskygga aktiviteter försiggår, en restprodukt av myten om den gula faran som fortfarande dyker upp i filmer emellanåt.Är dessa falluckor och hemliga tunnlar besläktade med äventyrslust och drömmerier? I populärfiktionen används de helst som en antydan om någonting olycksbådande som ligger gömt där man minst anar det. Men i dess överraskningseffekt finns kanske också drömmen om gränsöverskridandet och transcendensen Det skrämmande och okända bär ju som bekant ofta på en samtidig hotfullhet och lockelse. Att plötsligt förflyttas från en plats till en annan genom en osynlig öppning i omgivningen är väl den mest avskalade bilden av längtan bort som man kan tänka sig? Men om det hade skett i verkligheten skulle vi nog knappast reagera med Alices jämnmod. Nej, vi kanske behöver passkontrollerna och köerna och transitbussarna för att inte förflyttningen ska överväldiga oss. Drömmen om det spontana plötsliga resandet kan få vara kvar i böckerna. Men där bör det i alla fall finnas, så att även framtida generationer av barn kan krypa upp i en fåtölj och falla genom hål till oväntade platser.Peter K Anderssonhistoriker

Une chronique de Laurent Lafourcade

Behind every cape, catchphrase, and cartoon lies a labyrinth of legal battles that define who owns our most beloved fictional characters. From courtrooms to corporate boardrooms, the fight for character rights shapes not just entertainment, but billion-dollar empires.Dive deep with us into fascinating cases that reveal the high-stakes world of character ownership. The Pokémon Company's swift takedown of a $40 million bootleg mobile game shows how fiercely major franchises protect their roster of creatures. Meanwhile, Star Wars faces unexpected challengers as actors from deleted scenes demand £190 million for their likenesses appearing in new content – potentially changing how studios use archival footage forever.Explore Disney's $10 billion Moana lawsuit, where an animator claims his unpublished screenplay was appropriated for the hit film, raising profound questions about idea ownership in Hollywood. We also examine what happens when copyright protection expires, as Popeye and Tintin enter the public domain only to be immediately reimagined as horror characters and noir detectives.The emotional battles over El Chavo del Ocho characters demonstrate how performers and creators clash when trying to separate the artist from their iconic role. María Antonieta de las Nieves' landmark victory to perform as La Chilindrina independently stands in stark contrast to Spider-Man's tangled web of rights shared between Sony and Disney in an unprecedented co-licensing arrangement. And who knew that Sherlock Holmes showing emotions could trigger copyright infringement claims?These stories reveal a fundamental truth: in our character-driven entertainment landscape, intellectual property isn't just about legal documents – it's about who controls the soul of our collective imagination. Subscribe now to explore more fascinating collisions between creativity and the law that shape the characters we love.Send us a text

Matters of life and death Australia’s death care and funeral industry is big business. We meet death doula Dr Annetta Mallon and funeral industry adviser Martin Tobin, two caring and passionate business owners supporting you and your loved ones through the last step on life’s journey. About the episode – brought to you by Australian Seniors. Join James Valentine for the sixth season of Life’s Booming: Dying to Know, our most unflinching yet. We’ll have the conversations that are hardest to have, ask the questions that are easy to ignore, and hear stories that will make you think differently about the one thing we’re all guaranteed to experience: Death. Featuring interviews with famous faces as well as experts in the space, we uncover what they know about what we can expect. There are hard truths, surprising discoveries, tears and even laughs. Nothing about death is off the table. Dr Annetta Mallon is an end-of-life consultant, doula and educator and grief psychotherapist based in Tasmania. With decades of experience in trauma recovery and personal growth, Annetta helps people understand their rights and options at the end of life – especially those without a strong support network. Martin Tobin is a recognised family name in the funeral business. He is founder of Funeral Direction, a consultancy supporting funeral homes and cemeteries across Australia and New Zealand. A former solicitor, Martin brings legal, strategic and business insight, and is focused on helping the industry evolve through innovation, education and long-term planning. If you have any thoughts or questions and want to share your story to Life’s Booming, send us a voice note – lifesbooming@seniors.com.au Watch Life’s Booming on YouTube Listen to Life's Booming on Apple Podcasts Listen to Life's Booming on Spotify For more information visit seniors.com.au/podcast Produced by Medium Rare Content Agency, in conjunction with Ampel at Myrtle & Pine Studios -- Disclaimer: Please be advised that this episode contains discussions about death, which may be triggering or upsetting for some listeners. Listener discretion is advised. If you are struggling with the loss of a loved one, please know that you are not alone and there are resources available. For additional support please contact Lifeline on 131 114 or Beyond Blue on 1300 224 636. TRANSCRIPT: S06EP03_Matters of Life and Death James: Hello, and welcome to Life's Booming. I'm James Valentine, and this season, we're talking about death. In this episode, we're talking about matters of life and death, well, the final matter, how we say goodbye. Death is big business, and Australia's death care and funeral industry is worth more than $2 billion. And with us are two entrepreneurs, two people who work in this area, supporting you and your loved ones through the last step on life’s journey. We're joined by Dr. Annetta Mallon, an end of life consultant, an educator, and also known as a death doula. And Martin Tobin is a recognised family name in the funeral business and is now an expert adviser on the global funeral industry. Annetta, Martin, welcome to Life's Booming. So many places to start. I'm excited. And Martin, I'll start with you. What's it like when the family business is death? Martin: Yeah, well, it's all I've ever known. When I was, you know, when I was born and grew up, I, we actually lived in a funeral parlour. Um, so when I was, for the first two or three years of my life, uh, the funeral parlour was downstairs. We lived upstairs. So when it's all you've known, you don't think anything different of it. And I suppose all of my friends and sort of social groups when I was young and a teenager thought it was pretty quirky and funny, but for me, it was what I knew. My grandfather and his brother started our family business in the thirties. And by the time I came along, it was well, well and truly established. I didn't really work directly in it straight away after leaving school, but it was always in the background. And so I've always been comfortable with it. James: Yeah. But such an interesting thing. Like what's, what's the dinner time conversation. Did you have a good day, darling? Good deaths? Some good deaths? Martin: Well, all of that. You know, I think that's the stereotype, isn't it, that funeral directors are a bit, sort of weird and severe and a bit morbid, but, but it's, it's far from the truth. You know, I think most people who work in funeral service, and the work that Annetta does, are really warm and loving and gregarious people because you have to have those qualities to really survive and thrive in, in what we do in that space. James: You kind of got to love life, Annetta. Annetta: Absolutely. We are fiercely alive until we are dead. And I think that. Whether it's from the professional funeral side of things or more from consumer advocate and personal support side of things, coming in with a joke – why do we screw the coffin lids down so hard to keep the oncologist out. Great icebreaker: show up with cake. Make jokes, because most of us have a lot of laughter and love in our lives and it's important to leaven sorrow and, and grief. Martin: Yeah. Don't let death just drown out the… James: What's the undertaker's joke? Martin: Oh, there's so many. I mean, everyone used to, I used to get called Stiffy Tobin, that sort of stuff. James: Stiffy, Tobin… Martin: …you know, a bit. So a lot of funeral directors get called Stiffy. Annetta: …that's a 1930s cartoon character, isn't it? James: It's like, it's the, the Millers, the Millers and bakers are Dusty. You know, it's that, it's that era, isn't it? Annetta: You're a Tintin character. James: Yeah, exactly. Martin: Yeah. Luckily I wasn't, you know, I don't fit the stereotype of tall and gray. I'm sort of fairly short and not gray. And so when I joined our family business, I was quite young. So I was lucky I sort of didn't fit that stereotype. And back in the early 90s, there was very few women, very few people, young people, very few people from, from diverse backgrounds. So it's changed a lot really for the better in that sense. So there's no stereotypical funeral director now it's, it's a really, really diverse. James: What's a, what's a doula? Annetta: Well, a doula is someone who supports life's transitions. So I've been a birth doula, and it's a very powerful energy when someone comes into the world, but it's really not my jam. I like the other transition, and I'm better at it. I provide an awful lot of information for people who have questions like, what is this going to feel like? Should I be at home or should I be in the hospital? And the point of a lot of my conversations is not to provide answers, but to support people into recognising what's best for them, which I suspect is actually quite a lot of what Martin does, with the way that you work with businesses. James: When do you turn up? Annetta: A piece of string question. I can turn up pre-need, so there's no terminal or life limiting diagnosis. There's a bit of a myth that we turn up magically, like a fairy, in the last 24 hours of life. That's not really great or optimal. James: So, do some people get you, even if, well, I don't have a diagnosis, but I want to start working with a doula? Annetta: If you're a doula like me who does planning and can answer questions and help people prepare their documentation and their wishes, because that's not anything you want to be doing at the last minute and in cases where there's dementia and cognitive decline. It's too late then to get your planning in place. So I also help to support and foster family-wide and network-wide conversations so that everyone understands if someone's interested in assisted dying, let's talk about that. Does anyone have questions, for example. Or have you considered your pets in your planning? Are you including your grandchildren or just your children? Would you prefer to die in a medicalised environment, ideally, or in a home like environment? James: So you can, yeah, so you're there at any point and really every circumstance is entirely different. Annetta: It is, it's unique every single time. James: Same for funerals? Martin: Yeah, I mean, a funeral really should be a reflection of the person's life and interests and values and philosophies, and sometimes, you know, historically, traditionally, in say the last couple of hundred years that, that often revolved around their, their faith. So these days funerals are quite sort of open-ended, quite, quite unstructured, quite celebratory and people are trying to find some ritual in that and some meaning in that and, and that's the, that's the real change that's happening in funeral service. You know, funerals have been going on for thousands of years. They're one of the early rituals of human, human existence. So, and they emanate from the human need to stop when someone from among us leaves us, and reflect on that person's life, to typically grieve that person, if they meant something to us. So that is, you know, invariably people feel sad, not always, but typically. And people have to then say, well, how do we, how do we move forward without this person? And then for a lot of people, that's incredibly difficult. Grief, grief is just our response to loss. You can't control it. You can't make it go away. So if you suppress it in the early days, it comes back to bite you later. So a funeral is a chance to gather, reflect, embrace the reality of the death and embrace the early stages of the grief, the pain that you'll often experience, and to receive support from your community and to let go of that person because they go from being with you to being a memory. James: It's interesting the way you phrased it or the point of view you expressed there was to me it was the person closest to whoever's died, it's for them. And then it's for the community. It's not for us. Funeral's not for the guy that died. The funeral's for us. Martin: Yep, that's right. And we're finding a lot of people now trying to sort of orchestrate their own celebration and say, this is what I want. I want this to happen, that to happen. And that's, that's got a place, but it's really for the living, for the, for those that are left behind. And, you know, the dead, the dead can't tell the living what, how to feel. But they can give guidance and direction, but I think it's really important that the funerals, funerals are done the way that the survivors feel they need, need to do it so that they, that helps them get back into life afterwards. James: Yeah. Yeah. Would you agree? What's a funeral for? Annetta: I think a funeral is an opportunity to remember why your person was so important to you. One of the big changes that I think we're going to see more and more of in Australia now, with assisted dying nationally available, is a fabulous ‘going away party’, as I call them. So people who attend their own funerals, because basically, especially if you're in a hospital, you know when your time is coming. So there's almost like a bookending effect where we have a celebration with the person and they get to say goodbyes and explain to people why they were important and hear all the good stuff. Then there's probably going to be a gathering of some kind afterwards, possibly ham rolls and whisky will play a part, because, as Martin has said, we need to commemorate the fact that this aspect of our lives is now irrevocably changed. I think for a lot of us, the relationship goes on, but it's very different. I still talk to my mother and my grandmother, both of whom are dead. I don't expect them to respond. But there's still kind of… James: …I think that's the sane way to do it. If you expect them to respond, I don't… Annetta: That's a different conversation. James: That's different. Yeah. We're doing another whole episode on that. Martin: Different podcast. Annetta: Different podcast. James: From Beyond the Grave. Welcome. So again, the funeral's not really for the dead person. Annetta: I've never thought a funeral is for the dead person. It is to really bring us out of the immense shock of the raw grief that – and this is a generalisation – is about 72 hours. And that's not a sustainable emotional state. We get to come together. We get to shift from intense grief, the personal experience of loss and that response – because grief is love with no place left to be put – into mourning, which is a more shared communal public sense of loss, which is a really important transitional period in accepting a death, coming to terms with a death, acknowledging a death. And the funeral makes a space that I think is important, not just for the closest people, but for friends, work colleagues, community members. So there is a space that can be welcoming for a variety of community members, which is also really important. Community can be quite intimate and small, it can be broader and more encompassing. Martin: Yeah, look, I think it does need to, I think a good funeral will reflect the person's life. If, if it's, if it's not authentic, if you go to that funeral and you say, Gee, that wasn't about Fred, then clearly the family have got it wrong. So there has to, they have to be the central character, and that has to, you know, has to really reflect who they were, ideally. But if Fred starts micromanaging his service, his celebration, then I think we're missing the point because it really is for, for those left behind to say, what's going to be meaningful for me to help me, you know, take stock of my life now that Fred's, Fred's gone. A good example is, you know, sometimes people these days will often say, look, let's not go to the fuss of a funeral. Let's, let's have a private cremation or burial and we'll have a memorial service, which is fine. And a lot of people choose that. But if Fred's not there, you know, the emotions around how people feel about Fred and the stories about him aren't really aren't heightened enough for people to really feel what they should feel at a funeral. It's hard to sort of get started with your grief, is sort of the perspective I have… James: …But I suppose there's often that, that's often thought of, we're going to do this in a few days, but the memorials in two weeks… Annetta: I think it's individual. And I also think it is broader culture. So for example, in some cultures, from Eastern Europe, there are marker days. So you will have the funeral on a particular day and then you might do something 10 days later. And then the 40th day might be, for example, in the Macedonian community… I still pay attention to ‘death-aversaries’ and I pay attention to it because it's going to affect my mood and the way I go throughout the day because I will be thinking about that person. And ideally, you have had the opportunity to spend time with your person, whether that's in a hospital room. For example, I did that when my mother died. We were allowed to have the room for as long as we wanted with her. Or at home, and you might keep your person at home for a day or two and sing to them, wash them, sit in silence, cry with them, laugh with them. That's, that can be part of the saying goodbye, which the funeral then when it's done properly and appropriately, I think sort of wraps everything up and ties it as neatly together as you can so that you can move into all of the afters of grief. James: Martin, let's talk about the, the business of funerals. It's a big business, isn't it? Martin: Well, it's, it became an industry a hundred plus years ago, something that people started outsourcing to, you know. And initially it was outsourced to cabinet makers who made the coffin. And then they, the cabinet maker said, well I can, not only can I make the coffin, but I can transfer the body from the place of death and… And over a period of time it became an industry. So, it is there, so it is an organised industry in most, most countries around the world. And so the, the organised funeral director will provide a range of services to, you know, support people who've lost, lost someone. In Australia, it's primarily, historically, made up of family owned private businesses that are multi generational family businesses. But about 25 years or so ago, a lot of the well known family businesses were purchased by larger groups. But certainly they're at, in my view, they're at a competitive disadvantage to a generally family owned local community based, family owned business, because they just don't have that essence. James: Yeah. Is it a strange thing? I mean, you've talked very compassionately about grief and about the humanity of what's involved about the moment of death and what people are dealing with. Yet this is something that you'll make profit from, that the company is going to make profit from. Is that a strange, is there a conflict there? Martin: There isn't really. I mean, you know, sometimes I think a lot of the people who are attracted to the industry, yeah, they're talking to a family and they've gone through a loss and there's a lot of grief and pain and there might be, there might be some challenging financial circumstances too that they glean from the conversation. And yeah, that people feel, feel, Oh, gee, how can we add pain to them, or, you know, add, you know, send them an invoice for $10,000, whatever it might be on top of what they're already experiencing. So yeah, it is a little bit uncomfortable, but I think if, if the business has integrity around its pricing and there's, there's genuine options and, and you know, they're not sort of forced into any sort of uncomfortable decisions, then, you know, most people recognise that a funeral, if it, you know, needs to be done in a certain way, there's going to be a cost to that. James: And do you find that, you know, the, the rise of doulas, the presence of doulas, the change… the way in which there seems to be a lot of, a lot of alternatives to those bigger companies or that standard sort of the mahogany casket approach. Is that in a reaction to this sort of somewhat, you know, industrialisation of, of the process? Annetta: Partially, yes, and from my perspective, I think we can, Okay, Boomer, let's give you a big vote of thanks, because at every stage of life, the Boomer generation, it's a cliche for a reason, they've demanded information and choice, and they want things on their terms far more than we'd seen in the silent generation, certainly, and previous generations. So, what are my rights, options, and choices at end of life? What can we do better and differently? It's made space for things like Daisybox Caskets Australia. I'm not affiliated with them, but they offer a lower and a high quality product, but it's less expensive than mahogany, which you mentioned. Not a bad option for families on a budget, not a bad option for cremations. I think, as we are in such an almost overwhelm of information age, people do want to know what's possible and we can readily see that, for example, in the USA, we've got Katrina Spade, who started with the urban death project. James: What’s that? Annetta: The urban death project was an architectural hypothetical exercise. How can we offer a space for respectful memorialisation and body disposition that is not taking up valuable land. And from this, then we have, recompose, which is natural, organic reduction, nor human composting. In Tasmania, we've got the very first water based cremation service. James: What is that? Because I mean, cremation implies fire to me, not water. Annetta: Yes. So it's alkaline hydrolysis. It's a high temperature, high alkaline process of dissolving everything, which at the end you get a product that instead of gray ashes, white, you get a completely sterile liquid, that I personally don't see why we can't use on green spaces, urban green spaces, but it can go down the drain. James: Just water me in the park. Just go water the flowers with me. Annetta: I quite like that. Martin: Splash me into the ocean. James: Splash me into the ocean. Annetta: There we go. And it's, it's about a seventh of the environmental footprint of a flame cremation. Costs about the same, maybe a little bit more, but we also have a team that will transport statewide. We don't do natural burial, we don't have dedicated natural burial, um, spaces in Australia. The UK does it really well. James: Again, what’s natural burial? Annetta: Okay, so instead of going down six feet, like into colder ground, which is anaerobic, there's frequently a lot of concrete involved, you're in essentially like a hotter ground. You've got more microbes and oxygen, you're going to break down faster. And in the UK, the multipurpose spaces where you might be running, sheep, for example, or growing wildflowers or food. In the USA, when you have the composted remains of people, which turns out to be quite a lot, large in volume, they work with a national park, and it actually goes to beautify hiking trails and to recondition public spaces. James: I like all these. Annetta: I like it too. James: They're kind of positive, aren't they? Annetta: There's options for everybody. So it's opening up spaces for non medical community based people like myself. It also means that there's new and exciting ways for funeral directors to then work with people to make the meaningful, personalised, ritual and ceremony and funeral experience. So, thank you, Boomers. We've got a lot of change. James: Yeah.. And is, are the traditional companies, are they embracing this? Are they seeing the need to embrace this? [00:19:15] Martin: The traditional funeral of being in a church and sort of straight to the cemetery with, with everything sort of reasonably structured, that pattern has definitely broken. We're seeing two things in the Australian industry, that is people trending or consumers saying That doesn't do it for me anymore, I'm either going to go for something very simple that's, like, low cost and, you know, where there's not much of a fuss; or people are saying, I want something highly customised, highly celebratory, highly innovative. And the companies that have stayed quite traditional and conservative are actually losing relevance. And so the funeral directors who are seeing those Baby Boomer-led changes, and are responding construct-- who are responding or actually leading the way themselves and coming up with some of those ideas themselves, they're the ones that are becoming or staying relevant and are thriving. You know, there's a funeral company called Tender Funerals who, whose focus and philosophy is that the family are much more involved in the actual funeral, which is, which is a great thing, which is how it should have, how it used to be. You know, the family themselves would… James: So what might take place? What do they, what do they do? Martin: Well, they might wash and dress the body as, as Annetta said, you know, they might, they might carry the coffin in some of the steps that normally the funeral director would, would only do. There's subtle differences and I don't, I don't profess to know a lot about what they do, but, but philosophically their, their message is let's do funerals the way they used to be done, and not outsource everything to the funeral director. So that's a challenge for the organised industry, because people are responding to that, and because people are saying, Yeah, actually, that's how we did use to do it. And I think the work that doulas are doing is getting people comfortable with the conversation, you know, the fact that we all die and that… Annetta: We've checked, everyone dies. Yeah. Martin: Yeah, we worked that out before. Annetta: Spoiler alert. James: Yeah, that's right. Yeah. Martin: So, you know, the organised industry has to realise that with education and Boomer-led sort of innovation, there's a lot more, you know, sort of change and sort of innovation they have to embrace, otherwise they will become irrelevant. Annetta: Whether you're coming from a more business-like perspective or something that's more community led, we all offer skills and services that have value. People train to be funeral directors and celebrants. People train to be morticians, people train to be doulas. And there's an awful lot of ongoing research and continuing education because the legislation is changing very quickly, in terms of documentation, where it's stored, how it's processed. Assisted dying is constantly changing, as we review the laws. And there is a value to that. I'm not a charity. I like to eat meals and sleep under a roof. So, I think one of the unexpected benefits of having more open conversations, generally, is people can recognise, Oh, well, maybe this much for a funeral seems too much, but this is a reasonable sum and I'm happy to pay that sum because we're getting something of value, in the end. That may be more personalised, maybe more ritualised and traditional, but then we have an exchange of something for something. James: But also those pro, the kind of, you know, those newer processes you were describing, even of how we dispose of the body, a more sustainable approach, is going to reflect a lot of people's values, you know, in a way that a traditional cask of being buried at a six feet under. Martin: Funerals don't operate in a vacuum. You know, they're part of the broader society. James: Yeah. Why do you like working in the area of death? Martin: It's a real privilege to, to work with, I mean, you know, the work that Annetta does is amazing. Like to have an open conversation with someone who is facing their own mortality, must, every day, must be an amazing privilege. And the work that I've done historically is after that. So it's, it's not as, it's not as confronting, because it's happened, but it's just really satisfying work to help people, you know, when they are at a low point to do something for them that's valuable, that's meaningful, and to help them with the long-term journey they're about to embark on. A funeral is just one of the first steps in their, their overall journey without that person. And if you can get them off to a good start with a good, you know, this notion of a good funeral, then, you know, then it's incredibly satisfying work. The vast majority of the people that work in funeral service, and I'm sure in the work that you do, are there for the right reasons. They're there because they, they are people-driven people, they love helping. They want to make a difference for people. So, it's a very satisfying industry. But most of what we have, the stereotype of we're all a bit weird and that it's far, it's almost the opposite. James: Annetta, why do you like it? You said you were better than this. You'd been a birth doula but you said ‘I'm better at death’. Annetta: I am better at death. I like puppies, not children, which probably explains a lot. I'm a good story keeper. And someone who is at end of life or is coming to terms with a life-limiting or terminal diagnosis – maybe a slower decline or more rapid decline – there is still an essence of themselves that they would like to have preserved, which I think feeds into this idea of the meaningful, purposeful funeral. The meaningful, purposeful end-of-life, with quality of life until we die, and then trying to offer a quality of life to people as they come to terms with the death of their person, is values driven, I think, in terms of planning. And also, for me, it's about honoring that person and trying to empower them with as much information as appropriate so that they can make informed decisions. I think there's nothing more empowering. When I've done my job really right, I'm not even involved when someone dies. Sometimes I'm in the room and that's okay, but often I will hear from families afterwards. And there's wonderful stories about the time that was spent while their person was dying, caring for their person's body after death, how the family and the friends came together to facilitate all of that, and then how that relationship of community changes, or stays the same, following that. So people then find meaning in their own life, get more excited about planning. The death literacy snowball is a wonderful thing to watch in action. That's my jam. I really love it. James: What do they do? What, what have people told you about death? Annetta: Interestingly enough, for a lot of people, it's not about death itself. It's about being frightened of dying. My pain threshold's in the basement, I don't want to be in pain. That bothers me far more than my moment of death. The people they loved know that they're loved… James: They want that, they want them to know? Annetta: … They want that. They want to know that love has been expressed, which I think is possibly why we're seeing that uptick, too, and people saying, I'd like this playlist at my funeral. I always start with a playlist with planning, you know, control it, be the DJ. Could we talk about this? I'd like these elements. Because it's a way of caretaking in a sense, the people that they're going to leave behind. The messages that people leave are messages of love. I think that's something the film Love Actually got really right, in the beginning. How do I convey that? How can I try and make that my legacy? So we're seeing it arise in, life writing, the narrative of someone's life so that there might be a digital book or voice recordings. We're seeing that with social media platforms where social accounts can be turned into memorial accounts. But I think also we need to prepare ourselves for the fact that sometimes that is all yanked away with no warning, sometimes, by family members who think that that's the right thing to do. And that can leave people devastated. So I think we're all kind of jogging along together, trying to come to terms with all the changes and make them a good fit for individuals. James: Martin, what do you hear? What do hear people say about death? Martin: Most people dread the day, you know, they're dreading the day, they have to get it, get up there in front of all those people, walk through the gathering and everyone's looking at them. And so there's a, there's a lot of dread. People will say, can we just get over and done with? Can we do it tomorrow? You know, when the death's been today, or whatever. So there is that sense that it's going to be an ordeal. So if, after it's happened and you, the feedback is all the conversations you hear are, Oh, that was really special and it went well and, and what a tribute we paid to Dad or Mum, you know, you know, he would have loved it or whatever. You know, that you've lifted all that dread away, and then they move ahead. So they're off to a good start. Otherwise, if we just die and we, we pause for a few minutes and we get back on the bike and start living again, well, you know, that person, all their, what they meant to us and all their stories and history and what they wanted to be said about them just gets shuffled aside and we get on with life again. So I think we, I think most of us deserve a bit better than that. And a funeral is a really good opportunity to just stop the clock for a while. You know, we don't have to wallow in it for weeks. And some cultures do, they actually, they put a real ritual around it. But as a minimum, just have some, some chance where we can say, his life mattered. I think that's, I think that's really good. Annetta: Yeah. James: This has been such a great conversation. Thank you so much, Annetta. Thank you. Annetta: Thank you for having me, James. It's been a pleasure. James: Martin, thank you. Martin: I enjoyed it. James: Terrific. Thanks to our guests, Dr. Annetta Mallon and Martin Tobin. You've been listening to Season 6 of Life's Booming, Dying to Know, brought to you by Australian Seniors. Please, leave a review or tell someone about it. Head to seniors.com.au/podcast for more episodes. May your life be booming. I'm James Valentine.See omnystudio.com/listener for privacy information.

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A special courier arrives, and a mission that includes Corporal Rusty and Rin Tin Tin to help Lt Masters pose as the Ambassador and his family, to round out the…

Dans cette édition :Un professeur de l'université Lyon 2 est chassé de son cours par des étudiants pro-palestiniens, suscitant des réactions mitigées parmi les étudiants.Dans la région toulousaine, 100 000 habitants n'ont pas de médecin traitant, malgré la multiplication des centres médicaux en périphérie, en raison de problèmes d'attractivité et de coûts.L'Europe et la France se préparent à riposter face à la hausse de 20% des droits de douane annoncée par Donald Trump sur les produits exportés vers les États-Unis, avec des mesures potentielles au-delà des droits de douane.La filière des vins et spiritueux français, particulièrement touchée par cette hausse, espère une négociation diplomatique entre l'Union Européenne et Washington.Donald Trump apporte son soutien à Marine Le Pen, mais le Rassemblement National maintient ses distances avec la Maison Blanche.Le musée national de l'automobile de Mulhouse ouvre une exposition événement présentant toutes les voitures des albums de Tintin.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :Un professeur de l'université Lyon 2 est chassé de son cours par des étudiants pro-palestiniens, suscitant des réactions mitigées parmi les étudiants.Dans la région toulousaine, 100 000 habitants n'ont pas de médecin traitant, malgré la multiplication des centres médicaux en périphérie, en raison de problèmes d'attractivité et de coûts.L'Europe et la France se préparent à riposter face à la hausse de 20% des droits de douane annoncée par Donald Trump sur les produits exportés vers les États-Unis, avec des mesures potentielles au-delà des droits de douane.La filière des vins et spiritueux français, particulièrement touchée par cette hausse, espère une négociation diplomatique entre l'Union Européenne et Washington.Donald Trump apporte son soutien à Marine Le Pen, mais le Rassemblement National maintient ses distances avec la Maison Blanche.Le musée national de l'automobile de Mulhouse ouvre une exposition événement présentant toutes les voitures des albums de Tintin.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mais de 50 anos depois da queda do voo da Força Aérea Uruguaia na Cordilheira dos Andes, Antonio Vizintín conta com sobreviveu à tragédia “Apesar de tanto ter entrado em contato com a morte nos Andes, a morte de minha esposa foi um golpe duro, me abalou muito mais. Mas a vida segue, não podemos nos deixar prender por esses momentos. Se na montanha não nos permitimos chorar porque isso nos destruiria, aqui também não podíamos”. A frase de Antonio Vizintín, o Tintin, mostra a força que marcou sua trajetória como um dos sobreviventes do famoso acidente aéreo nos Andes. Em outubro de 1972, um erro causou a queda de um avião da Força Aérea Uruguaia no meio da Cordilheira dos Andes. Durante 72 dias, os 28 sobreviventes lutaram pela vida em condições extremas, tomando decisões impensáveis para sobreviver, como se alimentar da carne de seus companheiros falecidos. “Quebramos um tabu religioso, um tabu humano, mas era uma decisão de vida ou morte. Ou nos alimentávamos e sobrevivíamos, ou não nos alimentávamos e morríamos. Foi uma decisão tomada a 3600 metros de altura, com muito frio, muita fome e uma imensa vontade de continuar vivos", conta. Em 1992, vinte anos depois da tragédia, Paulo Lima se encontrou pela primeira vez com Tintin, na época com 38 anos, para uma entrevista que estampou as páginas da Trip. Agora, eles voltam a conversar no Trip FM. Além de relembrar os momentos mais marcantes daquela experiência, o uruguaio compartilha as lições de vida que carregou nos últimos 50 anos.“Não foi por acaso que saímos da montanha. Houve muito raciocínio, planejamento, cálculo, estratégia. Foi a inteligência humana, e não o acaso, que nos permitiu sobreviver", afirma. “As pessoas acham que essa é uma história de sucesso, mas, na verdade, é uma história de muitos fracassos. Tentamos muitas expedições, falhamos, mas ganhamos experiência e aplicamos na tentativa seguinte. Assim é a vida: fracassar, aprender e evoluir”. Você pode conferir esse papo no play aqui em cima ou no Spotify do Trip FM. [IMAGE=https://revistatrip.uol.com.br/upload/2025/03/67e6ea6f4eccb/antonio-vinzitin-tintin-acidente-aviao-andes-trip-fm-mh.jpg; CREDITS=Reprodução; LEGEND=Em outubro de 1972, por causa de uma falha humana, um avião da Força Aérea Uruguaia perdeu altitude e acabou se chocando contra a Cordilheira dos Andes; ALT_TEXT=Em outubro de 1972, por causa de uma falha humana, um avião da Força Aérea Uruguaia perdeu altitude e acabou se chocando contra a Cordilheira dos Andes] Trip. Depois de viver o que viveu, como você lidou emocionalmente com a perda da sua esposa, anos depois? Antonio Vizintín. A morte de minha esposa foi um golpe muito duro para mim e para meus filhos. Foi uma época muito difícil, em que eu chorava na ducha para que ninguém me visse. Apesar de estar em contato com a morte na montanha, essa perda me atingiu muito mais. A vida parecia ir bem ao lado da família e, de repente, tudo muda. Foi um golpe muito duro, mas a vida segue. Não podemos nos deixar prender por esses momentos, precisamos seguir em frente. O que foi mais difícil durante a experiência na montanha? O frio foi o maior desafio. Foram 72 dias enfrentando temperaturas extremamente baixas, chegando a -40 graus. A necessidade de comer e sobreviver superava qualquer outro pensamento. Nossa sobrevivência dependia da nossa capacidade de lidar com essas adversidades extremas. Como foi o momento em que decidiram se alimentar dos corpos dos companheiros? Foi uma decisão muito difícil, pois rompemos um grande tabu, tanto religioso quanto humano. Mas era uma questão de vida ou morte. Ou nos alimentávamos e sobrevivíamos, ou morríamos. A decisão foi tomada a 3.600 metros de altura, com muito frio e muita fome. Era uma decisão de sobrevivência. [IMAGE=https://revistatrip.uol.com.br/upload/2025/03/67e6ead1dfa8c/antonio-vinzitin-tintin-acidente-aviao-andes-trip-fm-mh2.jpg; CREDITS=Reprodução; LEGEND=Por 72 dias, os 28 sobreviventes foram obrigados a improvisar pela vida e recorrer à carne de seus companheiros mortos.; ALT_TEXT=Por 72 dias, os 28 sobreviventes foram obrigados a improvisar pela vida e recorrer à carne de seus companheiros mortos.] Em algum momento você voltou a acreditar que Deus estava com vocês na montanha? No início, eu não entendia onde estava aquele Deus todo-poderoso que todos falam. Era difícil compreender por que estávamos passando por tudo aquilo. Para mim, parecia que Deus nos havia abandonado. A minha fé foi abalada profundamente durante aquele tempo. Quais foram os principais fatores que permitiram a sobrevivência do grupo? Nossa sobrevivência foi resultado de muito raciocínio, cálculo e planejamento. Criamos uma logística, nos mantivemos disciplinados e sacrificialmente nos dedicamos uns aos outros. Cada um fez o que podia para ajudar. Foi a inteligência humana e a disciplina que nos permitiram sair vivos dessa situação. Você disse que essa é uma história de fracassos. Qual foi o maior aprendizado que tirou dos fracassos? O maior aprendizado que tiramos dos fracassos foi que precisamos aprender com os erros. Tentamos várias expedições e falhamos em todas, mas cada falha nos ensinou algo novo, algo que aplicamos nas tentativas seguintes. O fracasso é uma parte do processo de aprendizagem. Só assim é possível evoluir e chegar ao sucesso. [IMAGE=https://revistatrip.uol.com.br/upload/2025/03/67e6eaede900e/antonio-vinzitin-tintin-acidente-aviao-andes-trip-fm-mh3.jpg; CREDITS=Reprodução; LEGEND="Éramos 45 pessoas no total e logo na queda morreram 17 companheiros, restando 28. Durante nossa luta na neve, aos poucos foram morrendo outros. No final, sobraram só 16 de nós com vida."; ALT_TEXT="Éramos 45 pessoas no total e logo na queda morreram 17 companheiros, restando 28. Durante nossa luta na neve, aos poucos foram morrendo outros. No final, sobraram só 16 de nós com vida."] Como a experiência na montanha mudou sua visão sobre o que realmente importa na vida? Quando tudo parece perdido, você começa a dar valor às pequenas coisas: uma ducha quente, um prato de comida, um copo de água. E, principalmente, momentos com as pessoas que amamos. Nunca sabemos quando será o último abraço ou o último beijo. Essas pequenas coisas, que muitas vezes negligenciamos, são as que realmente importam.

Links to everything right here, my friends:https://linktr.ee/RadioTintin Join the community on Instagram and Facebook:@tintin.podcastfacebook.com/RadioTintinPodcast I also have a Patreon if you don't like having money:https://www.patreon.com/RadioTintinPodcastThank you to the people who made this episode possible:Charlotte, Em Finan, Guillmero, Tell Aveledo, Henry Hemming, Jase Porter, Josh Underhill, Nestor, OddballSrJr, Sally W, Sam Rogerson, Alcazaaarrr!!, Brendan Mason, Chris Brayne, Robert Fletcher, Ryan and Tim Holzhauser.

This week on The Metro, Rev. Jeff Ivins brings you these artists for your weekly time warp to the 1980s: Joan Armstrong, The Police, Truth, Rockpile, Marilyn, Katrina & The Waves, Talk Talk, A-Ha, Bonnie Tyler, Joe Jackson, Fleshtones, Bow Wow Wow, Public Image, and finishing off with Tin Tin.

Bachi-bouzouk, australopithèque, moule à gaufres et bien sûr... mille millions de mille sabords. Ces insultes, vous les avez certainement entendues au moins une fois dans votre vie. Elles sont l'oeuvre du capitaine Haddock, l'acolyte du célèbre TintIn. Mais savez-vous vraiment ce que veulent dire ces gros mots ? Moi, je le sais et je vais tout vous expliquer. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Kencan Dengan Tuhan - Sabtu, 22 Maret 2025Bacaan: Bukankah Ia ini tukang kayu, anak Maria, saudara Yakobus, Yoses, Yudas dan Simon? Dan bukankah saudara-saudara-Nya yang perempuan ada bersama kita?" Lalu mereka kecewa dan menolak Dia. (Markus 6:3) Renungan: Steven Spielberg adalah sutradara genius Hollywood yang telah menghasilkan banyak film terkenal seperti: E.T, Jaws, Indiana Jones, Jurasic Park, Tintin hingga Transformer. Steven ternyata dahulunya hanyalah anak biasa yang tidak menonjol di antara teman-teman sekolahnya. Sedemikian tidak populernya Steven, ditambah namanya yang sangat pasaran, sampai-sampai terbit sebuah buku berjudul "Whose Steven?" Unik betul judul buku ini. "Whose Steven" adalah sebuah buku yang bercerita tentang kehidupan Steven Spielberg yang masa kecilnya hanya anak sederhana yang tidak dikenal di sekolah dan pergaulannya. Bahkan teman-teman satu sekolahnya tidak ingat bahwa Steven Spielberg pernah menjadi teman satu sekolah mereka dahulu. Steven baru melejit menjadi tokoh dunia setelah ia mencetak rekor untuk film-film yang dibuatnya. Yesus ketika turun ke muka bumi, memilih masuk ke dalam keluarga Yusuf dan Maria. Ia tumbuh besar selayaknya anak-anak pada umumnya. Sedemikian tidak menonjolnya Yesus, sampai orang-orang terheran-heran ketika Yesus memulai karya pelayanan-Nya. Yesus seperti muncul entah dari mana. Sama sekali tidak ada referensi yang diingat dari kehidupannya sebelum menjadi pria dewasa. Tiba-tiba saja muncul sesosok pria penuh kuasa berjalan dari desa ke desa, dari kota ke kota. la mengajar banyak orang, melakukan mujizat dan tanda-tanda heran lainnya. Keheranan seperti ini bisa diterima akal karena baik Yusuf maupun Maria dan saudara-saudaranya yang lain adalah orang-orang biasa. Lalu bagaimana keheranan tersebut ditanggapi oleh orang-orang di sekitar Yesus yang menjadi teman sepermainannya sekian puluh tahun, ketika tiba-tiba mereka harus memanggil Yesus sebagai Tuhan? Memakai bahasa kita, "Bukankah dia ini teman kita, salah satu dari antara kita?" (Mrk 6:3). Sayangnya, mereka terlalu cepat membuat penilaian lalu kecewa dan menolak Yesus (Mat 13:55-58). Jangan sedih bila hari ini orang-orang tidak menghargai kita karena catatan masa lalu kita yang kurang meyakinkan, atau pendidikan kita yang rata-rata, dan latar belakang keluarga kita yang tidak istimewa. Kita mungkin saja orang biasa di masa lalu sehingga kapasitas kita hari ini diragukan. Kita yang di masa lalu, sudah berhenti di masa kini. Namun kita di hari ini adalah kita yang akan melanjut ke masa depan. Tidak ada yang perlu dijelaskan atau diklarifikasi kepada lingkungan sekitar. Jika mereka benar-benar mengasihi kita, mereka akan menerima kita apa adanya. Jangan terganggu dengan profil masa lalu, fokuslah membangun prestasi hari ini. Pengakuan akan datang di waktu yang tepat. Bila tidak di sini, mungkin dari tempat lain, di level yang lebih baik. Tuhan Yesus memberkati. Doa:Tuhan Yesus, aku percaya Engkau memiliki alasan memberiku cerita masa lalu. Aku akan menjadikannya sebagai pondasi membangun masa depan yang cerah. Amin. (Dod).

Megan joins in this week, recommending Max Keeble's Big Move (2001). Then, Nick talks about The Adventures of Tintin (2011), an overlooked Spielberg movie. Finally, Taylor chooses one of his childhood favorites, Davy Crockett and the River Pirates (1956)  __________Taylor Zaccario…Host, Director, Producer, Writer Nick Zaccario…Host, Director, Producer, EditorMegan Zaccario…Researcher

Rin Tin Tin 55-11-27 (x) The White Buffalo

Richard Taylor is the co-founder and creative lead at Wētā Workshop, which he runs with his wife and co-founder Tania Rodger. Wētā Workshop is a concept design studio and manufacturing facility that services the world's creative and entertainment industries. Their practical and special effects have helped define the visual identities of some of the most recognizable franchises in film and television, including The Lord of the Rings; Planet of the Apes; Superman; Mad Max; Thor; M3gan; and Love, Death, and Robots.Greg Broadmore is an artist and writer who has been part of the team at Wētā Workshop for more than 20 years. His design and special-effects credits include District 9, King Kong, Godzilla, The Adventures of Tintin, and Avatar, and he is the creator of the satirical, retro-sci-fi world of Dr. Grordbort's. He is currently working on the graphic novel series One Path, set in a brutal prehistoric world where dinosaurs and cavewomen are locked in a grim battle for supremacy.Sponsors:AG1 all-in-one nutritional supplement: https://DrinkAG1.com/Tim (1-year supply of Vitamin D (and 5 free AG1 travel packs) with your first subscription purchase.)Seed's DS-01® Daily Synbiotic broad spectrum 24-strain probiotic + prebiotic: https://Seed.com/Tim (Use code 25TIM for 25% off your first month's supply)Our Place's Titanium Always Pan® Pro using nonstick technology that's coating-free and made without PFAS, otherwise known as “Forever Chemicals”: https://fromourplace.com/tim (Get 10% off today!)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I talk boys books passed down through generations, including classic adventure series like the Hardy Boys. I also examine the life and contributions of Edward Stratemeyer, the mastermind behind the Hardy Boys, Tom Swift, and the Bobbsey Twins. Inspired by these classics, I share my own venture in children's literature with my new book series, 'The Adventures of Leo and Henry.Links:* Buy The Quest for the Lost Sword: The Adventures of Leo & Henry* Intro: The Rocketeer (James Horner)* Anthony Esolen - Defending Boyhood: How Building Forts, Reading Stories, Playing Ball, and Praying to God Can Change the World* Dave Greene - An Age of Illiteracy * Cover art: Passage Press - The Hardy Boys: The House on the Cliff* Edward Stratemeyer and the Stratemeyer syndicate - Deidre Johnson* The Mystery of Edward Stratemeyer Documentary - Lucasfilm* EconTalk - Amor Towles on A Gentleman in Moscow and the Writer's Craft 8-29-22* Calmversations - Scary Ideas- & The Mainstream Legitimacy Crisis - with Jonathan Keeperman * Outro: The Adventures of Tintin theme This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.gentlemanspeculator.com

What do Tintin and talent recruitment have in common? Just ask Ian Myers. As founder and CEO of Oceans, he's on a mission to connect Sri Lanka's top professionals with U.S. businesses—scaling his company from zero to $10 million in just two years. But his career isn't just about business; it's been a full-blown adventure. From banking and venture capital to gaming and entrepreneurship, Ian has navigated industries (and continents) with one simple rule: trust your gut and keep moving forward.Key Highlights of Our Interview:Why Tintin Beats Tech Titans: Ian's Unconventional Role Model“My role model is Tintin. He's always up for an adventure, exploring new places, and embracing different cultures. That's the kind of life I want to live.”Zen and the Art of Leadership: How Buddhism Shaped My Approach to Chaos“Buddhism has a lot of excellent teachings that are applicable to running a business… It's at its core, a method of grounding yourself through honesty in your reality and the potential of everything around you.”Comparison Anxiety: Why Scrolling LinkedIn Might Be Ruining Your Life“I talk to young people today, and they're always comparing themselves. They'll say, ‘Oh, this person who went to my college is now a vice president. My life is ruined.' I've never really worried about my career; I just follow what's interesting.”Experiencing Ageism Across Cultures: From Japan to CEO at 26“In Japan, age almost becomes the most important thing about you—your track record and success play a much smaller role. That was something I couldn't personally tolerate.”Skeptical by Nature: Why Ian Questions AI Hype“The technology is impressive and important, but like most great innovations, the adoption curve will likely be much longer than people expect. If you look back at tech predictions, the timeline for changing the world is almost always too short.”Connect with us:Host: Vince Chan | Guest: Ian Myers______________________--**Chief Change Officer**--Change Ambitiously. Outgrow Yourself.Open a World of Deep Human Intelligence for Growth Progressives, Visionary Underdogs,Transformation Gurus & Bold Hearts.6 Million+ All-Time Downloads.Reaching 80+ Countries Daily.Global Top 3% Podcast.Top 10 US Business.Top 1 US Careers.>>>100,000+ subscribers are outgrowing. Act Today.

1169 UFOs, DMT & Bitcoin: Is Reality a Cosmic Blockchain? Aliens. Psychedelics. Bitcoin. What if I told you they're all connected—not just in some abstract, metaphysical way, but in a mind-blowing, paradigm-shattering way that could rewrite everything we think we know about reality? Paul Hynek, son of legendary UFO researcher J. Allen Hynek, joins Richard to reveal the hidden nexus between extraterrestrial intelligence, DMT, and Bitcoin. Could UFOs be AI-driven entities operating on an advanced blockchain economy? Is Bitcoin a primitive version of an interstellar currency? And could DMT function as a communication protocol linking us to higher-dimensional beings? On this episode, we go beyond government disclosure, beyond speculation—diving deep into the digital, the psychedelic, and the intergalactic. If you think you understand reality, prepare to have your mind rewired. GUEST: Paul Hynek is a Wharton MBA, finance professor at Pepperdine University, and a leading thinker at the intersection of technology, consciousness, and the unexplained. He is the creator of startup financial projections software that has raised over $1 billion for thousands and startups. He has significant executive, software, and high tech experience in the US, Europe, and Asia. Paul works with numerous startups as either a Board member, advisor, or part-time CFO. Paul was involved in the making of Avatar, Lord of the Rings, Planet of the Apes, Tintin, Real Steel, Warcraft, The Hobbit, Halo, Call of Duty, and numerous other movies and games. Paul led the successful acquisition of Giant Studios' ownership of its renowned virtual production motion capture software, and was instrumental in Giant's sale to James Cameron for Avatar 2-5. Paul is a consultant on HISTORY's new hit show “Project Blue Book” PAUL HYNEK WILL BE APPEARING AT CONTACT IN THE DESERT 2025 May 29th - June 2nd, 2025 FOR MORE INFORMATION: https://contactinthedesert.com WEBSITE: https://contactinthedesert.com https://contactinthedesert.com/beyond-contact/speaker/paul-hynek BOOK: The Hynek UFO Report: The Authoritative Account of the Project Blue Book Cover-Up SUPPORT OUR SPONSORS!!! HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dot com slash STRANGE https://www.HIMS.com/strange SHIP STICKS Skip airport stress and costly airline fees with complimentary insurance, real-time tracking, dedicated support, and on-time delivery. ShipSticks is offering our listeners 20% off your first shipment when you go to Shipskicks.com and use the code STRANGE. Go to https://www.shipsticks.com and use the code STRANGE to get 20% off your first shipment and save yourself the hassle this ski season. That's S-H-I-P-S-T-I-C-K-S.com. Make sure you use the code STRANGE so they know we sent you. UP FIRST PODCAST FROM NPR Up First frees you from the all-day scroll obsession by telling you everything you need to know, in an easy 15 minutes. NO BS. Just the facts. Up First is the cure you need for your news fatigue. LISTEN NOW TO THE UP FIRST PODCAST FROM NPR BECOME A PREMIUM SUBSCRIBER!!! https://strangeplanet.supportingcast.fm Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

​​Welcome to You Haven't Blanked That! It's Modern Fairy Tales month. We watched Thesday. We talk about Julia Louis Dreyfus, Death is a parrot, grief, a live action Studio Ghibli movie, The Wings of Death, Neil Gaiman, Stephen King, Jimmy's predictions, The Master And The Margarita, Corey Feldman What We Are Blanking: Dungeon Master Jimmy, The Mist, Fairy Tale, What's the Furthest Place From Here, Silver Waves of Summer, Rage, Misery, Saturday Night, Roadhouse, I Know What You Did Last Summer, Tintin, Your Friendly Neighborhood Spider-Man. ​​Opening theme by the Assassins ​​Closing theme by Lucas Perea ​​ For more info, click the link bio or below. https://linktr.ee/yhblankthat Email: Yhblankthat@gmail.com

Toutes les réponses à tes questions ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Aunque los píxeles en movimiento hicieron, y mucho, para embaucar mágicamente a los primeros jugadores, es el sonido, la música, el que acabó haciendo eficaz ese hackeo que algunos seguimos sufriendo años después… La música de videojuegos también tuvo una edad de oro heroica y superando obstáculos en forma de chips y memoria demasiado cortos para los universos sonoros que se dibujaban en la mente de sus creadores. Hoy reivindicamos a un músico pionero sin serlo, un programador excepcional que compuso obras icónicas con repercusión internacional y en consolas como Obelix (SNES) o Los Pitufos (Game boy), por no olvidarnos de Turok, Tintin, Lucky Luke o Metal Masters.Recibimos en la Nabucodonosor a Alberto J. González (Joe McAlby) para hablar de sus inicios como programador y compositor en New Frontier y Bit Managers y , en definitiva, de una trayectoria que abarca más de 36 años y 100 títulos y actualmente en Abylight.Con Don Víctor desde el Planeta Segovia nos reencontramos con sonidos y músicas de 8 bits.Escuchar audio

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!This episode is setting sail for adventure as we discuss legendary sailors in film and animation, take an inspiring look at True Spirit (2023), and revisit an iconic animated classic with Popeye the Sailor Meets Sinbad the Sailor (1936). So, grab your sea legs and join us on this nautical journey!Top 5 Sailors in Film and AnimationCaptain Jack Sparrow (Pirates of the Caribbean series, 2003–2017)The ultimate swashbuckler, Johnny Depp's eccentric pirate is as cunning as he is chaotic, bringing a mix of humor and adventure to the high seas.Captain Haddock (The Adventures of Tintin, 2011)A hard-drinking but loyal seafarer, Captain Haddock provides comic relief and heroics in equal measure in Spielberg's motion-capture adventure.Captain Bligh (Mutiny on the Bounty, 1935 & 1962)One of cinema's most infamous naval officers, portrayed memorably by Charles Laughton and Trevor Howard, highlighting themes of tyranny and rebellion.The Old Man (The Old Man and the Sea, 1958)Spencer Tracy's masterful performance in this adaptation of Hemingway's classic captures the resilience and solitude of a lifelong fisherman.Moana (Moana, 2016)A bold and determined navigator, Moana defies tradition to restore balance to the ocean, proving that great sailors aren't just grizzled old men with beards!Main Feature: True Spirit (2023)Directed by Sarah Spillane, True Spirit tells the incredible true story of Jessica Watson, played by Teagan Croft, a determined 16-year-old Australian sailor who set out to become the youngest person to sail solo, non-stop, and unassisted around the world.Jessica Watson faces treacherous weather, isolation, and self-doubt as she embarks on her 210-day journey at sea. Through perseverance, skill, and an unbreakable spirit, she overcomes the odds, proving that age is no barrier to greatness.At its core, True Spirit is about self-belief, perseverance, and the pursuit of the impossible. It's a perfect film for families, offering not just adventure but valuable life lessons.Popeye the Sailor Meets Sinbad the Sailor (1936)A classic piece of animation history, this Popeye the Sailor short film, directed by Dave Fleischer, showcases Popeye in a legendary battle against Sinbad the Sailor (played by Bluto).Sinbad boasts about being the greatest sailor, but Popeye isn't having any of it. With a mix of humor, action, and spinach-fueled strength, Popeye takes on monstrous creatures and Sinbad's minions in an epic showdown.Set sail with us as we navigate through legendary sailors in film and animation, the real-life journey of Jessica Watson, and the timeless charm of Popeye. Whether you're looking for inspiration, adventure, or some good old-fashioned spinach-powered brawls, there's something in this episode for everyone.

Le Sommet de l'IA à Paris a mis un coup de projecteur sur les start-up françaises et le potentiel de cet outil. Dans « La Story », le podcast d'actualité des « Echos », Joséphine Boone et Florian Douetteau, PDG de Dataiku, analysent la révolution de l'IA et la manière dont les entreprises se l'approprient.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastoryLa Story est un podcast des « Echos » présenté par Joséphine Boone. Cet épisode a été enregistré en février 2025. Rédaction en chef : Clémence Lemaistre. Invité : Florian Douetteau (fondateur et PDG de Dataiku). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Shutterstock. Sons : TF1, «Les Aventures de Tintin» (1991). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Another episode by the Classic Gaming Brothers. This week we are talking about everyone's favorite Belgian Reporter and the games that he has been featured in. That's right, it's Tintin!  -- Send us feedback on episodes at ClassicGamingBrothers@gmail.com (and have a chance at winning a free game!), comment on our Facebook or shoot us a DM. -- Make sure to like our pages and subscribe to our podcast on your favorite streaming service we are on most of them. -- Check us out on Twitch at https://Twitch.tv/classicgamingbrothers and YouTube @Classicgamingbrothers. -- We have a website, it is at https://www.classicgamingbrothers.com    -- Intro/Outro song is "The Little Broth" by Rolemusic from the album "The Black Dot". The BWP song when used is "The Black" also by Rolemusic

Mike Berenstain is BACK on the SHOW after having been away for TOO LONG. As always it’s a pleasure to catch up and check in and chat about Tintin. Enjoy!

durée : 00:52:08 - Grand bien vous fasse ! - par : Ali Rebeihi - de Tintin à One Piece en passant par Lucky Luke ou aux livres d'Emmanuel Guibert, de Florence Cestac ou de Yuto Suzuki... Alors que le Festival international de la bande dessinée va débuter dans quelques jours, lumière sur quelques BD qui font du bien. - invités : Didier Pasamonik, Frédérick Sigrist - Didier Pasamonik : Journaliste et commissaire d'exposition, spécialiste de la bande dessinée, directeur de la rédaction du site ActuaBD.com, Frédérick Sigrist : Humoriste, comédien, auteur, chroniqueur et producteur de l'émission Blockbusters - réalisé par : Claire DESTACAMP

It's 2025 and we catch up on some of the major stories left on the table from 2024 and look forward to the rest of the year. We chat about WFH vs Remote in our How You Doin' segment and see the return (again) of a favorite segment that was definitely recorded before "fire" was a word we really don't want to say right now. Also just to give you all a sense of continuity, we record this episode in our respective homes which of course means there was a tech issue where Rob was recording on his computer mic and not the fancy podcast one so get ready for table taps, mouse clicks, and various other noises. Happy New Year! Timestamps: 2:21       How You Doin' 14:30    ANIMATION NEWS… 15:02    Golden Globes 24:02    Popeye and Tin-Tin enter public domain 31:47    Upcoming Animated Films 2025 38:49    TRAILER TALK… 39:36    The Day the Earth Blew Up 52:46    Your Friendly Neighborhood Spider-Man 1:01:38    RAPID FIRE!!!! 1:06:31    OUTRO #RubberOnionPodcast@RubberOnion everywhere Patreon iTunes

Writer, game designer, and friend of the show merritt k joins the panel to discuss GDQ runs, the Radiohead of video games, and skeleton bone boobs. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, Brandon Sheffield, and merritt k. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: alexjaffe.bsky.social frankcifaldi.bsky.social adashtra.bsky.social brandon.insertcredit.com merrittk.com mastodon.social dril 1: If you had to design and perform a gimmicky GDQ speedrun, what would it be? (05:13) Games Done Quick New Super Mario Bros. Wii While Playing Piano by Wes in 41:20 - Awesome Games Done Quick 2025 Bucephalus Elden Ring Peanut Butter the Dog Gyromite Ken Griffey Jr Presents Major League Baseball Ken Griffey Jr. Presents MLB by Peanut Butter the Dog & JSR_ in 29:48 - Summer Games Done Quick 2024 Elden Ring on Saxophone by Dr. Doot in 29:22 - Awesome Games Done Quick 2025 ALF Sonic & Knuckles Star Control 3 2: What are the popular games within the monsterfucking community? (12:03) Sonic the Hedgehog Sonic the Werehog Wolf Werewolf Knuckles the Echidna Shadow the Hedgehog Sonic the Hedgehog 3 (2024) Baldurs Gate III Undertale Sans Undertale Frank Quitely Thanos Death I Love You Colonel Sanders Lady Dimitrescu Resident Evil: Village 3: What tricks do video games do to convince players that they're much bigger than they actually are? (18:39) Banjo-Kazooie Persona series Demonschool Resident Evil series Final Fantasy VII Ryū ga Gotoku / Like a Dragon / Yakuza universe The Legend of Zelda: Majora's Mask Leisure Suit Larry Goes Looking for Love (In Several Wrong Places) Dwarf Fortress Bashi Bazook: Morphoid Masher 4: The Annual Public Domain Adaptation Game - Popeye (24:57) Popeye, Tintin among works entering U.S. public domain in 2025 Popeye Donkey Kong Popeye Olive Oyl Mickey Mouse Gasoline Alley Steve Urkel Steamboat Willie Sea Power Cat Power Paul Atredies Blondie Dagwood Bumstead Nancy Fritzi Ritz Jaws (1975) Dragon Quest Heroes: Rocket Slime Fleischer Studios Paramount Pictures Superman 5: a small rabite's mom asks, why are there so many deserts in video games? Every time I see you playing one of these things you're in a desert. (31:22) Gulf War Dune II: The Building of a Dynasty 6: What is the Radiohead of video games? (35:26) Radiohead Blue Bottle Coffee Ico Shadow of the Colossus Katamari Damacy Can You Pet the Dog? Tomb Radier Fumito Ueda LIGHTNING ROUND: GameFAQ&As - Draskula (39:31) Credit Report (44:57) Recommendations and Outro (45:30): merritt: Fledgling Manor Frank: Drac's Night Out Brandon: Send recommendations for movies about killin nazis, listen to Malice Mizer if you want to feel like a dracula Ash: Interview with the Vampire, make more games about killing klan members This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

Writer, game designer, and friend of the show merritt k joins the panel to discuss GDQ runs, the Radiohead of video games, and skeleton bone boobs. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, Brandon Sheffield, and merritt k. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: alexjaffe.bsky.social frankcifaldi.bsky.social adashtra.bsky.social brandon.insertcredit.com merrittk.com mastodon.social dril 1: If you had to design and perform a gimmicky GDQ speedrun, what would it be? (05:13) Games Done Quick New Super Mario Bros. Wii While Playing Piano by Wes in 41:20 - Awesome Games Done Quick 2025 Bucephalus Elden Ring Peanut Butter the Dog Gyromite Ken Griffey Jr Presents Major League Baseball Ken Griffey Jr. Presents MLB by Peanut Butter the Dog & JSR_ in 29:48 - Summer Games Done Quick 2024 Elden Ring on Saxophone by Dr. Doot in 29:22 - Awesome Games Done Quick 2025 ALF Sonic & Knuckles Star Control 3 2: What are the popular games within the monsterfucking community? (12:03) Sonic the Hedgehog Sonic the Werehog Wolf Werewolf Knuckles the Echidna Shadow the Hedgehog Sonic the Hedgehog 3 (2024) Baldurs Gate III Undertale Sans Undertale Frank Quitely Thanos Death I Love You Colonel Sanders Lady Dimitrescu Resident Evil: Village 3: What tricks do video games do to convince players that they're much bigger than they actually are? (18:39) Banjo-Kazooie Persona series Demonschool Resident Evil series Final Fantasy VII Ryū ga Gotoku / Like a Dragon / Yakuza universe The Legend of Zelda: Majora's Mask Leisure Suit Larry Goes Looking for Love (In Several Wrong Places) Dwarf Fortress Bashi Bazook: Morphoid Masher 4: The Annual Public Domain Adaptation Game - Popeye (24:57) Popeye, Tintin among works entering U.S. public domain in 2025 Popeye Donkey Kong Popeye Olive Oyl Mickey Mouse Gasoline Alley Steve Urkel Steamboat Willie Sea Power Cat Power Paul Atredies Blondie Dagwood Bumstead Nancy Fritzi Ritz Jaws (1975) Dragon Quest Heroes: Rocket Slime Fleischer Studios Paramount Pictures Superman 5: a small rabite's mom asks, why are there so many deserts in video games? Every time I see you playing one of these things you're in a desert. (31:22) Gulf War Dune II: The Building of a Dynasty 6: What is the Radiohead of video games? (35:26) Radiohead Blue Bottle Coffee Ico Shadow of the Colossus Katamari Damacy Can You Pet the Dog? Tomb Radier Fumito Ueda LIGHTNING ROUND: GameFAQ&As - Draskula (39:31) Credit Report (44:57) Recommendations and Outro (45:30): merritt: Fledgling Manor Frank: Drac's Night Out Brandon: Send recommendations for movies about killin nazis, listen to Malice Mizer if you want to feel like a dracula Ash: Interview with the Vampire, make more games about killing klan members This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

META's plan to unleash AI Bots onto their social media sites is just a first step into the majority of the content we engage with being synthetic. The boys have more thoughts on this. How involved will Elon be with TikTok's future? More works are headed to the public domain, including Popeye and TinTin. Is there an opportunity for brands here? Finally, the boys discuss the fastest growing marketing roles. Winners and losers include AI-free and NFL red zone. Rants and raves include the Michael Lewis podcast and Pornhub. ----- This week's links: TikTok's CEO and Elon Talk Popeye and TinTin to Public Domain Meta's Plan to Unleash AI Bots Fastest Growing Marketing Roles Greg Isenberg's AI Predictions NFL Red Zone and Commercials Against the Rules Podcast Pornhub Blocked in South ----- This week's sponsor: With smaller budgets and sky-high expectations — growth is feeling pretty painful right now. But HubSpot just announced more than 200 major product updates to make impossible growth feel impossibly easy. Like Breeze — a suite of new AI-powered tools that help you say goodbye to busywork and hello to better work. With HubSpot, it's never been easier to be a marketer. Create content that breaks through and campaigns that drive revenue.   - Hubspot.com/marketers ------- Liked this show? SUBSCRIBE to this podcast on Spotify, Apple, Google and more. Catch past episodes and show notes at ThisOldMarketing.com. Catch and subscribe to our NEW show on YouTube. NOTE: You can get captions there. Subscribe to Joe Pulizzi's Orangeletter and get two free downloads direct from Joe. Subscribe to Robert Rose's newsletter at Seventh Bear.

Intro: Holidays, winter, skiing, life updates.Shameless self-promotion: BLVDS music group.8:43: A skating rink adventure, devotions and Bible reading plans: The Bible Recap,16:45: Molly's purging cleanse.18:45: JR's Bible reading: Be Thou My Vision.22:17: JR and Molly's top books for the year: Dragonfly, Living Life Backward, The Genesis of Gender, The Toxic War on Masculinity, devotion for Christmas24:07: Kids' reading lists, some less-than-desirable books that have come through.27:13: The source and the beauty of a story.30:49: JR's thoughts on writing and story.34:10: Who Knows You Best? A healthy diet and reading.38:53: Graphic novels and fast food, Tintin and Asterix, and keeping kids' reading lists full.45:22: Deep conspiracy theory stuff, contents of food, boycotts and human nature.52:02: How deep do we go and how much should we pay attention to this stuff.58:10: There are lines though, let's talk about the drones.1:02:07: Weighting and evaluation of world events.1:08:18: A public service announcement about some random SMS messages and the end game of the scam.1:12:05: Show Close. Too Busy to Flush Telegram GroupSend us a PostcardCanavoxThe Milk Frother Currently Being Tested!Pique Tea - Referral Link (it's super-delicious and healthy)Ledger Hardware Wallet - Referral Link (store your crypto securely!)

New year, new Tintin discussion as the intrepid reporter, and his dog Snowy, set their sites on Destination Moon! We review Kill Train #1 from Mad Cave Studios, What If...? Galactus Transformed Hulk from Marvel Comics, and Jim Henson Presents #1 from BOOM! Studios. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Public Domain Day https://web.law.duke.edu/cspd/publicdomainday/2025/ REVIEWS STEPHEN JIM HENSON PRESENTS #1 Writer: Shannon Watters, Jim Tew, Cameron Chittock, Seanan McGuire Artist: Max Sarin, Michael Bayliss, Cory Godbey, Countandra Publisher: BOOM! Studios Cover Price: $5.99 Release Date: January 08, 2025 The iconic work of Jim Henson birthed some of the most beloved stories and characters of all time. Celebrate that rich history with this anthology of all-new tales set in the worlds of Jim Henson, from an incredible line-up of creators including Shannon Watters, Cameron Chittock, Jill Tew, and more! [rating:3/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/4gXe2x6 MATTHEW WHAT IF...? GALACTUS TRANSFORMED HULK Writer: Mat Groom Artist: Ron Lim Publisher: Marvel Comics Cover Price: $3.99 Release Date: Jan 01, 2025 The first in a new series of one-shots that asks the question: What if Galactus recruited some of Marvel's best and brightest heroes as his new cosmic heralds? See how the Power Cosmic transforms these once-familiar champions, twisting and turning all of Marvel history in their wake! In this tale, Galactus has conscripted Earth's strongest warrior - the Incredible Hulk - into his service. But what will turn out to be the bigger mistake: trying to direct the fury of the Green Goliath...or giving the great mind of Bruce Banner a cosmic problem to solve? [rating:2/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/40nAnyz RODRIGO KILL TRAIN #1 Writer: Olivia Cuartero-Briggs Artist: Martina Niosi Publisher: Mad Cave Studios Cover Price: $4.99 Release Date: January 29, 2025 To control the population explosion that nearly crippled the city, New York has instituted Kill Train, a randomized, extermination program where designated subway trains are picked at random, and all the passengers are slaughtered by the end of the line. In this not-so-distant future, we meet Vanessa, a struggling single mom in the midst of a nervous breakdown, who discovers that she, herself, is on a Kill Train. Now, for once in her life and with everything to prove, Vanessa decides she's not going down without a fight. [rating: 3/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3DMAoDl DISCUSSION Tintin: Destination Moon Writer/Artist: Herge Professor Calculus is building a rocket, but Tintin quickly realizes that there are spies around every corner trying to steal the professor's design! When Professor Calculus' rocket finally takes off for the moon, Tintin and his dog Snowy are on board. You can purchase this issue via our Amazon affiliate link - https://amzn.to/3W5XXNY CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

New year, new Tintin discussion as the intrepid reporter, and his dog Snowy, set their sites on Destination Moon! We review Kill Train #1 from Mad Cave Studios, What If...? Galactus Transformed Hulk from Marvel Comics, and Jim Henson Presents #1 from BOOM! Studios. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Public Domain Day https://web.law.duke.edu/cspd/publicdomainday/2025/ REVIEWS STEPHEN JIM HENSON PRESENTS #1 Writer: Shannon Watters, Jim Tew, Cameron Chittock, Seanan McGuire Artist: Max Sarin, Michael Bayliss, Cory Godbey, Countandra Publisher: BOOM! Studios Cover Price: $5.99 Release Date: January 08, 2025 The iconic work of Jim Henson birthed some of the most beloved stories and characters of all time. Celebrate that rich history with this anthology of all-new tales set in the worlds of Jim Henson, from an incredible line-up of creators including Shannon Watters, Cameron Chittock, Jill Tew, and more! [rating:3/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/4gXe2x6 MATTHEW WHAT IF...? GALACTUS TRANSFORMED HULK Writer: Mat Groom Artist: Ron Lim Publisher: Marvel Comics Cover Price: $3.99 Release Date: Jan 01, 2025 The first in a new series of one-shots that asks the question: What if Galactus recruited some of Marvel's best and brightest heroes as his new cosmic heralds? See how the Power Cosmic transforms these once-familiar champions, twisting and turning all of Marvel history in their wake! In this tale, Galactus has conscripted Earth's strongest warrior - the Incredible Hulk - into his service. But what will turn out to be the bigger mistake: trying to direct the fury of the Green Goliath...or giving the great mind of Bruce Banner a cosmic problem to solve? [rating:2/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/40nAnyz RODRIGO KILL TRAIN #1 Writer: Olivia Cuartero-Briggs Artist: Martina Niosi Publisher: Mad Cave Studios Cover Price: $4.99 Release Date: January 29, 2025 To control the population explosion that nearly crippled the city, New York has instituted Kill Train, a randomized, extermination program where designated subway trains are picked at random, and all the passengers are slaughtered by the end of the line. In this not-so-distant future, we meet Vanessa, a struggling single mom in the midst of a nervous breakdown, who discovers that she, herself, is on a Kill Train. Now, for once in her life and with everything to prove, Vanessa decides she's not going down without a fight. [rating: 3/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3DMAoDl DISCUSSION Tintin: Destination Moon Writer/Artist: Herge Professor Calculus is building a rocket, but Tintin quickly realizes that there are spies around every corner trying to steal the professor's design! When Professor Calculus' rocket finally takes off for the moon, Tintin and his dog Snowy are on board. You can purchase this issue via our Amazon affiliate link - https://amzn.to/3W5XXNY CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

This episode dives deep into "The Adventures of Tintin," exploring its animation style, narrative, and the nostalgic magic it holds for viewers of all ages. The hosts examine the film's connection to contemporary adventure stories, discuss its reception, and offer insights on both its strengths and weaknesses. • Analyzing the animation style and its impact • Exploring the film's narrative structure • Discussing the voice acting and character dynamics • Reflecting on the film's reception and legacy • Comparing Tintin to contemporary adventure narratives • Addressing criticisms and overarching themesIMDb Synopsis: Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.

Check out our in-depth review of ‘Wallace & Gromit: Vengeance Most Fowl.' Beforehand, we'll discuss the week's top entertainment news during our signature segment: the Toms. This week's stories include Christopher Nolan's next film to be an adaptation of ‘The Odyssey;' ‘The Batman II' gets delayed another year; Sony's CEO doesn't understand why their Marvel movies are flopping; and more! Enjoy! TIMECODES…  Intro (0:00) The Toms: Entertainment News (2:20) Jason Momoa to play Lobo in DCU (2:58) Jim Carrey open to return for ‘Sonic 4' (6:19) Tintin and Popeye are now in the public domain (8:29) Most Anticipated Movies of 2025 (12:32) Most Anticipated Shows of 2025 (27:40) Most Anticipated Games of 2025 (37:55) Most Anticipated Overall of 2025 (48:07)  Non-Spoiler Review of ‘Wallace & Gromit: Vengeance Most Fowl.' (51:39) *SPOILER REVIEW* for ‘Wallace & Gromit: Vengeance Most Fowl' (1:07:04) What Are Ya Doin'? (1:24:09)  SOCIAL MEDIA LINKS... Email: tomppodcast@gmail.com YouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlw Facebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/ Twitter: https://twitter.com/TOMPPodcast Patreon: https://www.patreon.com/tomppodcast INTRO MUSIC... "Constellation" by Brian Hanegan

Star of Spaced, the Cornetto Trilogy, Paul, Tintin, Cuban Fury, the upcoming How To Train Your Dragon live action remake and now his own new horror comedy called Get Away (which he just so happened to write) Nick Frost is one of those human beings who likes to keep himself busy, whether it's in films or TV or writing books or cooking up a storm in his kitchen. Here as a little New Year treat, he talks to our Ali about all that and more in a rambling conversation best suited for an idle wintery walk or a lengthy bit of Masterchef-worthy food prep. Or, well, anything else you fancy to be honest.