Podcasts about Italian Renaissance

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

After five months (maybe more?) between episodes, Gavin and Ken are back – and with WDC 2026 Athens about to happen, what better time to get the tournament organiser, Spyros Dovas, on the show to talk about everything you can expect from rocking up to Greece this year. Intro Gavin and Ken kick off the show with cheers and reintroduce the podcast after a hiatus of over five months (0 mins 10 secs) Gavin explains the gap – his move away from Brisbane has made catching up with Ken less frequent, and a previously recorded episode went out of date before it could be released (1 min 30 secs) Gavin flags he's still searching for employment and shares his brief, unsuccessful foray into applying at Dan Murphy's – though he remains a loyal patron (3 mins) Ken notes that Gavin is heading to a certain upcoming tournament, and Gavin confirms he'll be attending WDC 2026 in Athens – flying via Singapore and living something closer to backpacker than five-star (4 mins 30 secs) Gavin talks about his travel plans, including the Athens itinerary, flying before the Middle East situation affected routes, and his fondness for Singapore's airport (6 mins) Gavin reflects that while he's been to Greece before, it's been about twenty years – and this time he'll be doing things differently (8 mins) Interview with Spyros Dovas – WDC 2026 Organiser Gavin introduces Spyros as the tournament organiser for WDC 2026 (as distinct from Tournament Director Jamal Blakkarly) and hands over to him (9 mins 30 secs) Spyros explains how the venue came to be chosen – rather than a downtown Athens hotel, his wife suggested the beachside suburb of Saronida, about half an hour from central Athens, which he knows well (10 mins 30 secs) Spyros describes the venue logistics: as registrations grew, he booked an auxiliary venue nearby so there's now capacity for even a very large crowd (13 mins) Gavin asks Spyros to make the pitch: why should people come to WDC 2026 in Greece? Spyros covers the competitive angle (previous world champions, strong contingents from the US, Australia, and across Europe), the community experience, the setting, the weather, and the pricing advantages of being just before peak tourist season (14 mins 30 secs) They discuss the FOMO build-up section on the official WDC website (17 mins 30 secs) Spyros outlines the pre-tournament activities organised for Wednesday and Thursday (18 mins 30 secs): Wednesday – a day trip to the island of Hydra, departing from Saronida to Piraeus and taking the fast boat across (approx. 1.5 hrs) Thursday – a guided tour of the Acropolis with what Spyros describes as the best guides operating there, followed by a walk through Plaka and the historic centre, lunch by the sea, and an evening trip to watch the sunset from the ruins of the Temple of Poseidon Gavin enthuses about the Hydra day trip and reflects on the island's significance to Greek identity, noting it's less well-known internationally than Santorini or Mykonos but stunning (23 mins) Gavin shares that he's already visited the Acropolis and Parthenon once before, about twenty years ago with his family, but is genuinely excited to experience it again with expert local guides (25 mins) They discuss accommodation in Saronida – Spyros notes a good range from five-star hotels to Airbnbs at reasonable prices for this time of year, though availability is diminishing and people should book soon. He offers to assist anyone having difficulty (27 mins) Gavin mentions the Athens neighbourhood guide Spyros has put together – a Google Map indicating where to stay, where to avoid, and the character of different areas – inspired by advice Spyros gave his own son who is now studying at Bocconi University in Milan (29 mins) Gavin asks whether anyone stands out as a favourite to win. Spyros diplomatically declines to name names, noting at least a dozen players who wouldn't surprise him as champion – which he says makes the tournament all the more exciting to watch (32 mins 30 secs) They discuss the tournament format: four rounds in total, with a Friday afternoon opening round (around 5pm, to accommodate European day-of-travel arrivals), two rounds on Saturday, and Sunday morning featuring a top board alongside competitive play for all remaining players (35 mins) Gavin asks about the name of Spyros's Athens Diplomacy club – "The Gift Bearers" – and its tagline "Beware of Greeks Bearing Gifts," which Spyros explains is a reference to Virgil's line about the Trojan War, chosen for its local resonance and edge. He also confirms there will be a welcome gift bag for all players at check-in (37 mins 30 secs) Gavin admits to attempting to read the Iliad in preparation and finding the going tough; Spyros explains that even modern Greeks find Homeric Greek fairly obscure, and discusses the remarkable linguistic density of ancient Greek compared to contemporary languages (40 mins) Spyros previews content he still plans to publish on the WDC website: a food guide covering local dishes people shouldn't miss and how to approach them, plus recommendations for experiencing authentic Greek nightlife and an Orthodox church service on Sunday morning (43 mins) They wrap up the interview with Spyros reassuring any hesitant attendees that Greece is safe, welcoming, English-friendly, and set up for international visitors (48 mins) Ken wraps up by expressing his jealousy and thanking Spyros (50 mins) Spyros signs off, noting the first round is exactly two months away from the recording date. If you want to attend WDC 2026 in Athens and haven't signed up yet, or want more info, go to https://athensdiplomacy.club/wdc2026/ (50 mins 30 secs) Post-interview chat Gavin and Ken return and reflect on the interview – particular enthusiasm for the Acropolis guided tour and the Hydra day trip (51 mins 30 secs) Gavin reveals a bonus travel tip: on arrival in Athens before the tournament, he'll be visiting the island that Spyros's family originally came from – a recommendation straight from Spyros himself with full insider knowledge of where to go (53 mins) Ken shares a reflection on visiting Venice as a teenager and then studying the Italian Renaissance in Year 12, noting how historical knowledge transforms the experience of being in a place – relevant for anyone heading to Athens (55 mins 30 secs) They confirm the tournament details: four rounds, Friday to Sunday (22–24 May), with a top board on Sunday. Gavin checks in on the 21st (57 mins) Around the grounds Ken mentions he's been quietly plugging away at a couple of online gunboat games, with mixed fortunes (58 mins 30 secs) Ken floats the idea of setting up a game of the vDiplomacy Greek Diplomacy variant – winner of the World Variant Design Contest in 2010 – to coincide with WDC Athens. Gavin enthusiastically signs up - This game has since begun and you can view it at  (59 mins 30 secs) Gavin gives an update on his Europa Renovatio game (a 36-player variant set in pre-fall-of-Constantinople Europe) – he was positioned for a potential solo before getting dogpiled, and is now manoeuvring to encourage a draw - This has since finished in a draw with Gavin now able to reveal he was playing as the Teutonic Order (1 hr 1 min) Ken provides an overview of Europa Renovatio for listeners who haven't played it, and the two discuss a potential improvement: adding sea lanes across the Sahara to fix the unrealistic around-Africa single-move connection (1 hr 5 mins) Gavin asks whether Ken will bring a recorder to WDC – answer: depends on whether everything fits under the 7kg carry-on limit (1 hr 9 mins) Gavin shares his excitement after scanning the WDC 2026 player list – strong contingents from Australia, France, Greece, the UK, and the US, plus many familiar names from the online scene. Tempers expectations about his own chances of making the top board (1 hr 10 mins 30 secs) The guys wrap up the show (1 hr 12 mins) Venue: At home Drinks for the interview: Oops – we forgot to mention what our drinks were and we don't remember, although Ken definitely had one of his homebrews.  Just a reminder you can support the show by giving it 5 stars on iTunes or Stitcher. And don't forget if you want to help pay off the audio equipment… or get the guys more drunk, you can also donate at Patreon, plus you get extra podcast episodes! Lastly, don't forget to subscribe so you get the latest Diplomacy Games episodes straight to your phone. Thanks as always to Dr Dan aka "The General" for his rockin' intro tune.

Have you ever wished you could go inside of a book? You could travel to a new place, see new sights, potentially live a different life altogether — all from the page. From New York Times bestselling author Kate Quinn comes Astral Library, a fantastical novel where books are not merely objects, but doors to different worlds, different adventures, and different futures. After growing up in the foster care system, protagonist Alix Watson came to believe one thing: unlike people, books will never let you down. Working three dead-end jobs to make ends meet and letting her dreams of higher education fall to the wayside, Alix takes refuge in the reading room at the Boston Public Library, reading her favorite fantasy novels and dreaming of faraway lands night after night. One day, she stumbles through a hidden door and meets the Librarian: the ageless guardian of the Astral Library, where the desperate and the lost escape to new lives inside their favorite books. All seems well until a shadowy enemy emerges and threatens everyone inside. As danger draws closer, Alix and the Librarian try to escape, fleeing places like the back alleys of the Sherlock Holmes series, the Regency-era drawing rooms of Jane Austen, and the decadent parties of The Great Gatsby, to name a few. In journeying through books, Quinn may offer insight into where readers truly belong. Kate Quinn is the New York Times and USA Today bestselling author of historical fiction. A native of Southern California, she attended Boston University, where she earned bachelor's and master's degrees in classical voice. A lifelong history buff, she has written four novels in the Empress of Rome Saga and two books set in the Italian Renaissance before turning to the 20th century with The Alice Network, The Huntress, The Rose Code, The Diamond Eye, and The Briar Club. The Astral Library is her first foray into magic realism. She and her husband now live in Maryland with their rescue dogs. Elise Hooper spent several years writing for television and online news outlets before getting a MA and teaching high-school literature and history. Her debut novel The Other Alcott was a nominee for the 2017 Washington Book Award. Three more novels—Learning to See, Fast Girls, and Angels of the Pacific—followed, all centered on the lives of extraordinary but overlooked historical women. Her newest book, The Library of Lost Dollhouses, was inspired by a dollhouse that's been in her family for five generations. Elise lives in Seattle with her husband and two daughters. Buy the Book The Astral Library (Deluxe Limited Edition): A Novel Third Place Books

Welcome to the Art, Life, Faith Podcast, and I’m your host, Roger Lowther. Let me take a moment to invite you to our upcoming conference, May 22-27, 2026, just one month away, here in downtown Tokyo with easy access to all the beautiful art and culture of our city. During our time together, we will offer many short presentations, talks, and performances to lead us in worship through the heart art languages of Japan, all around the theme of “The Beauty of Japan, The Beauty of Heaven.” Every session will include discussion times to get to know the people around you, to encourage networking, and to inspire and encourage one another. We will also have an art gallery with plenty of space to display and distribute materials. We will also host unique activities we are calling “Worship in the City,” enabling people to worship God outside the walls of our building and through the art and culture of Tokyo. This gathering has space for up to 200 people. This is not just a conference, it is an experience. You have to come to know what I'm talking about. I know it's going to change your life. God has already blessed tremendously through the preparations for this event, and we can’t wait to see what he already has in store. We are hosting this event specifically over Pentecost weekend to celebrate the things to come, when all the nations will be united across their different languages and different cultures and different arts in worshiping God together. Hear me on this. We will not be speaking one language or sharing one culture, but God delights in the diversity of the cultures and calling us to worship together. So, come spend Pentecost weekend with us here in Tokyo! We look forward to having you. Well, this episode I had the privilege of having a conversation with Alexandra Hudson, or Lexi, the author of “The Soul of Civility: Timeless Principles to Heal Society and Ourselves.” A number of weeks ago, she was passing through Tokyo on vacation with her family when she was gracious enough to sit down with me and talk about the various themes in her book and then lead an Art Life Faith event right afterward. One of the things that came up during our conversation was about “porching.” Porch is not usually used as a verb, but Lexi talks about it in her book. She and I share a mutual friend, Joanna Taft, director of the Harrison Center for the Arts in Indianapolis, who invites people onto her porch every week to just share their lives with one another. And through this Art Life Faith event, we realized that that is exactly what these gatherings are. We gather around a table, have a meal together, and get to know each other. This time, three visitors came who I had never met before. And then they came again to gatherings we had in the weeks that followed. This porching was a wonderful opportunity to invite people into our community, and it was wonderful to have Lexi and her family spend that time with us as well. I’m glad I get to share this conversation with all of you. Roger Welcome to the Art Life Faith podcast, and I’m your host, Roger Lowther. Well, tonight we have the privilege of talking with Alexandra Hudson, who was passing through with her family on vacation, and so we got to arrange an Art Life Faith event happening right after our conversation. So I wanted to introduce her to all of you. So thank you, Alexandra, for being on the show. Lexi Thanks for your hospitality. Great to be with you and Abi tonight and excited for the conversation. Roger We just met, so I’m not quite sure how to introduce you. Can you introduce yourself? Lexi Yeah, I am passionate about ideas and storytelling and how they can make our lives richer and better. I love history and philosophy, and I wrote a book called “The Soul of Civility: Timeless Principles to Heal Society and Ourselves.” It’s about how to flourish across deep differences, which is the most urgent question of our day in our era of hyper-partisanship, of extremism, of despair, of loneliness. But it’s also a timeless fundamental human question: How do we peacefully coexist amidst competing visions of the good? That’s what I explore my book. Roger Well, it’s an interesting book title because civility, when I try to translate it into Japanese in my head, I’m not quite sure which word to use. Lexi Oh, interesting. What are the options? Roger Well, the one I want to use is politeness, but it’s not politeness, is it? Lexi No, it is not. It’s interesting that you said that. Roger How is it different? Lexi You’re setting me up really nicely. A core argument of my book is that there is an essential distinction between civility and politeness, and in English we have these two words. We have civility and politeness, but people often today use them interchangeably, whether or not they want more of it or less of it. And in America, in the West, we have two vocal groups right now. One group says, “Oh, we are so divided. We’re so broken. Democracy is in peril. We need more civility and politeness in order to save democracy.” So they use this one phrase, “civility and politeness.” And there’s another contingent as well that says, no, civility and politeness are part of the problem. They’re the tools of the powerful, the patriarchy. They oppress the powerless, and we need to burn it all down, throw the baby out with the bathwater. Less civility and politeness in order to achieve greater justice and equity in the world. But both these contingents use these phrases interchangeably, and I argue that they’re different. I love etymology. I love studying language, and I love the origin of language. I’ve loved learning about Japanese and Japanese characters and the stories. So the etymology of civility and politeness is illuminating, and it’s, it’s actually honoring the original etymology to separate these words. So the etymology of, well, let me tell you what the difference is first, then I’ll go. Roger I'm thinking like civilization… Lexi So politeness, I argue, is manners. It’s etiquette. It’s technique. I know there’s a lot of influence in Japan on Confucius philosophy, but so is this concept of li. I don’t know if that is a concept here at all, but it’s like ritual. It’s propriety. Roger Japan is certainly known for its politeness. Lexi That’s correct. What we do is what we say, whereas civility isn’t external, it’s internal. It’s an inner disposition of the heart. It’s a way of seeing others fundamentally as our moral equals, worthy of respect just by virtue of our shared dignity, our equal moral worth as human beings, by virtue of the imago dei, that we are, we are created with it. We have the divine imprint, and that means that every single one of us without exception bear an irreducible moral worth and are worthy of respect. We owe to others that bare minimum of respect by virtue of imago dei. Roger I think I read on the back of your book that it’s not just about your actions and words but about the attitude of your heart, right? Lexi Right. The disposition of the heart is what civility is, and that sometimes actually respecting someone, actually loving someone, requires being impolite. It requires telling a hard truth, having an uncomfortable conversation, even especially in a democracy, engaging in robust debate. I mean, think of a marriage, you know, sweeping differences under the rug is not sustainable for an authentic true relationship. It’s going to get messy. It’s going to get hard. You have to have uncomfortable conversations. But, and in fact, having difficult conversations can be a tool of strengthening a relationship. It’s not about whether you disagree, it’s how you do it and whether you are… Roger If you’re uncivil, does that mean that you are fighting these? What kind of interaction is uncivil? You guys are being uncivil. You know, something I may say to my boys something, right? Lexi Civility requires action sometimes, but it also takes certain action off the table. I’ll give you an example. In chapter 7 of my book, I talk about civil disobedience. And let me just go to the etymology to illuminate the distinction a little bit more. So politeness, our word in English, comes from the Latin polire, which means to smooth or polish. And that’s what politeness does—it papers over difference, it sweeps it under the rug, as opposed to giving us tools to grapple with difference head-on. The etymology of civility is civitas, which is our etymological root for citizen, citizenship, civilization, city. And that’s what civility is— it’s the, the duty, duties, the conduct, the mores, that the disposition, the habits befitting a citizen in a city, and especially in a democracy that requires truth-telling, that requires honest, robust debate that is the lifeblood of a democracy. Roger Okay, so, you know, living here in Japan, we’re often taught to be polite because that’s such a big part of society. And I have seen a lot of relationships broken when they don’t know how to be polite. They say, well, let’s just not talk to that person, and then I don’t have to be fake. I just won’t see that person. And there doesn’t seem to be a kind of a way through for building community. There’s a lot of brokenness in relationships in Japan. So what you’re talking about is a way through that. Lexi That’s so interesting. I’m not saying don’t be polite. I’m not condemning Japan as a polite society. I’m saying that’s not enough, that the form the words, the rituals, the actions, without the inner disposition that sees you as my fellow human being worthy of respect, that it’s not going to be enough. And in the West as well, we too often settle for politeness. We, we settle for just people doing and saying the perfectly correct thing, but we’re missing civility, that inner disposition of the heart that helps us actually know when to depart from politeness, when to have those uncomfortable conversations. Roger Okay, so let me ask you now, because this is the Art Life Faith Podcast, what is the role of beauty and art in creating this soul of civility? Lexi I did a kintsugi class while I was here in Japan, and I love that as a metaphor for life and the human condition, this ancient practice of taking broken pottery that some might cast away but taking it, piecing it back together, and making it more beautiful on the other side of this process, illuminating our brokenness. I think that’s really powerful. Roger So the brokenness of society is something that you as an artist of society are trying to speak into? Lexi I’ve been going back and forth about what I am because I’m not just a writer, I’m not just a speaker. In fact, like this season of my work, I’m a practitioner. Like I am both trying to live this and build initiatives and institutions in my community and helping dozens of other people across the country right now, including Congress, including state legislatures, including Ivy League universities, build initiatives around my work as well. So, civic architect is one idea. I don’t know. Listeners, write to me with your ideas for how to characterize what I’m doing. I wrote this book. It’s both descriptive and normative, but now I’m doing it, and so I don’t have there’s no category really for that that I know of. So if you know of one, if you can help me think of one, I welcome it. Roger Yeah, well, I’ll keep thinking about it. I mean, one reason I asked you to come and speak tonight for this event is we were connected by a mutual friend who runs the Harrison Center for the Arts. I looked at some of the pictures. I saw you were doing events there. You were connected to this art gallery. Can you tell us a little bit more about that connection? Lexi To really do justice to that story, let’s back up a little bit about why I wrote this book. I love history. I love philosophy. I love ideas. I was raised by two very curious human beings. My mom and dad are intellectually omnivorous, and our home life growing up was just very stimulating. And my parents taught me wonder was a way of life. I went to a combination of public, private, and charter schools growing up, but I loved all school because I had this really intellectually robust home life that promoted the life of the mind. Then I went to grad school at the London School of Economics, because I wanted to put ideas into practice. I feel like my education kind of stopped at the Italian Renaissance, and I wanted to know more about the world that I was about to live in. Then I got my first big break in DC. I served in federal government, and it felt like the honor of a lifetime. I couldn’t wait to serve my country, and I chose to serve at the United States Department of Education, the single largest institution in the history of mankind dedicated to student instruction. And I was devastated to discover they didn’t really care about education, at least not how I had been educated, about soul craft and ordering our passions and beauty and goodness and truth. And on top of that, it was so dehumanizing, my experience in Washington. My experience was kind of a microcosm of our dysfunction and division as a whole. I saw two extremes that are equally as dehumanizing. One was the hostile contingent in government, people who were willing to step on anyone to get ahead, overtly belligerent. And the other contingent were polished and poised and polite, but ruthless and cruel. Roger Yeah, I believe it. Lexi I saw people who would smile at me and others one moment and then stab us in the back the next. And that really disillusioned me. And I realized upon reflection that these two extremes they seem like polar opposites. And in fact, people often tack in one direction as an antidote to the other. People who are just exhausted by the hostility are trying to be uber polite to try and compensate, but they’re actually equally as dehumanizing. Both insufficiently appreciate the profound gift of being human in ourselves and in others. The hostile contingent sees others as pawns to be bludgeoned into submission, silenced. Roger That's certainly the image of government. Lexi And the polite contingent sees others as pawns to be manipulated and then discarded, but neither see human beings as they really are— beings with dignity, worthy of respect. So I fled Washington. I served one year. I remember the day very clearly. I came home from work one day. It was a very dispiriting day, and I said to my husband, I’m done with DC. I’m done with the swamp. I’m done with government. Let’s move to Indiana. And he said, okay, sounds good, we’ll move to Indiana. Roger So why Indiana? Lexi Because he’s from there originally. He’s from northern Indiana, and I wanted anywhere but Washington. I just wanted something different. I had in my mind like rolling pastures and farmland, like just peace and tranquility. So he smiled and said, okay, sounds good, we’ll move to Indiana. No takebacks. And a few months later, we were out there, and one of my first friends came up to me after church one day and she said, “Hi, I’m Joanna Taft. Would you like to porch with us sometime?” And I never heard the word porch used that way. Roger I’m not sure what that is. Lexi But I was curious, and again, we didn’t know many people in town. And so we went to her beautiful historic great big front veranda on her porch that Sunday afternoon, and I realized that she was staging a quiet revolution against our polarized, divided, isolated status quo from her front porch. She had curated people that day, much like what you’re doing here tonight, you know, not to have a structured dialog across difference, but just to say You know, what does it mean to engage one another as human beings first? And it was a beautiful oasis from the divisions that I had been just so immersed in in government, where, you know, the world wants us to assign value to our race, our wealth, our political persuasion, where we live, all these different identities. And it was an oasis from that. It was just a chance to be present with other human beings and I’ve been on book tour the last several years. I’ve been in like 145 cities and 5 countries. And I saw people like Joanna doing the same independently. People who said, this is the power in Joanna’s work and her life being an argument for this work. Lexi She was saying, I can’t control others. I can’t control who’s president. I can’t control what’s happening down at city hall. I can only control myself, and I’m going to choose to double down and make my community better and more beautiful. And I tell her story in my book, The Soul of Civility, because the porch is the metaphor that I use, one of the metaphors I used for this, this theory of social change, that we can’t change others. We can’t. It’s the world wants to disempower us and blame. Roger Yeah, I love it. Especially here in Japan, community is so much more important than ideas. And my sense is that America is getting more and more interested in, this is my idea, this is where I stand, are you with me or are you an enemy? Lexi Is there “porching” in Japan? Roger There’s a lot of cafes. People are always going out to izakaya, which is kind of Japanese bar restaurant type of thing. That is a meeting ground. Country Chicken is a fried chicken, izakaya-type place that’s just down there. We can see it out the living room window here. I do karate with my dojo, and we meet there like every couple months. It’s just a fun place to gather and talk. And I’m the only Christian in the group, I’m the only foreigner in the group, and they’ve invited me into their community through the sport of doing karate together. It feels like porching, I guess, because we’re always sharing various ideas. They sometimes ask me provocative questions about politics in the States, and I usually try to avoid those topics. But yeah, that could be porching, I guess. Lexi It absolutely is porching because it’s not even about the porch. You got that right away. It’s a way of engaging others in the world with civility, seeing them as a human being first. You know, you’re not American or Japanese first. You’re not a Republican or Democrat first. You’re my fellow human being and I want to know you. I want to see you. I want to know you and maybe even love you. That is what Joanna fostered on her porch that day that felt so powerful, to have people be seen and known and loved in the fullness of who they are. And that’s refreshing in a world that wants to essentialize us. Roger Yeah, that definitely is what we’re trying to create tonight. We open our home to people. It’s why we are where we are. It’s kind of easy to get to. You came from Tokyo Station. How far are we from there? Lexi Like 10 minutes. Roger Not too far, right? Lexi I know, it was wonderful. Roger Yeah, so we’re trying to be centrally located for that reason. And our church too isn’t far from here. We’re trying to create that kind of community. So going back to the art gallery, or just arts in general…For artists who are listening, what would you say to them about their role in this? How can they help be an architect of civility in their cities, in their communities? What does that look like? Lexi Well, Pope Francis has this great phrase. He called us all to be artisans of the common good. And I love that. I do a lot of work with civic leaders, with elected officials, with CEOs, with educators, people who might not consider themselves artists. I think we’re all artists. We are all creators because we are made in God’s image, and our God is the Creator. Roger Yes. Lexi And I think that we are closest to being who we really are and who God created us to be and most like him when we are creating. So that’s a core message I have for people in my community that might not think of themselves as creative. They’re not part of the creative economy. And it’s like, no, you are. And it’s about finding that still quiet voice that you have a calling to, and to innovate, to see a need, something that doesn’t exist, and to build something that meets that need. So this season of my work, I’m not just talking about the book. I call myself a co-creator with these dozens of local leaders. I call them Civic Renaissance Ambassadors. They’re congresspersons. They’re state representatives. They’re local mayors. They’re city councilors. They’re school teachers. They’re people from all walks of life who have read my book, found it useful, and said, “Okay, I’ve read it, I love it, but how do I live it?” And when I was getting that question all throughout book tour, I said, “I don’t know, I just wrote a book.” But now I’ve learned a lot and I’m co-creating. That’s what I call myself, a co-creator with these people who are doing this, who see loneliness, they see brokenness, they see life as it ought not be because people are cutting friends off, cutting family members off over politics. I don’t know if that’s a problem here. I’d be curious to know if it is, but that’s a big problem in the US where you’re ending friendships, lifelong friendships, family, no contact with parents. Over politics, your view on the vaccine, your view on Donald Trump. And that is like self-sabotage. That is disordered loves. We are making the most important things the not important. And so people see those needs and they want to be part of the solution. So, I’m calling them to co-create with me. Roger I think a lot of artists have this image that they make work and they hope somebody is going to buy their painting or hope that someone’s going to hire them to come in and play for this event but don’t know how it fits into the bigger picture. But you’re saying that everyone has a role to play in building the kind of community to build the kind of city that we want to see. It’s so easy for us to get practical. Like, this is what I have to do to make a living. And this is my narrow pathway here. But it’s a much bigger vision, how it all fits together. Is that right? Lexi Yes. And I think that the message I would share with my co-creators, these civic leaders that I work with is also a message for artists as well, is that no effort to create beauty is ever wasted. It can be really easy to feel like it if the piece doesn’t sell, or if, you know, no one notices— I feel that sometimes. I feel like I work so hard and I’m like, does anyone even care? Is this working? Is this doing anything? And then I have to remind myself, no, the process is the point. Just the act of creation, the act of bringing goodness and beauty and truth into the world, that is its own reward. Roger You were talking about keeping the conversation going by continuing to meet with these people working in government and other business leaders and people like that. I can see how the arts can play a role in that as well. There’s tremendous power in the arts to bring people together over certain topics from a third-party perspective. It’s a safe way to create a platform for people to engage one another, I think. So we’re almost out of time. People are going to start ringing the doorbell and coming in here. Is there anything you’d like to share before we end? Lexi The final chapter on my book argues—it’s on misplaced meaning and forgiveness—and it argues that we have made a religion out of politics, and that’s bad for democracy, bad for religion, bad for Christianity, bad for our souls. And I argue that we need to do things that give us life, that it’s not enough just to say love politics less. We have to do things to actively displace and replace a harmful affection. I’m getting this idea from Thomas Chalmers. He’s a Scottish theologian. He has an essay called “The Expulsive Power of a New Affection.” He says it’s not enough just to say, soul, love sin less. You have to cultivate love of God. That is what will permanently displace the love of the sin. Nature abhors a vacuum, he says. It’s not enough just to diagnose that we have an unhealthy attachment to politics and to toxicity that is poisoning our soul. What are some things we can proactively pursue that are more noble and life-giving? I talk about intellectual curiosity. I talk about friendship, especially friendship across difference. I talk about beauty and the sublime. Beauty is something that delights us. The sublime fills us with awe. It’s like, you know, a thunderstorm, waves crashing on the shore. It’s like staring up space at night and being humbled by this concept of infinity and giving us a sense of smallness. That is good for our souls. I’m on holiday here in Japan with my 3 children, and it’s hard to travel with 3 kids under 6, and it’s tiring. But I want them to know that the world is big and vast, and how we live every day is not the way that most of the world lives. That is humbling. It’s so beautiful. And I’m just so grateful to be here with you. Roger Yeah, that’s great. Well, how can people learn more about you? Lexi I host a newsletter intellectual community called Civic Renaissance. It’s about beauty, goodness, and truth, and reviving the wisdom of the past to help us lead better lives in the present. Please do consider joining me over at Civic Renaissance. It’s about taking ideas out of the ether and living them, like putting this work into practice now, and how can we live richer, more fulfilled lives and relationships now. And, of course, read my book, “The Soul of Civility.” I hope it’s an encouragement. If you are in Japan, and whether you’re Japanese or American or from the West, I want to hear your observations about how this distinction between civility and politeness applies here. I came here with a kind of working hypothesis. I’ve been all over the world talking about this distinction. I was like, what’s it going to be like going to the most polite society in the world? I hope that this does meet a need in some way here, because we need human dignity first. Just manners alone are not enough. Roger Well, thank you. I’m really looking forward to tonight and seeing the kind of discussions that we’re going to have. So thank you so much for sharing your time with us. Lexi My pleasure. Thanks for having us. Roger You’ve been listening to the Art, Life, Faith Podcast. Don't forget to pick up your own copy of The Soul of Civility, wherever you buy your books. As we say in Japan, “Ja, mata ne!” We’ll see you next time.

From the origins of the name "Rialto," to mysterious statues on the facade of Florence Cathedral, to the connection between Piero della Francesca and Caravaggio, to the reason why the red pigment in Fra Angelico's frescoes glitter, to great Italian Renaissance art in England, and much, much more - this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance.

Carnegie Hall is one of America's greatest and most enduring cultural landmarks, enchanting audiences and making history since its opening night on May 5, 1891, when Pyotr Ilyich Tchaikovsky appeared there in his first performance in the United States. This groundbreaking performance space (originally known simply as “Music Hall”) is in fact a trio of distinct venues, all nestled within a single, opulent Italian Renaissance–style building. Although its benefactor Andrew Carnegie and his fellow Gilded Age elites had moved their grand residences farther up Fifth Avenue, New York's established cultural institutions, like the venerable Academy of Music, still lingered well to the south. Carnegie Hall helped shift that center of gravity uptown. Yet the true history of Carnegie Hall lives inside its walls—within the experiences of the audiences and the artists, and, for this week's show, within the archives themselves. Tom and Greg have been invited into the Carnegie Hall archives for an exclusive, unprecedented encounter with the story of American music. Kathleen Sabogal and Robert Hudson of the Rose Museum & Archives guide the Bowery Boys through the Hall's past, using some of their collection's most cherished artifacts: a clarinet, mysterious locks, ledger books, stickpins, suffrage buttons, beaded jackets, photographs, and autograph books that together bring the spirit of Carnegie Hall vividly to life. And in the end -- they even take to the stage! Visit the website for more information and to listen to more episodes of the Bowery Boys podcast. You can also watch this show on YouTube. This episode was proudly sponsored by Carnegie Hall. Visit CarnegieHall.org for information on upcoming shows, including the United in Sound: America at 250 festival, a multifaceted reflection of the United States 250 years since the signing of the Declaration of Independence. This episode was produced and edited by Kieran Gannon Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The apprentice of a legendary artist, the first publisher in history to be sued over copyright, and a famous satirist team up to create a provocative work of erotica that enraged the Pope himself.Sources:Romano, Giulio; Raimondi, Marcantonio; Aretino, Pietro; and Waldeck, Count Jean-Frederic-Maximilien. I Modi: The Sixteen Pleasures, An Erotic Album of the Italian Renaissance, trans. and ed. Lynne Lawner (Northwestern University Press, 1988).Talvacchia, Bette. Taking Positions: On the Erotic in Renaissance Culture (Princeton University Press, 1999).Vasari, Giorgi. Vasari's Lives of the Most Eminent Painters, Sculptors, and Architects, vol. III, trans. Mrs. Jonathan Foster (George Bell & Sons, 1894).

For today's Lang Fairy Tales episode we have a tale with its very own ATU number - The Master Thief! First recorded, to our knowledge, by Herodotus in the 5th century B.C. the story became popular in Europe due to a single writer in the Italian Renaissance who popularised the "Rise Tale" - the story of someone from a more modest background outwitting the rich to become rich themselves.In this case, with the Langs taking their version from Asbjørnsen and Moe, we have a youngest son who is a trickster, cross-dresser, huntsman, passable fake corpse, and torturer of priests.Is he a hero? Perhaps not - but is that perhaps the point, with European society being so unfairly organised that only the deceitful can succeed within it?Naturally we have a chat about all that, and about the story's clear roots in commedia dell'arte, at the end.If you are unfamiliar with the Lang Fairy Tales, these seminal collections were assembled between 1889 and 1913 by a married couple, folklorists and translators Nora and Andrew Lang, with most of the work done to compile them completed by Nora, also known as Leonora Blanche Alleyne.Assembled and published in 12 colour-coded "Fairy Books," the corpus the Langs put together included 798 fairy tales from across cultures, many of which had never before been translated into English.They were amongst the most influential books of their time, changing the course of children's literature - although they're hardly just for children, and often deal with quite challenging concepts.Today, purchasing a complete set of the Lang Fairy Books in good condition costs over £4,000 ($5,000+).Thankfully, the collections are all out of copyright, meaning that we can now tell these stories, in podcast form, many for the first time, and share them with a global audience, for free.Our plan is to release the stories between main series of Three Ravens, performing them straight (though with plenty of silly voices) letting the tales speak for themselves in all their madcap, sharp-edged, often quite bizarre glory.The only edits we have made are to amend some culturally-insensitive epithets, which typically pertain to ethnicity, with any such edits made by Eleanor Conlon.Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

The UK government last week issued a response to a report ostensibly exploring the future of the funding body Arts Council England but containing an idea that has prompted much debate: that the government should consider changing its policy of free admission for all to national museums in England, and charge tourists an entry fee. Ben Luke discusses the report and the charging issue with Gareth Harris, The Art Newspaper's chief contributing editor, and one of our London-based correspondents, Dale Berning Sawa. Last weekend in New York, the Metropolitan Museum of Art opened Raphael: Sublime Poetry, amazingly the first full career survey of the Italian Renaissance master in the United States. Seven years in the making, it explores Raphael's remarkable output across his short life, from his earliest years in his native Urbino to his work for two Popes in Rome, where he died aged just 37 in 1520. We talk to the show's curator, Carmen Bambach. And this episode's Work of the Week is Senga Nengudi's Performance Piece (1977), a series of three photographs depicting one of the iterations of the US artist's landmark sculpture and performance work RSVP. The photographs are part of a small exhibition focusing on Nengudi's performances at the Whitechapel Gallery in London, and Ben talks to the exhibition's curator Hannah Woods.Raphael: Sublime Poetry, The Metropolitan Museum of Art, New York, until 28 June.Senga Nengudi: Performance Works 1972-1982, Whitechapel Gallery, London, until 14 June. Hosted on Acast. See acast.com/privacy for more information.

fWotD Episode 3250: The Goldfinch (painting) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 29 March 2026, is The Goldfinch (painting).The Goldfinch (Dutch: Het puttertje) is an oil painting by the Dutch Golden Age artist Carel Fabritius of a life-sized chained European goldfinch. Signed and dated 1654, it is now in the collection of the Mauritshuis in The Hague, Netherlands. The work is a trompe-l'œil oil on panel measuring 33.5 by 22.8 centimetres (13.2 in × 9.0 in) that was once part of a larger structure, perhaps a window jamb or a protective cover. It is possible that the painting was in its creator's workshop in Delft at the time of the gunpowder explosion that killed him and destroyed much of the city.A common and colourful bird with a pleasant song, the goldfinch was a popular pet, and could be taught simple tricks including lifting a thimble-sized bucket of water. It was reputedly a bringer of good health, and was used in Italian Renaissance painting as a symbol of Christian redemption and the Passion of Jesus.The Goldfinch is unusual for the Dutch Golden Age painting period in the simplicity of its composition and use of illusionary techniques. Following the death of its creator, it was lost for more than two centuries before its rediscovery in Brussels.An eponymous novel by American author Donna Tartt won the 2014 Pulitzer Prize for fiction and led to a 2019 film. The painting was featured in a Dutch Golden Age world tour in 2012–2014, and was the centrepiece of a 2026 bird art exhibition at the Mauritshuis.This recording reflects the Wikipedia text as of 00:52 UTC on Sunday, 29 March 2026.For the full current version of the article, see The Goldfinch (painting) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Joanna.

Sometimes referred to as "the Uffizi of southern Italy," the Capodimonte Museum in Naples, Italy, houses one of the world's most important collections of Italian Renaissance painting. It includes masterpieces such as the "Crucifixion" by Masaccio, Titian's "Danaë" and  "Portrait of Pope Paul III," Caravaggio's "Flagellation," and Artemisia Gentileschi's "Judith and Holofernes," just to name a few.  

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Host Jason Blitman is joined by prolific author Kate Quinn to talk about her latest novel, The Astral Library. Conversation highlights include:

From the identity of a frequently seen character in Caravaggio paintings to how many Caravaggio paintings there are in the world to how to secure tickets for Leonardo's "Last Supper" to how much the Medici were worth, and much, much more - this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance.

Are we witnessing the fall of the American empire? Are we doomed to fall, like Ancient Athens, Ancient Rome and others?No. But if we don't learn the lessons of history, we could be. To avoid collapse, historian Johan Norberg argues we especially need to learn from the rise and fall of past golden ages—like Ancient Athens, Ancient Rome, China's Song Dynasty, the Italian Renaissance, and more.“What sets these golden ages apart," he explains, "is that they managed to ... give more people more freedoms.” Like freedom to trade. That helped many golden ages prosper.In this podcast, we also discuss what led to their decline. I was surprised to learn that many problems we face today (like inflation and unsustainable entitlement spending) also destroyed societies more than a thousand years ago. “But that doesn't mean that we're doomed,” says Norberg. “There are so many instances where societies faced terrible situations … but bounced back … So there is still time. We can still save this golden age.”

In questa puntata di Italiano ON-AIR, Katia e Alessio ci portano nel cuore del Rinascimento italiano per scoprire la figura di Fra' Giovanni da Fiesole, meglio conosciuto come Beato Angelico.Perché questo frate domenicano è considerato uno dei più grandi maestri del Quattrocento? Scopriremo insieme le caratteristiche uniche della sua pittura, fatta di luce divina, colori delicati e una prospettiva che unisce realismo e spiritualità. Parleremo anche dell'origine del suo nome e vi daremo un prezioso consiglio di viaggio per visitare i suoi capolavori a Firenze, lontano dalla folla, in un museo spesso fuori dalle rotte turistiche.

Ada Palmer and I discuss how the Italian Renaissance transformed our understanding of antiquity.

Episode No. 735 features curators Dan Nadel and Laura Phipps, and curator Alexander J. Noelle. With Elizabeth Sussman and Scott Rothkopf, Nadel and Phipps are the co-curators of "Sixties Surreal" at the Whitney Museum of American Art, New York. The exhibition works to complicate the march of -isms which, outside the academy and too few art museums, has too often ossified into the the era's US art history. "Sixties Surreal" offers some of the ways in which artists working around the US (and not only in New York or for its market) mined surrealist thought and theory to help them reckon with the era's sociopolitical extremes. The exhibition is on view through January 19, 2026. The thought-provoking exhibition catalogue was published by the Whitney. Amazon and Bookshop offer it for about $40-45. Also, Nadel and Phipps have made a 113-song Spotify playlist to accompany the show. The Cleveland Museum of Art's remarkable autumn of major Italian Renaissance presentations continues with Noelle's "Filippino Lippi and Rome," a look at the Florentine's painter's work in and informed by travel to Rome. The impetus for the exhibition was Cleveland's own tondo The Holy Family with Saint John the Baptist and Saint Margaret (ca. 1488-93), a masterpiece and the only known independent work that Filippino produced in Rome. Filippino is the son of the famed Fra Filippo Lippi, and apprenticed and collaborated with Sandro Botticelli before working on his own. "Lippi and Rome" is on view through February 22, 2026. A superb catalogue was published by the museum. Amazon and Bookshop offer it for $40. Several months ago the Cleveland Museum of Art debuted Giambologna's Fata Morgana, a high-profile acquisition of a rare Giambologna marble sculpture. Instagram: Dan Nadel, Laura Phipps, Alexander J. Noelle, and Tyler Green.

Tired of seeing the same titles on every "Best Of" list? In this third annual special episode, host Blaine DeSantis cuts through the noise to deliver his personal baker's dozen of the absolute best books he's read all year. If you're searching for the perfect present for the readers in your life, this list of Christmas book recommendations 2025 has something for everyone, from your spouse and parents to siblings and friends. Forget the popularity contests; these are 13 compulsively readable books, read cover-to-cover, that are guaranteed to surprise and delight.This is the ultimate Books and Looks podcast wish list, curated to solve the overwhelming problem of choosing from over a million books published each year. Blaine dives deep into his top picks across a wide range of genres, ensuring you'll find the perfect match for any taste. We start with some of the best nonfiction books 2025 has to offer, exploring pressing geopolitical issues in America in the Arctic by Mary Thompson-Jones and getting a stunning insider's view of modern Russia with Jill Doherty's My Russia. The episode then moves into a collection of unique memoir recommendations that celebrate the human spirit, from Marie Leautey's incredible story of running a marathon every single day in Leautey's World Run to John Seabrook's fascinating and complex family history in The Spinach King, the story of the family that made frozen lima beans a household staple. We also follow Graham Broyd's journey in Backpack, Jacket, Surfboard, as he retraces his 1980 hitchhiking trip across America.The list continues with incredible historical fiction and mystery books, including Sarah Dunant's masterful novel The Marquesa, which brings to life the first woman of the Italian Renaissance, Isabella d'Este. Blaine also highlights captivating biographies, such as Sister Aimee, Claire Hoffman's look at the spectacular rise and fall of Pentecostal preacher Aimee Semple McPherson, and Jan Gradvall's The Story of ABBA, offering an exclusive look into the lives of the iconic supergroup. We explore captivating nonfiction, from the surprisingly fascinating story of a despised bird in Starlings by Mike Stark to disappearing global traditions in Eliot Stein's Custodians of Wonder. David Krell's Do You Believe in Magic? provides a vibrant snapshot of America during the disco era of 1978. Finally, for those who love a good page-turner, Blaine recommends two compulsively readable mysteries: Danger, No Problem by Cindy F. Fariña, a thriller featuring a Filipino-American bounty hunter, and Ivory Bones by Sara Winokur, which centers on the mysterious and valuable Lewis Chessmen. These Christmas book recommendations 2025 are the best of the best from a year of reading.

Was the Italian Renaissance only for men? While history remembers the names of Michelangelo, Leonardo, and the Medici, one woman's story of power, art, and ambition rivals them all. In this episode, we uncover the life of Isabella d'Este, the First Lady of the Renaissance, with acclaimed historical novelist Sarah Dunant. Discover the incredible true story of the woman who ran a state, built a world-class art collection, and navigated a dangerous marriage—all while a secret disease swept through Europe, changing her destiny forever.Join us as celebrated author Sarah Dunant, a fellow of the Royal Society of Literature, discusses her groundbreaking new novel, The Marchesa. Dunant shares how a simple question from her teenage daughter—"Where were the women?"—sparked a two-decade journey to uncover the forgotten stories of Renaissance women. This episode reveals the fascinating life of Isabella d'Este, a political mastermind and fashion icon who was brilliantly educated in humanist culture. From an early age, she was a force to be reckoned with, known for her sharp intellect and unshakeable confidence. Dunant explains how Isabella became a pioneer of female art patronage, commissioning works from the greatest artists of her time and building a collection that was the envy of popes and kings.We dive deep into the thousands of letters preserved in the Mantua archive, which provide an unprecedented look into Isabella's mind. These documents reveal her cunning diplomacy as she ran the city-state of Mantua while her husband was away at war. We also explore her intense rivalry with her notorious sister-in-law, Lucretia Borgia. In a particularly captivating part of the interview, Dunant sheds light on a shocking and little-known aspect of the era: the history of syphilis in Italy. She details how the "French pox" arrived from the New World and secretly ravaged the European aristocracy, revealing a stunning discovery from her research that suggests Isabella knew her husband had the disease and took control of her own fate. Finally, hear about the author's own journey to publish Sarah Dunant The Marchesa, a beautifully illustrated hybrid of history and fiction that she was so passionate about, she decided to publish it herself.About Our Guest:Sarah Dunant is an award-winning British novelist, journalist, and critic. She is a recognized expert on the Italian Renaissance and has written six novels set in the period, all focused on bringing the vibrant and often hidden lives of women to the forefront. Her latest book, The Marchesa, is a culmination of years of deep archival research into the life of the extraordinary Isabella d'Este.Timestamps:(01:12) "Where Were the Women?": Sarah Dunant's Journey to the Renaissance(05:32) Introducing Isabella d'Este: The First Woman of the World(10:08) Uncovering History: Inside the Gonzaga Archive in Mantua(14:18) The First Female Art Patron: Building Isabella's Legendary Collection(20:23) A Rivalry of Style and Power: Isabella d'Este and Lucretia Borgia(24:52) The Past Talks Back: How Fiction Can Challenge Our View of History(31:36) The Secret Disease That Forged a Marriage: The History of Syphilis in the Renaissance(38:15) The Author's Own Battle: The Journey to Self-Publishing The Marchesa(41:21) What's Next for Sarah Dunant?Learn More & Episode Resources:Get your copy of The Marchesa by Sarah DunantLearn more about Sarah Dunant's work

From my opinion on the recently discovered paintings attributed to Caravaggio, to the influence of Hadrian's Villa on Borromini's architecture, to a possible connection between Caravaggio's "Burial of St. Lucy" and the movie "Schindler's List," to why Michelangelo's "David" is more famous than Bernini's, and much, much more - this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance.

Located in Milan, Italy, and inaugurated on Napoleon's birthday on August 15, 1812, the Pinacoteca di Brera (Brera Art Gallery) contains one of the world's most important collections of Italian Renaissance painting. This second episode explores masterpieces by Piero della Francesca, Raphael, and Caravaggio. 

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett analyze the Catholic Church's 2000-year evolution from Constantine through modernity, examining its role in shaping Western civilization amid profound historical transformations. -- SPONSOR: ZCASH | SHOPIFY The right technology reshapes politics and culture toward freedom and prosperity. Zcash—the "machinery of freedom"—delivers unstoppable private money through encryption. When your wealth is unseen, it's unseizable. Download Zashi wallet and follow @genzcash to learn more: ⁠⁠⁠⁠⁠⁠https://x.com/genzcash⁠⁠⁠⁠⁠⁠ Shopify powers millions of businesses worldwide, handling 10% of U.S. e-commerce. With hundreds of templates, AI tools for product descriptions, and seamless marketing campaign creation, it's like having a design studio and marketing team in one. Start your $1/month trial today at ⁠https://shopify.com/cognitive⁠ -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (00:39) The Catholic Church's 2000-Year Legacy (13:52) Sponsors: Zcash | Shopify (17:53) Constantine and the Christianization of Rome (32:00) St. Augustine and the Fall of Rome (37:00) The Dark Ages: Fathers of the Church (59:53) The High Middle Ages Renaissance (73:49) The Papal-Imperial Conflict (82:06) The Babylonian Captivity and Italian Renaissance (86:27) Martin Luther and the Protestant Reformation (94:00) Counter-Reformation and the Turn Against Science (102:00) Descartes, Enlightenment, and the Death of the Mystic (107:00) Napoleon, 19th Century, and Modernity (114:27) The Future: Third World Growth and Protestant vs. Catholic (123:00) Wrap-Up Learn more about your ad choices. Visit megaphone.fm/adchoices

Melvyn Bragg and guests discuss 'the greatest poet of his age', Thomas Wyatt (1503 -1542), who brought the poetry of the Italian Renaissance into the English Tudor world, especially the sonnet, so preparing the way for Shakespeare and Donne. As an ambassador to Henry VIII and, allegedly, too close to Anne Boleyn, he experienced great privilege under intense scrutiny. Some of Wyatt's poems, such as They Flee From Me That Sometime Did Me Seek, are astonishingly fresh and conversational and yet he wrote them under the tightest constraints, when a syllable out of place could have condemned him to the Tower. With Brian Cummings 50th Anniversary Professor of English at the University of York Susan Brigden Retired Fellow at Lincoln College, University of Oxford And Laura Ashe Professor of English Literature at the University of Oxford Producer: Simon Tillotson In Our Time is a BBC Studios Audio Production Reading list: Thomas Betteridge and Suzannah Lipscomb (eds.), Henry VIII and the Court: Art, Politics and Performance (Routledge, 2016) Susan Brigden, Thomas Wyatt: The Heart's Forest (Faber, 2012) Nicola Shulman, Graven with Diamonds: The Many Lives of Thomas Wyatt: Courtier, Poet, Assassin, Spy (Short Books, 2011) Chris Stamatakis, Sir Thomas Wyatt and the Rhetoric of Rewriting (Oxford University Press, 2012) Patricia Thomson (ed.), Thomas Wyatt: The Critical Heritage (Routledge, 1995) Greg Walker, Writing Under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2005) Thomas Wyatt (ed. R. A. Rebholz), The Complete Poems (Penguin, 1978) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Located in Milan, Italy, and inaugurated on Napoleon's birthday on August 15, 1812, the Pinacoteca di Brera (Brera Art Gallery) contains one of the world's most important collections of Italian Renaissance painting. This first episode explores masterpieces by Giovanni Bellini, Andrea Mantegna, Tintoretto. Paolo Veronese, and Vittore Carpaccio. 

Show Notes: Miruna studied art history at Harvard, focusing on Renaissance art. After taking a year off to travel and visit Romania, she decided to study Latin American Studies and Spanish and Portuguese at Yale. She found the graduate experience at Yale challenging, especially the sense of isolation that can come with graduate work when it is not socially or politically involved. Miruna began traveling to Mexico for her research on colonial Latin America, focusing on the intersection of history of science, literature, and ritual. Teaching History of Science Miruna moved to Mexico City, where she still resides. She works at a public university, Universidad Autónoma Metropolitana, in the Humanities Department where she  works on narratives that have to do with the history of science. She also teaches courses on collecting and museum formation  from a material culture perspective. She works with the national archeological collection in Mexico City, focusing on how collections are formed and the role of material culture in shaping history. Arriving in the U.S. As a Refugee Miruna shares more about her experience as a refugee and her journey to the US. Miruna was 13 when she left Romania with her parents, staying in a refugee camp near Vienna before moving to the US. Her parents applied for asylum in Australia, Canada, and the U.S., and the U.S. was the first to grant it. Miruna describes the cultural shock of arriving in Los Angeles in March with heavy winter coats, highlighting the differences between Central Europe and Southern California. The Cultural Importance of Understanding the Past Miruna discusses her teaching at a public university in Mexico, where she encourages students to question and engage with the past. She explains the hierarchical nature of Mexican society and how public universities provide a space for people from different backgrounds to meet. Miruna emphasizes the importance of understanding that the past is not fixed and that there are always opportunities to intervene and shape the present. In her courses on the history of archeology and collecting, she encourages students to develop their own relationships with the past. Archeological Collections and Community Ownership Miruna shares a story from the 19th century about the National Museum of Mexico and how archeology became a central part of the country's national heritage. She explains how archeological collections were moved from communities to the capital, often with resistance from local people. Miruna discusses a specific incident where urns from the Pacific coast were shattered during transportation, highlighting the different ways of caring for objects. While disciplinary narratives insist that museums care for objects, this episode shows how the opposite is true as well: objects and their meanings can be destroyed, physically and conceptually in their transfer to museum. She further discusses  a more recent event, involving state violence and local resistance, when a 168-ton monolith was moved from  a village outside Mexico City to the National Museum of Anthropology in Mexico City, in 1964. Practices and Norms in Archeology The conversation turns to changes in archeological practices and norms over the years. Miruna notes that younger archeologists are more likely to seek permission from local communities and give credit to local guides and people working on excavations. She mentions the increasing difficulty of accessing certain areas in Mexico due to organized crime, which has reduced the number of archeological projects in some regions. Miruna emphasizes the importance of local museums and community collections in providing more inclusive and contextualized narratives. The Rise of Political Parties and the Zapatista Movement Miruna shares her experience of arriving in Mexico and the political changes she witnessed, including the rise of new political parties and the Zapatista movement. She describes the vibrant and dynamic nature of Mexican society, with ongoing efforts to find new ways of relating to the past and imagining the future. Miruna discusses the challenges of prejudice and hierarchies in Mexican society, despite progress in areas like gay marriage and feminist marches. Science Fiction as a Form of Resistance Miruna teaches science fiction written from the Global South, which she sees as a form of resistance against dominant narratives. She explains that this genre is relatively new in Latin America and is influenced by writers from the Global North like Octavia Butler and Ursula Le Guin. Miruna highlights the work of young writers like Gabriela Damian and Fernanda Trias, who explore social and cultural realities through science fiction. She discusses the importance of imagining open networks and connected worlds, rather than closed systems and technological fantasies. Archeological Points of Interest in Mexico Miruna offers a few recommendations for visitors interested in archeology in Mexico. She suggests visiting the Museum of Anthropology in Mexico City, which focuses on archeology and pre-Hispanic history. She also recommends a trip to Teotihuacan, highlighting the importance of visiting the mural paintings in the residential compounds. Miruna also recommends exploring the center of Mexico City, which is a palimpsest of different centuries and cultures, with the Templo Mayor, a pre-Hispanic structure from the 16th century, which is rising out of the ground due to shifts in soil and shifts in the water table. Harvard  Reflections Miruna mentions Joseph Koerner, who taught Northern Renaissance art, and John Sherman, who taught Italian Renaissance art. She also recalls Oleg Grabar, who taught Islamic art and read poems such as Yeats' poem "Sailing to Byzantium" to inspire students to see art with different eyes. Miruna expresses regret for not taking classes with other influential professors like Stephen Jay Gould, which she would have loved to do now. Timestamps: 01:35: Studying Art History and Latin American Studies 03:20: Life and Work in Mexico City 04:43: Experiences as a Refugee and Arrival in the US 08:43: Teaching and Research in Mexico 13:41: Historical Context of Archeology in Mexico 21:43: Changes in Archeological Practices 24:33: Miruna's Experience in Mexico and Political Context 29:38: Teaching Science Fiction from the Global South Featured Non-profit The featured non-profit of this week's episode is recommended by Becca Braun who reports: “ Hi. I'm Becca Braun from the class of 1992. The featured nonprofit of this episode of The 92 Report is the Lawrence School in Sagamore Hills, Ohio. The Lawrence School is a leading school in teaching students with ADHD and dyslexia, and its wonderful tagline is “Great Minds Don't Think Alike.” Lawrence School has been transformative for our youngest child with ADHD, and he went from thinking that he was a troublemaker and problem student to completely believing in himself and loving going to school every day. Every child should have this opportunity, regardless of their financial means. We have donated and hope that you might so that more children with ADHD or dyslexia, those who are unable to thrive in large public school classrooms might have the opportunity to attend this transformative school. Thanks a lot. You can learn more about their work at Lawrence school.org, Lawrence L, A, W, R, E, N, C, E, school.org, and now here is Will Bachman with this week's episode.” To learn more about their work, visit: www.lawrenceschool.org. 

In this episode, we unpack the remarkable story of how Scott McTominay, a homegrown hero who reluctantly left Manchester United, became the unlikely Serie A champion of Naples. We dive into Antonio Conte's tactical genius, explore how McTominay found his perfect role in a fiery new home, and break down the stats behind his stunning 12-goal, 7-assist season. This is the tale of a reluctant goodbye that became a glorious beginning.Scott McTominay, Napoli, Serie A, Antonio Conte, Manchester United

Sex, scandal and ... the Sacraments? Renaissance Rome wasn't for the faint hearted. And the Vatican? For some that was the source of the drama.In this episode, Kate is joined by Catherine Fletcher to meet one of the Vatican's randiest residents - Pope Alexander VI. From saucy parties to the scandals of the Borgia family, why might this be the naughtiest pope in history?Catherine is the author of a number of books including ‘The Beauty and the Terror: An Alternative History of the Italian Renaissance'.This episode was edited by Tim Arstall and produced by Sophie Gee. The senior producer was Charlotte Long.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Andrew For America welcomes back to the show Mr. Sam Winchester of the According2Sam podcast. Andrew and Sam talk about the murder of Charlie Kirk, how bad our education system is, post-modernism, the importance of argumentation and how to construct a logical argument, mystery Babylon, the Annunaki, the Epic of Gilgamesh, the Italian Renaissance, a brief history of our presidents (and their crony affiliations) since JFK, George Orwell's book Animal Farm, and more! Exercise your freedom of speech while you still have it people!Visit allegedlyrecords.com and check out all of the amazing punk rock artists!Visit soundcloud.com/andrewforamerica1984 to check out Andrew's music!Like and Follow The Politics & Punk Rock Podcast PLAYLIST on Spotify!!!Check it out here: https://open.spotify.com/playlist/1Y4rumioeqvHfaUgRnRxsy...politicsandpunkrockpodcast.comhttps://linktr.ee/andrewforamericaFollow Future Is Now Coalition on Instagram @FutureIsOrgwww.futureis.org

Our analysts Adam Jonas and Alex Straton discuss how tech-savvy young professionals are influencing retail, brand loyalty, mobility trends, and the broader technology landscape through their evolving consumer choices. Read more insights from Morgan Stanley.----- Transcript -----Adam Jonas: Welcome to Thoughts on the Market. I'm Adam Jonas, Morgan Stanley's Embodied AI and Humanoid Robotics Analyst. Alex Straton: And I'm Alex Straton, Morgan Stanley's U.S. Softlines Retail and Brands Analyst. Adam Jonas: Today we're unpacking our annual summer intern survey, a snapshot of how emerging professionals view fashion retail, brands, and mobility – amid all the AI advances.It is Tuesday, August 26th at 9am in New York.They may not manage billions of dollars yet, but Morgan Stanley's summer interns certainly shape sentiment on the street, including Wall Street. From sock heights to sneaker trends, Gen Z has thoughts. So, for the seventh year, we ran a survey of our summer interns in the U.S. and Europe. The survey involved more than 500 interns based in the U.S., and about 150 based in Europe. So, Alex, let's start with what these interns think about fashion and athletic footwear. What was your biggest takeaway from the intern survey? Alex Straton: So, across the three categories we track in the survey – that's apparel, athletic footwear, and handbags – there was one clear theme, and that's market fragmentation. So, for each category specifically, we observed share of the top three to five brands falling over time. And what that means is these once dominant brands, as consumer mind share is falling – and it likely makes them lower growth margin and multiple businesses over time. At the same time, you have smaller brands being able to captivate consumer attention more effectively, and they have staying power in a way that they haven't necessarily historically. I think one other piece I would just add; the rise of e-commerce and social media against a low barrier to entry space like apparel and footwear means it's easier to build a brand than it has been in the past. And the intern survey shows us this likely continues as this generation is increasingly inclined to shop online. Their social media usage is heavy, and they heavily rely on AI to inform, you know, their purchases.So, the big takeaway for me here isn't that the big are getting bigger in my space. It's actually that the big are probably getting smaller as new players have easier avenues to exist. Adam Jonas: Net apparel spending intentions rose versus the last survey, despite some concern around deteriorating demand for this category into the back half. What do you make of that result? Alex Straton: I think there were a bit conflicting takes from the survey when I look at all the answers together. So yes, apparel spending intentions are higher year-over-year, but at the same time, clothing and footwear also ranked as the second most category that interns would pull back on should prices go up. So let me break this down. On the higher spending intentions, I think timing played a huge role and a huge factor in the results. So, we ran this in July when spending in our space clearly accelerated. That to me was a function of better weather, pent up demand from earlier in the quarter, a potential tariff pull forward as headlines were intensifying, and then also typical back to school spending. So, in short, I think intention data is always very heavily tethered to the moment that it's collected and think that these factors mean, you know, it would've been better no matter what we've seen it in our space. I think on the second piece, which is interns pulling back spend should prices go up. That to me speaks to the high elasticity in this category, some of the highest in all of consumer discretionary. And that's one of the few drivers informing our cautious demand view on this space as we head into the back half. So, in summary on that piece, we think prices going higher will become more apparent this month onwards, which in tandem with high inventory and a competitive setup means sales could falter in the group. So, we still maintain this cautious demand view as we head into the back half, though our interns were pretty rosy in the survey. Adam Jonas: Interesting. So, interns continue to invest in tech ecosystems with more than 90 percent owning multiple devices. What does this interconnectedness mean for companies in your space? Alex Straton: This somewhat connects to the fragmentation theme I mentioned where I think digital shopping has somewhat functioned as a great equalizer in the space and big picture. I interpret device reliance as a leading indicator that this market diversification likely continues as brands fight to capture mobile mind share. The second read I'd have on this development is that it means brands must evolve to have an omnichannel presence. So that's both in store and online, and preferably one that's experiential focus such that this generation can create content around it. That's really the holy grail. And then maybe lastly, the third takeaway on this is that it's going to come at a cost. You, you can't keep eyeballs without spend. And historical brick and mortar retailers spend maybe 5 to 10 percent of sales on marketing, with digital requiring more than physical. So now I think what's interesting is that brands in my space with momentum seem to have to spend more than 10 percent of sales on marketing just to maintain popularity. So that's a cost pressure. We're not sure where these businesses will necessarily recoup if all of them end up getting the joke and continuing to invest just to drive mind share. Adam, turning to a topic that's been very hot this year in your area of expertise. That's humanoid robots. Interns were optimistic here with more than 60 percent believing they'll have many viable use cases and about the same number thinking they'll replace many human jobs. Yet fewer expect wide scale adoption within five years. What do you think explains this cautious enthusiasm? Adam Jonas: Well actually Alex, I think it's pretty smart. There is room to be optimistic. But there's definitely room to be cautious in terms of the scale of adoption, particularly over five years. And we're talking about humanoid robots. We're talking about a new species that's being created, right? This is bigger than just – will it replace our job? I mean, I don't think it's an exaggeration to ask what does this do to the concept of being human? You know, how does this affect our children and future generations? This is major generational planetary technology that I think is very much comparable to electricity, the internet. Some people say the wheel, fire, I don't know. We're going to see it happen and start to propagate over the next few years, where even if we don't have widespread adoption in terms of dealing with it on average hour of a day or an average day throughout the planet, you're going to see the technology go from zero to one as these machines learn by watching human behavior. Going from teleoperated instruction to then fully autonomous instruction, as the simulation stack and the compute gets more and more advanced. We're now seeing some industry leaders say that robots are able to learn by watching videos. And so, this is all happening right now, and it's happening at the pace of geopolitical rivalry, Sino-U.S. rivalry and terra cap, you know, big, big corporate competitive rivalry as well, for capital in the human brain. So, we are entering an unprecedented – maybe precedented in the last century – perhaps unprecedented era of technological and scientific discovery that I think you got to go back to the European and American Enlightenment or the Italian Renaissance to have any real comparisons to what we're about to see. Alex Straton: So, keeping with this same theme, interns showed strong interest in household robots with 61 percent expressing some interest and 24 percent saying they're very or extremely interested. I'm going to take you back to your prior coverage here, Adam. Could this translate into demand for AI driven mobility or smart infrastructure? Adam Jonas: Well, Alex, you were part of my prior coverage once upon a time. We were blessed with having you on our team for a year, and then you left me… Alex Straton: My golden era. Adam Jonas: But you came back, you came back. And you've done pretty well. So, so look, imagine it's 1903, the Wright Brothers just achieved first flight over the sands at Kitty Hawk. And then I were to tell you, ‘Oh yeah, in a few years we're going to have these planes used in World War I. And then in 1914, we'd have the first airline going between Tampa and St. Petersburg.' You'd say, ‘You're crazy,' right? The beauty of the intern survey is it gives the Morgan Stanley research department and our clients an opportunity to engage that surface area with that arising – not just the business leader – but that arising tech adopter. These are the people, these are the men and women that are going to kind of really adopt this much, much faster. And then, you know, our generation will get dragged into it eventually. So, I think it says; I think 61 percent expressing even some interest. And then 24 [percent], I guess, you know… The vast majority, three quarters saying, ‘Yeah, this is happening.' That's a sign I think, to our clients and capital market providers and regulators to say, ‘This won't be stopped. And if we don't do it, someone else will.' Alex Straton: So, another topic, Generative AI. It should come as no surprise really, that 95 percent of interns use that tool monthly, far ahead of the general population. How do you see this shaping future expectations for mobility and automation? Adam Jonas: So, this is what's interesting is people have asked kinda, ‘What's that Gen AI moment,' if you will, for mobility? Well, it really is Gen AI. Large Language Models and the technologies that develop the Large Language Models and that recursive learning, don't just affect the knowledge economy, right. Or writing or research report generation or intelligence search. It actually also turns video clips and physical information into tokens that can then create and take what would be a normal suburban city street and beautiful weather with smiling faces or whatever, and turn it into a chaotic scene of, you know, traffic and weather and all sorts of infrastructure issues and potholes. And that can be done in this digital twin, in an omniverse. A CEO recently told me when you drive a car with advanced, you know, Level 2+ autonomy, like full self-driving, you're not just driving in three-dimensional space. You're also playing a video game training a robot in a digital avatar. So again, I think that there is quite a lot of overlap between Gen AI and the fact that our interns are so much further down that curve of adoption than the broader public – is probably a hint to us is we got to keep listening to them, when we move into the physical realm of AI too. Alex Straton: So, no more driving tests for the 16-year-olds of the future... Adam Jonas: If you want to. Like, I tell my kids, if you want to drive, that's cool. Manual transmission, Italian sports cars, that's great. People still ride horses too. But it's just for the privileged few that can kind of keep these things in stables. Alex Straton: So, let me turn this into implications for companies here. Gen Z is tech fluent, open to disruption? How should autos and shared mobility providers rethink their engagement strategies with this generation? Adam Jonas: Well, that's a huge question. And think of the irony here. As we bring in this world of fake humans and humanoid robots, the scarcest resource is the human brain, right? So, this battle for the human mind is – it's incredible. And we haven't seen this really since like the Sputnik era or real height of the Cold War. We're seeing it now play out and our clients can read about some of these signing bonuses for these top AI and robotics talent being paid by many companies. It kind of makes, you know, your eyes water, even if you're used to the world of sports and soccer, . I think we're going to keep seeing more of that for the next few years because we need more brains, we need more stem. I think it's going to do; it has the potential to do a lot for our education system in the United States and in the West broadly. Alex Straton: So, we've covered a lot around what the next generation is interested in and, and their opinion. I know we do this every year, so it'll be exciting to see how this evolves over time. And how they adapt. It's been great speaking with you today, Adam. Adam Jonas: Absolutely. Alex, thanks for your insights. And to our listeners, stay curious, stay disruptive, and we'll catch you next time. If you enjoy Thoughts on the Market, please leave us a review wherever you listen and share the podcast with a friend or colleague today.

Join Rob Fredette on the latest episode of HODGEPOD as he welcomes author Ken Tentarelli to discuss the fascinating world of historical fiction. Tentarelli, who transitioned from a career in engineering to writing, shares his journey into becoming an author and the inspiration behind his historical mystery series set during the Italian Renaissance. Following their love for travel through Italy, Tenterelli offers insights into the nuances of Italian history, culture, and the authenticity that historians demand from his genre. As they dive into his upcoming book due for release September 25th  "The Blackest Time," listeners get a sneak peek into a story set during the devastating period of the Black Plague. Tentarelli highlights the parallels between past pandemics and modern challenges, emphasizing the human resilience portrayed in his novels. Departing with tales of exploration, both literary and personal, this conversation isn't one to miss for history buffs and fiction enthusiasts alike. www.kententarelli.com The Blackest Time: A Novel of Florence during the Black Plague Paperback will be available on Amazon September 25, 2025. You can preorder now!! RECORDED JULY 6, 2025 Thank you for listening to HODGEPOD which can be heard on APPLE, SPOTIFY, IHEART, AUDACY, TUNEIN and the PODBEAN APP

Join Rob Fredette on the latest episode of HODGEPOD as he welcomes author Ken Tentarelli to discuss the fascinating world of historical fiction. Tentarelli, who transitioned from a career in engineering to writing, shares his journey into becoming an author and the inspiration behind his historical mystery series set during the Italian Renaissance. Following their love for travel through Italy, Tenterelli offers insights into the nuances of Italian history, culture, and the authenticity that historians demand from his genre. As they dive into his upcoming book due for release September 25th  "The Blackest Time," listeners get a sneak peek into a story set during the devastating period of the Black Plague. Tentarelli highlights the parallels between past pandemics and modern challenges, emphasizing the human resilience portrayed in his novels. Departing with tales of exploration, both literary and personal, this conversation isn't one to miss for history buffs and fiction enthusiasts alike. www.kententarelli.com The Blackest Time: A Novel of Florence during the Black Plague Paperback will be available on Amazon September 25, 2025. You can preorder now!! RECORDED JULY 6, 2025 Thank you for listening to HODGEPOD which can be heard on APPLE, SPOTIFY, IHEART, AUDACY, TUNEIN and the PODBEAN APP

First: Nigel Farage is winning over womenDoes – or did – Nigel Farage have a woman problem? ‘Around me there's always been a perception of a laddish culture,' he tells political editor Tim Shipman. In last year's election, 58 per cent of Reform voters were men. But, Shipman argues, ‘that has begun to change'. According to More in Common, Reform has gained 14% among women, while Labour has lost 12%. ‘Women are ‘more likely than men… to worry that the country is broken.'Many of Reform's most recent victories have been by women: Andrea Jenkyns in the mayoral elections, Sarah Pochin to Parliament; plus, there most recent high profile defections include a former Tory Welsh Assembly member and a former Labour London councillor. What makes Reform's success with women all the more remarkable is that it appears organic; ‘we haven't forced this' says Farage.So why are women turning to Reform UK? Tim Shipman and Sarah Pochin MP join the podcast to discuss. Next: is Italy experiencing a renaissance? From Italy, Owen Matthews argues that Prime Minister Giorgia Meloni has revived her nation. While he says that Italy has been ‘suffering from the same economic malaise' as the rest of Europe, the macroeconomics covers up the true affordability of the country. Espressos cost €1.20, pizzas are no more than €10, and rents in even the swankiest areas are ‘laughably' cheap compared to Britain. Plus, Owen sees none of the ‘media catastrophisation' over issues like immigration, social cohesion and militant Islam that appears to grip the UK. So how has Meloni done it? To discuss, Owen joined the podcast alongside Antonello Guerrera, UK & Westminster correspondent for the Italian newspaper Repubblica.And finally: one in three British adults cannot swimThis week, Iram Ramzan provides her ‘notes on' learning to swim saying, ‘it's humiliating to admit that at 37' she can't. She's not alone though – one third of British adults cannot swim, and the proportion appears to be rising. Iram highlights the disparities between different communities; 76 percent of South Asian women for example cannot swim 25 metres. Iram joined the podcast to discuss further, alongside fitness professional and entrepreneur Elle Linton who also learnt to swim in her thirties.Plus: what small error led Rachel Johnson to get a telling off from Noel Gallagher? And Max Jeffery reports from court, where the Spectator and Douglas Murray have won a defamation claim brought against them by Mohammed Hijab. Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons.

First: Nigel Farage is winning over womenDoes – or did – Nigel Farage have a woman problem? ‘Around me there's always been a perception of a laddish culture,' he tells political editor Tim Shipman. In last year's election, 58 per cent of Reform voters were men. But, Shipman argues, ‘that has begun to change'. According to More in Common, Reform has gained 14% among women, while Labour has lost 12%. ‘Women are ‘more likely than men… to worry that the country is broken.'Many of Reform's most recent victories have been by women: Andrea Jenkyns in the mayoral elections, Sarah Pochin to Parliament; plus, there most recent high profile defections include a former Tory Welsh Assembly member and a former Labour London councillor. What makes Reform's success with women all the more remarkable is that it appears organic; ‘we haven't forced this' says Farage.So why are women turning to Reform UK? Tim Shipman and Sarah Pochin MP join the podcast to discuss. Next: is Italy experiencing a renaissance? From Italy, Owen Matthews argues that Prime Minister Giorgia Meloni has revived her nation. While he says that Italy has been ‘suffering from the same economic malaise' as the rest of Europe, the macroeconomics covers up the true affordability of the country. Espressos cost €1.20, pizzas are no more than €10, and rents in even the swankiest areas are ‘laughably' cheap compared to Britain. Plus, Owen sees none of the ‘media catastrophisation' over issues like immigration, social cohesion and militant Islam that appears to grip the UK. So how has Meloni done it? To discuss, Owen joined the podcast alongside Antonello Guerrera, UK & Westminster correspondent for the Italian newspaper Repubblica.And finally: one in three British adults cannot swimThis week, Iram Ramzan provides her ‘notes on' learning to swim saying, ‘it's humiliating to admit that at 37' she can't. She's not alone though – one third of British adults cannot swim, and the proportion appears to be rising. Iram highlights the disparities between different communities; 76 percent of South Asian women for example cannot swim 25 metres. Iram joined the podcast to discuss further, alongside fitness professional and entrepreneur Elle Linton who also learnt to swim in her thirties.Plus: what small error led Rachel Johnson to get a telling off from Noel Gallagher? And Max Jeffery reports from court, where the Spectator and Douglas Murray have won a defamation claim brought against them by Mohammed Hijab. Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk

Leonardo da Vinci? More like Leonardo da Fist Me.We've all heard of the man behind the Mona Lisa. But did you know he was also one of Florence's sodomitical sweethearts?In this episode, we pull back the vajazzled curtain on Leonardo da Vinci to reveal a homo neither tormented nor repressed, suffering dramatically for his art, but a messy, charismatic, and brilliant dilettante obsessed with the world.More than anything, Leonardo cared about curiosity. He was fascinated more by the world than his paychecks, which got him into trouble more often than his penchant for very handsome twinks – ahem, sorry, apprentices.*Join Bash and Renaissance historian Catherine Fletcher as they answer all the big questions:Was Leonardo gay? Does it matter? Did it affect his fantastically innovative artwork? Did he think outside the box? And whose box did he eat?We'll also give you a taste of what it was like to be horny, humping Leo in 1470s Florence, dashing across the Ponte Vecchio from paint job to blow job in an Italian minute (aka seventeen hours).We'll cover:Leonardo's arrest at age 24 for...sodomyHow the city responded to its "epidemic" of...sodomyLeonardo's lifelong entanglement with his apprentice/lover/twink-goblin, SalaiThe saga of Michelangelo vs. Leonardo, who were briefly Florence's duelling divas of the dayWhy Leonardo's refusal to care — about his sexuality or finishing any of his damn paintings — is actually the gayest and most important thing about himIf you've ever wanted a crash course in the gayest corners of the Italian Renaissance — or just an excuse to say “I heard you're into the Florentine vice” out loud — this is the episode for you.

Was the Italian Renaissance really a “Golden Age”? And if so, would anyone living through it have actually noticed? In this week's episode of The More Freedom Foundation Podcast, Robert Morris dives deep into the myths and realities of history's most romanticized era. Inspired by Ada Palmer's Inventing the Renaissance: Myths of a Golden Age, Rob shares his growing fascination with the period—and why Palmer's perspective has reshaped how he sees it.We also contrast that thoughtful take with William Manchester's A World Lit Only by Fire, a bestselling but quite crap take on the Middle Ages and Renaissance that Rob feels misses the mark. From artistic masterpieces and humanist philosophy to the messier truths of war, plague, and inequality, we explore what makes a “Golden Age” in the first place—and whether the glow comes from hindsight more than history.⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok

Raphael was one of the greatest painters of the Italian Renaissance. Known for his soft, balanced style and graceful figures, he created famous works like The School of Athens and beautiful portraits of the Madonna. Working in Rome, he became a favorite of popes and helped design parts of the Vatican. This episode looks at his short but brilliant life and the art that still inspires people today.

From Leonardo making marzipan sculptures and his “Madonna of the Yarnwinder,” to whether Jesus died of cardiogenic shock or asphyxiation, to the recently discovered “Judith and Holofernes” and “Ecce Homo” attributed to Caravaggio, to how to transfer panel paintings to canvas, to how to recognize a Michelangelo, to whether being familiar with historical context increases your appreciation of a work of art, this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance.

Dotun Adebayo and Tim Vickery are joined by James Oddy and Rich Hall from Gentleman Ultra to discuss all things Italian Football. From McTominay winning the league with Napoli to Inter's chances in the Champions League Final. Watch this episode on Youtube: https://youtube.com/live/nW-Ls_iSWcAFOLLOW THE BRAZILIAN SHIRT NAME ON INSTAGRAM: https://www.instagram.com/brazilshirtpod/ FOLLOW THE BRAZILIAN SHIRT NAME ON FACEBOOK:https://www.facebook.com/BrazilShirtPodFOLLOW THE BRAZILIAN SHIRT NAME ON TWITTER:https://twitter.com/BrazilShirtPodPURCHASE DOTUN'S LATEST BOOK, EFFRIES HERE: https://amzn.to/4cM260f

SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a number of milestones in the history of visual effects, and throughout the episode, Jon shares numerous stories from his long career at Industrial Light & Magic (ILM), granting us insight into a time he likens to as the Italian Renaissance. From optical printers to artificial intelligence, Jon shares his experiences working with the many pieces of technology responsible for manipulating images, and he reveals the level of focus he and his colleagues at ILM shared when it came to problem-solving (even during an earthquake!). In addition to his work in film, Jon has also worked on projects for The Sphere in Las Vegas, and he shares what he believes to be the distinctive traits of and the possible uses for the new technology. Jon also reveals what he saw as a groundbreaking advancement in visual effects while working on HOWARD THE DUCK, and we compare past and present VFX techniques. Plus, we break down how optical visual effects are actually made. - This episode is sponsored by Profoto & Aputure

From how many paintings Caravaggio produced, to visiting Florence at Easter time, to how form and color were applied in Renaissance painting, to an overlooked equestrian monument, to finding the wooden beams in Brunelleschi's dome, to the model used by Leonardo da Vinci in three of his most famous paintings, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance.

In February 2025, Ralston College hosted a landmark symposium in Savannah, Georgia, bringing together leading thinkers, artists, educators, and students for a searching conversation about the renewal of our shared culture. Over the course of a wide-ranging roundtable, speakers explored the collapse of higher education, the need for sacred space, the conditions for reawakening beauty and truth, the integral importance of literature, music and architecture, and the crucial role of the young in rebuilding a meaningful culture that can inspire and endure. This conversation is not an academic exercise in abstraction. It is the practical work of preservation—of remembering what the world has forgotten, and of laying foundations for what must come next. The roster of speakers is as follows: Stephen Blackwood: Why we are on the verge of renaissance James Orr: Why America is ready for change David Butterfield: Why colleges are the institutions to build James Hankins: Why the Italian Renaissance emerged Joseph Conlon: Why learning languages is essential Gregg Hurwitz: Why literature must resonate outside academia Jonathan Pageau: Why renewal requires in-person, communal remembrance Samuel Andreyev: Why music needs to know its tradition to thrive Christian Sottile: Why we need beautiful architecture Mari Otsu: Why Ralston College was the place that changed my life Authors, Artists, and Works Mentioned in this Episode:  Sir Isaac Newton Gottfried Wilhelm Leibniz Friedrich Hölderlin's Patmos Martin Heidegger John of Patmos, a figure traditionally identified with John the Apostle or John the Evangelist Desiderius Erasmus of Rotterdam The Cambridge Five Sir Niall Ferguson Saint Benedict of Nursia Flavius Magnus Aurelius Cassiodorus Charlemagne Alcuin of York Walter de Merton Gaius Marius Marcus Tullius Cicero Paradiso – the third and final part of Dante Alighieri's Divine Comedy Francesco Petrarca Cola di Rienzo Richard Wagner's opera Rienzi Livy (Titus Livius) Homer Plato Plutarch “JD Vance States the Obvious About Ordo Amoris” – in First Things, by James Orr Pythagoras Plato's dialogue Phaedrus Charles Dickens Alfred Hitchcock William Shakespeare Metamorphoses by Publius Ovidius Naso (43 BCE – 17 CE), known as Ovid Albert Camus – The Stranger James M. Cain – The Postman Always Rings Twice Fyodor Dostoevsky's Crime and Punishment Edgar Allan Poe Oscar Wilde's The Picture of Dorian Gray Michelangelo Buonarroti Pope Julius II The Bible Ezra Pound, quote from ABC of Reading (1934) Professor Jeffrey Eley Mark C. McDonald The Medici Family Gian Giorgio Trissino Andrea Palladio Otto Wagner The Black Paintings (Las Pinturas Negras) by Francisco Goya Michelangelo Merisi da Caravaggio Peter Paul Rubens  

Carlo Gesualdo's madrigals are unique and captivating. But he was seen by many as a monster in his own time due to a double murder and associations with witchcraft.  Research: Burton-Hill, Clemency. “Gesualdo: Glorious music and grisly murder.” BBC. Oct. 21, 2014. https://www.bbc.com/culture/article/20130905-a-16th-century-musical-badass Caccese, Andrea. “Carlo Gesualdo: the ‘Madman' of the Italian Renaissance.” CMUSE. Sept. 20, 2014. https://www.cmuse.org/carlo-gesualdo-the-madman-of-the-italian-reinassance/ “Carlo Gesuald.” Philadelphia Chamber Music Society. DeVoto, Mark. "chromaticism". Encyclopedia Britannica, 30 Mar. 2023, https://www.britannica.com/art/chromaticism Gray, Cecil and Philip Heseltine. “Carlo Gesualdo, Prince of Venosa, Musician and Murderer.” Greenwood Press. Westport, Connecticut. 1971. Accessed online: https://archive.org/details/carlogesualdopri0000gray/page/n7/mode/1up Haar, James. “Classicism and Mannerism in 16th-Century Music.” International Review of Music Aesthetics and Sociology, vol. 1, no. 1, 1970, pp. 55–68. JSTOR, https://doi.org/10.2307/836396 LEVENBERG J. Was Carlo Gesualdo's Honour Killing Liturgical? Journal of the Royal Musical Association. Published online 2024:1-32. doi:10.1017/rma.2023.4 Ober, William B., M.D. “CARLO GESUALDO, PRINCE OF VENOSA: MURDER, MADRIGALS, AND MASOCHISM.” Bulletin of the New York Academy of Medicine. 1973 Jul;49(7):634-645. PMID: 4575970; PMCID: PMC1807043. Ross, Alex. “Prince of Darkness.' New Yorker. December 11, 2011. https://www.newyorker.com/magazine/2011/12/19/prince-of-darkness Stevens, Denis. “Carlo Gesualdo.” The Musical Times, vol. 131, no. 1770, 1990, pp. 410–11. JSTOR, https://doi.org/10.2307/966618 Turci-Escobar, John. “Softening the Edges: Cadential Attenuation in Gesualdo's Six Books of Madrigals.” Theory and Practice, vol. 32, 2007, pp. 101–35. JSTOR, http://www.jstor.org/stable/41054417 Watkins, Glenn. “The Gesualdo Hex.” W.W. Norton. 2010. See omnystudio.com/listener for privacy information.