Podcasts about Italian Renaissance

SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a number of milestones in the history of visual effects, and throughout the episode, Jon shares numerous stories from his long career at Industrial Light & Magic (ILM), granting us insight into a time he likens to as the Italian Renaissance. From optical printers to artificial intelligence, Jon shares his experiences working with the many pieces of technology responsible for manipulating images, and he reveals the level of focus he and his colleagues at ILM shared when it came to problem-solving (even during an earthquake!). In addition to his work in film, Jon has also worked on projects for The Sphere in Las Vegas, and he shares what he believes to be the distinctive traits of and the possible uses for the new technology. Jon also reveals what he saw as a groundbreaking advancement in visual effects while working on HOWARD THE DUCK, and we compare past and present VFX techniques. Plus, we break down how optical visual effects are actually made. - This episode is sponsored by Profoto & Aputure

Send us a textNiccolo Machiavelli is often held up as the paradigmatic political philosopher of the Italian Renaissance. But as James Hankins argued in an earlier book, Virtue Politics, Machiavelli in fact repudiates the framework common to many of the humanists of the Renaissance. Machiavelli is an outlier. Who then can replace him as the Renaissance's paradigmatic political philosopher? In his new book, Political Meritocracy in Renaissance Italy, Hankins proposes the little-known Francesco Patrizi, friend and protege of Pope Pius II, as Machiavelli's replacement. Hankins joins the show to make his case for Patrizi as emblematic of Renaissance political philosophy and to explain some aspects of Patrizi's life and thought.James Hankins's Political Meritocracy in Renaissance Italy: https://bookshop.org/a/25626/9780674274709James Hankins's Virtue Politics: https://amzn.to/4d0f0buAdrian Wooldridge's Aristocracy of Talent: https://bookshop.org/a/25626/9781510775558The Patrizi Project: https://patrizisiena.hsites.harvard.edu/Nate Fischer's Meritocracy Must Not Be Our Goal: https://americanmind.org/salvo/meritocracy-must-not-be-our-goal/James Hankins and Allen Guelzo's The Golden Thread: https://www.amazon.com/Golden-Thread-Ancient-World-Christendom/dp/1641773995New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

Mokuhanga is carried by those with a desire to explore the medium to its fullest, to foray into uncharted territory, to educate many, and to draw more people to the art form. On this episode of The Unfinished Print, I speak with Vladimir Ivaneanu and Soetkin Everaert, co-founders of the Japanese print promotion project Mokuhanga Magic! We discuss how Mokuhanga Magic! began, exploring the mokuhanga journeys of both Soetkin and Vladimir, dive into the art of collaboration, share stories of their travels to Japan, and reflect on the current state of mokuhanga today. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me andrezadorozny@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Mokuhanga Magic! - website Emil Nolde (1867–1956) was a German-Danish Expressionist known for his bold use of colour, deep interest in spirituality and the human condition. As a printmaker, Nolde was a pioneering figure in early 20th-century German art, producing powerful woodcuts, etchings, and lithographs that often explored biblical themes, folklore, and dramatic human expressions. Despite being banned by the Nazi regime—who labeled his work as "degenerate art"—Nolde continued to create in secret. Nolde's printmaking helped shape the visual language of German Expressionism and influenced generations of artists. Durchbrechendes Licht (Light Breaking Through), 1950 oil on canvas 68.5 x 88.5 cm MEXT (Mombukagakusho) Scholarship is a prestigious academic scholarship offered by the Japanese Ministry of Education, Culture, Sports, Science and Technology to support international students studying in Japan. Established in 1954, it provides funding for various academic levels, including undergraduate, graduate, vocational, and research programs. The scholarship covers tuition, a monthly stipend, and round-trip airfare. Students can apply either through Japanese embassies (Embassy Recommendation) or directly through Japanese universities (University Recommendation). It aims to promote international exchange and has supported over 65,000 students from around the world. Paul Furneaux  is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga creating pieces of work that are third dimensional, abstract and sculptural. Little Loch (Lochin) 47 x 36 cm Variable edition of 10 Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.  Tintin is a fictional character and the protagonist of The Adventures of Tintin, a comic book series created by Belgian cartoonist Hergé (1907-1983) (the pen name of Georges Remi). First appearing in 1929, Tintin is a young Belgian reporter and adventurer who travels the world, often finding himself embroiled in dangerous plots, solving mysteries, and fighting injustice. The series became internationally beloved for its clean graphic style, detailed research, and engaging storytelling, making Tintin one of the most iconic comic book characters of the 20th century. MI Lab  is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  manga is a style of Japanese comic books and graphic novels that encompasses a wide range of genres and themes, appealing to audiences of all ages. Typically published in black and white, manga is known for its distinctive art style, expressive characters, and cinematic storytelling. It is often serialized in magazines before being collected into volumes called tankōbon. Manga covers everything from action, romance, and fantasy to slice-of-life, horror, and science fiction. It has deep cultural roots in Japan but has gained massive popularity worldwide, influencing global comic art and animation, and serving as the foundation for many anime adaptations. hanmoto system  is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Motoharu Asaka - is a woodblock carver (horishi) and printer based in Shinjuku, Tōkyō Japan. website Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Stake Out By the Bridge 21x30cm from Sea Lion Series (2023) Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. William Blake (1757–1827) was an English poet, painter, and printmaker known for his visionary and symbolic works that combined text and image. Though largely unrecognized in his lifetime, he is now celebrated as a key figure of the Romantic era. His major works, such as Songs of Innocence and of Experience and The Marriage of Heaven and Hell, explore themes of spirituality, imagination, and social critique. Blake's unique style and integration of poetry and visual art have made him a lasting influence on both literature and art. Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Terry McKenna  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan.  Further details about Terry and his school can be found, here. Additionally, you can listen to Terry's interview with The Unfinished Print: A Mokuhanga Podcast, here and Richard Steiner's interview here.  Storm Clearing Wattle Flat (2015) 8.6" x 14" Albrecht Dürer (1471–1528) was a German Renaissance artist known for his woodcuts, engravings, and detailed drawings. Based in Nuremberg, he brought international recognition to printmaking with works like Melencolia Iand The Four Horsemen of the Apocalypse. Dürer combined Northern European detail with Italian Renaissance ideals, influencing art across Europe and contributing to theories on proportion, perspective, and human anatomy. Michihamono  - is a tool manufacturer for woodblock printmaking as well as other woodworking. Located in Tōkyō. You can find their online store, here. © Popular Wheat Productions Opening and closing musical credit - background noise from Gyozanomanshu Kami Shakuji restaurant. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

From how many paintings Caravaggio produced, to visiting Florence at Easter time, to how form and color were applied in Renaissance painting, to an overlooked equestrian monument, to finding the wooden beams in Brunelleschi's dome, to the model used by Leonardo da Vinci in three of his most famous paintings, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance.

We introduce one of the strangest and most nigglingly-intriguing esoteric books of the Italian Renaissance, the Hypnerotomachia Poliphili. James O'Neill is our guide through nested dream-landscapes, erotic initiations, and weirdly-specific garden design.

Episode 529 - Karen Essex - Award-winning journalist and a screenwriter and author of KleopatraAbout the AuthorKaren Essex is the author of Kleopatra, Pharaoh, Stealing Athena, Dracula in Love, and the international bestseller Leonardo's Swans, which won Italy's prestigious 2007 Premio Roma for foreign fiction. An award-winning journalist and a screenwriter, she lives in Los Angeles, California.  Here's a bit more about my novels:KLEOPATRA: The Early Years, tells the little-known story of the princess's harrowingrise to the throne, surviving her murderous family members, exile, war, riots in thestreets of Alexandria. If you think your family has problems…at least they're probablynot trying to kill you!“Keenly researched and brimming with exotic, erotic detail, Essex's style is as seductiveas her subject.”— Dallas Morning NewsPHARAOH: Book II of Kleopatra begins when twenty year-old Kleopatra meets JuliusCaesar and takes the reader on her fascinating journey partnering with him and anotherpowerful Roman, Mark Antony. But rather than concentrate on mere romance, the novelalso explores Kleopatra's extraordinary political acumen, diplomacy skills, and foresight.“This stunning sequel to Kleopatra completes the story. Readers will enjoy the vividportrayal of Kleopatra and the period in which she lived.”— Library JournalLEONARDO'S SWANS puts Leonardo da Vinci's rivalrous female muses at its core,aristocratic women who shaped the art and politics of the Italian Renaissance. The novelwas a runaway bestseller in Italy and won the prestigious Premio Roma for foreignfiction.“Essex combines art, political intrigue, family feuds and sex to create a page-turner.” —USA Today​STEALING ATHENA is a sweeping historical saga from the perspectives of twofascinating women, Aspasia, philosopher and mistress to Pericles, and Countess MaryElgin, who twenty-three hundred years later saw the demise of Pericles's great Athenianmonuments.“Stealing Athena firmly entrenches Karen Essex as one of the top historical novel writersof our time.”— Bookreporter.comDRACULA IN LOVE, born from my love of fellow New Orleanian Anne Rice's work and achildhood fascination with reruns of DARK SHADOWS, retells Bram Stoker's classic talefrom the perspective of the vampire's obsession, Mina Harker, who surprises readerswith her own supernatural lineage.“Brilliant. Sweeping. Breath-taking. Essex's journey into the social expectations of Victorian women through the telling of the Dracula story is genius.” —Book Banter“An intensely erotic story of romance and obsession. . . . Lusciously sexy andoutrageously chilling by turns.” – Newark Star-Ledgerhttps://karenessex.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Leonardo Da Vinci started his artistic journey at the age of 14, beginning as a studio boy to Andrea del Verrocchio. Verrocchio taught Leo the ropes in sculpting, painting, casting, leather work, amongst other things, until Da Vinci stepped in to paint a couple angels in a mostly complete "The Last Baptism". Verrocchio looked at his work, looked at Da Vinci's and legend has it he set down his brush for good at that point, seeing himself surpassed already by Da Vinci's talent. Achieving the status of Master at age 20, Da Vinci would embark upon a lifetime of creating Art, developing machines and mechanical theories, studying and documenting human anatomy, building weapons and more. The very definition of a Renaissance Man in every way, join us as we go deep into Da Vinci. Support the show

In February 2025, Ralston College hosted a landmark symposium in Savannah, Georgia, bringing together leading thinkers, artists, educators, and students for a searching conversation about the renewal of our shared culture. Over the course of a wide-ranging roundtable, speakers explored the collapse of higher education, the need for sacred space, the conditions for reawakening beauty and truth, the integral importance of literature, music and architecture, and the crucial role of the young in rebuilding a meaningful culture that can inspire and endure. This conversation is not an academic exercise in abstraction. It is the practical work of preservation—of remembering what the world has forgotten, and of laying foundations for what must come next. The roster of speakers is as follows: Stephen Blackwood: Why we are on the verge of renaissance James Orr: Why America is ready for change David Butterfield: Why colleges are the institutions to build James Hankins: Why the Italian Renaissance emerged Joseph Conlon: Why learning languages is essential Gregg Hurwitz: Why literature must resonate outside academia Jonathan Pageau: Why renewal requires in-person, communal remembrance Samuel Andreyev: Why music needs to know its tradition to thrive Christian Sottile: Why we need beautiful architecture Mari Otsu: Why Ralston College was the place that changed my life Authors, Artists, and Works Mentioned in this Episode:  Sir Isaac Newton Gottfried Wilhelm Leibniz Friedrich Hölderlin's Patmos Martin Heidegger John of Patmos, a figure traditionally identified with John the Apostle or John the Evangelist Desiderius Erasmus of Rotterdam The Cambridge Five Sir Niall Ferguson Saint Benedict of Nursia Flavius Magnus Aurelius Cassiodorus Charlemagne Alcuin of York Walter de Merton Gaius Marius Marcus Tullius Cicero Paradiso – the third and final part of Dante Alighieri's Divine Comedy Francesco Petrarca Cola di Rienzo Richard Wagner's opera Rienzi Livy (Titus Livius) Homer Plato Plutarch “JD Vance States the Obvious About Ordo Amoris” – in First Things, by James Orr Pythagoras Plato's dialogue Phaedrus Charles Dickens Alfred Hitchcock William Shakespeare Metamorphoses by Publius Ovidius Naso (43 BCE – 17 CE), known as Ovid Albert Camus – The Stranger James M. Cain – The Postman Always Rings Twice Fyodor Dostoevsky's Crime and Punishment Edgar Allan Poe Oscar Wilde's The Picture of Dorian Gray Michelangelo Buonarroti Pope Julius II The Bible Ezra Pound, quote from ABC of Reading (1934) Professor Jeffrey Eley Mark C. McDonald The Medici Family Gian Giorgio Trissino Andrea Palladio Otto Wagner The Black Paintings (Las Pinturas Negras) by Francisco Goya Michelangelo Merisi da Caravaggio Peter Paul Rubens  

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join renowned Italian Professor and art historian Chiara Rostagno, Deputy Director of the Pinacoteca di Brera, Milan and Executive Director of the National Museum of the Last Supper of Leonardo da Vinci as she shares her extensive knowledge of Leonardo da Vinci's The Last Supper. Celebrate the final week of Reimagining the Renaissance at AGSA with a highlight on Da Vinci, one of the most significant Italian Renaissance masters. Professor Rostagno's visit is proudly supported by the Consulate of Italy in Adelaide. For more information visit agsa.sa.gov.au Image: Leonardo da Vinci, The Last Supper, 1495–1498, Basilica di Santa Maria delle Grazie, Milan, Italy.

Andrew Serra is a retired New York City Fire Department captain with 25 years of service. A seasoned writer of historical fiction, he has explored a wide range of pivotal moments in history, from the Italian Renaissance and the French Revolution to the Occupy Wall Street protests. In addition to his novels, Serra authored Finding John, a memoir detailing his firsthand experience as a 9/11 responder during the World Trade Center rescue and recovery operation. His expertise has led to numerous television news and documentary appearances, where he has provided critical insights into the 9/11 attacks and their aftermath.Join retired NYC Fire Captain and author Andrew Serra as he delves into history's defining moments, uncovering the untold stories behind tragedy, resilience, and change. From the Triangle Shirtwaist Factory Fire of 1911 to the 9/11 attacks, Serra brings a unique perspective shaped by decades of firsthand experience in emergency response and historical research. Through compelling storytelling and expert interviews, this podcast explores the past's impact on our present and future.http://www.andrewserra.com/hells-hundred-acresBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

“This is the model of Italian Renaissance banking.”In this episode of Seize & Desist, host Aidan Larkin sits down with renowned financial crime journalist Oliver Bullough, author of Moneyland (2019) and Butler to the World (2022), to discuss why global money laundering continues to be an uphill battle despite decades of international effort.Aidan and Oliver explore the roots and evolution of money laundering, from the Medici's of Renaissance Italy to the offshore shell companies of the Caribbean and the digital currencies of the future.They also touch upon the UK's pivotal role in facilitating illegal financial flows, the advent of hawala banking networks and the systemic challenges that impede effective asset recovery.Timestamps00:00 - Exploring the UK's Role in Money Laundering and Corruption03:54 - Complex Global Money Laundering Challenges11:23 - The Evolution of Value Transfer Systems Through History16:06 - Rethinking Financial Crime Compliance22:32 - Money Laundering's Influence on Global Crime26:41 - The Role of Cash and Crypto in Crime Networks30:45 - The Global Fight Against Money Laundering38:28 - Recovering Covid-Related Fraud Payments42:04 - Combating Corruption and Money LaunderingResources MentionedOliver Bullough on The Guardian https://www.theguardian.com/profile/oliverbullough Books by Oliver Bullough:Moneyland (2019)- https://amzn.eu/d/ezB43Rv Butler to the World (2022) - https://amzn.eu/d/gaqVRE9 About our GuestOliver Bullough is an award-winning journalist and author of Moneyland (2019) and Butler to the World (2022). He is known for his in-depth reporting on offshore finances and the role of the UK in facilitating corruption, with his work regularly being featured in the Guardian, the New York Times, GQ magazine, the Economist, and other places. DisclaimerOur podcasts are for informational purposes only. They are not intended to provide legal, tax, financial, and/or investment advice. Listeners must consult their own advisors before making decisions on the topics discussed. Asset Reality has no responsibility or liability for any decision made or any other acts or omissions in connection with your use of this material.The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by Asset Reality employees are those of the employees and do not necessarily reflect the views of the company. Asset Reality does not guarantee or warrant the accuracy, completeness, timeliness, suitability or validity of the information in any particular podcast and will not be responsible for any claim attributable to errors, omissions, or other inaccuracies of any part of such material. Unless stated otherwise, reference to any specific product or entity does not constitute an endorsement or recommendation by Asset Reality.

From why the façade of San Lorenzo was never completed, to the use of the “golden ratio” in the Medici Palace, to the speed of Caravaggio's painting technique and his use of the camera obscura, to future podcasts on Sofonisba Anguissola and Artemisia Gentileschi,  to why Bramante is considered the first High Renaissance architect, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance!

The Alnwick Castle Podcast returns for 2025! Before we get into the description of this episode, a quick programming note. New episodes of the podcast will now arrive on the last Wednesday of each month, or every four weeks. Please make sure to stay subscribed so you do not miss any.On this episode, we travel to Rome during the Italian Renaissance to explore one of the most impressive parts of the Alnwick Castle art collection. The Visitation by Sebastiano del Piombo catches the eye of every visitor who walks through the Ante Library in the State Rooms. But who was Sebastiano? What was the argument he had with Michelangelo? Why are these fragments of an unfinished artwork important? And how did they end up in Alnwick?To answer all these questions and many more, we spoke to an expert - Dr Piers Baker-Bates of the Open University, who has a book soon to be published about Sebastiano, one of the most pioneering painters in 16th century Italy. We hope you enjoy learning more about Renaissance art, Sebastiano, and The Visitation. To see the images Piers describes in our conversation, please check our social media feeds - pictures of The Visitation will accompany the posts about this podcast.We'll see you at the end of February for the next episode of the Alnwick Castle Podcast!

As the bestselling author of Is There Life After Death? and Cheating the Ferryman, Anthony Peake has studied the phenomena surrounding what happens when we die. In Near-Death Experiences, he takes a look at a phenomenon that has garnered great attention from both academics and scientists who study the workings of the brain and the physiological events that are associated with this seemingly inexplicable state.By marrying up anecdotal evidence with empirical scientific evidence, Peake proffers the latest theories behind what we call 'near-death experiences' and how those investigating them are trying to reconcile an apparent state of awareness on the part of the person concerned with the fact that clinically they are considered by physicians to be in a state of clinical death with no signs of bodily functions.It makes for a fascinating read that takes us into an area of neuroscientific research that is continually evolving.BioAnthony Peake was a curious child. While his friends were reading Batman and Superman comics Anthony was immersing himself in learning of the most arcane nature (whilst still keeping an eye on the X-Men and Dr. Strange). It was in 1966, at the age of twelve that he, quite by accident, came across a copy of The Sky People by Brinsley Le Poer Trench and from then on there was no stopping him. The British part-series Man Myth and Magic was read with intense interest followed by the discovery of John Keel's Project Trojan Horse and Jacques Vallee's Passport to Magonia. What followed was a voracious, and unquenchable, need to know everything about everything.At university he chose courses that would accommodate his wide interests, specialising in the sociology of religion, the theory of language development and the art of the Italian Renaissance. A post-graduate course in management lead Anthony away from his calling as a writer and into a career as a manager in various UK businesses. His interest in the esoteric continued with a growing fascination for quantum physics and neurology developing over the years.It was in the year 2000 that his life was to change. A fortuitous set of circumstances allowed him to take a year sabbatical from his business career and he decided that he would focus the fruits of all his reading and research in writing a book. Exactly one year later he surfaced with the manuscript of his first book, then entitled Cheating the Ferryman. This book was a distillation of all his areas of interest, quantum physics, neurology, ancient myths, altered-states of consciousness and the mystery of death.However, it was to take five years before this work appeared in print. Thanks to the help of Professor Bruce Greyson of the University of Virginia, an article based upon Anthony's Cheating the Ferryman hypothesis was to appear in the Winter 2004 edition of the Journal of Near-Death Studies, the academic periodical of the International Association of Near-Death Studies (IANDS). A few months later, in early 2005, British publishing house Arcturus bought the rights to the book and, a year later, and after a substantial re-write, Anthony's first book, with the new title Is There Life After Death – The Extraordinary Science of What Happens When We Die was published. The rest, as they say, is history. This book has now sold over 60,000 copies world-wide and has been translated into various foreign language editions including Spanish, Russian and Polish. Indeed, Anthony has now had books published in every major European language.Anthony has now written twelve books. All of them develop his Cheating the Ferryman hypothesis into ever-wider areas of application. His approach has always been to apply science to the mysterious and the enigmatic.His thirteenth book, an exhaustive review of the history, anthropology and science of the much-discussed Near-Death Experience (NDE) will be published in November 2024.https://www.amazon.co.uk/dp/B0D6TGHXR8/https://www.anthonypeake.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlife

As the bestselling author of Is There Life After Death? and Cheating the Ferryman, Anthony Peake has studied the phenomena surrounding what happens when we die. In Near-Death Experiences, he takes a look at a phenomenon that has garnered great attention from both academics and scientists who study the workings of the brain and the physiological events that are associated with this seemingly inexplicable state.By marrying up anecdotal evidence with empirical scientific evidence, Peake proffers the latest theories behind what we call 'near-death experiences' and how those investigating them are trying to reconcile an apparent state of awareness on the part of the person concerned with the fact that clinically they are considered by physicians to be in a state of clinical death with no signs of bodily functions.It makes for a fascinating read that takes us into an area of neuroscientific research that is continually evolving.BioAnthony Peake was a curious child. While his friends were reading Batman and Superman comics Anthony was immersing himself in learning of the most arcane nature (whilst still keeping an eye on the X-Men and Dr. Strange). It was in 1966, at the age of twelve that he, quite by accident, came across a copy of The Sky People by Brinsley Le Poer Trench and from then on there was no stopping him. The British part-series Man Myth and Magic was read with intense interest followed by the discovery of John Keel's Project Trojan Horse and Jacques Vallee's Passport to Magonia. What followed was a voracious, and unquenchable, need to know everything about everything.At university he chose courses that would accommodate his wide interests, specialising in the sociology of religion, the theory of language development and the art of the Italian Renaissance. A post-graduate course in management lead Anthony away from his calling as a writer and into a career as a manager in various UK businesses. His interest in the esoteric continued with a growing fascination for quantum physics and neurology developing over the years.It was in the year 2000 that his life was to change. A fortuitous set of circumstances allowed him to take a year sabbatical from his business career and he decided that he would focus the fruits of all his reading and research in writing a book. Exactly one year later he surfaced with the manuscript of his first book, then entitled Cheating the Ferryman. This book was a distillation of all his areas of interest, quantum physics, neurology, ancient myths, altered-states of consciousness and the mystery of death.However, it was to take five years before this work appeared in print. Thanks to the help of Professor Bruce Greyson of the University of Virginia, an article based upon Anthony's Cheating the Ferryman hypothesis was to appear in the Winter 2004 edition of the Journal of Near-Death Studies, the academic periodical of the International Association of Near-Death Studies (IANDS). A few months later, in early 2005, British publishing house Arcturus bought the rights to the book and, a year later, and after a substantial re-write, Anthony's first book, with the new title Is There Life After Death – The Extraordinary Science of What Happens When We Die was published. The rest, as they say, is history. This book has now sold over 60,000 copies world-wide and has been translated into various foreign language editions including Spanish, Russian and Polish. Indeed, Anthony has now had books published in every major European language.Anthony has now written twelve books. All of them develop his Cheating the Ferryman hypothesis into ever-wider areas of application. His approach has always been to apply science to the mysterious and the enigmatic.His thirteenth book, an exhaustive review of the history, anthropology and science of the much-discussed Near-Death Experience (NDE) will be published in November 2024.https://www.amazon.co.uk/dp/B0D6TGHXR8/https://www.anthonypeake.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlife

Join us on a captivating journey through the life and work of Albrecht Dürer, a pivotal figure in the Northern Renaissance. Born in Nuremberg, Dürer made a name for himself across Europe with his exceptional woodcut prints by his twenties. His extensive portfolio includes engravings, altarpieces, and portraits, with renowned pieces such as the Apocalypse series and the Rhinoceros. Explore the rich tapestry of Dürer's influences, from his early training in his father's goldsmith workshop to his apprenticeship with the painter Michael Wolgemut. His work is a testament to his meticulous attention to detail and his commitment to accurately depicting the human and animal form. Dürer's art also reflects the broader religious and cultural shifts of his time, particularly the impact of the Reformation on artistic expression. Discover how Dürer stands among illustrious contemporaries like Leonardo da Vinci, Michelangelo, and Martin Luther, each shaping the era's cultural, religious, and political landscape. Dürer's theoretical writings on mathematics and proportions further cement his legacy as a key figure in art history, blending Northern European detail with Italian Renaissance ideals. Delve into the spiritual dimensions of Dürer's art, where his focus on religious themes resonates with the values of Reformed Christianity. His life's work offers a fascinating insight into the intersection of art, religion, and culture during the Renaissance. Thank you for joining us at The Wandering Pilgrims. If you enjoyed this episode and wish to support our mission to create more content, you can support us here: Buy Me a Coffee: buymeacoffee.com/wanderingpilgrims Patreon: patreon.com/TheWanderingPilgrims Shop: teespring.com/stores/the-wandering-pilgrims Our Website: www.thewanderingpilgrims.com Connect with us on social media for more content: Instagram: instagram.com/thewanderingpilgrims Facebook: facebook.com/The-Wandering-Pilgrims YouTube: youtube.com/channel/UCbvMuDo9dpaQ0Bu71lRRiQw Twitter: @WanderPilgrims Truth Social: @wanderingpilgrims

Watch the Q&A session here:  https://youtu.be/f6Z9L2dnxSAThis lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer's Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women's music-making.This lecture was recorded by Marina Frolova-Walker  on 10th December 2024 at Barnard's Inn Hall, London.Marina is Gresham Emerita Professor of Music.Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge. She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-pianoGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

This is the first in a series of five episodes on the original Renaissance man, Leonardo Da Vinci.  This episode dives into the conditions that resulted in the Italian Renaissance as well as Leonardo's dubious birth status, both of which combined to lay the foundation for the one of the greatest artists of all time.  We also explore his time as an apprentice in Verrocchio's studio, including his controversial work on The Baptism of Christ as well as Leonardo's sexuality, a subject that was at the heart of Sigmund Freud's biography of the man. Contact the show at resourcesbylowery@gmail.com or on X/Twitter @Empires_Anarchy If you would like to financially support the show, please use the following paypal link. Or remit PayPal payment to @Lowery80.  And here is a link for Venmo users. Any support is greatly appreciated and will be used to make future episodes of the show even better.   Expect new shows to drop on Wednesday mornings from September to May. Music is licensed through Epidemic Sound

Niccolò Machiavelli was a Florentine diplomat, author, philosopher, and historian who lived during the Italian Renaissance. He is best known for his political treatise The Prince (Il Principe), written around 1513 but not published until 1532, five years after his death. None of this is in any way relevant for Micrprose's 1995 strategy game "Machiavelli […]

Over this past year, we quietly went back to where we began this podcast and worked on revising our Intro Series, "Stuff You Should Know." We updated the original episodes quietly in September. When we started thinking about what we wanted to release for the end of 2024, we feel like nothing encapsulates how we've grown as podcasters and scholars over the past four years better than these revised episodes, so we wanted to revisit them and share these episodes again.  -- This is Part I of our intro series, “Stuff You Should Know,” which covers some background and context into the life and times of Shakespeare, because art isn't created in a vacuum. In this episode, we'll be covering some basic information about the monarchy and English Renaissance. And when we say basic, we mean basic. This is a quick overview of early modern England, more importantly the England that influenced Shakespeare.  In this episode, we'll be covering some basic information about the English monarchy and English Renaissance. We will give an overview of the history of the English monarchy during the English Renaissance, through the early modern period and a little beyond Shakespeare's lifetime. We will discuss how the Renaissance differed from the medieval period that came before it and how the English Renaissance differed from the Italian Renaissance.  Want more about the English Renaissance? Check out these episodes that go more in depth on topics we touch on in this episode: Mini: Shakespeare and Petrarch Mini: Shakespeare and the Colonial Imagination Mini: Shakespeare's World: Immigrants, Others, and Foreign Commodities Mini: "Decolonize the Mind" through Shakespeare Mini: Commerce and Trade in Shakespeare's Time Hamlet: Ophelia, Gertrude, and Female Agency Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Episode written and researched by Kourtney Smith. Revised September 2024. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Additional sound effects from https://www.zapsplat.com Works Referenced: Cooper, Dr. Tanya. “Elizabeth I and Her People”. National Portrait Gallery, The Weiss Gallery, 7 Oct. 2013. Accessed 8 Sept. 2020, from www.npg.org.uk/whatson/elizabethi/film Elizabethans - Religious Settlement. (2018, September 23). Accessed 24 Sept. 2020, from https://www.youtube.com/watch?v=ylP6oZgSeuI Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 1: The Renaissance Arrives. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=Rtc1cY3ZDTs Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 2: The Elizabethan Code. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=qCCjOck6cd4 Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 3: Whose Renaissance?. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.bbc.co.uk/programmes/b03yzflc/episodes/guide William, Professor Kate, presentor. The Stuarts - A Bloody Reign, Episode 101: King James I. Timeline, A 3DD Production in association with Yesterday imagined by UKTV, 31 July 2018. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=7zfgxzk3UtY

This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Christina Cauterucci explores the intimate connections between queer identity and the natural world with Bryn Mawr professor Kate Thomas. In this episode, we journey through the lives of Florence Blood and Princess Ghika, two enigmatic lesbians who found self-expression, love, and freedom renovating their Italian Renaissance estate at the turn of the 20th century- creating an enchanting landscape to host lesbian artists and thinkers of the time. Thomas unpacks how their landscapes reflect their identities and what they can teach us about the enduring relationship between queerness and the environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bestselling author Kate Bateman joins the podcast to read from SECOND DUKE'S THE CHARM, which kicks off her new series inspired by Charlie's Angels. We talk about Kate's love for adventure in romance novels, her background in antiques informing her writing, and her multi-era storytelling approach, including her experiences with Italian Renaissance and French Revolution settings.   00:00 Introduction to the Historical Romance Sampler Podcast 00:41 Meet Kate Bateman: Bestselling Author 02:26 Reading from 'Second Duke's The Charm' 21:18 Discussion on Romance and Adventure 29:00 Love It or Leave It: Game Segment 34:33 Final Thoughts and Where to Find Kate Bateman   Find out more about KATE BATEMAN: https://www.kcbateman.com/ HRS is an affiliate of Libro.fm! Sign up for a new monthly membership and get three audiobooks for the price of one with code HISTORICAL! (As an affiliate, HRS may earn a portion of your purchase, for which we thank you!) Sign up here: https://tidd.ly/3WrMY0w    Find out more about your host Katherine Grant: Instagram (@katherine_grant_romance) TikTok (@katherinegrantromance) Facebook (@Katherinegrantromanceauthor) Goodreads (https://www.goodreads.com/author/show/19872840.Katherine_Grant) Bookbub (https://www.bookbub.com/authors/katherine-grant)   Follow HRS on social media! TikTok (@historicalromancesampler) Instagram (@historicalromancesampler) 

See pictures and read more on materiallyspeaking.comSandy first came to Italy to be with her partner, the sculptor John Fisher, and enjoyed the influences of the Italian Renaissance, and the detailed work of the Baroque.From observing the sculptors she learned about shadow and light, negative shape and profile lines. However, she was offered a three month artist residency in a paper making village in Japan where she discovered an economy of stroke and a muted palette which inspired her to develop her work with paper.Gail and I met Sandy at Pescarella studios, in Vallechia, on the road from Pietrasanta towards Carrara. As we entered the large studio space, Sandy was calmly taping collages onto the wall, for a pop-up exhibition she was staging.Her beautiful collages feature fruits, wine bottles and inviting cups of cappuccino - with froth you can almost taste. There's a three dimensional effect on wooden spoons that she has created with papers of different shades.On another work a tower of coffee cups leans so precariously I want to reach out and save them.Beside Sandy there's a table heaped with fine, plain and patterned, papers carefully arranged by colour. She shows us some samples of the paper and talks about how they are made and tells us about her techniques.Sandy speaks about an ongoing series of womens' portraits called Women in the World. In this project she aims to honour and recognise struggles and successes of notable women who have made a special contribution to the world. This life-long series includes visual artists, actors, musicians, scientists and political activists.On her birthday Sandy does a collage self-portrait to reflect on the year behind and the one ahead. She talks about her childhood and the words of wisdom she took from her father who escaped Germany in WW2 and came to America.sandyoppenheimercollage.cominstagram.com/sandyoppenheimer

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett talk about the Protestant Reformation, masterfully drawing parallels between historical information technology revolutions (like the printing press) and our current internet age, exploring how such advances fundamentally alter how societies process information and relate to authority. They offer fresh perspectives on well-worn historical territory, suggesting for instance that the Reformation wasn't just about religious doctrine, but represented a quantum leap in human agency and individualism that helped birth the modern world. --

Welcome back Libration Nation! This week, we're delving into a classic piece of Southern writing with The Prince of Tides by the remarkable Pat Conroy. My guest this week is the amazing, award winning author, Laura Elliott, who I had the pleasure of interviewing while we both were attending the Virginia Library Association Conference last month. Laura really helped us hit a home run with tying the drink in, because she owns a copy of Pat Conroy's cookbook, and shared with me the recipe for Pat Conroy's Iced Fruit tea!Laura shared with me the ways that Pat Conroy impacted her writing, particularly her historical fiction novel Louisa June and the Nazis in the Waveswhich is set in tidewater Virginia and also won the Virginia Library Association Cardinal Cup Award in 2023. Listening to Laura talk about the historical events that framed her story while looking out at the water of Norfolk, realizing how close we were to where those events occurred, is something I don't think I'll ever get overLaura, also known L. M. Elliott was an award-winning, Washington-based magazine journalist, primarily covering women's issues, before becoming a New York Times best-selling author of historical and biographical fiction. Her novels explore a variety of eras (the Italian Renaissance, American Revolution, Great Depression, WWII, and the Cold War), and are written for a variety of ages.These works have won the Scott O'Dell Award for Historical Fiction, VLA's Cardinal Cup, and the Grateful American Book Prize; and been named NCSS/CBC Notables (National Council of Social Studies/Children's Book Council), Bank Street College of Education Best Books, Kirkus Bests, Jr. Library Guild Gold Selections, and received many starred reviews. Elliott holds a BA from Wake Forest University and a master's in journalism from UNC-Chapel Hill. She is a lifelong Virginian and history-lover.Laura Elliott shares a touching recount of her personal encounter with Pat Conroy, capturing his gracious spirit and the profound impact he had on her craft. Their conversation, much like Conroy's novels, was rich with storytelling and an appreciation for the nuances of human experience. In discussing "The Prince of Tides," Laura elaborates on the intricate themes and Southern settings that Conroy brings to life. The novel's protagonist, Tom Wingo, narrates a saga interwoven with familial struggles, the haunting legacy of mental illness, and the eternal tug of the natural world against societal constraints. Conroy's narrative prowess shines through as he paints vivid, albeit sometimes tragic, tapestries of life in the South. Laura segues this conversation into reflections on her own works, particularly her upcoming book Truth, Lies, and Questions in Between, showcasing how her journalistic roots and Conroy's influence weave into her storytelling style.Our conversation was not just about storytelling but also about the power of narratives to heal and connect. Books, like the tea we shared, offer a therapeutic escape—a thread of connection through time. As we hold onto these stories, let's remember how they can offer clarity in our storms, much like the stars guiding characters in Laura's story.If you enjoyed this episode, share it with friends, leave us your thoughts, and subscribe for more enriching discussions. Until next time, keep your tea iced and your bookshelf stocked!Pat Conroy's Iced Fruit Tea (makes 3 quarts)4 tea bags1 lemon1 orange, sliced, plus more for garnish1/2 pint strawberries or raspberries, plus more for garnish1 cup cubed fresh pineapple, plus more for garnish1. Place the tea bags in a large heatproof pitcher. Using a vegetable peeler or small paring knife, remove the rind from the lemon, being careful not to include any of the bitter white pith. Cut into strips and reserve. Juice the lemon and reserve.2. In a kettle, bring 10 cups fresh, cold water to a rolling boil. Pour over tea bags and let steep for 10 to 15 minutes, depending on your preference. Remove the tea bags and discard. Add the lemon rind, lemon juice, and other fruits. Refrigerate overnight.3. Strain the fruit from the tea and discard. Pour the tea over ice cubes and garnish with a pineapple cube, an orange slice, or a strawberry.In this EpisodeLaura's WebsiteLouisa June and the Nazis in the Waves by LM ElliottTruth, Lies, and the Questions in Between by LM ElliottSouthern Festival of the BookBoozy BooksellersPat Conroy CookbookGreat Santini by Pat ConroyMy Episode with Lisa Varga, VLA director and Library Journal's 2024 Librarian of the Year

The Borgias are a lynchpin in the history of the Italian Renaissance. Their tale of intrigue, corruption and cut-throat ambition still inspires storytellers, and they appear as primary villains in Assassin's Creed II.But is their reputation deserved? To reveal how much history has underserved the Borgias, Matt Lewis talks to Associate Professor Jennifer DeSilva, whose book The Borgia Family: Rumour and Reputation peels back the layers of fiction shrouding the truth.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Hosted by: Matt LewisEdited by: Tim ArstallProduced by: Matt Lewis, Robin McConnellSenior Producer: Anne-Marie LuffProduction Coordinator: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic:Ezio's Family by Jesper KydEarth by Jesper KydVenice Combat by Jesper KydIf you liked this podcast please subscribe, share, rate & review. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MKTell us your favourite episode or Assassin's Creed game at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume's dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume's dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume's dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume's dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume's dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

This week: two exhibitions in London are showing remarkable works made during the Renaissance. At the King's Gallery, the museum that is part of Buckingham Palace, Drawing the Italian Renaissance offers a thematic journey through 160 works on paper made across Italy between 1450 and 1600. Ben Luke talks to Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, about the show. At the Royal Academy, meanwhile, the timescale is much tighter: a single year, 1504 to be precise, when Michelangelo, Leonardo and Raphael were all in Florence. We talk to Julien Domercq, a curator at the Academy, about this remarkable crucible of creativity. And this episode's Work of the Week is a magnum opus of Renaissance textiles: the Battle of Pavia Tapestries, made in Brussels to designs by Bernard van Orley, and currently on view in an exhibition at the de Young Museum in San Francisco. Thomas Campbell, the director of Fine Arts Museums of San Francisco, talks to The Art Newspaper's associate digital editor, Alexander Morrison, about the series.Drawing the Italian Renaissance, King's Gallery, Buckingham Palace, London, until 9 March 2025Michelangelo, Leonardo, Raphael: Florence, c.1504, Royal Academy of Arts, London, 9 November-16 February 2025Art and War in the Renaissance: The Battle of Pavia Tapestries, de Young Museum, San Francisco, US, until 12 January; Museum of Fine Arts, Houston, Texas, spring 2025Subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com to find out more Hosted on Acast. See acast.com/privacy for more information.

Episode No. 678 features curator Stephan Wolohojian. Along with Laura Llewellyn, Caroline Campbell and Joanna Cannon, Wolohojian is the curator of "Siena: The Rise of Painting, 1300-1350" at the Metropolitan Museum of Art, New York. The exhibition examines the role of Sienese artists such as Duccio, Pietro and Ambrogio Lorenzetti, and Simone Martini in the dawn of the Italian Renaissance and before the onset of the plague in around 1350. While Florence is typically considered the most important city of the Italian Renaissance, "Siena" argues for a broadening of our understanding of the dawn of a new era. "Siena" is on view through January 26, 2025. The excellent exhibition catalogue was published by the National Gallery, London. Amazon and Bookshop offer it for about $45. Some of the works referenced on the program are most easily seen via websites that aggregate multiple paintings into single pages, including: Ambrogia Lorenzetti, The Allegory of Good and Bad Government, 1838-39, Palazzo Pubblico, Siena. Duccio, Maestà, 1311, Museo dell'Opera Metropolitana del Duomo, Siena. Ugolino di Nerio, Santa Croce altarpiece, 1325-28.

Steve McQueen talks about his new film, Blitz, starring Saoirse Ronan and set in London during the Second World War. Michelangelo, Leonardo, Raphael are among the artists on show in the UK's largest exhibition of drawings from the Italian Renaissance, at the King's Gallery, Buckingham Palace. Samira is joined by the curator Martin Clayton and Renaissance historian Maya Corry. Booker shortlisted author Rachel Kushner on her novel Creation Lake, about an American spy-for-hire. Presenter: Samira Ahmed Producer: Timothy Prosser

Send us a textLustful, unpredictable, and mischievous, Fra Filippo Lippi is a notorious figure of the Italian Renaissance. This episode surveys his life, looking primarily at three artworks: the San Lorenzo Annunciation, the Double Portrait at the Metropolitan Museum of Art, and his famous Lippina. Together, these works uncover a story about a skilled artist, but one who constantly upset his social structure. We use his work to glimpse into the world of Renaissance women, including the nun Lucrezia Buti who he stole from her convent and eventually married. Beyond the works, we explore stories about his turbulent life. Was Fra Filippo really sold as a slave by Barbary pirates? Did Cosimo de' Medici truly lock him in the Palazzo Medici to stop him from womanizing Florence? All of these questions and more are answered. Works Discussed: Annunciation, San Lorenzo, ca. 1440Portrait of a Woman with a Man at a Casement, Met NYC, ca. 1440Lippina, Uffizi Gallery, ca. 1457-1465Follow us on Instagram: @italian_renaissance_podcast Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

Celebrating my 300th episode by answering your questions! From why we call him Titian in English instead of Tiziano to the influence of Donatello on Masaccio to why I dedicated so many podcasts to Caravaggio to the “Venus of the Beautiful Buttocks” to St. Peter's feet, and much, much more – this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance!

Carlo Gesualdo's madrigals are unique and captivating. But he was seen by many as a monster in his own time due to a double murder and associations with witchcraft.  Research: Burton-Hill, Clemency. “Gesualdo: Glorious music and grisly murder.” BBC. Oct. 21, 2014. https://www.bbc.com/culture/article/20130905-a-16th-century-musical-badass Caccese, Andrea. “Carlo Gesualdo: the ‘Madman' of the Italian Renaissance.” CMUSE. Sept. 20, 2014. https://www.cmuse.org/carlo-gesualdo-the-madman-of-the-italian-reinassance/ “Carlo Gesuald.” Philadelphia Chamber Music Society. DeVoto, Mark. "chromaticism". Encyclopedia Britannica, 30 Mar. 2023, https://www.britannica.com/art/chromaticism Gray, Cecil and Philip Heseltine. “Carlo Gesualdo, Prince of Venosa, Musician and Murderer.” Greenwood Press. Westport, Connecticut. 1971. Accessed online: https://archive.org/details/carlogesualdopri0000gray/page/n7/mode/1up Haar, James. “Classicism and Mannerism in 16th-Century Music.” International Review of Music Aesthetics and Sociology, vol. 1, no. 1, 1970, pp. 55–68. JSTOR, https://doi.org/10.2307/836396 LEVENBERG J. Was Carlo Gesualdo's Honour Killing Liturgical? Journal of the Royal Musical Association. Published online 2024:1-32. doi:10.1017/rma.2023.4 Ober, William B., M.D. “CARLO GESUALDO, PRINCE OF VENOSA: MURDER, MADRIGALS, AND MASOCHISM.” Bulletin of the New York Academy of Medicine. 1973 Jul;49(7):634-645. PMID: 4575970; PMCID: PMC1807043. Ross, Alex. “Prince of Darkness.' New Yorker. December 11, 2011. https://www.newyorker.com/magazine/2011/12/19/prince-of-darkness Stevens, Denis. “Carlo Gesualdo.” The Musical Times, vol. 131, no. 1770, 1990, pp. 410–11. JSTOR, https://doi.org/10.2307/966618 Turci-Escobar, John. “Softening the Edges: Cadential Attenuation in Gesualdo's Six Books of Madrigals.” Theory and Practice, vol. 32, 2007, pp. 101–35. JSTOR, http://www.jstor.org/stable/41054417 Watkins, Glenn. “The Gesualdo Hex.” W.W. Norton. 2010. See omnystudio.com/listener for privacy information.

In another Barrel-Aged Classic, former Scorpion guitarist Uli Jon Roth joins Andy to talk about learning the guitar, melodic rock music, and Italian Renaissance art. Intro music is "String Anticipation" by Cory Gray.

In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies.  Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies.  Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did Renaissance women say the Lord's prayer while removing pubic hair?If you're like us you definitely want to know the answer to this, and so much more about beauty culture during the Italian Renaissance between the 15th and 17th centuries.Joining Kate today is Professor Jill Burke, author of How to be a Renaissance Woman: The Untold History of Beauty and Female Creativity, to help us find out if beauty culture was oppressive to women, or empowering.Edited: Tom Delargy. Producer: Stuart Beckwith. Senior Producer: Charlotte Long.Voting is open for the Listener's Choice Award at the British Podcast Awards, so if you enjoy what we're doing, we'd love it if you took a quick follow this link and click on Betwixt the Sheets: https://www.britishpodcastawards.com/votingEnjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Sign here for up to 50% for 3 months using code BETWIXTYou can take part in our listener survey here.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.

The Voynich Manuscript. Dubbed as one of the most mysterious books in the world, the manuscript is a 15th-century codex written in an unknown script and adorned with bizarre and bewildering illustrations. As the boys unpack the manuscript's history, they trace its origins back to the early 1400s, when it was believed to be crafted in Northern Italy during the Italian Renaissance. The episode starts with an exploration of the manuscript's physical attributes. The Voynich Manuscript is famous for its peculiar botanical illustrations that do not match any known plants, astrological diagrams, and surreal scenes. This bizarre content fuels the central mystery: the meaning and purpose of the manuscript, which remains undeciphered despite the efforts of numerous cryptographers and scholars throughout the centuries, including those during both World Wars. The boys discuss various theories about the creator of the Voynich Manuscript. Was it the work of an alchemist? A secret communication between spies? Or perhaps a hoax meant to baffle and mislead? They entertain the idea that it might have been created by Roger Bacon, a medieval philosopher known for his works in the fields of mathematics, astronomy, and languages. This theory intertwines with speculative narratives about the manuscript being intended as a pharmacopeia or a treatise on nature from another world. The boys also discuss more fantastical theories, such as the manuscript being a guidebook from another dimension or an alien artifact left for human discovery. They bring on a linguistics expert to discuss the structure and patterns within the text, examining whether the language could be a cipher, an invented script, or simply gibberish designed to confuse. scientific analyses conducted on the manuscript's parchment and ink, revealing carbon dating results and details about the materials used. This scientific perspective grounds the discussion, bringing a tangible touch to the otherwise mystifying narrative. To conclude, the hosts reflect on the cultural and historical significance of the Voynich Manuscript. They debate its place in history and the possibility that its code might one day be cracked, providing insights into medieval European thought and the human penchant for creating and solving puzzles. Whether a seasoned cryptographer or a casual enthusiast of historical mysteries, listeners will find themselves drawn into the labyrinthine twists and turns of the Voynich Manuscript's story. The episode is not only a journey through a peculiar artifact but also a meditation on the human desire to explore, understand, and, perhaps, ultimately remain baffled by the unknown. Patreon -- https://www.patreon.com/theconspiracypodcast Our Website - www.theconspiracypodcast.com Our Email - info@theconspiracypodcast.com

After settling in to their new signoria, Caterina Sforza and her husband Girolamo Riario have to deal with continuous plots, the War of Ferrara and the death of uncle pope Sixtus IV. After that Caterina will really show what she's made of by taking and holding Castel Sant Angelo, her sword at her side, while seven months pregnant.In the end after her husband's assassination, she will stand alone to face the conspirators in one of Italian Renaissance history's most famous legendary scenes.

From Caravaggio's courtesan models to the “Michelangelo” kitchen drawing going up for sale for €8M, to the restoration of Masaccio's “Holy Trinity” and Brancacci Chapel frescoes, to my recommendations for art historical journals, to moving massive canvas paintings and much, much more – this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance!

Melvyn Bragg and guests discuss 'the greatest poet of his age', Thomas Wyatt (1503 -1542), who brought the poetry of the Italian Renaissance into the English Tudor world, especially the sonnet, so preparing the way for Shakespeare and Donne. As an ambassador to Henry VIII and, allegedly, too close to Anne Boleyn, he experienced great privilege under intense scrutiny. Some of Wyatt's poems, such as They Flee From Me That Sometime Did Me Seek, are astonishingly fresh and conversational and yet he wrote them under the tightest constraints, when a syllable out of place could have condemned him to the Tower. With Brian Cummings 50th Anniversary Professor of English at the University of YorkSusan Brigden Retired Fellow at Lincoln College, University of OxfordAnd Laura Ashe Professor of English Literature at the University of OxfordProducer: Simon Tillotson In Our Time is a BBC Studios Audio ProductionReading list:Thomas Betteridge and Suzannah Lipscomb (eds.), Henry VIII and the Court: Art, Politics and Performance (Routledge, 2016)Susan Brigden, Thomas Wyatt: The Heart's Forest (Faber, 2012)Nicola Shulman, Graven with Diamonds: The Many Lives of Thomas Wyatt: Courtier, Poet, Assassin, Spy (Short Books, 2011)Chris Stamatakis, Sir Thomas Wyatt and the Rhetoric of Rewriting (Oxford University Press, 2012)Patricia Thomson (ed.), Thomas Wyatt: The Critical Heritage (Routledge, 1995)Greg Walker, Writing Under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2005)Thomas Wyatt (ed. R. A. Rebholz), The Complete Poems (Penguin, 1978)