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Better Lawns and Gardens Hour 1 – Coming to you from the Summit Responsible Solutions Studios. Puddles in the parking lot! Yes, it rained! Garden expert Teresa Watkins and producer Lizzie Steele discuss Teresa's trip to Savannah, Georgia and Charleston, South Carolina. May celebrations, (including World Naked Gardening Day) Mother's Day suggestions to visit Dana Venrick at Quality Green Specialists Nursery in Deland and Peterson's Nursery in Lakeland. Teresa's Top Five Flowers for Mother's Day. Garden topics and questions include the infernal drought situation may be coming to an end, digging up daffodils, fertilizing St. Augustinegrass, dividing terrestrial orchids, caladiums not coming up, making Panama roses taller, controlling tree suckers, and stump removals, what to do in your landscape in May, and more. https://bit.ly/4diIsZH Graphic credit: Teresa Watkins, Lucas Cranach the Elder Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. https://bit.ly/3c1f5x7 #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow
Better Lawns and Gardens Hour 2 – Coming to you from the Summit Responsible Solutions Studios, Garden expert Teresa Watkins answers Spring gardening questions. Teresa's Dirty Word of the Day focuses on the difference between bacterial disease and fungal disease. Garden questions and texts include sea grapes not producing fruit, tomato issues, how to prune weeping hibiscus, pruning mulberry trees, what to do with tropical milkweed, what's Teresa's favorite red roses for Mother's Day, can you use a 14-14-14 fertilizer on hedges, and more. https://bit.ly3c1f5x7 Sign up for Teresa's monthly gardening newsletter, “In Your Backyard” where you can read Teresa's what to do in your landscape tips, Landscape Malpractice: How to know when to fire your landscaper,” Teresa's Design Tips; and more. https://bit.ly/2YRBbsT Art in Bloom Garden Tours Buffalo Garden Walk and Niagara Falls, Canada, The Gardens of Scotland, and The Gardens and Grandeur of the Hudson River Valley. Come join Teresa on incredible garden tours! Graphic credit: Teresa Watkins, Lucas Cranach the Elder Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. https://bit.ly/3c1f5x7 #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow
Yeni bölümde devasa bir konuya bir köşesinden bakmaya çalışıyoruz, meselemiz ahlak. Bizdeki çağrışımının pek de güzel olmadığını bu sohbeti gerçekleştirirken fark ettiğimiz o koca kavramı anlamaya, bir sopa gibi başımızda belirmesiyle ne yapmak gerektiğine dair fikir yürütmeye çalışıyor, akıl yürütüyoruz. Tabii ki kitapların ve filmlerin desteğiyle.Bölümde adı geçen tüm kitap ve filmlerin listesini@1kitap1film.us instagram hesabımızda bulabileceğinizi hatırlatalım.Bu bölüme sponsor olarak bizi destekleyen vitruta'ya katkılarından ötürü çok teşekkür ederiz. Şubat ayı boyunca vitruta.com'dan yapacağınız alışverişlerde,1kitap1film kodu ile indirimsiz ürünlerde %20 indirim avantajından faydalanabilirsiniz.vitruta.com'dan yapacağınız alışverişlerde geçerli olacak1kitap1film özel avantaj kodunu, ürünü sepete ekledikten sonra çıkan sayfadaki “hediye kartı veya indirim kodu” alanına ödeme işlemi öncesinde tanımlayabilirsiniz.Kapak görseli: Lucas Cranach the Elder, The Fountain of Youth (1546)
En av de verkligt stora europeiska omvälvningarna på 1500-talet hade sin grund i religionen: katolska kyrkan utmanades av reformatorer som grundade nya kyrkor, vilka sammanfattande brukar kallas protestantiska. I Sverige kom Martin Luthers idéer att bli banbrytande för hur kristendomen predikades och färgade samhällslivet under hundratals år. Lutherdomen blev en svensk statsideologi, och eftersom skolväsendet kontrollerades av kyrkan fick detta konsekvenser för alla svenskar.Men varför? Påven och hans kyrka hade kritiserats i århundraden, men före 1500-talet hade kritikerna, som kallades kättare, alltid utsatts för förföljelser och tvingats fly för att undkomma döden på bålet. Nu ändrades detta, mycket på grund av två nya element: boktryckarkonsten och den starka statsmakten. Tack vare tryckpressarna kunde idéer spridas mycket snabbare, och till många fler människor, än någonsin tidigare. Samtidigt ville kungarna och furstarna ta makten över kyrkan och tillskansa sig dess rikedomar – genom att konfiskera kyrkomark kunde de snabbt stärka sina positioner. Men historien var oförutsägbar. Det var långt ifrån självklart att försiktiga monarker som Gustav Vasa skulle våga sätta sig upp mot påven och genomföra reformationen. Vägen till lutherdomens seger i Sverige var lång och krokig.I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, och fackboksförfattaren Katarina Harrison Lindbergh om reformationen, med särskilt fokus på hur protestantismen infördes i Sverige.Bild: Martin Luther som junker Jörg av Lucas Cranach d.ä. , Wikipedia.Klippare: Emanuel LehtonenProducent: Urban Lindstedt Hosted on Acast. See acast.com/privacy for more information.
Juntos crearon un negocio floreciente en torno al arte, e inmortalizaron a Martín Lutero en sus obras. Un viaje al mundo de Lucas Cranach y de su hijo, del mismo nombre. En su escudo: una serpiente con corona y alas de murciélago que porta un anillo en la boca. Los Cranach trabajaban como pintores de corte; en sus casas recibían con frecuencia la visita de príncipes. Desarrollaron técnicas para pintar rápido e introdujeron procesos de trabajo estandarizados para producir “en cadena” retratos y temas religiosos. Además, gestionaron una imprenta, se dedicaron al comercio, al por mayor de papel y en su posición de alcaldes de Wittenberg dirigieron los designios de Wittenberg ciudad universitaria, famosa en toda Europa. Sin dudas, Lucas Cranach (1472 – 1553) y su hijo homónimo (1515 – 1586) se cuentan entre los artistas más polifacéticos del siglo XVI. Pocos como ellos supieron encarnar tan perfectamente el ideal del Renacimiento. Los Cranach nunca disimularon su simpatía por la Reforma. Y así, deliberadamente cultivaron temas del protestantismo, como, por ejemplo, la salvación tras el pecado original. Sus retratos de Lutero definen hasta hoy en día la imagen que tenemos del famoso Reformador. También la impresión de la traducción de la biblia de Lutero es obra de los Cranach. Con ocasión del 500 aniversario del nacimiento de Lucas Cranach, el Joven, doce ciudades alemanas ofrecen grandes exposiciones. DW también se hace eco del acontecimiento con un reportaje. Su autor, Peter Schlögl visita los lugares en que vivieron y trabajaron los célebres pintores. Nos descubre la belleza de la técnica pictórica de los Cranach y nos muestra, a través del “Cranach Digital Archive”, los avances en la investigación del mundo de los Cranach, sus secretos e incógnitas.
Easter Saturday with the Rev. Dr. Daniel W. Selbo. "Albrecht Dürer, Painter, 1528; Lucas Cranach the Elder, Painter, 1553; Matthäus Grünewald, Painter, 1528; Michelangelo Buonarroti, Artist, 1564" Exodus 13:17—14:4; 2 Corinthians 4:16—5:10; Mark 12:18–27; Psalms 92 & 149 (AM); Psalms 23 & 114 (PM) Read full devotion at thenalc.org/lent.
Image: Martin Luther by Lucas Cranach the Younger"Wittenberg Uses of Law and Gospel"Our guest today Dr. Robert A. Kolb is a professor emeritus of Systematic Theology at Concordia Seminary, St. Louis. See the emeritus faculty page at Concordia Lutheran Seminary:Kolb retired in 2009 after 16 years of distinguished service as missions professor of Systematic Theology and Concordia Lutheran Seminary in St. Louis. Before joining the Seminary, he served as director of the Center for Reformation Research, and in various teaching roles in the religion and history departments at Concordia College in St. Paul, Minn. He has taken much time over many years to teach abroad. He also has been involved in several boards—serving both officially on behalf of the LCMS on commissions, and a leader of 16th century and Reformation societies. There is not enough time to list everything he has written, but I included a selection today: He is the author of several books, including The Christian Faith: A Luther Exposition; The Genius of Luther's Theology: A Wittenberg Way of Thinking for the Contemporary Church with Dr. Charles Arand; Studies of the Interpretation of Holy Scripture in the Sixteenth and Seventeenth Century; Lutheran Ecclesiastical Culture, 1550-1675; Bound Choice, Election, and Wittenberg Theological Method from Martin Luther to the Formula of Concord; Sources and Contexts of the Book of Concord, co-edited with James A. Nestingen; Teaching God's Children His Teaching, a Guide to the Study of Luther's Catechism; and the list goes on. Perhaps where his name is on most Lutheran bookshelves is in the Book of Concord—he was one of the editors and translators of the most used English edition today. He also has written more than 100 articles and a collection of essays. One of the most recent, titled Wittenberg Uses of Law and Gospel, was published in the Fall edition of the 2023 Lutheran Quarterly and is the focus of this podcast episode.Support the show Lutheran History Shop Youtube ( even more behind-the-scenes videos available for certain patron tiers) Facebook Website Interview Request Form email: thelutheranhistorypodcast@gmail.com About the Host Benjamin Phelps is a 2014 graduate from Martin Luther College with a Bachelor of Arts with a German emphasis. From there went on to graduate from Wisconsin Lutheran Seminary in 2018. Ben loves all things history and enjoys traveling. A descendant of over a dozen Lutheran pastors, Ben has an interest in his family roots, especially 19th-century Lutheranism, and has written several papers and journal articles on the topic. His 2018 thesis on Wyneken won the John Harrison Ness award and the Abdel Ross Wentz prize. He is also the recipient of two awards of commendation from the Concordia Historical Institute. Ben is currently a doctoral student in historical theology through Concordia Seminary's reduced residency program in St. Louis.
"Mantis Mantis" – von Ingo Cesaro - Great Shorties (Hördauer 18 Minuten) Sprecher: Uwe Kullnick Ingo Cesaro, lebt als Schriftsteller, Herausgeber, Handpressendrucker und Galerist in Kronach.Über 300 Einzelveröffentlichungen und Mitarbeit an unzähligen Anthologien und Sammelbänden. Ich habe 180 Editionen, teilweise mit Originalgrafik herausgegeben. Enge Zusammenarbeit mit Malern und Grafikern, die sich in Küsntlerbüchern, bibliophilen Editionen, Pop up poetry art, Buch- Objekten und Einzelblattdrucken und Ausstellungen "Buch an der Wand" niederschlug. Enge Zusammenarbeit mit Komponisten und Musikern. Tingeln mit "Japp & Texte"; "Saxophon und Lyrik"; "Vertanzte Gedichte" und Minimalmusik & Dreiezeiler. Als Galerist fast 30 Ausstellungen mit Grafiken von Günter Grass, bis nach Süd-Ungarn, organisiert. Dazu auch Ausstellungen von Gottfried Wiegand, Christoph Meckel, Eberhard Schlotter, Wilhelm Schramm und Brother in Art und vielen anderen. Gründet den Verein "Regionale Kunstförderung Kronach e. V. und deren 1. Vorsitzende. Z. B. im moment "Cesaros temporäre Galerie im Impfzentrum Kronach" mit über 140 Arbeiten von über dreißige Künstlerinnen und Künstler. Startet die "Cranach City ART Galerie. Organisiert internationale Kunst-Projekte, z. B. Intern. Lucas-Cranach- Preis; Intern. Vogelscheuchen-Wettbewerb; intern. Kunstprojekt "HolzART", bisher 22 x; Mitwitzer-Künstler-Markt 15 x; Kunstmesse "ARTkronach" 37 x Intern. mail-art-Projekte(selbst als mail-art-artist intern. mit typografischen Arbeiten unterwegs). Organisiert intern. Literatur-Projekte z. B. " Kronach/Bayern - Hauptstadt der Poesie - tausend Gedichte für eine Stadt", "900 Jahre Schwabach - und kein bisschen alt". Organisiert nachhaltige Literatur-Projekte immer verbunden mit einer Setz- und Druckwerkstatt "wie zu Gutenbergs Zeiten" (mit der einzigen "mobilen" Handpresse im deutschsprachigen Raum) an Schulen und Universistäten im In- und Ausland. Mitglied: VS (ver.di); die KOGGE, Deutschschweizer P.E.N.; Deutsche Haiku-Gesellschaft; regensburger Schriftsteller Gruppe Intern. RSGI (deren Vize seit 1998); Gesellschaft für zeitgenössische Lyrik GZL.in Kronach: Botschafter, Stiftungsrat der Bürgerstiftung "Historisches Kronach"; Mitglied im Gremium "Kronacher Sommer" und "Kreiskulturring" Mitglied im Arbeitskreis "Lucas Cranach". Wenn Ihnen diese Geschichte gefallen hat, gefällt Ihnen vielleicht auch diese. Besuchen Sie uns auch bei unseren Live-Aufzeichnungen in Schwabing und im Pixel (Alter Geistig) Realisation Uwe Kullnick --- Send in a voice message: https://podcasters.spotify.com/pod/show/hoerbahn/message
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: On green, published by Joe Carlsmith on March 21, 2024 on LessWrong. (Cross-posted from my website. Podcast version here, or search for "Joe Carlsmith Audio" on your podcast app. This essay is part of a series that I'm calling "Otherness and control in the age of AGI." I'm hoping that the individual essays can be read fairly well on their own, but see here for brief summaries of the essays that have been released thus far. Warning: spoilers for Yudkowsky's "The Sword of the Good.") "The Creation" by Lucas Cranach (image source here) The colors of the wheel I've never been big on personality typologies. I've heard the Myers-Briggs explained many times, and it never sticks. Extraversion and introversion, E or I, OK. But after that merciful vowel - man, the opacity of those consonants, NTJ, SFP... And remind me the difference between thinking and judging? Perceiving and sensing? N stands for intuition? Similarly, the enneagram. People hit me with it. "You're an x!", I've been told. But the faces of these numbers are so blank. And it has so many kinda-random-seeming characters. Enthusiast, Challenger, Loyalist... The enneagram. Presumably more helpful with some memorization... Hogwarts houses - OK, that one I can remember. But again: those are our categories? Brave, smart, ambitious, loyal? It doesn't feel very joint-carving... But one system I've run into has stuck with me, and become a reference point: namely, the Magic the Gathering Color Wheel. (My relationship to this is mostly via somewhat-reinterpreting Duncan Sabien's presentation here, who credits Mark Rosewater for a lot of his understanding. I don't play Magic myself, and what I say here won't necessarily resonate with the way people-who-play-magic think about these colors.) Basically, there are five colors: white, blue, black, red, and green. And each has their own schtick, which I'm going to crudely summarize as: White: Morality. Blue: Knowledge. Black: Power. Red: Passion. Green: ...well, we'll get to green. To be clear: this isn't, quite, the summary that Sabien/Rosewater would give. Rather, that summary looks like this: (Image credit: Duncan Sabien here.) Here, each color has a goal (peace, perfection, satisfaction, etc) and a default strategy (order, knowledge, ruthlessness, etc). And in the full system, which you don't need to track, each has a characteristic set of disagreements with the colors opposite to it... The disagreements. (Image credit: Duncan Sabien here.) And a characteristic set of agreements with its neighbors...[1] The agreements. (Image credit: Duncan Sabien here.) Here, though, I'm not going to focus on the particulars of Sabien's (or Rosewater's) presentation. Indeed, my sense is that in my own head, the colors mean different things than they do to Sabien/Rosewater (for example, peace is less central for white, and black doesn't necessarily seek satisfaction). And part of the advantage of using colors, rather than numbers (or made-up words like "Hufflepuff") is that we start, already, with a set of associations to draw on and dispute. Why did this system, unlike the others, stick with me? I'm not sure, actually. Maybe it's just: it feels like a more joint-carving division of the sorts of energies that tend to animate people. I also like the way the colors come in a star, with the lines of agreement and disagreement noted above. And I think it's strong on archetypal resonance. Why is this system relevant to the sorts of otherness and control issues I've been talking about in this series? Lots of reasons in principle. But here I want to talk, in particular, about green. Gestures at green "I love not Man the less, but Nature more..." ~ Byron What is green? Sabien discusses various associations: environmentalism, tradition, family, spirituality, hippies, stereotypes of Native Americans, Yo...
Link to original articleWelcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: On green, published by Joe Carlsmith on March 21, 2024 on LessWrong. (Cross-posted from my website. Podcast version here, or search for "Joe Carlsmith Audio" on your podcast app. This essay is part of a series that I'm calling "Otherness and control in the age of AGI." I'm hoping that the individual essays can be read fairly well on their own, but see here for brief summaries of the essays that have been released thus far. Warning: spoilers for Yudkowsky's "The Sword of the Good.") "The Creation" by Lucas Cranach (image source here) The colors of the wheel I've never been big on personality typologies. I've heard the Myers-Briggs explained many times, and it never sticks. Extraversion and introversion, E or I, OK. But after that merciful vowel - man, the opacity of those consonants, NTJ, SFP... And remind me the difference between thinking and judging? Perceiving and sensing? N stands for intuition? Similarly, the enneagram. People hit me with it. "You're an x!", I've been told. But the faces of these numbers are so blank. And it has so many kinda-random-seeming characters. Enthusiast, Challenger, Loyalist... The enneagram. Presumably more helpful with some memorization... Hogwarts houses - OK, that one I can remember. But again: those are our categories? Brave, smart, ambitious, loyal? It doesn't feel very joint-carving... But one system I've run into has stuck with me, and become a reference point: namely, the Magic the Gathering Color Wheel. (My relationship to this is mostly via somewhat-reinterpreting Duncan Sabien's presentation here, who credits Mark Rosewater for a lot of his understanding. I don't play Magic myself, and what I say here won't necessarily resonate with the way people-who-play-magic think about these colors.) Basically, there are five colors: white, blue, black, red, and green. And each has their own schtick, which I'm going to crudely summarize as: White: Morality. Blue: Knowledge. Black: Power. Red: Passion. Green: ...well, we'll get to green. To be clear: this isn't, quite, the summary that Sabien/Rosewater would give. Rather, that summary looks like this: (Image credit: Duncan Sabien here.) Here, each color has a goal (peace, perfection, satisfaction, etc) and a default strategy (order, knowledge, ruthlessness, etc). And in the full system, which you don't need to track, each has a characteristic set of disagreements with the colors opposite to it... The disagreements. (Image credit: Duncan Sabien here.) And a characteristic set of agreements with its neighbors...[1] The agreements. (Image credit: Duncan Sabien here.) Here, though, I'm not going to focus on the particulars of Sabien's (or Rosewater's) presentation. Indeed, my sense is that in my own head, the colors mean different things than they do to Sabien/Rosewater (for example, peace is less central for white, and black doesn't necessarily seek satisfaction). And part of the advantage of using colors, rather than numbers (or made-up words like "Hufflepuff") is that we start, already, with a set of associations to draw on and dispute. Why did this system, unlike the others, stick with me? I'm not sure, actually. Maybe it's just: it feels like a more joint-carving division of the sorts of energies that tend to animate people. I also like the way the colors come in a star, with the lines of agreement and disagreement noted above. And I think it's strong on archetypal resonance. Why is this system relevant to the sorts of otherness and control issues I've been talking about in this series? Lots of reasons in principle. But here I want to talk, in particular, about green. Gestures at green "I love not Man the less, but Nature more..." ~ Byron What is green? Sabien discusses various associations: environmentalism, tradition, family, spirituality, hippies, stereotypes of Native Americans, Yo...
“Let the one among you who is without sin be the first to throw a stone at her.” John 8:7This is a powerful line spoken by Jesus. The judgmental and condemning Pharisees brought a woman to Jesus who had apparently been caught “in the very act of committing adultery.” Was she a sinner? Yes, indeed she was. But this story is not so much about whether or not she was a sinner. It was about the attitude Jesus had toward sinners as compared to that held by the self-righteous, judgmental and condemning Pharisees.First of all, let's look at this woman. She was humiliated. She had committed sin, was caught, and was publicly presented to all as a sinner. How did she react? She didn't resist. She didn't remain in denial. She didn't get angry. She didn't fight back. Instead, she stood there humiliated, awaiting her punishment with a sorrowful heart.Humiliation over one's sins is a powerful experience that has the potential to bring forth true repentance. When we encounter someone who has sinned in a manifest way and is humiliated over their sin, we must treat them with compassion. Why? Because the dignity of the person always supersedes their sin. Every person is made in the image and likeness of God, and every person deserves our compassion. If one is obstinate and refuses to see their sin (such as in the case of the Pharisees), then an act of holy rebuke is necessary to help them repent. But when one experiences sorrow and, in this case, the added experience of humiliation, then they are ready for compassion.By stating “Let the one among you who is without sin be the first to throw a stone at her,” Jesus is not justifying her sin. Rather, He's making it clear that no one holds the right of condemnation. No one. Not even the religious leaders. This is a hard teaching to live for many in our world today. It is commonplace for the headlines in the media to almost compulsively present us with the most sensational sins of others. We are constantly being tempted to be outraged at what this or that person has done. We easily shake our heads, condemn them and treat them as if they were dirt. In fact, it seems that many people today see it as their duty to act as the “watchdogs” against every sin they can dig up on others. Reflect, today, upon whether you are more like the Pharisees or Jesus. Would you have stood there in the crowd wanting this humiliated woman to be stoned? How about today? When you hear about the manifest sins of others, do you find yourself condemning them? Or do you hope that mercy is shown to them? Seek to imitate the compassionate heart of our divine Lord; and when your time of judgment comes, you also will be shown an abundance of compassion. My merciful Lord, You see past our sin and look to the heart. Your love is infinite and awe-inspiring. I thank You for the compassion You have shown to me, and I pray that I may always imitate that same compassion to every sinner all around me. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Christ and the Adulteress By Follower of Lucas Cranach, via Wikimedia Commons
Your Faith Journey - Finding God Through Words, Song and Praise
Last time I was here was the weekend of the birth of my Grandson – 6 years ago. So much has happened since then. Covid – change in pastors, and so much more. Through it all we pray and hope that Jesus has walked with you and me and that we have noticed his presence and we have shared him with others. I don't often share personal memories in sermons but today there is a relevant thread. I started seminary in the fall of 1976. Young, newly married, first apartment, and starting seminary. Preaching Class. I had grown up my whole life in the church and heard sermons every Sunday. (cause I had to be dying to not go to church) But now I was to be the preacher and say something profound in a sermon. My first sermon - I was assigned Jeremiah 31:31-34 for Lent 5 I will put my law within them, and I will write it on their hearts; and I will be their God, and they shall be my people. 34No longer shall they teach one another, or say to each other, “Know the LORD,” for they shall all know me, from the least of them to the greatest, says the LORD; for I will forgive their iniquity, and remember their sin no more. A few years later, I graduated from seminary and received my first call in this synod. I went to my first congregation where I began visiting an active member of the congregation, dying of cancer. Her death was my first funeral, the little country church was packed. Again to preach and say something profound. Text – Lent 5 John 12:23-25, “Unless a grain of wheat falls into the ground, it remains alone, but if it dies, it bears much fruit.” I don't remember much about either sermon, but these texts for Lent 5 always stuck with me – because in the end it didn't matter much what I said, what matters is – Did the hears see Jesus? Did they know Jesus' presence, compassion, love, grace? The history of the protestant reformation has a written record, but also a record by artist Lucas Cranach. He was a friend and colleague of Martin Luther, lived in Wittenberg, and was also under the protection of Elector John of Saxony; he was the Elector's court painter of Saxony. He has a painting that also was reproduced by virtue of the newly invented printing press – which catches the essence of preaching, and this text – We wish to see Jesus. It shows Martin Luther preaching, and the congregation listening, but between Martin and the congregation, is Jesus on the cross. The point is: as Luther is preaching, the congregation is seeing Jesus, not Luther. That is the goal of preaching – helping everyone – including the preacher to SEE JESUS! Today is the last regular Sunday in Lent before Palm Sunday and Holy Week. We read from John, Jesus has been anointed by Mary Magdalene, entered Jerusalem with palms, and now begins his last teaching before the LAST SUPPER. Some Greeks – foreigners, seek to see Jesus. Philip went and told Andrew, Andrew tells Jesus. The Greeks were thinkers. They had witnesses the rituals and sacrifices in the temple. They had experienced all the rules and regulation that the priests and religious leaders has put in place. They had come to Jerusalem for the Passover Feast. They had heard about Jesus, and this new thing God was doing, and they asked to SEE JESUS. They did not want another ritual, they did not want another sacrifice. They wanted to see Jesus. The ancient scriptures have a way of still being relevant today. The Greeks were troubled by all the things religious leaders and worshipers were doing in the temple that did not relate to God. TODAY we have rising numbers of people – either nones (who have no religious preference, or – spiritual, but not religious, those who don't find Jesus in today's church, or those wounded by the church. People are still looking for Jesus. Lots of things happen in today's churches, and not all of it points to Jesus. We have the rise of Christian Nationalism on one hand and on the other hand we have churches working on issues of justice, that can't articulate the rational about how that relates to Jesus. If the preaching of the church, if the ministry of the church, if the outreach of the church does not point to Jesus, then what is its purpose? In all we say and do, it is about Jesus. Just like when two children are talking about the children's sermon. The pastor asks questions, and one kid says to the other – the answer is always Jesus. Our Presiding Bishop, Elizabeth Eaton once said, “We have to be able to articulate Jesus or we look like the action wing of a political party. “ It is not just about SEEING JESUS from afar. It is about seeing Jesus, knowing Jesus is present in the world, knowing Jesus cares and loves us, and knowing that forgiveness, grace, and acceptance are offered to us without us having to deserve, pay, inherit, or earn it. The price is paid, the cost carried by Jesus. It is not just seeing a visual picture of Jesus. It is about seeing and hearing Jesus in our words and our actions. Seeing Jesus in the face of the refugee, the homeless, the abused, the grieving, the hunger… Them seeing Jesus in us and hearing Jesus as we reach out to those in need and to all of us as we seek to navigate this crazy world. WE TOO need to see Jesus. There is a crisis of mental stress in the world, loneliness, fear, anxiety, and all the rest. We need to see Jesus in our lives, in the community, in the world – in church, in preaching so we can be empowered to continue to be Jesus and share Jesus with others. And find see Jesus and his work for ourselves, to remind us of God's grace, love, forgiveness, and hope. My guess is that the Greeks that come to see Jesus are looking for something more. Something that would transform them. Something that would change their life, help them lose their current life and gain something new! That is the heart of Jesus response to them and the crowd. One of my favorite theologians, Frederick Buechner, put it this way: Doing the work you're best at doing and like to do best, hearing great music, having great fun, seeing something very beautiful, weeping at somebody else's tragedy—all these experiences are related to the experience of salvation because in all of them two things happen: (1) you lose yourself, and (2) you find that you are more fully yourself than usual A closer analogy is the experience of love. When you love somebody, it is no longer yourself who is the center of your own universe. It is the one you love who is. You forget yourself. You deny yourself. You give of yourself, so that by all the rules of arithmetical logic there should be less of yourself than there was to start with. Only by a curious paradox there is more. You feel that at last you really are yourself. The experience of salvation involves the same paradox. Jesus put it like this: "Those who find their life will lose it, and those who lose their life for my sake will find it." You give up your old self-seeking self for the love of others and thereby become more yourself at last. You must die with Christ so that you can rise with him, Paul says. It is what baptism is all about. You do not love God so that, tit for tat, God will then save you. To love God is to be saved. To love anybody is a significant step along the way. We do not love God and live for GOD so we will go to Heaven. Whichever side of the grave you happen to be talking about, to love God and live for GOD is God's Kingdom here, now. A taste of heaven. It is a gift, not an achievement. You can make yourself moral. You can make yourself religious. But you can't make yourself love. "We love," John says, "Because GOD first loved us." (1 John 4:19) Jesus is in Jerusalem, he is looking ahead to the Last Supper, his arrest, dying on a cross on Good Friday, and then the gift of NEW LIFE that comes on Easter morning as the stone is rolled away. Jesus demonstrates God's love for us, giving his life so that we might have life. It takes a life time then for us to contemplate that love and transform ourselves to be giving that love away. I am here today to make a presentation after lunch on the demographics of your community. What are the folks that live here like, folks who drive by, who see the church, but may not know what goes one here. The projections say that of the folks that drive down Dobie Road, 61% either do not know that life giving love of Jesus, have drifted away, or have been wounded by a church – especially churches that rely on legalism and shaming – instead of sharing the life giving love of Jesus. That is your mission field, sharing Jesus with one another, and finding connections to share that love from here out into the lives of the people that drive by every day. Let them see Jesus!!
"Luitpolds Entschlüsselung" – von Ingo Cesaro - Great Shorties (Hördauer 10 Minuten) Sprecher: Uwe Kullnick Ingo Cesaro, lebt als Schriftsteller, Herausgeber, Handpressendrucker und Galerist in Kronach.Über 300 Einzelveröffentlichungen und Mitarbeit an unzähligen Anthologien und Sammelbänden. Ich habe 180 Editionen, teilweise mit Originalgrafik herausgegeben. Enge Zusammenarbeit mit Malern und Grafikern, die sich in Küsntlerbüchern, bibliophilen Editionen, Pop up poetry art, Buch- Objekten und Einzelblattdrucken und Ausstellungen "Buch an der Wand" niederschlug. Enge Zusammenarbeit mit Komponisten und Musikern. Tingeln mit "Japp & Texte"; "Saxophon und Lyrik"; "Vertanzte Gedichte" und Minimalmusik & Dreiezeiler. Als Galerist fast 30 Ausstellungen mit Grafiken von Günter Grass, bis nach Süd-Ungarn, organisiert. Dazu auch Ausstellungen von Gottfried Wiegand, Christoph Meckel, Eberhard Schlotter, Wilhelm Schramm und Brother in Art und vielen anderen. Gründet den Verein "Regionale Kunstförderung Kronach e. V. und deren 1. Vorsitzende. Z. B. im moment "Cesaros temporäre Galerie im Impfzentrum Kronach" mit über 140 Arbeiten von über dreißige Künstlerinnen und Künstler. Startet die "Cranach City ART Galerie. Organisiert internationale Kunst-Projekte, z. B. Intern. Lucas-Cranach- Preis; Intern. Vogelscheuchen-Wettbewerb; intern. Kunstprojekt "HolzART", bisher 22 x; Mitwitzer-Künstler-Markt 15 x; Kunstmesse "ARTkronach" 37 x Intern. mail-art-Projekte(selbst als mail-art-artist intern. mit typografischen Arbeiten unterwegs). Organisiert intern. Literatur-Projekte z. B. " Kronach/Bayern - Hauptstadt der Poesie - tausend Gedichte für eine Stadt", "900 Jahre Schwabach - und kein bisschen alt". Organisiert nachhaltige Literatur-Projekte immer verbunden mit einer Setz- und Druckwerkstatt "wie zu Gutenbergs Zeiten" (mit der einzigen "mobilen" Handpresse im deutschsprachigen Raum) an Schulen und Universistäten im In- und Ausland. Mitglied: VS (ver.di); die KOGGE, Deutschschweizer P.E.N.; Deutsche Haiku-Gesellschaft; regensburger Schriftsteller Gruppe Intern. RSGI (deren Vize seit 1998); Gesellschaft für zeitgenössische Lyrik GZL.In Kronach: Botschafter, Stiftungsrat der Bürgerstiftung "Historisches Kronach"; Mitglied im Gremium "Kronacher Sommer" und "Kreiskulturring" Mitglied im Arbeitskreis "Lucas Cranach". Wenn Ihnen diese Geschichte gefallen hat, gefällt Ihnen vielleicht auch diese. Besuchen Sie uns auch bei unseren Live-Aufzeichnungen in Schwabing und im Pixel (Alter Geistig) Realisation Uwe Kullnick --- Send in a voice message: https://podcasters.spotify.com/pod/show/hoerbahn/message
Francesca Cappelletti"Galleria Borghese. La guida"Electawww.electa.itIl volume è la nuova guida alla Galleria Borghese: una delle più straordinarie collezioni di arte al mondo.In assoluto tra i più sorprendenti siti museali, la Galleria Borghese è una ‘villa delle delizie' progettata, sull'esempio della vicina Villa Medici, per accogliere la prestigiosa collezione che ancora oggi il visitatore ammira allestita nelle sue venti sale.Con l'ascesa al soglio pontificio di Paolo V Borghese (1605-1621), il ‘cardinal nepote' Scipione Caffarelli Borghese (1577-1633) intraprese un'intensissima committenza architettonica, dando contemporaneamente avvio a una sistematica acquisizione di opere d'arte, che avrebbero reso la sua collezione una delle più grandi dell'epoca.Grazie anche alla leggendaria spregiudicatezza e potenza di Scipione, nella Galleria sono esposti autentici capolavori, fra i quali opere di Gian Lorenzo Bernini, Agnolo Bronzino, Antonio Canova, Caravaggio, Raffaello, Perugino, Lorenzo Lotto, Antonello da Messina, Lucas Cranach il Vecchio, Annibale Carracci, Pieter Paul Rubens, Giovanni Bellini, Tiziano.La Galleria Borghese possiede il più importante nucleo di sculture di Gian Lorenzo Bernini e di tele del Caravaggio, insieme a numerose e pregiate opere di arte antica che comprendono sculture, bassorilievi e mosaici. La collezione è restituita in tutta la sua magnificenza dalla guida composta da brevi ed esaustivi testi corredati da un ricco apparato iconografico.I testi sono scritti in collaborazione con Lara Scanu.Il progetto grafico è di Leonardo Sonnoli e Irene Bacchi, Studio Sonnoli.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/show/tracce-di-il-posto-delle-parole_1/support.Questo show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement
In today's episode, The Stinas explore the mysterious portraits adorning the walls throughout the Owens residence on Magnolia Street. They discuss Maria's painting as mentioned in the books and take note of a possible plot hole in the portrait's traveling capabilities! They explore more Titanic connections that lead them to believe that Rose was in fact a long lost Owens ancestor. No episode is complete without a deep dive into the movie scenes - The Stinas explore each portrait peppered throughout the film and the artists who painted them. However, most of the paintings in the film remain a mystery and many questions still beg to be answered - What are they called? Who painted them? What are their origins? And WHY were they chosen for the film? Do they hold greater significance to the Owens storyline, than meets the eye? And that's not all! The Stinas explore Princess Sybille of Cleves, the subject of the film's most noteworthy paintings, as well as her entire family of royals during the rule of Henry VIII- not to mention one of history's juiciest catfishing schemes! Artists explored in today's episode are Barthel Bruyn the Elder, Lucas Cranach the Elder, Hans Holbein the Younger, Pietro Antonio Rotari, and Rembrandt Peale! TOPIC MAP 16:31 - Justina & Kristina's Art Background 33:00 - Renaissance Painting Techniques 36:05 - Art that appears in the books 44:16 - Titanic connections 59:31 - Portraits in the movie 1:24:54 - Barthel Bruyn the Elder 1:28:48 - Princess Sybil & Lucas Cranach Portrait 1:32:54 - Comparing Sybil Portraits (Bruyn & Cranach) 1:42:35 - Ann of Cleves Intro 1:47:15 - How Sybil's Portrait end up in the Owens house? (Theories) 1:49:42 - Who was Ann of Cleves? 1:50:23 - William the Rich 1:55:31 - Ann of Cleves Portrait by Hans Holbein the Younger 1:59:10 - The Royal Catfish 2:11:00 - Catherine Howard and a royal beheading 2:19:36 - Ann of Cleve's Death 2:21:31 - Card pull from the Inner Witch Oracle (Grounded by the Moon) 2:23:50 - Other paintings in the movie Introduction 2:24:06 - Girl Asleep in a Chair painting by Pietro Antonio Rotari 2:28:10 - The Sisters Eleanor & Rosaba Peal Painting by Rembrandt Peale 2:37:05 - Renaissance painting fashion during the reign of Henry VIII 2:40:52 - The portraits' connection to the Owens family (Theories) WARNING: SPOILERS ABOUND! SOCIALS: Patreon Instagram Kristina's Instagram Justina's Instagram Voice Message HERO SOURCES WHERE TO FIND THE BOOKS AND MOVIE DISCLAIMER The Magnolia Street Podcast intends to discuss the movie, “Practical Magic” in its entirety. This will evidently result in spoilers and it is recommended that you watch and or read the following. Alice Hoffman's: Practical Magic, Rules of Magic, Magic Lessons, Book of Magic. The Magnolia Street Podcast is for entertainment and informational purposes and should not be used as a substitute for professional or medical advice. Do not attempt any of the discussed actions, solutions, or remedies without first consulting a qualified professional. It should be noted that we are not medical professionals and therefore we are not responsible or liable for any injuries or illnesses resulting from the use of any information on our website or in our media. The Magnolia Street Podcast presenters, Kristina Babich and Justina Carubia are passionate fans of Alice Hoffman's work and the Practical Magic word she has created. There is no copyright infringement intended, all characters and story lines are that of Alice Hoffman. We do not own any of that material as well as any of the move score music shared within the podcast. All intellectual property rights concerning personally written music and or shared art are vested in Magnolia Street Podcast. Copying, distributing and any other use of these materials is not permitted without the written permission from Kristina Babich and Justina Carubia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/magnoliastreetpodcast/message
durée : 00:54:21 - Affaires sensibles - par : Fabrice Drouelle, Christophe Barreyre - En 2016, une Vénus attribuée à Lucas Cranach, maître de la Renaissance, est saisie à Aix-en-Provence. Acquise par le prince du Liechtenstein pour 7 millions d'euros, cette peinture proviendrait de la collection de Giuliano Ruffini soupçonné d'avoir plusieurs ventes de faux tableaux à son actif. - réalisé par : Stéphane COSME
Sannolikt spikade Martin Luther (1483–1546) aldrig upp 95 teser på en kyrkdörr i Wittenberg den 31 oktober år 1517 – men teserna kom att skaka det religiösa Europa i grunderna med eller utan kyrkdörr. Reformationen blev den största samhällsomvälvningen sedan antiken som också bidrog till att den svenska allmogen blev läskunnig långt innan allmän folkskola infördes.Martin Luther var professorn i bibelvetenskap som kritiserade den katolska kyrkans handel med avlatsbrev som gav människorna möjlighet att köpa sig fria från skärselden, bannlystes av påven och förklarades fredlös av den tysk-romerska kejsaren Karl V genom föredraget i Worms den 25 maj 1521.I denna nymixade repris av podden Historia Nu samtalar programledaren Urban Lindstedt med Sören Dalevi, forskare och biskop vid Karlstad stift om Martin Luthers stora påverkan på Sverige och Norra Europa. Martin Luther kom också att översätta bibeln till tyska för att vanliga människor skulle kunna förstå det kristna budskapet. Den ständigt skrivande Luther fick hjälp av den nyligen uppfunna tryckpressen att snabbt sprida sina idéer. Bibelöversättningen blev grunden till det tyska skriftspråket på samma sätt som den svenska översättningen några år senare blev grunden för det svenska skriftspråket.Frågan är hur mycket Luthers syn att bara gud kan förlåta människor påverkat de protestantiska samhällena i norra Europa? Redan 1526 fanns det nya testamentet översatt till svenska. Martin Luthers lära i kombination med tryckeritekniken gav skrivspråket till stora delar av den svenska allmogen långt före allmän folkskola. En läskunnighet som blev grunden till att Sverige trots sin fattigdom kunde minska barnadödlighet till bland den lägsta i Europa redan på 1700-talet.Luther hävdade att vara soldat, domare och kung var lika gudfruktigt som att vara präst, påve och munk. Människan blev nämligen rättfärdiggjord genom tro och inte genom gärningar. Denna idé gjorde arbetsmoral och laglydnad till viktiga inslag i den svensk mentaliteten under flera sekler. Den protestantiska statskyrkan blev också statsmaktens informationskanal till folket, med möjlighet att både instruera och tukta den svenska allmogen.Bild: Martin Luther som junker Jörg av Lucas Cranach d.ä. , Wikipedia.Musik: Ein feste Burg ist unser Gott Gareth Hughes, CC BY-SA 3.0 via Wikimedia Commons Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
In the FIFTH session of our series on Jason and Wade's Germany travel, we continue our overview of the May 2024 trip, walking through days 4-5 (Nuremburg, Coburg, Erfurt). We hope you enjoy the episode. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. You can find them all on Apple Podcasts. You can support the network here. You support is greatly appreciated and helps the network continue to produce and provide this content for free for a world in desperate need of good news and true freedom. More 1517 content can also be found on YouTube. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the FOURTH session of our series on Jason and Wade's Germany travel, we turn our attention to the May 2024 trip, walking through days 1-3 (Mainz, Worms, and Heidelberg). We hope you enjoy the episode. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. You can find them all on Apple Podcasts. You can support the network here. You support is greatly appreciated and helps the network continue to produce and provide this content for free for a world in desperate need of good news and true freedom. More 1517 content can also be found on YouTube. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
Unionskungen Kristian II (1481-1559) var en hårdhänt furste som ärvde de blodiga striderna kring Kalmarunionen tillsammans med kungakronan. Han utmanade både den svenska och den danska högadeln samt kyrkan. Kombinationen av övervåld och vankelmod gjorde att förlora makten i både Sverige, Danmark och Norge och slutade sitt liv i mångårig arrest.Kristian II hade ambitioner att styra om handeln från Hansan till några nordiska städer med Köpenhamn som navet. Han var en misslyckad härförare och som maktspelare spelade han ett högt spel och förlorade. När det verkligen gällde blev han dessutom vankelmodig.I den nymixade reprisen av avsnitt 129 av podden Historia Nu samtalar programledaren Urban Lindstedt med Erik Petersson är historiker och författare. Han har skrivit boken Furste av Norden – Kristian Tyrann.Kristian II:s försök att en gång för alla kväsa den svenska oppositionen mot hans kungamakt slutade med Stockholms blodbad och att ett hundratal svenska högfrälsemän och borgare som stött Sten Sture dy avrättades för kätteri. Att han dessutom lät avrätta två biskopar i strid mot den kyrkliga rätten blev en draksådd som han senare tvingades betala för. Efter att Kristian II lät dränka abboten och ett antal munkar i Nydala kloster 1521 fick han tillnamnet Tyrann. Ett namn Gustav Vasa utnyttjade i sin propaganda.Kristian II fostrades tidigt för att bli kung och redan som 21-åring blev han ståthållare i Norge. Det var också i Norge han träffade den vackra nederländskan Dyvike som var hans officiella älskarinna under många år. Efter Dyvikes mystiska död år 1517 blev Kristian ännu hårdare och våldsammare än tidigare.Sina viktigaste rådgivare hämtade han utanför högadeln, bland dem Dyvekes mor Sigbrit Villomsdotter och borgmästaren i Malmö Hans Mikkelsen.Adelns växande motstånd mot Kristian II gjorde det möjligt för farbrodern Fredrik I att avsätta Kristian II. Under exilen blev Kristian II en tid lutheran, men för att få ekonomiskt stöd av svågern till ett försök att återta sina riken genom en flottexpedition måste han återgå till katolicismen.Kristian II landsteg i Norge 1531 och fick inledningsvis vid ett ganska brett stöd. Försöket slutade ändå illa, mycket på grund av hans vankelmodiga agerande. Under förspeglingar om förhandlingar och löfte om fri lejd lockades han år 1532 till Danmark där han fängslades. Kristian II tillbringade återstoden av sitt liv i fångenskap, 1533–49 på Sønderborg, de tio sista åren på Kalundborg.Bild: Kristian II av Lucas Cranach d.ä., 1523 Germanisches Nationalmuseum.Musik: The Gathering av Will Van De Crommert, Soundblock Audio. Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
In the THIRD session of our series on Jason and Wade's past Germany travels and upcoming trip, the guys discuss their personal and professional experience with church history and theology and what they love about visiting Germany in that light. We hope you enjoy this session. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SECOND session of our series on Jason and Wade's past Germany travels and upcoming trip, the guys discuss some of what we appreciate most about experiencing German history and culture. We hope you enjoy this session. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the FIRST session of our series on Jason and Wade's past Germany travels and upcoming trip, we discuss some of our earlier trips and experiences as well as German food and drink. We hope you enjoy this session. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SEVENTH session of our series on Jason and Wade's recent trip to Rome, we talk about our last days in Italy and our brief stay in Munich. We hope you enjoy this session and series as much as we enjoyed the limoncello! Pour some out for the People's Hat. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In this episode, we will explore the use of images as a persuasive medium in the long reformation. this will be explored through the inventions of new technologies, and a set of images drawn by Lucas Cranach the Elder and Martin Luther.
In the SIXTH session of our series on Jason and Wade's recent trip to Rome, we talk about our sixth day in Italy and discuss the development of feast days and the cult of the saints. We hope you enjoy this session and series. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the FIFTH session of our series on Jason and Wade's recent trip to Rome, we talk about our fourth day in Italy, which we didn't spend in Rome. We hope you enjoy this session and series. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the FOURTH session of our series on Jason and Wade's recent trip to Rome, we talk about our third day in Rome. We hope you enjoy this session and series. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the THIRD session of our series on Jason and Wade's recent trip to Rome, we talk about our second day in Rome. We hope you enjoy this session and series. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SECOND session of our series on Jason and Wade's recent trip to Rome, we talk about Jason's Feelings Journal and our first day in Rome. We hope you enjoy this session and series. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the FIRST session of our series on Jason and Wade's recent trip to Rome, we talk about our time in Zurich and our arrival in Rome. We hope you enjoy this session and series. If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
Maundy Thursday with the Rev. Dr. Amy C. Little. Albrecht Dürer, Painter, 1528; Lucas Cranach the Elder, Painter, 1553; Matthäus Grünewald, Painter, 1528; Michelangelo Buonarroti, Artist, 1564 Jeremiah 20:7–18; 1 Corinthians 10:14–17; 11:27–32; John 17:1–26; Psalms 27 & 147:13–21 (AM); Psalms 126 & 102 (PM) Read full devotion at thenalc.org/lent.
In diesem Podcast haben wir in den vergangenen beinahe drei Jahren von dem heftig diskutierten, aber immer wieder für Schlagzeilen sorgenden, Eugen Steinach und dessen Verjüngungstherapien berichtet, der Traumvorstellungen von ewiger Jugend weckte. Das mittelalterliche Pendant dazu war der mythische Jungbrunnen, den man alt betrat und jung verließ. In der Gemäldegalerie Berlin hängt das einzige große Tafelgemälde dieses Sujets. Ein skurriles und ungewöhnliches Gemälde, ein ebenso sexistisches Gemälde. Gemalt hat es Lucas Cranach der Ältere im Jahre 1546. Seine Geburt wird und wurde auf 1472 datiert, weshalb 1922 sein 450 Geburtstag gefeiert wurde. Für die Berliner Börsen-Zeitung vom 1. November blickte der Dichter Hans Benzmann auf die berühmtesten Gemälde, das Leben und die sich einer klaren Einordnung entziehende Malweise des Künstlers. Frank Riede verjüngt für uns diesen Text.
In this BONUS EPISODE Miranda speaks with David Tunick, president of the IFPDA and owner of David Tunick, Inc. Old Master Prints and Drawings. They sat down together in his booth just minutes before the opening of the IFPDA print fair on Thursday, kept company by the prints of Albrecht Dürer, Lucas Cranach, and Edvard Munch that David had on offer. You can hear the buzz of the fair in background: people talking, cellphones going off, and occasional last minute construction work. This is a treat print friends and if you want more live IFPDA content check out the Hello, Print Friend Instagram where Miranda did an hour-long walk through of the fair live! Instagram www.instagram.com/helloprintfriend IFPDA ifpda.org/
Co może łączyć sztukę Bruno Schulza, prozaika, malarza i grafika tworzącego na przełomie XIX i XX w. oraz Lucasa Cranacha Starszego, przyjaciela Marcina Lutra, niemieckiego malarza i aptekarza?… Czytaj dalej Artykuł „Międzyepokowe porozumienie”. Brunon Schulz i Lucas Cranach Starszy w Kordegardzie pochodzi z serwisu Audycje Kulturalne.
Doth Protest Too Much: A Protestant Historical-Theology Podcast
"For a scholarly generation, students of Paul have confidently treated the sixteenth-century Reformers as Paul's 'misinterpreters-in-chief.' Now Stephen Chester's patient and learned treatment of the Reformers' Pauline exegesis exposes both their thoughtfulness and their potential as wise conversation partners in the present. This is a major contribution to Pauline study." These were New Testament scholar Beverly Gaventa's words of praise for Stephen J. Chester's book Reading Paul with the Reformers: Reconciling Old and New Perspectives. James and Andrew were honored to have Stephen Chester on the podcast in this episode to discuss his work and share valuable insights in how we can appreciate interpreters who have gone before us. Tune in for a great discussion. Check out Stephen Chester's book at https://www.amazon.com/Reading-Paul-Reformers-Reconciling-Perspectives/dp/0802848362/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= Episode artwork is the painting Christ as Savior with Martin Luther by Lucas Cranach (public domain). This painting is also used as the cover artwork of Chester's book. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In the SIXTY-SIXTH session of our Wingin' It series on the Life of Luther, Wade and Mike wrap things up. This series started in December of 2018. It has been quite the undertaking, but very beneficial for both of the guys as they've worked through everything. Even if you've not listened to the series so far, the finale is worth checking out, as they discuss why Luther matters, his place today, what his lasting contributions to the church have been, and the dangers of trying to "play Luther," among other things We hope you enjoy the session and, if you haven't, maybe check out the series. There is one "earmuffs" moment, but Wade gives ample warning beforehand, so don't blame him if you hear a colorful word. If you need to blame someone, blame Jason for not being there to keep order. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SIXTY-FIFTH session of our Wingin' It series on the Life of Luther, Wade and Mike continue a new mini-series in the Life of Luther series: Life after Luther. In this session they discuss the Flacian controversy over original sin and why the doctrine of original sin is so important. As an outline, we are using Wade's book, An Uncompromising Gospel. If you'd like to follow along in the book, you can find it here or here. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SIXTY-FOURTH session of our Wingin' It series on the Life of Luther, Wade and Mike continue a new mini-series in the Life of Luther series: Life after Luther. In this session they discuss the Synergistic Controversy over free will, and whether we have it in matters of salvation. As an outline, we are using Wade's book, An Uncompromising Gospel. If you'd like to follow along in the book, you can find it here or here. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SIXTY-THIRD session of our Wingin' It series on the Life of Luther, Wade and Mike continue a new mini-series in the Life of Luther series: Life after Luther. In this session they discuss the Osiandrian Controversy over the doctrine of justification. As an outline, we are using Wade's book, An Uncompromising Gospel. If you'd like to follow along in the book, you can find it here or here. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SIXTY-SECOND session of our Wingin' It series on the Life of Luther, Wade and Mike continue a new mini-series in the Life of Luther series: Life after Luther. In this session they discuss the Majoristic Controversy over the proposition that good works are necessary for salvation. As an outline, we are using Wade's book, An Uncompromising Gospel. If you'd like to follow along in the book, you can find it here or here. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
A sermon on the Lutheran view and place of art, on the commemoration of Lucas Cranach and Albrecht Dürer, Artists. "For ceremonies are needed for this reason alone: that the unlearned be taught." (Article XXIV, Augsburg Confession)
Rev. Dr. Daniel Harmelink, Executive Director of Concordia Historical Institute, joins Sarah on the Commemoration day for Albrecht Dürer and Lucas Cranach to talk about the historical context of both men, their connections to the Lutheran Reformation and Martin Luther himself, how their work is important in the history of the Lutheran Church and Christendom in general, and works of theirs that we should know and recognize today. Learn more about Concordia Historical Institute, including how you can visit, at concordiahistoricalinstitute.org. Read about the Cranach Reformation Altar at the LCMS International Center at reporter.lcms.org/2016/cranach-reformation-altar-reproduction-installed.
In the SIXTY-FIRST session of our Wingin' It series on the Life of Luther, Wade and Mike, begin to wrap stuff up with a new mini-series, Life after Luther. In this session they provide the framework for a broader discussion of the controversies that broke out after Luther's death, which were addressed in the Formula of Concord, the final Lutheran confession of the Book of Concord (the book containing the Lutheran Confessions). As an outline, they use Wade's book, An Uncompromising Gospel, which will help guide discussion in the weeks to come. If you'd like to follow along in the book, you can find it here or here. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the SIXTIETH session of our Wingin' It series on the Life of Luther, Wade and Mike discuss what happened to Katie and Luther's children after his death. We hope you find the discussion worthwhile. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In the FIFTY-NINTH session of our Wingin' It series on the Life of Luther, Wade and Mike discuss Luther's early and late writings and statements on the Jews and Turks. We hope you find the discussion worthwhile. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
In s2ep15, Ann Shafer and Tru Ludwig continue talking about game-changer Martin Luther and the effects of his 95 theses against the Catholic Church, which brought about the Protestant Reformation in 1517. In this episode they talk about the biting criticism of politics in the church and the schism with the Lutherans/Protestants that is the subject of prints by Hans Holbein the younger and Lucas Cranach the elder.
In the FIFTY-EIGHTH session of our Wingin' It series on the Life of Luther, Wade and Mike discuss Luther's death, an event as public as his life. We hope that you will enjoy this discussion. Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.
All Saints Day has this great prayer: “Almighty and everlasting God, You knit together Your faithful people of all times and places into one holy communion, the mystical body of Your Son, Jesus Christ. Grant us so to follow Your blessed saints in all virtuous and godly living that, together with them, we may come to the unspeakable joys You have prepared for those who love You; through Jesus Christ, Your Son, our Lord, who lives and reigns with You and the Holy Spirit, one God, now and forever. Amen.” The text starts with this prayer, the assertion that God has knit us together into a great communion of all who live in Christ. Pastor Jon also unpacks Revelation 7:2-17 for us. The apostle John sees the people of God twice in this section of Revelation. First we have the people described as Israel enumerated. John's picture of the people in verses 2-8 seem to be a picture of the Church militant. That is contrasted with the next picture where the people are not numbered, but they are simply called innumerable. This is not a picture of the church militant but the church at rest, the church in heaven. Pastor Jon concludes the sermon by focusing on a picture of a painting by the famous artist of the Reformation, Lucas Cranach: https://www.wikiart.org/en/lucas-cranach-the-elder/the-last-supper-1547. Reflecting on the prayer, Revelation text and the painting, we, who are grieving in the face of this world's burdens, are invited to be comforted by being united with all God's people in this Holy Supper.
5 Pillars to Build Your Life On Part 2 - “Faith Alone” Matthew 7:28-29 when Jesus finished these sayings, the crowds were astonished at his teaching, 29 for he was teaching them as one who had authority, and not as their scribes. 2 primary pillars recovered in the Reformation: 1. The authority and availability of the Scriptures Joshua 1:8 This Book of the Law shall not depart from your mouth, but you shall meditate on it day and night, so that you may be careful to do according to all that is written in it. For then you will make your way prosperous, and then you will have good success. John Wycliffe - completed the first copy of the Bible into English at the cost of his own life William Tyndale - completed the first English Bible directly from the Hebrew and Greek texts “If God spare my life, ere many years I will cause a boy who drives a plough to know more of the scriptures than you do.” - William Tyndale 2. Justification is through faith alone Justification was a legal term where the judge declared you “not guilty”. Romans 1:16-17 For I am not ashamed of the gospel, for it is the for salvation to everyone who believes, to the Jew first and also to the Greek. 17 For in it the righteousness of God is revealed from faith for faith, as it is written, “The righteous shall live by faith.” The Gospel is… - the power of God - effective to save - salvation for everyone who believes - revealed, or given as a gift Romans 4:2-5 For if Abraham was justified by works, he has something to boast about, but not before God. 3 For what does the Scripture say? “Abraham believed God, and it was counted to him as righteousness.” 4 Now to the one who works, his wages are not counted as a gift but as his due. 5 And to the one who does not work but believes in him who justifies the ungodly, his faith is counted as righteousness, God “justifies the ungodly” Ephesians 2:8-9 “….it is the gift of God…so that no one may boast.” Salvation is not a reward for the righteous but a gift for the guilty! Romans 4:23-25 But the words “it was counted to him” were not written for his sake alone, 24 but for ours also. It will be counted to us who believe in him who raised from the dead Jesus our Lord, 25 who was delivered up for our trespasses and raised for our justification. Romans 5:1 Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ. “Here I felt that I was altogether born again and had entered paradise itself through open gates…And I extolled by sweetest word with a love as great as the hatred with which I had before hated the word “righteousness of God.” Thus that place in Paul was for me truly the gate to paradise.” “Law and Gospel” - painting by Lucas Cranach the Elder Application: Build your life on the right side of the painting! Meaning… If you are a believer/follower of Christ… 1. Rest in the finished work of Jesus! If you are not a believer/follower of Christ… 2. Decide TODAY to be on the right side of the painting!
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