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It's hard to tell what killed photography… whether it was the advent of the camera phone, the “pocket gallery” that is social media, or the thousands of men taking softcore images of hot women in lingerie and calling it art. These horsemen of the photography apocalypse were all put to trial when Emily Ratajkowski went up against acclaimed artist and professional troll, Richard Prince, after he featured one of her Instagram photos in an art exhibition in New York. An image she went on to purchase for $80,000. While Prince's “Instagram Paintings” series seems at best lazy and at worst sleazy, it raises fascinating questions about the state of photography as an art form. Photography has always had problems with authorship, but social media has thrown that into crisis. Once a photograph reaches the internet, is it yours any longer? Is it even a photograph at all? Hannah and Maia are joined by photographer and friend Stefan Johnson to discuss all this and more in this episode, embarking on tangents such as: what comprises a “Brat summer”, and Maia being too optimistic about Love Island UK. Support us on Patreon and get juicy bonus content: https://www.patreon.com/rehashpodcast Intro and outro song by our talented friend Ian Mills: https://linktr.ee/ianmillsmusic SOURCES: Walter Benjamin, “'The Work of Art in the Age of Its Technological Reproducibility” (1935). Liz Linden, “Reframing Pictures: Reading the Art of Appropriation” Art Journal, vol. 75, No. 4 (2016). W. J. T. Mitchell, “The Pictorial Turn” Artforum (1992). Sabine Niederer, “Networked Images: Visual methodologies for the digital age”, Amsterdam University of Applied Sciences (2018). Lizzie Plaugic, “The story of Richard Prince and his $100,000 Instagram art” The Verge (2015). Emily Ratajkowski, “Buying Myself Back: When does a model own her own image?” Vulture (2020). David Robbins, “Richard Prince: An Interview by David Robbins” Aperture , FALL 1985, No. 100, The Edge of Illusion (FALL 1985). Peter Schjeldahl, “Richard Prince's Instagrams” The New Yorker (2014). Giulia Turbiglio, “A Brief History of Richard Prince's Instagram” Artuner.
When Vine died, the angels cried. No but seriously, in this era of late-stage internet, when it feels like politics, groupthink, and all around bad vibes are all exploding at once, it makes sense that we're yearning for a simpler time. Who wouldn't miss the innocence of silly, 6 second videos made for no reason other than to make us laugh? But was Vine as awesome as we remember, or are our memories a bit rose-tinted? In this season 3 finale, Hannah and Maia are joined by Izzy from Be Kind Rewind (otherwise known as Bestie™) to reminisce about Vine's cultural impact, and Izzy's experience working for the company. Digressions include: a debate about whether Vine is the Quebec of social media giants, Maia trying to explain jokes to listeners, and Hannah's “continual brain farts”. SOURCES John Herrman, “Vine Changed the Internet Forever. How Much Does the Internet Miss It?” The New York Times, (2020) Janko Roettgers, “Twitter is Shutting Down Vine” Variety (2016) Julia Alexander, “The golden age of Youtube is over” The Verge (2019) Brian Patrick Eha, “Why Vine Was a Bad Match for Twitter” The New Yorker (2016) Mike Isaac, “Twitter's 4-Year Odyssey With the 6-Second Video App Vine” New York Times (2016) Hua Hsu, “Vine and the New Gatekeepers of Self-Expression” The New Yorker (2016) Katie Rogers, “5 Vine Stars Share Why They Loved, and Outgrew, Platform” The New York Times (2016) Romano Santos, “In Memory of Vine, Which Crawled so Tiktok Could Fly” Vice (2022) Mat Honan, “Why Vine Just Won't Die”, Wired (2013) Lizzie Plaugic, “Vine was an underrated source of joy on the internet. Is it me, or does the internet feel less happy today.” The Verge (2016) Taylor Lorenz, “A Vine Reunion? Video Apps Clash and Byte Join Forces.” The New York Times (2021) Aja Romano, “You may not have understood Vine, but its demise is a huge cultural loss.” Vox (2016) Brian Feldnman, “The Untold Story of What Happened After ‘Back at it Again at Krispy Kreme,' The Best Vine of All Time”, Intelligencer (2016)
In this episode of the Fine Art Photography Podcast, we'll talk about the copyright battle between photographer Lynn Goldsmith and the Andy Warhol Foundation over a portrait of Prince. Was Warhol's use of the Goldsmith photograph transformative? A Federal Appeals court says no. Sources: AP. "US court sides with photographer in fight over Warhol art." Larry Neumeister. March 26, 2021. https://apnews.com/article/entertainment-new-york-copyright-music-prince-aea4afa0b71e816149476804e601555a Artnet. "The Andy Warhol Foundation Has Won Out Against a Photographer Who Claimed the Pop Artist Pilfered Her Portrait of Prince." Sarah Cascone. July 2, 2019. https://news.artnet.com/art-world/andy-warhol-prince-copyright-case-1590703 The Art Newspaper. "US appeals court rules that Warhol’s reliance on a photographer’s portrait image did not constitute ‘fair use’." Laura Gilbert. March 29, 2021. https://www.theartnewspaper.com/news/us-appeals-court-rules-that-warhol-portrait-series-violated-photographer-s-copyright The Verge. "The story of Richard Prince and his $100,000 Instagram art." Lizzie Plaugic. May 30, 2015. https://www.theverge.com/2015/5/30/8691257/richard-prince-instagram-photos-copyright-law-fair-use Wikipedia. "Cariou v. Prince." https://en.wikipedia.org/wiki/Cariou_v._Prince --- Support this podcast: https://anchor.fm/keith-dotson/support
In this episode of the Fine Art Photography Podcast, we'll talk about the copyright battle between photographer Lynn Goldsmith and the Andy Warhol Foundation over a portrait of Prince. Was Warhol's use of the Goldsmith photograph transformative? A Federal Appeals court says no. Sources: AP. "US court sides with photographer in fight over Warhol art." Larry Neumeister. March 26, 2021. https://apnews.com/article/entertainment-new-york-copyright-music-prince-aea4afa0b71e816149476804e601555a Artnet. "The Andy Warhol Foundation Has Won Out Against a Photographer Who Claimed the Pop Artist Pilfered Her Portrait of Prince." Sarah Cascone. July 2, 2019. https://news.artnet.com/art-world/andy-warhol-prince-copyright-case-1590703 The Art Newspaper. "US appeals court rules that Warhol's reliance on a photographer's portrait image did not constitute ‘fair use'." Laura Gilbert. March 29, 2021. https://www.theartnewspaper.com/news/us-appeals-court-rules-that-warhol-portrait-series-violated-photographer-s-copyright The Verge. "The story of Richard Prince and his $100,000 Instagram art." Lizzie Plaugic. May 30, 2015. https://www.theverge.com/2015/5/30/8691257/richard-prince-instagram-photos-copyright-law-fair-use Wikipedia. "Cariou v. Prince." https://en.wikipedia.org/wiki/Cariou_v._Prince --- Support this podcast: https://anchor.fm/keith-dotson/support
In this episode, I speak with Professor Vyvyan Evans, author of The Emoji Code: The Linguistics Behind Smiley Faces and Scaredy Cats, about how emoji makes us better communicators and what linguistic and literacy traditionalists are misunderstanding about its power.Using more emoji does not mean you'll have more sex >:-( , by Caitlin Dewey - https://www.google.ca/amp/s/www.washingtonpost.com/news/the-intersect/wp/2015/02/04/using-more-emoji-does-not-mean-youll-have-more-sex/%3foutputType=ampSingles in America: Match Releases Its Fifth Annual Comprehensive Study on the Single Population - match.mediaroom.com › singlesina...News Releases | Match.comWhere Does the 'Thumbs-Up' Gesture Really Come From?, by Merrill Fabry - https://www.google.ca/amp/s/time.com/4984728/thumbs-up-thumbs-down-history/%3famp=trueBABY SIGN LANGUAGE DICTIONARY - https://www.babysignlanguage.com/dictionary/Emote project - http://www.emote-project.eu/Bris Abused Emojis - https://showcasesweden.com/bris-abused-emojisThese Emoji Make It Easier for Kids to 'Talk' About Abuse, wired.com - https://www.google.ca/amp/s/www.wired.com/2015/06/abused-emoji/ampThe Oxford Dictionaries' word of the year is an emoji, by Lizzie Plaugic - https://www.google.ca/amp/s/www.theverge.com/platform/amp/2015/11/16/9746650/word-of-the-year-emoji-oed-dictionaryThe Rebus principle - https://en.m.wikipedia.org/wiki/RebusCoronavirus Emojis, by Vyv Evans - https://www.google.ca/amp/s/www.psychologytoday.com/ca/blog/language-in-the-mind/202007/coronavirus-emojis%3fampShigetaka Kurita: The man who invented emoji, CNN style - https://www.google.ca/amp/s/www.cnn.com/style/amp/emoji-shigetaka-kurita-standards-manual/index.htmlThe WIRED Guide to Emoji, a complete history - https://www.google.ca/amp/s/www.wired.com/story/guide-emoji/ampOtto Neurath and the Untold History of the Infographic, nebo - www.neboagency.comManga iconography - en.m.wikipedia.org › wiki › Manga...Web resultsManga iconography - WikipediaInbox: The Original Emoji, by Shigetaka Kurita - https://www.moma.org/calendar/exhibitions/3639Meet Scott Fahlman, the Guy Who Created the First Emoticon, culture trip - https://theculturetrip.com/north-america/usa/pennsylvania/articles/meet-scott-fahlman-the-guy-who-created-the-first-emoticon/?amp=1Bayeux Tapestry - https://en.wikipedia.org/wiki/Bayeux_TapestryUnderstanding Comics: The Invisible Art, Understanding Comics: The Invisible ArtThis is Finland, finland.fi › EmojiWeb resultsKalsarikännit - thisisFINLANDUnicode, unicode.org - What is Unicode?Facebook Reactions, the Totally Redesigned Like Button, Is Here - https://www.wired.com/2016/02/facebook-reactions-totally-redesigned-like-button/Like it or not, the Attention Economy is Adding Emotion, techonomy.com
This week we ask Emma Ashford to reveal the mysteries of Trump's Middle East policy. Then Loren, Radha, and Erin dive into the recent trade dramas before pondering whether the summit with North Korea is best understood as a Rom-Com or Telenovela. Colombian elections, change of command in Afghanistan, and the toxic culture within ICE round out the conversation before we escape to the wonders of pop-culture. Emma Ashford and John Glaser, “Unforced Error: The Risks of Confrontation with Iran,” CATO Institute Emma Ashford, “Unbalanced Rethinking America’s Commitment to the Middle East,” Strategy Studies Quarterly Trevor Thrall and Emma Ashford, “Power Problems,” CATO Institute Runrig, Loch Lomond “Colombians vote for new president with peace deal, economy at stake,” Reuters Camila Zuluaga, “Colombia, trapped between extremes,” Washington Post Ana Swanson, “Trump Administration Plans to Revive ZTE, Prompting Backlash,” New York Times Shawn Donnan, “Trump car tariffs highlight threat of retaliatory trade war,” Financial Times Jonathan Landay and Rupam Jain, “U.S. sanctions on Iran threaten vital Afghanistan trade project,” Reuters Jeremy Diamond, “Peter Navarro and Steven Mnuchin feuded at Beijing trade talks,” CNN Daniel W. Drezner, “Targeted Sanctions in a World of Global Finance,” Research on Economic Sanctions Kanga Kong, “Budding Moon-Kim Bromance Poses Risk to Trump Pressure Campaign,” Bloomberg Laura Rosenberger, “Kim Jong Un is better off now than he was before Trump agreed to a summit,” Washington Post Ilan Goldenberg, “Trump Has No Idea How Diplomatic Deals Work,” Foreign Policy Patrick M. Cronin and Abigail Grace, “Trump Leaves the Door Open for Another North Korea Summit,” CNAS Mark Mazzetti, Ronen Bergman, and David D. Kirkpatrick, “Trump Jr. and Other Aides Met With Gulf Emissary Offering Help to Win Election,” New York Times Dara Lind, “Trump’s DHS is using an extremely dubious statistic to justify splitting up families at the border,” Vox Dara Lind, Tweet (25 May 2018) Music by Future Teens Produced by Tre Hester Lizzie Plaugic, “Amazon is adapting William Gibson’s The Peripheral into a TV series,” Verge
This week we ask Emma Ashford to reveal the mysteries of Trump's Middle East policy. Then Loren, Radha, and Erin dive into the recent trade dramas before pondering whether the summit with North Korea is best understood as a Rom-Com or Telenovela. Colombian elections, change of command in Afghanistan, and the toxic culture within ICE round out the conversation before we escape to the wonders of pop-culture. Emma Ashford and John Glaser, “Unforced Error: The Risks of Confrontation with Iran,” CATO Institute Emma Ashford, “Unbalanced Rethinking America’s Commitment to the Middle East,” Strategy Studies Quarterly Trevor Thrall and Emma Ashford, “Power Problems,” CATO Institute Runrig, Loch Lomond “Colombians vote for new president with peace deal, economy at stake,” Reuters Camila Zuluaga, “Colombia, trapped between extremes,” Washington Post Ana Swanson, “Trump Administration Plans to Revive ZTE, Prompting Backlash,” New York Times Shawn Donnan, “Trump car tariffs highlight threat of retaliatory trade war,” Financial Times Jonathan Landay and Rupam Jain, “U.S. sanctions on Iran threaten vital Afghanistan trade project,” Reuters Jeremy Diamond, “Peter Navarro and Steven Mnuchin feuded at Beijing trade talks,” CNN Daniel W. Drezner, “Targeted Sanctions in a World of Global Finance,” Research on Economic Sanctions Kanga Kong, “Budding Moon-Kim Bromance Poses Risk to Trump Pressure Campaign,” Bloomberg Laura Rosenberger, “Kim Jong Un is better off now than he was before Trump agreed to a summit,” Washington Post Ilan Goldenberg, “Trump Has No Idea How Diplomatic Deals Work,” Foreign Policy Patrick M. Cronin and Abigail Grace, “Trump Leaves the Door Open for Another North Korea Summit,” CNAS Mark Mazzetti, Ronen Bergman, and David D. Kirkpatrick, “Trump Jr. and Other Aides Met With Gulf Emissary Offering Help to Win Election,” New York Times Dara Lind, “Trump’s DHS is using an extremely dubious statistic to justify splitting up families at the border,” Vox Dara Lind, Tweet (25 May 2018) Music by Future Teens Produced by Tre Hester Lizzie Plaugic, “Amazon is adapting William Gibson’s The Peripheral into a TV series,” Verge
On this special throwback episode of Why’d You Push That Button, Kaitlyn and Ashley revisit an old, one-off podcast episode from Verge Extras about saving phone numbers of people they meet online. They call one of Ashley’s exes to learn how he’s been doing since they dated. They and The Verge’s Lizzie Plaugic then evaluate all the options for saving a phone number and whether it’s weird to ask for someone’s last name. Learn more about your ad choices. Visit megaphone.fm/adchoices
We went to the National Portrait Gallery in Washington, D.C. to look at the recently installed portraits of Barack and Michelle Obama. The paintings--Barack's by Kehinde Wiley, Michelle's by Amy Sherald--prompted both rapture and controversy when they were unveiled in February, and we wanted to see them in person to try to evaluate our own responses. As we traveled through the gallery from George Washington to Obama, we discussed what portraits can tell us about presidential power. And then we lingered at Barack and Michelle's portraits, admiring their beauty, trying to decipher their meaning, and allowing ourselves to be deeply moved. Come linger with us. Discussed this week:“MoviePass launches a new division to acquire and distribute movies” (Lizzie Plaugic, The Verge)“Jordan Peele’s X-Ray Vision” (Wesley Morris, The New York Times)“Jordan Peele Dedicates Original Screenplay Oscar To Those ‘Who Raised My Voice’” (Dawn C. Chmielewski, Deadline)“What’s An Inclusion Rider? Here’s The Story Behind Frances McDormand’s Closing Words” (Colin Dwyer, NPR)“Tiffany Haddish and Maya Rudolph, 2019 Oscar Hosts?” (Sopan Deb, The New York Times)
We aren't stopping here at Why'd You Push That Button? HQ, aka The Verge's offices. We've still got more episodes, and this week, we're asking: why do you like celebrity photos on Instagram? This question might sound familiar if you're a Verge reader. I asked it months ago in this iconic post: "Why did my boyfriend like Emily Ratajkowski's butt on Instagram?" We now have the definitive, audio version of the article. We're going to get through it together as a family. For this episode, Kaitlyn and I talk to my boyfriend Chris to get a final answer about his butt-liking behavior. We also chat with a certified Instagram influencer named Lisa Ramos, our dear friend and Verge collaborator Lizzie Plaugic, and Verge editorial director Helen Havlak. (I've taken to calling her the algorithm whisperer, though, so maybe she should consider that as an alternate title.) By the end of this episode, you should understand why you double tapped that photo of Kim Kardashian and why you keep seeing content tangentially related to Kim. You should have a clearer understanding of what a like means, in a philosophical sense, and how to feel about your boyfriend liking a model's butt. We grappled with these questions so you don't have to. (sent via text by Ashley Carman) Learn more about your ad choices. Visit megaphone.fm/adchoices
How to Build a Lobbying Presence in Washington Before you build a lobbying presence in Washington, consider the fact that technology now touches almost every aspect of our lives. Accordingly, our policymaking has become more complex as companies develop new technologies and consumers use technology in ways that were unanticipated. What are the key issues that policymakers and businesses should be focused on as they seek to fine-tune their policy strategies? How are policymakers dealing with issues, like diversity, that policymakers have historically considered less "substantive" but which have begun to take on monumental importance in American business and politics? Why is Washington, D.C. relevant to start up and early stage ventures and how can they build a lobbying presence in Washington? You'll get answers to these questions and more on Ep. 102! Bio Named a “Top Lobbyist” by The Hill newspaper, Elizabeth Frazee (@EFrazeeDC) has a 30 year career in Washington. Elizabeth has worked in high-level jobs on Capitol Hill, as an entertainment executive, and policy representative of major companies. Elizabeth interweaves a thorough understanding of policy, communications, politics and an impressive network of contacts to manage campaigns and coalitions. A native of North Carolina, Elizabeth began her career working for her home state Senator. She then served as press secretary for the House Energy and Commerce Committee. Additionally, Elizabeth ran the legislative office of then-freshman Representative Bob Goodlatte. Goodlatte now serves as Chairman of the House Judiciary Committee. Following her time in Congress Elizabeth was director of government relations at the Walt Disney Company. There she served as the motion picture industry's representative in Digital Millennium Copyright Act (DMCA) negotiations. Those negotiations resulted in revisions to the Copyright Act. Additionally, Elizabeth also negotiated with Congress and the Federal Trade Commission (FTC) to enact the Children's Online Privacy Protection Act (COPPA). She joined AOL in the late 90's as vice president of public policy and ran its Congressional team. While at AOL she served on the front lines of Internet policy debates, helped AOL merge with Time Warner, and helped secure the passage of Permanent Normal Trade Relations with China. Then, in 2003, Elizabeth built a private lobbying practice. That practice became TwinLogic Strategies when she and co-founder Sharon Ringley launched the firm in 2009. Elizabeth earned her law degree from the Columbus School of Law at the Catholic University of America, while working full-time for Congress. She received a Bachelor of Arts in Journalism from the University of North Carolina at Chapel Hill. Resources TwinLogic Strategies Future Crimes by Marc Goodman News Roundup Members Slam Google on Tech Diversity Most of you are familiar by now with Google's firing of James Damore. Damore is the engineer who wrote the screed that reinforced stereotypes about women working at the company. Well, lawmakers are now urging Google to ensure its stated efforts to improve diversity lead to actual diversity. In a Medium post, Silicon Valley Rep. Ro Khanna wrote that the incident highlights Google's diversity challenges. He called upon Google to do more. Further, eps. Jan Schakowsky, Pramila Jayapal, Jamie Raskin and Robin Kelly -- all Democrats -- also weighed in. They urged Google to address diversity more effectively. Tony Romm reports in Recode. In Punch to Disney, Netflix Signs Shonda Rhimes Disney announced last week that it would be ending its contract with Netflix in 2019. Disney plans to offer its content on its own standalone service. However, Netflix responded by signing hit showrunner Shonda Rhimes. Rhimes previously created such shows as Grey's Anatomy and Scandal for Disney. Rhimes has been a boon to Disney's ABC unit for more than a decade. Netflix is also negotiating with Disney the possibility of Netflix continuing to carry Marvel content after 2019. Meg James, David Ng and Tracey Lien report for the LA Times and Lizzie Plaugic reports for the Verge. Major Tech Firms Lining Up to Support "Extreme Vetting" Several tech firms are enthusiastically lining up to support President Trump's "extreme vetting" program. Recall that on the campaign trail Trump advocated for the creation of an extreme vetting program. The U.S. Immigration and Customs Enforcement's Homeland Security Investigations (ICE) division is now working on building the program. The program's goal is to determine, with pinpoint accuracy, which persons entering the country are most likely to engage in acts of terrorism. IBM, Booz Allen Hamilton, Lexis Nexis, SAS and Deloitte are among the companies interested in building this out. Sam Biddle and Spencer Woodman report for the Intercept. Benchmark Capital Sues Travis Kalanick Benchmark Capital--a major Silicon Valley investor and Uber investor--is suing former Uber CEO Travis Kalanick for fraud, breach of contract and breach of fiduciary duty. In a complaint filed in Delaware, Benchmark says Kalanick deceived the board into expanding Uber's board from 8 to 11. Now, Benchmark says, Kalanick holds one of the very seats he created and is attempting to pack the board with members who are sympathetic to him. Dan Primack reports for Axios. More Tech Companies Oppose Anti-Sex Trafficking Bill We reported last week that the House introduced a bill, with the support of 24 members, that seeks to curtail online sex trafficking. The bill is a response to Backpage.com, a site that hosted prostitution and sex abuse ads. Now the bipartisan bill is up to 27 sponsors. However, joining the opposition are Engine Advocacy and the Copia Institute which spearheaded a letter campaign that was signed by 30 tech companies including Kickstarter, Meetup, Medium and Reddit. They argue that the bill goes too far in restricting legal third-party content. Wendy Davis Reports in Media Post.
What’s the biggest problem you run into while using the popular dating app Tinder? Is it that almost all the children of the Earth seem appalling when reduced to four photos and the opportunity to describe themselves in two sentences? Is it that you are a busy modern creature with precious little time to message the people in your life you already care about, much less strangers about whom you know nothing? Is it your terrible reflexes, never more inconvenient than when you have only a split-second to get someone else’s unbidden genitalia out of your face? Or, like Circuit Breaker writer Ashley Carman, is that you never know how or when to save a person in your phone? Ashley wrote about this on The Verge a few weeks ago, regaling us with the charming anecdote of the time a boy saved her in his phone as a fishcake emoji. After her post went viral in Vox Media’s Slack rooms and out loud in Verge HQ, we (myself and Verge culture reporter / news editor Lizzie Plaugic) knew we had to congregate in a very dark closet and talk about it at some length. So we did it! Using anecdotal evidence and one impromptu phone call to a former romantic interest, we figured out the best way to go about saving numbers in the age of Tinder. Spoiler: it’s definitely not to refer to people by their first names, as 108 percent of the male population of the United States is named “Matt.” Learn more about your ad choices. Visit megaphone.fm/adchoices