Podcast appearances and mentions of Amy Sherald

Black + Iconic at BET; New York is overflowing with Black Excellence: Superfine and Lorna Simpson at The Met; Audra McDonald and Latanya Richardson Jackson on Broadway, Amy Sherald at The Whitney; And Just Like That returns with a whimper; The Handmaid's Tale ends without closure; The Gilded Age is coming; leave Vanessa Bryant alone; Offset hits up his estranged wife for spousal support; Cardi makes it IG official with Steffon Diggs, Broadway drama from Patti Lupone aka a woman Audra McDonald hasn't seen in 11 years.  Thanks to our sponsor: Our listeners get 10% off their first month at betterhelp.com/RATCHET. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Amy Sherald: Why coming back to large full-size portraits? by Uptown Radio

On Friday's badly named "All Things Considered" on NPR, painter Amy Sherald -- who is pals with Michelle Obama after she painted her portrait -- smeared the Trump administration and anti-DEI conservatives by describing her woke art as a "counterterrorist attack." 

ArtHaus Radio_Amy Sherald by WCUG

New York-based artist Amy Sherald is best recognized for her famous portraits of First Lady Michelle Obama and Breonna Taylor. Today is the opening of “Amy Sherald: American Sublime,” the artist's first solo exhibition at a major New York museum. She discusses her practice, the stories of some of her most iconic portraits and the fifty paintings dating back to 2007 that comprise the exhibition, which is on view at the Whitney through August 10.

Toure Show Ep. 111 Original Air Date: Feb. 5, 2020 Amy Sherald painted the official portrait of Michelle Obama that's hanging in the National Portrait Gallery. There's an awesome story around how she got that commission and the artistic choices she made in making that painting. Amy was already a major portraitist before she met Michelle even though, just a few years ago, Amy was broke and wondering where her artistic career was going. She's also got someone else's heart inside of her thanks to a transplant that saved her life. She's also a former rapper. And an all-around wonderful person. She's an example of success coming to someone who believes in herself no matter what. I love this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Artists know how much of a grind it is to be an artist. So when we see artists exploring and evolving like today's guest Shanneil Clarke we can appreciate the amount of effort that goes into it. Shanneil is out in these art streets, doing shows and building an audience with paintings featuring his unique Black figures. We talk about the essence of his style, the neck pieces, the gold, etc. and the inspiration behind his work. Shanneil talks about his Jamaican roots, how he vibes with collectors and the collab project he did recently with your boy, JBarber. Great incite into a young artist you can get follow on his journey. Right here on the Noize! Listen, subscribe, and share!Episode 198 topics include:grinding in the art streetssymbolism of hairbreaking down Shanneil's style: neck pieces, gold, backgroundslife experiences living in Jamaicainfluence of Black cartoon characters in Shanneil's artcollaborative prints with JBarberexploring materialsconnecting with collectorsShanneil Clarke artist statement:Art has always been my ultimate form of self-expression, a passion that has fueled me throughout my life. Born in Montego Bay, Jamaica, I spent my youth there before migrating to Pennsylvania in 2000. It was in the vibrant artistic environment of Philadelphia that I found inspiration in street art and historical murals. My art journey began during my time at Springfield High School, where I explored multiple mediums and discovered the joy of creating through various projects. After a brief hiatus, I rediscovered my love for art in 2008, particularly using oil-based medium, which reignited my creative energy. Each body of my work draws inspiration from both history and everyday experiences, crafted to evoke subjective interpretations in the viewer. I firmly believe that art is universal and shaped by each individual's life journey. As an introspective figurative artist, I incorporate natural motifs and floral fabric patterns to express communication and determination in the figures' pursuit of a better life. Each stroke of paint exudes boldness, confidence, and strength, aiming to inspire those who encounter my art. I draw inspiration from a multitude of artists, including Dali, Kevin Williams, Charly Palmer, David Hockney, Basquiat, and Amy Sherald, while also embracing techniques from different eras, like gold leaf and textures. Since moving to Atlanta, Georgia, in 2018, I have become actively engaged in the local art community, showcasing my work in various galleries, such as Mint Gallery and Future Dead Artist Gallery. Notably, in 2022, I was featured in an Exhibition sponsored by Amazon Prime during Art Basel Miami. My ultimate goal is to touch hearts and minds with my art, leaving a lasting positive impression on fellow art enthusiasts and inspiring others to express their own passion and creativity. See more: Shanneil Clarke IG @artbys.clarkeFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Stories: Finding an unexpected and inspiring note from mother Barbara Ann Teer. Pivoting. Launching NBT Beyond Walls. Building a building and the creative process involved. Escaped a close call leaving Tom Ford pieces two countries behind while on tour styling Lenny Kravitz. “Our work is for all audiences, but it's also to create a platform of possibility and to course-correct the stories that have rendered us two-dimensional.” Working with Ivy Park and Beyoncé to sample her mother's words onAlien Superstar.The Backstory: Worked the door at NYC's legendary clubs, was discovered on a red carpet at the MTV VMAs and worked as a producer for TRL, co-founded a swimwear line, began helming National Black Theatre after her mother's sudden passing.Words Of Wisdom: “I'm building the plane while I'm flying it.” "If I don't see you wholly, and you don't see me wholly, then we can never connect or belong." "Life is short. Live it to the fullest." "No matter how fast and hard you run away from your purpose, it always comes back around."On Inspo: “My forever 'yes' is to show up and be a good daughter.” Dancer Judith Jamison's relationship with her mother's best friend, Alvin Ailey, has inspired her through ‘Impostor Syndrome.' "The seven generations of women who carry me every day."On National Black Theatre: “I'm ambitious in my vision for what NBT must be: the premiere destination for black theater in the country.” The majority of black theater is being produced in white spaces with artistic directors and producers for white audiences. Feels the honor and the pressure of preserving black culture and history.On NYC: "There was a heartbeat to New York. No matter where you came from, we belonged to each other."What Else: “I'm not in the business of theater, I'm in the business of freedom.”Obsixed: A collection of Sade's lifestyle obsessions.Discover more + Shop The Podcast:National Black Theatre J. Crew slipdressesJ. Crew cashmere J. Crew loafersPattern Beauty haircareHoney Pot personal care itemsThe work of artist Amy Sherald

Join us for a live talk with the iconic Annie Leibovitz and Amy Sherald. In this special episode, they discuss the power of process in bringing vulnerability and intuition together, revealing the humanity behind their art. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Trust Your Art in Troubled Times" - When democracy makes you uncertain, should you create or doom-scroll? Host Martine Severin draws wisdom from Black artists who've turned constitutional tension into enduring work - from Baldwin to Amy Sherald. Perfect for: Artists, writers, designers, entrepreneurs, and anyone looking to deepen their creative practice while building sustainable success. #CreativeStrategy #ArtistsOfColor #CreativeBusiness #PersonalDevelopment KEEP UP WITH MARTINE: Website: Martine Severin Follow on Instagram: Martine | This Is How We Create Subscribe to the Newsletter: Martine's Substack This episode of This is How We Create is produced and edited by Martine Severin.

New Year, New season of Studio Noize! Your boy JBarber went to see Giants at the High Museum of Art and he has some thoughts. The exhibition featured art from the Dean Collection of Swizz Beats and Alicia Keys. There are so many conversations to be had coming out of the show. There's wealth and celebrity, there's propaganda, and there's phenomenal, awe inspiring art. We owe it to them and their efforts to give a good honest critique of the whole endeavor. The same way we examine a show like Afro Atlantic Histories we should examine the good and bad about Giants. A great way to blast into the new year! Listen, subscribe, and share!Episode 194 topics include:Giants at the High Museum of Art in Atlantacelebrity and wealth in articonographythe who's who of Black artKehinde Wiley's 30ft paintingBarkley Hendrickpropaganda in exhibitionsAbout Giants:Musicians, songwriters, and producers Swizz Beatz (Kasseem Dean) and Alicia Keys have stood as giants in the global cultural landscape for decades. As collectors, the Deans have lived their ethos of “artists supporting artists,” acquiring a world-class collection of paintings, photographs, and sculptures by diverse, multigenerational artists.The exhibition illuminates the renown and impact of legendary and canon-expanding artists. Preeminent “giants” such as Barkley L. Hendricks, Esther Mahlangu, and Gordon Parks push the boundaries of what can be seen on canvas and in photography while building a foundation for today's Black creatives. Contemporary artists like Hank Willis Thomas and Qualeasha Wood use materials like textiles, steel, and beads to celebrate Blackness and critique society, while mesmerizing compositions from Deana Lawson and Mickalene Thomas challenge and add nuance to perceptions of Blackness. Embodying the exhibition's “giant” ethos, the paintings by Amy Sherald and Titus Kaphar command attention through striking monumentality. Together, these works bring to the fore many facets of the term giants and reflect the spirit of the Deans, whose creative lives infuse the exhibition. See more: Giants exhibition at the High MuseumFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

She has painted portraits of Michelle Obama and Breonna Taylor. But much of Amy Sherald's work is about filling in absent images of everyday Americans. Senior arts correspondent Jeffrey Brown talks with the artist and takes us to the first major exhibition covering her career for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

She has painted portraits of Michelle Obama and Breonna Taylor. But much of Amy Sherald's work is about filling in absent images of everyday Americans. Senior arts correspondent Jeffrey Brown talks with the artist and takes us to the first major exhibition covering her career for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Every time a president leaves office they're asked to do something that might not come naturally-- sit still, be quiet and surrender to someone else's work. In other words, they have their portrait painted.The National Portrait Gallery and the White House Historical Association both commission portraits of the outgoing president and first lady. Several of the paintings have become iconic images, stamped on history. Others have been known to stop viewers in their tracks. Some have been unloved. In this episode Kim and WHHA president Stewart McLaurin compare notes on some of the most storied paintings of first couples in their care.See the portraits we discussed:George Washington (Lansdowne portrait), by Gilbert StuartJohn F. Kennedy, by Aaron ShiklerLyndon B. Johnson, by Peter HurdLyndon B. Johnson, by Elizabeth ShoumatoffMichelle Obama, by Sharon SprungMichelle Obama, by Amy Sherald

In her new book, The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the historian and Harvard professor Sarah Lewis unpacks a major part of United States history that until now wasn't just brushed over, but was intentionally buried: how the ​​Caucasian War and the end of the Civil War were conflated by P.T. Barnum, former President Woodrow Wilson, and others to shape how we see race in America. Long overdue, The Unseen Truth is a watershed book about photography and visuality that calls to mind works by history-shaping authors such as James Baldwin, Toni Morrison, and bell hooks. Lewis is also the founder of the Vision & Justice initiative, which strives to educate the public about the importance of art and culture for equity and justice in the U.S., and is launching a new publishing venture with Aperture this fall.On the episode, she discusses the tension between pedagogy and propaganda; the deep influence of Frederick Douglass's 1861 “Pictures and Progress” lecture on her work; how a near-death car crash altered the course of her life and The Unseen Truth; and the special ability of certain photographs to stop time.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Sarah Lewis[04:01] The Unseen Truth[05:24] Woodrow Wilson[05:24] Frederick Douglass[05:24] P.T. Barnum[06:51] Toni Morrison[06:51] Angela Davis[06:51] Mathew Brady[51:14] Vision & Justice[11:35] Caucasus[14:02] Imam Shamil[17:38] Caucasian War[19:31] MFA Boston[19:31] The Metropolitan Museum[22:30] “Pictures and Progress”[28:41] “A Circassian”[28:41] “Slave Ship”[28:41] “The Gulf Stream”[35:13] Frances Benjamin Johnston[39:20] Jarvis Givens[39:20] Fugitive Pedagogy[44:05] The Rise: Creativity, the Gift of Failure, and the Search of Mastery[49:08] Montserrat[49:08] Under the Volcano[51:36] Aperture[52:26] Maurice Berger[52:26] Coreen Simpson[52:26] Doug Harris[52:26] Deborah Willis[52:26] Leigh Raiford[52:57] Hal Foster[56:01] Hank Willis Thomas[56:01] Theaster Gates[56:01] Mark Bradford[56:01] Amy Sherald[57:58] Wynton Marsalis[57:58] Charles Black, Jr.[57:58] Louis Armstrong[57:58] Brown v. Board of Education

Curator Ekow Eshun reframes the Black figure in historic and contemporary art, surveying its presences, absences, and representations in Western/European art history, the African diaspora, and beyond, via The Time is Always Now (2024). In 1956, the American author James Baldwin wrote: ‘There is never time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now.' Heeding Baldwin's urgent call, Ekow Eshun's new exhibition brings together 22 leading contemporary African diasporic artists from the UK and the US, whose practices emphasise the Black figure through mediums such as painting, drawing, and sculpture. These figurative artists and artworks address difficult histories like slavery, colonialism, and racism and, at the same time, speak to contemporary experiences of Blackness from their own personal perspectives. Ekow explains how artists like Kerry James Marshall, Amy Sherald, and Thomas J. Price acknowledge the paradox of race, and the increased cultural visibility and representation of lived experiences. Beyond celebration, though, The Time Is Always Now follow the consequences of these artists' practices, and what is at stake in depicting the Black figure today. We discuss the plurality of perspectives on view, and how fragmented, collage-like works by Nathaniel Mary Quinn, Lorna Simpson, and Titus Kaphar reconsider W.E.B. Du Bois' understanding of ‘double consciousness' (1897) as a burden, to a 21st century vantage point. Ekow shares the real people depicted in Michael Armitage's surrealistic, religious scenes, whilst connecting works with shared motifs from Godfried Donkor's boxers, to Denzil Forrester and Chris Ofili's dancing forms. We talk about how how history is not just in the past, and how we might think more ‘historically from the present'. Plus, we consider the real life relationships in works by Njideka Akunyili Crosby and Jordan Casteel, - and those shared between artists like Henry Taylor and Noah Davis - shifting the gaze from one of looking at, to looking with, Black figures. Starting at the National Portrait Gallery in London, The Time is Always Now: Artists Reframe the Black Figure travels to The Box in Plymouth from 28 June to 29 September 2024. It will then tour to the Philadelphia Museum of Art and North Carolina Museum of Art in the US into 2025. And as promised, some news - this episode announces my appointment as Contemporary Art Curator at The Box in Plymouth. Join me there in conversation with Ekow on Saturday 29 June, and with Hettie Judah, curator and writer of Acts of Creation with exhibiting artists Barbara Walker, Claudette Johnson, and Wangechi Mutu, on Saturday 20 July. You can also join a Bitesize Tour on selected Wednesdays during the exhibition. And you can hear this episode, and more from the artists, on the Bloomberg Connects app by searching ‘The Box Plymouth'. EMPIRE LINES will continue on a fortnightly basis. For more about Claudette Johnson, hear curator (and exhibition text-contributor!) Dorothy Price on And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath. Hear curator Isabella Maidment on Hurvin Anderson's Barbershop series (2006-2023) at the Hepworth Wakefield. Read about that show, and their work in Soulscapes at Dulwich Picture Gallery in London, in recessed.space. Hear Kimathi Donkor on John Singer Sargent's Madame X (1883-1884) and Study of Mme Gautreau (1884) at Tate Britain in London. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Inner tubes, in-and-out, vocab words, apricot juice, what is large format, and paper. Join the friends as they see Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys at the Brooklyn Museum. The show features 98 artworks by Black American, African, and African diasporic artists including Derrick Adams, Deana Lawson, Meleko Mokgosi, Gordon Parks, Kehinde Wiley, Jean-Michel Basquiat, Mickalene Thomas, Hassan Hajjaj, Barkley L. Hendricks, Lorna Simpson, and Amy Sherald.

Amy Sherald painted the official portrait of Michelle Obama that's hanging in the National Portrait Gallery. There's an awesome story around how she got that commission and the artistic choices she made in making that painting. Amy was already a major portraitist before she met Michelle even though, just a few years ago, Amy was broke and wondering where her artistic career was going. She's also got someone else's heart inside of her thanks to a transplant that saved her life. She's also a former rapper. And an all-around wonderful person. She's an example of success coming to someone who believes in herself no matter what. I love this conversation. Toure Show Ep. 111 Original Air Date: Feb. 5, 2020 Learn more about your ad choices. Visit megaphone.fm/adchoices

In December 2020, Congress approved funding for a new Smithsonian Museum dedicated to women's history to be built on the National Mall in Washington, D.C. But our nation's capital has actually been home to a dedicated women's museum, the vaunted National Museum of Women in the Arts, since 1987. The institution, founded by Wilhelmina Cole Holliday and her husband Wallace, was the first of its kind in the world. Its mission was simple, to educate viewers about women's long overlooked contributions to art history. In its 36 years of existence, the museum has amassed an impressive collection of over 6, 000 works by more than 1,500 international artists including Frida Kahlo, Berthe Morisot, and Louise Bourgeois, as well as contemporary figures such as Judy Chicago, Nan Goldin, Mariah Robertson, and Amy Sherald. Less than six months after Wilhelmina's death in March 2021, the museum closed for its first major renovation, a planned $67.5 million project slated to take two years. The work has included a revamp of the performance hall, adding a new learning commons with a research library and education studios where there were once offices, as well as 15 percent more exhibition galleries. Plus, behind the scenes space for collection storage and conservation. On the eve of its reopening, Artnet News spoke with NMWA director Susan Fisher Sterling about the institution's past, present, and future, and the work that still needs to be done to ensure proper recognition for women artists.

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Get excited for this week's episode of Free Period with the incredible Amy Sherald, a phenomenal artist broadly recognized for her vibrant and detailed paintings of Black American life. The girls get into Sasha and Amy's visit to Amy's hometown, ding-dong ditching, Virgos, mixtapes and middle school in the 80's. Tune in! Follow @freeperiodpodcast on Instagram! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Amy Sherald painted the official portrait of Michelle Obama that's hanging in the National Portrait Gallery but there's an awesome story around how she got that commission and the artistic decisions she made in making that painting. We get into all of that but there's also so much more to her life than that painting. Amy had already become a major portraitist before that commission, even though, just a few years before she met the Obamas, Amy was broke and wondering where her artistic career was going. She's also got someone else's heart inside of her thanks to a transplant that saved her life. She's also a former rapper. And an all-around wonderful person. She's an example of success coming to someone who believes in herself no matter what. Toure Show Ep 111: I Painted Michelle Obama Original Air Date: Feb 05, 2020 Support the show: https://www.dcpofficial.com/toureshow See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices

The accomplished artist's life changed dramatically after she was commissioned to make the official portrait of First Lady Michelle Obama for the National Portrait Gallery. But this was no overnight success. Amy tells Ashley about the sacrifices she made along the way, including working as a waitress for 15 years while honing her skills. She describes feeling eclipsed as she watched friends achieve important milestones in their personal lives and careers. She also opens up about letting go of the need to appear perfect after growing up in a family that emulated the fictional Huxtables. Amy reveals how a life-changing medical diagnosis at age thirty provided clarity through her fear, leading her to leap toward her destiny without a backup plan.

The new executive director of the Spelman Museum of Fine Art, Dr. Liz Andrews, joins the Noize! She has been tasked to lead the museum through a new exciting period in its illustrious history. We recorded live from the Lave Thomas: Homecoming exhibition in the halls of Spelman. Dr. Andrews tells us about the upcoming Black American Portraits exhibition overflowing with some of the biggest and best Black women artists like Bisa Butler, Amy Sherald, and Calida Rawles. She discusses her time at LACMA, the power of museum acquisitions, and the meaning of portraits. Listen, subscribe, and share!Episode 156 topics include:Lava Thomas: HomecomingSpelman Museum of Fine Artcurating at LACMAthe power of museum acquisitions authenticity in artBlack American Portraits exhibitionmeaning of portraitsthe reputation of Spelman Collegethe new Spelman Center for Innovation & the ArtsLiz Andrews is an artist, curator, museum professional, and leader who is dedicated to the arts and social justice. She has worked with arts organizations across the nation. In August 2021, Liz began her role as Executive Director of the Spelman College Museum of Fine Art. Prior to joining Spelman College, Liz Andrews was Executive Administrator in the Director's Office of LACMA where she expanded her role to collaborate on projects and priorities across museum departments, including diversity and inclusion efforts and curating exhibitions. Her curatorial projects at LACMA included The Obama Portraits Tour and a companion exhibition Black American Portraits, and she commissioned an augmented reality (AR) monument dedicated to Biddy Mason by the artist Ada Pinkston, among other projects. Liz's career is also defined by a long-standing commitment to engaging college students through research and the arts through teaching at George Mason University and serving as an advisor and organizing public programming at the NYU Tisch School of the Arts. Liz was born and raised in Denver, Colorado and attributes her commitment to justice from her father, attorney Irving P. Andrews. She holds a B.A. in American Studies from Wesleyan University, a M.A. in Arts Politics from the NYU Tisch School of Arts, and a Ph.D in Cultural Studies from George Mason University. Her dissertation was entitled Envisioning President Barack Obama.See More: Spelman Museum website + Spelman Museum IG @spelmanmuseum Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Frieze Masters presents this conversation with Amy Sherald, Ekow Eshun and Jenni Sorkin in partnership with Hauser & Wirth (@hauserwirth). The panelists discuss Sherald's practice and the relevance of her work within the canon of historical portraiture. This episode also marks the release of the artist's first substantial monograph by Hauser & Wirth Publishers, providing a unique insight into her work and studio practice, alongside newly-commissioned texts.  "When I'm considering my Americanness, and my American story, I think farming and agriculture is essential to that. It's the reason that the US is a superpower. And it's the way that black families were able to sustain themselves. It was legacy, it was the way that we planted our seeds, it was the animals that we raised. It was something that we could not live without. And so to have all of that, taken away, is disappearing, those voices are disappearing." – Amy Sherald  Amy Sherald (@asherald) documents contemporary African American experience in the United States through arresting, intimate portraits. Ekow Eshun (@ekoweshun) is a British writer, journalist, broadcaster, and curator. Jenni Sorkin (@jennisorkin) is an American art historian, curator and educator who writes on the intersections between gender, material culture, and contemporary art.  About the Frieze Masters Podcast  Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available. Bringing together some of today's most celebrated artists, art historians and curators, the podcast launches with the Talks programme from the 2022 edition of Frieze Masters – one of the world's leading art fairs – and offers compelling insight into the influence of historical art on contemporary perspectives and creativity.     www.frieze.com  @friezeofficial

Portals features the voice of Cassi Namoda who shares her reflections based on her practice and work titled 'Worship at Bar Mundo' (2022).View 'Worship at Bar Mundo' here whilst listening to Axel's sonic response throughout this episode. Cassi Namoda is a painter whose work interweaves the personal with the historical. Born in Maputo and having lived in several different countries throughout her life, Namoda's nomadic lifestyle and multicultural identity has long informed her work. The duality between past and present, colonialism and post-colonialism, Africa and Europe, spiritual traditions and a globalised world is a latent force in her most recent paintings.Discover more of Cassi's work at Xavier Hufkens Gallery, Goodman Gallery, François Ghebaly Gallery and on Cassi's instagram here.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Mandala features the sounds of the artist Nnena Kalu creating an untitled work and the voice of ActionSpace Associate Artist, Charlotte Hollinshead.Nnena Kalu has created a vast body of sculptural and 2D artworks and developed a live, performative element to her practice. She is driven by an instinctive urge to build repeated marks and forms, creating intensely layered, visually impactful artworks with dense colours and compacted, flowing lines. Nnena has developed her artistic practice at the ActionSpace studio in Studio Voltaire since 1999.ActionSpace is London's leading development agency for learning disabled artists. All of their work is focused towards enabling learning disabled artists to have a professional career in the arts. View Nnena's work here whilst listening to Axel's sonic response throughout this episode.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Where the sun sleeps features the voice of photographer Ming Smith who shares her reflections based on her practice and work Circle of Life (Hakone, Japan 1985). Ming Smith was the first female member to join Kamoinge, a collective of black photographers in New York in the 1960s, working to document black life. Smith would go on to be the first black woman photographer to be included in the collections of the Museum of Modern Art. Smith has often described her work as ‘celebrating the struggle, the survival and to find grace in it.' Many of Smith's subjects were well-known black cultural figures from Nina Simone, Grace Jones and Alice Coltrane: all from her neighbourhood. Smith has cited music as being a big influence in her work, saying 'these pieces are like the blues.' View 'Circle of life' here whilst listening to Axel's sonic response throughout this episode.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

THIS WEEK on the GWA Podcast, we interview one of the most acclaimed painters working in the world right now, AMY SHERALD! With their striking elegance and commanding yet inviting gazes, Amy Sherald's subjects exude grace, dignity, power, and joy. Unrooted in time, place, or space – and on the threshold between surreality and reality – they feel at once familiar yet utterly otherworldly as they glow in hues of gold, pinks, blues and oranges, often meeting our gaze with their dazzling aura. Sherald, through figurative painting, documents the contemporary African American experience in the United States. By engaging with the traditions of photography and portraiture, she opens up discussions about who has been immortalised, historicised, and who has been able to write, paint and dictate these narratives. As a result, her paintings open up vital debates about race and representation. But they're also just as much about capturing and creating a record of the joy and everydayness of life. With a process that includes working from photographs that she stages and takes of individuals that capture her interest, the artist has said: “The works reflect a desire to record life as I see it and as I feel it. My eyes search for people who are and who have the kind of light that provides the present and the future with hope”. And it is this that we see in her paintings. Born in Columbus, Georgia, Sherald received her MFA in painting from Maryland Institute College of Art and BA in painting from Clark-Atlanta University. Sherald was, in 2016, the first woman and first African-American artist to receive the prestigious Portrait Competition from the National Portrait Gallery in Washington D.C., and in 2018, was selected by First Lady Michelle Obama to paint her portrait. Depicted as both triumphant and approachable (with the pattern on her billowing dress referencing the Gee's Bend Quiltmakers), Obama's gaze is full of wisdom and optimism. Now in some of the most prestigious museum collections in the world, we meet Sherald today in London, at Hauser & Wirth, where she has just opened her first ever European solo exhibition, The World We Make. -- LINKS:::::: They Call Me Redbone but I'd Rather Be Strawberry Shortcake (2009) https://nmwa.org/art/collection/they-call-me-redbone-id-rather-be-strawberry-shortcake/ Miss Everything (Unsuppressed Deliverance) (2013) https://portraitcompetition.si.edu/exhibition/2016-outwin-boochever-portrait-competition/miss-everything-unsuppressed-deliverance After winning this award, Sherald was put forward as a contender for First Lady Michelle Obama's official portrait. Michelle Obama Official Portrait (2018) https://npg.si.edu/Michelle_Obama EXHIBITION: ‘The World We Make' at Hauser &Wirth (until 23 Dec) https://www.hauserwirth.com/hauser-wirth-exhibitions/38424-amy-sherald-the-world-we-make/ MORE – Simone Leigh, Amy Sherald and Lorna Simpson for NYT Mag: https://www.nytimes.com/interactive/2019/10/08/magazine/black-women-artists-conversation.html https://www.nytimes.com/2019/09/12/arts/design/amy-sherald-michelle-obama-hauser-wirth.html NYT interview on Michelle Obama portrait: https://www.nytimes.com/2017/10/23/arts/design/amy-sherald-michelle-obama-official-portrait.html New York Times Magazine, Amy Sherald and others on being Black cultural leaders and being seen: https://www.nytimes.com/2020/06/23/t-magazine/black-artists-white-gaze.html Peter Schjeldahl on the Amy Sherald Effect for the New Yorker 2019: https://www.newyorker.com/magazine/2019/09/23/the-amy-sherald-effect -- ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com

Dream Recurred features the voice of Amy Sherald who shares her reflections based on her practice and new work For love, and for country (2022). 'For love, and for country' features in 'The World We Make', Sherald's first solo show in Europe. In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon.View 'For love, and for country' here whilst listening to Axel's sonic response throughout this episode.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Forgetting Eden features the voice of Rahima Gambo who shares her reflections based on her practice and project Education is Forbidden and Tatsuniya.Rahima's deeply layered mixed media engagement is about the aftermath of conflict, the nature of memory and the echoes and consequences of colonial education in north eastern Nigeria.Discover more of Rahima's work on her Instagram and her website. Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

American actress Viola Davis, who has won an Oscar, Emmy and a Tony for her outstanding performances, plays a female warrior in the historical epic The Woman King. Viola Davis and director Gina Prince-Bythewood discuss bringing the story of a 19th Century female general to life. Rona Munro's trilogy The James Plays were one of the theatrical highlights of the year when they premiered in 2014. She has now returned to Scottish history with two further monarchal plays – James IV: Queen of the Fight, and Mary. She talks to Samira about how her new plays challenge the traditional histories about the court of James IV and the life of Mary, Queen of Scots. Amy Sherald is a celebrated American painter, known for her striking official portrait of Michelle Obama. As her first European exhibition opens in London, she joins Samira in the Front Row studio to discuss her new paintings, which continue to explore themes of American realism and Black portraiture. Presenter: Samira Ahmed Producer: Julian May Image: Viola Davis in The Woman King

We meet leading artist Amy Sherald, one of the defining contemporary portraitists in the United States. We discuss her new works about to exhibited in London, growing up in Columbus, Georgia, the experience of painting Michelle Obama's portrait and how New York has become her home.From 12th October, Sherald will unveil a suite of new paintings in a major exhibition at Hauser Wirth London, marking the artist's first solo show in Europe. Featuring a series of small-scale and monumental portraits across both the gallery's London spaces, this presentation is the artist's largest to date with the gallery. Sherald is acclaimed for her paintings of Black Americans at leisure that have become landmarks in the grand tradition of social portraiture—a tradition that for too long excluded the Black men, women, families, and artists whose lives have been inextricable from public and politicised narratives. In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon. Sherald foregrounds the idea that Black life and identity are not solely tethered to grappling publicly with social issues and that resistance also lies in an expressive vision of self-sovereignty in the world. By subverting existing narratives, Sherald hopes to offer the viewer a reflection of themselves and the complexities of their interior lives, void of the constructs of race, gender, religion and preconceived notions.The first widely available monograph on Amy Sherald will accompany this exhibition, published by Hauser & Wirth Publishers. Newly commissioned texts include an art historical analysis of Sherald's work by Jenni Sorkin, a meditation on the poetics of the Black ordinary by cultural scholar Kevin Quashie and a conversation between Sherald and author Ta-Nehisi Coates.Amy Sherald has recently donated $1 million to the University of Louisville to fund the Brandeis Law School's Breonna Taylor Legacy Fellowship and the Breonna Taylor Legacy Scholarship for undergraduates, a gift made possible by the sale of Sherald's portrait of Breonna Taylor made in 2020 to the Ford Foundation and the Hearthland Foundation.Amy Sherald's major new solo show 'The World We Make' opens at Hauser & Wirth London from 12th October – 23rd December 2022.Follow @ASherald on Instagram and her gallery @HauserWirth. Learn more at Hauser & Wirth's website: https://www.hauserwirth.com/artists/11577-amy-sherald/THANK YOU FOR LISTENING!!! Hosted on Acast. See acast.com/privacy for more information.

Drexciya features the voice of Phoebe Boswell who shares her reflections based on her practice and project The Black Horizon Do We Muse on the Sky or Remember the Sea?Discover more of Phoebe's work on her Instagram and her websiteThis episode also features a performance by Jazz Tenor Saxophonist JD Allen who collaborated with Phoebe Boswell on The Black Horizon project. His work is also available on all music platforms.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.Interludes opens an alternative space. The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist. Launching Sept 27 2022Concept & Production by Lou Mensah Created by Axel KacoutiéVoice Credits Rahima Gambo, Ming Smith, Phoebe BoswellSupported by Hauser & Wirth Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

If you're interested in learning about the artist who painted First Lady Michelle Obama's official portrait, then my Amy Sherald Black History Facts profile is for you.   Show notes and sources are available at http://noirehistoir.com/blog/amy-sherald/?utm_source=podcast&utm_medium=media&utm_campaign=amy_sherald.    

In which Theo & Brian discuss the Obama portraits, (Barrack's by Kehinde Wiley, & Michelle's by artist Amy Sherald) among other presidential portraits including Nelson Shanks' depiction of Bill Clinton. For part two, Theo & Brian discuss an insurance exclusion called, "Inherent Vice," commonly used in the insuring of artworks and how that relates to artists, collectors, and art dealers. Album artwork is the property of artist Kehinde Wiley. Photo sourced from National Portrait Gallery website. No copyright infringement is intended.

Maori chats with renowned painter Amy Sherald, who documents contemporary Black American experiences through otherworldly figurative paintings. Amy talks about what life was like for her growing up in a small Southern city and her process of self-exploration and honing her craft. They discuss the nuances of her artistic practice, career trajectory, and what life has been like since the release of her portrait of Michelle Obama. They also explore a question we all want to know — when is Amy going to paint a portrait of Maori?

A discussion with Andrea Karnes, Chief Curator at the Modern Art Museum of Fort Worth. The museum will be debuting a new group exhibit later this month titled “Women Painting Women”. The show brings together more than forty female painters, including giants like Alice Neel and Faith Ringgold, mid-career artists like Jenny Saville and Amy Sherald, as well as up-and-coming female artists we should be taking note of. The portraits all fall into roughly four categories: The Body, Nature Personified, Color as Portrait, and Selfhood but all are paintings of women by women.

Phillips Auction house has a reputation for creating markets for artists who don't have a track record. Over the last several years, the house has grown rapidly to become a venue for a range of works including some of the biggest lots of the season. In this podcast, we'll talk to Phillips Basquiat expert Scott Nussbaum about the massive Jean-Michel Basquiat painting Phillips will be auctioning for Yusaku Maezawa. We'll also hear from Deputy Chairman Robert Manley about a rare Calder mobile, an early Yayoi Kusama painting, a much in demand Helen Frankenthaler, and a bright red-and-yellow Rothko, as well as works by Hans Hoffmann and Carmen Herrera. It wouldn't be Phillips if we didn't also speak to Rebekah Bowling about the auction debut of Justin Caguiat, the largest work to come to market by Colombian artist Maria Berrio and another rare Amy Sherald painting. The sale takes place in New York on May 18th at 7pm.

We discuss several major Black visual artists from before, during, and after the Harlem Renaissance (with a nod to philosopher Alain Locke): Henry Ossawa Tanner, Aaron Douglas, William H. Johnson, Lois Mailou Jones, Charles White, Kerry James Marshall, Kara Walker, and Amy Sherald.  Poems by Nikki Giovanni and Langston Hughes.

This episode is also available as a blog post: https://thecitylife.org/2022/02/10/national-portrait-gallery-announces-an-extension-of-the-obama-portraits-tour-featuring-acclaimed-portraits-by-kehinde-wiley-and-amy-sherald/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This week, portrait artist Amy Sherald launches our artist series with a peek inside her process, where you can see her First Lady portrait of Michelle Obama and more.IG @asherald Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

This episode is also available as a blog post: https://thecitylife.org/2021/11/08/lacmas-10th-annual-artfilm-gala-honors-amy-sherald-kehinde-wiley-and-steven-spielberg-and-raises-5-million/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Promise, Witness, Remembrance  (on view from April 6 to June 11, 2021) at the Speed Art Museum in Louisville, Kentucky, was curated by Allison Glenn and reflects on the life of Breonna Taylor, her killing in 2020, and the year of protests that followed. The exhibition is organized around the three words of its title, which emerged from a conversation between curator Allison Glenn and Tamika Palmer, mother of Breonna Taylor, during the exhibition's planning.In "Promise," artists explore ideologies of the United States  through the symbols that uphold it, reflecting on the nation's founding, history, and the promises and realities, both implicit and explicit, contained within them. In "Witness," they address the contemporary moment, building upon the gap between what a nation promises and what it provides through artworks that explore ideas of resistance across time, form, and context. In "Remembrance," they address gun violence and police brutality, their victims, and their legacies.The death of Breonna Taylor, a Black medical worker who was shot and killed by Louisville police officers in March 2020 during a botched raid on her apartment, has been one of the main drivers of wide-scale demonstrations that erupted in the spring and summer over policing and racial injustice in the United States.A grand jury in September indicted  a former Louisville detective involved in the raid, Brett Hankison, for wanton endangerment of neighbors whose apartment was hit when he fired without a clear line of sight into the sliding glass patio door and window of Ms. Taylor's apartment. He pleaded not guilty. No charges were announced against the other two officers who fired shots, and no one was charged for causing Ms. Taylor's deathStephen Reily served as the Director of the Speed Art Museum from April 2017 to June 2021. He is a successful entrepreneur, civic leader, lawyer, and supporter of the arts in building a stronger community. A longtime supporter of the Speed, he served on its Board for 10 years, including several years as Chair of both the Museum's Long-Range Planning Committee and its Curatorial Committee. For four years, Stephen served as Chair and Co-Chair of the Board of Directors of the Creative Capital Foundation, a national grant maker in the arts. He has served as the Chair of the Greater Louisville Project and is a member of the Boards of the Louisville Urban League and the J. Graham Brown Foundation. He also founded Seed Capital Kentucky, a non-profit focused on building a more sustainable future for Kentucky's farmers.As an entrepreneur Reily foundeD IMC, a global leader in brand licensing that has generated over $3 billion in consumer product sales for the Fortune 500 brands it represents. He is also the co-founder of ClickHer, a mobile app publisher, and SUM180,  a digital financial planning service purchased by FlexWage. a national provider of financial wellness solutions. After graduating from Stanford Law School, Stephen clerked for Justice John Paul Stevens on the U.S. Supreme Court.  A native of New Orleans, he is married to historian Emily Bingham and they have 3 children.Promise, Witness, Remembrance contributing artists:Terry AdkinsNoel W AndersonErik BranchXavier BurrellMaría Magdalena Campos-PonsNick CaveJon P. CherryBethany CollinsTheaster GatesTyler GerthSam GilliamJon-Sesrie GoffEd HamiltonKerry James MarshallRashid JohnsonKahlil JosephGlenn LigonAmy SheraldLorna SimpsonNari WardHank Willis ThomasAlisha WormsleyT.A. Yero CuratorAllison M. Glenn is an Associate Curator, Contemporary Art at Crystal Bridges Museum of American Art. Glenn works across the contemporary program at Crystal Bridges and the Momentary, a new contemporary art space and satellite of Crystal Bridges. Since joining Crystal Bridges in 2018, she has worked with artists at all stages of their careers around themes of history, temporality, language, site, and identity. Community Engagement Strategist and Chair of the National Steering Committee for Promise, Witness, RemembranceToya Northington graduated with a Fine Art degree from Georgia State University and also holds a MSc in Social Work from the University of Louisville. She has exhibited in group and solo exhibitions in Georgia and Kentucky, and has recently been involved in a number of public art projects in Louisville. Working in mixed media and across disciplines, Toya speaks of her work as pushing back at societal expectations, as an act of resistance. As a feminist and social activist she states, “my work is an acknowledgment of traumas too often experienced by women and a means to foster healing and resilience from them.” Toya is the recipient of Art Meets Activism, Artist Enrichment, and The Special grants from the Kentucky Foundation for Women. In 2012 she founded artThrust a youth, art-based, mental health and social justice organization that empowers youth through art. She is currently the Community Engagement Strategist at the Speed Art Museum. Music for the Short Fuse PodcastJeannine Otis recorded the music for this episode of the Short Fuse Podcast. Music has been a part of Jeannine's life since she was born. Having a mother who was a Musical Director and a family that includes the Jones Brothers Hank, Thad, and Elvin formed the basis of exposure to music that began a career that started with Jeannine's debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN' at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production's version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts. Behind the scenes of the Short Fuse PodcastKyle Lee is a media producer for the Short Fuse Podcast as well as for the InterVarsity Christian Fellowship and has produced podcasts such as The Daily Arrow, a 2-season, 60-day podcast with devotional and meditative exercises to help navigate our current political climate through the lens of faith, spirituality, and mindfulness. He lives in Harlem with his wife and enjoys writing and performing poetry and spoken word in his spare time. You can reach him at @kyleburtonlee on Instagram and Twitter.Gilda Geist is an intern for the Short Fuse Podcast and a student at Brandeis University, where she is studying journalism, English, and political science. She is a senior editor of her university newspaper, The Justice, as well as a tutor for the Brandeis University English Language Programs. Gilda is based in Boston, MA and enjoys writing, bookbinding, and listening to podcasts.  What to listen to nextIf you liked this episode, you'll like our host Elizabeth Howard's conversation with Gioni Massimiliano, Artistic Director of the New Museum. They spoke about the New Museum's exhibit "Grief and Grievance, Art and Mourning in America", which  features the works of 37 Black artists and was conceived of by the late curator Okwui Enwezor. Listen here.

As the debate over vaccine nationalism continues, countries like India are in the grip of the worst stage of the pandemic and others are forging ahead with vaccine rollout. Anglican Archbishop of Southern Africa Thabo Makgoba and Seth Berkley, the CEO of Gavi, the Vaccine Alliance, join Christiane Amanpour to discuss why the G7 must put people before profit and share Covid vaccines. Just two weeks ago, we spoke with Philip Roth's biographer Blake Bailey about his 900-page tome on the late literary giant. But a few days later, troubling reports emerged or rape and grooming. Bailey denies these allegations, but his publisher says it will permanently take the book out of print. Journalist and author Rebecca Traister talks about the need for transparency and accountability in institutions. The Department of Homeland Security announced on Monday it will be conducting a formal review to root out white supremacy and extremism in its ranks. Former Secretary of Homeland Security Jeh Johnson speaks to our Walter Isaacson about why this is so significant. And finally, artist Amy Sherald's portrait of Breonna Taylor has been widely acclaimed since it appeared in Vanity Fair and now it's on loan from The Smithsonian in an exhibit in Breonna's hometown of Louisville, Kentucky. She explains what she hopes to achieve through painting the black experience. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Ughhhhh August really, majorly sucked. But believe it or not, it wasn't ALL dumpster fires and vigilante homicide... there was actually some really good news. So, this week we're bringing the light and increasing our bleak serotonin levels with a round-up of all the best Babe news from the homefront and beyond. Tune in to this celebration of female badassery with Babe Council founder, Anjuli Morse.   01:50 Girl Scouts announced a BRAND NEW cookie flavor!  04:45 Silver linings in the wake of Hurricane Laura and how YOU can help! 07:15 One of our very own BABES Laura Anderson released her book -  The Supportive Classroom!  09:35 The first statue of REAL LIFE women - women's rights pioneers Susan B Anthony, Sojourner Truth, and Elizabeth Cady Stanton was unveiled in Central Park. 12:40 Senator Kamala Harris breaking the political glass ceiling!  13:10 Cardi B and Megan the Stallion's song WAP opening up conversations and racking up 93 million views and counting! 13:50 Jeanette Epps to become the first black woman to join the crew of the international space station for a long duration mission! 15:05 Great news from another of our very own BABES, Antoinette Cauley's portrait of James Baldwin is now a 9 story mural here in Phoenix!  17:30 Seeing elevation of black female artists and Amy Sherald's portrait of Breonna Taylor. 20:40 The Crown Act and Glamour Magazine on ending hair discrimination.  23:50 Female leaders around the world saving literal lives in this pandemic! 26:10  Record numbers of women running for office in 2020! Supporting female candidates as they pivot in this crazy year. Donate to Hurricane Laura Relief: https://www.directrelief.org/emergency/hurricane-laura/   The Supportive Classroom by Laura Anderson and Jon Bowenhttps://www.simonandschuster.com/books/The-Supportive-Classroom/Laura-Anderson/Books-for-Teachers/9781646040452   Unladylike Podcast Episode 6: How to Break the Bronze Ceiling:https://unladylike.co/episodes/06/bronze-ceiling   Antoinette Cauley  antoinettecauleyart.com/james-baldwin   Sign the Crown (Creating a Respectful and Open World for Natural Hair) Act petition: thecrownact.com   Join our digital girl gang! Instagram: instagram.com/babecouncil Facebook: facebook.com/babecouncil Subscribe on YouTube: youtube.com/channel/UCPbyFg-ZekHDsKvgDYzNNZQ Join The Country Club: babecouncil.com/the-country-club www.babecouncil.com