Podcasts about mozart da ponte

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Commentant la vie musicale depuis le premier balcon de la critique, Ivan A. Alexandre a également su trouver sa place sur scène. Ou plutôt, à côté des scènes. Depuis les alcôves où se nichent les dramaturges. À l'occasion de la reprise à Bordeaux de sa trilogie Mozart / Da Ponte, nous nous sommes livrés avec lui à un vaste échange improvisé sur ces trois œuvres qui n'en font parfois qu'une.

durée : 00:05:38 - Ca vaut le détour en Gironde - par : Nicolas FAUVEAU - 12 concerts exceptionnels au Grand Théâtre de Bordeaux du vendredi 20 mai au lundi 6 juin 2022, sous la direction de Marc Minkowski en coproduction avec le Château de Versailles.

Unides per primer cop al Liceu en una temporada, "Le nozze di Figaro", "Don Giovanni" i "Cos

För 100 år sedan fick kvinnorna sin rösträtt i Sverige. Men varför blev vi sist i Norden? Hör del 1: De brända breven. Dessutom: Klassikern om Mozarts tre operor med da Ponte-libretton. I tre långa kulturreportage ger P1 Kulturs Anna Tullberg och Mattias Berg sin version av historien om den kvinnliga rösträttens genomförande. Den 24 maj 1919 hade en flera decennier lång kamp nått åtminstone ett delmål, på vägen till allmän och lika rösträtt för både kvinnor och män. Våra reportrar har givit sig ut på jakt efter vad som visade sig vara ett slags kulturhistoriskt mysterium. Jagat försvunna gästböcker och försökt läsa fragment av brev som tycks ha ryckts ut ur elden i sista stund. Träffat experter, släktingar och vittnen. Rest bakåt i historien, ut i landet, ned i arkiven. Sin berättelse har Anna Tullberg och Mattias Berg kallat för "Eld och glömska åt dessa rader", efter ett citat ur rösträttskvinnornas flitiga korrespondens som ofta skulle brännas av mottagaren. I den här första delen ska vi bland annat få höra om vad de hittade i den gåtfulla Lydia Wahlströms privata arkiv på Kungliga bibliotekets handskriftsavdelning. Dessutom får vi följa med in i magnifika Villa Skogsbrynet i Karlstad, där en av de mer okända nyckelfigurerna samlade stora delar av den kvinnliga rösträttsrörelsen vid sitt matsalsbord. Uppläsare i programmet är Ana Gil de Melo Nascimento. Dessutom: Klassikern av Per Feltzin om Mozarts tre operor med da Ponte-libretton: Om en tid och en plats i världshistorien då två speciella personer möts. Mozart och hans librettist Lorenzo da Ponte gör först "Figaros bröllop", sedan "Don Giovanni" och sist "Così fan tutte".

On this episode of the podcast, we hear from Central City Opera’s Music Director, John Baril, who is also conducting COSI FAN TUTTE this season. He delves deep into the opera, discussing what makes Mozart’s music stand out for him, how Cosi compares with the other Mozart/Da Ponte operas, and the art of singing and conducting recitative. He also gives us a rundown of what’s going on in his head during an ensemble rehearsal…imagine an empathetic air traffic controller. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org.

Daniel P. Schrag is the Sturgis Hooper Professor of Geology at Harvard University, Professor of Environmental Science and Engineering, and Director of the Harvard University Center for the Environment. Schrag studies climate and climate change over the broadest range of Earth history. He is particularly interested in how information on climate change from the geologic past can lead to better understanding of anthropogenic climate change in the future. In addition to his work on geochemistry and climatology, Schrag studies energy technology and policy, including carbon capture and storage and low-carbon synthetic fuels. Schrag currently serves on President Obama's Council of Advisors on Science and Technology. Among various honors, he is the recipient of the James B. Macelwane Medal from the American Geophysical Union and a MacArthur Fellowship. Schrag earned a B.S. in geology and geophysics and political science from Yale University and his Ph.D. in geology from the University of California at Berkeley. He came to Harvard in 1997 after teaching at Princeton. Diane Paulus is the Terrie and Bradley Bloom Artistic Director of the American Repertory Theater (A.R.T.) at Harvard University, and was selected for the 2014 TIME 100, TIME Magazine’s annual list of the 100 most influential people in the world. Paulus is the 2013 recipient of the Tony Award for Best Director of a Musical (Pippin). A.R.T.: Eve Ensler's In the Body of the World, Waitress (currently on Broadway at the Brooks Atkinson Theater), Crossing (a new American opera with music and libretto by Matt Aucoin), Finding Neverland (currently on Broadway at the Lunt-Fontanne Theatre), Witness Uganda, Pippin (Tony Award, Best Revival and Best Director), The Gershwins’ Porgy and Bess (Tony Award, Best Revival, NAACP Award, Best Direction), Prometheus Bound, Death and the Powers: The Robots’ Opera, Best of Both Worlds, Johnny Baseball, The Donkey Show. Her other recent work includes Cirque du Soleil’s Amaluna, currently on tour in Europe, Invisible Thread at Second Stage, The Public Theater’s Tony Award-winning revival of HAIR on Broadway and London’s West End. As an opera director, her credits include The Magic Flute, the complete Monteverdi cycle, and the trio of Mozart-Da Ponte operas, among others. Diane is Professor of the Practice of Theater in Harvard University’s English Department. She was selected as one of Variety’s “Trailblazing Women in Entertainment for 2014” and Boston Magazine’s “50 Thought Leaders of 2014.”

Diane Paulus is the Terrie and Bradley Bloom Artistic Director of the American Repertory Theater (A.R.T.) at Harvard University, and was selected for the 2014 TIME 100, TIME Magazine’s annual list of the 100 most influential people in the world. Paulus is the 2013 recipient of the Tony Award for Best Director of a Musical (Pippin). A.R.T.: Eve Ensler's In the Body of the World, Waitress (currently on Broadway at the Brooks Atkinson Theater), Crossing (a new American opera with music and libretto by Matt Aucoin), Finding Neverland (currently on Broadway at the Lunt-Fontanne Theatre), Witness Uganda, Pippin (Tony Award, Best Revival and Best Director), The Gershwins’ Porgy and Bess (Tony Award, Best Revival, NAACP Award, Best Direction), Prometheus Bound, Death and the Powers: The Robots’ Opera, Best of Both Worlds, Johnny Baseball, The Donkey Show. Her other recent work includes Cirque du Soleil’s Amaluna, currently on tour in Europe, Invisible Thread at Second Stage, The Public Theater’s Tony Award-winning revival of HAIR on Broadway and London’s West End. As an opera director, her credits include The Magic Flute, the complete Monteverdi cycle, and the trio of Mozart-Da Ponte operas, among others. Diane is Professor of the Practice of Theater in Harvard University’s English Department. She was selected as one of Variety’s “Trailblazing Women in Entertainment for 2014” and Boston Magazine’s “50 Thought Leaders of 2014.” Dr Sue Grand is faculty at the NYU Postdoctoral program in psychotherapy and psychoanalysis; faculty, trauma program at the National Institute for the Psychotherapies; faculty, Mitchell Center for Relational Psychoanalysis and Fellow at the Institute for the Psychology of the Other in Boston; author The Reproduction of Evil: A Clinical and Cultural Perspective and The Hero in the Mirror: From Fear to Fortitude. She is currently working on a book about race in America. She operates a private practice in New York City and Teaneck, NJ.

Inleiding op Le nozze di Figaro door Chris Engeler, voorafgaand aan de opvoering van deze opera.

Inleiding op Così fan tutte door Chris Engeler, voorafgaand aan de opvoering van deze opera.

Inleiding op Così fan tutte door Chris Engeler, voorafgaand aan de opvoering van deze opera.

Inleiding op Così fan tutte door Chris Engeler, voorafgaand aan de opvoering van deze opera.

Le nozze di Figaro wordt gerepeteerd in de studio.

Le nozze di Figaro wordt gerepeteerd.

Le nozze di Figaro wordt gerepeteerd.

Don Giovanni wordt gerepeteerd, met regieaanwijzingen.

Don Giovanni wordt gerepeteerd op het toneel, met regieaanwijzingen.

Così fan tutte wordt gerepeteerd, met regieaanwijzingen.

Alle medewerkers van de Mozart | Da Ponte trilogie worden welkom geheten door het productieteam.